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Daniel Magner Jan 2020
Sitting on a boulder
nestled in a valley,
clutch tea in a tumbler,
watch the water and leaves
that slide on its surface.
Green moss takes refuge on the rock,
a welcome pillar to guide toward the sun
which sifts through the trees.
A wound in the city,
a green scar
reminding us what once was.
Daniel Magner 2020
Antino Art Nov 2019
There are three bright spots worth looking for on cloudy days.

In the morning, it’s coffee with you. We find our silver lining in a hole-in-the-wall cafe near the market where fish fly, talking vividly about what we dreamed as muted light finds its way through the window where we sit. We save the moment, but say bye too fast as if we had flights of our own to catch. And we loose sight of each other in the never-ending current of strangers rushing past. The sky reverts to its stone grey self, and I drift in the company of office buildings, weightless as the clouds from my breath.

We meet again, at a walk-up noodle joint on the pier. We share a steaming bowl of tonkatsu ramen and gaze at the mist-covered bay, talking about the jobs that keep us from waking up. The sun peeks through a blanket of overcast to find us. We take a selfie: in it, we are beaming. We say bye again, this time, with an embrace as warm as the soup on our lips. We save the moment, floating alongside the edge of the water with a glow that will see us through the chilly night ahead.

The last bright spot is the golden hour. It gets dark far too early here, so there is no time to waste. We spend what’s left of it together, over a drink that burns when swallowed in a dimly lit bar beneath a stairwell. It begins to rain. We say nothing this time, and instead, share an unspoken understanding of who we are at the end of cloudy days. We put a finger on it, and promise that we’ll see each other again no matter how heavy the fog may get. We’ll find our way through. We save one last moment and slip into the wintery mist, seeing clear.

In a place with as much grey area as this, the word ‘alone’ looks blurred: it’s ‘all’ and ‘one’ put together, where nothing is missing. The selfie we took comes into focus: it was myself, a complete stranger in my own company. Now, when it's cloudy outside, we see each other through it, filling whatever is empty like a glass, toasting to the brightness found within.
Antino Art Nov 2019
I. Post Alley

Here, darkness isn't the villain.
It's the anti-hero.
We cheer on the absence of light
in favor of insight
- the kind used by blind swordsmen
who distinguish right from wrong moves
by feeling where the fighting spirit
of their adversary sways.
And so we stay awake,
following the signs etched in the neon,
blazing a path toward our fears
with a howl that cuts
the darkness in half like an alley.
We don't dream here.
We embrace the insomnia
like a cup of black coffee
with both hands,
eyes as moons,
tears as tide.

--

II. Olympic Sculpture Park

Every alley finds its way to water.
They all meet their ends
in a view that floods your eyes
at the speed of ferryboats passing.
It's the there and gone of it
that stops us in our tracks.
It's the childlike smile
you may never see again.
Days here
retain an afterglow
that brightens over time
we can't reclaim.

--

III. Alki Beach

I fled here when I thought the world ended.
I ate magically delicious clam chowder
from a paper cup
at the edge of Pier 57,
where a Ferris wheel that no one was riding spun.
Moving became mantra: a prayer put into practice.
So I flew
as far as I could get without crossing an ocean.
The fog I arrived in hid what was gone.
The sub-arctic air was balm
on what was burning up in flames.
Painters believe that lighting
defines what you're looking at, puts objects
as absolute as Mount Rainer in limbo.
I saw the heart differently here:
it was smoke
exhaled from the top of a building
to join the overcast like a freed spirit.
Love wasn't a concrete word,
but a formless mist
that your eyes keep redefining
depending on time of day: the first morning,
it was a cargo ship.
By twilight, it was a one-way ticket
on the Light Rail.
It was something that kept moving.
That's it: everything became far up here,
as if I was looking at it from the top
of a UFO-shaped observatory in a skyline
from the space age.
The sun itself appears removed:
it checks out at 5pm due to the extreme
northern latitude and lets night check in early
like an Airbnb traveler you'll never see.
It's okay to remain anonymously sad and blend
in with the rain.
Locals don't carry umbrellas on purpose.
I'm not okay yet.
So I return often to keep my cool
on their 51 degree summer nights.
Statistically, this is the city with the most single people in it –
soloists, loners, former lovers who understand that oneness is wholeness.
There's healing properties to that.
Up here, nothing is missing.
I'm so far away from what happened
that it becomes invisible,
or at least
lost to the fog that keeps rolling through.

--
valentina Jul 2019
yellow
you waited for me in madrid
blue
your presence granted me pain in granada
orange
within breaks of pain i was granted joy in segovia
turqoise
i truly remembered how much i love you in toledo
black
you hated me in seattle
white
i learned love without pain is not love
gray
you granted me life
Quills Jul 2019
#36
I open the windows when it rains
I watch the sky drown the earth the same way the pain of missing you drowns my soul

I smell the wet soil and think of home
             of the way the mountains smell in April
             of how the beach smells after a storm
With the waves crashing into droplets on the cities edge

I'm not religious but I pray that if I leave the windows open during the storm a droplet from Seattle will find it's way to me in the desert

One with salt from the Pacific and sap from the pines

I pray for a droplet from your home to find it's way into mine
Atoosa Jun 2019
Have you imagined in your turquoise dreams majestic mountains and seaside scenes?

Then go West my friend and come to me in endless summer, savoring fruits of joy in sun warmed shimmer....
https://www.instagram.com/doctoratoosa/p/ByoOlyllTDZ/?igshid=121mo8uwa05ob
Willard Apr 2019
love is what love is; i've always spoken it into monuments. their eyes would be pearls among cheeks captured in marble, and i spent a lot of time time tracing bone to bone over the bridge of my nose thinking if my touch is the same as others'. love is what love is and i've acted as Midas. under all the suns kisses are dandelions, we run through the blossom. in the scratched blackheads there's pollen and i lie fetal as a raisin and whisper "**** it out". break my shoulders, whiten your hands, **** it out.

love is what love is; I've started to wonder if raindrops ****. intimately, so the pollen pours out at paint's pace. love is what love is what's real is what's slow. i can count blackheads among vacuum suction marks. water trickles down the post, jogs after each other 'til one catches the other in matrimony. i wonder if they ****, if they love, and if the rising action is longer than what i have to live. but love is what is, slowly but surely. moments in time can't be lost if rain ***** forever.
uh
Antino Art Oct 2018
If you're unclear about love,
return your heart to a place with fog
With clouds created from breathing in the cold during long uphill walks that end in a view of the water
Return the way daylight retreats to the grey embrace of the Pacific Northwest sky at the edge of winter, dissipates in all directions like ripples upon their misty bay
Return the way sunset colored leaves hanging in limbo fall back to Earth
Visions to pieces
Tears to eyes as condensation builds
against the glass of a coffeeshop window and distorts the view from outside and from within
Return the way rain lands on a broken sidewalk in Seattle,
not pouring so much as drifting
through what looks like a new morning
blurred with all the dark nights that came before.
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