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Viji Suresh May 2016
English with 26 letters, is generally thought to be the simplest language on earth. A language built up on 26 letters is amazing.

But within just handful of letters, how many words can be misspelled..

My childish attempt to rhyme and write...

ei or ie, we are confused when we write,
it's then the words jump to end their lives.

Homonyms, homophones, homographs
It's fun to know the very facts.

Bear tried to **** Jack with its bare hands,
Jack had to bear the brunt of the bear.

Speed is what we thrive to do
If we forget to Brake, will break a head or two.

100 cents makes a dollar
Jack sent his wife to buy a stroller
She smelled the scent of a broiler
And forget all about the stroller.

The people who lives in Desert
do they have dates as their Dessert?

The dinner was perfect
The wine complemented the feast
The hosts were perfect
And were complimented for their treat.

The King who reigned Prussia
Rode high holding his horse's reins,
But his horse started to panic
As it started to Rain.

Drew looked at his new site
The building looked a perfect sight
When asked for the legal owner
He cited the document which held his right.
Childish scribbles
Martin Narrod Feb 2015
Part I


the plateau. the truest of them all. coast line. night spells and even controlled by the dream of meeting again. the ribbon of darker than light in your crown. No region overlooked. Third picnic table to the drive at Half Moon Bay, meet me there, decant my speech there. the table by the restroom block. While the tide is in show me your oyster garden, 3:00p.m. at half-light here in the evilest torments that have been shed.---------------door locked.  The moors. Cow herds and lymph nodes, rancorous afternoon West light and bending roads, the cliffs, a sister, the need to jump. There is nothing as serious as this. There is nothing nor no one that could ever, or would ever on this side come between. Who needs sleep or jokes or snow or rivers or bombs or to turn or be a rat or a fly or ceiling fan or a gurney or a cadaver or piece of cloth or a bed spread or a couch or a game or the flint of a lighter or the bell of a dress; the bell of your dress, yes, perhaps. Having been crushed like orange cigarette light in a pool of Spanish tongues. I feel the heave, the pull; not a yawn but a wired, thread-like twist about my core. Up around the neck it makes the first cut, through the eyes out and into the nostrils down over the left arm, on the inside of the bicep, contorting my length, feigning sleep, and then cutting over my stomach, around and around multiples of times- pulled at the hips and under the groin, across each leg and in-between each nerve, capillary, artery, hair, dot, dimple, muscle, to the toes and in-between them. Wiry dream-like and nervous nightmarish, hellacious plateaus of leapers. Penguin heads and more penguin heads. Startling torment. The evilest of the vile mind. The dance of despair: if feet contorted and bound could move. The beach off Belmont. The hills and the reasons I stared. Caveat after caveat at the heads of letters, on the heads of crowns, and the wrists, and on the palms. Being pulled and signed, and moved away so greatly and so heavily at once in a moment, that even if it were a year or a set of many months it would always be a moment too taking away to be considered an expanse, and it would be too hellacious to be presumptuous. It could only be a shadow over my right shoulder as I write the letters over and again. One after another. Internally I ask if I would even grant a convo with Keats or Yeats or Plath or Hughes? Does mine come close? Does it matter the bellies reddish and cerise giving of pain? Does it have to have many names?


"This is the only Earth," I would say with the bouquet of lilies spread out on the table. Are lilies only for funerals, I would never make or risk or wish this metaphor, even play it like the drawn out notes of a melody unwritten and un-played: my black box and latched, corner of the room saxophone. Top-floor, end of the hall two-room never-ending story, I'm the left side of the bed Chicago and I see pink walls, bathrooms, the two masonite paintings, the Chanel books, the bookshelves, the white desk, the white dresser, you on the left side of the bed in such sentimental woe, **** carpet and tilted blinds, and still the moors and the whispering in the driver's seat in afternoon pasture. Sunset, sunrise, nighttime and bike room writing in other places, apartments, rooms where I inked out fingertips, blights, and moods; nothing ever being so bleak, so eerily woe-like or stoic. Nothing has ever made me so serious.

Put it on the rib, in a t-shirt. Make it a hand and guide it up a set of two skinny legs under a short-sheeted bed in small room and literary Belmont, address included. Trash cans set out morning and night, deck-readied cigarette smoking. Sliding glass door and kitchen fright. Low-lit living room white couch, kaleidoscope, and zoetrope. Spin me right round baby right round. I am my own revenge of toxic night. Attack the skin, the soul, the eyes, the mind, and the lids. The finger lids and their tips. Rot it out. Blearing wild and deafening blow after blow: left side of the bed the both of us, whilst stirs the intrepid hate and ousts each ******* tongue I can bellow and blow.

Last resort lake note in snow bank and my river speak and forest walk. Wrapped in blocks and boxes, Christmas packaging and giant over-sized red ribbons and bows. Shall I mention the bassinet, the stroller, the yard, several rings of gold and silver, several necklaces of black and thread? I draw dagger from box, jagged ended and paper-wrapped in white and amber: lit in candle light and black room shadow-kept and sleeping partisan unforgettable forever. Do I mention Hawaii, my mother dying, invisible ligatures and the unveiling of the sweat and horror? Villainous and frightening, the breath as a bleat or heart-beat and matchstick stirring slightly every friends' woe and tantrum of their spirit.

Lobster-legged, waiting, sifting through the sea shore at the sea line, the bright tyrannosaurs in mahogany, in maple, and in twine over throw rose meadow over-looks, honey-brimming and warehouse built terrariums in the underbelly of the ravine, twist and turn: road bending, hollowing, in and out and in and out, forever, the everlasting and too fastidious driving towards; and it's but what .2 miles? I sign my name but I'll never get out. I am mocked and musing at tortoise speed. Headless while improvising. Purring at any example of continue or extremity or coolness of mind, meddling, or temptation. I rock, bellowing. Talk, sending shivers up my spine. I'm cramped, and one thousand fore-words and after words that split like a million large chunks of spit, grime, and *****; **** and more ****. I might even be standing now. I could be a candle, in England, a kingdom, in Palo Alto, a rook in St. Petersburg. Mottled by giants or sleepless nights, I could be the Eiffel Tower or the Statue of Liberty, a heated marble flower or the figure dying to be carved out. I'm veering off highways, I'm belittling myself: this heathen of the unforgettable, the bog man and bow-tied vagrant of dross falsification and dross despair. I am at the sea shore, tide-righted and tongue-tide, bilingual, and multi-inhibited by sweat, spit, quaffs of sea salt, lake water, and the like. Rotten wergild ridden- stitched of a poor man's ringworm and his tattered top hat and knee-holed trousers. I'm at the sea shore, with the cucumbers dying, the rain coming in sideways, the drifts and the sandbars twisting and turning. I'm at the sea shore with the light house bruise-bending the sweet ships of victory out backwards into the backwaters of a mislead moonlight; guitars playing, beeps disappearing, pianos swept like black coffees on green walled night clubs, arenose and eroding, grainy and distraught, bleeding and well, just bleeding.






I'm at the sea shore, the coastline calling. I've got rocks in my pockets, ******* and two lines left in the letter. I’m at the sea shore, my mouth is a ghost. I've seen nothing but darkness. I'm at the seashore, second picnic table, bench facing the squat and gobble, the tin roof and riled weir near the roadside. .2 and I'm still here with my bouquet wading and waiting. I'm at the sea shore and there's nobody here. My inches are growing shorter by the second, cold, whet by the sunset, its moon men, their heavy claws and bi-laws overthrowing and throwing me out. The thorns stick. The tyrannosaurs scream. I'm at the sea shore, plateau, left bedside to write three more letters. Sign my name and there's nobody here.

I'm at the sea shore: here are my lips, my palms (both of them facing up), here are my legs (twine and all), my torso, and my head shooting sideways. I'm at the seashore and this is my grave, this is my purposeful calotype, my hide and go seek, my show and tell, my forever. .2 and forever and never ending. I was just one dream away come and keep me. I'm at the sea shore come and see me and seam me. I'm without nothing, the sky has drifted, the sea is leaving, my seat is a matchbox and I'm all wound up. The snow settling, the ice box and its glory taken for granted. I'm at the sea shore and there's nobody here. The room with its white sets of furniture, the lilies, the Chanel, the masonite paintings, the bed, your ribbon of darker on light, the throw rug **** carpet, pink walled sister's room, and the couch at the top of the stairs. I'm at the sea shore, my windows opened wide, my skin thrown with threat, rhinoceri, reddish bruises bent of cerise staled sunsets. I'm at the sea shore and there's nobody here. I'm at the plateau and there isn't a single ship. There are the rocks below and I'm counting. My caveats all implored and my goodbyes written. I'm in my bed and the sleep never set in. I'm name dropping God and there's nobody there. I'm in a chair with my hands on a keyboard, listening to Danish throb-rock, horse-riding into candle light on a wicked wedding of wild words and teary-eyed gazes and gazers. Bent by the rocking and the torment, the wild and the weird, the horror and everything horrifying. There is this shadow looking over my shoulder. I'm all alone but I feel like you're here.



Part II




I wake up in Panama. The axe there. Sleeping on the floors in the guest bedroom, the floor of the garden shed, the choir closet, the rut of dirt at the end of the flower bed; just a towel, grayish-blue, alone, lawnmower at my side, and sky blue setting all around. I was a family man. No I just taste bits of dirt watching a quiet and contrary feeling of cool limestone wrap over and about my arms and my legs. Lungs battered by snapping tongues, and ancient conversations; I think it was the Malaysian Express. Mom quieted. Sister quieted. Father wept. And is still weeping. Never have I heard such horrifying and un-kindly words.-----------------------It's going to take giant steel cavernous explorations of the nose, brain cell after brain cell quartered, giant ******* quaffs of alcohol, harboring false lanterns and even worse chemicals. Inhalations and more inhalations. I'm going to need to leap, flight, drop into bodies of waters from air planes and swallow capsules of psychotropics, sedatives beyond recalcitrance. I'm requiring shock treatments and shock values. Periodic elements and galvanized steel drums. Malevolence and more malevolence. Forest walks, and why am I still in Panama. I don't want to talk, to sleep, to dream, to play stale-mating games of chess, checkers, Monopoly, or anything Risk involving. I can't sleep, eat, treaty or retreat. I'm wickeded by temptations of grandeur and threats of anomaly, widening only in proverb and swept only by opposing endeavors. Horrified, enveloped, pictured and persuaded by the evilest of haunts, spirits, and match head weeping women. I can't even open my mouth without hearing voices anymore. The colors are beginning to be enormous and I still can't swim. I couldn't drown with my ears open if I kept my nose dry and my mouth full of a plane ticket and first class beanstalk to elysian fields. It's pervasive and I'm purveyed. It's unquantifiable. It's the epitomizing and the epitome. I have my epaulets set for turbulent battles though I still can't fend off night. Speak and I might remember. Hear and it's second rite. Sea attacks, oceans roaring, lakes swallowing me whole. Grand bodies of waters and faces and arms appendages, crowns and more crowns and more crowns and more crowns and more crowns and I'm still shaking, and I'm still just a button. And I still can't sleep. And I'm still waiting.

It is night. The moon ripening, peeling back his face. Writhing. Seamed by the beauty of the nocturne, his ways made by sun, sky, and stars. Rolled and rampant. Moved across the plateau of the air, and its even and coolly majestic wanton shades of twilight. It heads off mountains, is swept as the plains of beauty, their faces in wild and feral growths. Bent and bolded, indelible and facing off Roman Empires too gladly well in inked and whet tips of bolder hands to soothe them forth.-----------Here in their grand and grandiose furnaces of the heart, whipped tails and tall fables fettered and tarnished in gold’s and lime. Here with their mothers' doting. Here with their Jimi Hendrix and poor poetry and stand-up downtrodden wergild and retardation. I don't give a ****. I could weep for the ***** if they even had hair half as fine as my own. I am real now. Limited by nothing. Served by no worship or warship. My flotilla serves tostadas at full-price. So now we have a game going.-----------------------------------------------------------­------------------------  My cowlick is not Sinatra's and it certainly doesn't beat women. As a matter of factotum and of writ and bylaw. I'm running down words more quickly than the stanza's of Longfellow. I'm moving subtexts like Eliot. I'm rampant and gaining speed. Methamphetamine and five star meats. Alfalfa and pea tendrils. Loves and the lovers I fall over and apart on. Heroes and my fortune over told and ever telling. Moving in arc light and keeping a warm glow.

the fish line caves. the shimmy and the shake. Bluegrass music and big wafting bell tones. snakes and the river, hands on the heads, through the hair; I look straight at the Pacific. I hate plastic flowers, those inanimate stems and machine-processed flesh tones. Waltzing the state divide. I am hooked on the intrepid doom of startling ego. I let it rake into my spine. It's hooves are heavy and singe and bind like manacles all over me. My first, my last, my favorite lover. I'm stalemating in the bathtub. Harnessing Crystal Lite and making rose gardens out of CD inserts and leaf covers. I'm fascinated by magic and gods. Guns and hunters. Thieving and mold, and laundry, and stereotypes, and great stereos, and boom-boxes, and the hi-fi nightlife of Chicago, roasting on a pith and meaty flame, built like a horror story five feet tall and laced with ruggedness and small needles. My skin is a chromium orchid and the grizzly subtext of a Nick Cave tune. I've allowed myself to be over-amplified, to mistake in falsetto and vice versa. To writhe on the heavy metallic reverberations of an altercated palpitation. The heart is the lonely hunted. First the waterproof matchsticks, then the water, the bowie knife, crass grasses and hard-necked pitch-hitters and phony friends; for doing lunch in the park on a frozen pond, I play like I invented blonde and really none of my **** even smells like gold.--------------------- There are the tales of false worship. I heard a street vendor sell a story about Ovid that was worse than local politics. As far as intermittent and esoteric histories go I'm the king of the present, second stage act in the shadow of the sideshow. Tonight I'm greeting the characters with Vaseline. For their love of music and their love of philosophy. For their twilight choirs and their skinny women who wear black antler masks and PVC and polyurethane body suits standing in inner-city gardens chanting. For their chanting. The pacific. For the fish line caves. For the buzzing and the kazoos. For the alfalfa and the three fathers of blue, red, and yellow. For the state of the nation. But still mostly working for the state of equality, more than a room for one’s own.-------------------------------------------------------------­------"Rice milk for all of you." " Kensington and whittled spirits."
(Doppelganger enters stage left)MAN: Prism state, flash of the golden arc. Beastly flowers and teeming woodlands. Heir to the throes and heir to the throng.----------------------------------------------------------­--------------- The sheep meadow press in the house of affection. The terns on my hem or the hide in my beak; all across the steel girder and whipping ******* the windows facing out. The mystery gaze that seers the diplopic eye. Still its opening shunned. I put a cage over it and carry it like a child through Haight-Ashbury. At times I hint that I'm bored, but there is no letting of blood or rattle of hope. When you live with a risk you begin at times to identify with the routes. Above the regional converse, the two on two or the two on four. At times for reasons of sadness but usually its just exhaustion. At times before the come and go gets to you, but usually that is wrong and they get to you first. Lathering up in a small cerulean piece of sky at the end turnabout of a dirt road
Stephanie Lynn Apr 2014
I wake up and eat some eggs, a yogurt, and a few slices of melon
in an attempt to change my life
after all it is that or death
I won't hold my breath

It's a beautiful day to head to the mall
with a friend
I really know where this is going

Hmm
I like that shirt
Oops, this store doesn't offer plus size
On to the next..
I really like these jeans..
Forty five dollars for sizes sixteen and up
What a mess!

Since I refuse to let Lane Bryant **** my wallet in the ***
I decide to head to Barnes and Noble instead
I accidentally bumped into a lady and her baby stroller as I walked past and she mumbled
"Fat *****" under her breath
Yes that's what she said
I didn't even turn my head
Because that's what the lady said
and that's what society says
and instead of trying to explain it's just
easier to walk away
it's the self hatred after I dread

So I buy a whole pizza and eat the entire ******* thing
and it is beyond delicious
though the guilt I feel afterwards wasn't worth it
and vomitting that **** up was viscous

Even when I was a little girl I dreamed of being thin
I dreamed of being a model
I dreamed of having a flat tummy
Just to fit in
I didn't like the belly I had
or the fat in my cheeks
I was the only kid in gym that could never climb the rope
and that began a string of anxiety attacks
that would last for weeks

The doctor calls it insulin resistance
which leaves me with the inability to lose weight
but I shouldn't have to explain to anyone my condition
I just shouldn't have to explain
not to mention the ovarian disease that cripples me to my knees
which so happens to be genetic
and mimics the blood of a diabetic
leaving me incurable
a medical mystery
not to mention infertility
so for me
children are just a dream

Although I tell myself
that I am beautiful
and that I am intelligent
and that I am funny
and that I am a hard worker
and that I am successful
and that I am caring
and that I am loving
and that I am daring
and that I am the best **** friend a person could ever have
To a stranger I'm just a "fat *****"
and you know what?
That makes me really ******* sad
Don't feel sorry for me, I am only speaking the truth.
(C) Maxwell 2014
Eric Guitian Dec 2011
I saw her glance down at her child in the stroller.
A limp body, a sagging head.
I couldn't read her eyes.
Seemed torn between disappointment and regret.
The baby in her womb told me it was regret.
Pushing a stroller as she walked in a hurry
She was dressed in clothes that were *****
With hair matted and a face of lines that deeply ran
The stroller looked as if it came from a garbage can
  
Hanging from the handles  were ***** leather bags
Covering something in the seat tattered blankets  like rags
She approached looking like time had been unkind
But in her eyes a glimmering smile was defined
  
I opened my mouth to speak to her
And see if I could make a help offer
Slowly she lifted her hand and stretched a curved finger
“Shhhhhh," she said while over her mouth it did linger
  
Then down she reached for the tattered blanket
I knew that spot was special and private
She picked up a change purse from the seat
Opened it wide as she tried to be discreet
  
She motioned for me to look inside
It was full of gold dollars to my surprise
She reached in and took out two of them
Then grabbed my hand and I knew it was Him
  
All of a sudden a fear came over me
A soft voice in the breeze began to speak
"Don't be afraid, you know I Am"
Then she put the two dollars in my hand
  
When I looked up to thank her
Something happened I’ll always remember
She and her stroller were gone as if she had never been there
At the gold dollars I looked and just stared
Francie Lynch Aug 2023
There strolls another father,
Scrolling while his daughter
Rides her stroller as they stroll.
He really oughtn't scroll,
She's awake as they stroll;
It's a stroller, not a scroller.

The purpose of a stroll,
Is to walk and talk the prattle,
The speach that infants rattle
While strolling in their stroller.

Sing to your child,
Stroll all the while,
Hum or whistle,
Mumble……..Grumble;
But don't silently scroll on,
While strolling with the stroller.

Recall childhood rhymes, if you can,
Say the ABCs or count to ten;
Talk of little piggies and brazen toads,
Meaningful memories,
And yellow brick roads.

Enjoy your strolling.


Enjoy your scrolling.
It's true. They walk by my place.
Amy Perry Jan 2014
Roof over our head, smile on our lips.
Rings on our fingers, baby in the stroller.
You and I work the 9 to 5 shift,
Before heading to bed, lights out with a kiss.
A perfect life: Except I'm bipolar.

The day to day is more than bearable.
Little fights, taking little to heart.
Then I snap, and it all gets terrible.
Singing dramatically, dancing on the table.
That's when the fun part starts.

What triggers it is anyone's call.
It could be a traumatic event,
Or it could be for no reason at all,
Other than neurotransmitters not being sent;
Sending my mind into a place I'm enthralled.

I'm sent to a building that makes me feel well,
After bringing your patience to the brink.
It's a necessary evil, but at the time, it's Hell;
And when it will happen again, no one can tell.
I'm sent home with pills and time to think.

Roof over our head, smile on our lips.
Rings on our fingers, baby in the stroller.
You and I work the 9 to 5 shift,
Before heading to bed, lights off with a kiss.
A perfect life: Except I'm bipolar.
And the cycle continues.
TheTeacher  Oct 2012
Single Mom
TheTeacher Oct 2012
I see her often ....struggling all alone.
A diaper bag, pocketbook and the baby.
The look of distress on her face as she pushes the stroller home.

She raises her child all by herself.
Her pockets are not overflowing ....which means she's lacking wealth.

She shuffles off to work each day.
She's wondering when they will increase the dollars in her pay.

Single mom to some, Superwoman to her kids.....no regrets, it is what it is.

How I admire her strength and drive.
She's strong during the day, but at night she cries.
This is not the way it was supposed to be.
My child should be seeing double not just me.

Her mind is steady racing, but this is not a race.
The thought started here and now it's in a different place.

The sacrifices and staying up late when her child is sick.
She's snapping pictures at Christmas time as her daughter opens presents left by jolly ole Saint Nick.

She's thankful for this precious jewel that she must shape and shine.
Smiling as she puts her child to bed, because she has to be at work by nine.

There's always something to be done, so there's not much time to sit.
This is a full time job and one which she can't quit.

The cooking, the cleaning and washing clothes,
she's looking for some tissues so she can wipe a runny nose.

She thinks she's a single mom, but that's not entirely true.
The Lord is guiding and assisting ....pulling her through.

Keep your head up and don't let anyone or anything bring you down.
A queen's crown belongs on her head.....not upon the ground.

A dedication to the single mother's........Thank you for all that you do and have done.
anne Dec 2013
Stroller parks
Evil eyes
Parents' barks
Children cries
Crowded places
Gluttonous bites
Staring faces
Long-line rides
Not coming back
Till I know
It won't be packed
Like a sold out show.
The Broken Poet Sep 2015
People all around me are rushing
They are crushing the roses
Here I come one breath at a time
I stop and hold the broken petals in my hands
Teenagers running to classes
Bumping into one another
Here I come one breath at a time
Stopping to chat with friends and have a good laugh
Adults are speeding
Swerving into lanes and cutting each other off
Here I come one breath at a time
Letting people go on by and giving them the hand
People have this constant mind set of hurrying
That they forget that the little things matter most
I stopped and smelled the roses
I helped the little old lady cross the street
I watched the sunset
The sun and the moon forever separated against the same sky
I get called slow and represent a turtle
I smell the backwoods
I observe nature and the way people interact
I am in no hurry
We all have 24/7 hours in a day
I could die tomorrow and I would be satisfied
The hurried one would be rummaging with things for tomorrow
Their minds never at peace
I drift off with the clouds on tidal waves of the blue clear sky
I am a Sunday Stroller
I enjoy the little things
I stop and smell the long forgotten roses.
Amelia  Jan 2014
peonies
Amelia Jan 2014
the peonies in the front yard are just starting to bloom.

the only thing i lust for anymore is sleep.
my fingers are aching to touch another human being,
and when a woman lugging around her child
in a stroller asked me the time,
i dropped the package i'd been collecting
from the post office
while fumbling for my phone.
i cried on the way home,
and applied a thick coat
of red lipstick.
thinking perhaps the camouflage of confidence
would hide the fact that i am merely
wilting husk of vapidity.

the peonies in my yard will die
in six weeks.

— The End —