Martin Narrod  just now
I started working on a comment in response to "Filling A Bottle With A Tundish"

Sadly I must admit, that even for an American with a college degree, who is a self-proclaimed non-Philistine that grew up in a suburb of Chicago, IL. Where I'm from I've been told is much like some parts of Sussex(I believe it's Sussex), my friend Lili Wilde described it to me on an occasion.

So I must say martin, that for having a voracious appetite for language, language of all sorts, from **** to sin, to cinephile to cynosure, pulchritude to tup, exsuphlocate to masticate, irate, irk, perfervid, wan ewes thwapping their tails, nearly stridulating like the cricket in the thistle. The advanced undulate troche of domesticated shadows, and the sesquipedelien dulciloquent surreptitious diction and other floccinaucinihilipilification and tomfoolery about.

martin, please do tell me what a 'Tundish" is? If you haven't yet, there is a phenomenally interesting reverse dictionary, entitled onelook.com/reversedictionary , and quite contrary as it may seem, and for all the Virginia & Leonard Woolf I enjoy reading, especially his somewhat innocuously underrated novella he wrote, I also read with extraordinary gratitude Ted Hughes's The Birthday Letters, Take of a Bride Groom, The Complete Works, Sylvia Plath's Unabridged Journals, Ariel, Johnny Panic, Ariel, and other poems by writer Richard Matthews. I am still unfamiliar with this word, Tundish. Online dictionaries don't give the best explanation.

As I was mentioning earlier. The OneLook Dictionary-Reverse, will let you for example, search: beach sand. And in response it will give you up to thousands and thousands of word which relate to those two words, together, seperately, and opposing each other. Such as: water, swell, wave, arenose, peat, dirt, seagull, Pacific Ocean, suntan, bikini, The Beach Boys, vitrify. It's very fun indeed. From one Martin to another, I hope you'll stay in touch. I'm excited about your work!

Best Regards

Martin

P.S. The text below is the original message I typed before learning that my presumptions of you being Anglican were correct. Have a great day!

Another Martin, YES! How exquisite, I've never met another one. I have so many questions I barely know where to start. I love marigolds, nose-bags with oats, and as I started feeling the essences if equus and what lurking prurient pedagogy for the didactic zoology that took me and the mind of me to wonder perhaps if though I am quite certain(though not 100%) that your native tongue is English, but using that ridiculous skill-set of immense benality I seem to someone have, am I wrong for asking dear Martin, are you from Scotland or Wales, or maybe even from a country where you learnt English as a native tongue but it's your secondary language?

As aforementioned, there are a plethora of questions that this runnel of sludge and dross that've now arisen in the turpidity of your antiquary of delightful speech. To whomever invited me to play along in the debauchery, and dance merrily with merriment, mine younger docile succubus's slendering beside me, puking up their tissue paper and vegetable soup, so that my pretty girls can fit into Size 2 TuTu's, and learnedly imprison themselves into the tatterdemalion of portentously lurid self-****** and abuse. , and the opprobrious trollop-gossip the gaggle of my skinny victim women eschewing food groups, in order to appeal to my conservative eyes, thrice the child's wild idling to absorb the rancor of their stoic and noisome sedentary lifestyle in the polluted sudatorium that I myself don't use, but that these nonparticular Philistines would serve as Surf & Turf with glazed Christmas Hams for the Hebrews to eat, and another sad storm surge on another deserted quay of sea sands, and our vessel and our deserters, worshipping the Virunga, sacrificing the ghost skeletons of the million year old ape. So I ask you. If even you're capable of expressing yourself under the maddening yet advesperating evening listening to Miles Kane and The Arctic Monkeys, followed by listening to Black Sabbath play Fairies Wear Boots while we drink our childhoods free of the rod and **** the war out of our teenage girlfriends. And in the morning when awoken by the sound of Sopwith Camels arriving on the early, frost-strewn milky, azure-banded stripes of moonlit ecstasy that make for this unquantifiable gesture of succinct believers driving in Summer get stopped for blowing a rice-white swiveling consortium of dishonest affair rivaling ****** addicts, with hummus, plastic bags, and forks in their sphincters, while they autoerotically asphyxiate themselves in a plastic knockoff Mickey Mouse hat, and a Pirates of the Carribbean bandana wrapped around the ***** eyed nightmare of having unsuccessfully sedated a 400-lb crabby, Lowland living-room Silverback Gorilla. More than a primate and a prostate exam. It's like posthumously straining to push tingling 119° Vaseline through the grey and white coffee stirrers which spilled all over the floor while I was saying goodbye to our daughter, while also explaining to you why it's so important to me you love me back enough so that everyone has enough of a grasping glint at understanding yourself, that in managing to reason the arithmetic of such a conundrum and confusing calamity, a phone call free of dial tone happens to be surrendered to an independent Christian organization of the state while myself and my wife's two sons, our sons, Thomas and James, have enough free time from complaining to hire an attorney to disclose the arraignment reiterated by both legal council, city council, and the Screenwriters Guild of counsellors struggling from methamphetamine addiction.

Peace Be With You.

Martin Narrod
martin.narrod@gmail.com

I have hairy legs.
The dishwasher is broken.
I have been reading books.
I have been solving stupid math equations

I have to wash the food crusted dishes.
I’m writing a novella
I’m also researching sodium chloride
My novella is only six pages single-spaced so far.

Comment vous appelez-vous?

Why doesn’t anyone participate
In the
Wash Your Own **** Dishes Program?
I’m studying French.
-b +/- Square root of b2 – 4 (a)(b) over 2(a)

Anyways.
I have been teaching myself
How to play my
Black
Stretchy
Accordion.
[I don’t know why,
But it’s stretchy
Like mozzarella cheese]

I have to help my sister-in-law move
Into my house.
Into the basement.
Heh heh heh.

Daiya non-dairy cheese:
“Melts and stretches!”

Now I have to scrape the
Black tar gunk
Off the plates, because
Mother told me to do so.

Oh, the odium of sodium!

There is
No more time
For me
To shave
My legs.

In the smoke and haze
I could lie for days
Bound by dreams
Of vivacious scenes

A matriarchal mistress
From Sacher-Madoche novella
Gleaming eyes; a cruel smile
Courtesy could not last for a mile

Spank and strike,
Dearest love and goddess
Do not shirk from such duty
****** and tantalising

Bask in decadent moonlight
By the wisp of cold wind
Cure your sadism
And sate your masochism

Within piquant smell of leather
Find your balance
Between lust and love
Dealt with swift blows so keen and easy

All whilst recounting your ****** burden
Unto lovely Aphrodite
She is taken with vile passion
And laden with fur and velvet

I woke up to a beautiful summer morning. The sun was shining and the rainclouds were far away. I decided I would spend the day on the beach. I always enjoy visiting the beach as it gives me an opportunity to laugh at people's hideous bodies. But where? And then, suddenly, a wonderful idea came to me: why not go to a nudist beach as they always attract the ugliest people with the worst bodies imaginable. And you get to see their naughty bits too, for added humour.

So I rushed to my computer to check the Internet for possibilities and, to my utter amazement, I discovered there was a naturist beach only fifty miles from my beautiful home. As I read the details of the beach and the directions, I had a sense of déja vu; I realised with a frisson of ****** anticipation that it was the very same beach described by Victor the ****** in his wonderful story "Confessions of a ******" which held pride of place on my toilet reading shelf.

I was at the wheel of my incredibly expensive and luxurious car just as soon as my servants had packed my essential requirements: icebox with chilled vintage champagne, lightweight folding gold-plated sun-lounger, vicuna picnic rug and of course my lunch hamper. My chef had rapidly prepared a delicious impromptu luncheon of smoked salmon, steak tartare and a selection of other goodies. I decided to dispense with the services of my chauffeur in the interests of preserving the confidentiality of my destination.

In less than an hour and a half I was there; and the place was exactly as Victor had described it in his immortal novella: a long stretch of mixed sand and pebbles, backed by dunes planted with wild grass, waving romantically in the sea breeze. Idyllic, and crawling with naked perverts as a bonus. I parked my car and transported my equipment to the dunes. I regretted not having brought one of the servants as the hamper and icebox were quite cumbersome and heavy. I was perspiring gently by the time I had unloaded everything and set it all up to my satisfaction.

I took some care in selecting what I felt was the optimum location as I needed to combine the potentially conflicting benefits of wanting to see as many naked people as possible (hopefully including some *** action) with the need for privacy. After all I am famous. I finally chose a spot where there were several ghastly specimens on view for a few laughs and where I could also see a potentially interesting couple who might be exhibitionistic perverts. The man was about 45, shaven-headed, skinny and prematurely wrinkled all over by the sun (yes, I do mean all over) and he had an interesting tattoo on his back: "I love hot ***** ***", which I saw as promising. The woman was plump with pendulous ******* and very prominent buttocks; additionally - how can I put this delicately? - her **** was totally bereft of hair.

Before settling down to my lunch, I felt a little perambulation would not come amiss. So, as bold as brass, off I went for a little **** stroll through the dunes. I will not describe in full detail the visual horrors I encountered: hirsute old men playing aimlessly with wizened, shrunken todgers the size of a thimble; obese old biddies, their rolls of sun-tanned lard hanging round them like rows of bloated udders on a pregnant sow; tattooed bald queens, muscles bulging under lashings of sun-oil, their pierced genitals glinting wickedly in the sunshine; the list was endless. How could such grotesques revel in revealing their corporeal repulsion to the eager world?

And then I saw him! It had to be him! In a dip in the sand dunes lay a middle-aged, paunchy little man, intently watching a couple of old ******* groping each other incompetently. It could only be Victor the One-Legged ******! After all, just how many unipod Peeping Toms are there?

I strolled over to him, coughing discreetly so as to give him a chance to stop his furtive *******. 'Do excuse me for disturbing you,' I said, 'but are you by any chance Victor the famous ****** whose confession I read only last week?'

'Why yes,' he admitted, 'but how on earth did you recognise me?'

I smiled and pointed to the cast-off artificial leg lying next to his beach towel (which, incidentally, was emblazoned by a giant "V", a bit of an identity hint, I felt). He patted his stump ruefully and laughed uproariously so that his average-sized ***** flapped like a pennant in a Force Eight gale. 'I forgot,' he bellowed deliriously.

'I'm just about to have a spot of lunch,' I said. 'My personal Michelin-starred chef, Jean-Claude Anusse, always over-caters ridiculously as he knows I often pick up people on my excursions, so there'll be more than enough. I'm afraid it's nothing special: some smoked salmon and some assorted cold meats, possibly a spot of pâté de foie gras, if I know Jean-Claude. And, naturally, enough champagne to drown a hippo in. Please do say yes, as I have so many questions to ask you about your hobby.'

'That's very kind of you.' mumbled the astonished Peeping Tom, 'I should be very happy to accept your generous offer. Incidentally, to whom have I the honour of speaking?'

I was, frankly, shocked when I realised Victor had not recognised me, and then I remembered I was naked. That explained it. 'Why, I am none other than Edna Sweetlove, poetess to the stars, creator of the Barry Hodges "Memories" poems and biographer to the intrepid and incredible superhero SNOGGO,' I murmured sotto voce, not wishing to be mobbed for my autograph.

'Edna Sweetlove!' he exclaimed, 'you mean THE Edna Sweetlove?' And so saying he glanced down to my genital zone in order to answer the question which so many of my fans have asked over the years. He grinned as he saw the solution to the great mystery.

Victor quickly strapped on his prosthesis and accompanied me (slightly lopsidedly) to my little luncheon site. He helped me unpack our repast and then made himself as comfortable as a naked one legged ****** could reasonably expect to be without a chair.

I must say Chef and his team had excelled himself in the thirty minutes I had given them: smoked salmon roulades, a magnifique plateau de fruits de mer including a three-pound giant lobster, steak tartare, a whole cold pintarde à l'ail, a few dozen sushi rolls, a monster summer pudding, and naturally a Jeraboam of Krug '92. No wonder the hamper had been so ******* heavy. I could see Victor was impressed as I offered him a chilled flute of the most expensive champagne he had ever tasted. 'Better than the pathetic, poverty-stricken muck you were going to gobble, I expect,' I commented in a friendly way.

'Mmmmmmmmm! Absolutely delicious, Edna. I was certainly not expecting this! exclaimed the grateful freak. But before we start on what looks like a truly exquisite nosh-up, I must give you a word of warning.'

'A word of warning? What about, Victor dear?'

'Well, you see, there's no, um....er,' he blushed charmingly.

'No what, Victor? Don't be embarrassed, sweetie. This is Edna you're talking to. Spit it out, baby.'

'Well, um, there's no ******* on the beach, Edna,' explained Victor uncomfortably. 'So, if you need to pump ship, you have to do it native-style "au naturel" in the dunes over there, which can be a bit messy what with all the filth lying about the place in that area, not to mention the lavvo-voyeurs hanging round. Or else you need to swim out a bit and unload into the sea. Judging by what's on offer at your stylish picnic, we'll both be bursting for a good old **** and crap afterwards.'

I shrieked with laughter and explained there was nothing I liked better than a widdle en plein air or a double act dans l'eau. We then tucked into lunch with a vengeance. It was ******* delicious, even though I say so myself. After about fifteen minutes' happy munching, interspersed with witty small talk, Victor suddenly went rigid. 'Look over there!' he hissed and indicated the middle-aged couple by the windbreak.

I looked and I was surprised. The plump woman with the big *** was on her knees in front of her partner, giving him a vigorous *******, and he was lolling back in ecstasy, a broad smile on his face. He seemed to be looking straight at us, almost visibly willing us to watch. He winked repeatedly in a conspiratorial fashion; maybe he had St Vitus’ Dance. Or even worse, he wanted me to get stuck into the action with them.

'They're regulars here, they normally put on quite a good show,' explained Victor excitedly, his hand reaching down automatically to his rapidly stiffening ****.

'Victor!' I admonished him, 'I would prefer it if you didn't **** yourself off during lunch. How about another oyster, you silly old ****?'

'Sorry, Edna, I forgot,' he replied shamefacedly. 'No more oysters thank you; they only make me more randy than I already am. But I'll have another lobster claw if I may. My compliments to your chef.'

So we sipped our champagne and enjoyed our luncheon as we watched the couple give us their little exhibition. After a few minutes *******, the fat lady turned around and leaned forward on her hands and knees and her gnarled bald hubby ******* her doggy fashion from behind with some gusto; this made her beefy buns bounce about like two ferrets fighting in a sack.

I glanced around us and realised that, totally unbeknown to me, the little spectacle had attracted quite an audience. Nine men, young and old, short and tall, fat and skinny, stood staring transfixed by the petite scène erotique before us, all ******* wildly. 'Oi!' I called out. 'Can't you see we're eating?' I admonished them, but to no ******* avail whatsoever.

Victor was visibly torn between his innate desire to watch the copulators and masturbators and with his understandable wish not to offend his lunch companion by manhandling himself unrestrainedly. But, thank God, his natural good manners prevailed and we continued to converse and enjoy our meal in the midst of this Bacchanalian scene of depravity.

I watched dispassionately as the couple came to what sounded like a very satisfactory mutual ******, accompanied by the observers' seminal tributes to their performance. I naturally had filmed the entire scene secretly on my state-of-the-art mobile.

'If you give me your email address, Victor my love, I'll send you a copy of that little show,' I promised. He nodded in gratitude. 'Victor  the ****** at yahoo dot co dot uk,' he mumbled rapidly, 'no dots, Victorthevoyeur is all one word.'

Once we had polished off lunch, I told Victor I would like to interview him with a view to writing a short story about his life's work. He was touchingly flattered and, with a little judicious prompting and probing, told me his saga, which I recorded on my Edna-phone. I naturally don't want to pre-empt my forthcoming mini-biography of Victor, but suffice it to say that Victor told me how and why he became a ******, he regaled me with some of the staggering things he had seen, he gave me a list of some really ace ******* locations, he shared all his best peeping places with me, he gave me the ultimate lowdown on the world of Britain's most celebrated *** snooper and I was touched by his burning honesty. I felt a tear ***** my eye at this tragic tale.

All too soon it was time for us to part. After thanking me profusely and making me promise I would visit him one day so he could repay my generosity, he re-attached his metal leg and limped away towards his beach towel. I knew he was raring to go as the best of the action normally took place in the early evening.

'Farewell, dearest Victor,' I called out as he tripped clumsily over a fellow pervert who had been eavesdropping near us.

In response to a sardonic essay written in the recent Saturday Nation by Proffessor Ekara Kabaji, wryly  disregarding the position of Kwani in the global literary movement within and without Kenya , I beg to be permitted a leeway  to observe that any literature, orature, music,drama,cyborature,prisnorature,wallorature,streetorature , sculptor  or painting can effortlessly thrive and off course it has been thriving without professors of  literature, but the reverse is not possible as a proffessor of literature cannot be when literature is not there. Facts in support of this position are bare and readily available in the history of world literature, why they may not be seen is perhaps the blurring effects from tor like protuberant irrelevance of professors of literature in a given literary civilization.
A starting point is that literature exists as a people’s subculture, it can be written or not written like the case of orature which survive as an educative and aesthetic value stored in the collective memory of the given people. The people to be pillars of this collectivity of the memory are not differentiated by academic ranking for superlativity of any reason, but they are simply a people of that place, that community, that time, that heritage, that era and that collective experience. Writing it down is an option, but novels and other written matter is not a sine qua non for existence of literature in such situations. This is not a bolekaja of literature as Proffessor Ekara Kabaji would readily put, but it is a stretch towards realism that it is only people’s condition that creates literature. Poverty, slavery, colonialism, ***, marriage, circumcision, migration, or any other conditions experienced as collective experience of the people is stored or even stowed away in the collective memory of the people as their literature. Literature does not come from idealistic imagination of an educated person.
Historical experience of written literature informs us that the good novels, prose, drama and poetry were written before human society had people known as professors of literature. I want you my dear reader and You-Tube audience to reflect on the Cantos of Dante Alighieri in Italy, novels of Geoffrey Chaucer in England, Herman Melville and his Moby **** in Americas, poetry of Omar khwarisim in Persia, Homeric epics of Odyssey in Greece and the Makonde sculptures of Africa and finally link your reflections to Romesh Tulsi who grafted the Indian epic poetry of Ramayana and Mahabharata. At least you must realize that in those days literature was good, full of charm, very aesthetic and superbly entertaining. This leads to a re-justification that, weapon of theory is not useful in literature. University taught theories of literature have helped not in the growth of literature as compared to the role played by folk culture.
Keen observation will lead you dear reader, down to revelations that; professors of literature squarely depend on the thespic work of the people who are not substantially educated to make a living. Let me share with you the story about Dr. Tom Odhiambo who went to University of Witwasterand in South Africa for post graduate studies in literature only to do his Doctoral research on books of David G Maillu. Maillu is a Kenyan writer, he did not finish his second year of secondary school education but he has been successfully writing poetry and prose for the past three decades. His successful romantic work is After 4.30, probably sarcasm against Kenyan office capitalism, while his eclectic, philosophical and scholarly work is the Broken Drum. Maillu has many other works on his name. But the point is that Dr. Odhiambo now teaches at University of Nairobi in the capacity of senior lecturer in Literature. What makes him to put food on the table is the effort of un-educated person in the name of David Maillu. Dr.Odhiambo himself has not written any book we can mention him for, apart from regular literary journalism he is often involved in on the platforms of the Literary discourse in the Kenyan Saturday Nation which are in turn regular Harangues and ripostes among literature teachers at the University of Nairobi, the likes of Dr Siundu, Proffessor wanjala Chris and Evans Mwangi just but to mention by not being oblivious to professors; Indangasi and Shitanda.
No study has yet been done to establish the role of university professors on growth of African literature. One is overdue. Results may be positive role on negative role, myself I contemplate negative role. Especially when I reflect on how the African literati reacted on the publication of Amos Tutuola’s book The Palm Wine Drinkard. The reactions were more disparaging than appreciative. Taban Lo Liyong reacted to this book by calling Amos Tutuola the son of Zinjathropus as well as taking a self styled intellectual responsibility in form of writing a more  schooled version of this book; Taking Wisdom up the Palm Tree. Nigerians of Igbo (Tutuola being a Yoruba) nation cowed from being associated with the book as it had shamefully broken English, broken grammar etc. Wole Soyinka had a blemished stand, but it is only Achebe who came out forthrightly to appreciate the book in its efforts to Africanize English for the purpose of African literature. Courtesy of Igbo wisdom. But in a nutshell, what had happened is that Amos Tutuola had taken a plunge to contribute towards written literature in Africa.
One more contemplated result from the research about professors and African literature can be that apart from their role of criticism, professors write very boring books. A ready point of reference is deliberate and reasonless obscurantism taken Wole Soyinka in all of his books, Soyinka’s books are difficult to understand, sombre, without humour and not capable to entertain an average reader. In fact Wole Soyinka has been writing for himself but not for the people. No common man can quote Soyinka the way Achebe’s Things Fall Apart is quoted. Achebe wrote Things Fall Apart when he had not began his graduate studies. However, he did not escape the obvious mistake of professors to become obscure in the Anthills of the Savanna, the book he wrote when he had become a proffessor. This is on a sharp contrast to entertaining effectiveness, simplicity and thematic diversity of Captain Elechi Amadi, Amadi who studied chemistry but not literature. He does not have a second degree, but his books from the Concubine, The great Ponds, and Sunset in the Biafra and Isibiru are as spellbinding as their counterparts in Russia.
Kenyan scenario has Ngugi wa Thiongio, he displayed eminence in his first two books; Weep not Child and The River Between. These ones he wrote when he was not yet educated, as he was still an undergraduate student at Makerere University. But later on Ngugi became a victim of prosaic socialism, an ideology that warped his literary imagination only to put him in a paradoxical situation as an African communist who works in America as an English teacher at Irvine University. His other outcrops are misuse of Mau Mau as a literary springboard and campaigning for use of Kikuyu dialect of the Gema languages to become literary Lingua Franca in Kenya. Such efforts of Ngugi are only a disservice to Kenyan literature in particular and African literature collectively. Ngugi having been a student of Caribbean literature has failed to borrow from global literary behaviour of Vitian S. Naipaul.  Ngugi’s position also contrasts sharply with Meja Mwangi whose urban folksy literature swollen with diversity in themes has remained spellbinding entertainers.
The world’s literary thirsty has never failed to get palatable quenching from the works of Harriet Bechetor Stowe, Robert Louis Stevenson, Shakespeare, Alice Munro, Octavio Paz, Pablo Neruda, John Steinbeck, Garcia Guarbriel Marguez,Salman Rushdie, Lenrie Peters, Cyprian Ekwenzi, Nikolai Gogol,I mean the list is as long as the road from Kaduna to Cape town. Contribution of these writers to global literature has been and is still critical. Literature could not be without them. Surprisingly, most of them are not trained in literature; they don’t have a diploma or a degree in literature, but some have won literature Nobel Prize and other prizes. Alfred Nobel himself the author of a classical novella, The Nemesis, does not have University education in literature. What else can we say apart from acceding to the truth that literature can blossom without professors, the Vis-à-vis an obvious and stark impossibility.

.perhaps it's a good thing,
that i don't succumb to witty
rhyming poetry...
i hate rhyming poetry as much
as Bukowski hated disney...
Homer didn't rhyme...
  and all the better for it...
this rhyming fetish,
whereby, when you start
rhyming, succumbing to
some quasi orthodoxy?
   getting caged?
       better than rhyme...
   noticeable signs of impromptu,
and absolutely no, so
signs of editing...

      if god is dead in philosophical
discussions...
then rhyme is dead
in poetic composition...
    we, really don't need curriculum
poetics for GCSE students...
cages, entrapment,
   not bothering Stendhal from
the brink of a post-existentialist
despair sitting in
that other graveyard,
  the library shelf...
    and seriously?
    why Jane Austen on the 5 quid
banknote, and not Mary Shelley?

and there's a reason why i will
not make a single youtube video...
why?
       on a certain level of the popularity
stratum,
   it's become this,
  american nostalgia for high school,
the gossiping, the undermining,
the atypical Brutus confidant circle
of "content" creators...
   net-novellas -
   a bunch of people my age...
******* up to the tele-novella
       ergonomics that Polish grandmothers
watch, imported from Turkey...
or the English 1985 Eastenders
soap opera...
   ******* have to be different,
through and through,
drive on the "wrong" side of the road,
then they have to start calling
tele-novellas, soap-operas!

short attention span, sure sure...
no problem...
          do your ******* homework
during the week, watch the omnibus
on the weekend...

what's this one youtuber, who said
something about the advertisement blockers?
by the way...
   Samsung?
     all videos have been demonetized...
perhaps on the odd occasion
a vevo ad... but that's about it...

       advertisement blockers?
  seriously?
   are these people so ******* impatient
that they can't locate the mute button?!
i see an advert: MUTE...
   i think of something,
   to craft an anti-zombie
   pause, moment, anything...
    why block advertisement -
when you can merely mute it...
and listen to the vacuous sound
of celestial orbits?

        within a certain tier of content creators,
it's already the ****-smearing,
soap opera, back in a high school
playground "nostalgia"...
  sorry... not for me...
but thank you, for taking the effort,
to take a reed, dive into a lake,
and breath through it,
while remaining covert, hidden...

         again... numbers numbers numbers...
i'm still exercising a freedom of
"speech", but i rather prefer the
practice of writing, as the appropriate
res extensa of the vector origin
for this cascade, the res cogitans
as it were...

   and there really are only two forms
of nuanced language:
a study of philosophy,
   or the study of: law...
      but this youtube **** show...
   this: back in high school,
no revenge time...

                 i only tuned in for the music,
but then these youtubers started
propping up in the recommendation
list for the music i was listening to...

die krupps postscript suggestions
came up with x,
   wooden shjips came up with y...
lao che came up with z recommendations...

on a side note...
   ha ha!
    mark manson's book...
  the art of not giving a ****...
it mentions Bukowski...
  only read the sample...
        that he was a, loser...
and loser is specifically derogatory
term in American society...
to which i reply?
   and what the **** did
mark manson, actually win?
Bukowski at least won
a childhood where his father beat
him silly in the ******* bathroom...

you haven't exactly won anything,
mr. manson...
   if you didn't lose anything
to begin with;

and if you have?
   let's see the follow-up of
to your bestseller,
         of "not giving a ****";
but we won't, will we?
      - hardly brown-nosing,
the guy's dead,
1997... i have to keep
the integrity of the dead
on my bookshelf...
      
      who reads this
reverse masochism of the self-help
literature genre, anyway?
you can't even use these books
as a counter to a decent roll
of toilet paper!
   unless you want to scratch,
ahem, sorry, wipe your *** with
the pages, and start an **** bleeding!

when listening to
a Byzantine chant (Δεύτε λαοί)...
as much insight as
i had of the hebrew tetragrammaton
to meditate on
in phonetic encryptions
in other languages:
sly semitic *******: hiding
their vowels...

humor...
there's a west "contra" east
disparity...

yes...
                  the west's notion
of humor, staged,
is that of the comic...
or rather:
  the monologue...

comedy by western standards
is to be compromised
by a monologue...

comedy by eastern standards?
is to be compromised
by a "dialogue":
script...

comedy as monologue
contra...
comedy as... cabaret...

***: opera contra
operetta...

                novel contra
novella...

          some people can only
ingest so much
comedy of the audible
thought...
a monologue...
which is what is the compromise
of all of the notions
of the western take on comedy...

never has thinking become
so closely associated:
synonymous with
claustrophilia...

         but western comedy
is monologue...
or its current form...
and rarely a comedy worth
of being: diffused...
for a dialogue...
for a cabaret...

perhaps the medium
is missing an alternative suggestion...
perhaps the hidden
airy-narrator...
the thespian cult of the movies
is hiding the theatre...

but the cult of
the monologue comedy of
the stand-up,
this solipsistic-orientation
that has not
summoned the selbst to a da
with a sein...

         maybe the English sense
of humor has become
a tedium...
               one monologue too far,
notably vocated...
  maybe the English sense
of humor is missing
dialogue...
a cabaret...
so that at least two people
can laugh at the same
cause of amusement?

cabaret is a continental
"concept" for the expression
of humor...
i almost forgot how alientating
the standard, english,
medium for the expression
of humor is...
           cabaret is alien...
yet the solitary figure
on stage, the stand-up...
is the formal: normal...

     expressing humor via
the monologue is so alien to
the world beside the utility
of the english tongue...
perhaps an investigation
into: humor expressed via
a dialogue...
  no... not this ****** doubled
re-emphasis via
the conjunctions
of interjection to hush
yet add to the canned laughter...

to be honest?
i find it hard to laugh
at humor supported by
the fakery of canned laughter...
it's not that i am too lazy
to laugh:
but canned laughter is...
hiding the fact that:
something... isn't exactly
funny...

    i once saw a Pole attempt
to import monologue humor
to an audience best
associated to understanding
cabaret / dialogue humor...
bad idea...
that's it...

                but having to incline
the audience to remember
the use of:
nuance / metaphor...
like telling a person sitting
on a chair:
   a hammer & nails were used
too...

obvious this will not translate...
stand-up monologue humor
will be the standard for
expressing humor in the English
tongue,
and the form of humor
            in dialogue (cabaret) will
be only a musical...
there will never be: in addition -
the emphasis of the punchline
of the joke,
to be forwarded by one-dimensional
pseudo-actors of
the staged...
   since english humor has morphed
toward the emphasis of
monologue...
  catching the ears of:
who are in agreement with,
said statement...

     yet: the stage...
       english humor as a monologue...
thinking has become
so claustrophobic that it requires:
both audience, and stage...
no wonder...
  even the english themselves
find this and its subsequent
extension of: "what is humor"
bewildering...

  "too much" nuance,
or rather... plenty of nuance -
yet prescribed with:
precursor notices of -
legal tact...

            to me the english language
has forgotten a vital
verb,       cogito...
personally? i can't begin
to fathom why people would
be inclined to "think"
that their orientation around
this faculty could
ever breed a space,
or a fear to be associated with it...

but yes...
  the english best understand humor
as monologue...
they are so alien to humor
being expressed via dialogue:
on the stage of a cabaret...

              i simply forget to be awed
by this curiosity,
i remind myself to retort
to this observation
with a nodding approval of:
as you were, yes, as you were...

horror movie sountracks
i can listen to, no problem...
canned laughter samples?
i'm ******* petrified
of them...
              not, petrified, but, rather:
i was never supposed
to laugh... was i?

Your life is a story.
The spine is cracked,
pages are missing,
but no space is left
vacant.
Each chapter holds every
tear, every ****** knee,
every night spent alone.
They quote the thoughts and
conversations you wish you
had forgotten,
the screams and the
hand gestures,
every bad name you've called
yourself since you were ten,
all of it branded to the
pages in black ink.
You wish you could burn
it all like you
used to burn your thighs.
You don't remember the
pages you crumpled up
and threw away,
the eskimo and
butterfly kisses,
the summers you spent
by his side.
You lost your best friend's
laugh and the smell of
chocolate chip cookies.
You closed your eyes to the
beauty you always had,
the smile that was always yours,
the feeling of a pen writing out
your story.