Our world
Rich and beautiful
Yet hollow and bland

Her emptiness has no depth
Her riches fathomless
Her dwellers drool in confusion
Starving to death amid plenty

Her inhabitant flourish
But in poverty and misery
Yet own enough to feed generations unborn
Leading to chaos, anarchy and doom

Her poise awful with looming damnation
Owing to avarice and man’s inhumanity to man
Countless of billions mourn while a handful celebrate
Our world the product of our hand

Spent silverfish, massed on black
whippets at        the end of the track
cracked nut shells, lying
inflated balloons, dying.

Steel mosquitos that    tattoo poppies
shot up cartridges by    the school gate
in new mown grass    that stinks      the street.

Grey trousers with holes but few compared to his light-skin-toned shirt. One leg on the other, with a dead stare at a stack of wood shining on the fiery skylight.

it looks
he took the rights
never thinking
the same turns
make a spiral

The poverty-stricken skin and the hard-labour muscles aren’t frightening; that head's imagination or its deep void can’t be less terrifying.

the pale eyes
were toneless
—one might take
them for blind—
but underneath flesh
and inside the hollow heart
sits a little blue guy
whose chirps
aren’t recognised

The man sits in coldness. Waiting for nothing. Wishing for nothing. Numb of thinking. Sick of creating meaning.

still ******* air
and as alive as any other

An ode to a beggar, who sits on his stoop.
One can't study to fight when you're begging for food.
The best ways to **** will go over your head.
Taking a nap you'd much rather instead.

While the brave and the foolish go marching to war.
The beggar just sits, thinks about it no more.

Hail to you ol beggar, with no blood on your hands.
In your ***** rags you don't hide weapon plans.
Hail to you ol beggar, blessed are you in your stride.
Hail to you ol beggar, on the enemie's side.

Perhaps one day later when the boys become men.  
When those who are left, travel home once again.
Damaged or whole, they will perch on the stoop.
And the old, weary beggar will command his new troop.

There is no beauty

with the dishes, not even --


a dream of real life.

Oh, how I hate you
How I despise you
Day and night

If I had a magic wand
Abracadabra
And I would have wiped you off the face of the earth!

But you have solid ground
And you don't want to break away
From your poor victims

You **** from us
Our hopes and bright future
You are ruining our families
You turn them into drunkards and drug addicts

So be ******
And though I can't wipe you off the face of the earth
I will pray to God :
God destroy her forever !

I've lived somewhere over 50 homes by now.

The ones that stick out?

In Portland I rented a micro-studio. My first apartment I signed a lease on by myself. It had no in-unit kitchens: there was a communal kitchen on floor one. Bed came out the wall. best description: trendy, affluent, hipsters who want to live communally in theory, but eat out every day instead. Communal kitchen was empty. No one was ever home. We all went to the food carts across the street, later replaced by a hotel.

in Florida we had a pool (even the poor have pools in Florida) and the neighborhood ice cream truck sold drugs. That’s not important. It was the pool! I lived like a mermaid and it was the same pool I had my first kiss next to.

In Wisconsin we lived above a bead shop that turned into a dress shop that rented out prom dresses to the town. I watched the cozy middle-class flock to the shops beneath me. For being a town of 1,000 we had the coolest apartment since I could spy on the whole town and their frequent trips to the bakery.

In North Carolina we lived in a neighborhood called 'beverly hills' in Asheville - the house was interesting, not very bourgeois as the neighborhood title suggested. I wanted to turn the basement into a gaming center for kids. I spent a few days sweeping the spiders away and saved all of my summer allowance to buy Rock Band. We moved before I had anyone over.

My favorite house will always be my grandmother’s - somewhere in the middle of 20 acres in Eastern Oregon is my own version of an oasis. It is dry land, full of tumbleweeds and prone to wildfires, but something about the smoke stained carpets and 24/7 television noise feels most like home.

The ******* which bore the oyster
The meats, the cheese, the cider
It always seemed to annoy her
Deep within her mind's dark cloister
The cost of one was the cost of all
A pity to pick and choose
An oyster with no *******
(nor meat nor cheese nor cider)
And lights'd be on for rent.
Or meat and cheese and cider
(No oyster shucked over a golden cent)
And not just lights, but groceries too.