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JJ Hutton Jul 2013
The first time a man ever pointed a gun at me and asked me to love him was at Granny's Kitchen in Greensboro, North Carolina.

The waitress, a soft spoken white woman with her hair pulled back in a bun, had just dropped off my plates --- a simple mix of scrambled eggs, two pieces of greasy bacon, and a short stack of pancakes. Now, no matter how cheap, I always feel like I'm cutting loose at breakfast places for the sheer abundance of plates. While I'm sure the eggs and bacon could have shared real estate, each component had its own china.

The waitress lingered at my table, her fingers fidgeting with straws in her apron. I made eye contact. Well, my eyes contacted hers; she was staring at my lips.

Sure I can't get you something to drink? she asked.

This was approximately the tenth time she'd made sure. She was uncomfortable that I had supplied my own beverage -- a Big Gulp. But even more than that, she was uncomfortable by the deep red stain taking over my lips. Contents of the Big Gulp: merlot, boxed.

(That is an unnecessary detail. I've only written it so I never do it again.)

Before Greg hopped up on a table and announced to the restaurant, If I could have your attention, my name is Greg and this will only take a second, blah, blah blah, I poured a copious amount of syrup on my pancakes. Then I moved the bacon to my pancake plate. In my experience, very little in this life is better than syrup on bacon.

I shut my eyes for that first bite, just like the commercials. The syrup dribbled a bit onto my beard, and when I opened my eyes, I discovered it had also landed on my shirt. I grabbed a napkin. Heard a chair slide backwards. I started with my beard, peering around the diner, making sure no one saw. I think I heard someone gasp. But I was busy, working that napkin then against my shirt. Jesus, I thought. My grandma, who's got a splash of the Parkinson's, could eat with more grace.

If I could have your attention, my name is Greg and this will only take a second, a very official voice boomed behind me.

I turned around to see if I recognized him as one of those cuffed jean-sporting, wild plaid-loving NPR hosts. He wasn't one of those. He was a sunburn with mop hair in a black tank top and hemmed jean shorts. He did, however, have a cleft chin. That's actually worth noting. Don't see a lot of them these days.

I know you guys are busy, he said. I know that like me, you guys are probably broke as hell. I mean no offense Granny's, I love this place, but it ain't exactly four stars. Or three. Anyway, all I want from each of you is five dollars. If you ain't got five, give me four. Ain't got four, three. And so on.

He started with the stringy Japanese couple on the west side of the restaurant. Nobody really seemed scared, not the freckled brat in canvas sneakers, not the liver-spotted gentleman with a copy of that day's paper.

My old friend Jerome used to say that white folks are the only romantic criminals. He tacked it up to that whole Bonnie and Clyde crap. Greg, it seemed, was privy to that information, too. He smiled and thanked each person as he robbed them of a few presidents. The victims, smiling back, seemed to be thinking of their names tagged at the end of some newspaper dialogue. A few even gave more than he asked.

Here, take fifteen. Times will get better.

Aren't you just a charmer.

It was all very moving.

So he gets to me, and of course, I don't have any cash. I carry a debit and an arsenal of credit cards like a normal American. I don't know how he made it to me before running into this particular problem.

No, I don't have one of those iPhone card swipers, he said. Well, you gotta give me something.

I offered a gift card to Harold's Clothes for Men, it had like two bucks on it, but he wasn't interested.

What's your name?

Henry.

How much do you weigh?

Enough to keep me prohibited from most amusement park rides.

I like you, Henry. Well, let me ask you something. Have you ever loved a man? he asked, pointing his smudgy revolver just past my ear.

I shook my head no.

Me neither. I've always been curious, though. You been curious?

There was a time when I was thirteen -- Blake Hinton was changing after basketball practice -- and I remember thinking, that is an incredible chest. These lines just sprawled from his sternum, lines leading to these almond *******, and I specifically remember wanting to eat them like, well, almonds. But that hardly counts as curious. So, I said, No.

To which Greg responded: Get curious, boy. You're coming with me.


In the spirit of honesty, I was in a bit of a haze before Greg made me climb into his beat up Cavalier. Not just from the Big Gulp brimmed with merlot, no, I hadn't slept in two days prior to the whole gun-in-face incident. Reason being, I was, as Greg would say, broke as hell, and the rent was due. I stayed up both nights conspiring (and drinking). So, really I was pretty thrilled to be kidnapped away from the whole situation.

I had visions. I guess from the lack of sleep. Maybe they weren't visions, maybe just dreams, or fever dreams, I don't know. All I know is I blinked, and we were in the Appalachians. And there was a grey longbeard in the backseat rattling on and on about how change is easy, movement is easy; it's that whole nesting thing that takes courage and strength, blah, blah, blah. I told him to be quiet. Greg told me to get some sleep. I blinked.

We were in a karaoke bar in Madison, Tennessee. There was a gin and tonic in front of me. I took a drink. There was a water with lime in front of me.

Greg asked, Where did you go?

I told him, your dreams, trying to be cute. He turned and asked the bartender for a Yeager bomb. Reaching for the server in -- granted -- an overly dramatic gesture, I said, Make it two. We made it three. We made it four. Seven. Then some vague, but perfect number, because my head rang right. The words came right. And I was a journalist, asking Greg all the right questions.

I'm not a criminal, he said.

I was just bored, man, he said.

You see, I was in a rut, he said. Last month I put up a personal on Craigslist. I know, it's pretty ******* desperate. I've read the kind **** people put on there. But mine was different. I just wanted some time with my ex-wife. Some couch ***, you know? We hadn't done it on a couch since I dropped out of college, and I hadn't even really thought about it until a couple weeks after the divorce. Then it was all I could think about.

A black woman, whose teeth glowed under the black light, began singing "Wild Horses." Then he read my mind, I think.

Yeah, she answered it. Did our thing on her sofa. It was nice and all, and like all nice things, you just want more, but she said I couldn't have no more, this was a fluke, a one-time, or no, a one-off thing, she said. Had to relocate, so that's why I did that whole thing at Granny's.

You ever get it on a couch? he asked.

No, I said. I've see a bra though --- two actually.

He took that as a joke, which was good.

Though wild horses couldn't drag me away, a gasoline horse could.


He handed me a courtesy breath mint after I finished throwing up. The Nashville skyline looks perfect, he said. Especially at night.

My stomach was gravel in a washing machine. Masculine love. At gunpoint, I had agreed to indulge it. I was going to make love to a man -- not just a man -- a criminal. Not something to write about on a postcard.

Mr. Winters, my esteemed landlord,
Apologies about the rent. Got kidnapped by a *******, and I'm presently banging and being banged by him in Music City, USA.


I blinked.

We laid on opposite ends of the queen-sized mattress.

I always liked Super 8s, Greg said. I don't see the point in spending so much on a hotel. A bed is a bed.

And I tried to be funny with something about the confidentiality of dark bedsheets, but it fell flat.

Greg cried. I love my ex-wife, he said.

Can I help?

Will you hold me? he asked.

The air conditioner kicked on in the already freezing room.

I'm sorry. You don't have to, he said.

I scooted against him. He smelled pleasant in a family-vacation-kind-of-way, like a fresh pretzel covered in salt. I put my arm under his neck. He buried his face into my shoulder. I blinked.


The front end of his Cavalier was held together with copper wire and coat hangers. It was a two-door. Both doors dented from, according to Greg, hit-and-runs. It had a Vermont plate on the back. It was red. I mention all of this to say: if we kept moving, we were bound to get pulled over.

In the parking lot of 3B's Breakfast, Burgers And Beer, Greg asked me to retrieve his revolver from the glove compartment. You kinda have to uppercut it, he said. And I did.

I don't want to do it again, but we have to. I'm not staying put, not until I hit the ocean. But don't worry, I'm not going to hurt anyone.

He showed me the revolver. No bullets. I nodded, in approval, I guess.


The second time a man ever pointed a gun at me and asked me to love him was at 3B's Breakfast, Burgers And Beer in Bellevue, Tennessee. Of course, it was the same man, Greg, but the circumstances were a little different.

I went with two orders of biscuits and gravy --- or B & G as my dear friend Chance affectionately calls it. Four bites in and I'd yet to hit biscuit. For a moment, I wanted to tell Greg, C'mon man, ***** the ocean. Tennessee does gravy the way God intended. Nobody would find us in this suburb. We could be sharecroppers. Do they still have sharecroppers?

Do you like fresh corn? I asked. It was the first crop that came to mind.

Greg didn't answer. I noticed his plate of hash browns and eggs -- sunny-side up -- were untouched. You okay?

He was, he said, trying to get in the zone, that's all.

Alright.

Our waitress looked like a poster child for ******'s Youth. She couldn't have been much more than sixteen. She had blonde -- almost white -- hair. Her eyes changed color with the intensity and direction of light, a gradient between seaweed and dark ocean blue. She appeared to be an amish girl gone defective, and I was about to inquire into that very supposition when Greg stood on the table, and said, If I could have your attention, my name is Greg and this will only take a second.

Tennessee is not North Carolina. In North Carolina, they got a healthy aversion to firearms. In Tennessee, however, once a babe can walk, the *******'s got a BB gun and an endless supply of empty soda cans for target practice. I say that, to say this: when Greg stood on the table, so did three other men. Their three guns pointed right at him.

Lower that gun, brother. You ain't gettin' any money out of us.

Hate to shoot you in front of your boyfriend.

Coffee spilled and ran off the tray our waitress held. She shook so hard, it wasn't clear how many women she was.

Greg's cleft chin centered on one gunman, than the other, than the other.

Just drop the gun, *******.

We don't want to ruin no one's breakfast.

Fellas, I said, he doesn't have any bullets in his gun. We need a little money that's all.

That ****** is just trying to protect him.

I'm calling the cops, a purple-haired old woman yelped from under her table. Silverware clanged against the floor. Then the buzz of a fly. Then the pop of fries drowning in grease. Then the bell chimed as some idiot walked inside.

Greg's arm was shaky as he pointed the gun at me. Do you love me? he asked.

I blinked.

And I was at 3B's in Bellevue, Tennessee.

I blinked.

And I was at 3B's in Bellevue, Tennessee.

I blinked.

And I was at 3B's in Bellevue, Tennessee.

I put my arms up. Slid my chair back a ways. Stepped on the chair, then unto the table.

Do you love me? Greg asked.

His breath smelled like last night's alcohol and that morning's coffee. He was a child, a sunburnt child with a cap gun. He wasn't going to hurt anyone.

I put my hand on top of the revolver and lowered it. He crumpled, as if I were scolding him. They still pointed their guns at us. But for the first time in my life, I felt secured, tethered to a space.

I lifted Greg's chin up with my index finger. Covered his eyes with the palm of my hand. And I kissed him. I kissed him, keeping my eyes closed tight.
judy smith Oct 2015
MANILA, Philippines - The public knows me as the Father of Philippine Franchising but what is hidden from the public eye is that I am a father of five sons and a daughter. This fact became very real to me again recently when my youngest son, Sam Gregory, got married.

Like I said, I have five sons and all of them are achievers and successful in their respective fields. My eldest son, Sam Benedict, for example, has a master’s degree from Kellogg and works for a top American company. My fourth son, Sam Christopher, on the other hand, got his master’s degree from Oxford and used to work for a top British conglomerate.

When my other sons got married, I was happy and proud as I could be; but when Greg got married I have to admit that there was a certain tug in my heart realizing that my little Sam was finally leaving the nest. I am not the sentimental type, but I guess every parent has a special place in his heart for his youngest.

But don’t get me wrong, Greg is no pushover. Being physically small, he did have his share of bullying when he was in school. But Greg knows how to deal with his problems. He befriended a number of his bigger classmates and that solved his problem in a snap. He may be small but he has a big heart.

Greg is idealistic and principled. He usually volunteers for civic and charitable activities and contributes to fund drives for disaster victims. My wife and I have accepted the fact that every time there is a typhoon, we can expect our cupboards to be cleared of canned goods and our cabinets purged of old clothes, which Greg would donate.

He follows traffic rules and regulations even when there’s nobody watching and even if following is not convenient for him. He saves energy. He recycles. He even convinced me and my wife not to use narra wood flooring in our retirement home.

Being a careful planner, he is the most prepared among our family for the “Big One.” But what I find most admirable is that he keeps two emergency kits in his car in case he finds himself in a situation where he might need to help others.

Greg is also romantic, creative and dedicated. When he was studying in Beijing, he would organize a virtual date with Charmaine Haw (who would eventually become Mrs. Sam Gregory Lim), who was in Manila. They would watch the same movie on the web and Greg would order movie snacks, which he would send to Charmaine’s house. The couple would also have virtual dinner dates where Greg would order similar meal courses, which would be delivered to Charmaine’s house and then they would chat via Skype while having dinner.

When the time came for Greg to buy his engagement and wedding rings, he refused to let us — his parents — help him. He used his own money despite being the one among his brothers who could least afford it, being the least salaried employee among them. He did this as a symbol of his love and commitment to Charm.

But when the wedding came I insisted that it should be a grand wedding.

To guarantee a great party, we made sure to have great food, a great place and great companions. Being an avid sci-fi fan, Greg already had an idea of a unique garden wedding. He wanted to transform the New Grand Ballroom of the Marriott Hotel into the forests of Avatar. To do this, the wedding stylist had to import a collection of trees, hanging plants, shrubs, flowers and other plants. The images projected on the giant 15-meter panoramic LED screen added to the reality of the scenery. It was a unique and original “garden setting” and was certainly a sight to behold and remember.

For the food, Greg was at his meticulous best to make sure that the evening’s feast was memorable. The dinner opened with a mouth-watering appetizer, lemon-spiced pan-seared scallop with tomato cucumber timbale in creamy ginger soya sauce followed by Manhattan clam chowder with cornbread dumpling. For the main course, we had the beef tenderloin prepared by the master chef of Cru Steakhouse of Manila Marriott Hotel, sea bass with roasted shallots, dauphin potatoes in perigourdine and mustard herb sauce.

The espresso-infused tiramisu and the white chocolate cheesecake with mango salsa served with piping-hot coffee completed the culinary feast.

With 800 guests, I would have to admit that we did splurge a little. But we also wanted the wedding reception to be an opportunity to thank the people who have been a part of our family. These are our relatives, friends and associates who have inspired, mentored and helped mold my children to be what they are today.

To my youngest son, Greg, and my new daughter, Charmaine — quoting from the Vulcan salute of the Star Trek saga (of which Greg is a big fan) — may you both live long and prosper!

read more:www.marieaustralia.com/formal-dresses

http://www.marieaustralia.com
Andrew T Dec 2016
My friend Greg is musically talented, a singer-like R-Kelly, and because of that he acts like a dog, around women. Who stand by fire hydrants. He plays with his instrument in front of people on the street. And sometimes, the piano too. When Greg plays, he always wears huge sunglasses. That’s because he wants to impersonate Ray Charles. Plus, it’s cheaper than doing ******. Although, he does make a lot of money and he wants to start a band. Band-Aid company. But on a serious note, Greg teaches lessons to his students. They have tiny fingers, so it’s hard for them to reach the keys. But that’s okay because they’re in his pockets. As a musician, he dresses in black clothing. Excuse me, he dresses in African-American clothing. Before shows at open mics, in front of the audience, Greg sometimes throws up. Gang signs. In all honesty, Greg gives a great performance on stage. He just pretends the audience is naked. And then he gives them five and half minutes. As his friend, before he stepped onto the stage, I told him, “break a leg.” He tells me, thank you for pushing me so hard. As he hops around on crutches. Greg’s really good playing the piano, but the audience always gives him a slow clap. But that’s what happens when you play for retards. He considers himself a feminist womanizer. He sleeps with a lot of women. But don’t worry, he always asks for consent, before he roofies your drink. I know this from experience. He’s a good friend though. Once, I was dancing with a girl and I slipped and fell to the floor. Greg rushed over to me and stuck out his hand And I was so grateful for his friendship, until he grabbed the girl’s ***. But you can’t blame him, it was really dark in there, how was he supposed to know that was his sister. Greg loves Shanghai Noon. He’s a huge fan of Owen Wilson. And me. Greg thinks all Asian people look the same. When he saw the Walking Dead Season premiere, he sent a flower-basket to my parents. Greg is so charming. Like the toilet paper. His favorite sport’s team is the Chicago Cubs, his favorite women are the Chicago Cougars.
THE PARTY AT PRINCE REGENT HOTEL FOR NEW YEARS


YA SEE WE PARTIED AT PRINCE REGENT HOTEL

ON NEW YEARS EVE, OH YEAH THAT SOUND SWEET

YA SEE THE CHEF HAD A BIG FRY UP WITH LEFT OVER SNAGS AND STEAKS

UEAH THAT SOUNDS SO COOL

AND ALL THE MEN SAT IN THE CORNER, DUDE

SAYING TOO EACH OTHER, WHAT A FINE COLLECTION OF *****

AND ONE FATHER GAVE HISW 8 YEAR OLD DAUGHTER SCOTCH AND COKE

AND DESPITE THE HOTEL STAFF HATING IN, THEIR HANDS WERE TIED

GREG LIKED THAT INTEGRITY, OH YEAH, DUDES, THOUGHT IT WAS RAD

CAUSE GREG WASN’T GOING TO BE LABLED A PARTY POOPER

IN EVERY STRETCH OF THE IMAGINATION

GREG DECIDED TO LAY LOW FOR A WHILE, SO HE GOT DRESSED UP AS THE NEW YEAR TIGER, DUDE

AND PUT ON A LITTLE SHOW FOR THE KIDS TO ENJOY THEIR NEW YEARS

GREG WAS A BIT WEIRD CAUSE HE WAS FORCING KIDS TO LISTEN TO HIM LISTEN TO HIM LISTEN TO HIM

THE KIDS WERE TIRED BUT GREG STILL FORCED THE KIDS TO LISTEN TO HIS NEW YEAR TIGER SHOW

YA SEE THIS DAY WAS START OF MY PARANORMAL VOICES YA SEE

YOU SEE ROSLYN MARRIED ME, CAUSE I WAS FORCING KIDS TO WATCH MY SHOWS

WHETHER THEY WERE TIRED OR NOT

YA SEE, WHEN I WAS YOUNG IN THIS LIFE, I HEARD VOICES OF PEOPLE TALKING ABOUT ME, BEHIND MY BACK

I DIDN’T KNOW WHAT TO MAKE OF IT AT FIRST, AND PEOPLE ARE RIBBING ME, BY SAYING SHUT UP WOOSEY

TO ME, AND NOW AS I REMEMBER, AS THE DINNER WAS OVER, JOSEPH PEANUCKLE

DECIDED TO GO TO HIS SUITE TO GET HIS FLUTE TO ENTERTAIN THE CROWD

AND THE LADIES AND MEN DANCED WITH EACH OTHER AND GREG AND THE

HOTEL STAFF WERE TALKING TO EACH OTHER, ISN’T THIS WONDERFUL

AND EACH OF US HAS 6 MILLION POUNDS EACH, AND IF EACH OF THE STAFF

PUTS IN 1 MILLION POUNDS, PRINCE REGENT HOTEL CAN GET THE COUNTRY CLUB UPGRADE

THAT IT THOROUGHLY DESERVES, AND AS THEY PARTY INTO THE NIGHT, AT 11.55 PM

GREG DRESSED UP AS THE NEW YEAR TIGER AND SANG

I AM A TIGER IN A TOP HAT

A TIGER IN A WHITE TIE

AND WE’LL PARTY ON DOWN

YA SEE, I AM A TIGER IN A TOP HAT

A TIGER IN A WHITE TIE

AND COUNT ‘EM OWN

HE REPEATED THAT TILL THE BIG COUNTDOWN

AND LED THE COUNTDOWN

10 9 8 7 6 5 4 3 2 1 AND YELLED OUT HAPPY NEW YEAR

AND JOSEPH PLAYED AULD LENG ZINE ON THE FLUTE

AND PLAYED OTHER SONGS ON THE FLUTE TILL 1-29 AM IN THE MORNING

ALL THE HOTEL GUESTS, ALL WENT TO BED, WHILE GREG AND THE HOUSE KEEPERS

WERE CLEANING UP AFTERWARDS, AND THIS HAPPENED EVERY YEAR OF THE

1817 TO 1819, THE 1820S THE 1830S THE 1840S

AND GREG WAS GREAT, EACH YEAR BRINGING THE NEW YEAR IN WITH A GRIN

HAPPY NEW YEAR, FROM THE OLD FASHIONED PRINCE REGENT HOTEL

AND ALL UPGRADES WERE SUCCESSFUL, MELBOURNE WERE THE TALK OF THE COUNTRY BACK THEN

HAPPY NEW YEAR
One day at the Woden special school in 1985 bad things were going to happen for 2 of the students in year 9, you see there was this relief teacher named Bernie Johnson was wanting to kidnap 2 year 9 students Julia Clarke and Brian allan but these students were good and they never got into trouble but Bernie was walking out to the playground when it was his turn to do playground duty and when he saw Brian talking to Julia he put his hand around their mouths and said I will get you and kidnap you and your families will be unhappy because I will have a ransom
For you 2 to be returned but brian said you won't get me and Julia because we are from year 9, meaning we are older but Bernie said yes, but I could give you and Julia a phoney detention where I tie you 2 together and get rid of all your pus and Julia Clarke and Brian allan became very scared as they said to each other we must
Be good in class, so they went into class and unknown to them they were late and Bernie gave Brian and Julia a green card to say see me after school but brian and Julia were very scared for their safety and tried to get out of it but Bernie said
If you don't turn up to detention
I will **** you both tomorrow in school and as the lesson went on brian and Julia were scared of what is going to happen to them when the bell rings and then the bell rang and brian and Julia ran out to get the bus but Bernie came out and grabbed brian and Julia and threw them in the boot of the car and said
Heh heh heh heh you children are coming with me and Brian and Julia were ******* in the car trying to scream and then he pulled over as you saw Greg Keenan who was a year 9 student from Deakin high
And Bernie grabbed him and tied him in the back with Brian and Julia and sang a song
Oh yeah this is the time
I have 3 year 9 kids ******* in the back
I want to ring their parents and make them pay a ransom
For the 3 year 9 kids ******* in the back
And when Bernie stopped he unloaded brian and Greg and Julia and locked them up in his chicken coop and then rang each of their parents and they
Weren't prepared to help so Bernie whipped the 3 year 9 kids till they had red lines across their back and Greg, brian and Julia  were screaming HELP let us go and they said that 20-000 times and one man who was walking heard them and wanted to investigate
But Bernie said mind your own business I make my kids suffer when they are naughty and believe me, they are naughty
And the man left and after 6 hours of thinking he rang the police to check his house and
When they got there they searched high and low and then as they went outside they saw brian and Greg and Julia lying dead in the chicken coop and the police arrested Bernie and
Each family had a funeral for
Greg and Brian and Julia
May their next life be good
Jonny Angel Jan 2014
Greg never had a chance,
his chemistry made him susceptible
to chemical addictions.
His biology was configured
in such a way that
when he drank spirits
the devil took over.
He cheated & stole,
lied & ****** over
just about everybody who loved him.
I never stopped believing in his value,
he'd stop by to see me,
trashed,
****** up off his ***
& we'd talk about
the good old days.
I was one of the only ones
who would listen
to his slurred speech
& broken dreams.

The last time I saw him,
he still had his boyish charm,
I gave him ten dollars,
'cause he always paid me back.

And when I heard
he'd stepped in front
of a moving car a few days later,
it broke my ******* heart.

I wished I could have said goodbye.
All I can do now is
pen the sad facts.

So rest in peace brother Greg,
you never had a chance
with the devil
working against you.
Lea Loveit  Jun 2015
Dear Greg
Lea Loveit Jun 2015
Dear Gregory,

Falling in love is pretty scary
But with you it's different
Perfect, amazing, and brilliant
We work with one another
Maybe why we're the perfect lovers
Each day with you I learn
You'd never let me crash and burn
I can honestly say this isn't a dream
You make me brightly beam
Other than how you make me feel
There are more signs that this is real
You hold verity within you
Take pride in everything you do
No matter how many times I walk away
You will forever fight and stay
Through our debates I yell and burst
No matter what you'll still put me first
This isn't puppy love or infatuation
It's a beautiful creation  
With all the colors of a cartoon
We paint the perfect honeymoon
And life after that stage
Is a love that grows with our age
I love you indefinitely
I can tell you do as well by the way you treat me
When I'm in your arms
I'm safe and never alarmed
Your kiss constantly reminds
Me to never be blind
Your eyes show me where home is
Without a question, test, or quiz
Your skin is my art
There's a meaning for every inch of every part
Beautiful words on a silver platter
You eat them and your heart gets fatter
With you I hope to be delicate
Since you're perfect and intelligent
My Greg, you I wouldn't break
I'll keep you safe for our sake
The definition within you
Can't be summed up with a word or two
You give me clarity
And I shall repay you with sincerity
From the start
I didn't think you 'd have my heart
From the first time my lip touched your lips
I knew it was you I will spend my life with
Please hold me tight
I promise to love you right
To be there for both good and bad times
To work hard and continue to climb
For the future I have visions
Of us making decisions
Our two kids
Playing in our backyard with leaves and twigs
Watching them grow up
Being a family owning a pup
If only you knew
How much I love you
With every kiss and touch
Every thought and such
Until our death bed
Know I freaking love you Greg
I hope I can make you see clearly.

Sincerely,
Aleyah Llovet-East

P.S I love you most, never least.
JJ Hutton Mar 2012
I remember when the photos treated Sam kind,
and yet on the late nights (coffee, gin, cigarettes, the like) --
instead of relaying stories of interstate thighs,
instead of talking in fistfuls and mouthloads --
he spoke of internet *******.

Me, Greg, and Greg's cousin who was named after
an Eastwood western would sink the sofa.

Sam would go through the bottles, and he spoke of
internet ******* with complete delicateness.

"Their eyes always get me. The way they stare into the camera,
and every once in awhile, the veil comes down. You see they
don't want to be there. You see an eager, teenage **** reflected
in their black pupils. You see her quivering lips.
You see the ritual. It's heart-breaking."

Sam would rub his forehead -- carved by time.
Greg would ask how the real ladies were treating him.
Sam never answered.

Time made deeper creases in Sam each day,
behind a closed door,
in the secret hours,
all to the glow of a laptop screen.

He had given his love to the distance
in the **** actresses' eyes.
Nicole Jul 2018
White boy
With your inherent privilege
Straight.
White.
Boy.
Privilege.
Please, make another joke
About ****** harassment
No, really
It's funny right?
Especially because you're joking that
Your male coworker is sexually harassing you
Gay jokes are funny too, huh?
Ironically,
That's the same male coworker
Who I had to explain
Just hours beforehand
How the ****** encounter he described
Did not include informed consent
How fitting.
So,
White boy,
I'm curious how you'll fare
After I told the manager
About the content of your jokes
(Not the proudly homophobic one,
Luckily?
Right.)
Who then looked uncomfortable
But seemed pleased when I told him that
I had already called you out
Because that means he doesn't have to
Because he wouldn't anyways
It doesn't affect him
Just some harmless humor
Ok.
So then I tell my coworker about your joke
Who then responds with:
"He's still doing that ****?"
Apparently so
Apparently.
So.
Because no one there seems to care
About jokes that put me
The only person at work read as a girl
(Which I'm not by the way)
In an extremely uncomfortable position
Why is no one else uncomfortable?
Why does no one else say anything?
Right,
They're all like you
Or they don't want you to judge them
Because you have that power
Because you're a
Straight.
White.
Boy.
It was a long night at work tonight. I don't have the emotional energy for this ****.
Also
******* Greg
judy smith May 2016
For the fifth year in a row, Kering and Parsons School of Fashion rolled out the ‘Empowering Imagination’ design initiative. The competition engaged twelve 2016 graduates of the Parsons BFA Fashion Design program, who "were selected for their excellence in vision, acute awareness in design identity, and mastery of technical competencies." The winners, Ya Jun Lin and Tiffany Huang, will be awarded a 2-week trip to Kering facilities in Italy in June 2016 and will have their thesis collections featured in Saks Fifth Avenue New York’s windows.

The Kering and Parsons competition, which is currently in its fifth year, is one of a growing number of design competitions, including but not limited to the LVMH Prize, the ANDAM Awards, the Council of Fashion Designers of America/Vogue Fashion Fund, and its British counterpart, the Woolmark Prize, the Ecco Domani fashion award, and the Hyères Festival. among others.

In the generations prior, designers were certainly nominated for awards, but it seems that there was not nearly as intense of a focus on design competitions as a means for designers to get their footing, for design houses to scout talent, or for these competitions to select the best of the best in a especially large pool of young talent. Fern Mallis, the former executive director of the Council of Fashion Designers of America and an industry consultant, told the New York Times: “Take the Calvin [Kleins] and the Donna [Karans] and the Ralph [Laurens] of the world. Some of these people had money from a friend or a partner who worked with them, but they weren’t out spending their time doing competitions and winning awards to get their business going.” She sheds light on an essential element: The relatively drastic difference between the state of fashion then and fashion now. Fashion then was slower, less global, and (a lot) less dominated by the internet, and so, it made for quite different circumstances for the building of a fashion brand.

Nowadays, young designers are more or less going full speed ahead right off the bat. They show comprehensive collections, many of which consist of garments and an array of accessories. They are expected to be active on social media. They are expected to establish a strong industry presence (think: Go to events and parties). They are expected to cope with the fashion business that has become large-scale and international. They are expected to collaborate to expand their reach, and while it does, at times, feel excessive, this is the reality because the industry is moving at such a quick pace, one that some argue is unsustainably rapid. The result is designers and design houses consistently building their brands and very rarely starting small. Case in point: Young brands showing pre-collections within a few years of setting up shop (for a total of four collections per year, not counting any collaboration or capsule collections), and established brands showing roughly four womenswear collections, four menswear collections, two couture collections, and quite often, a few diffusion collections each year.

The current climate of 'more is more' (more collections, more collaborations, more social media, more international know-how, etc.) in fashion is what sets currently emerging brands apart from older brands, many of which started small. This reality also sheds light on the increasing frequency with which designers rely on competitions as a means of gaining funds, as well as a means of establishing their names and not uncommonly, gaining outside funding.

The Ralphs, Tommys, Calvins and Perrys started off a bit differently. Ralph Lauren, for instance, started a niche business. The empire builder, now 74, got his start working at a department store then worked for a private label tie manufacturer (which made ties for Brooks Brothers and Paul Stuart). He eventually convinced them to let him make ties under the Polo label and work out of a drawer in their showroom. After gaining credibility thanks to the impeccable quality of his ties, he expanded into other things. Tommy Hilfiger similarly started with one key garment: Jeans. After making a name for himself by buying jeans, altering them into bellbottoms and reselling them at Brown’s in Manhattan, he opened a store catering to those that wanted a “rock star” aesthetic when he was 18-years old with $150. While the store went bankrupt by the time he was 25, it allowed him to get his foot in the door. He was offered design positions at Calvin Klein (who also got his start by focusing on a single garment: Coats. With $2,000 of his own money and $10,000 lent to him by a friend, he set up shop; in 1973, he got his big break when a major department store buyer accidentally walked into his showroom and placed an order for $50,000). Hilfiger was also offered a design position with Perry Ellis but turned them down to start his eponymous with help from the Murjani Group. Speaking of Perry Ellis, the NYU grad went to work at an upscale retail store in Virginia, where he was promoted to a buying/merchandising position in NYC, where he was eventually offered a chance to start his own label, a small operation. After several years of success, he spun it off as its own entity. Marc Jacobs, who falls into a bit of a younger generation, started out focusing on sweaters.

These few individuals, some of the biggest names in American fashion, obviously share a common technique. They intentionally started very small. They built slowly from there, and they had the luxury of being able to do so. Others, such as Hubert de Givenchy, Alexander McQueen and his successor Sarah Burton, Nicolas Ghesquière, Julien Macdonald, John Galliano and his successor Bill Gaytten, and others, spent time as apprentices, working up to design directors or creative directors, and maybe maintaining a small eponymous label on the side. As I mentioned, attempting to compare these great brand builders or notable creative directors to the young designers of today is a bit like comparing apples and oranges, as the nature of the market now is vastly different from what it looked like 20 years ago, let alone 30 or 40 years ago.

With this in mind, fashion competitions have begun to play an important role in helping designers to cope with the increasing need to establish a brand early on. It seems to me that winning (or nearly winning) a prestigious fashion competition results in several key rewards.

Primarily, it puts a designer's name and brand on the map. This is likely the least noteworthy of the rewards, as chances are, if you are selected to participate in a design competition, your name and brand are already out there to some extent as one of the most promising young designers of the moment.

Second are the actual prizes, which commonly include mentoring from industry insiders and monetary grants. We know that participation in competitions, such as the CFDA/Vogue Fashion Fund, the Woolmark Prize, the Swarovski, Ecco Domani, the LVMH Prize, etc., gives emerging designers face time with and mentoring from some of the most successful names in the industry. Chris Peters, half of the label Creatures of the Wind (pictured above), whose brand has been nominated for half of the aforementioned awards says of such participation: “It feels like we’ve talked to possibly everyone in fashion that we can possibly talk to." The grants, which range anywhere from $25,o00 to $400,000 and beyond, are obviously important, as many emerging designers take this money and stage a runway show or launch pre-collections, which often affect the business' bottom line in a major and positive way.

The third benefit is, in my opinion, the most significant. It seems that competitions also provide brands with some reputability in terms of finding funding. At the moment, the sea of young brands which is terribly vast. Like law school graduates, there are a lot of design school graduates. With this in mind, these competitions are, for the most part, serving as a selection mechanism. Sure, the inevitable industry politics and alternate agendas exist (without which the finalists lists may look a bit different), but great talent is being scouted, nonetheless. Not only is it important to showcase the most promising young talent and provide them with mentoring and grant money, as a way of maintaining an industry, but these competitions also do a monumental service to young brands in terms of securing additional funding. One of the most challenging aspects of the business for young/emerging brands is producing and growing absent outside investors' funds, and often, the only way for brands' to have access to such funds is by showing a proven sales track record, something that is difficult to establish when you've already put all of your money into your business and it is just not enough. This is a frustrating cycle for young designers.

However, this is where design competitions are a saving grace. If we look to recent Council of Fashion Designers of America/Vogue Fashion Fund winners and runners-up, for instance, it is not uncommon to see funding (distinct from the grants associated with winning) come on the heels of successful participation. Chrome Hearts, the cult L.A.-based accessories label, acquired a minority stake in The Elder Statesman, the brand established by Greg Chait, the 2012 winner, this past March. A minority stake in 2011 winner Joseph Altuzarra's eponymous label was purchased by luxury conglomerate Kering in September 2013. Creatures of the Wind, the NYC-based brand founded by Shane Gabier and Chris Peters, which took home a runner-up prize in the 2011 competition, welcomed an investment from The Dock Group, a Los Angeles-based fashion investment firm, last year, as well.

Across the pond, the British Fashion Council/Vogue Fashion Fund has awarded prizes to a handful of designers who have gone on to land noteworthy investments. In January 2013, Christopher Kane (pictured below), the 2011 winner, sold a majority stake in his brand to Kering. Footwear designer Nicholas Kirkwood was named the winner 2013 in May and by September, a majority stake in his company had been acquired by LVMH.

Thus, while the exposure that fashion design competition participants gain, and the mentoring and monetary grants that the winners enjoy, are certainly not to be discounted, the takeaway is much larger than that. These competitions are becoming the new way for investors and luxury conglomerates to source new talent, and for young brands to land the outside investments that they so desperately need to produce their collections, expand their studio space, build upon their existing collections, and even open brick and mortar stores.

While no one has scooped up inaugural LVMH winner Thomas Tait’s brand yet or fellow winner, Marques'Almeida, it is likely just be a matter of time.Read more at:www.marieaustralia.com/short-formal-dresses | http://www.marieaustralia.com/formal-dresses-sydney
softcomponent Jan 2014
in the crazy clasp of a darker place is the beginning of a laughing statue and it was nothing like any of this as far as the ketamine kept me floating above every objectivity so who was I beyond the flattery becoming bespecalled across my essence by surrounding loveships in-order to my left-: Sibelle, a mysterious artisan I believe all writers with a habit to smoke most certainly would (or have) fallen in love with at some point after an introduction; she's got these feline eyes of curious enamour and curly, short hair like Picasso curls and a soft, tough speech to her (INTEGRITY!!) perhaps a hard nut to crack sometimes but worth the effort to sit and get to know her, highly definitley one of the most beautiful women I've ever met-- where the existential confusion in her eyes twists to a smile in-which manifested is happiness-of-the-absurd, she secretly loves everybody like we all do but won't quite venture forth into extradimension to mention (to mention) ((but she does now because drugs bring us into Mind At Large as Huxley called it))

Greg-- a well-spoken sage of preference to beautiful confusion, a legitimately happy Boddhisatva who has found his bliss in the random number generator of life.. he showers everyone with praise and every love he harbours is a very very true love you just want to hold him close and cuddle, me particularly in a way that forgets the ******* connotation that says 2 men can't hold hands as good friends.. who invented my mind anyway? a culture vulture? or culture as represented in sculpture? forget it, Greg is a good looking fellow but not just that he has the brains and brilliance, there is no doubt in my mind he is eternal. sometimes I wonder if he forgets me in the throng of university personages like Kelvin has, but what a beautiful place to start-- I'm glad I met him and he is already a best friend.

Hunter-- classiest person I have ever met he's got a crick in every step that softly whispers his manifestation of the human condition in an art-gallery frame for centuries of witness to come. He is quickly taking the place of a very best friend to me but I never like to say there is one above the rest as it's impossible to make love exclusive.. but he has always been in my life in his rusty little class-car Jerry (or so it feels) and I hope the four of us know each other unto death... a soft-hearted punk-rocker with a temporal soul of glowing brilliance and lucidity, I love the guy like a long-lost brother I intend to never lose again; he is somewhere between on-screen and behind-the-camera in all situations, like a movie character who appeared to show us all Holy Moments needn't be framed becuz yer eyes are cameras and this is the nature of reality (a filmmaker if I ever knew one).
excerpt- - 'the mystic hat of esquimalt'

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