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WHY are you reading and writing poetry today?

why not?
**** straight &
just be the cause
that's right,

even writing
just keep it
short/\ sweet (self mocking Ha)
there are actual family members
who might require
a shocking paddling
to the
heart
when conducting their
year end review

as for us
the shock, the awe,
of so many fine
new poens opening
is a sufficient charger to the
parts that need restarting when
we wake up, no matter
our diversification
our diversions
and divisions,
reading new words ancient
in the Reforming,
are dividends and
that keep on after the electrolytes, caffeine
& other stimulies

stimulants that keep us going
a golden charging,
Plenty good enough

Ps
and I delight in many new ones
discovering my prose, welcoming
them like my newborn children
all my own, and raising them
and the new-for all-new combinations
to see their Forthcoming with/\ by
bringing them to your attention,
and that is my Jewish own creche,
my own scene of all of god’s chosen
poets
nativities

and did not plan to go in & on
but nothing stirs the sparks,
like thinking that every minute
a birth is celebrated
and I am blessed to be among
the witnesses

nml
12/25/24~12/26/24
preface

yup

this is #99, & when it’s done,
another winking title will pop-up,
be

recorded, reordered, and reported
out to you,
and that old drinking song will~still
be justified with words adapted to
sing out of & about~no~doubt them
emotional rhythms traversing my
blood stream that inhabit my
thoughts and causes, visions and
curses


poem

a gray cloudy xmas day, and home alone
by my-choice, which is a potpourri of
caramel popcorn vinegar and vital vitamins,
a metronome of verbosity and to counter~~
attack these insidious moody blues, select my McIntosh mug with a Winslow Homer painting of East Hampton Beach


yup,

this is no. 99, in my file of
working scribbled potions, ,
which like my porcelain lipped mug,
is brimmm-ing filled too,
with phrases~tastes,
accompanied &harmonized,
with a mug up-to-the-top
of circularity spooned, steamy fine
Blue Mountain coffee,
colored beautifully creamy brown
by a quarter cup of
Fairlife skim milk
and damnable inspired
pseudo-dissatisfaction


apology

for rambling but it’s
a rambling day, and just going
with flow, and the east river
ocean bound current strings chains
of molecules, words, randomly
planned and planted, and lined
up to take  stolen sips of  coffee
breaks, indoors-inside my coffee cup
mind


****

got lost and now forget what
this poem was to be announced~about,

thus #99,
version b., will re-main on
the list, awaiting refurbishment, and
more, sigh,

                          *coffee
12-25-24
“you should watch for what’s good and say so, watch for what’s bad and say that,
and be afraid of neither observation.
If you lose your temper, lose it; if you find yourself unexpectedly moved, admit it.
Keep your tools, compass and gyroscope,
clean, dry and level.”
Peggy Noonan,
columnist, author
<•>

good
Christmas Eve advice
getting harder to find,
wheat from chaff, and all that,
what’s sensible,
what’s defensible,
and what actually feels
A~ok!
as in
perhaps, it actually could be,
pause to think,
correct?
and:or:heck,
even right

so if you read the above ,
take it from a couple of senior geezers,
you just got a holiday freebie!
yeah, yeah, keep your powder dry,
just ain’t the same, sorry…

we talking tools and fools here,
them that keep you
on a course
of your owned free choice,
with an assist,
to  know your position & to
never to lose your balance

when everybody is
instantly
telling you what to think,
take that long pause,
use your tools,
to pick the problem up,
Rubik’s cube it,
twist and shout,
when the
solution emerges

‘tis the season for
preaching and overreaching,
but use this quietime pause,
look internal,
and keep your instinct and
inside tools oiled,
and mind open, clarified

wish you then, clear eyes, open ears & love;
wisdom, that’s up to you,
but, you’re a billionaire for sure,
use the grey cells you were given
thoughtfully & well,
and keep on looking for
‘what’s a good way,’
which is always an
everlasting work


                             nat lipstadt
12/24/24
5:45 pm
NYC
“Talk in everlasting words
And dedicate them all to me
And I will give you all my life
I'm here if you should call to me
You think that I don't even mean
A single word I say
It's only words and words are all I have
To take your heart away”


“Words” by the Bee Gees
<•>

words are orbs,
living in the airy space just
about above over my head

still plucking ‘em when the
spirits shake me awake,
speaking
“create, can’t wait,”
for if the instance slips by,
a
disparate disparaging displacement
though not fully lost,
the precise
conviction combination
precious precision decision
if not stepped upon with
a codifying immediacy urgency
can result in an
irreparably irreversible irresponsibly
l o s s,
feeling as if a piece of your
owned amazing
has been chipped off irretrievably,
flown away to a
never again
nether land

not lost on me that
the infinite symbol

is sometimes called the
lazy eights

a minute momentous moment,
all it takes, for the loss of
infinity permanence of going
gone gone gone

read of a man,
in a creative place,
songwriter on a crowded California
Santa Monica highway,
with no place to pull off,
sings over again the tune birthing
with no intermission
repeating for hours the tune
and the lyrics
of a new (now famous) song,
proceeds
directly to the recording studio
to lay that track down

been there, done exactly that,
“while doing 85 mph on the
Long Island Expressway,
(L.I..E. )
and those
everlasting words
live on today
Dec. 2024
inspired  by“Blame It on Kristofferson” written by Byron Hill and John Wilken,
released 2010
(lyrics below)
<•>
A young teen listens to the
folk/rock during the Sixties,
five few years later,
now all growed up and living, crazy,
on Bleecker Street, the very same,
where these songs were being sung live,
by the artists, songwriters & friends
on the streets’s bars ‘n cafes

And Judy sings a ballad, mysterious,
‘bout a Marianne and all the tea in China,
words written like it was a poem,
and the infection was silent transferred,
still ‘fected, even now, in days sooner to
be reporting to heaven’s door, this blessed
curse will be unrelenting coming along,
we blame it on
Leonard Cohen

Knew the words, learned the secret chords,
which was easy, a-direct line between us,
knew where he got them holy tunes, and the
words he stole stealthy from our prayerbook,
went to Montreal, visited his home,
it was no accident, just the hand of god,
but don't blame the divine mystery being,
nah~nope, half~century, later, this dope
still blames it on,
yeah that’s right, on
Leonard Cohen

And here we are, the two of us, probably
smiling, gesticulating and gesturing, who
in fact is truly responsible for our crazy gene,
that pursues us, to create,
to mate words with
music of the deep soul, and here me be,
I am,
grateful grasping for each latter day to birth a new creation,
going out smiley & feeling kindly and fulfilled, now more than ever, and
zero doubts that the person at fault, fully blaming it all on my Canadian soul brother,
Leonard Cohen
https://genius.com/Byron-hill-blame-it-on-kristofferson-lyrics

<•>

Lyrics Listen
I WAS ONLY SIXTEEN|WHEN I HEARD THAT MELODY|AND THOSE WORDS ABOUT A YOUNG MAN|WHO WAS ALMOST JUST LIKE ME|ON A SUNDAY MORNING SIDEWALK|HE WAS FEELING ALL ALONE|I HAD NEVER BEEN THAT FAR FROM HOME|BUT NOT FOR LONG|BLAME IT ON KRISTOFFERSON||HE CHANGED MY LIFE FOREVER|WITH EVERY WORD HE WROTE|HE SANG WITH RHYMES THAT RAMBLED|AND THEY HIT ME LIKE A ****|SO I HEADED OFF WITH MY GUITAR|TO NASHVILLE TENNESSEE|MADE A PROMISE TO MYSELF I'D ALWAYS BE|WHAT I'D BECOME|BLAME IT ON KRISTOFFERSON||CHORUS: I'VE BEEN BLESSED TO BRING A SMILE|TO A FEW FOLKS WITH MY SONGS|BRING A TEAR TO SOMEONE'S EYE|AND HEAR THEM SING ALONG|BUT SOMETIMES I START HATING|EVERY WORD I'VE EVER WRITTEN|THINKING I AIN'T EVER LIVIN' UP|TO SUNDAY MORNIN' COMIN' DOWN AT ALL|BLAME IT ON KRISTOFFERSON||SO HERE'S TO JOHNNY CASH|AND 1970|THAT TV SHOW WHERE FIRST HEARD|THOSE WORDS THAT SPOKE TO ME|OF A SUNDAY MORNING SIDEWALK|AND A YOUNG MAN ALL ALONE|I HAD NEVER BEEN THAT FAR FROM HOME|BUT NOT FOR LONG|BLAME IT ON KRISTOFFERSON||REPEAT CHORUS|
Nat Lipstadt Dec 19
begin this life in a wordy
but wordly habit, daily,
father-gifted, though different,
in form and language selected,
‘tis the one and ‘tis the same

tally, a counting combination
of all that has been done, for both
better & worse, blessing/curse,
the key: revamp review reset
this day upcoming and welcome
all the major tasks, minor miracles,
that one can effect,  select, elect!
by choice, a freedom so great it
tenderly rips joy thoroughly into
and from my cells, and my body
is enlightened, uplifted in this,
now a preposition, a conjugation, a

state of composition,

for the tasks given, the granted,
those that must be taken, those most
difficult, when knowing their choice,
entails pain, untempered, and
requires establishing a two edged
position of composure…

this is a hard and an easy
new proposition I create,
hard for I write on a tiny
phone screen, in letters so
small. it keeps me humbled,
a reminder of having
lived a span well
beyond belief,
for one took\gave body a
careless comfort,
giving little
of the differring
kind of nutrition in order
to live life, well and purposed

hard too, for my body has wept,
a steady stream of silent tears.
unceasing as I scribe,
making vision difficult, the
insight salty but clear and the
words contained within them,
flood for easy laying-down

for this AM workout of counting,
lists up and down, so many items,
of differring nature, even now
noticing for the very fitting first time,
the subtle hint within
differring,
for it possesses a doubling
of the enormity, the division
of what has been already
accumulated and what yet,
needs accomplishing, the tally
needy for resolving looking past,
for seeing with yet more tears
fast-as-you-can-forward

the tally never ends, paused only
for a quick question/happy deletion
of, and a resolute immediate, moving on:

Where do I stand,
what is my position?


keep on keeping on,
tallying has no finale,
no sunning/summing up,
for another day
will yet follow,
for you, and
your own
tallying must
goes on, on
and
not even,
nor even,
odd,
when mine,
mine no long,
and the
and yets,
no longer
commence
646am dec 18 2024
Nat Lipstadt Dec 17
for E. M. A.

<•>

a conglomeration, a pastiche,
two  Italian words affixed,
without hyphen, space, signaling
unity, a merger of a perfect sensory
morsel,

every language unicorn unique with
overlapping skin cells, entangling roots,
so do not be surprised when you,
who speaks not Italian, yet the brain
reverses the words in your eyesight
and is instantaneously understood

I love this letteral literal littoral
literacy
connective tissue that is a humans binding, and oneof my greatest lessenings, is that never
achieved real fluency in my cousined
romance languages, though oft inserted
in my scribbled poesy, for the emphasis
of satisfaction when saying
certain words in a related language carries
a style, a tune, that elevates its conceptually


so friend, multi lingual,
aware of my affection for
mixing, mining words of
multiplicity, makes, creates
a new word just for me:

which deserves a plain old perfect
WOW!
poetfriend
friendpoet
will never sound
as rich, inherently
musical, poetic
as saying:

Amicopoeta
8:26
Dec. 17, 2024
Nat Lipstadt Dec 16
~for Traveler & Jo-

they who read,
he who creates,
and supplies a marvelous word fresh born,
and we celebrate a new word’s

nativity:

+agreeance+

if only I could sing
or even write
with Niagara Falls force
of appreciation
what a miraculous joy,
this original pasta and sauce
of letters
that was never/always
meant to be
conjoined

+that nuanced combo+
of
agreement + happenstance
agreeably
connects my
heart and emotions
in my early morn
period of tallying
all the little steps
morning brings
to verify that
my breathing is good
my heart is open and exposed,
for
all the tears
I’ve already wept in but
a few moments already
in but a
few minutes reading
your new
poems and message
that are so
heart rendering


and I can smile
for the world and I
are in a state of
fulsome
agreeance!
poems are triggering
and can be found in the
reflections hid on your eyes
Nat Lipstadt Dec 15
~ for the grandson of an extraordinary man~
<>
the supply chain, which unless
you’re a logistics aficionado,
is  
alot of ve-hicles, planes,
trains, ocean going monster ships,
& shaking hands of humans, of a
Heinz variety of colors,
who give nary a moment to what
it is they are moving across a planet

all miraculous in the ordinary
schema, but when you slump
in the recliner, and think about
chains, and the reach extraordinary

you issue a curse of admiration and
lean back and think, with luck,
I’ll never have to move ever again,

and more moment’s preserved,
to serve and be served,
for all us deserving,

to let words and visions get
passed around, and the supply
chain unchains
the human soul for
the best thing us you~mans can truly
produce,
the art of new creation


4:07am
Nat Lipstadt Dec 13
“We could never see tomorrow
No one said a word about the sorrow
The Bee Gees

a simple rhyme, a plaint familiar,
for those who have never stared
down train tracks, which is a lesson
in recognizing
the uncertainties of
living,
even if linearly visualized,
t h e o r e t i c a l l y

can veer to destinations unknown,
worthy of being dreaded, thinking
what are the odds today is the last,
and maybe now and then, not just
dismissing,them so easily

but it always brings on pain old
and familiar, recollecting of the
way life never asks you first, the

swiftness of two life lines colliding
with the
s u d d e n e s s
unfathomable
of 2 locomotives crashing,
head on
and leaving behind
a desolation breathtaking

it is a well lit winter morning,
cold light, but the direct sun
leaves a general okayness,
and you trudge along,
head bent, respecting the chilling,
calculating the distance to
the warmth of a planned
destination,
but here I remind
all of us:

”No one said a word
about the sorrow

Dec ‘24
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