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Keep your cool, There's always money in the banana stand.
mip Sep 2014
psa
culture is:
i. something earned
ii. something fought to preserve
iii. a part of a race or group of people
that you simply cannot take away from them.
iv. an essential part of their being
v. a heritage
vi. a legacy

culture is not:
an accessory.
Ignorance is no excuse for cultural appropriation.
T2m Sep 2014
We toil and toil tilling
With our sweat ******* the soil
Yet merrily singing our song
From the ****’ s crow till the sun
goes home.

The harvest is non- the - less
Still in music and songs
Trekking like to the end- of - the -
world
Load - laden till our necks go sore.

With stock in ban to feed the
whole clan
By moonlight we woo to win more
hands
Till mandiang comes back a - round
Bringing us to the start of the
round
This note may help , if you may
want a deeper understanding of
this poem.
I hail from a minority tribe
(Berom) in Nigeria . the major
economic activity of my people use
to be subsistence agriculture. the
Berom people have a festival called
MANDIANG. Mandiang is held or
observed in April to mark or usher
in a new planting season . it was
believed that on this day the
ancestors or gods are lured to pour
down rain , to ensure a green
farming season and a good yield
after all.
the Man is no longer a Man
in this day and age
he is a strange Middle-Aged Boy
an Aging Adolescent
hair going grey
with the hours whittled away
on Xbox video games

the Man that is a Man
is of a bygone age
The Real Man in the films of old
Age-ed Anachronism
strong and proud and brave
standing tall to face the day
and keep the wolves at bay

that I am a Man-who-is-not-a-Man
a product of this modern age
has vexed my Heart and Soul
my Arrested Ascension
how can I always play
when a Real Man works all day
but really who's to say?

the Boy is also a Man
in our culture at this stage
in truth both young and old
Advancing Adolescence
we get to play our lives away
yet still have bills to pay
the balance of the middle way

I am a Boy and I am a Man
by internal and external age
work only to play is my road
an Admirable Aspiration
that I get to live My Way
a little boyhood every day
is the great gift of this age

**** it
I'll be okay
First stanza came to me in a flash.  Tried to make the rest of the work repeat that structure.  Feel like it ultimately obscured the message and might have made it a bit difficult to understand.  Might have to try to get this one out again in a different way sometime.
T2m Sep 2014
The sugâ galantly stand around
with their spears
Dressed in goat ' s skin with painted
faces and hair
Their countenance say ' do not dare '
A direct contrast of the square ' s
light air,
Which is exagerated by the
tipsiness from the locally brewed
beer .

With dances the festival began in
earnest ,
Each dancer stamping hard to
make his beats the loudest.
The tipsy audience laughing and
cheering their best ,
Men, like chimpanzees , beating
their bare breast.
Mandiang is all, anything else is
being put to rest.

The drull drum is a - play for the
sugâ dance
Marking the ****** of all that has
and is to chance ,
The majestic monarch march for
the entrance
And the time for the rain - making
ritual to commence.

So it, at the end , rained as usual ,
The welcome crown of this annual
ritual .
Mandiang is an annual event
amongs my tribe , it is that time of
the year set aside to appreciate the
past havest and hope for regular
rain and good croping season.
Sugâ is a soldier in our ancient
kingdom. NT all this now is
ceremonial with no spiritual
attachments
Austin Heath Aug 2014
Mass hysteria
and this is how we rumble
in black clothes with
cops two streets over
ready to assassinate
US presidents and dissidents.
Ready for air.

Ready for takeoff,
the embrace of the long
arm of the law is a chokehold
is a racist institution and
here we are;
junkies, gamblers, jokers, monsters.
Funny thing, we went hunting for
people dressed as monsters
led by monsters disguised as humans.

Yeah, our geniuses die young and brutal.
Ours is the land of stray dogs,
cold rains and streets of garbage
[people included];
The stereotype is today.
The cliche is right now.
john Poignand Aug 2014
His senses heightened, on alert
He drives through this neighborhood
Who are these people, he wonders.
They hate me, I’d have no chance out there
Thank god I’m armed.

One the street, a bunch of kids, teenagers
Laughing at each others jives
Fall into silence as the cop car drives past
Giving them the bad eye.
Just another ******* waiting
For an excuse to take us down.

He returns their stares, wondering
Are they selling drugs, planning something
Or just kids on a summer’s eve?
He thinks of his own son out
In a different neighborhood, safe.

The he gets the dispatch call,
Store robbed,  two black kids
Teenagers, in his area,
Its his to respond
No time for back up,
Only the growing darkness
And a tingle of fear, adrenaline pumping
He steps from the safety of his car
Loosening his holster strap in anticipation.

Down the street a store ‘s alarm is ringing
The kids sensing trouble take off
Two men come running towards him
They’re large, just kids really, but big

Drawing his sidearm
He yells at them to stop,
They’re surprised, not sure what to do
He’s scared, they seem so big in the twilight
It almost automatic, right out of his combat training
He shoots and then again, and again
As the assailant’s momentum keeps him coming
And then he sees too late,
its just an unarmed kid

Police used to walked the neighborhoods,
Smile say hallo or good morning.
Stop at homes of the old
Checking to see if everything was all right
Used to know the kids, supported them in their games
Sometimes even helped parents
Importantly they were seen as being there to help
Knew the neighborhoods and were in turn known.

Now they ride in cars, gazing dumbly
Out of bullet proof windows.
While outside strangers mingle
Often the only contact, violence and arrests
No wonder, armed like soldiers
Triggered by fear of the unknown
They ****.

We need to get close again.
Have them on the streets in our neighborhoods
We need to take the time to know them and they us
To invite them into our homes
Out of their isolating cars
To share our concerns, to close the divide.
Before more deaths occur.
After all these men and women
Used to be us.
This was written in response to the crisis in mo.
CE Aug 2014
How mysterious
How obscure
How bizarre

You choose to stare at brush strokes instead of your media
You choose to live in some vague attempt at what some call "culture"  
And look down on those who prefer the rest

Your tastes are what you call "unique"
But you're in a flock of black sheep

You will look down on me
Because you don't deem me worthy of some great thinker whose name you can't pronounce

You will look and groan about how kids really shouldn't be allowed here
because they just don't get it
Because we don't fit your melancholy and expressionless identity

And it's true
We're not a part of your empty pride

We will look at a landscape or portrait and smile
or maybe frown
Because it makes us feel something

We don't care for the culture around it

We're only here

Because it makes us feel

And isn't that the point?

Art isn't supposed to be shoved to the top of a podium

It isn't supposed to be sat behind glass while some snobs stare through intently
Not really sure what they're looking at

Isn't it supposed to make you feel something?

Maybe not..

Maybe I'm just a hopeful youth out of his place.
Jeremy Rascon Aug 2014
Aztec in arts
Spanish in conquest
The Mexican breathes
And lives
Taking control
Controlling the taken,
Our blood hot
Like the chile we eat
Don't expect any less
Outside we are strong
Desert cacti
Sharp unforgiving and rough
On the outside
But the inside
Water flows
The love flows
For la raza
Death envies our vidas
So rich and full
Fearless
And feared
Tattoos cover our skin
Like they did
Our ancestors
Soon we will rise
Soon we will unite
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