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Sydney V Nov 2019
As I stood,  
on the wet street  
in solitude, behind
the external lens  
in my hands,
I could hear the passing  
of painted, ticking clock hands
as they whispered and waved
through static noise  
from precipitation  
around me–  
        I wondered,
if a past soul  
of mine, contributed  
to a time of white flight,  
when a financial crisis  
sprawled like a crack  
on a windshield, from a chip  
in glass, created  
by another battle  
between politicians.
My present soul,  
              resides,
in Heidelberg,  
where  
stories of others
become painted dots  
on buildings  
climbing walls  
like spiders,  
their painted eyes
against the stark white,
doted house
seeing all.
Inspired by trip I took to Detroit back in October... it's a work in progress.
Sydney V Nov 2019
There is a melody that sings,
of a dream lost in time, with music
that fits the space  
that can’t be filled.
She is as real to you,  
as the wood in your hands
and at night, beyond the timbre of your guitar  
that murmurs melodies about a world
too many understand.
What once was elegant boulevards
in Madrid, are now  
a melodic strain  
of fleeting moments, trapped  
in colorless discontent.
This is an attempt at ekphrastic poetry, which I based of the X-ray version of 'The Old Guitarist" by Pablo Picasso. I highly suggest looking up this image, as it speaks differently than the one that is commonly known, and it may make the poem easier to understand.
sparklysnowflake Nov 2019
there were golden forests
and skies like seas

feathered magenta sunrise
floating on silver breeze

and under rosy ecstasy
the grass sang
"all is but a dream"


there were boundless scarlet sunsets
spidery grey trees

slender green shadows
yellow sidewalks agleam

and as spindly limbs swung quietly
the grass sang
"all is but a dream"


there were blood orange moons
seeping like molasses through
blackened open wounds

sandy-grey clouds swallow the skies
their toothy gaping mouths smothering cries

and as the sun turns to ash and steam
and dusky fields burn at the seams  

the rotting grass hisses  
"all was but a dream"
ekphrastic work written about "The Earth is a Man" https://www.artic.edu/artworks/117188/the-earth-is-a-man
Jeff Lewis Sep 2019
In my dream, there is a broken bridge.
That bridge impossible to cross.
Yet, all is possible
                     in the land of dreams.
So,
why fret?
Except, this:
                     In my dream, there exist this broken bridge.
after:  "The Broken Bridge and The Dream", Salvador Dali
Art is a hell of a *******
drug, I tell you
it surreptitiously creeps
into you in a way that is
utterly indecipherable,

and lures you deep;
deep into it as the void above...

For the eye loves
what it sees,
and what's been seen
by the eye
is rather fascinating to the soul,

Amidst all these
Overwhelming emotions,
a harmonic converge
between the eye and the soul
is created,

Fostering a sui generis ecstatic rhapsody!
eve Apr 2019
ego
Living a life for another, made by others,
Anticipating and considering all these expectations,
Especially, for the fans who tolerate the process of expanding education and inspiration,
We’re doing everything we have to do to fulfill the next agent.
We are the creators of a new generation, influencing teens with the power of our platforms,
Reinforcing the idea of an effortless motivation.
To plan ahead, we’re moving forward,
Toward the subsequent destination.
We are the driving forces of multimedia nations,
Narcissism and low self-esteem are the feelings we’re morally inclined to,
Feeling our own bodies test addiction to a single notification,
We’re living in endless rotation.
Our minds have grown accustomed to the routines of checking the number,
Of likes and comments on the recent,
Even, lurking and giving into the guilty pleasure of stalking,
If the previous line resonates, then you’ve just justified our statistics and analytics.
The only way out is through resuscitation,
Deactivating can be deemed the easier option,
However, those who signed up for it can argue that widespread messages are the modern communication for our adolescents,
Setting a model for the next, following, and upcoming conversation.
CK Baker Oct 2017
they’re pouring out of the
woodwork
those pretentious machiavellians
in ailing albino frames
eccentric masked figures
milling about the glow light
like night moths
in a london fog

lunatic gazers
with seeping moles
pinned by frogmen and twine
spider climbers
in hell fire
splitting seams
on the fading
and hideous ink

guards of the perch
stand on hades hand
while monsters and demons
with severed limbs
taunt the condemned
and wanting
souls of the ******

cauldron fire
in blood red sky
silent screams
hack and wheeze
gas lines broken
words unspoken
teetering backwards
in the dark shadows
of a phantom abyss
Kaitlyn Jun 2018
(an ekphrastic poem based on the painting Nighthawks by Edward Hopper)

Four
solemn faces,
doused in gold,
like moths to flame,
seek warmth from the cold.
Darkness leers, but harsh light shields
these lonely creatures from their feelings untold.

One
diner desolate,
a waiter old,
and three weary visitors
are portrayed. The scene unfolds.
Most eat under the sunlight, unlike
these nighthawks who flocked from their households.

Some
loneliness darkens
hearts like blindfolds;
nighthawks’ hearts aren’t exceptions.
The woman red and bold,
the man in shadows, and another
man with a cigarette in his hold

are
isolated together.
They are controlled
and defined by solitude.
They don’t belong. No mold
fits them. They only have a
diner, each other, and lonesome souls unconsoled.
Cat May 2018
What is it about the water?
Like misshaped tiles the ripples scatter;
shifting at every swift motion and quake,
staring back at a man lost in a reflective gaze
Lost in a pool of his own thoughts;
He recognizes the drowning body
that sinks deeper as his mind descends

Should he linger behind inches of safety;
or should he let himself fall into ponderous
depths of transparent glass;
Eyes closed, he lets go and joins his enemy,
like a sail his body floats, effortlessly.
"Portrait of an Artist (Pool with Two Figures)" by David Hockney
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