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Oh Vincent
whatever did you do
ripening fields of summer corn
and sunflowers of a brilliant hue
a shade no other eyes could see
except for God and you
Trying ekphrastic poetry
Nothing
but a thought
ful
misinterpreted metal man
carved of an art
ist's
chisel block,
tarn
ished by history and hate
red
roses always bloom be
hind
The light that illuminates
the beach watchers.
my
beach watchers.
I will alter for you.
Inspired by Jaume Plensa's artwork
Poem's a little choppy though
Renie Simone Feb 2021
Dear, Pa –
it’s your once-son
Danny – or better known
as Sandy, or Annie or;
Ann-Marie and to some
folks on 19th Street,
I’m known as a sinner, a ******!
My life is a movie, like
a catwalk model; and
I play a very special person, who’s got
no-one to lean on, no mommy to hold, and;
Wait, I know her. She’s familiar to me like,
I’ve known her since the beginning of time, but
right now, in physical form, she stands
in front of me in the;
mirror, Pa. Yes, I am her reflection, no
I mean she’s my reflection and I realize
that; all along, this whole time, I told myself
a big-fat lie; as a child, hatred and anger
were the tears I cried. So –
this one’s for you, my king,
my liege; this one’s the promise
that we’ll keep; this one’s the bond
between our sheets; but this one’s the
one that’ll point at you; before I lift
the middle one, to say, “***** You!”
But hey, Pa – here I am. A
woman, not a man. A bonafide,
sophisticated lady in minx
with, real diamond earrings and
fierce wings; those nails, my nose
and my lips – make me feel like I’ve
power at my fingertips.
Tonight is my show – it’s my time
to shine. And I’m going to **** it
like I know I can – so thank you Pa,
and thank you, ma’am. For giving
me the strength to be who I am.
Brief Explanation: This is an ekphrastic poem which was inspired by a particular photoshoot of Himmel Reyes, of which I unfortunately can't seem to source. This is a fictitious response to some darker sides of the glamorous life.
Susy Kamber Oct 2020
The sound of the leaves written primarily by trees.
As such was the beauty heard plainly with ease.
Up mountains, round rivers.
A song for the birds.
For the people that fly there.
Across valleys was heard.
Now what be the mention of this, you may wonder,
Alone to unravel the blur from down under.
A song can be sung from the language of trees.
I heard in the sky and then carried to thee.
https://www.susykamber.com/
Ekphrastic Poetry Explores Art
I wasn't on earth, not anymore
I wend one's way to a tranquil ambience whilst transcending my divine self
to a higher Cosmic Celestial being
at the time of eternal halcyon...
the Lacuna,that's what they called it in this time (Space was highly praised)

Suddenly life was unending
I guess that's why they use
light years here
it's counter intuitive

A cosmic pilgrim,
in a buoyantly state..
I peregrinated my way to the place in space
I seeked to fill my existence or of it to fill its existence the aftermath resulted twins

My burning hanker being doused with every feeling of passing an atom, I began to feel more drawned to my destination

From a distance, a visual perception of my terminus appeared before me

Jupiter

The third realm to the
East of my origin with
the four daemons seated in
an aligned parallel order manifesting themselves before my eyes..

Ganymede the colossal daemon
The ancient of them all

Callisto the Cherry blossom
the most alluring, artistic and gratifying in sight of all daemons.

Io the Sun's sister

The last daemon, Europa
the soft Pearl

The sight juxtaposed one's eyes for God's
I never felt so alive before
this was the cream of the crop
of the peacefull atmosphere in space..
sending an aesthetic tsunami tide to my soul's core

I belonged
Happy holidays  y'all
Kevin Castro Dec 2019
(in heavy breath)
my eyes take her in
her body lying prone.
her smile, smothered in her pillow.
back arched,
she releases a moan.

(moaning, quite sharply)
my hands stroke with her cadence
staggered gasp
and with a click
i lock my screen
as her moans send me to space.
my own fluids are now
the fluid for stimulus,
for an eye rolling **** numbing high.

but in thirty seconds
i crash.

i am tasting myself now
with desire
with disgust
like raw eggs mixed with salt
like water laced with crushed paracetamol
exactly *** mixed with spit.

i sink into the dark musty scent
of stale air, *** and sweat.

and i awake
and once again
my eyes do hunger
and so does my ****.

Eshu, end your tricks now
it’s not funny anymore.

my gaze ***** everyone it meets.
it strips them bare
of their skin
of their flesh
it turns them into meat.
it grinds a person into produce.

these eyes are battered and harmful.
may they now rest, please?
(ekphrastic poem for Eshu by agnes arellano)
Sydney V Dec 2019
Here, in this village,  
I, am unpigmented canvas  

my suburban skin,  
unfamiliar.

Where the trees
bleed colors of resurgence  

into the vacant
and vibrant damp,  

dark, earth below  
to begin and paint again.
If I could attach the photo I took of Avalon Village I would... Once again, dabbling in the realm of ekphrastic poetry and making use of extended metaphors.
Sydney V Nov 2019
As I stood,  
on the wet street  
in solitude, behind
the external lens  
in my hands,
I could hear the passing  
of painted, ticking clock hands
as they whispered and waved
through static noise  
from precipitation  
around me–  
        I wondered,
if a past soul  
of mine, contributed  
to a time of white flight,  
when a financial crisis  
sprawled like a crack  
on a windshield, from a chip  
in glass, created  
by another battle  
between politicians.
My present soul,  
              resides,
in Heidelberg,  
where  
stories of others
become painted dots  
on buildings  
climbing walls  
like spiders,  
their painted eyes
against the stark white,
doted house
seeing all.
Inspired by trip I took to Detroit back in October... it's a work in progress.
Sydney V Nov 2019
There is a melody that sings,
of a dream lost in time, with music
that fits the space  
that can’t be filled.
She is as real to you,  
as the wood in your hands
and at night, beyond the timbre of your guitar  
that murmurs melodies about a world
too many understand.
What once was elegant boulevards
in Madrid, are now  
a melodic strain  
of fleeting moments, trapped  
in colorless discontent.
This is an attempt at ekphrastic poetry, which I based of the X-ray version of 'The Old Guitarist" by Pablo Picasso. I highly suggest looking up this image, as it speaks differently than the one that is commonly known, and it may make the poem easier to understand.
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