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Kemy Sep 2018
Can you feel it
Shh, allow the galaxy to pamper your body, blanket the essence of your mind, bit-by-bit
Travel on a higher awareness to understand the galaxy’s gentle gift
Close your eyes and allow your mind to softly drift

Soft Moonlight Dust
Illuminating the night skies, given warmth of its inner trust
Centered in the sky, a star abates for its enlighten ******
Kindred minds to enrapture, as souls physically adjust

So gentle, as a touch to the skin
An inner space to conquer, there an exploring craving begins
Awareness of self stirring into the constellation
Bodies attuned beyond the stretch of imagination
Savoring on the flavor of the alignment sweeten taste
Desires igniting an inferno, the heat of its flames refusing to wait

Overheated friction surrendering without debates
Runaway yearning weakening in the presence of fate
The ecstasy of the moonlight’s dust felt, abiding to the crack of dawn
Emotions of the elixir slowly withdrawn

A Cheshire moonrise
Always a sacred communion given in surprise
Masked feelings hidden behind the stars in our eyes
Sprinkles of pixie dust as the moon becomes full
Paired upon, as lace meets wool
Interwoven and tenderly spun on a galactic spool

Stars In Exile
Twinkling for eyes to glimpse beyond the earth’s smile
Canopus to Antares, oh how you make me shine
Closing my eyes, coveting your point as I’m making you mine

Settled and glittering as small diamonds binding in the sky
A wondrous elopement to experience in the blink of an eye
Soft whispers to the ones that shoot right before they fall
Such a beautiful and breathlessly cadence to wish under them all

The Gift Of The Sun’s Stroke
Umm, shooting stars kept me awoke
Relentless bodies bathing under the moon
Caresses, touches, entwined souls echoing the note of its weakening tunes

Sweeter and sweeter, deeper and deeper
Bodies fueled, hot as a heater, bodies climbing steeper and steeper
Heat consumes the interior of the temple
Sweat of life, as movements come together and then disassemble
Elated, sedated, dipping in a cool blue lagoon
Kisses under the sun on a beautiful afternoon
Temperatures rising not a moment too soon

June slamming into summer’s heat
A merriment of a sun stroke basking in the glorious feast
The galaxy and its spicy passion
A gift to the world to enjoy in any unbridled fashion
She would give them order. She would create constellations.
Thomas Pynchon
K Balachandran Feb 2014
His eyes rivet on the extravagant evening sun,
in frenzied creation, profusely mixing colors,
applying on the canvas of the horizon,
painting her, his lover with astonishing precision,
--portrait of a girl in love
unmindful of what the world thinks about her
and in  total dedication to her man.
Love makes larger than life heroes out of weak mortals,
and creates echoes on the far horizons that keep on reverberating!

She sits quietly holding his hands as if it is all she needs
never thinking, it is obvious, whether this is a fallacy or ultimate truth,
that holds good for all the changing seasons.
With her long chiseled fingers she draws
something beautiful, a motif that emerged in her mind,
in front of them, the seascape, was a lively cyclorama
framed by bright ultramarine.
Like eels just out of water,  their bodies gleaming,
bikini clad glam girls, beach soldiers spearheading
an undeclared beauty attack,
on the look out for hidden challenges
while walking past the love pair,
each one stands awhile, scrutinizing her thoroughly
measuring with a scale, hidden in those eyes,
as if she was a **** on parade, even women couldn't help covet.
Though inappropriately dressed, for the beachfront appearance,
she invites more attention,  she is amused.
But after a tumultuous love, and eventful elopement
she is in bliss,  in her love-land with her prince
she is just ecstatic, no thought could  make her shake off her composure.
Princess Dawn  Jan 2013
Elopement
Princess Dawn Jan 2013
Love.
You came like aurora
appearing with the mist
of a cloudy horizon
carrying the boundless
admiration of your oceanic eyes.
You waited over bridges
we’re about to cross.
In calmness
and life bouys
directing my heart
in a field where dragonflies
are coupled with yellow grass
along the revealing peak
of a mountain and smoke
coming from last night’s bonfire.
Love.
All I feel for you now
is love.
March 10, 2011
BKS  Aug 2011
L.E.C.R.
BKS Aug 2011
Love, Elopement, Conception, Repetition
All play foully into life
Love: A child will grow up trained to find a partner, like a penguin has a life mate. But they say we descend from the apes who rule by size; who mate by harem. There is not any love.
Elopement: Since the beginning of recognition there has been marriage but it is nothing more that sexist imprisonment; slavery of the female race. Bound by a contract and traded between men; simply a form of bribery.
Conception: Child birth; monster breeding. The abuse of a woman’s womb, body, soul and mind.
Repetition: The fact we don’t learn and do it over and over again
Seán Mac Falls Sep 2012
Gray gathering  
Signs fell on the musty register.  Two pallid  
Faces infatuate, braiding the ley lines,
Were married in a dimly lit registry.
Outside, the sky in Dublin was a dark pool,  
The clouds were omen, birds, startled in  
Your eyes, a flashing flue of doves, all wings  
A warring coo, escaping into the dusk.

We walked a ways to that room of dreams
And dined in the Shelbourne’s Aisling room.
I was Ormond, I was Yeats and you  
Were gone. Your happy tears were notes singing
Our sorrows that day.  Our love was castaway  
Our love was time bomb.  Crossing stars, we trembled  
As we talked. Two birds setting sights on some  
Lost ocean’s horizon.  
  
                          When first we met,  
At the meeting hall, cradled in a tempest  
Eye, you gave me your name and it burned on  
The paper as it now burns in my mind  
Like Brigid’s fire.  At once, once, we were one.
Conjoined yet neither one of us a joiner.  
Anointed under the votive stars violently  
Innocent your heart, a spike, my heart  

A rail.  Our love was charmed, our love was time,  
Balm.  To what end this new beginning?
Nineteen priestesses were assigned to tend the perpetual flame of the sacred fire of Brigid. Each was assigned to keep the flames alive for one day. On the twentieth day, the goddess Brigid herself kept the fire burning brightly.

The goddess Brigid was also revered as the Irish goddess of poetry and song. Known for her hospitality to poets, musicians, and scholars, she is known as the Irish muse of poetry.
Seán Mac Falls Jul 2013
Gray gathering  
Signs fell on the musty register.  Two pallid  
Faces infatuate, braiding the ley lines,
Were married in a dimly lit registry.
Outside, the sky in Dublin was a dark pool,  
The clouds were omen, birds, startled in  
Your eyes, a flashing flue of doves, all wings  
A warring coo, escaping into the dusk.

We walked a ways to that room of dreams
And dined in the Shelbourne’s Aisling room.
I was Ormond, I was Yeats and you  
Were gone. Your happy tears were notes singing
Our sorrows that day.  Our love was castaway  
Our love was time bomb.  Crossing stars, we trembled  
As we talked. Two birds setting sights on some  
Lost ocean’s horizon.  
  
                          When first we met,  
At the meeting hall, cradled in a tempest  
Eye, you gave me your name and it burned on  
The paper as it now burns in my mind  
Like Brigid’s fire.  At once, once, we were one.
Conjoined yet neither one of us a joiner.  
Anointed under the votive stars violently  
Innocent your heart, a spike, my heart  

A rail.  Our love was charmed, our love was time,  
Balm.  To what end this new beginning?
Nineteen priestesses were assigned to tend the perpetual flame of the sacred fire of Brigid. Each was assigned to keep the flames alive for one day. On the twentieth day, the goddess Brigid herself kept the fire burning brightly.

The goddess Brigid was also revered as the Irish goddess of poetry and song. Known for her hospitality to poets, musicians, and scholars, she is known as the Irish muse of poetry.
Seán Mac Falls Jun 2012
Gray gathering  
Signs fell on the musty register.  Two pallid  
Faces infatuate, braiding the ley lines,
Were married in a dimly lit registry.
Outside, the sky in Dublin was a dark pool,  
The clouds were omen, birds, startled in  
Your eyes, a flashing flue of doves, all wings  
A warring coo, escaping into the dusk.

We walked a ways to that room of dreams
And dined in the Shelbourne’s Aisling room.
I was Ormond, I was Yeats and you  
Were gone. Your happy tears were notes singing
Our sorrows that day.  Our love was castaway  
Our love was time bomb.  Crossing stars, we trembled  
As we talked. Two birds setting sights on some  
Lost ocean’s horizon.  
  
                          When first we met,  
At the meeting hall, cradled in a tempest  
Eye, you gave me your name and it burned on  
The paper as it now burns in my mind  
Like Brigid’s fire.  At once, once, we were one.
Conjoined yet neither one of us a joiner.   
Anointed under the votive stars violently  
Innocent your heart, a spike, my heart  

A rail.  Our love was charmed, our love was time,  
Balm.  To what end this new beginning?
Seán Mac Falls Jan 2013
Gray gathering  
Signs fell on the musty register.  Two pallid  
Faces infatuate, braiding the ley lines,
Were married in a dimly lit registry.
Outside, the sky in Dublin was a dark pool,  
The clouds were omen, birds, startled in  
Your eyes, a flashing flue of doves, all wings  
A warring coo, escaping into the dusk.

We walked a ways to that room of dreams
And dined in the Shelbourne’s Aisling room.
I was Ormond, I was Yeats and you  
Were gone. Your happy tears were notes singing
Our sorrows that day.  Our love was castaway  
Our love was time bomb.  Crossing stars, we trembled  
As we talked. Two birds setting sights on some  
Lost ocean’s horizon.  
  
                          When first we met,  
At the meeting hall, cradled in a tempest  
Eye, you gave me your name and it burned on  
The paper as it now burns in my mind  
Like Brigid’s fire.  At once, once, we were one.
Conjoined yet neither one of us a joiner.  
Anointed under the votive stars violently  
Innocent your heart, a spike, my heart  

A rail.  Our love was charmed, our love was time,  
Balm.  To what end this new beginning?
Nineteen priestesses were assigned to tend the perpetual flame of the sacred fire of Brigid. Each was assigned to keep the flames alive for one day. On the twentieth day, the goddess Brigid herself kept the fire burning brightly.

The goddess Brigid was also revered as the Irish goddess of poetry and song. Known for her hospitality to poets, musicians, and scholars, she is known as the Irish muse of poetry.
K Balachandran Mar 2016
She eloped with my heart,
I am told to wait until dark.
Let the body wait in patience
allow the spirits merge first.
Mark Motherland Mar 2019
Part One - Missing presumed dead

Apparently Alec was missing presumed dead
at least that was what the obituary said
how then he got married is still a mystery
life after a very dark period of history

               Jane plodded head down through another long day
               solitude complete in a strange kind of way
               while Kestrels are tacked to an untamed sky
               she screams "Dear Lord wont you please tell me why"

young Alec stood well over six foot tall
legs full of shrapnell disfigured and all
willing to give all for a meagre days pay
a young man with half of his face blown away

                Shepherdess Jane sat under sad twinkling stars
                it was plain to see she had her own mental scars
                the Ferryman's Daughter, she was so kind
                different from the others, Jane was blind

when the bells of victory began to ring forth
it was too much for Alec, he headed up North
up to the North where the bronze fields shone
but Alec's old personality had gone

                 there in the North a young Shepherdess called Jane
                 did dry Alec's tears and soothed his deep pain
                 Her voice rolled over hills in a plaintive wave
                 as they assumed Alec lied in an unmarked grave

In time they married, Jane bore Alec a Son
but talk about the war, Alec would have none
all that he said was "between you and me..
I've seen things that no man should ever see"

                 flashbacks in his mind of the dead still ringing
                 offset by his young Wife's ethereal singing
                 somewhere around the Somme young Alec lay dead
                 at least that was what the obituary said.


Part Two - The Ferryman

The Ferryman vowed he would find his girl
he picked some roses to place in the top room
searched high and low to find his precious lost pearl
swore he would have her back before the flowers bloom

treated like a slave, a young girl in her prime
the Brothers got away Jane was left behind
her body it did whither through the passing of time
She was different from the others, Jane was blind

worked as a Milkmaid her hands would get so sore
under constant threats she still searched for the spark
work never done a family waits on the shore
although Jane was blind she could see in the dark

the moon shone bright on the path to the Ferry House
the gusts picked up on the night Jane ran away
salty wind and sea shanty's awakened the grouse
as Jane finally gets her break from the play

He scoured every square inch of the land
yet couldn't ask why? Or search into his past
at the Wayfarers Inn they'd got it all planned
released from a cruelty that could no longer last

the night the Father died Gaelic psalms they sang
a lonely house still stands like a watch to nature's will
when they buried the Ferryman the church bells rang
the flowers in the attic, they stand there still.


Part three - The Inn (recapitulation)

The Ferrymans lantern swung in the pouring rain
he heard that his Daughter had made it to the Inn
the audience sang to the Drovers refrain
midst discarded cigarettes, rolling dice and gin

Jane had long picked brambles from thorn covered vines
lived an intoned existence yet she had her plans
though Jane was blind she could read between the lines
a chance to escape, she grabbed it with both hands

the Inn's cosy light shone at the end of the lane
to Whiskey Jack, Jane's elopement had come to light
she had nothing to lose and everything to gain
Jane's now with Alec and has recieved her respite

see him dramming away yarns, bereft of what's true
then screaming his lies to the starry sky above
but tidal subtleties are demanding their due
his heart had long died to the trueness of love

the landlord played the piano and felt every note
the Ferryman's lantern swung in the pouring rain
given up his search, now in want of his boat
regular at the Inn but never seen again

he knew that yesterday would never come back
sailing aimlessly like a throw of the dice
he knew there would be no-one to take up the slack
the doomed Mariner paid the ultimate price.
On the North coast of Scotland on the Ard Neakie peninsular, there lies an old Ferry house, built before the road in 1830. Sadly it has long fallen into desuetude. On the other side of Loch Erribol lies the Wayfare Inn, now a holiday let. My imagination knows no bounds.
Tommy Johnson Aug 2014
The drifter and the comely young women who gleamed with charisma walk passed the rabble-rousers on their way to tie the knot

The rabble-rousers cheer, tossing out superlatives, praising their oncoming matrimony
The young woman is chomping at the bit to finally settle down
The drifter is on the same boat, he can't keep living the life of a rolling stone
He's gonna give the married life a whirl

She has her dress in a brown paper bag and he has on the shiniest cuff links this side of the Pacific

Some say they just portrayed a happy couple
But behind closed doors they had hidden intentions
But I'd wager that they truly loved each other  
But my my opinion is superfluous, they know in their hearts what they're doing is right
So they got that going for them

They make their way to the ****** who is set to marry the two
Until they are ambushed by pinheads with the gift of gab and know it all's who know nothing  but still try to talk out of their ***** even though their heads are already wedged tightly up them already

Egregious questions and tauntings of habitual bullshitters
What was God thinking during their creation?
Good thing the worst of them all has been tarred and feather and ran out of town on a rail, or so I've been told

They finally reach their destination and say their vows right off their cuffs
Say I do, kiss with just me in attendance
And leave all these sheep all these irritants behind
And embark on their new life together
I dance in circles holding
the moth of the marriage,
thin, sticky, fluttering
its skirts, its webs.
The moth oozing a tear,
or is it a drop of *****?
The moth, grinning like a pear,
or is it teeth
clamping the iron maiden shut?

The moth,
who is my mother,
who is my father,
who was my lover,
floats airily out of my hands
and I dance slower,
pulling off the fat diamond engagement ring,
pulling off the elopement wedding ring,
and holding them, clicking them
in thumb and forefinger,
the indent of twenty-five years,
like a tiny rip of a tiny earthquake.
Underneath the soil lies the violence,
the shift, the crack of continents,
the anger,
and above only a cut,
a half-inch space to stick a pencil in.

The finger is scared
but it keeps its long numb place.
And I keep dancing,
a sort of waltz,
clicking the two rings,
all of a life at its last cough,
as I swim through the air of the kitchen,
and the same radio plays its songs
and I make a small path through them
with my bare finger and my funny feet,
doing the undoing dance,
on April 14th, 1973,
letting my history rip itself off me
and stepping into
something unknown
and transparent,
but all ten fingers stretched outward,
flesh extended as metal
waiting for a magnet.
Seán Mac Falls May 2016
Gray gathering  
Signs fell on the musty register.  Two pallid  
Faces infatuate, braiding the ley lines,
Were married in a dimly lit registry.
Outside, the sky in Dublin was a dark pool,  
The clouds were omen, birds, startled in  
Your eyes, a flashing flue of doves, all wings  
A warring coo, escaping into the dusk.

We walked a ways to that room of dreams
And dined in the Shelbourne’s Aisling room.
I was Ormond, I was Yeats and you  
Were gone. Your happy tears were notes singing
Our sorrows that day.  Our love was castaway  
Our love was time bomb.  Crossing stars, we trembled  
As we talked. Two birds setting sights on some  
Lost ocean’s horizon.  
  
                          When first we met,  
At the meeting hall, cradled in a tempest  
Eye, you gave me your name and it burned on  
The paper as it now burns in my mind  
Like Brigid’s fire.  At once, once, we were one.
Conjoined yet neither one of us a joiner.  
Anointed under the votive stars violently  
Innocent your heart, a spike, my heart  
A rail.  Our love was charmed, our love was time,  
Balm.  To what end this new beginning?
Nineteen priestesses were assigned to tend the perpetual flame of the sacred fire of Brigid. Each was assigned to keep the flames alive for one day. On the twentieth day, the goddess Brigid herself kept the fire burning brightly.

The goddess Brigid was also revered as the Irish goddess of poetry and song. Known for her hospitality to poets, musicians, and scholars, she is known as the Irish muse of poetry.
.

— The End —