from the mind of an anxious depressive

from the time i, as a little girl,
dressed up like a princess
[tiara and all,
pouffy, pink dress and all]
listened to my mother tell me
a fairy tale
of a woman who finds
her prince charming,
and is rescued by him,
and lives happily, happily ever after
in a magnificent palace by the sea…
and i, as a brooding teenager,
insecure and reclusive,
observed a
[now viewed as ridiculous]
romantic film
about a woman who finds her
one true Love,
and he rescues her,
and they live happily, happily ever after
in a beautiful three-bedroom home
where they raise two,
perfect children…
and i, as a young woman,
fully aware and adept,
recognizing the world for what it is
as *i see it,
seeing love dismantle time,
and time again....

i am fully aware that nothing can possibly last for a happily ever after.

the doubt is consuming,
the wall is well-built and
unyielding.
my heart remains too crippled
to possibly endure the grief that
falling in Love elicits.

but,
Love finds you even if you have
given up the notion of it.
it gallops in on its white horse.
has bright blue eyes.
sparks a smile that can illuminate
my somber heart.
has no regard for my opposition to itself.
is selfish and greedy and exhausting.

it is utterly impossible to avoid
being seduced
into the black hole
from which i will never leave
precisely the same.
from which i will surrender
a piece of myself
essential to my functioning.

Love sweeps in like a tornado
[destroying everything in its path]
and so the five stages of falling in Love,
and falling apart,
begin.

denial.
i feign disinterest.
i pretend as if he doesn’t
engross my thoughts
as if my heart doesn’t encroach upon my stomach
when he enters the room.
if asked by a friend,
“why does your face turn bright red
when he dares to utter your name?”
i pretend like she is the insane one
[when i am the one denying my heart.]

anger.
i become enraged.
Love has taken control.
the knowledge that i let Love
dismantle the wall,
that i have spent years building,
and reinforcing,
[brick by brick, piece by piece]
infuriates me.
i let him gradually demolish it.
and now i am powerless and susceptible,
and now he has me by the heartstrings.
he holds me in his greedy palms.

bargaining.
i avoid the fact that i am falling,
yes, i am falling.
oh, so deeply for him.
i watch myself fall from such great heights
straight into the ground
crashing through to the
center of
the world.
i even pray to God,
the one i'm not even sure i believe in.
i tell Him that i would do anything,
anything just to take back control.
to have two firm hands on the wheel.
to be the driver
instead of the passenger.

depression.
i cannot bring myself
to shove off the covers.
to crawl out of bed.
i am miserable and helpless and
he is all i can think about.
he is my first thought
when i am awake.
my last when my mind
finally tires of him,
and i fall into a
fitful night of sleep.
yet, i do not tell him any of this.
he wonders why i am so distant,
so removed from him.
what he does not know is that
he carries part of myself with him
wherever he goes.

acceptance.
when my nerves have finally worn themselves down,
when my heart has reached an understanding with my mind,
when Love does not appear as something to be grieved,
that is when i fall in Love.

never once have i
accepted Love from a man,
Love that could alter
my melancholy mind,
nor have i trusted a man with my heart.
[although i have been forced by Love itself to relinquish it.]

i have been obstinate and headstrong
and refused to give all of myself
in fear of losing myself.
but maybe one day, i will be
rescued from myself.

Is such a big and impossible to miss step for a scribbler
of poetry free poems to trip over.
A step that cannot be ignored, except consciously and conscientiously.
Such a person as a scribbler of poetry less poems would be a person who cannot tell the difference between truth and truthfulness.
A person whose sole raison d,etre in pretending to be a poet is their lifelong angst in being unable to escape from being under the control of  their mind and its operating system --the Conditioned Identity.
The Conditioned Identity,which is the facetious and morally dishonest "I am a poet" mask that is the consciously adopted Conditioned Identity--the operating system for the Mind.
In the great scheme of things becoming just another member of the human GroupMind--one who doesn't count--not even on the fingers of one hand-.
One,who,in the grand scheme of things,never has counted and never will count-call them countless.
Shadows that flicker and dim on the walls of the Prison of political, racial,national,familial and religious conformity
And these worthless scribblers of poetry less poems do have an all consuming conditioned habit  of consciously ignoring truthfulness and integrity and substituting pathetic sub-teen lower middle class emo whinging "truth"--about their "art" and "insight"and "vision"and their "truth"--always their worthless "truth".
Sitting and mourning the fulfilling love that always evades them and always will evade them--unless they let go of the conditioned identity and the Mind--consigning them to the dustbin of history--where they rightfully belong.
Angst ridden whingers all--in love with their image in the mirror of Minds oh so believable deception.
Scribbling about a conditional possessive love that would have been a valueless truth but never can be the essence of truthfulness.
A conditional possessive love that never was and never will be unconditional and non-possessive.
Whinging about nothing more than conditional love and a truthfulness that never can be for them--- as we see openly here and there and everywhere there are scribblers of poetry less "poetry" who use sites such as this to scribble their pretentious infantile nonsense.
Poverty of values and integrity,orphaned from the Isness of the Universe, children of worthless technological consumerism and followers of false oligarchic hopes.
With their greedy gobs open for any crumbs falling from the rich peoples tables,like baby chicks in the nest--feed me feed me they screech.
Colluding with like minded betrayers of truthfulness,groupminds of
limp wristed bombastic poseurs.
Deluding themselves by babbling media made inane celebrities
empty insights and twisted conclusions--purveyors of puerile pettiness.
Oligarchic media celebrities noted only for the illusions between their ears,and the beguiling way they collude with each other to delude themselves.
Ludare!
Oh how they love to play mind games
Lives spent colluding with these babbling worthless celebrities who know the price of everything and the value of nothing,
Pompous posturing pretentious pissants of aesthetic poverty.
Bound together into a worldwide consumers Groupmind,
persuaded by perverts of PR into believing in the Illusion of Wealth and Demockery that the Oligarchy sells.
To step over the truthfulness threshold is,indeed, to  leave behind their
security blankets of "truth and beauty and revealed knowledge"
and the concomitment meaningless verbiage about "veracity" and "existence".
Shallow and unrequited attempts to own another that the weak and unwanted call "love".
Stomping through the quagmire of conditional love
up to their necks in the **** of consumer garbage.
The Conditional love of possessing another and grasping at thin air
as they submerge slowly in the seas of righteous stupidity .
poets cling to their misconceptions religiously,
poets cling to their ignorance avidly,
poets cling to their proto-fascist politics squeamishly,
with each word and stanza that they write.
Pouring out such pleasant and elegant and flowery and "deep"
words and verses(rhyming or not) that,at their core,
have only one meaning and aim.
Which is!.
To divert and confuse their readers with the"shallow beauty"
of endless strings of meaningless associated but fine sounding words .
To create a groupmind for their poetry business products.
Admire me--buy my product--join my groupmind--eulogise me,
let me rip off your energy--I need your praise,I need your lifes energy
gimme your money honey!.
The Publishing Oligarchy will bestow rewards and honours,
medals and diplomas--critiques fit only to wipe your **** on.
Book sales and the summer Poetry festival circuit--reciting and signing scribbles of narcissism--casting lecherous eyes over dripping **** or stiff wobbling **** in the adoring crowd of sycophants.
The  Media will fawn and adulate and cast its sly net
to entangle your desires in ---infamy awaits.
Come admire me and my use of other poets stolen words,
my criminality in even daring to think the word "poet" has any value.
These are my words about my inexperience and unknowingness they scream possessively in jaundiced teeny remembrance.
Remembrance of mediocre middle class homes and attitudes
of ingrained ignorance and wilful imagined self victimisation.
Eating societies poisoned dishes--.
Serve me up a burger of roasted babies on toast
from Vietnam--live on Channel Whatever.
Or chargrilled peasants from Afghanistan
with breathless commentary from
our "reporter on the spot".
Or homeless mental wrecks from the streets
of any Amerikan or World city big or small,
trailing acerbic criticism from the immoral majority.
Or dead celebrity  consumer junkies in 5 star hotels
complete with PR handouts and **** licking "friends"
positioning themselves for increased sales.
Or the children of the Oligarchs with their "I" newspapers
and inbuilt fascist attitudes.
Who spend their shallow lives hoping for the kind
of meaningless and worthless Honours and Validation
from those that do not have honour or validity..
Or the not just lame but crippled duck presidents with their finely crafted speeches that say nothing but I am a beard wearing  failure,
looking forward to penning lies and calling it a frank memoir
while holding out my hands  for the Oligarchies pennies.
Can anyone tell me where to get a bucket of truthfulness?.
A glass of honesty?.
A tumbler full of veracity?.
A beaker of back breaking honest labour?.
Can anyone tell me where I can find
a peaceful man or woman,of any of the 5 colours.
Not those merely observing a Cease-Fire
while they rearm their weapons of the lies of beauty and truth.
Oligarchy allowed social commentary.
Is there just one decent truthful man or woman out there?.
Judging by the world Id say not.
No Id say not.
Not.
There Ive said it.

www.thefournobletruthsrevised.co.uk

(poems from the Chinese translated by Arthur Waley)

Last night the clouds scattered away;
A thousand leagues, the same moonlight scene.
When dawn came, I dreamt I saw your face;
It must have been that you were thinking of me.
In my dream, I thought I held your hand
And asked you to tell me what your thoughts were.
And you said: ‘I miss you bitterly . . . “

As Helen drifted into sleep the source of that imagined voice in her last conscious moment was waking several hundred miles away. For so long now she was his first and only waking thought. He stretched his hand out to touch her side with his fingertips, not a touch more the lightest brush: he did not wish to wake her. But she was elsewhere. He was alone. His imagination had to bring her to him instead. Sometimes she was so vivid a thought, a presence more like, that he felt her body surround him, her hand stroke the back of his neck, her ******* fall and spread against his chest, her breath kiss his nose and cheek. He felt conscious he had yet to shave, conscious his rough face should not touch her delicate freckled complexion . . . but he was alone and his body ached for her.

It was always like this when they were apart, and particularly so when she was away from home and full to the brim with the variously rich activities and opportunities that made up her life. He knew she might think of him, but there was this feeling he was missing a part of her living he would never see or know. True, she would speak to him on the phone, but sadly he still longed to read her once bright descriptions that had in the past enabled him to enter her solo experiences in a way no image seemed to allow. But he had resolved to put such possible gifts to one side. So instead he would invent such descriptions himself: a good, if time-consuming compromise. He would give himself an hour at his desk; an hour, had he been with her, they might have spent in each other’s arms welcoming the day with such a love-making he could hardly bare to think about: it was always, always more wonderful than he could possibly have imagined.

He had been at a concert the previous evening. He’d taken the train to a nearby town and chosen to hear just one work in the second part. Before the interval there had been a strange confection of Bernstein, Vaughan-Williams and Saint-Saens. He had preferred to listen to *The Symphonie Fantastique by Hector Berlioz. There was something a little special about attending a concert to hear a single work. You could properly prepare yourself for the experience and take away a clear memory of the music. He had read the score on the train journey, a journey across a once industrial and mining heartland that had become an abandoned wasteland: a river and canal running in tandem, a vast but empty marshalling yard, acres of water-filled gravel pits, factory and mill buildings standing empty and in decay. On this early evening of a thoroughly wet and cold June day he would lift his gaze to the window to observe this sad landscape shrouded in a grey mist tinted with mottled green.

Andrew often considered Berlioz a kind of fellow-traveller on his life’s journey of music. Berlioz too had been a guitarist in his teenage years and had been largely self-taught as a composer. He had been an innovator in his use of the orchestra and developed a body of work that closely mirrored the literature and political mores of his time.  The Symphonie Fantastique was the ultimate love letter: to the adorable Harriet Smithson, the Irish actress. Berlioz had seen her play Ophelia in Shakespeare’s Hamlet (see above) and immediately imagined her as his muse and life’s partner. He wrote hundreds of letters to her before eventually meeting her to declare his love and admiration in person. A friend took her to hear the Symphonie after it had got about that this radical work was dedicated to her. She was appalled! But, when Berlioz wrote Lélio or The Return to Life, a kind of sequel to his Symphonie, she relented and agreed to meet him. They married in 1833 but parted after a tempestuous seven years. It had surprised Andrew to discover Lélio, about which, until quite recently, he had known nothing. The Berlioz scholar David Cairns had written fully and quite lovingly about the composition, but reading the synopsis in Wikipedia he began to understand it might be a trifle embarrassing to present in a concert.

The programme of Lélio describes the artist wakening from these dreams, musing on Shakespeare, his sad life, and not having a woman. He decides that if he can't put this unrequited love out of his head, he will immerse himself in music. He then leads an orchestra to a successful performance of one of his new compositions and the story ends peacefully.

Lélio consists of six musical pieces presented by an actor who stands on stage in front of a curtain concealing the orchestra. The actor's dramatic monologues explain the meaning of the music in the life of the artist. The work begins and ends with the idée fixe theme, linking Lélio to Symphonie fantastique.

Thoughts of the lovely Harriet brought him to thoughts of his own muse, far away. He had written so many letters to his muse, and now he wrote her little stories instead, often imagining moments in their still separate lives. He had written music for her and about her – a Quintet for piano and winds (after Mozart) based on a poem he’d written about a languorous summer afternoon beside a river in the Yorkshire Dales; a book of songs called Pleasing Myself (his first venture into setting his own words). Strangely enough he had read through those very songs just the other day. How they captured the onset of both his regard and his passion for her! He had written poetic words in her voice, and for her clear voice to sing:

As the light dies
I pace the field edge
to the square pond
enclosed, hedged and treed.
The water,
once revealed,
lies cold
in the still air.

At its bank,
solitary,
I let my thoughts of you
float on the surface.
And like two boats
moored abreast
at the season’s end,
our reflections merge
in one dark form.

His words he felt were true to the model of the Chinese poetry he had loved as a teenager, verse that had helped him fashion his fledgling thoughts in music.

And so it was that while she dined brightly with her team in a Devon country pub, he sat alone in a town hall in West Yorkshire listening to Berlioz’ autobiographical and unrequited work.

A young musician of extraordinary sensibility and abundant imagination, in the depths of despair because of hopeless love, has poisoned himself with *****. The drug is too feeble to **** him but plunges him into a heavy sleep accompanied by weird visions. His sensations, emotions, and memories, as they pass through his affected mind, are transformed into musical images and ideas. The beloved one herself becomes to him a melody, a recurrent theme [idée fixe] which haunts him continually.

Yes, he could identify with some of that. Reading Berlioz’ own programme note in the orchestral score he remembered the disabling effect of his first love, a slight girl with long hair tied with a simple white scarf. Then he thought of what he knew would be his last love, his only and forever love when he had talked to her, interrupting her concentration, in a college workshop. She had politely dealt with his innocent questions and then, looking at the clock told him she ‘had to get on’. It was only later – as he sat outside in the university gardens - that he realized the affect that brief encounter might have on him. It was as though in those brief minutes he knew nothing of her, but also everything he ever needed to know. Strange how the images of that meeting, the sound of her voice haunted him, would appear unbidden - until two months later a chance meeting in a corridor had jolted him into her presence again  . . . and for always he hoped.

After the music had finished he had remained in the auditorium as the rather slight audience took their leave. The resonance of the music seemed to be a still presence and he had there and then scanned back and forward through the music’s memory. The piece had cheered him, given him a little hope against the prevailing difficulties and problems of his own musical creativity, the long, often empty hours at his desk. He was in a quiet despair about his current work, about his current life if he was honest. He wondered at the way Berlioz’ musical material seemed of such a piece with its orchestration. The conception of the music itself was full of rough edges; it had none of that exemplary finish of a Beethoven symphony so finely chiseled to perfection.  Berlioz’ Symphonie contained inspired and trite elements side by side, bar beside bar. It missed that wholeness Beethoven achieved with his carefully honed and positioned harmonic structures, his relentless editing and rewriting. With Berlioz you reckoned he trusted himself to let what was in his imagination flow onto the page unhindered by technical issues. Andrew had experienced that occasionally, and looking at his past pieces, was often amazed that such music could be, and was, his alone.

Returning to his studio there was a brief text from his muse. He was tempted to phone her. But it was late and he thought she might already be asleep. He sat for a while and imagined her at dinner with the team, more relaxed now than previously. Tired from a long day of looking and talking and thinking and planning and imagining (herself in the near future), she had worn her almost vintage dress and the bright, bright smile with her diligent self-possessed manner. And taking it (the smile) into her hotel bedroom, closing the door on her public self, she had folded it carefully on the chair with her clothes - to be bright and bright for her colleagues at breakfast next day and beyond. She undressed and sitting on the bed in her pajamas imagined for a brief moment being folded in his arms, being gently kissed goodnight. Too tired to read, she brought herself to bed with a mental list of all the things she must and would do in the morning time and when she got home – and slept.

*They came and told me a messenger from Shang-chou
Had brought a letter, - a simple scroll from you!
Up from my pillow I suddenly sprang out of bed,
And threw on my clothes, all topsy-turvey.
I undid the knot and saw the letter within:
A single sheet with thirteen lines of writing.
At the top it told the sorrows of an exile’s heart;
At the bottom it described the pains of separation.
The sorrows and pains took up so much space
There was no room to talk about the weather!

A poem about coffee
How cheap
How over used
A poet speaking on coffee
Is like a politician making a promise

But this is where we live
Our inner self brought out by consuming
Coffee, *****, drugs, love....

Pick your poison and get writing.

The pains of reality justify the
Deep seated sorrow of man.

The vulture encircles me
Events surrounded by mystery
Enveloped in insanity
The human race is
Captivated by mystery
Doomed to repeat history

Collusion to bestow unmitigated
Sorrow upon my being

Simply put, I am
Damaged goods

Speak softly now
And choose your next thoughts
Carefully,
For the devil has called
My soul to dance

Reckless, unmitigated
Abandonment
Of mind, body, and soul
Fruitless searches
Forever numb
Longing to feel whole

Deep beneath the rolling waves
Lies serenity
Amongst sunken slaves
Deep inside my brain
The labyrinth of my mind
Memories that
I've left behind
Gone with the breeze
Above arid land
Somewhere lost in the desert
Where only shamans understand
Somewhere locked in the innocence
Of childhood frailty
Misplaced in the universe
Perpetuating reality
Walking alongside
All the gods of the ages
Bounding across time
In history's pages
Vacated with the morals
Of man
Lost in the seams of
Our lives
In the absence of the infinite
Shared hallucinogenic cries
Gone with the limbs of
The serpent
Ignored individuality dies
The reflection of man tainted,
For it is where the devil hides
Looming in the shadows
Of irresistible allure
No acquittal of our sins
A race ****** to remain
Impure
Violence surrounding our
Unequivocal, dastardly instincts
Perched in the forefront of our
Perceived selves
Selfish, devilish
Acts of kindness
The misfortune of the fortunate
Given all the amenities
Of a king's meal
Without the sensation of
Taste
Washed away with our
Dreams of betterment
Laying upon the chests
Of mythological beasts
Souls left rotting
Souring with ferment

Supreme consciousness
Arouses the senses
Invent my future with the
Myths of the past

You're stuck in a state of
Imaginary grace
Dream myself into
New bounds of transparency

Cryptic writings
Things left unsaid
Unsure of the real
Or the surreal
Life's slipping away
Once again
Paper in hand
Palms begin to sweat
Indulging into reality
Memories
I long to forget

It seems forever
Since I've been home
Trying to balance
This chemical imbalance
But always, I'm left here
Alone
Believing my dreams real
Realizing my world's surreal
Living with uncertainty
Imagining reality

Where do I go
To hide the pain?
Dual existence?
Acute psychosis?
Trapped inside my own
Brain
There's a place in my mind
I like to hide
Where all of my secrets
I do confide
There's a place I go
To bury the pain
A papered existence
Conducive synopsis,
Abstained

I begin to sweat
My heart screaming
From my chest
Let the feeling pass
Delve into the kingdom
Inability to
Repress
Take me away
To that far off place
Abscond into surreality
Amongst things I dare not
Confess

Drinking in divinity
Affixed on mortality
Will I die in this place?
Unable to resurface
Back in reality

Stuck running in circles
On a surface-less plane
Can't escape the shadows
Can't remove the pain
Simple design
Made up of
Over thought complexity
A universe separated
Removed from the modern mind
Inexorably

Amputation of
The mutation
That is the
Human race
Segregation of this
Charred realm
From other wordly
Space
We live
We die
And death begins it
Reinvent our minds
Ignite our passions

Drowning in a gene pool
Of degenerates
Souls thrashing
Wildly, forlorn
Plunged into unmitigated
Evil
Of a race that destroys
The unborn

Lachrymose gaze
Upon the living dead
A thin film of separation
Through which lies
Are fed
Understanding the weakness
Into which we are
******
For shed blood
Forces cries
Ripping from mother's eyes
Witnessing her own demise
As a piece of her
Slowly dies
For father's impenitent
Fantasies once dreamed
Torn away from aching
Fingers
Left ravaged,
Impotent

Gazing at you
Under the cloak of
Intrigue
Watching you struggle
In the tangled lies
You weave

Commanding the head
Of the serpent
Lilith forcing man's
Non-repent
Imposed upon our being
Righteous punishments
Such ramifications
Deemed astringent

Incomprehensible
Allure
Masochists of
Everything pure

Watch the world die
From afar
Irrevocable despair
Promising allegiance
To a life I cannot
Bear

Killing myself with
Indecision
On the perimeter
Of sanity
In the psychotropic prison
And psychotic affliction

Here it comes again
The voices, getting louder
It doesn't feel good anymore
How do I escape
Escaping?
Where do I go when my sanctum
Has been compromised?
Unable to quiet
The insurgents afoot
Incurable, incalculable
Indecision
Lost, finding my way home
Left in between existence
Alongside myself
Alone

The cold, inhuman ability
To sacrifice one's own mind
Hanging onto the coat tails
Of free thought
Journey we now,
Into the nightmare
Ignoring loss of
Comprehension
Vacated laws of
Apprehension
Arming latent illness
Plotting revenge
Beneath the surface

Here it comes again
I hear it getting louder
It doesn't feel good anymore
Who will save the lifeguard
When he's about to drown?

Can you see me?
Can you hear my cry out?
He looks to find
There's no one around

Searching indefinitely
For myself
Lost in another
Under the guise of
Someone else
Why does it matter?
Seemingly insignificant
In a moment of clarity
Just breathe for a moment
Shoved back in reality
"Am I dreaming," he asked
His reflection replied
The answer profound
Unknowingly died

I sold my soul to get here
On the periphery of realization
Stuck on the perimeter of reality
Reentry revoked
Forced to sit idly
As my life passes
Before my eyes

This is my letter
Unable to deliver
This is my life
Unable to decipher
This is my nightmare
That I've never dreamed before

Trapped in the prison
I've constructed on my own
Locked myself in four walls
Of uncertainty
Built in the center of being
Unnoticed by the proprietor
Frailty prevalent
Implosion of the mind
Leading to the ******* of
The insanity
I've come to find

Death looms at the end
Of the candlestick
Walk hand in hand
With me
Fellow traveler of
Uncharted paths
My fellow affliction
With the unknown
Unable to save myself
From the pain I know
Awaits me

Here it comes again
Inescapable, maniacal laughter
It doesn't feel good anymore
And all I ever wanted
Was your guiding hand
Complacent in lies
Forcing deafening cries,
For there will be
No reprise
As my soul flutters
And dies

Death for sale
Ten will take you away
Consumed by the thought of it
No more worry
No more being suppressed
This other kingdom
Unknowingly repressed
Delve deeper into the nightmare
We lie together
Naked
Unashamed
Open to the probing
Fingertips
Of the world
Unable to speak
Sleep paralysis,
Yet this is no dream
Wide eyed
Searching
Unable to scream

Incommunicable desires
No longer latent
Unsuppressed is the disease
Of your discontent
Insufferable, forcible pain
Towards the ones loved most
Catatonic, embryonic
Feeble mind
Please save me from myself

Forgive me, father
For I know not what I do
Forgive me, mother
For I do not blame you

Plastic state of being
Suspended in the viscous
Coagulant of stolen thought
And free will
Drowning in my
Own enjoyment
Of self suffering

How will you remember me?
A trembling voice
To read my eulogy?

Forget the things I should have said
This demoness I've brought to bed
Speaking in riddles
Bewilderment of the senses
Deeper appreciation
For the subjugation of man

War criminals in suits
Pretentious, cowardly vestiges of man
Surrounded by an air of
Undeserved arrogance
Getting fat on young girls
Sending their children to war
Safeguarded by a desk
And the allure of change
Obscene, disgusting animals
Consuming their weight daily
In the profit of drugs and
Devised disease
Profiteers of death
Politicians work the corners

And I fall,
Too weak to carry on
Can't escape my own
Lonely, cold, loveless
Gaze
Black holes in my head
Leading into the depths of
My soul
Emptiness pervading
Madness running rampant
Destroying who I once was
Tearing to pieces
My uniqueness
Stripped of self
Thrown back to march
Within the masses
Towards impending demise

Staring into the eyes
Of the serpent
Turned to stone
Numb to emotion
Numb to pain
I cry out for substance
I miss the person
I used to be
The person you loved
Before you met me

Relieve me now of sin
Unto re-birthing, begin
Relieve me now of this burden
Knowledge and shame
Relieve me now of myself
And self inflicted pain

There it goes again
Making me feel dour
It doesn't feel good anymore
Purge me of this dependency
Ancient, carnal need
Necessity of loathing the infinitesimal

I've met the devil in my dreams
She looked a lot like you
Dreaming in wakefulness
Awakened desire in dreams
What is my intention?

Do I provide a function
Or functionally provide?
Are you living in a nightmare?
Have you gone to sleep and died?

Synesthesia upon awakening
My sensory perceptions
The permutation of the
Infinite

Children of the wilderness
Remove us from the
Impurities of societal disorder
Relieve us of the blandishment
Of media driven fallacies
As the masses are hoarded,
Spoon fed their own flesh,
And directed onward
By the pusillanimous grave robbers
Awarded with the title of
Government official
Given diplomatic immunity
And free reign over
The direction of our lives

There lies a serenity
Beneath the quiet surface
Of the ocean
The ocean floor is vast,
Uninhabited promise

I have developed an acute prescience
For what will come

Man unknowingly conspires
Against himself,
For the good of man
Cannot overcome
The evils of mankind
Conquering in the name of
Worthless ideals
And fruitless endeavors

Conforming to nonconformity
You're only fooling yourself

Wandering about in a dreamy state
With unexplained expectations
For some sort of happy outcome
Welcome to my nightmare
My inescapable kismet
Defend me from myself
I have become
My own worst enemy
Just a hyena looking for
A lions share
More animalistic than
A starving predator

Morally ambivalent
Acting upon
Inconclusive notions
There is no stability
In this loose earth
Sinking ever deeper
Into life unbeknownst
To me
Quicksand enveloping
Sanity and conscience
Leaving behind
Only memories of
What we ought to have
Become

Been suppressing emotion
For so long
Seems like forever
Since I've gone
Numb to the heartache
Blind to the happiness
Rediscovered childhood
At the end of my life

The words become a
Flowing river
My pen cannot dance
Quickly enough
To capture my
Escaping tongue

Discovering escape
Through self sufficiency

Sanity is nomadic
Traveling from
Person to person
Mind to mind
At any given moment
We are all insane

"Pinch the pink rose bud"*  He whispers

"ahhh mmmm"* she responds

"Harder dear one"

"ohhhoww" as the dark heat shoots through her body

"Yes that's it girl"

"Roll it between your thumb and forefinger"
"How does that feel girl?"

"Mmmss ohhh it feels so good"

"Pinch it hard now"

She cries out as the painful heat surges

"That's it, again now harder"

Calls out louder as the heat in the bud hurts but feels so decadent

"Take your other hand and slide your fingers between your rose petals"

She continues rolling the ****** as her other hand obeys His demand
Her fingers reach the nether lips and find them laden with dew
"Mmmsss" As the fingers slide through the moisture

"Slide your fingers into your well and pull forth what you find"*

Her hips lift off the bed as the fingers slip inside her tight wet well
the heat intense her tunnel soaking wet, how she wonders

"Pull it up over your little nub now and begin circling it as you continue to pinch that tight ******"

"OHHHHH ohhh yesss!!!"
It feels so good she wants to move her fingers faster but doesn't dare

"Circle Your **** round and round now pinch hard and hold it"

Gasping as she does so, her legs jump as the heat seems to stab her between her quivering thighs
Whimpering as desire washes over the ivory flesh, feeling the nectar as it flows between the cheeks of her ***

"What are you thinking girl?"

"How I wish you were here, How I want you inside of me so badly"

"Mmmm I wish I was there to girl"
"Now release your pleasure nub and begin to rub faster"

Fingers flutter over the taut nub, hips lift pushing into the fingers
Other hand continues to roll, pinch and pull the ******
He hears her moans, whines, and whimpers growing in intensity

"Lift your ****** to your mouth girl and suckle the hardness, I want to hear you, keep those fingers moving over that taut lil nub" He whispers sensually

Suddenly he can hear her mouth as it pulls upon her own ******, breathing through her nose as she ***** harder, fingers moving faster now as the passion begins to take over from his demands

"That's it girl, bite it hard as you ****, imagine my teeth against your chest"

Her scream is muffled by the large ample globe of flesh as fire shoots to her *****, nectar floods her well

"Yes my girl you sound so good, are you close" He asks softly

"Yessss" is muffled as she continues to **** and bite her bruised breast

"Rub harder girl, faster, I want to feel your release" He says firmly

Her fingers pinch and pull her **** as her mouth suckles on the breast harder pulling more of the flesh into her heated mouth

Tension builds, hotter, as body tightens, muscles grow taut, suddenly her breath holds, her body stiffens liquid shoots into her mouth from her ******, as the clear viscous fluid floods her bed

"Screaming yes oh yes oh **** yes"*  She cries

She hears him as he responds to her ******

"Yessss oh yes girl I am ******* you so hard, oh godddd yes here it
comess"

She hears him hold his breath as his body releases the slapping liquid sound is heard as her own body is still pulsating, muscles finally relaxing as fireworks still explode behind the closed eye lids

"You are so ******* hot ****, I can't wait to yank that long hair as I ram my hard **** deep into you"  He pants

"I can't wait either, I need you soon, please don't make me wait much longer" she begs

His wicked laugh is heard on the other end of the phone as He says firmly
"Now **** *** now"

Believe it or not she did, this time harder than before, thighs quivered where she could not walk, they were actually sore from the strain, she blushed at how easily he could get her to release

"It won't be long now girl, we will meet and you will feel my hand pulling those long locks as I push deep inside you, where you can taste the effect you have on me and I can taste your sweet essence"

"Oh yes I can't wait to be beneath you, on top of you, in front of you, I can feel your bites on my flesh already, I can feel your hard shaft opening me up over and over again, I can't wait"

"Yes that isn't all you will feel is it girl?"  He asked

"ummm no Sir" she shivered thinking of the sting of leather against her flesh, the feel of rope binding her tight, and the clamps all strategically placed to enhance her ******

"Sleep now My girl, naughty dreams"  He whispered huskily

"Sleep tight my Love" She responded softly
The pain scared her but she had experienced it before and the pleasure it brought was so all consuming words could never describe


****** pain can bring intense pleasure. I would suggest you not try things on your own without the guide of an experienced lifestyler.  This definitly enhances the ****** experience.  Not everyone is into it but I hope my poem did it justice

Book One


Prelude:

As Romans before them, they built the city upward—
layer ‘pon layer as the polar caps receded
layer by layer—preserving what they could, if someday
the waters may recede back into the former polar
ice caps; restoring the long inundated coastlines.


Home:

A man sat upon a tall pub stool stroking
his ginger beard while grasping a pint loosely
in his other hand. An elderly gent stood
next to him. The older gentleman noticed
that the ginger bearded man’s pint sat almost
quite near the bottom of its tulip glass.

A woman with eyes of amber and hair
as chestnut strolled through a vineyard amongst
the ripening grapes full of juice to soon
become wine. She clutched a notebook—behind (10)
thick black covers lay ideas and sketches
to bring the world to a more natural
state—balancing the wonders and the merits
of technology apace with the allure ‘n’
sanctity borne to the natural world.

When the ginger bearded man finished the
final drops of his stout, another appeared
heretofore him—courtesy owed to the elder
gentleman. “Notice dat ye got d’ mark
o’ a man accustom amid the seas,” (20)
he inferred; gesturing the black and blue
compass rose inscribed inside a ship’s wheel,
imbedded into the back of the ginger
bearded man’s weathered right hand.
                 “I have crewed
and skippered a many fine vessel, but I
am renouncing my life at sea—one final
voyage I have left inside of me:
one single terminal Irish-Atlantic
voyage t’ward home.” (30)
“Aye d’ sea can beh cold
‘nd harsh, but she enchants me heart. Ta where
are ye headed fer d’ place ye call home,
d’ere sonny boy?”
     “’tis not simply a where,
‘tis a who. Certain events have led me
to be separate from my wife. For five
eternal years I have been traveling—
waiting to be in her embrace. The force
of the Sea, she, is a cruel one. For (40)
it seams: at every tack or gybe the farther
off I am thrown from my homeward direction
to stranger and stranger lands… I have gone
to the graveyard of hell and the pearly gates
of (the so called) heaven; I have engaged
in foolhardy deals—made bets only a
gambling addict would place. All to just be
with Zara. I am homesick—Zara is my
home—it doesn’t matter where (physically)
we are located, my home is with Zara. I (50)
was advised to draw nigh the clove of Cork
and wait; wait for a man, but I was barely
given a clue as to who this man is,
only I must return him this:” the ginger
bearded man held out a dull silver pocket watch
with a frigate cut into the front cover
and two roses sharing a single stem
swirling upon themselves cut into
the back.
   “Can it be? ‘Tis meh watch dat meh (60)
fat’er gave t’ meh right before he died…
I lost it at sea many a year ago.
It left meh heartbroken—fer it was meh only
lasting mem’ry of him… Come to t’ink I
was told by a beggar in the street—I
do not remember how long ago—dat
I would happen across a man wit’ somet’ing
dear t’ meh, and I’d accomp’ny dis man
on a journey, and dis man would have upon
‘im d’ mark of a true sailor…” (70)
    “Dear elder man,
my name is Abraham; the mark you see
represents the control that I have on my
direction—thought it appears the Sea retains
some ascendancy… Yet now, it appears,
the Sea is upholding her bargain—though
a bit late... Do you, by chance, own a vessel
that can fair to Colorado?—all across
this mist’d island no skipper ‘ll uptake
my plea; they fear the sharp wrath of the Sea (80)
or (if they have no fear) simply claim my home
‘is not on their routes…’ i’tis a line I’ve
heard too often. I would’ve purchased a vessel,
but the Sea, she, has deprived me completely
of my identity and equity.”

Zara, with her rich chestnut hair sat upon
a fountain in a piazza—her half empty
heart longing to savor the hallow presence
of Abraham, and stroke his ginger beard…
Everyday she would look out at the sea (90)
whence he left…
     All encouraged her to: “forgo
further pursuit”; “he is likely deceased
by now”—his vessel (what left) scuttled amidst
the rocks of Cape Horn, yet Zara could feel
deep-seated inside her soul he is alive;
Alive (somewhere) fighting to return home.
Never would Zara leave; never would she
abandon post; she made that promise five
years ago as Abraham, ‘n’ his crew,
set out on their final voyage; and she (100)
would be ****** ere she broke her promise—a promise
of the heart—a promise of love. Abraham
said: “You are my lighthouse; your love, it, will guide
me home—keep me from danger—as long as you
remain my lighthouse, I’ll forever be
set to return home—return home to you.”

Out from Crosshaven did the old man take
steadfast Abraham en route to his home.
Grey Irish skies turned blue as they made their
way out on the Irish Sea, southwest, toward (110)
the southern end of the Appalachian Island.
The gentle biting spray of the waves breaking
over the bow and beam moistened the ginger
bearded face of Abraham; his tattooed
hands grasped the helm—his resolute stare kept him
and the old man acutely on course.
A shame,
it struck the old man, this would be the final
voyage of Abraham… he: the best crew
that the old man had ever came across; (120)
uncertain if simply the character
of Abraham or his pers’nal desire
to return home in the wake of five long
salty-cold years—a vassal to the Sea
and her changing whim. Never had the old
man seen his ship sail as fast as he did when
Abraham accorded its deck—each sail
set without flaw: easing and trimming sheets
fractions of an inch—purely to obtain
the slightest gain in speed; the display warmed (130)
the heart of the old man.
        And thus the elder
gent mused as he lightly puffed on his pipe
while sitting on the stern pulpit regarding
at Abraham’s passion to return home
(as he calls her):—maybe dis is d’ reason
d’ Sea has fought so hard, and lied, t’ keep
Abraham from returning home… Could not
bear t’ lose such fine a sailor from her
expanses—she is known t’ be quite a jealous (140)
mistress…
      But for all Abraham’s will and passion,
the old man insisted for the fellow
to rest; otherwise lack of sleep would cause
the REM fiddler to reap his debt—replace
clarity of mind with opacity.
Reluctantly stalwart Abraham gave
in and retire below deck—yet the old
man doubted the amount of rest that he
acquired in those moments out of his sight. (150)

For the days, then weeks, in the wake of their
departure from the port-island Crosshaven,
the seas were calm as open water can:
gentle azure rolling swells oscillated
and helped impel the vessel forward. The southern
craggy cape of the Appalachian
Island pierced the horizon. Like a threshold
it stood for Abraham—a major landmark;
the closest to home he had been in five
salty long years—his limbo was beginning                               (160)
to fade, his heart slowly—for the first time since
he left port in eastern Colorado—
started to feel replete again. The Great
Plains Sea—his final sea—he would not miss
the gleam of his lighthouse stalwart on shore.




Book Two

Oracle:**

Upon a beach, Abraham found himself alone—gasping
in gulps of moist air like that of a new born baby first (10)
experiencing the breathe of life; he felt as if he
would never become dry again… the salt burning his skin
as it crusted over when the water evap’rated
into the air; Abraham took the first night to rest, the
next day he set to make shelter and wait for a rescue
crew; out he stared at the crashing waves hoping for a plane
or faint form of a ship upon the horizon…days and
nights spun into an alternating display of day then
night: light then dark—light, dark, light, dark, grey, grey, grey…

Abraham (20)
gave up marking the days—realized the searches are done—
given up after looking in the wrong places (even
he did not know where he was…) the cold waves and currents took
him to a safe shore away from his ship and crew, in a
limp unconscious float…
From the trees, and what he could find on
the small  island, Abraham occupied himself with the
task of building a catamaran to rid himself of
the grey-waiting.
Out he cast his meager vessel into (30)
the battering surf; waves broke over his bows and centre
platform—each foot forward, the waves threatened to push him back
twofold… Abraham struck-beat the water with the oars he
fashioned; rising and falling with the energy of the
waves; Abraham stole brief looks back with hopes of a van’shing
shoreline—coast refused to vanish… his drenched arms grew tired;
yet he pushed on knowing he would soon be out passed the
breaking waves; then could relax and hoist sail; yet the waves grew
taller—broke with greater power… Abraham struck-beat the
water with his oars—anger welled—leading to splashes of (40)
ivory sea-froth instead of the desired progress
forward; eventually, his arms fell limp beyond the
force of will… waves tumbled him back to shore as he did the
first night upon the island…
Dejected Abraham lay
in the surf that night—the gentle ebb of the sea added
to insult, but hid the tears formed in the corner of his eyes—
salt water to salt water… the next day Abraham took
inventory of damage: the mast snapped in multiple
places, the rudders askew—the hulls and centre structure (50)
remained intact; the oars lost (or at least Abraham cared
not to search); over the next weeks he set to improve
the design and efficiency of his vessel—the first
had been hurried and that of a man desperate to leave;
the bare minimum that would suffice—he set to create
a vessel to ensure his departure from the des’late
accrue of sand and vegetation; Abraham laboured
to strengthen his body—pushing his arms further passed the
point his mind believed they could go—consuming the hearty,
protein-rich, mollusks, and small shellfish he could find inside (60)
tide pools or shallows—if lucky, larger fish that dared the
nearby reefs.
Patiently, Abraham observed the tides and
breaking water; he wanted to determine the correct
time to set off to ensure success—when the waves would not
toss him back to the beach; the day: a calm clear day—only
within few metres of soft beach did there exist any
breaking waves, and those that broke were barely a metre high;
loading provisions upon the vessel, Abraham bid
farewell to the island (out of wont for the sustenance (70)
it gave not for nostalgia) grasping his oars, he set forth
to find open sea—where the waves do not break and set you
gingerly on foreign shore(s); Abraham paddled passed the
first few breaking waves, his heart pounding with hope—he stifled
the thoughts (celebrate when the island is but a subtle
blue curve upon the horizon); as the island began
to shrink in his vision, the sky to his back grew darker…
the waves started to swell—moguls grew to hills—Abraham
stroked up and rode down; the cursèd Island refused to shrink…
if not begin to grow wider… stroke by stroke Abraham (80)
grew frustrated—stroke by stroke frustration advanced into
anger—stroke by stroke anger augmented into fiery
beating of the water!—Abraham struck and struck at the
Sea—eyes closed—white knuckles—trashing!—unsure which direction
he paddled…sky pitch-black, wind blowing on-shore Abraham
bellowed out to the Sea in inarticulate roars of:
hatefrustrationpitydesperationheartache!
Towards
Abraham’s in-linguistic roar, the sky let out a crack
of authority! a wave swept the flailing Abraham (90)
into the ocean—cool water only heated the rage
in Abraham’s mind—his half empty heart only wanted:
to sail home, become whole  again—sit under and olive
tree and stroke the chestnut hair of Zara as she drifted
off to sleep on his chest while he would whisper sweet verses
into her ear… Abraham’s rage, beyond reason, forgot
the boat and all clarity, he tried to swim away from
the cursèd island—scrambling up waves only to tumble
back with their breaking peaks—salt, the only taste in his mouth;
churning his stomach to *****; his kidney’s praying he (100)
would  not swallow anymore… his gasps stifled any curse
Abraham’s head wished to expel onto the Sea—yet she
swore she heard one final curse escape his lips! at that the
Sea tossed Abraham (head first) into his ghost-helmed vessel—
all went dark for hostile Abraham…

Contemplating back
at his rage—knowing the barbarian it makes of him,
Abraham peered into the band inscribed into his
ring-finger and saw the knot tying him to Zara—shame
at his arrogant-uncontrolled-fury sent Abraham (110)
into a meditative exile inside of his mind
(within the exile of the island…) in his mental
exile Abraham spun into deeper despair at his
two failures—even more at the prospect of failing the
vow he professed onto Zara: return home—home from this
final voyage, grow old with her on solid ground, never
to die apart and cause the pain of losing a loved one
without the closure of truly knowing the death is real,
to die by her side white, white with the purity of age…
Abraham’s destitution turned inward—his fury, the (120)
lack of control, the demon he becomes when rage surges
through his muscles; equiping him with untamed strength without
direction or self-possession—so much potential, yet
no productive way to use it… Abraham’s half-full-heart
burned, ached with passion and anguish—all desire
focused on home, his return, but the mind’s despondency
and insistent ‘what-ifs’ kept poor Abraham prostrate in
his mental cave—all his wishing for anger and vi’lence
to force his will, it did more to retain him upon the
cursèd island than bring his heart closer to fulfillment: (130)
his long awaited home…
Out of his mental exile did
Abraham’s irises dilate and contract with blinding
illumination—self-pity is not what make things happen—
it would only serve to anger Zara—nothing other
than I can be to blame for my continued absence; I
am stronger than that!—looking at the tattoo in his hand,
he remembered the reasons for the perennial brand—
the eight-spoke ship’s helm: the eight-fold-path—I must cut off my
desire for anger to be the solution and focus (140)
on the one path to Zara—the mind can push the body
further than the body believes is possible—the star:
the compass to guide me via celestial bodies
to where my heart can see the guiding beam of my lighthouse!