Touch it: it won't shrink like an eyeball,
This egg-shaped bailiwick, clear as a tear.
Here's yesterday, last year ---
Palm-spear and lily distinct as flora in the vast
Windless threadwork of a tapestry.

Flick the glass with your fingernail:
It will ping like a Chinese chime in the slightest air stir
Though nobody in there looks up or bothers to answer.
The inhabitants are light as cork,
Every one of them permanently busy.

At their feet, the sea waves bow in single file.
Never trespassing in bad temper:
Stalling in midair,
Short-reined, pawing like paradeground horses.
Overhead, the clouds sit tasseled and fancy

As Victorian cushions. This family
Of valentine faces might please a collector:
They ring true, like good china.

Elsewhere the landscape is more frank.
The light falls without letup, blindingly.

A woman is dragging her shadow in a circle
About a bald hospital saucer.
It resembles the moon, or a sheet of blank paper
And appears to have suffered a sort of private blitzkrieg.
She lives quietly

With no attachments, like a foetus in a bottle,
The obsolete house, the sea, flattened to a picture
She has one too many dimensions to enter.
Grief and anger, exorcised,
Leave her alone now.

The future is a grey seagull
Tattling in its cat-voice of departure.
Age and terror, like nurses, attend her,
And a drowned man, complaining of the great cold,
Crawls up out of the sea.

Sully suffers from a stutter,
simple syllables will clutter,
stalling speeches up on beaches,
like a sunken sailboat rudder.

Sully strains to say his phrases,
sickened by the sounds he raises,
strings of thoughts come out in knots,
he solves his sentences like mazes.

At night, he writes his thoughts instead
and sighs as they steadily rush from his head.

AWAKENING

Sleep and slumber, dreams of wonder... weaving,
morning’s vacuum broke the spell
Pitted pillow, note of parting... leaving,
“from your friend, a fond farewell”
Sunrise throbbing, twilight aching... grieving,
daydreams, flashbacks, nightmares knell
Pale phantasms, visions sneaking... thieving,
plot to fill the empty shell

12 DELIRIA

1st Delirium: COLLAPSES

Fractured sky bolts, billows bursting... rumbling,
heavens tighten, turn the vise
Horsemen saddle shafts of lightning... tumbling,
jagged highways must suffice
Ruptured skyways, hailstones crackling... crumbling,
naked pearls of paradise
Toxic tongues of laughter stinging... stumbling,
ocean buckets choked with ice
Droplets drumming, thunder muzzled... mumbling,
washed out whispers pay the price
Smothered blazes, cinders smoking... humbling,
ashes shaped in sacrifice

2nd Delirium: DESCENTS

Asphalt alleys, ashen faces... frowning,
blowing bubbles, chewing gum
Drinking ale from tavern tankards... downing,
moonlit beads of painted ***
Stony stars and sea misshapen... drowning,
humble rivers’ rhythms hum
Apparitions aspirating... clowning,
diamonds dying , minstrels strum
Incandescent candles conquered... crowning,
vacant vapours, cold and numb

3rd Delirium: FATES

Tempest turmoil, tapered turrets... holding,
dungeons, dragons, chains and racks
Wheels of fortune, Tarot temptress... molding,
Hangmen, Towers, One Eyed Jacks
Sand dune castles, cryptic candles... folding,
warping walls of liquid wax
Idols colder, combed and coddled... scolding,
hide in fissures, peek through cracks

4th Delirium: LOST SOULS

Sunken cities, pilgrims peering... gawking,
squinting eyeballs, blazing sun
Janus facing, shepherds chasing... stalking,
friends embrace before they shun
Tearooms steaming, tumult teeming... talking,
lovers listen, poets pun
Broken stones unanchored, quaking... rocking,
slipping, falling, one by one
Beaten pathways, footsteps marking... mocking,
wedged in webs which spiders spun
Circus shelters, big tops tumbling... locking,
people pacing, soon they’re none
Numbered exits, zeros numbing... knocking,
midnight daylight’s days undone
Moon blood shackles, shivers shaming... shocking,
starlight striders streaking, stun
Hushed but harried hermits waiting... walking,
restless rainbows on the run
Pixies, elves, and echoes bouncing... balking,
fading fast when dawn’s begun
Bantum butterflies are flitting... flocking
sometimes conquered, overrun
Hocus pokus, seers focus... squawking,
voodoo wavered, witchcraft won

5th Delirium: INTROSPECTION

Sundown furnace, fires fading... coughing,
dusky dew drops drain the air
Empty chalice, sipped in silence... quaffing,
thirsting shadows unaware
Looking glass and lattice scorning... scoffing,
local loser gapes and stares
Faces covered, dancing naked... doffing,
peering inside, hope despairs

6th Delirium: THE VOID

Tales of taboos, mystic mythos... missing,
windows shuttered, bolted door
Kindled candles, tongues and anvils... hissing,
heavy hammers, echoes roar
Dark deceivers, raven charmers... kissing,
draging demons from the shore
Hopeless hollows filled with doubters... dissing
standing empty - nevermore

7th Delirium: SEARCHING

Martyred monks haunt runic ruins ... waiting,
banging broken bells below
Vaulted hallways, voided voices... grating,
churning Chinese chimes aglow
Granite graveyards, spectres spooking... skating,
blackened bushes, roses grow
****** dwarfs seek mutant migrants... mating,
packing parcels, ice and snow

8th Delirium: NIGHTTIME

Throbbing drumheads, fingers blazing... steaming,
coins of copper, beggars plea
Rusty residues of resin... streaming,
opal amber filigree
Orphan shades in shallow shadows... teeming,
steeping twigs in twilight tea
Cloister doorsteps, Prophets gaming... scheming,
tracing tracks of destiny
Blacksmiths blanching, horseshoes glowing... gleaming,
partially sheathed in black debris
Phantoms feigning, nightmares scathing... screaming,
dusty dreamers drifting free

9th Delerium: EMPTYNESS

Water wheels in wastelands... turning,
drowning relics in the slum
Rumpled rags of fashioned burlap... burning,
lit by bandits blind and dumb
Pastured prisons, ponies bridled ... yearning,
forest fairies under thumb
Sounds inside of cauldrons coughing... churning,
blaring bugles, tattooed drum

10th Delirium: ALIENATION

Rain unravelling, wistfully weeping... falling,
treacle trickling, fickle sky
Mushrooms sprinkled, visions sprouting... sprawling,
seagulls drowning, dolphins die
Rabble gasping, spirits broken... crawling,
lonely lonesome swallows cry
Babbling brooks and breakers ebbing... bawling
puppies paddle, puppets sigh
People passing ripple past me... calling,
rainbow colours, collars high
Chaos seething, lepers looting... stalling,
stealing stallions on the sly
Pencils pausing, scholars scrambling... scrawling,
scratching scribbles, asking why

11th Delirium: JETSAM

Silver sails sway pallid pirates... prowling,
Jolly Rogers, wind and sound
Parrots perching, tattered feathers... fouling,
tethered talons, tied and bound
Shipwrecked foghorns, trumpets stranded... howling,
spiral springs of time unwound
Magic moonlight, shimmers shaking... scowling,
burnt out matchsticks washed aground
Prairie wolfs, coyotes calling... yowling,
witching hours, midnight hounds
Tightrope walkers, grizzlies grunting... growling,
seeking islands, lost and found

12th Delirium: RELIEF

Slumber shattered, vapours captive... haunting,
chained in mirrors, breaking free
Scarlet skylines, daylight dawning... daunting,
rivers rushing to the sea
Silence softens, sandmen whisper... wanting,
piercing rafters, turning keys
Shadows shudder, notions fluster... flaunting,
moonbeam bullets meant for me
Mind in migraine, meadows trembling... taunting,
sparrows speak in harmony

REAWAKENING

Pitter patter, teardrops paling... pearling,
salting scarves in secret drawers
Mist amongst us, smoke rings rising... curling,
climbing from the ocean floors
See-saw circles, senses swerving... swirling,
swept away with silver oars
Courtyard jesters, sceptres twisting... twirling,
push the past to foreign shores
Passing pangs of passions heaving... hurling,
burning bridges, closing doors
Roses wither, icons waning... whirling,
time decays and time restores

"****** Errata" is a collection of poems about the ****** and how erotica sometimes gets us in trouble!

****** Errata
by Michael R. Burch

I didn’t mean to love you; if I did,
it came unbid-
en,
and should’ve remained hid-
den!



Less Heroic Couplets: Marketing 101
by Michael R. Burch

Building her brand, she disrobes,
naked, except for her earlobes.



Negligibles
by Michael R. Burch

Show me your most intimate items of apparel;
begin with the hem of your quicksilver slip ...



Warming Her Pearls
by Michael R. Burch

for Beth

Warming her pearls,
her ******* gleam like constellations.
Her belly is a bit rotund ...
she might have stepped out of a Rubens.



Cover Girl
by Michael R. Burch

Cunning
at sunning
and dunning,
the stunning
young woman’s in the running
to be found **** on the cover
of some patronizing lover.

In this case the cover is a bed cover, where the enterprising young mistress is about to be covered herself.



Who Can Understand Her?
by Michael R. Burch

Who can understand her? Can the stars,
uncertain in their radiant argosy,
who never saw such love, nor such desire,
as when she bent to tower over me,
her hair a perfumed waterfall descending,
and then her *******, and then—ah!—Ecstasy!



First Base Freeze
by Michael R. Burch

I find your love unappealing
(no, make that appalling)
because you prefer kissing
then stalling.



Nun Fun Undone
by Michael R. Burch

for and after Richard Thomas Moore

Abbesses’
recesses
are not for excesses!



Less Heroic Couplets: *** Hex
by Michael R. Burch

for and after Richard Thomas Moore

Love’s full of cute paradoxes
(and highly acute poxes).

Published by ***** of Parnassus, Lighten Up Online and Poem Today



Retro
by Michael R. Burch

Now, once again,
love’s a redundant pleasure,
as we laugh
at my childish fumblings
through the acres of your dress,
past your wily-wired brassiere,
through your *******’ pink billows
of thrill-piqued frills ...
Till I lay once again—panting redfaced
at your gayest lack of resistance,
and, later, at your milktongued
mewlings in the dark ...
When you were virginal,
sweet as eucalyptus,
we did not understand
the miracle of repentance,
and I took for granted
your obsessive distance ...
But now I am happily unbuttoning
that chaste dress,
unhitching that firm-latched bra,
tugging at those parachute-like *******—
the ones you would have gladly forgotten
had I not bought them in this year’s size.

Originally published by Erosha



Poppy
by Michael R. Burch

“It is lonely to be born.” – Dannie Abse, “The Second Coming”

It is lonely to be born
between the intimate ears of corn . . .
the sunlit, flooded, shellshocked rows.

The scarecrow flutters, listens, knows . . .
Pale butterflies in staggering flight
ascend the gauntlet winds and light
before the scything harvester.

The winsome buds of cornflowers
prepare themselves to be airborne,
and it is lonely to be shorn,
decapitate, of eager life
so early in love’s blinding maze
of silks and tassels, goldened days
when life’s renewed, gone underground.

Sad confidante of worm and mound,
how little stands to be regained
of what is left.
A tiny cleft
now marks your birth, your reddening
among the amber waves. O, sing!

Another waits to be reborn
among bent thistle, down and thorn.
A hoofprint’s cleft, a ram’s curved horn
curled inward, turned against the heart,
a spoor like infamy. Depart.

You came too late, the signs are clear:
whose world this is, now watches, near.
There is no ****** for the heart.

Originally published by Borderless Journal



Virginal
by Michael R. Burch

For an hour
every wildflower
beseeches her,
"To thy breast,
Elizabeth."

But she is mine;
her lips divine
and her ******* and hair
are mine alone.

Let the wildflowers moan.



If Love Were Infinite
by Michael R. Burch

If love were infinite, how I would pity
our lives, which through long years’ exactitude
might seem a pleasant blur—one interlude
without prequel or sequel—wanly pretty,
the gentlest flame the heart might bring to bear
to tepid hearts too sure of love to flare.

If love were infinite, why would I linger
caressing your fine hair, lost in the thought
each auburn strand must shrivel with this finger,
and so in thrall to time be gently brought
to final realization: love, amazing,
must leave us ash for all our fiery blazing.

If flesh’s heat once led me straight to you,
love’s arrow’s burning mark must pierce me through.



Plastic Art or Night Stand
by Michael R. Burch

Disclaimer: This is a poem about artificial poetry, not love dolls! The victim is the Muse.

We never questioned why “love” seemed less real
the more we touched her, and forgot her face.
Absorbed in molestation’s sticky feel,
we failed to see her staring into space,
her doll-like features frozen in a smile.
She held us in her marionette’s embrace,
her plastic flesh grown wet and slick and vile.
We groaned to feel our urgent fingers trace
her undemanding body. All the while,
she lay and gaily bore her brief disgrace.
We loved her echoed passion’s squeaky air,
her tongueless kisses’ artificial taste,
the way she matched, then raised our reckless pace,
the heart that seemed to pound, but was not there.



She Was Very Pretty
by Michael R. Burch

She was very pretty, in the usual way
for perhaps a day;
and when the boys came out to play,
she winked and smiled, then ran away
till one unexpectedly caught her.

At sixteen, she had a daughter.
She was fairly pretty another day
in her squalid house, in her pallid way,
but the skies ahead loomed drably grey,
and the moonlight gleamed jaundiced on her cheeks.

She was almost pretty perhaps two weeks.
Then she was hardly pretty; her jaw was set.
With streaks of silver scattered in jet,
her hair became a solemn iron grey.
Her daughter winked, then ran away.

She was hardly pretty another day.
Then she was scarcely pretty; her skin was marred
by liver spots; her heart was scarred;
her child was grown; her life was done;
she faded away with the setting sun.
She was scarcely pretty, and not much fun.

Then she was sparsely pretty; her hair so thin;
but a light would sometimes steal within
to remind old, stoic gentlemen
of the rules, and how girls lose to win.



Cold Snap Coin Flip
by Michael R. Burch

Rise and shine,
The world is mine!
Let’s get ahead!

Or ...

Back to bed,
Old sleepyhead,
Dull and supine.



Song Cycle
by Michael R. Burch

Sing us a song of seasons—
of April’s and May’s gay greetings;
let Winter release her sting.
Sing us a song of Spring!

Nay, the future is looking glummer.
Sing us a song of Summer!

Too late, there’s a pall over all;
sing us a song of Fall!

Desist, since the icicles splinter;
sing us a song of Winter!

Sing us a song of seasons—
of April’s and May’s gay greetings;
let Winter release her sting.
Sing us a song of Spring!



The Unregal Beagle vs. The Voracious Eagle
by Michael R. Burch

I’d rather see an eagle
than a beagle
because they’re so **** regal.

But when it’s time to wiggle
and to giggle,
I’d rather embrace an angel
than an evil.

And when it’s time to share the same small space,
I’d much rather have a beagle lick my face!



Over(t) Simplification
by Michael R. Burch

“Keep it simple, stupid.”

A sonnet is not simple, but the rule
is simply this: let poems be beautiful,
or comforting, or horrifying. Move
the reader, and the world will not reprove
the idiosyncrasies of too few lines,
too many syllables, or offbeat beats.

It only matters that she taps her feet
or that he frowns, or smiles, or grimaces,
or sits bemused—a child—as images
of worlds he’d lost come flooding back, and then ...
they’ll cheer the poet’s insubordinate pen.

A sonnet is not simple, but the rule
is simply this: let poems be beautiful.

I'm stalling
Trying to hold back the truth in all honesty,
Filling the empty air with...
What ever is within reach and light enough to throw
Trying to keep hold of your attention without revealing the intentions of my actions
I'm stalling,
Fumbling over my words like a quarterback getting sacked and hoping that you'll catch what I'm trying to say
What can I say?
Can't form the words without shattering the fabric of what ties our lives together

 a Wish...

See I've learned that if you sit silently when people ask you a question
 they wonder if you're paying attention.
Or if they make cents while your trying to register
what they're saying or if you're trying to change your mind
People don't see what's jumping around behind your eyes
They only see the stalling...
I'm stalling
Attempting to push back the deadline to the expiration date of this definite dead-end relationship
As I futilly to resurrect dead memories hoping that the ghost of what used to be will reanimate but in all honesty I have doubts.

A wish,
To fill the void where my love for them used to be
While emptying a Pandoras box of vexation  in a confined and constructed yet confusing confession...
this obsession with stalling sends me bouncing off walls hoping my actions will speak for my words,
I'm stalling.
Trying to push the bars of times prison cell hoping that the seconds will last a little longer than the last one,two,three,four.
Seconds
minutes
hours
days
weeks
months
years.
But eventually time will stop giving me passes on making the past an eventual future;
These stalls will complete their decay and die and I'm only hoping to die with them...
I'm hoping that I won't have to face the lies I've been hiding under my breath.

The truths I've hidden under my bed

The lies crawling from my lips

And the anger I've buried in my chest

It's scary what lengths man will go to hide the truth;
And I think I've gone too far.

Snow falling
the bear snoozing
sunflowers stalling
A Sunflower blooming

The Sun is blinding
Sunflowers blooming
Mating calls for fighting
a sunflower glooming

Perennials rebloom
as a sunflower tries to
Sunflowers rebloom
a sunflower dies too

The snowflakes fall
a Sunflower grows tall
sunflowers wilt
the dens are built

Snow falling
The bear snoozing
sunflowers stalling
A Sunflower glooming

Earthquake Poem
3/5/2014

What do you suppose an earthquake does?

Sure, there are the shakes and scares,
Seismic shifts accompanied by tectonic tears.
But ditch this global perspective,
Figure out what rips those ripples, detective.

Let’s see you pound at the ground.
Hit it hard, ‘til you hear a heavy sound.
Is that enough to fissure some asphalt?
Tell me, could you bring this spinning planet to a sudden halt?

I can’t say for sure, what an Earth-quake does.
Though I’ve been a victim,
Earth isn’t where my quake was.
An Earth-less earthquake,
On a planet whose name I’ve learned to forsake.

Wynn’s world wandered ‘round someone else’s orbit:
Drawn to its gravity like grapes grow on a vine;
Brightened by its solar system’s shining smile, so divine;
Emotional tides tugged in and out;
Guided by its mysterious moon’s midnight meandering about.

That’s right – an orbit with its own time flow.
Time that could stomp its heels and steal a spotlight,
Time that could manipulate a moment like jello, mayonnaise, or some other squishy substance,
Time that could crash course, while standing still,
Time that could reveal something you never knew.

What do you suppose an earthquake does?

A quake could be anything that makes you shake.
Think of quaking in fear, as an unknown figure draws near.
Think of a jittery heart, that’s been bit by a bullet.
Internal tears,
think of organs bleeding,
Think of needing,
solid ground,
but falling and time keeps stalling.

When a quiet little quiver promises to deliver,
its slight shock signal straight through the middle.
When a molten magma core fizzes its manic madness,
like a shaken soda.
When an epic eruption carries out its upward excelsior,
Rejecting the spinning without a stop.

Oh, the mountains will tumble,
The hills and valleys, they’ll crumble,
And gurgle in the raging rivers’ rumble,
As volcanoes churn out violent bubbles,
Stirring up all kinds of troubles,
For one person’s personal planet.

For one person’s personal planet,
These violent forces of nature can’t compare to an Earth-quake,
When the ground you stand on begins to break,
When you realize your senseless stability is fake.
When that little quake knocks your Earth awake,
It’s reality coming alive to take, and take, and take,
Because for love, you put everything at stake.

What do you suppose an earthquake does?
I’ll tell you – it leaves a wrecked world with a cracked core and scorched surroundings.
Just because.
Just because, love on Earth always comes with a quiet little quake.

My hair comes out but I stay true

It is unreliable, like you

I can pull it, twist it, I feel no pain

But I don't see what I then gain

You moved me and shaped me like I was your clay

I didn't complain, though my fabric would fray

I was too scared of going astray

The way you think makes me shrink

And still, I sink

So I'm falling

But conversation is stalling

Faraway voices calling

I stumble away, crawling

I look bad, but I don't feel so

First time for that, I know

Everything I say and do,

I was kept in line by you

And it's weird knowing someone so well

But feeling like you're under their spell

Yet nothing you do makes me afraid

Even though I'm in your charade

A masked ball, can I recall

Your face without fear?

When the fog becomes clear

Will you stop being austere?

Or return to your old ways, a smirk for your 'dear'

Like my hair, you are there,

But I can't make myself care.

As I step back, regrets will come stalling, yet I never let it hurdles what’s just ahead.


© Pax

The Syrian process is a serial problem
When the disenfranchised
Cause a landslide
Of historical hatred
The key that ignites
Business and commerce
Wildfire hearts
And boiling skin

The harsh outbreak of deadly cholera
The blockade of the forceful armada
The coalition forces
Run wild like horses
The bombs keep falling
The people cry
The engine keeps stalling
The car dies

The white phosphorus
Brought by the white prosperous
Can burn to the bone
And wounds can ignite up to three days later
But the people of Raqqa
Are used to reigniting scars
They're used to searing flesh
That melts like tar
Where this will go
No one knows how far
Machines must be sustained
Hearts will be untamed
Lives constantly rearranged

A human rights activist attempts to send a report
What he's witnessed in Raqqa
Injustices; perceived and objective
But Hellfire
Turns the Internet cafe
Into a senseless violence display
The dirt, blood, and bodies
Mixed and spread like the art
That was ignored to lead to this quagmire

Whether this calamity started
At the Melian dialogue
Or a market diagram
Or a martyr's diatribe
What we need now is an m.d. to suture the wounds
But who will save us?
When noble protectors are blown up
And the reigniting scars scorch the hands that heal