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Nat Lipstadt Nov 2024
this trip
homeward bound,
riding the Q (subway) train
from the messy grime of a
never fully repossessed
cesspool misnamed as
Times Square,

to our apartment
near but yet far,
a poem short & sweet was
born complete, on an 8 minute
fast track victory lap to periodic
successful urban planning,

that even and
even though
with and/of
which
no speedy highly
disrespectful witch
on a broomstick,
nor a midnight traffickless
auto trip,
could ever hope
to compete
<>
roses red, violets blue,
all the passengers, revelry tired,
both becostumed & be plained,
Hallowed eve festivities
again, lesser than expected,
life be, eager awaited
legal moment of crazy-
-inness-inward-permissed,
never quiet or as good
as hoped,

we tired riders
all look worn from the
aggregated
infidelities of a
a hoped-for
missing-out happier life

nearing midnight,
the new immigrants,
in subway platform
patrolling,
offer us candy for sale,
their toddler children,
beside them
at this midnight hour,
to drive home
the desperate willingness to

survive in a city oft hostile

no longer eager to be
beacon beckoning
to the world, we rethink
to our minded selves,
our Statue of Liberty
engraved invite:

"Give me your tired, your poor, / Your huddled masses yearning to breathe free, / The wretched refuse of your teeming shore. / Send these, the homeless, tempest-tost to me, / I lift my lamp beside the golden door”
<>
we exit the underground rout(e)
and the walk from subway to front door
is another 8 minute travelogue segment,
we cover the quarter mile on foot,
covering a skimp of distance that
our urban transport  
of many mileage covered
in the same units of minutes
in flyer miles

<>
late at night,
we walk fast, with eyes wide,
our lives to hide,
from the risks of the
unpredictable
when the street parade
of stragglers
gives not the comfort of a
rowdy crowdy,
and the existence of crime
is not
entirely fabricated

<Did>
I offer short and sweet,

Oh well I only misled,
the trip 16 minutes
and the poem
in my head,
complete emerged
with minutiae attending
et. al.,
in far far less mini~minutes,
for it was
a product of
silent back labor,
from first staggering
screaming pain
to
successful unexpected birth
that can take maybe
minutes five,
to mentally survive
plus,
physically complete the birth,
introduce this poem to life.
when the photos of my mined mind
make images from negatives
into words,:

collect, sort and report the
output picturesque
now in colors black & white,
of a trip from a Broadway theater
through to a high rise building
astride the river
which gives me
a theoretical cleaner space to breathe
<>
rather than short and sweet?
I really reseed,
redeed it as/is:
not too long and a tad
bittersweet


a night in the life of
the mixture of successes and
failures of our troubled world
in
living technicolor,
a few seconds of film
of which one could fairly,
and in fairness
bless/write/curse/
each sight
twice,
uttering:

”mine eyes have seen the glories,
as all come to look for America”
a composite of many trips, that took ten
minutes to type with my left foot thumb
between 1:23 ~1:33AM
to spee,, review, pay its overdue
minefield fine
and send forth into the atmosphere ionic

https://upload.wikimedia.org/wikipedia/commons/thumb/8/83/Emmalazarusengraving.jpg/800px-Emmalazarusengraving.jpg
Nat Lipstadt Nov 2024
comes on shore, from heated airs,
over a far away ocean,
steals in with quiet hands,
no thunderous  clapping,
gently lifts, shakes, the
woman’s long tresses,
making them an
even bigger
tangled messes

the irises standing proud ‘n tall,
with their quiet applause, mm
at the unfolding playlet observing,
verdant spectacular every coloration,
the sky spinning clouds,
the lapping  waves keeping rhythm,
that everyone
hears differently,
and all the discordant
cacophonous agitations
blends harmoniously
and everybody smiles,
everyone grins,
all knowing that the
all~knowing just

sneezed
wrote this to remind myself that I
can still write a summer poem
even if it is November 2nd at
9:41 on a sunny, but chilling  morning
Nat Lipstadt Nov 2024
~ for the poet Lorca (1)~

<>
we spoiled citizens of
our
United States
have little facetime,
nor hands on familiarity
with fascism
even less with global geography,
and that tiresome subject,
h i s t o r y

but it’s a disease
just like malaria,
that has never
been fully eradicated
(ya didn’t know?)

and yet,
malaria has a treatment,
a cure, even a vaccine,
as does
fascism

something muy valuable,
free for the taking,
but not freely necessarily,
freely given,
a commodity
with its own supply and
demand curve

it is
commonly known,
but not necessarily
commonly available at any pharmacy,
generically labeled
f r e e d o m!

this disease
is however
attractively packaged,
it is not embodied in an
ugly mosquito,
so many eager to embrace
its potential praises,
ignoring the deep sea
trenches of pitfalls
that encase it

for it has the elegance of
simplicity
the simplicity of
eloquence  
whose glittering
is an attracting
disguise of deadly poison,
the infamous elixir of
a “cure-all”
(1) https://www.poetryfoundation.org/poets/federico-garcia-lorca

this morning per Bloomberg
Civil society, media groups condemn vague wording of law
Nat Lipstadt Nov 2024
cracks me up
this erroneous error message,
looks at me and states authoritatively
nuh-uh, buddy, “it ain’t you you babe,
it ain’t you we looking for babe”

makes me crazy crying
copiously betw snorting fits of
eloquent derision

why oh why

is it daily savings time prematurely
(immaturely) aging me,
be it advancing decrepitude
or just the AI’s sullen attitude?

be it a secret messaging that my
mother’s slow descent into
senility, loss of speech is now me-
visible to the all seeing eyes on
a dollar bill, & or the iPhone genie?

this erroneous messaging appears
with an irregularity regular, just
enough to make me think that

this
       is
           not
                  accidental

come to nyC,
come me to see,
need an independent  
judgement  summary
please
before the winter pale overcomes my
poetic resistance and they park me
in the backyard, where I can sit yet,
studying for multiple hours
the river-fed bay on its way
to the vastness of the Atlantic
Ocean, where the water will combine.
all cells of each of our selected
those chosen body’s of water,
bodies now interring,
while populating
intermingling
taking stingling diatoms from
of each, they will kiss, greet, each other,
with the clarity of recognition that our
poetry has already bonded us in ways that are irrefutable, been coming long time
geological formations new and old,
still forces unstoppable foreseeing
every, every ever
10-31-24 a prolific
October comes to a glorious end,
with glorious sunshine warmth, bringing out the
costumery adults. pretending to be daytime adults…
arrivederci ottobre, benvenuto novembre!
Nat Lipstadt Oct 2024
the plural of grief is grief,

in our lives, we busy ourselves
accumulating various assorted
grief, some physical, most mental,
those stories when retold, first
make you groan out loud,
every-one asks
what’s a matter, no spilling beans,
you shake ‘em away with
a smile and a “just life”
and it gets
dropped


if you’re so young, that you haven't
started a career of serious collecting,
the objects that will decorate every
place, in every state, wherever the
airy transplants, you won’t be
surprised, thinking you “forgot” to
pack them, for they travel light,
though, they weigh more than any
hope chest of unworn garments that
will never be discarded,
even when
hope is so long gone,
it is still an
unrecognizable


And yet,
the plural of grief is grief

and there is a singular story,
a lost love, a guilt for letting
someone get lost, leaving them
unknowing that if you could,
you’d whisper shouts of reconciliation
for days, to cain assuage the years
when they lay unspoke,
brike broke inside a human chest
of petty
grievances

I have one,
midst all my knowns, which
even not even now, even
in my truth serum poetry
that will not be confessed,
lest you’d beg me to
never write again,
move on to parts unknown,
let that gory story abide in your own,
in your windowless palace,
with your
other locked up secret treasures
wrapped
in black
tissue paper

my own chosen grief,

unspoken, unwritten,
and resting restrained upon an
invisible line
that lives on my tongue,
it is fresh, imaged, just
a hasty taste away, when it
resurfaces at its own chosen
speed, its own chosen need
to be rebreathed, when least
desired, least required,
**in other
words,
when it chooses to emerge,
& it chooses you,
at the precise right
always the wrongest
time & place
8:26am sometimes in the early morn,
after first coffee, mine come seeking,
saying, “stay in,”
with a smiling grimace,
“let’s mourn”
Nat Lipstadt Oct 2024
~for S.,
who needs to look up
nada et. al.,
for & cause,
she was the
implanter-in-chief~
<>

by now
you know exact my meaning,
the daily diurnal,
the witchs why you keep
a log, a journal,
of the all memories mundane,
pleasurable and pained,
the stuff of life
which morphs into
the stuffing of your
scribing,
aged pages
of endless fascinations,
of the tiny artifacts,
the dance habits,
muscular sized,
from moment of
first arousal,
to the last thought
clanging,
all are impressed upon
your closing jail door eyelids,
all these minutiae
now nightly benightly
locked in,
the actions and reactions,
that choose you,
or vice versa

the A to Zed
of who you be,
what summaries get kept
in your head,
of who you
were, was, when,
now storaged
in that stainless steel
attic of
you actions
in living color, the
terrible and the tedious
all these seedlings of amoebas,
of unending routine edges,
that define
your selving delving,
and shelving of
yourselves,
the best mysteries
of your personal histories,
that you’ll take to your graveriueries^

t h e y
are the original origins of a life,
you who walked you out of the sea,
to become the
salt of recorded history
sprinkled upon
your poetry…

<>

and those ****
they
said you
couldn’t rhyme
worth a dime


ah well,
they~them
last seen
entering
the hated gated
halls of hell
sighing,
while I’m
laughing,
Rolfing^
on my
Armstrong ceiling tiling^
3:07 am
10-37-2025

some typos exist
for good reads

^ig you care, just look it up,
if you care that much😬
Nat Lipstadt Oct 2024
disclaimer:
a long poem, tumbled out complete,
feel free to *** along

<!>

a poem that does not need writing,
scripted once before(1), sung this song,
nonetheless the heart purges,
then
newly urges
for fresh eyes to revise

for each second, four new babes come
into these world, estimating that one
will be infect by poesy, and there is
and yet,
no-known/cure, there be no disturbance,
no Cain mark distinguishing,
no sign from heaven,

so this enlivening disease, sometimes takes
almost a generation to bud, blossom (4) and pollinate the world with its unique nectar, uncontained, unconditionally & uncontrollable, and naturally,
incurable

by you awoken & aware of yourself
as a carrier, the strange heart rate
display of your EKG, that the doc
cannot explain, with that extra heart
beating beat (2) revealed, tell them not
to worry
it’s ok,
it’s a genetic
that makes you
tick
that’s yours
distinct,
and

there is no cure expected, no foundation advertising for dollars to lead the fight,
maybe one that does exact opposite, but no
matter, the infection becomes a condition,
with symptoms diagnoseable by the
colored gleaming lights in your
aggregating eyes

then comes the days of
frustrated declination
when every undisciplined
***** ditty wordy rejected,
crumpled and to the round
container sailing,
that’s the pain for the gain,
though all natural talent marked
by higher standards
self~imposed,
for only you can judge
when it’s good enough to satisfy
the judges observing,

the ones astride you
on each shoulder,
censoring the trite,
******* you back into the fight,
and soliciting you to go easier
on that body
for it already contains
all the nutty nutrients
that will combust
into a poem
that will be any equivalent
to an
******  of
new life breaching the
mind’s cautious customary warnings

so much more to tell,
by way of example,
who are the
predecessors that give me instant inspiration,
in the expectation of periods of
Saharan drought, (3)
the need to jot every random thoughts,
for oft
we compose in drips and dabs,
every birth owns its own timetable,
took Cohen ten years
to make Hallelujah satisfactory,
theiving so/too much of your time,
until the best distraction arrives,
announcing the following;

“if I did not truly loved her
it would be causas belli
should I fail not to
bring her an ember of
coffee”



but writing in the moment
is a stupendous momentous
so smile sweet,
tell her where to go,

where
the mug with Hawaiian scents
awaits, and let her lover
decompose what needs saying

immédiate
right now!

so by way of closure
I ask you
why
are you still reading this too **** long
soliloquy
and not
stariing into a world
of words
all your own?
<>
for
inscribed upon your every breath,
are
your words,
a trickery uniquery
to which

nothing will ever compare
<>
this one, came atumbling, stumbling
in one fall fell swooping on a Sabbath morning,
10/26/24, between
6:00am and 9:00am
>>
(1) https://hellopoetry.com/poem/2433933/0-followers/

(2) https://hellopoetry.com/poem/4767467/intrinsically-intrigued-by-my-irregular-irreverent-extra-heartbeat/

(3) Hafiz, Whitman
(4) started writing late, in my sixth decade
Nat Lipstadt Oct 2024
and all the other here afters; for all are an
aftershock, a stunned embrace emotion to
a trauma, that stuns us into a overwhelming silence, when words fail, for they are but a tool, not always handy…in fact, sometimes the hands, their warmth, the slow squeeze of supportive strength, is the most
uncommon elegance
humans ever devised

After all, when all  is said,
that shard of a touching outstanding
will

survive longest in the tracks
and crevices of
our fingerling cells, handy
and purposed for those flawed deposits

that are always kept best within
our safest harbors of valued,
touches,
ready to be recalled
and better yet, perfected, when

*shared
19/24/24
Nat Lipstadt Oct 2024
is a delightful pleasuring, to be equally enjoyed by the giver as well as the recipient


say it slow, like it is a well chewed, tastefully
delivered morsel, let it hang in the air so
it is available to all, and greet it with the
precisely perfect response like an old dearest friend, recovered & uncovered once more, with the well considered, perfectly constructed and fine elegance of a


welcoming
midnight 10/24/24
Nat Lipstadt Oct 2024
seethe ~ bubble up as a result of being boiled,

<>
sunrise was 714 am in nyc
this perfect fall day,
chilled to perfection,
a white wine of a day,
so imbibe,
only later does it
heat up up and onwards
to the temp where the
walkers/joggers/runner recite
hallelujahs and hosannas while
moving at their own chosen pace,
in a state of warm southern comfort,
never a racing

lest
the poems
now seething, boiling-burning
bubbling up inside
into the atmosphere explode!

all of these
early warming~warning inspirations,
now~expressed,
realized flickers of
original ex-impressions,
cannot be contained in
an open field unsupported,
these
breech babies each,
in a pediatric ICU,
demanding an
instantaneous airy concoction
to Earth’s atmospheric
literary intoxication

they use:
up hard, a dice roll,
who lives
who wilts,
that docs cannot but
obey
the fetus’s insistence,
many instructions,
push pull breathe,
must the. be given forthwith
through to our
servile waiting
uterine fingertips,
for we human are just be
~ings,
nurturers of
verbal artifacts
that never die

in
an~always~at~the~ready,
in service to
the great conceptual,

poetic in/justice
what happens when I walk the streets
assaulted and assailed
by rapid fire poetic insights
exploring, exploding
inside
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