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 Nov 2019 Sterling Kelley
s
my parents taught me
opposites don’t just attract
they also connect

.
 Nov 2019 Sterling Kelley
emnabee
The poet lives two lives.
One on the outside,
And one in their mind.

When you look in their eyes
You could see an abyss.

If you looked long enough
You could sink into it.

But most people don’t see it.

Take the time to read the words, though,
And you would know for sure.

The poet lives in two different worlds.
A little escape from the madness.
Or maybe, into.
Throughout,
She had been
Mostly fortunate
In the blessed surrounding
Of good people
She had been permanently damaged by a bad person
But found
Much to her surprise
The damage was not permanent
Though the layer she brought from it
Was uniquely her
To those lucky to see
She was not damaged
She was scarred
And scars grow back tougher than the original
And, in most cases, leave a beautiful reminder of the day God taught your *** a lesson
A friend asked me
how to be a writer.
I wanted to say,
lock yourself in a room,
scream until you have
a poem and no voice.
Open your veins and bleed
until you know that your bones
are pure words and sorrow.
Act as if you slit your own throat
and all you can bleed
are your own regrets
and all of the darkness
you boxed up for inspiration.
Write your mom a letter,
tell her you're leaving
and you won't be back for awhile
Because being a writer is traveling
through all seven layers of Hell
and denying anything is wrong.
Forget loving yourself
when all you have is a pen and paper
fused to your wrist
and Jesus is tapping at your skull
saying turn back now.
Warn the neighbors that if they smell burning
It's just your soul
clawing at the front door trying to get in.
Learn how to be alone.
Learn how to lose everything you have
in order to feel release,
learn how to only feel deceased
from now on.
A friend asked me
how to be a writer.
All I said was
don't
In poetic manipulation
In magic of our words
Beneath the breath
Above duress
Let your heavy
Hearts be heard
In power of rhyme
Upfront sublime
Equal syllable
Entwined
In each consecutive
Spellbinding high
Or
Emotionality low
Crafted on
The twist of tongue
Either way
Let poetry make us whole

We all have the power
Write it down
lock
And load!
.........
Traveler Tim
Anything can
look like a poem
and sound philosophical
simply by moving
the words on
different lines.

Am I doing it right?
Is this
really
talent?
Art?
Effort?

I think I am trying.
Really, I am
I go back and change the order
and I break lines
where it sounds right
But it does not take me long.
Not at all.

I try to be
intentional
and call it natural rhythm.
Instinct and style taking over
I alternate between
agonizing every detail
like When to Capitalize
and publishing free form poems without looking over them twice.

How is writing supposed to feel?
Should I labor?
or should it flow?
Or do I get to decide?

I think the things I talk of
mean something
at least.

But am I just
pretentious?

fooling myself into thinking that
using common poetry formats
somehow makes my work worthwhile?
Problems only We True Artists face.
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