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Oscar Mann Dec 2015
I am not a mad man
Indeed, I’m not a man
I am the Fisher King
An enigmatic fraction
Of your frantic imagination
I come and go as I please
Mixing serene silence
With immaculate impotence
Who will help me
The King and his kinsmen
The King and his people
A barren madman
In a barren world
Living on hope alone
Hope and make-belief

Yet behind the façade
Of a harmless hermit
Lies greatness and goodness
And the promise of purity
The meaning of life
And the riddance of meanness
The secret of bliss
Without ignorance
The purest pleasure
For both body and soul
For the King and his kinsmen
The King and his people
The barren madman
Changing the barren world
Into a painting-like paradise

So forget about reason
And the rules they imply
And embrace the essence
Of my delusional ravings
Look out for the invisible
Listen to silent whispers
And expose hidden meanings
I’ll be here for a while
Resting on the riverside
For I am not a mad man
I am not a man
I am not mad
I am the Fisher King
A barren beacon
In a dark, dark world
Faint as a climate-changing bird that flies
All night across the darkness, and at dawn
Falls on the threshold of her native land,
And can no more, thou camest, O my child,
Led upward by the God of ghosts and dreams,
Who laid thee at Eleusis, dazed and dumb,
With passing thro' at once from state to state,
Until I brought thee hither, that the day,
When here thy hands let fall the gather'd flower,
Might break thro' clouded memories once again
On thy lost self. A sudden nightingale
Saw thee, and flash'd into a frolic of song
And welcome; and a gleam as of the moon,
When first she peers along the tremulous deep,
Fled wavering o'er thy face, and chased away
That shadow of a likeness to the king
Of shadows, thy dark mate. Persephone!
Queen of the dead no more--my child! Thine eyes
Again were human-godlike, and the Sun
Burst from a swimming fleece of winter gray,
And robed thee in his day from head to feet--
"Mother!" and I was folded in thine arms.

Child, those imperial, disimpassion'd eyes
Awed even me at first, thy mother--eyes
That oft had seen the serpent-wanded power
Draw downward into Hades with his drift
Of fickering spectres, lighted from below
By the red race of fiery Phlegethon;
But when before have Gods or men beheld
The Life that had descended re-arise,
And lighted from above him by the Sun?
So mighty was the mother's childless cry,
A cry that ran thro' Hades, Earth, and Heaven!

So in this pleasant vale we stand again,
The field of Enna, now once more ablaze
With flowers that brighten as thy footstep falls,
All flowers--but for one black blur of earth
Left by that closing chasm, thro' which the car
Of dark Aidoneus rising rapt thee hence.
And here, my child, tho' folded in thine arms,
I feel the deathless heart of motherhood
Within me shudder, lest the naked glebe
Should yawn once more into the gulf, and thence
The shrilly whinnyings of the team of Hell,
Ascending, pierce the glad and songful air,
And all at once their arch'd necks, midnight-maned,
Jet upward thro' the mid-day blossom. No!
For, see, thy foot has touch'd it; all the space
Of blank earth-baldness clothes itself afresh,
And breaks into the crocus-purple hour
That saw thee vanish.

Child, when thou wert gone,
I envied human wives, and nested birds,
Yea, the cubb'd lioness; went in search of thee
Thro' many a palace, many a cot, and gave
Thy breast to ailing infants in the night,
And set the mother waking in amaze
To find her sick one whole; and forth again
Among the wail of midnight winds, and cried,
"Where is my loved one? Wherefore do ye wail?"
And out from all the night an answer shrill'd,
"We know not, and we know not why we wail."
I climb'd on all the cliffs of all the seas,
And ask'd the waves that moan about the world
"Where? do ye make your moaning for my child?"
And round from all the world the voices came
"We know not, and we know not why we moan."
"Where?" and I stared from every eagle-peak,
I thridded the black heart of all the woods,
I peer'd thro' tomb and cave, and in the storms
Of Autumn swept across the city, and heard
The murmur of their temples chanting me,
Me, me, the desolate Mother! "Where"?--and turn'd,
And fled by many a waste, forlorn of man,
And grieved for man thro' all my grief for thee,--
The jungle rooted in his shatter'd hearth,
The serpent coil'd about his broken shaft,
The scorpion crawling over naked skulls;--
I saw the tiger in the ruin'd fane
Spring from his fallen God, but trace of thee
I saw not; and far on, and, following out
A league of labyrinthine darkness, came
On three gray heads beneath a gleaming rift.
"Where"? and I heard one voice from all the three
"We know not, for we spin the lives of men,
And not of Gods, and know not why we spin!
There is a Fate beyond us." Nothing knew.

Last as the likeness of a dying man,
Without his knowledge, from him flits to warn
A far-off friendship that he comes no more,
So he, the God of dreams, who heard my cry,
Drew from thyself the likeness of thyself
Without thy knowledge, and thy shadow past
Before me, crying "The Bright one in the highest
Is brother of the Dark one in the lowest,
And Bright and Dark have sworn that I, the child
Of thee, the great Earth-Mother, thee, the Power
That lifts her buried life from loom to bloom,
Should be for ever and for evermore
The Bride of Darkness."

So the Shadow wail'd.
Then I, Earth-Goddess, cursed the Gods of Heaven.
I would not mingle with their feasts; to me
Their nectar smack'd of hemlock on the lips,
Their rich ambrosia tasted aconite.
The man, that only lives and loves an hour,
Seem'd nobler than their hard Eternities.
My quick tears ****'d the flower, my ravings hush'd
The bird, and lost in utter grief I fail'd
To send my life thro' olive-yard and vine
And golden grain, my gift to helpless man.
Rain-rotten died the wheat, the barley-spears
Were hollow-husk'd, the leaf fell, and the sun,
Pale at my grief, drew down before his time
Sickening, and Aetna kept her winter snow.
Then He, the brother of this Darkness, He
Who still is highest, glancing from his height
On earth a fruitless fallow, when he miss'd
The wonted steam of sacrifice, the praise
And prayer of men, decreed that thou should'st dwell
For nine white moons of each whole year with me,
Three dark ones in the shadow with thy King.

Once more the reaper in the gleam of dawn
Will see me by the landmark far away,
Blessing his field, or seated in the dusk
Of even, by the lonely threshing-floor,
Rejoicing in the harvest and the grange.
Yet I, Earth-Goddess, am but ill-content
With them, who still are highest. Those gray heads,
What meant they by their "Fate beyond the Fates"
But younger kindlier Gods to bear us down,
As we bore down the Gods before us? Gods,
To quench, not hurl the thunderbolt, to stay,
Not spread the plague, the famine; Gods indeed,
To send the noon into the night and break
The sunless halls of Hades into Heaven?
Till thy dark lord accept and love the Sun,
And all the Shadow die into the Light,
When thou shalt dwell the whole bright year with me,
And souls of men, who grew beyond their race,
And made themselves as Gods against the fear
Of Death and Hell; and thou that hast from men,
As Queen of Death, that worship which is Fear,
Henceforth, as having risen from out the dead,
Shalt ever send thy life along with mine
From buried grain thro' springing blade, and bless
Their garner'd Autumn also, reap with me,
Earth-mother, in the harvest hymns of Earth
The worship which is Love, and see no more
The Stone, the Wheel, the dimly-glimmering lawns
Of that Elysium, all the hateful fires
Of torment, and the shadowy warrior glide
Along the silent field of Asphodel.
Brent Kincaid Jul 2015
You quote from Leviticus
Call me an abomination
As you eat cheeseburgers
And claim a Christian nation.
You don’t ****** daughters
Who have had unmarried love
Yet, demonizing gay people
Fits you like an expensive glove.

You vilify your children daily
And quote the bible to boot,
While you work on the Sabbath
In your fine mixed-fabric suit.
You talk so glibly about us
Out of both sides of your mouth.
You are embarrassing examples
Of the sickness of the Old South.

You just ain’t right.
Your head’s on wrong.
Your hypocritical ravings
Are the cause of this song.
You’re a liar and a nut
And you’re halfway crazy.
We'd make laws against you
But we’re too **** lazy.

You wave your hands and pray
In public so you are well seen.
You copy your Christianity
From the latest People magazine.
Your idea of pious philosophy
Is way off the Christian track.
If I ever shake hands with you
I’ll count the fingers I get back.

You just ain’t right.
Your head’s on wrong.
Your hypocritical ravings
Are the cause of this song.
You’re a liar and a nut
And you’re halfway crazy.
We'd make laws against you
But we’re too **** lazy.
Salil Panvalkar Oct 2013
The continuous pondering of life after death has recently plagued our existence
This might be a hindrance for our previously unfailing pious persistence  

Thoughts arise that cause an imbalance in the tumultuous mind
Free you, they might, of the pacts into which you yourself do bind

Magnanimous flatulence shall reign unbridled upon the fields of plenty
But the door to unanimous qunatipulation shall come unhinged on the count of twenty

Promiscuity leads to a mind frame disgusted by a joyous initiation
Humongous amounts of gelatinous goo shall be written off as depreciation

Pig tails and concubines disperse with molecular ease
While the dead paperweights converse heatedly in Cantonese

May these words sit upon you, heavy as the dark interstellar skies
May your brain be confounded, let no infallible logic suffice
Raj Arumugam Oct 2010
since childhood
and since I first knew
that such unglamorous places as libraries exist
(well, obviously the masses think
places of worship and amusement parks
and cinemas and mosh pits are much more attractive
as these draw crowds like scavengers to carcasses)
ah, but I digress
like a man past fifty
which is what I am -
but, as I was saying,
since I first discovered public libraries
(I couldn’t afford to buy books once
and the books I can afford to buy now
are not worth the dollars
the booksellers say I should part with)
ah, but again I digress…

and as I was saying,
all my reading since innocent childhood
has been of borrowed books
from public libraries
which I read and appreciate
but in which I dare not write comments;
I dare not scribble
in the books
for I am worried about fines
and being labeled ‘delinquent borrower’
and losing my reputation
as being an eminent citizen;
and so I do not write comments
but I have to say something
as you can well understand
to express my disagreement or approbation;
but I cannot write my comments beside the text
or at the end of the short story
or at the end of the poem
or in the margins of utterly un-understandable Einstein
and so with no other way
and my frustrations building
and determining through reason
I should not allow my pent-up emotions
to explode into expletives and ravings
and such implosions and explosions
to ***** up my precious emotional and aesthetic life
I decided
since childhood
when I first started reading -
I decided, and
what else could I do?
to explode into expletives and ravings
and such implosions and explosions
and so
unable to write comments
on borrowed material
on public property
I shouted at books
(and still do)
and uttered expletives
(and continue to do so)
or went done on my knees before books
and made sweet moans, something akin
to ****** ecstasy
before, say, a poem of Keats
or shouted and hollered with joy
at a volume of Leaves of Grass
or screamed with disapproval at stories
turned out with worn out plots
and predictable turn of events
where every man had his maiden
and lived happily for ever
well-fed and well-sexed and fatter and happily ever after;
and I made faces at writing
that were just clichés
and poems that waxed lyrical
and I scowled before un-creative pieces
that waffled with thin sentiments
and moans and sighs of love
or of poetic philosophical bombast
and so my reading career,
since childhood -
O most cultured gentlemen and most elegant ladies,
my reading career has been
dogged with explosions of expletives before books I read
or books I refused to read
and also of course with ecstatic cries before
well-written and well-thought out prose or poetry
but, tragically, unable to write on spines or margins
or between lines on borrowed books
this became
a habit so deeply ingrained
I cannot tear myself off from it
and so
you understand why
even in this age of the internet and cyberspace
I find it excruciating to punch in comments
because this borrowed-books mindset
is fixed and ******* so firm in me;
but you can imagine I have
knelt before your poems and blogs
in near ******-ecstasy
or more unkindly
I have uttered expletives
and shouted obscenities at your blogs and posts
and my family have run in to my study
happily thinking I was going insane
and they could finally confine
me in a Hospital for the Insane
but I am ready
and I just grin with a stolen book of Shakespeare
which I keep near for such occasions
and I say to my precious wife:
Oh, I’m just practicing to direct
a modern production of Shakespeare’s plays
sometime in the future, soon
and disappointed,
the family curses and utters profanities

but I digress -
so back to the subject at hand;
and gentle reader,
perhaps we are both one of a kind
and you too suffer from this
borrowed-books mindset
and you give my poems and blogs
and my online posts
the same treatment I give yours…
well, we understand each other
and we naturally utter obscenities
or kneel with pleasure
but leave no comments or scribble
because the shame of public library censure
has too strong a hold on us…
but what is important is,
we understand each other
I abandoned the
accepted standard
found the edge of the map
and fell off.
The world is flat

Just how deep
does the rabbit hole
go?
We may never know
but I dove head first
into the ground.
Try and find me now

The universe is vast
but I
rearrange the planets
in a pattern more familiar
*The system can collapse
B Young Feb 2015
The suburban housewives are all prostitutes.
Cuckoo CUCKOO cuckoo
Sings the cuckolded husband
Bury the demons in the backyard,
Jack.
Decomposing rotting souls
Enriching the soil
Get rich without any toil.

Step
Outside

A glance to heavens
From the floors of a forest
Reveals a distant star.
Symbolizing neither here, near or far
A twinkling image destroys the ego
Although in this here woodland
Anything goes.
I am the king.

The truth only goes as far as the rocks thrown
So I asked the reapers which way to go
Take a trip with me down memory lane
my past has no real pain.
And no thank you I would not like any fame
I really have nothing to gain but catharsis
So please don’t call me an artist.  

I learned how to read from Frodo
Potter got me through puberty
Infinite Jest is too long
They say the strong dont read poetry
Naked Lunch ravings from a ***** gone mad
Anything discussed on Oprah during brunch is just bad
Satre and Camus too absurd
Stephen King too frightening
David Sedaris too homosexual
Chucks Palahniuk and Klosterman too hipster
The Electric Kool Aid Acid Test for van wagon hippies
Lao-Tzu is too Zen
James Paterson and John Grisham are a waste of pen
The Perks of Being a Wallflower is too needy
Just begging to be loved
Like stupid Twilight
Ann Rice already got it right
Political books are for crooks
Self Help too pretentious
God Dillusion and God’s Not Great too scary
Romances are all wrong
Farces are all right
The Torah too infallible
The Gospels too life changing
Fear and Loathing, On the Road drugged tales disguised as art
Truth can be found in A Million Little Pieces
Lies found in the truths of our textbooks
Vonnegut is always too short
Woody Allen plays never long enough
Waiting for Godot left me waiting for an ending
The Big Book didnt work
Tweak is a ****** piece of work
Henry Rollins yells Get In the Van with a vein pulsating out his forehead while,
Nikki Sixx makes millions from a marketed selling of his soul
The Hunger Games are over popular children books
Did not stop me from getting hooked
A Brave New World is a reality
Dune a vision
50 Shades a pandering to public lust
The etchings left on my mind by Supertramp McCandless and Hesse will never rust
Edward Albee is everything you could ask a play-write to be
Harmony Korine just makes me envious
Even grand mom has the collected Carlin
Twain is middle school
Hemingway high school
Coleridge is college
Dostoyevsky too daunting
French books are too ****** french
Joyce too Irish
Kafka too German
The great American novels are comic books and tabloids

I get it life is both entirely ****** and perpetually beautiful.
One needn't to read to see
Leiak, omnipresent vague pneuma-dancing spirit, ductile pious water of epiphany and extraordinary example, lives on the water with his parasitic chin in the Vernarthian epigram; he is seen with his jocular back, breaking the lines of the swamps between muscles and silhouettes. Before the First station..., primitive of the three remaining nights before reaching the volcano of Patmos, its deluge begins. "

It bathes in the Davidian, Alexandrian, and Vernarthian rains. A little touched he is seen and insubordinate in the astragali that he has gained in his allegories, squeezing his chest, exactly for the good of a wonderful Hellenistic city statue of the Dyticá, where he imbibed Vernarth's putti, adhering to the hydric spheres that fell over the ceilings of the heavens that Eros himself and his crush, which struck the heart axis of Medea, totally extracted from Zefian's quiver, constricted in Borker's nanotechnological sub-mythology. From the comedy of Attica and in the superb speeches of endo-adverbial satire, he stigmatized verbal changes of creation, superimposing them on tops of excesses carried by heavy drops inside some amphorae brought from the eastern sunset, tracking happiness that arrived on the western shores, waiting letters of sigh and loneliness stretched out on the thalamus full of stretch marks. So Leiak expanded, where everyone made fun of him being a satyr by essence, but being unaware of it. Perhaps as a unitary gesture of shadows when going to dawn, before having the best light that they put in figures or pirouettes, without disgracing him as a satirical minority in the Epicurean doctrine, he is inquiring a happy life through the intelligent search of innate pleasures, the ataraxia and in apocalyptic friendships with Zefian, Borker, and Kaitelka.

Borker did not intend to heal himself of trifles at all; it will be a habit to venerate the revelations against polytheism, to then cling to an interiority that points to corroded execration from the root to the top of the fallen tree, with force blinded by the blindness of the Automaton, as far as it is concerned. By itself, of identical significance in the background; but with so-called change that he tends to totally eliminate the last trait of personification of the divine. From this dilemma, the values will be spikes in his hands, sheaves in both, and what he envisions of Hellenism will be the property of nano-technology, submitting under the lens of time dividers that have never been pieces of rest under the Duoverse-Universe., the lens will be your Iridium and the microbes that govern us will be the atomic force, to discover them. What atomistic world will there be between Borker and Leiak, if in this nanoworld; The nanometer is one-billionth of a meter ?, What will be enough to start being tiny in this great epic, which is called Vernarth intra-spaces and inter-Verthians of the universal macrocosm, which will now approach the microcosm of human consciousness, and the laboratory of Epicurean affabilities in Ataraxias decreasing the passionate intensity of the Hypothalamus, and the supra desires that can alter the mental-corporal balance, strengthening in misery that they reach said balance, and finally happiness, which is a meta-plane of Epicurean convergence that runs after the lost. Ataraxia is, therefore, tranquility, serenity, and imperturbability analogous to Vernarth's soul, reason and feelings in his dislocated world, and the hemispheres of himself that will be rationalized in their slightest longitudinal measure, in what fits and in the precarious!

Passionate laboratories were magnetized every time Leiak walked on its extension, and his hands went beyond his fingers, touching the Constellation of Aorion, to indicate that the longitudinal metric of man is measured beyond the fingers of the Duoverse, where it appears the Extra-Cosmos in the proximal of a nano-scale is a submultiple of the conferred means of the Saint John the Apostle pattern. The scientific notation will be the safeguard of the magisterial scientist exponentiated brain; 10.1 mm = 10-3., the kilometer or km, is the opposite equivalent in what submultiples of the meter are called a micrometer: 1 μm = 10-6 m. In this scale we find bacteria, which constitute the main group of microbes, hence the name of the submultiple between observation scales of the macro and micro world of this being of Holographic Lux called Leiak, having the composition between this nanoscale, and the opposite of 1 μm = 10-6 m. projected onto a bacterium, which in turn is ten times larger than a viral body. Sizing enough to balance the biosphere that will surround the Automaton Mandragoron.
Leiak's world is an outpatient virtual laboratory, as it is valid in colloquial language, adhering to measures that differ by the conception of transliteration or decimal mathematical positioning. The letters and lines have been interpreted by Leiak, they are Vernarthian Parapsychologies that oscillate gaps of mismatch of billionths of wasted knowledge, in displays of ghostly reigns and in no-man's-land. This nanoscale makes us nano-poetize themes of ultra interference of the Epicurian decree, of tranquility, serenity, and imperturbability, with the meagerness that we know of the enlightened after a thousand moons writing under the stars:
"Woman when you touched my life with the grace of your fingers, I could see how the kind nights closed my eyes, caressing the entire Universe." This is undoubtedly Epicurean Nano Poetry, but the Author is Tagore "

The exponential oscillates in the parameter of the outstanding Astronomer of the divine verb and poetic thinking, in the most intimate and dynamic Hindu techno-language. Quantum mechanics here is the debit of the iconic remnant reached, by parameters not achieved below the average intelligence, providing lost data far from collecting and storing. Tagore's logic is nano-poetry, which balances billionths that are not achieved by occupying the Corporal Dytiká (poetic sunset) and the synchronic soul, rather the material simultaneity of the fifth element of will, emotional and objective desire, condensing into matter already conferred consciousness, in gaps in fit at all times, but linking it to her divinity as intelligence never before out of date; V.G. The Mashiach is always linked to the vertebral and communicational axon of the plasma nano-particles by grasping its infinite numinosity, making this scale it's one billionth, and being within the Eras that will be the largest average of the macrocosm, in the quantum itself of the Christian Era and in other Quantum worlds.

Strictly speaking, the molecules are angels without a will, but the dispensers are the consciousness of Leiak, which transfers hybrid consciousness, for purposes of regulating and shaping the ravings of intelligence and atheistic consciousness, and for purposes of the great remnant always present and active in the emergency. Spirituality of the Mashiach-revolutionized. The by-product will be Zefian's Tetra Sagita with its ergonomic tip, opening up doubts and tracing the future of a rewritten bible in the same character and fidelity, but with the omnipresent Mashiach of a Scientific Eucharist.

Leiak walked through minefields, and in some, he saw universes come out that exploded in livid colors, among them Vernarth, who had been recovering from malaria, and who helped him create a culture composed of a great artifice of immutability, for those who are close to his Greek spirit. Overwhelming those who lack the will, clarifying where the great art galleries of the world will be, not because of their current works but because of those they will have to exhibit? From the rushing philosophical delta, germs of dominance were trickling, distinguishing properties that did not germinate under his feet. Bread and water of the hundredfold fruit of all the lesser forces that resist on the thirty and nine with fever, more than the narrow borders to be discovered, in democracies that will prosper in the hands of kind tyrants, and not in the unitary Ecumene. Vernarth did not denationalize from his grass crops, he was Hetairoi more than all the commanders of Alexander the Great because his native country never sank next to him, he only prospered in centuries where he had to rise again silenced and prostrate oblivion.

The chaos of an absence accuses a majority of sadness that greets the Celtic Gauls for the axon of the anointed cosmos of the divine autarkic world. But not in seditious wars devoid of bread and water that does not support them, nor by papyrus did nets that do not contain them either, in the spiral retransform the land of all, as a plural work done here, by the Mandragoron Áullos Kósmos, intends. The male rectors will trust their works in the widespread Greek language, called koine (common). A language that writes has its own feet to write new divisions, and ordinal paragraphs to fulfill in proskínesis or obeisances in those who have golden knees or not! They will continue to make separate book stores or libraries for Filososfia or science sub-themes that will tackle the top of Profitis Ilias. For all large cities and nations, it will only be Leiak's legacy, of having large spaces for dialogues where no one can resist his man-made preaching, holographic rain forest, and times that not even in billionths will make him melt spaces of ignorance, diverge from the juxtaposed principle of unpopulated urban schools do not deserve.

Says Leiak: “Every time it is more intense to turn the dislocated nature of man, my literary idylls are at the end of everything with his genre works. Life and it's agitated think idyllic of removing the talus, which is not swayed in my chest by the Metelmi..., but by my breath of death! "
Dyticá Leiak's twilight
Jagdeep Oct 2013
A tree sways in the murmuring breeze,
On its crooked branch a nightingale is perched,
Humming and singing, a song,
Of memories sweet and long gone,
Of nights passionate and amorous,
Of kisses and embraces, delicate and rapturous,
And i remember those shudders of ecstasy,
That raging  fervour of love,
With melancholy sighs,
And with those melancholy sighs,
I wish to conjure a mysterious magic,
Which could fill my heart with memories,
Instead of blood,
So tht in my veins will course a flood,
A flood of pure love ,
And let my body tremble with that bliss ,
Of knowing tht u reside so deep,
Inside my body and soul ,
Of knowing that there is nothing to separate us,
And knowing that my heart is finally whole
Bob B Oct 2018
Kanye West visited Trump
At the White House, and man, what a scene!
His words were bouncing off all the walls,
Just like a ball in a pinball machine.

His disjointed rantings and ravings
Made little if any sense.
He ****** up to the president
More than even Michael Pence.

Rambling about the 13th Amendment,
The Unabomber, and then trap doors,
He ended the strange concoction of thoughts
With a weird reference to thirteen floors.

To him, Trump is a father figure.
To prove how much he is fan,
Whenever he wears his MAGA cap,
It makes him feel like Superman.

Illegal guns, tasting fine wines,
And liberals controlling blacks
Through racism? You wanted to say,
Calm down, Kanye. Try to relax.

One thing is certain: We can see
From trying to follow his monologue threads,
That Kanye needs some serious help.
Kanye, please get back on your meds!

-by Bob B (10-14-18)
Filmore Townsend Nov 2012
quips scrawled on scraps of paper, written
during a come-down stupor. something
she wrote, and then proceeded to destroy.
(i gathered all the pieces but have become
too lazy to care how she upset herself)
drawings drawn in between sentences,
in between words. in between syllables. drawn
to obviate thought, to put me somewhere
between Zen and poser. (the drugs obviate titles,
but i’d hedge my bets on the latter)
the remains of the Urban Squirrel Hunter –
a mythology of the Grey Fox –
shredded in the maw of a blue heeler-mutt.
written while ******, drunk, and heat-stroked.
poetry of a homeless kid.
ramblings of an alcoholic, ravings of a tweaker,
with commentary by the one who is just visiting –
       self-destruction is all we can ever be certain of.
religion created in a notebook while
doing research on a chemical. figured out what
near-death means, found life by dumb luck.
found life via pocket valiums,
gave up religion while sweating in the snow.
A mind a drift, lost in madness
by the sound of your cries,
oh how I long for your return; but all I hear is goodbye,
your lust has long a passed me and its
driving me to cry.
How I long for your sighs and your lies.
I sit here, hear, drunk, yelling out
how its gone: the taste of your waist and by God,
the heat from your chest
was the best. You never let me rest, jumping
and clawing, till their was blood on my back.
Your lipstick on my chest.
And your gone.
And I'm back to this drink.
This is a rough draft from a series I want to write. I get as drunk as i can and start writing this stream of consciousness.

— The End —