III. TO APOLLO (546 lines)

TO DELIAN APOLLO --

(ll. 1-18) I will remember and not be unmindful of Apollo who
shoots afar.  As he goes through the house of Zeus, the gods
tremble before him and all spring up from their seats when he
draws near, as he bends his bright bow.  But Leto alone stays by
the side of Zeus who delights in thunder; and then she unstrings
his bow, and closes his quiver, and takes his archery from his
strong shoulders in her hands and hangs them on a golden peg
against a pillar of his father's house.  Then she leads him to a
seat and makes him sit: and the Father gives him nectar in a
golden cup welcoming his dear son, while the other gods make him
sit down there, and queenly Leto rejoices because she bare a
mighty son and an archer.  Rejoice, blessed Leto, for you bare
glorious children, the lord Apollo and Artemis who delights in
arrows; her in Ortygia, and him in rocky Delos, as you rested
against the great mass of the Cynthian hill hard by a palm-tree
by the streams of Inopus.

(ll. 19-29) How, then, shall I sing of you who in all ways are a
worthy theme of song?  For everywhere, O Phoebus, the whole range
of song is fallen to you, both over the mainland that rears
heifers and over the isles.  All mountain-peaks and high
headlands of lofty hills and rivers flowing out to the deep and
beaches sloping seawards and havens of the sea are your delight.
Shall I sing how at the first Leto bare you to be the joy of men,
as she rested against Mount Cynthus in that rocky isle, in sea-
girt Delos -- while on either hand a dark wave rolled on
landwards driven by shrill winds -- whence arising you rule over
all mortal men?

(ll. 30-50) Among those who are in Crete, and in the township of
Athens, and in the isle of Aegina and Euboea, famous for ships,
in Aegae and Eiresiae and Peparethus near the sea, in Thracian
Athos and Pelion's towering heights and Thracian Samos and the
shady hills of Ida, in Scyros and Phocaea and the high hill of
Autocane and fair-lying Imbros and smouldering Lemnos and rich
******, home of Macar, the son of ******, and Chios, brightest of
all the isles that lie in the sea, and craggy Mimas and the
heights of Corycus and gleaming Claros and the sheer hill of
Aesagea and watered Samos and the steep heights of Mycale, in
Miletus and Cos, the city of Meropian men, and steep Cnidos and
windy Carpathos, in Naxos and Paros and rocky Rhenaea -- so far
roamed Leto in travail with the god who shoots afar, to see if
any land would be willing to make a dwelling for her son.  But
they greatly trembled and feared, and none, not even the richest
of them, dared receive Phoebus, until queenly Leto set foot on
Delos and uttered winged words and asked her:

(ll. 51-61) 'Delos, if you would be willing to be the abode of my
son "Phoebus Apollo and make him a rich temple --; for no other
will touch you, as you will find: and I think you will never be
rich in oxen and sheep, nor bear vintage nor yet produce plants
abundantly.  But if you have the temple of far-shooting Apollo,
all men will bring you hecatombs and gather here, and incessant
savour of rich sacrifice will always arise, and you will feed
those who dwell in you from the hand of strangers; for truly your
own soil is not rich.'

(ll. 62-82) So spake Leto.  And Delos rejoiced and answered and
said:  'Leto, most glorious daughter of great Coeus, joyfully
would I receive your child the far-shooting lord; for it is all
too true that I am ill-spoken of among men, whereas thus I should
become very greatly honoured.  But this saying I fear, and I will
not hide it from you, Leto.  They say that Apollo will be one
that is very haughty and will greatly lord it among gods and men
all over the fruitful earth.  Therefore, I greatly fear in heart
and spirit that as soon as he sets the light of the sun, he will
scorn this island -- for truly I have but a hard, rocky soil --
and overturn me and ****** me down with his feet in the depths of
the sea; then will the great ocean wash deep above my head for
ever, and he will go to another land such as will please him,
there to make his temple and wooded groves.  So, many-footed
creatures of the sea will make their lairs in me and black seals
their dwellings undisturbed, because I lack people.  Yet if you
will but dare to sware a great oath, goddess, that here first he
will build a glorious temple to be an oracle for men, then let
him afterwards make temples and wooded groves amongst all men;
for surely he will be greatly renowned.

(ll. 83-88) So said Delos.  And Leto sware the great oath of the
gods: 'Now hear this, Earth and wide Heaven above, and dropping
water of Styx (this is the strongest and most awful oath for the
blessed gods), surely Phoebus shall have here his fragrant altar
and precinct, and you he shall honour above all.'

(ll. 89-101) Now when Leto had sworn and ended her oath, Delos
was very glad at the birth of the far-shooting lord.  But Leto
was racked nine days and nine nights with pangs beyond wont.  And
there were with her all the chiefest of the goddesses, Dione and
Rhea and Ichnaea and Themis and loud-moaning Amphitrite and the
other deathless goddesses save white-armed Hera, who sat in the
halls of cloud-gathering Zeus.  Only Eilithyia, goddess of sore
travail, had not heard of Leto's trouble, for she sat on the top
of Olympus beneath golden clouds by white-armed Hera's
contriving, who kept her close through envy, because Leto with
the lovely tresses was soon to bear a son faultless and strong.

(ll. 102-114) But the goddesses sent out Iris from the well-set
isle to bring Eilithyia, promising her a great necklace strung
with golden threads, nine cubits long.  And they bade Iris call
her aside from white-armed Hera, lest she might afterwards turn
her from coming with her words.  When swift Iris, fleet of foot
as the wind, had heard all this, she set to run; and quickly
finishing all the distance she came to the home of the gods,
sheer Olympus, and forthwith called Eilithyia out from the hall
to the door and spoke winged words to her, telling her all as the
goddesses who dwell on Olympus had bidden her.  So she moved the
heart of Eilithyia in her dear breast; and they went their way,
like shy wild-doves in their going.

(ll. 115-122) And as soon as Eilithyia the goddess of sore
travail set foot on Delos, the pains of birth seized Leto, and
she longed to bring forth; so she cast her arms about a palm tree
and kneeled on the soft meadow while the earth laughed for joy
beneath.  Then the child leaped forth to the light, and all the
goddesses washed you purely and cleanly with sweet water, and
swathed you in a white garment of fine texture, new-woven, and
fastened a golden band about you.

(ll. 123-130) Now Leto did not give Apollo, bearer of the golden
blade, her breast; but Themis duly poured nectar and ambrosia
with her divine hands: and Leto was glad because she had borne a
strong son and an archer.  But as soon as you had tasted that
divine heavenly food, O Phoebus, you could no longer then be held
by golden cords nor confined with bands, but all their ends were
undone.  Forthwith Phoebus Apollo spoke out among the deathless
goddesses:

(ll. 131-132) 'The lyre and the curved bow shall ever be dear to
me, and I will declare to men the unfailing will of Zeus.'

(ll. 133-139) So said Phoebus, the long-haired god who shoots
afar and began to walk upon the wide-pathed earth; and all
goddesses were amazed at him.  Then with gold all Delos was
laden, beholding the child of Zeus and Leto, for joy because the
god chose her above the islands and shore to make his dwelling in
her: and she loved him yet more in her heart, and blossomed as
does a mountain-top with woodland flowers.

(ll. 140-164) And you, O lord Apollo, god of the silver bow,
shooting afar, now walked on craggy Cynthus, and now kept
wandering about the island and the people in them.  Many are your
temples and wooded groves, and all peaks and towering bluffs of
lofty mountains and rivers flowing to the sea are dear to you,
Phoebus, yet in Delos do you most delight your heart; for there
the long robed Ionians gather in your honour with their children
and shy wives: mindful, they delight you with boxing and dancing
and song, so often as they hold their gathering.  A man would say
that they were deathless and unageing if he should then come upon
the Ionians so met together.  For he would see the graces of them
all, and would be pleased in heart gazing at the men and well-
girded women with their swift ships and great wealth.  And there
is this great wonder besides -- and its renown shall never perish
-- the girls of Delos, hand-maidens of the Far-shooter; for when
they have praised Apollo first, and also Leto and Artemis who
delights in arrows, they sing a strain-telling of men and women
of past days, and charm the tribes of men.  Also they can imitate
the tongues of all men and their clattering speech: each would
say that he himself were singing, so close to truth is their
sweet song.

(ll. 165-178) And now may Apollo be favourable and Artemis; and
farewell all you maidens.  Remember me in after time whenever any
one of men on earth, a stranger who has seen and suffered much,
comes here and asks of you: 'Whom think ye, girls, is the
sweetest singer that comes here, and in whom do you most
delight?'  Then answer, each and all, with one voice: 'He is a
blind man, and dwells in rocky Chios: his lays are evermore
supreme.'  As for me, I will carry your renown as far as I roam
over the earth to the well-placed this thing is true.  And I will
never cease to praise far-shooting Apollo, god of the silver bow,
whom rich-haired Leto bare.

TO PYTHIAN APOLLO --

(ll. 179-181) O Lord, Lycia is yours and lovely Maeonia and
Miletus, charming city by the sea, but over wave-girt Delos you
greatly reign your own self.

(ll. 182-206) Leto's all-glorious son goes to rocky Pytho,
playing upon his hollow lyre, clad in divine, perfumed garments;
and at the touch of the golden key his lyre sings sweet.  Thence,
swift as thought, he speeds from earth to Olympus, to the house
of Zeus, to join the gathering of the other gods: then
straightway the undying gods think only of the lyre and song, and
all the Muses together, voice sweetly answering voice, hymn the
unending gifts the gods enjoy and the sufferings of men, all that
they endure at the hands of the deathless gods, and how they live
witless and helpless and cannot find healing for death or defence
against old age.  Meanwhile the rich-tressed Graces and cheerful
Seasons dance with Harmonia and **** and Aphrodite, daughter of
Zeus, holding each other by the wrist.  And among them sings one,
not mean nor puny, but tall to look upon and enviable in mien,
Artemis who delights in arrows, sister of Apollo.  Among them
sport Ares and the keen-eyed Slayer of Argus, while Apollo plays
his lyre stepping high and featly and a radiance shines around
him, the gleaming of his feet and close-woven vest.  And they,
even gold-tressed Leto and wise Zeus, rejoice in their great
hearts as they watch their dear son playing among the undying
gods.

(ll. 207-228) How then shall I sing of you -- though in all ways
you are a worthy theme for song?  Shall I sing of you as wooer
and in the fields of love, how you went wooing the daughter of
Azan along with god-like Ischys the son of well-horsed Elatius,
or with Phorbas sprung from Triops, or with Ereutheus, or with
Leucippus and the wife of Leucippus....
((LACUNA))
....you on foot, he with his chariot, yet he fell not short of
Triops.  Or shall I sing how at the first you went about the
earth seeking a place of oracle for men, O far-shooting Apollo?
To Pieria first you went down from Olympus and passed by sandy
Lectus and Enienae and through the land of the Perrhaebi.  Soon
you came to Iolcus and set foot on Cenaeum in Euboea, famed for
ships: you stood in the Lelantine plain, but it pleased not your
heart to make a temple there and wooded groves.  From there you
crossed the Euripus, far-shooting Apollo, and went up the green,
holy hills, going on to Mycalessus and grassy-bedded Teumessus,
and so came to the wood-clad abode of Thebe; for as yet no man
lived in holy Thebe, nor were there tracks or ways about Thebe's
wheat-bearing plain as yet.

(ll. 229-238) And further still you went, O far-shooting Apollo,
and came to Onchestus, Poseidon's bright grove: there the new-
broken cold distressed with drawing the trim chariot gets spirit
again, and the skilled driver springs from his car and goes on
his way.  Then the horses for a while rattle the empty car, being
rid of guidance; and if they break the chariot in the woody
grove, men look after the horses, but tilt the chariot and leave
it there; for this was the rite from the very first.  And the
drivers pray to the lord of the shrine; but the chariot falls to
the lot of the god.

(ll. 239-243) Further yet you went, O far-shooting Apollo, and
reached next Cephissus' sweet stream which pours forth its sweet-
flowing water from Lilaea, and crossing over it, O worker from
afar, you passed many-towered Ocalea and reached grassy
Haliartus.

(ll. 244-253) Then you went towards Telphusa: and there the
pleasant place seemed fit for making a temple and wooded grove.
You came very near and spoke to her: 'Telphusa, here I am minded
to make a glorious temple, an oracle for men, and hither they
will always bring perfect hecatombs, both those who live in rich
Peloponnesus and those of Europe and all the wave-washed isles,
coming to seek oracles.  And I will deliver to them all counsel
that cannot fail, giving answer in my rich temple.'

(ll. 254-276) So said Phoebus Apollo, and laid out all the
foundations throughout, wide and very long.  But when Telphusa
saw this, she was angry in heart and spoke, saying: 'Lord
Phoebus, worker from afar, I will speak a word of counsel to your
heart, since you are minded to make here a glorious temple to be
an oracle for men who will always bring hither perfect hecatombs
for you; yet I will speak out, and do you lay up my words in your
heart.  The trampling of swift horses and the sound of mules
watering at my sacred springs will always irk you, and men will
like better to gaze at the well-made chariots and stamping,
swift-footed horses than at your great temple and the many
treasures that are within.  But if you will be moved by me -- for
you, lord, are stronger and mightier than I, and your strength is
very great -- build at Crisa below the glades of Parnassus: there
no bright chariot will clash, and there will be no noise of
swift-footed horses near your well-built altar.  But so the
glorious tribes of men will bring gifts to you as Iepaeon ('Hail-
Healer'), and you will receive with delight rich sacrifices from
the people dwelling round about.'  So said Telphusa, that she
alone, and not the Far-Shooter, should have renown there; and she
persuaded the Far-Shooter.

(ll. 277-286) Further yet you went, far-shooting Apollo, until
you came to the town of the presumptuous Phlegyae who dwell on
this earth in a lovely glade near the Cephisian lake, caring not
for Zeus.  And thence you went speeding swiftly to the mountain
ridge, and came to Crisa beneath snowy Parnassus, a foothill
turned towards the west: a cliff hangs over if from above, and a
hollow, rugged glade runs under.  There the lord Phoebus Apollo
resolved to make his lovely temple, and thus he said:

(ll. 287-293) 'In this place I am minded to build a glorious
temple to be an oracle for men, and here they will always bring
perfect hecatombs, both they who dwell in rich Peloponnesus and
the men of Europe and from all the wave-washed isles, coming to
question me.  And I will deliver to them all counsel that cannot
fail, answering them in my rich temple.'

(ll. 294-299) When h

I don't get it
I don’t Get It 
Mr. Speaker
I admit I don’t get it

How does prayer
Stop gun violence?
Prayer did not work in Texas.

26 people were murdered
 while praying.

God if he exists
Obviously does not care
About the poor people
Who died in his church
Because a mad man

Got a gun
And no they were not praying
To be delivered from death
No one deserves to die like this

So my prayer to you
Is simply this

Get off your rear end
Rally the country
And do something

About gun violence

That’s a prayer
I hope works

Dear Speaker Ryan
I want to tell you something

The dead don’t want your prayers
The dead don’t care that you pray for them
They are dead after all

And you and your so-called Christians
Are to blame
You refuse to do anything
Anything at all

to stop the carnage
In our streets

The U.S. is flooded with guns
And more are sold every day
Millions of people don’t have health coverage
Millions are barely surviving

And your answer
Our dear great compassionate Speaker
Your answer 
Is Prayer works
Government action does not
You act as if the gun violence
Plaguing our country

Was like the weather
Beyond our control
So here’s my prayer for you

And your colleagues
When you die
I pray that God
Will send you

And your friends
Straight to hell
Where Satan and his demons
Will use you for target practice

That’s my prayer to you
And as you know
Prayer works
 
Mr. President
You are wrong once again

You said that the tragic events 
in Texas
And Las Vegas were not “gun situations”

But rather were mental health problems
And that in Texas
if there had been no gun controls
Perhaps fewer people would have died

Mr. President

I know you a smart man

The smartest man in the world


According to you
So please contemplate this fact

According to the latest findings

It is a gun situation

In fact, the reason the U.S.

Has so many gun deaths 

Is because we have so many guns

45% of the worlds guns in fact
And 33 percent of the world’s shooters

Are Americans killing other Americans
And most of them 

the majority of them

Are White men killing other people
Not Islamic terrorists


Most are in fact

Self-proclaimed Christians
So Mr. President

When will you come to your senses
And do what 90 percent of the public wants


Enact nation wide effective gun controls?
And tell the NRA
 
they can take their blood money elsewhere

When Mr. President

When will you act

When will you take charge
And become a President of the people
Instead of the President of the NRA?
 Like (0)  0   


← Previous1 2 345…75Next →
Virginia Beach Massacre Never Again
Virgina Beach 


In a night of horrific scumbagery violence

Rarely seen in this jaded age of ours

Gone in one hour
In a spasm of horrific scumbagery violence
I
In just a few short minutes


Nothing more than that
 
In just a few moments

All 12 victims were murdered
By a disgruntled employee


Every one he knew was shot

And killed for no reason
Caused by the demons

His soul was so infected

Murderous demonic voices

All in his head

Screaming **** them all 
**** them all


Screaming none stop violence in his head

All the time
Causing him to start shooting 
everyone he saw


Regardless of who they were 
or where they were

Everyone must die 
screamed the demonic voices in his head
No one can be left alive


Everyone must die

Virtually all must die 
in his internal video game

Everyone must die


Regardless of who they were 
or where they were
Again just another day

Gone horribly wrong


All across America
In
every town

No where is safe anymore
Virgina Beach massacre

Virgina Beach massacre

Just another
Average night in America

An Active Shooter
scumbagery violence

Rarely seen

in this jaded wild world
Gone in one hour
In a spasm of horrific
scumbagery
In just a less than 30 short minutes

Nothing more than
In just a few short 30 moments

All the victims
were murdered while at their daily 
work
wrong place wrong time

act of a demotic deranged madman
voices screaming ****
The voices scream
death to all humans


All must be killed
The voices scream over and over
All must die now

Just another night in America
Land of the Brave
Home of the free
More Guns for Everyone in the World

The NRA has decided

That the best solution to global problem

Of rampant violence and crime everywhere
Is for the rest of the world


To become like the U.S.

Where anyone can buy a gun

As an armed society is a polite society’

And so the President i
s about to announce

A global campaign against gun control restrictions


As these restrictions
are an undue burden

On the rights of the US arms manufactures
To sell their guns 
everywhere in the world


As everyone wants what we have to sell

The best weapons in the world
Instead of trying to limit the damage


That unrestricted gun sales

Have done to the U.S.
Our President, our great leader

Wants to sell more guns

Everywhere in the world

And there are eager buyers

Lining up around the world

Eager to buy the best guns

The world has ever seen

We want to export

The gun madness

That has infected our society


Leaving behind so many dead bodies
The dead were not consulted

For they remain dead


They do not vote
They have no voice
For the guns silenced them

For good
 just as the guns intended

Just doing their gun thing after all

Humanity has evolved
From stones to arrows
To guns
T o nuclear, biological weapons

And the U.S.
 While proclaiming itself
A champion of Human Rights

Remains nothing 
but a country 
Of gun runners
 Merchants of death
And destruction
NRA Please Stop Talking

Another day
Another mass shooting

Another incident
of domestic terrorism


another gun man
killing people
because just because
 he can
and he wants to **** people

The NRA 
And their stooges

Come out

Flood the airways
With their noxious
Poisonous weasel words


The NRA says
Mass shootings

Are like the weather

You can’t control them
You can’t predict them

And you can’t prevent them

Just have to accept

It is all god’s will

Guns don’t **** people
IF guns were outlawed

Only outlaws
 would have guns

Only solution 
Is more guns

For everyone

An armed society
they say 
Is a polite society


Support for gun control
I is
socialist/communist/fascist/anti-Am  erican/anti-Christian nonsense
The beginning of tyranny


If only the Jews had guns

The holocaust would not have happened

Jesus would want us all
 
to be armed 
with machine guns
To protect us against the evil doers

It is the Christian thing to do


To blow away evil doers
With heavy arms


In America
Land of the free

Home of the brave
We can’t do anything


At all
About the mass carnage

Unleashed by madmen with guns

Who walk among us

Searching for their next victims
Any restriction of the right


To bear arms

Is tyranny at its worst
The nanny state run amuck

Talking about gun control

After a tragic event
Is

just not the appropriate time

We only need prayers

and meaningless thoughts

Universal background checks

Too onerous
Registering guns

Too burdensome

Researching gun violence

waste of tax payer money
banning military style assault weapons
r

Restricts my right 
to blow 
away

Bambi the deer
with a M16

the NRA will keep talking

talking and talking

preventing anything

from being done

and we will have another

Mass shooting event

Before the day is out

So my plead

This day
To the NRA
A
and their stoogies

Talk is cheap

Your comments
Are not helping

If you can’t

Be a part of the solution
Just stop talking

Please stop talking


And let the rest
Of us  figure out

How to stop

The madness in the streets
And stop the carnage


So NRA

Please
 just
 stop
 talking
 Now

military assault weapons 
are locked up

yet in America

the land of the free

home of the brave
 
everyone and his cousin

must have their gun

guns for everyone

cries the NRA

that’s the solution

The president
a 
and his supporters

deny the obvious
guns **** people
That’s all they do


it is a gun thing

you would not understand
Guns just do
what guns gonna do
**** people

Mr. President

You can take your words

your empty platitudes
Your empty promises
Your prayers 

straight to hell

and back

where with any luck

Satan will use you

as target practice
Chief of Staff You are Absurd

the President’s chief of staff
said the other day

it was absurd

to suggest that the president’s words

had anything to do

with recent mass shootings

yet is it absurd

to see the lengths

to which the President’s supporters
will twist and turn

spinning awa
y
the inconvenient truth
President Trump 
is a racist bigot con man

who some how
 conned his way

to become President
he call immigrants criminals, vermin, animals

invaders infesting the country
the El Paseo shooter 

said that he went to the border

to shoot the invaders

and said
 that he was a big Trump fan
it is not absurd
 to connect these two huge dots
The President’s words
 
have real world consequences

Yes Mr. Trump is a racist pig
a
and his supporters
 are being absurd

to suggest otherwise

 
36
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Jake Aller
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John (Jake) Cosmos Aller

Novelist, Poet, Foreign Service Officer 

Tel: 703-436-1402
Email: authorjakecosmosaller@gmail.com

John (“Jake” ) Cosmos Aller is a novelist, poet and former Foreign Service officer having served 27 years with the U.S. State Department in ten countries - Antigua, Barbados, Dominica, Grenada,  Korea, India, St Kitts, St Lucia,  St Vincent, Spain and Thailand. and traveled to 45 countries during his career.  Jake has been an aspiring novelist for several years and has completed two novels, (Giant **** Spiders, and the Great Divorce) and is pursuing publication.  He has been writing poetry all his life and has published his poetry in electronic poetry forums, including All Poetry, Moon Café and Duane’s Poetree. (under the name Jake Lee).  He is looking forward to transitioning to his third career – full-time novelist and poet after completing his second career as a Foreign Service officer, and his first career as an educator overseas for six years upon completion of his Peace Corps service in South Korea. 



He served in a wide variety of positions running from Consular management, Fraud investigation and managing the consular overseas computer support desk, to economic and political reporting positions, international labor diplomacy, commercial diplomacy - promoting American business overseas- international organization diplomacy serving as the deputy permanent representative to the Economic and Social Commission for Asia and the Pacific, to management positions including program management, evaluation and contracting management, and environmental and science diplomacy including promoting renewable energy solutions.  He taught courses at the Foreign Service Institute and overseas in Bangladesh, India, Nepal and Kathmandu on consular fraud and consular Systems issues.

Senior program evaluator overseeing the implementation of the Department's evaluation program enabling the Department to develop a robust program evaluation system.
Coordinated training program training over 200 people in three years
Launched community of practice (CoP) web page (word press) with over 300 participants, greatly expanding the ability of State program evaluators to conduct program evaluations.  
Conducted meta-evaluation of completed foreign assistance evaluations insuring that the Department’s evaluations provided critical program improvement data.

Deputy Political Economic chief, - Bridgetown, Barbados 

Served as the deputy political economic chief covering political, economic, labor , environment and science and commercial diplomacy efforts in the Eastern Caribbean. 
Received labor officer of the year award for work in setting up regional training programs in occupational safety issues, and meeting with labor leaders in all seven countries greatly expanding our labor diplomacy outreach; 
Initiated two American Chambers of Commerce organizations, 
Conducted fund raising in support of  Embassy’s July fourth celebrations, the first time held in multiple countries, raising $100,000 over a three year period; 
Conducted training programs in all seven countries demonstrating to hundreds of locals on how to access U.S. Government  export financing programs . 
. 
CA/FPP Deputy Training Team Coordinator – Washington, DC,
Taught consular fraud prevention courses at the Foreign Service Institute, and in Bangladesh, India, Nepal, Pakistan, greatly increasing knowledge and skills in fraud detection. 
Launched Lexus Nexus public record database access for consular officers worldwide, therefore dramatically improving consular fraud prevention efforts, 
Initiated first interagency Fraud Working Group coordinating fraud efforts among Departments of Homeland Security, State, and Labor.  
Received Cash Award.
Deputy Consular Chief, - Mumbai, India
Oversaw American citizen services, immigration visas in fifth largest operation in the world and fraud prevention programs greatly improving management of each.  
Supervised and mentored 15 junior officers and 50 local staff resulting in each unit receiving group cash awards. 
Received two cash Meritorious Honor awards for my work helping American citizens facing crises including helping American citizens whose family members died in India, or were arrested. 
Organized task force that dealt with aftermath of worst earthquake in 50 years.  

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8 stories • 1 lists • 1 lists • 5 groups

My Poems (224)AutorankLinks
I don't get it
I don’t Get It
 

Mr. Speaker

I admit I don’t get it

How does praye

Stop gun violence?

Prayer did not work in Texas.

26 people were murdered
 while praying.
God if he exists

Obviously does not care

About the poor people

Who died in his church

Because a mad man

Got a gun
And no they were not praying

To be delivered from death

No one deserves to die like this

So my prayer to you

Is simply this
Get off your rear end

Rally the country
And do something


About gun violence
That’s a prayer
I hope works
© 2 hours ago, john Cosmos Aller      
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Dear Speaker Ryan

Dear Speaker Ryan
I want to tell you something

The dead don’t want your prayers

The dead don’t care that you pray for them

They are dead after all


And you and your so-called Christians

Are to blame

You refuse to do anything

Anything at all
to stop the carnage
In our streets

The U.S. is flooded with guns

And more are sold every day
Millions of people don’t have health coverage

Millions are barely surviving
And your answer


Our dear great compassionate Speaker
Your answer
 
Is Prayer works

Government action does not

You act as if the gun violence

Plaguing our country

Was like the weather

Beyond our control

So here’s my prayer for you

And your colleagues
When you die

I pray that God

Will send you
And your friends

Straight to hell
Where Satan and his demons

Will use you for target practice

That’s my prayer to you

And as you know
Prayer works
 
another gun poem © 2 hours ago, john Cosmos Aller      
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It’s a Gun Situation, Mr. President

Mr. President
You are wrong once again

You said that the tragic events 
in Texas
And Las Vegas were not “gun situations”

But rather were mental health problems
And that in Texas
if there had been no gun controls
Perhaps fewer people would have died

Mr. President

I know you a smart man

The smartest man in the world


According to you
So please contemplate this fact

According to the latest findings

It is a gun situation

In fact, the reason the U.S.

Has so many gun deaths 

Is because we have so many guns

45% of the worlds guns in fact
And 33 percent of the world’s shooters

Are Americans killing other Americans
And most of them 

the majority of them

Are White men killing other people
Not Islamic terrorists


Most are in fact

Self-proclaimed Christians
So Mr. President

When will you come to your senses
And do what 90 percent of the public wants


Enact nation wide effective gun controls?
And tell the NRA
 
they can take their blood money elsewhere

When Mr. President

When will you act

When will you take charge
And become a President of the people
Instead of the President of the NRA?
another gun poem © 2 hours ago, john Cosmos Aller      
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Virginia Beach Massacre Never Again
Virgina Beach 


In a night of horrific scumbagery violence

Rarely seen in this jaded age of ours

Gone in one hour
In a spasm of horrific scumbagery violence
I
In just a few short minutes


Nothing more than that
 
In just a few moments

All 12 victims were murdered
By a disgruntled employee


Every one he knew was shot

And killed for no reason
Caused by the demons

His soul was so infected

Murderous demonic voices

All in his head

Screaming **** them all 
**** them all


Screaming none stop violence in his head

All the time
Causing him to start shooting 
everyone he saw


Regardless of who they were 
or where they were

Everyone must die 
screamed the demonic voices in his head
No one can be left alive


Everyone must die

Virtually all must die 
in his internal video game

Everyone must die


Regardless of who they were 
or where they were
Again just another day

Gone horribly wrong


All across America
In
every town

No where is safe anymore
Virgina Beach massacre

Virgina Beach massacre

Just another
Average night in America

An Active Shooter
scumbagery violence

Rarely seen

in this jaded wild world
Gone in one hour
In a spasm of horrific
scumbagery
In just a less than 30 short minutes

Nothing more than
In just a few short 30 moments

All the victims

were murdered while at their daily 
work
wrong place wrong time
act of a demotic deranged madman

voices screaming ****
The voices scream
death to all humans


All must be killed
The voices scream over and over

All must die now

Just another night in America
Land of the Free

Home of the free
another gun poem © 2 hours ago, john Cosmos Aller      
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More Guns for Everyone

More Guns for Everyone in the World

The NRA has decided

That the best solution to global problem

Of rampant violence and crime everywhere
Is for the rest of the world


To become like the U.S.

Where anyone can buy a gun

As an armed society is a polite society’

And so the President i
s about to announce

A global campaign against gun control restrictions


As these restrictions
are an undue burden

On the rights of the US arms manufactures
To sell their guns 
everywhere in the world


As everyone wants what we have to sell

The best weapons in the world
Instead of trying to limit the damage


That unrestricted gun sales

Have done to the U.S.
Our President, our great leader

Wants to sell more guns

Everywhere in the world

And there are eager buyers

Lining up around the world

Eager to buy the best guns

The world has ever seen

We want to export

The gun madness

That has infected our society


Leaving behind so many dead bodies
The dead were not consulted

For they remain dead


They do not vote
T
hey have no voice
For the guns silenced 
them
For good
 just as the guns intended


Just doing their gun thing after all
Humanity has evolved

From stones to arrows

To guns
T o nuclear, biological weapons

And the U.S.
 While proclaiming itself

A champion of Human Rights
Remains nothing 

but a country
 
Of gun runners
 Merchants of death

And destruction
another gun poem © 2 hours ago, john Cosmos Aller      
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NRA Quit Talking

NRA Please Stop Talking

Another day
Another mass shooting

Another incident
of domestic terrorism


another gun man
killing people
because just because
 he can
and he wants to **** people

The NRA 
And their stooges

Come out

Flood the airways
With their noxious
Poisonous weasel words


The NRA says
Mass shootings

Are like the weather

You can’t control them
You can’t predict them

And you can’t prevent them

Just have to accept

It is all god’s will

Guns don’t **** people
IF guns were outlawed

Only outlaws
 would have guns

Only solution 
Is more guns

For everyone

An armed society
they say 
Is a polite society


Support for gun control
I is
socialist/communist/fascist/anti-Am  erican/anti-Christian nonsense
The beginning of tyranny


If only the Jews had guns

The holocaust would not have happened

Jesus would want us all
 
to be armed 
with machine guns
To protect us against the evil doers

It is the Christian thing to do


To blow away evil doers
With heavy arms


In America
Land of the free

Home of the brave
We can’t do anything


At all
About the mass carnage

Unleashed by madmen with guns

Who walk among us

Searching for their next victims
Any restriction of the right


To bear arms

Is tyranny at its worst
The nanny state run amuck

Talking about gun control

After a tragic event
Is

just not the appropriate time

We only need prayers

and meaningless thoughts

Universal background checks

Too onerous
Registering guns

Too burdensome

Researching gun violence

waste of tax payer money
banning military style assault weapons
r

Restricts my right 
to blow 
away

Bambi the deer
with a M16

the NRA will keep talking

talking and talking

preventing anything

from being done

and we will have another

Mass shooting event

Before the day is out

So my plead

This day
To the NRA
A
and their stoogies

Talk is cheap

Your comments
Are not helping

If you can’t

Be a part of the solution
Just stop talking

Please stop talking


And let the rest
Of us  figure out

How to stop

The madness in the streets
And stop the carnage


So NRA

Please
 just
 stop
 talking
 Now
another gun stop © 2 hours ago, john Cosmos Aller      
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guns **** People
Guns **** people
g
Guns do **** people
it is not mental illness

it is not video games
it is not a million other things

it is simply this
a gun is a weapon

a weapon designed to **** people

That is what guns do
guns don’t care

they do as they are told
If you pull the trigger
t
They will **** the victim

that is what guns do

that is why 
in a civilized society

military assault weapons 
are locked up

yet in America

the land of the free

home of the brave
 
everyone and his cousin

must have their gun

guns for everyone

cries the NRA

that’s the solution

The president
a 
and his supporters

deny the obvious
guns **** people
That’s all they do


it is a gun thing

you would not understand
Guns just do
what guns gonna do
**** people

Mr. President

You can take your words

your empty platitudes
Your empty promises
Your prayers 

straight to hell

and back

where with any luck

Satan will use you

as target practice
another gun poem © 2 hours ago, john Cosmos Aller      
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Chief of Staff You are Absurd

the President’s chief of staff
said the other day

it was absurd

to suggest that the president’s words

had anything to do

with recent mass shootings

yet is it absurd

to see the lengths

to which the President’s supporters
will twist and turn

spinning awa
y
the inconvenient truth
President Trump 
is a racist bigot con man

who some how
 conned his way

to become President
he call immigrants criminals, vermin, animals

invaders infesting the country
the El Paseo shooter 

said that he went to the border

to shoot the invaders

and said
 that he was a big Trump fan
it is not absurd
 to connect these two huge dots
The President’s words
 
have real world consequences

Yes Mr. Trump is a racist pig
a
and his supporters
 are being absurd

to suggest otherwise
another gun poem © 2 hours ago, john Cosmos Aller      
 Like (1)  1   

Mr. President Words Matter

Mr. President Words Matter

Mr President

Words matter

your words matter

your words of hate

your words of division
your words 
calling fellow human beings 
****, vermin,

invaders, animals 
matter

they matter a lot

and is it little wonder

that people listen 

to the hate you sprew forth

and some deranged people

take action 
on your call 
for action
against the invaders 

on the border


they march to the border

to **** the invaders
your words matter

Mr. President


and your false words
of regret
fool no one

the damage has been done

the hate has been spread

just as you intended

and you 
have the gall 

to call yourself
A Christian
you are the anti-Christ

you are not a Christian

so please quite pretending

to be what you are not

please man up

accept your responsibility

set things right

apologize

the dead though

don’t need your prayers

they need action

they need leadership

and you are the president

so please start acting

like you give a ****

and if you do so

perhaps 
you will find

people will follow you
but please
 quite the words 
of hate


the words that hurt
and quit calling immigrants
 invaders 
and vermin
 

they are human beings

they are deserving of respect
this I ask of you 
In Jesus’s name
even though I am not a Christian
another day, another shooting

Another Day Another Shooting
another day in paradise
just another day in Americal
Land of the free
Home of the brave

and gunshots,
lots of gunshots
more guns for all
cries the NRA

yes another day
another gun battle
another white man
who just wants to ****

the President sends his condolences
Thanks the law enforcement 
for an incredible job well done
It was horrible

Hate has no place
in our country
and we will take of it 

and do what ever we can do
condolences 
nothing but false words
empty words 

lots of things to do
it is mental illness problem

but he fails to mention
the words gun at al
not at all
and tomorrow and tomorrow

but he at least finally 
said 
hate has no role in country
nothing but prime BS
in my humble opinion

he did not mention 
white supremacy
his rhetoric had nothing
nothing to do 
about this at all

and so tomorrow
I will turn on the TV
and we see
nothing at all

and the dead
will remain dead
the guns will fire again

nothing will be done
welcome to America
land of the free
home of the brave

The Airn-Wanderer:

WÆPEN WUNDUM SUNDORGENGA

Waes Ah! Waes Ah, noo!
Beguid! an’ Greatly, unco Greatly Hye, IT!
Wi'in Abysmal-Deep Primal Fyre, IT!
Great Fair Thor's Orrah!
Lookin’ yondir! lookin’ yondir, noo!
Afore avidly, unco avidly
Drank hynne Ah! Great Warlike Orrah!
The Gowblat o’ Noble Precious Gowd Shimmerin':
Gleamin’ further, IT! Ane an' the Same, hynne!
Wi' the Verra Glare frae Bein' o' Power Supreme!
Gift Invincibly Purified IT, hynne!
Thad Enraged Wotan’s ain Verra Chalice o’ mine,
An’ Toast frae Hye-HEREHAND!
Great, in Fyre Ragin' noo, Ullr's Orrah!
Frae Noble Valhalla Rairan Deep
Wi’ ITS Metal Fiery Soul, hynne!
Orra Skye-Substance, orra Skye-Schorcin’ o’ mine!
Noo, verra unco! Core-Martially stylle grabbin’,
Wi’ Black Leather Glove
O’ Total Dazzlin’, an' Verra, Verra ​Core-Abysmal, IT!
Whyte-War, hynne!

ÞUNORE HWÍT CEALLA,

Fyre-Flowin’, the Verra Northumbrian Mead!  
Livin’, Tasty wi’ Pow’r, Great Warlike Orrah!
Niflheim-Watery, IT!

BEADWE, MĪN SWÆTAN,

Frae yon Ironclad Norþan-hymbre!
Frae Hel Itself Delicious,
Unco dyrinkin’, downe the hatch!
Hynne Ah,
My by-gone Days left orra Aflame:
Great Vision! Great Bellum! noo dyin’ o’ mine!
Whileas stylle waes hynne Ah!
Thro’ the Bare Highlands Dreary,
‘Yont South Ruins’ Bluish Burnan Wa,
Deep-Wanderin’,
In search for the Verra Lightnin’ Raed,
An' Flashin' Guide o' mine Devastatingly Immortal!

BĒOWES RĒADA FÝRTORR,

O’er Thae Cauld Moorlan Heights hynne,
Leisurely, implacably, Great Warlike Orrah!
Amyd Hye Rocky Smeddum all abowt me
Strollin’,
Intae the Verra Mirk Unfathomable,
Airn-Flesh o’ mine, hynne
Throwin’,
An' my Wise an’ Bold an’ Proud!
Sensual Noble Dame,
Gerðr galdrs Scho!

MĪN FÆÐMLICE OND BRYNIGE CWÝNE
SÉO HYGEÞRYMME ÁDRÍEGEÞ,

A' Oor Inflamed Naychts! Verra Wyntry Naychts!
Afore the Sacral Stane-Hearth:

WINTRES WÍDERFEORLIC HEORÐ,
HWÆR ÆFRE OND LÍGBRYNE
ÚSERE BRÆD GEMETEÞ,

Stylle deep-burnin',
Guid, Verra Guid Bleezan Orrah!
Scho unco weall! Scho unco weall! Ah say!
Rememberin',
In Lang Robes o' Deep Crimson Fyre, noo!
Her Superior Womanhood,
Full! An' divinely, orra divinely!
Thro' Her Glowin' Mystery Sinuous, o'er endowed!
Hynne stylle, unco ardently! in Primal Lowes, fully Sinuous!
Whare, Thys weall! weall! Scho unco knew!
Ah! Guid, Verra Guid Thundir's Orrah!
Used tae ay lose! nae abeigh!
Wi'in an Abyss Interminable an' Endless Contynent!
Ay, Great Guid Orrah! Masell!
An’ Verra Firey! sinuously Trowe! Verra Soul!
Unco tightly, wi' Norland Passion
Stylle profoundly Wemenlie o' Hers!
Shrouded,
Scho saw me! Scho orra saw me!
Noo, wi’ Courage Ablaze an’ unco Wreððe
Ascendin’
To orra desire! to orra possess,
To hae IT! To unco hae IT! back again!
Ah! LEOFLIC IREN HÁTAN!
The Lone Airn-Wanderer, SUNDORGENGA, Ah!
Frae yon Auld Götaland:

LAND GUMCYNNES GEAT-MÆCGUM,
BEADWE-HEARPENÆGLES EORÐRÍCE,

My ain Lost, the OVERMAN'S HIS-SEL!
Great, Great Mjölnir's Warlike Orrah!
Wi’ Bluish Skye-Gore, frae Thae Cauld Heights
Unco! Verra, Verra Guid O'erhuman,
Hynne, neist tae the Forgotten Firey Ruin!
Totally 'Yont-Human! The DAZZLIN' OVERMAN'S AIN!
Ah noo say! Ah noo tae the Moorlan Stormy Cluds yell! Orrah!
Skye-Imbued

Thundir-Bluid:

NORÐÞUNRES WÆLDRÉOR

Tae feel IT hynne! Tae unco feel IT:
Great Guid Warlike Orrah!
Total, unco Total, in Full New Skye-Gore IT!
Verra, Verra Thor-Hye!
Frae afarre! yet tae me Verra, Verra Skye-Close!
Rumblin' Skye-Destruction o’ mine!
Hynne Total Skye-Rebirth O'erhuman,
An' the Roaran', unco Skye-Roaran', IT!
Great Kvasir's Warlike Orrah!
Afore the Verra Disc o' the Full Mowne Murky,
Orra, unco, IT! in the East Dreary skye-risin', IT!
'Yont-Human, Great Jörð's Orrah!
Supreme Transformation!

WULFES GENIWUNG,

Wi' the New Skye-Knowledge Scorchin'
Owre, owre imbued!
An' in the Soarin' Zenith-Fyre
Deeply, deeply hawkan IT, hynne!
Thro' Thad Cauld Moorlan Secret
Ah am noo about to owre yell,
Frae the Thundir's yon Rumblin'
Verra, Verra Skye-Pride!
Intae my Veins Fiery
Fore’er an’ e’er, wi’ Ragin’ Skye-Bluish Hue
Noo flowin’,
Com on! Com on, hynne!
Dearest Mountayn-Thunderbolt o’ mine!
Taukin’ Ah noo am to ye stylle!
Struck me deep! struck me noo, Ah yell!
Great Fair Thor's Orrah! deep,

ÍSENSCÚR,

For fully Covered! orra Skye-Covered hynne!
In Feudal Skye-Airn Indestructible
Am Ah heare! for ye noo!
Tae attract hynne! out o' Thad Norland Verra Blue!
As the Skye-Magnet attracts the Rare Shinin' Metal,
Yer deadly Skye-Rage wpon Airn-Skynne o' mine!
Tae catalyze hynne yer loudly tellin',
Frae Yon Abysmal Distance! Lone Skye-Voice,

SCÍRHAM IC! BEADWE LÍGETUNG,

Whyle Ah stylle! intae Hye Lowes unco climb
Thad Cauld Rocky Soil,
Whyle Ah stylle unco tell
Thad Vision, most Solitarie o’ mine,
Whyle Ah stylle restlessly, implacably seek
My ain Lost Skye-Sel!
The Hye, Verra Hye! Adamantine Person o' the OVERMAN!

SUNSCÍNE SEOLF OND LINDGEBORGA,

Want Ah! truly unco, want Ah! owre want Ah, hynne!
Beguid an’ Great Guid! Hôm Loga Himna Orrah!
Noo, richte noo!
This kin Ah! still noo unco truly yell!
'Yont yon Whunstane Stronghold's Mirk Well!
Feel, unco o'erhumanly live, hynne!
Thad Continual Flashin’
Frae the Grayish Leaden Moorlan Cluds
Noo the Zenith-Sunne Invisible behynde
Hye-glorifyin’!
Thro’ the Verra Tundir Voice o'er an' o'er echoin,
In shape o’ Norland Hammer frae the Battle, IT!
Intae Veins Skye-Bluish o’ mine!

NORÐANWINDE! BLÓDWRACU OND FÆHÞ,

Next tae my Feudal Airn-Side noo still wounded
By Enemy an' Cowardly, tae Human, tae Cowardly!
Frae the Distance, hynne! shot at me!
Still Mortal Arrows!
Nae Fear, hynne! tae Earthly! tae Miserable,
Surpassingly Miserable, IT! unto the Verra Core!
To the Hye Fair-Haired Gods,
In Strang Norland Dignity an' Supreme Pow'r,
An' Skye-Vengeance frae Enraged Sacral Thule blowin'!
Noo! thro' Noble an' Future Skye-Gore o' mine schawe!
In my stylle the Verra Lightnin':

VICTORIAE SANGUINISQUE SIGNUM
OVERMAN

Noo implacably approachin'!
An’ ye! Sweyt an’ Scaur Enemies, not Quhone all ye!
Ye still cannae, cannae hear?
Yell an’ Furious Bellum, aye!
Frae Loud Thundir-Voice o’ mine?
Skye-Crash frae my Battle-Wounds IT:

MĪN HEORUDREÓR GLADAÞ,

Wi'in yer ignoble ears noo!
Wnto the Sacral Open Blue
Risin’ unco Freed!
Ye still want to *** to orra Heaven?
Hynne, heyre Ah am!
Com on! Com on! All ye Cowards!
Thys is whate Ah orra cam for!
Fecht me! Hand-to-Hand Strang!
Do signal the Attack!

ÞINE UNEARH GÚÐÞRACU OND GEWEALC,
ÞUNORRÁDE, MĪN HILDERÆS!

Glitterin’ Skye Axe-Blade o’ mine winna, IT
Cease to wait to orra shatter,
In a single Thundir-Blow, all yer Targes!
Com on! Com on hynne! ye Cowards!
Do noo hae the Warlike Verra Guts to taste
Gleamin' VARGS UNDA Alone o' mine!
O'er ye thys single Thundir-Blow pourin'!
Ye want still to unco give
Unto Enraged Airn o’ mine, Wonner IT, lo!
Yer Hand-to-Hand, hynne Feudal an’ Essential
Battle-Bluid?

HEOLFRE ANWIG,

Wha hynne want to be the First?
Wha hynne ready is noo to unco suffer
Frae my Verra Skye-Airn noo Skye-Flashin'!
Gunnþinga Called, IT!
Hys, alongside the Skye-Foreign, Nadir's ain!
Miserable, tae earthly, tae human orra Defeat?
Fecht Ah! for the Glare an’ Hye Glory O'erhuman
Frae Bein’ as Pow’r, Bluish-Firey IT!

ÞUNORES HAMOR,

Hynne heyre glowran at ye Ah unco stand!
Wi’ Great Clan-Vermillion Wyld Wraith o’ mine
Hye, Norland-Fair, an’ orra Warlike!
Wi’ Battle-Axe o’ mine gleamin’,
Unner yon War-Glare, ne’er, ne’er settin’,
An’ the Sunne’s ain Disc Refulgent,

BLŌDE ANWEALD, HWÍTE HEAÐUSIGEL,

Wnto deep the Wanwordie World, Mirk hynne, IT!
Richte, orra Ancestral an' Warlike Richte!
Greatly, unco greatly! Flamin'-Firey an' Zenith-Supreme, IT!
Verra Iron-Curse Blindin'!
An’ He cam! the Thunderbolt at length
Unto me He orra cam!
Thus struck waes Ah!
My Flesh, an' Bluid, an' Spirit!
Intae Thor's ain Skye-Force
At once turnin'
Tae greatly, tae unco! Verra Guid Orrah! see
Thro' Nyow Total Skye-Blindness O'erhuman o' mine!
Altogether hynne noo, Great Guid Saxon Orrah!
The Forerunnin’ Presence noo Devastatin’
Wnto me, stick-an-stowe, noo orra IT! comin',

IRSERN-SCÉAWERE IC,
CWIOFYRES BURHWEARD,
BÆLÞRACE OND BRYNEWIELMA GEBORGA,

Frae thowa, IT! in Primal Wreððe

Skye-Essences
Or
Twæȝe Strang Sunnes

Hwenne! Beguid an’ Great, Great Warlike Orrah!
Out-owre Hye Mountayn Glade, sic unco Wide:
The Cauld Vitrified Fort  
Wha's Sharp Surroundin' Gleamin' Wa
Thro' Hye Heat Monumental generated!
TAP O' NOTH waes:

FÆRBRYNE GLÆSFÆTES STANWEORC,

In Thundir-Bluid an’ Frame,
An' further unco Skye-Imbued Ah!
Wi' the Earthly Unidentified Energy
Frae thad Towerin' Verra Steid,
Noo still walkin’,
At length thare surveyed hynne Ah!
Wi’ Fyre-Sight, Deep-Penetratin’ IT,
An’ Auldfarran, Lucid Reason o’ mine,
The Heaven’s Blue Verra Vault:
Proud Storm-Shrine, Dearest o’ mine!
Ane wi’ my Skye-Rage Hye,  
An’ the Atmosphere, waes IT, waes IT,
Intolerably close, yet unco Potent, Heimdall-Divine!
Hynne beheld Ah, lo!
TWA ESSENCES O’ FYRE!

BRYNEWIELMUM CAMPWUDA,

Intangible, Untouchable, Impenetrable, baith Thay,
O’er the Whole Uranic Skye-Arch,
Their Skye-Dominion an’ Primordial Skye-Dignity
Unco haudin’:
The Essence o’ the ΛOΓΟΣ an’ the Essence o’ the REAL, Thay:

STĪELENRA-HEÁÐUSIGELA FÝRBÆREAN
GÆDERSCYPE OND GLÉDEGESA
ÞĀ HLŪDE BECWÆDON,

Twa! Tangible, Visible MICHTY SRANG SUNNES!
Twa, hynne! Let me stylle noo distinctly remember!
Unco Martially an' Norland Colourful!
Great Orrah! Rotatin', Thay A'! Thay A'!
Great Lone Sight o' mine!
Splintered nae! Round Shields o' War Dazzlin':
Ský Skǫglar frae the Auld Wondie Hólmganga, Thay!
Frae Auld! Verra, indeed Verra primevaly Auld!
Thro' Deep the Firey Tyme Conquerin', an' Ruthless,
An' towardis the Fleysche, Fallacious hynne Mortal, unforgivin'!
Crucial Gory Soil in yon 537 A.D. CAMLANN called
Thad haes bin, IT! a Witness tae my ain Shed Battle-Bluid!

BRYTENCYNING,
IC WIÞGEHÆFTE HINE, BLÁCAN ÁNWÍGE,
EFENLÍCAN GÚÐHERE BLÆDE,

Meany, Meany Kingdomes, an' Onslaughts,
A' Bluish-Ironclad Thay, ago!   
Hynne noo, whileas Ah stylle speak, Immortal am, an' waes awready!
Yet Thad nae, nae enough IT proved
Afore the Presence Devastatin' o' the OVERMAN!
Stylle, Ah knew, HE noo in waitin'!
HE WHA! HE WHA! HE WHA unco:
The Verra ENS! thro' the Dazzlin' Skye-Bluish Revenge o' HYS,  
Hynne Mine!
Tae the Yieldin' Ground o'ershadows! an' in an Ultimate Whyte War
Flashin' tae Fathomless Eternity, in Gore Shinin' defeats!
Intense Meanin' Primordial o' Battle Fierce baith Thae!
Hynne unco embodyin',
Afore thys, thro’ Verra Lowe penetratin’,
An’ wi’ Hye, Verra, Verra Skye-Hye!
Thundir-Bluid Thunderous
Awa, awa flowin’ IT, orra!
Loneliest Vision o’ mine:

GEBYLD,

When, Great Thundir’s Orrah!
Wi’ a speed Wicked yet Prodigious, lo! Sublime,
Closer, closer, wi’ the Impetus frae Twa Skye-Rams Wyld
They orra cam!
An’ in a Common Skye-Embrace!
Their Dazzlin’ Blades o’ Vibrant Steel!
Hynne crossin’,
Thus unco, owre imbued waes, waes Ah!
Wi' Thad Verra Hye Steel-Glare, Ah!
Wi' Thad intae Deep Fyre afore Wounded Step o' Mine meltin',
Feudal, unco Feudal Skye-Knowledge, an' Airn-Revenge!
An' advanced wi' Firm Martial Gait hynne, towardis
The Lonely Gleamin', Flashingly Firey,
Rewb-Gem o' Moorlan War Forgotten,
Thro' ITS Sheer Inner Foirce hynne unco Reddenin'!

HERECIRME, RÉOD GIMCYNN,

Whileas the Stellar Wynde silently ensued
Frae Thad Last Titanic Encounter an’ Battle,
Wi’ unco deafenin’ Core-Clash,
Frae Thor’s His-sel, again,
The Whispered Warlike Voice!
Hynne intae Ane Nucleus Whyte
At length blendin’, afore wnto me
Noo orra comin’ IT:

The Shield-Blinding:

DÆGSCIELD GEBLENDAÞ

For rendered orra, orra sightless!
Waes Ah noo,
Yet still able to distinctly behold,
An’ e’en deeper, unco deeper! Great Warlike Orrah!
The Verra Dazzlin’ Core, IT!
Wi’ Verra Bluish Flash, an’ the Skye-Gore
Frae Thundir-Eyes noo o’ mine
Sheer Sharp, IT!
For Thad Sudden Thundir-Blindin’ o’ Mine!
Ah am noo taukin’ abowt,
Great Dunnottar’s an’ Tantallon’s Orrah!
Gift Supreme frae Hye the Zenith-Skye!
Orra Skye-Generous hynne, IT!
Intae an All-Powerful, unco All-Powerful, Ah say!
An’ All-Seein’ Thundir-Force
Thundir-O’erhuman, hynne frae the Thundir ‘Yont-Human!
IT, in Hye Fyre! Skye-turned,
An’ New Unknown Fiery Demons IT
Orra, orra! unveiled:

ÁGLÆCAN WUNDORSÉON,

Athwart Noble Airn-Person o’ mine,
Thro’ the Cauld Blast frae Thad Moorlan Wynde
O’er an’ o’er fallin’,
For the Verra Skye-Vision o’ the OVERMAN,
Guid Orrah! Great Warlike Thundir’s Orrah!
Unco Profound IT waes!
An’ unco killed IT the Unprepared,
For waes IT for nae Unworthy Skellum  
To Feud an’ Sword Foreign!
An’ the Whole Wnivers, in a Verra Flash,
Thro’ the Same Auld an’ New Thunderbolt
Ah waes lookin’ for,
Penetrated IT orra waes:
THE HERACLITEAN, DEVASTATINGLY PROPHETIC, IT!
FIERY SKYE-FORCE!
FRAE THE VERRA AIRN-PERSON
STEEL-CONCRETE, IT!
DAZZLINGLY 'YONT-TELLURIAN AN' SKYE-CENTRAL!
O' THE OVERMAN:
THE 'YONT-HUMAN HYNNE NAE HUMAN!
THAD LIKE CONQUERIN', RAGIN' WHYTE-FYRE,
WI'IN THE YIELDIN' MURKY MIRK VOID SHINES!
INCANDESCENT O'ERHUMAN VERRA BODY!
THAD MINE AIN, AH KNEW,
SUNE AN' SYNE! UPON THAE BENS DREARY,
IT SHALL, GREAT GUID ORRAH! BE!
AN' WHA'S NOBLE AN' SOLEMN NAIM
HYE! HYE! THE ETHER'S AIN SKYE-SUBSTANCE
INTAE ALL-FERVID LOWES AN' METALLIC BRILLIANCY
TURNIN'

ΥΠΕΡ-ΚΕΡΑΥΝOΣ

WAES! THUNDIR-CONSCIOUS, AN’ DIRECTIN’,
THUNDIR-DESTROYIN’, HYNNE CRAETIN',
O’ER ALL THUNDIR-DOMINATIN’,
TO THE INFINITE UNCO THUNDIR-GROWIN’,
MINE AIN BLUISH MOORLAN BLUID
TO THE INFINITE ORRA THUNDIR-FEEDIN’,
Together hynne wi’ my Arteries o’ Skye-Blue
In Baith Spirit an’ the Verra Flow,
When orra struck again waes Ah!
Wnto Verra Death, an’ e’en ‘yont! waur e’en waur!
Skye-Waur, Great Warlike Orrah!
Towardis the Verra Dazzlin’
Skye-Weregild o’ Gowd:

GOLDWEARDA FORNÉÐAN,

For the Loneliest Vision o’ mine
To in Fyre, still unco blinded Ah!
Distinctly behold,
At bein’ hynne, Great Warlike Orrah!
The Sole Ironclad Witness
O’ my by-gone Path Aflame,
Intae ‘Yont-Human Will o’ mine!
Noo unco forged, Great Hye Orrah!
Wnto the Auld Bluid-Rock o’ Rebel Sacrifice
Far awa! in the Snowy Caucasus
Nae longer IT chained!

HRINGUM SWEORCAN,

Meanwhile, lo! At my Mirk Cloaked Back,
Behold ye! Another Identical Skye-Fusion!
For Twa Dazzlin’ Whyte Glows,
Symmetrical Unco Mirrors They,
As if frae Myrddin’s ain Magic,
To View o’ mine orra appeared:
Perfect Pow’r o’ Infinite Reflection, They!
Mine ain Past, my ain Future!
Baith embodyin’,
An’ waes stylle Ah!
Intae the Verra Middle o’ the Glare
Standin’
Wi’ Gleamin’ Claymore drawn, Dearest o’ mine!
Thundir-Hurt stylle, afore noo the

Destroyer of the Past:

ÍSIGE CWYLMING

An’ noo, Guid, Verra, Verra Guid o’ Gowd
Warlike Orrah!
Thus willed Ah! the OVERMAN!

BISENE WRECEND,

Freish an’ Auld! Airn-Feudal an’ Strang!

DUGUÞMIHTUM OND HEORUSWENGE,
ĒACEN BIÞ ŌFER-MANN,

Wi’ Michty Inner Energy o’ mine
Great Feudal Orrah! unco Alone!
Wha's Sole Hye Naim Firey OVERWILL!
IT unco, oan the Gory Battlefield, Ah weall knew IT waes!
Frae the Verra Skye-Dragun! A' Destroyin' hynne HE!
Intae the Deep Fyre, wi' HYS Beastly Wings thus orra spread,
Unco, prodigiously o'er A' HE hoverin',
Towardis the Past allwayes Dreadful e'en, hynne!
Wi’ HYS Scales o’ Enraged Gowd,
The Shinin’ Horror wi’in the Skye, IT!

FÝRDRACAN GLÆD GRYREBRÓGA
SÉ FORÞGEWITENNESSE UNWYRCÐ,

Skye-Perfect! intae the Mirror-Glare Image o' mine, HE!
The OVERMAN o' Deep Fyre,
Th'gither wi' my ain Reflected Bluid, hynne!
Noo, in Feudal Tartane-War stylle thundir-flowin'!
More intensely! o'er an' o'er in Steel hynne,
HYS Supreme Presence greatly tae the Infinite!
Orra skye-increasing!
Intae the noo Unleashed Skye-Pow’r!
Unto my Wounded Spirit o'er an' o'er
Hynne HE skye-returnin’!
As ane wi’ the Moorlan Rumblin’ Thunderbolt
Ah waes lookin’ for,
The Sacral Dazzlin’ Chain Mail Ablaze:

SCÉAWERE-HRÉOH,

In the Skye-Identity e'en most Skye-Asolute IT!
My ain! HE orra, unco flashingly wearin’,
Thus willed Ah! Past o’ mine back IT!
In Feudal Person o’ HYS, my ain! empowered:
GORY GHAIST! by-gone Immortal o’ mine IT!
Still orra Alive an’ Fiery!
Flowin’ an’ flashin’
Thad not Identical unto ITSELF IT waes!
Hynne unto ITSELF most identical!
Quhenne! in Feudal Airn-Flesh o’ HYS,
Great Warlike Orrah!
Thro’ Ragin’ Skye an’ Earthly Pride at once IT,
Most fleshily, intae Hye Fyre Purifin’
Waes incarnated,
Thus willed Ah, Future o’ mine, tae, hynne!
Wi’ the Iyce Cross o’er Moorlan Coat o’ Arms,
Frae Noble Dundarg’s Hye Wa,
In Feudal Steel, Greater, unco Greater IT!
Shimmerin’,
For the Past lived in the Verra Bluid o’ HYS,
Thynce thro' Hye Firey Gore Immortal:  

FULMINE VICTOR
MAGNUS INVICTUSQUE
OVERMAN

Let me Thys, NOBLE GLAMIS’ GREAT ORRAH!
Truly, unco truly yell! waes IT potentiated,
An’ sae waes the Future, stylle my Verra, Verra Ain!
Wnto Dazzlin’ Airn-***** o’ mine  
Wi’ Increasin’ Ocean’s Rage Tempestuous
Fore’er returnin’,

CRÆFTUM OND RÝNE STÍELE!
BEADUWÆPEN,

Intae Single Will O’erhuman
An’ Unforgivin’ Continuum, as Ane,
Whare Ye! Dearest Hye Thundir o’ mine!
At the Verra Skye-Zenith,
Still silently dwell!  
Hynne willed Ah! my ain Image
Frae the Past! Frae the Future! wi’ unco Force,
At once IT emergin’,
Towardis the Past! Towardis the Future! wi’ orra Dignity,
At once IT rushin’,
Intae the Implacable Spiral o’ Becomin’
Thad Ane wi’ the Verra Vortex o’ Return
IT! Great Warlike Orrah! waes,
The Past burnin’, the Future hynne IT affirmin’,
An’ unto the Verra Skye-Core!
GREAT HÖÐR’S AN’ WOTAN’S ORRAH!
Directed,
Noo afore my ain wi’ Fyre Wounded Eyes,
Thro’ each Revolution, ITS unco Strength,
Great Warlike Norland Orrah!
Unto the Fathomless Fiery Infinite
Increasin’:
The Verra Mountayn Thunderbolt!
Ah waes lookin’ for,
For the Increase o’ Pow’r ne’er Identical
Unto itself IT waes,
Hynne waes unto Itself most identical!
As noo met wi’ Ah

THE DESTROYER O’ THE PAST,
THE CREATOR O’ THE FUTURE,
O’ LYFE FORE’ER CHANGIN’
THE GREAT AFFIRMATOR,
HYE SKYE-VEINS O’ HYS
O’ERHUMAN, MY AIN!
THE IRONCLAD INCARNATOR
AN’ THE FEUDAL WITNESS!
O’ MY BURNAN MOUNTAYN-PATH
DYIN’:
THUNDIR-FRAME O’ MINE, HE!
STRONGER! STRONGER!
O’ER AN’ O’ER,
UNTO MY BY-GONE DAYS BLEEZAN,
AN’ THE ROARAN’ FUTURE!
AS MOLTEN SKYE-GOWD INCORRUPTIBLE
NOO RETURNIN’,
WHAR IMMORTALITY ITSELF HYNNE,
IN FORE’ER INCRESIN’
HYE FYRE AN’ BATTLE-GORE,
O’ERSHADOWED IT WAES,  
INTAE DEEP THE WHYTE SPIRAL,
SKYE-RECURRENCE INCANDESCENT, IT!
ANE WI’ THE LONE IRONCLAD IMAGE
UNTO VERRA, VERRA PERFECTION!
SKYE-SPECULAR O' MINE!
SCORCHIN' AN' SHININ' AN' UNCO TANGIBLE, HE!
THE CLOAKED SKYE-FIGURE
THAD WAES NOO
'YONT THAD AULD FORGOTTEN WA,
MY BLEEDIN' SKYE-COURAGE
IN WARLIKE SILENCE AWAITIN',
FRAE THE DEPTHS O' THE ROTATIN’ SKYE-ENERGY,

WEALHFÆRELDES DÆGWÓMA,

PROUDLY AN' INVINCIBLY SKYE-STANDIN'!
WHAR, GUID SKYE ORRAH!
FIERY WOE INTAE FEUDAL STEEL MELTIN',
DEEPER AN' NOBLER IT PROVED!
AN’ WI’ DAZZLIN' SKYE-REVENGE
O'ER AN' O'ER, GREAT THOR'S ORRAH!
IT SUPREMELY, IN BLUISH NORLAND AIRN FLASHED!

For, lo! the Verra Blank frae the Past
Together wi’ ITS Inevitable Feud-Foreign Woe
Hauntin’
Thad cannae be avoided hynne!
Mirk an’ Invisible, IT!
It nae longer existed! It nae longer existed!
For unco filled noo IT waes
By the Devourin’ Lone Lowe an’ the Verra Frame:
The Chain-Mailed, Heated in Airn War-Wame
O’ THE OVERMAN! HE:
WILL, AS THE VERRA INNER ENERGY!
VIGOUR, AS THE VERRA INNER WILL!
FRAE THE PAST, FRAE THE FUTURE!
TANGIBLE, VISIBLE, INCARNATED,
NOBLE WYLD DRAGON,
SKYE-BEAST O’ MINE,

GRYREBRÓGA OND FÆRGRYRE,
WUNDORA WYRM! ÚHT-SCEAÞA HÉ!

FYRE-WOUNDED IN NAE GOWD-CAGE, HE!
O'ER SKYE-SPIRIT O' MINE,
HE! HYNNE, UNCO SKYE-FLYIN'!
WI’ HYS SKYE-GORE O’ER THE BARS INVISIBLE
TRULY MINE AIN! GREAT GUID ORRAH!
DOWNE, DOWNE! NOO
LIKE THE PUREST RHODIUM
WI' THE FYRE-BLUISH
SKYE-ARTERIES O' THE LONE THUNDERBOLT
AH WAES LOOKIN' FOR
AGAIN UNCO BLENDIN',
Unto at Braemar the Verra Battle-Gore,
Afore the Lang Hour, in Kyng Eochaid’s
Martial Hidden Lore,
By the Force o’ Flowin’ Lava
Frae the Cauld an’ Dreary Highlands Implacable
Echoin’
Thad Becomin’ as Increase in Pow’r
IT, Great, Great Orrah! waes,
Backwards intae Tyme! Intae the Future hynne!
For the OVERWILL kan IT!
Destroye the Feud-Foreign Gory Bygane!
When o’er the Gleamin’ Skye-Cuirass
O’ the HYE OVERMAN ALONE!
IT lies visible an’ yieldin’ an’ razed an’ burnin'!
When o’er the New Soil o’ Dazzlin’ Alabaster
Conquerin’
Intae Deep the Future, thro’ Renewed Rage
An' yon Incandescent Skye-Thundir!
Ah waes lookin' for,
HE! My Specular Skye-Incarnation!
Fore'er orra creates!
Whileas thae words, in Roaran’ Wreððe,
Flame-Wounded,
Ah still loudly whisper,
But lo! Great Warlike Orrah!
THE IYCE CROSS FIREY
O’er Mirk War-Tartan, Dearest o’ mine!
Next to Dundarg’s Hye Wa, Ah well remember!
Embroidered,
Close to my Ruby Brooch strangely IT,
Unco strangely, like a Verra Premonition
Gleamed, afore noo

The Mirror-Fusion:

WĒOHES MELTAN

When, lo! Airn an’ Thundir!
Great Immortal Warlike Orrah!
Thro’ the Loud Whisper o’ the Thundir
Ah waes lookin’ for,  
The Image o’ the OVERMAN
Detached ITSELF, lo!
Frae baith the Surfaces in the Twa Opposed Mirrors:
Frae baith thae Reflectin' Skye-Furnaces Gleamin'!
Afore Noble Feudal Person o' mine,
Unco Sightless! Still unco Skye-Sightless!
E'en more! noo unco Sightless!
HE hynne, orra Ah beheld cam!
Wha’s Supreme Hieland Emanatin’ Force
Frae the Directin’ Skye-Lightnin’, IT!
Ah waes lookin’ for,
Na orra, orra Prodigious Sight!
Nae e’en Vör’s, or Heimdallur’s, or Snotra’s Ain!
If nae in Thundir Skye-Blinded as noo Mine!
Cuid, cuid IT! humanly, still tae humanly!  
This noo Ah! in Thad Skye-Fyre ‘Yont-Human!
Soarin’ heare in Dignity o’er Tap o’ Noth’s
Black Vitreous Smeddum an’ Cauld Martial Sand,
Cannae, cannae doubt!
Thro’ Thad Flashin’ Skye-Reflection withstand,
Frae the Past! frae the Future, hynne!
Great Warlike Orrah!
To encounter Spirit Ablaze o’ mine,
To Unleash Wyld Beast Immortal
Thad My Verra Mountayn Path  
Guarded still,
Some Bluish Bluid Stains IT leavin’
O’er the Michty an’ Pure Glass still:
My ain! frae the Clash o’ Life,  
An’ noo! Great, Great Warlike Orrah!
A LIGHNIN’-SHADE IRONCLAD!
Unto me, ITS Skye-Bluish Garb o’ Hye Skye-War!
In an Identity an’ Heat, e’en the Most Absolute!
To Verra Perfection reflectin',
Towardis Feudal Person o’ mine IT noo!
Wi’ Slow Skye-Gait,
Devastatingly, IT advanced,
An’ when afore me at length
IT standin’,
Thro’ the Loud Sound o’ the Thundir, lo!
Ah waes still lookin’ for,
In a Great Whoosh an’ Roaran’ Rumble
Non-Human Deep Voice, IT!
Frae the Past! Frae the Future!
Frae the Verra Brunan’ Throat
O’ the LIGHTNIN’ HIS-SEL!
Ah waes still looking for,
Wi’ Spiral Exhalations unner the Form, schorcin’ IT!
O’ Just Anger frae Primeval hynne Most Real
Forgotten Feudal Lore
The Hand-to-hand Wapin-Storm Harsh!
An’ Skye-Revenge, still Mine Ain!
Unco an’ owre loaded,
As Maddenin’ Heated-Airn, IT again!
Unto the Cauld Blue Vault o’ the Verra Skye
Wi’ orra, orra Dignity
Lonely risin’,  
Thae Verra Syllables!
The VERRA SKYE-INCARNATOR O'ERHUMAN!
Intae Deep noo, Great Orrah!
The Abysmal Skye-Core Bluish-Aflame, IT! o' the

Total Specular Skye-Force:

BRYNEWELMES WORDHLÉOÐOR

The Skye-Conscience, Víðarr-Hye o’ mine!
Most distinctly! Great Warlike Orrah!
HE, THE BLUISH INCARNATION HYE
O' THE HYE LIGHTNIN' ITSELF!
Ah waes lookin' for,
Wi' a Skye-Cowntenance Storm-Hidden
Flashin’ frae Deep the Obscured Skye-Mirk
Thro’ a Battle-Scar intae the Fyre gleamin'
O'er HYS left Sword-Offended Cheek:
Thys cuid Ah! unco Blinded, see!
Intae Deep the Skye-Unknown,
Still, Great Guid Glamis’ Orrah!
Stick-an-stowe a Wonner, Mine Ain!
Thro' HYS remarkably Echoin',
Non-human, hynne 'Yont human!
VERRA SKYE-RUMBLIN'!
Noo unco earthily uttered:

YE, WOLF-WOUNDED!
AN’ PROUD, IN BLACK TARTAN O’ WAR
MUFFLED,
KEEK AT ME! KEEK AT ME NOO!
IN NAE TAE EARTHLY TOWMOND!
DO NOO HYNNE LISTEN TAE ME!
YE, NOO FYRE-IRONCLAD WOUNDED!
THE HYE NORLAND GODS INTAE OWRE FYRE
STYLLE HYNNE HONORIN'!
BETTYR BIDE AN' DIE OAN THE NOBLE BATTLEFIELD GORY,
AN' STYLLE, 'YONT BAITH LIEFES AN' DEATH,
FORE'ER ALIVE HYNNE BE!
THEYNE BIDE A MISERABLE LIEFES!

WULFE BLŌDGA HEONAN!
ÞŪ BLADESUNGA OND LÉOMENA HEOFONFYR,
WACA BYRNSWEORDES WIÐ GEHATUM!

FOR DAINGEROUS! VERRA, INTAE THE FEUDAL FYRE DEEP, IT! DAINGEROUS!
MUST TREOWE IDEAS, IN VERRA HYE LOWES, BE!
FOR THE VERRA MICHTY, WHYTE ZENITH-SUNNE
AN' THE ALLWAYES UNKOWN MIRK DEATH!
THE SAME THAY! GREAT THOR'S NORLAND ORRAH! ARE,
FOR THE SELECTED FEUDAL MAN, IRONCLAD HE!
AS YE, IN THAE HYE LOWES, UNCO ARE!
NOO AFORE ME! INTAE THE AULD LONE TARGE-REFLECTION
THAD IS, WAES, AN' SHALL IT BE, THINE!
HYNNE, HEARE AH AM! FOR FRAE THE AULD SHIELD-MIRROR YER RICHTE SKYE-VENGENCE!
FOR YER AIN SKYE-FORM AFORE YE HATH RISEN NOO!
FOR FREISH VALUES ARE NOO OWRE NEEDED!
WI'IN DEEP PRIMAL SKYE-FYRE UNCO SKYE-LIVED!
SAE, SKYE-LIVE THAIM! UNCO DRAM THAIM A’!
WHATE'ER THE RISK INFERNAL, AN' MOORLAN AMBUSH!

GÁSTCWALE HELRÚNENA FORNÉÐAN,

THRO’ HYE BLUISH SKYE-LOWES, SKYE-DESTROYIN’ THAY
WI’IN YER AIN LONE SKYE-VOICE IT NOO!
FRAE AFARRE! FRAE UNCO AFARRE RUMBLIN’,
FOR CURSED IS THE FLEETIN' HOUR!
AN' SAE MUST BE CONQUERED, IT! GREAT ORRAH! AYE!
IN YER SUPERIOR BLUID NOO O'ERHUMAN, MINE AIN!
FOR BRANDED HAE AH
RUDDY SKYE-FLESH O’ MINE
THAD WAES, IS, AN’ SHALL IT BE!
BY THYS VERRA, VERRA SKYE-IMAGE HYNNE,
YER AIN!
WI’ THE IYCE-CROSS FIERY
FRAE HYE THE THUNDIR’S LOUD VOICE,
IN NAE WHISPER DAMNABLE, NOR AIRN-FOREIGN!
AH NOO ORRA TELL:
YER SYMMETRICAL LONE SKYE-FORCE:
THE VERRA LONE THUNDIR-BLUID!
YER AIN LONE SKYE-WRAITH IRONCLAD!
THRO' ETERNAL SKYE-POW’R,
AN' OUT O’ THE BLUISH LONE SKYE-REVENGE
O’ER AN’ O’ER UNCO, O’ERHUMANLY MIRRORIN’!
TO YE HYNNE OWRE IN DEEP FYRE RETURNIN’,
YER AIN WANTIN’ SKYE-HALF, HYNNE!
TH'GITHER WI’ YER SKYE-SPIRIT!
IN HYE LOWES NOO UNTO THE CORE SKYE-DABBED!
A' THIS! A’ THIS! AH SAY! AH TRULY YELL!
TH'GITHER WI' THE LAST SKYE-PRIZE!
INTAE HYE THE SKYE-BLAZE,
THE HAIL ENEMY LAND HARSH NOO
FRAE CAULD HORIZON TO CAULD HORIZON
OWRE CROSSIN’,
A' THIS! A' THIS! AH ALLON, TRULY!
YER MIRROR SKYE-DOWBILL IMMORTAL!
THRO' STEEL CORE-METALLIC, IN HYE SKYE-FYRE AM!
ABYSMAL LAVA-BLUID O’ MINE!
FLOWIN’
FRAE HYE RED HEL, IT! THY LANE BEHOLD!
YER AIN!
INTAE DEEP THE FUSION-GLARE,
BLASTED SKYE-FURNACE IT!
UNREACHABLE, UNFATHOMABLE, MOST TANGIBLE, IT!
THE VERRA FRAME
LESURELY, NEXT TO YE IN BATTLE
STROLLIN’!
THE LONE INCARNATION
AN’ THE SKYE-ROAR
FRAE THE VERRA THUNDERBOLT
YE WERE LOOKIN’ FOR
HYNNE YER FUTURE, YER BYGANE:
NAE DIFFERENCE! THAA ARE MINE AIN!
INTAE THE HYE FYRE, FRAE YER TANGIBLE
SKYE-WILL! THAD AH NOO HEARE AM,
FOR SKYE-ENERGY CANNAE DERIVE FRAE NOTHINGNESS!
NOR UNTO NOTHINGNESS KIN IT RETURN!
HYNNE WILL, 'YONT DEATH,
THRO' THE LANG AN’ BLUISH
SKYE-LOWE
YE WERE LOOKIN’ FOR,
IMMORTAL AS CONQUERIN' PROVES,
STILL, WI'IN RAGIN' AN' VISCERAL
DEEP PRIMAL FYRE, YER AIN!
FOR YE SHALL STILL LIVE YER LIFE AGAIN,  
THIS TYME INTAE THE HYE SKYE-POW'R!
WI' ITS NEW ESSENCE SELF-OVERCOME,
HYNNE DO UNCO LIVE NOO!
THAD VERRA GORE HEARE,
FRAE MY BLEEZAN OPEN SCARS, YER AIN!
FOR THE WORN PAST DWELLS DEFEATED
IN THE FUTURE AS EMPOW'RED!
INTAE THE STEEL-BLUISH IMAGE AH HEARE AM!
NOO AFORE THINE SKYE-BLINDED EYES
THRO' THE LONE HYE LOWE WOUNDED,
THAD ARE ALSO MINE!
IN NAE SPECTRAL FYRE, HYNNE!
STICK-AN-STOWE, AN' VERRA VERRA SUNE!
YER AIN!
WI'IN THE HYE ZENITH-THUNDIR HYNNE,
YE WERE LOOKIN' FOR,
O'ER AN' O'ER FORE'ER LIVIN',  
AN' THRO' THE HIELAND FLOWIN 'LAVA:
THE BECOMIN' IN POW'R FORE'ER RENEWED
THRO' THAD SKYE-BLUID HYNNE!  
FLASHINGLY STREAMIN'
AS A CONQUERIN' WYLD FYRE-RIVER
FRAE NOBLE HYNNE SUPERIOR GORE,
DOWNE, DOWNE!
INTAE THE VERRA WHYTE CHASM, AN' FLASHIN' ABYSS!
FRAE YON SHARP AN' SHININ' AN' TOWERIN' MIRK ROCKS!
AN' THIS SACRIFICIAL BLUISH BLUID INCANDESCENT
FRAE O'ERHUMAN LIFE STILL WOUNDED, MINE!
WAES, AN' IS, AN' SHALL IT BE!
BEHOLD YE! UNCO SEE YE, NOO!
YE, O'ERHUMANLY BLINDED!
HE WHA! THE DREARY VOID O' DARKNESS
CANNAE, CANNAE! IN ANY MANNER NOO KNOW!
HYNNE IN HIELAND SKYE-RAGE,
AN' HYE! O'ER THE FEUDAL THRONE IMMORTAL,
AN' HEARE! OAN THE SURFACE O' THIS SKYE-MIRROR!
WAES, AN' IS, AN' SHALL IT BE!
WI'IN THE MELTIN' UNTO THE COSMIC CORE
SKYE-GLARE, YER AIN!
AN' NOO! DO ADVANCE!
DO TAKE A STROLL INTAE THE HYE SKYE-GORE!
GANG AYONT! GANG AYONT! AH SAY!
'YONT EVERYTHING! ‘YONT LIFE AN’ DEATH E’EN!
GANG AYONT!
AN' WHATE SHALL YE IN THE END SEE?
AT THE BOTTOM O' THE WHYTE CHASM FIERY?
YER FLASHIN' IN AIRN IMAGE ALONE!
THAD IS MINE AIN!
HEE HAW, HEE HAW ELSE, AH SAY!
WI’IN THE SPECULAR SKYE-POW'R INCARNATED,
THE VERRA SUM AN’ COMMUNION O’ THE ETERNAL TENSIONS
IN BECOMIN’ DWELLIN’ AH HEARE AM!
THRO’ THE LOUD SING FRAE THE THUNDIR HYNNE!
BY HYE SKYE-VENGEANCE FORE’ER INCREASIN',
O'ER AN' O'ER TO YER SPIRIT HYNNE RETURNIN',
YERS HYNNE MINE!

When noo, Great Warlike Orrah!
Upon thae Verra Words, thro’ my Ain
By noo Thundir-Voice!
In an' unco Skye-Rumblin',
Wi'in Thad O'erhuman Blaze wi' hye force condensin'
Intae a NEW THUNDIR-FRAME Skye-Concrete
In aspects o' PURE BLUISH HEAT!
HUMAN ALTOGETHER NAE LONGER, IT! tone,
Ah distinctly hearin’,
When noo, Guid Sundrum's Orrah!

The Fyre-Bringer:

FÝRHEARD HEREWULF OND HEREWÆÐA

A Thoosan Black Banners, in Hye Glorious Lowes,
Orra issuin’,
An’ wnto yon Whyte Chasm the Salute wavin’,
Wi’ the Hue o’ Red-Hel IT imbuin’,
HE, Hynne Ah: the Freish an’ Auld Titan
Far awa, far awa! wi'in the Dreary Caucasus!
Frae ayont yon Suthron, hynne!
Ah kin clearly see!
Rebel hynne Creator, HE!
HE, Creator hynne Rebel!
The OVERMAN! comin’ o’er, still approachin’,
Intae noo deep the Skye-Dance Everlastin’
Thro’ HYS AIN hynne MINE
Skye-Thunderous Sound
Ah waes lookin’ for,
Dominatin’,
Frae Thae Simmetrical Verra Fyre-Mirrors!
Still glarin’
Ne’er e’er to yield, the Twa Skye-Surfaces!
Nor in human, tae human!
Unco Gory Misery, nor Skye-Foreign Blasphemy,
Nor Damnable an' Cowardly Affront
To e'er wane!
At length thro' the Hye Vigour Supreme
Frae the Overwill Alone!
Dearest o’ Mine! Inner Energy Abysmal:
Still Uknown, IT!
An’ in Skye-Reverge freed!
A Thoosan Black Banners, in Fyre, Ah say!
HE, hynne Ah issuin’,
When noo, Great Guid Orrah!
The Skye-Bluid o' the OVERMAN:
Theis! oan Thae Countless Mirk Banners floatin'
In Hye Honour o' the Zenith-Sunne!
Wi'in abysmal whyte runes waes noo graven,
Hye Selective an' Skye-Supreme proved!
Nae, nae IT, for all!
For nae everybody is worth withstandin'
The Return o' Pow'r's Noble, an' Flashin'
Supreme Force, an' Infinite Speed, an' Spiral Revolution!

CÁFNES ÞRÝÞBORD,

Tae the Skye-Limitless fore’er,
In the Form o’ Hye Steel Feudal
Skye-soarin’,
ITS Verra Great, Verra Guid,
Great Guid Auld Carham’s Orrah!
Burnan Wheill o’ Universal Core-Energy
Skye-Central, Skye-Abysmal, IT!
Alongside the Rational Force frae the Thundir-Impetus
Thad waes, is, an’ shall IT be the OVERMAN’S AIN!
In Hye Lowes increasin’,
Tae the Skye-Infinite, hynne!
Most Renewed, most Identical,
Intae the Verra Spiral most Empowered!
The Worthy ENS, unco hynne Joyful, IT!
Immortal owre feastin’,
For intae Thae Rapid Coils o' Glorious Fyre hynne,
Frae Thys MICHTY TARGE O' SKYE-ENERGY PERENNIAL!
Nae for all! Immortality is solemnly worth
Thro' Thad Increasingly Growin'
Feudal Skye-Rebirth Steel-Mirrorin'!
Wnto ragefully Bluish-Ablaze an' Core-Feudal
Noble Hye Perfection!
An' in Eternal Steel Unconditional, IT!
Dwellin',
The Human, tae Human!
Gory Chains o’ Promethean Slavery
Bluish wi’ the Verra Reverberation
Frae the Lightnin’ O’erhuman
Ah waes lookin’ for,
They suddely becam!
An’ at length, Great Warlike Orrah!
The Lonesome Blindin’ Frame o’ Gowd,
Wha’s Sole Hye Thundir-Naim

Overman Skye:

SCEAWERES IREN-EALWEALDA

IT orra waes! Frae the Twa Dazzlin' Mirrors
In Perfect Symmetry emanated wi’in
The RETURN O’ POW’R!
Burnan’ Vortex-Event Universal, IT!
In Slender Lines o’ Whyte Fyre,
The Verra Core Heat
Reachin’,
Intae Infinite Reflections o’ Primordial Pow’r
Frae the Twa Lookin' Glasses, Blindin' They!
O’er All, Great, Great IT!
Njörður's ain Battle Orrah!
Limitless Dominion, an’ the Feudal Rule
Steel-haudin’,
WHILEAS WAES AH! WAES AH!
GUID, VERRA GUID EILEAN DONAN'S
WAR-TARTAN ORRAH!
STYLLE CHAINED IN BLUISH GORE, MY AIN!
HYNNE THE OVERMAN'S AIN, TAE!
WNTO THE AULD AN' HYE! VERRA SKYE-HYE, IT!
THUNDIR-GLEAMIN' BLUID-ROCK O' SKYE-SACRIFYCE:
NAE LONGER! NAE ORRA SKYE-LONGER!
An’ ITS central Rays an’ the Verra Lowes
Intae Ane Flashin’ Ironclad *****
Polarizin’,
A Thoosan Tymes Greater, Mightier hynne:
The OVERMAN!
O’er an’ o’er unto me returnin’,
‘Yont the Reddenin’ Pillars o’ Immortal
Skye-Renown!
‘Yont Death, the Mirk Unknown!
An’ ITS Feud-Foreign Fear,
Whyle, lo! the Steel-Vibration gleamin’
Frae Máni's ain Verra Crescent,
Dusky-Red, IT!
Waes, waes, in yon Murky West
Still IT unco risin',
Unfathomable, an' Potent, an' Dreary,
Unto the Stane Circles’ Builders
Wounded frae Life, at Skara Brae,
Appearin’,
At right angles to the Chain-Mailed *****
Noo orra descedin’
To cross the Region o’ the Heart:
Let IT fall intae the Verra Abyss!
Yet the Sceadewe! Great Wotan's Orrah!

ÓÐENES HÁLIGE CRAWE,

IT stylle leisurely stood,
In Hys Mirk Bluid Bleedin’,
Crossed hynne by the Verra Thunderbolt!
Ah waes lookin’ for,
An’ Hys, frae Kyng Rædwald the Gift!
Mask o’ War IT, lo!
Wi’ Black Fyre bleedin’,
Upon the Cauld Soil, together wi’ Hys Cloak,
Waes IT thrown,
Hynne Hys Mirk Warlike Self unveilin’,
Still Mine Ain!
Nae Gory Fear! tae owre hide:

SCEAD UNDER HELME HEARD BIÞ,
MĪN FORESCÝWA RÉADAÞ.

Sweet-lipped Psyche's pale white skin
All the men in Greece dragged in.
And the poor girl's dark brown eyes
Led Aphrodite her to despise.
For Psyche truly was a beauty,
Reputed as brighter than Aphrodite.
If Aphrodite was a dark red rose,
Of which we've written poetry and prose,
Psyche was a pure-white Aganisia
For which they wrote a deep-sea saga.
But she knew it was sore unwise
To find herself level with a Goddess' eyes.
The only proof needed for Psyche
Was the sad fate of the maiden Arachne,
Who challenged Athena to a weaving contest,
And though her tapestry was judged the best,
It was she that ended as the melancholy loser,
For Athena punished her with the life of a spider.
And so it was that Psyche knew
Aphrodite wold claim her life too.
So Aphrodite sent her son,
The lovely, winged, holy one,
Whose golden arrows fly at night
And relieve bored lovers of their plights.
She sent Eros to shoot his arrow
And pierce it through to Psyche's marrow,
Then set before her a crocodile,
The scaly terror of the Nile,
With which she'd fall in love straightway,
And then she'd come to rue the day.
For crocodiles have no love to give,
So it would eat her, and she'd cease to live.
On the sleeping Psyche Eros descended,
Long before the night had ended,
In whose dainty breast to shove
A golden arrow poisoned with love.
He prepared to bury it to the hilt,
But a drop of love on him was spilt,
At the moment he saw her eyes, dark brown,
Look to him and stare him down.
Then Eros went back to his mother
And told her he could not wed another
Who did not shine quite so brightly
As his sweet-lipped brown-eyed Psyche.
So spiteful Aphrodite cursed
Psyche through her red lips pursed,
That the girl would find no husband
Among God, animal, or man.
And Eros this so greatly angered
He could no more with arrows linger
At the foot of lovers' beds
To foster love in their young heads.
The entire world then ceased to love
Whether it walked on foot or hoof.
Whether it swam or flew on wing
It could not love nor gain others' loving.
When love no longer circulated,
Aphrodite it aggravated
To see her temple lying bare
And to feel the gray growing in her hair.
She told Eros he'd have what he desired
If only he would kindle love's fires.
So at the mountain, Psyche's family offered her
And she was borne away on the back of Zephyr
To Eros' golden gay abode
That he and his ghostly servants called home.
In the golden rooms she wandered by daylight,
But she lay with Eros in the dark when came night.
She knew not who her darling was,
But called her ignorance a test of trust.
Never to look upon him by day,
She continued in this way,
Until she longed to visit her family,
Which her husband granted her gladly.
But he held her, and he warned her
Not to let her sisters persuade her.
"They may try to tear you away
By telling you gruesome stories." he'd say.
Then, trippingly, from Olympus she jumped down
To walk the streets of her hometown.
She told her sisters her whole story
And they turned it into something gory.
"He could be a serpent," they'd say,
"Fattening you up for the day
When he can pop you in his mouth and eat you"
Unfortunately, she took their words as true.
"So, when he comes to you at night,
Just gaze on him by candlelight!
If he's a serpent, use this knife,
And you'll no longer be his wife.
But make sure not to spill the oil,
Or his waking will cause great turmoil!
We'll find out about that young buck!
Use the candle, the knife, don't spill, and good luck!"
She walked back to the palace at their behest,
Butterflies banging within her chest.
Could the faceless man with whom she'd spent her nights
Be revealed as a serpent by candlelight?
She did not have to wait for long
To prove her treacherous sisters wrong.
As she lay in the great soft bed,
The instructions tangled inside her head,
And lighting the candle, she almost fumbled,
But when she saw his face, she truly stumbled!
Eros' beauty knocked her senseless,
Leaving mortal Psyche defenseless,
And causing her to spill the oil, which smoldered
On Eros' godly golden shoulder.
He, awaking with a start
Was disappointed to his heart
That Psyche cold be so unfaithful
And make a decision so egregiously fatal.
Then, jumping from the casing, he flew
Out of Psyche's lustful view.
And she, for her part, suddenly found
That from the palace she'd been cast down
To a field of which she had no memory,
Or very dim, if she had any.
In despair, she began to flounder,
Then resigned herself to wander
Until she came to a temple edifice,
Which was, on Earth, Aphrodite's face,
And begged the unseen Goddess hear her out,
Trying her patience with childish whining shouts.
Aphrodite, trying only to divert,
Cast a basket of grains down to the dirt,
And told the weeping lovely malcontent
That if she sorted the grains 'fore day was spent,
She just may see her sweetheart once again.
All she had to do was sort the grain.
But Psyche, though her fingers were dainty and thin,
To separate the grains could not begin,
And sobbing, lay upon the stony floor
That was as cold as the Goddess had acted before.
The ants, which had been drawn to the golden grain,
Bore her load and relieved her of her pain.
In their famously sure and straight black line,
They each picked up a piece of grain so fine
That it might with ease pass through a needle,
And into order they the sweet grain wheedled.
Then at the very setting of the sun,
Aphrodite found the task was done,
And though she praised the poor girl outwardly,
Inside she felt the bloom of hate for Psyche.
So she set her down on one side of a stream,
Where on the other was a field of green,
In which lived Helios' golden sheep
From which she was to obtain some shining fleece.
Then Aphrodite left her there to play,
And flew to Mount Olympus far away.
But Flumen, God of Rivers, raised his head
To warn sweet Psyche from his riverbed
That the sheep were so fierce, if she but pulled one hair,
They'd all turn on her and eat her then and there.
It was better if she waited 'til midday
When the sheep lay down to sleep the heat away.
Then she could cross where the river rushes,
And pick the wool that had got caught in the bushes.
So Psyche followed Flumen's good advice,
And for Aphrodite's cruelty she paid no price.
Aphrodite's blood boiled when she saw
That Psyche had survived it after all.
Again, she tried to send her to her death
And charged her to collect water from a cleft
Which mortal humans could not enter,
And in which serpents would surely spend her.
But now it was an eagle came to her aid,
Who stormed inside and flew between the snakes,
Then picked a pouch of water in its beak,
And back out of the cleft to Psyche it sneaked.
Aphrodite, at her dastardly wit's end,
Devised a horrible place for her to Psyche send.
"Psyche, caring for my ailing son
Has drained each drop of beauty, every one,
From my former glory of a face.
Therefore, I command you to that place
Where Persephone dwells. Then you must beg
For some of her beauty, just a tiny dreg.
Then you may have my son, I give my promise,
As holding him from you has marred my face."
Then Psyche, with tears streaming from her eyes,
Decided the only way there was to die.
In what she had appointed her fatal hour,
She climbed up to the top of a high tower,
But her melancholy was so disturbingly great,
All the Universe moved to it abate,
So that the very tower she climbed upon,
Awoke and spoke to her as if a person.
"Psyche, there is a way to the Underworld alive,
So that you need not from my roofing dive."
And to the Underworld the tower gave her
A route and some directions just to save her,
Then it sternly warned her that not of meat,
Nor of anything but bread in Hades could she eat.
So she followed the Tower's path back down
And disappeared into the heaving ground.
And when she found herself before Persephone's throne
She asked to take a parcel of her beauty home,
Which the emotionless Queen of the Screaming ******
Without word placed in Psyche's quivering hand.
The hardest part of the impossible task being done,
Psyche headed back up toward the sun,
And, reasoning that she was to see her beloved before nightfall,
Decided to use some beauty from the parcel.
Inside she found not beauty, but a stifling sleep,
Which forever in its clutches would she keep
If Eros had not chancely happened by,
And wiped Persephone's sleep from Psyche's eye.
Then, carrying her on his back, he barged
Into the Hall of the Olympian Gods.
He bade them let him wed himself and Psyche
And disregard the protests of Aphrodite.
Then Jupiter, indeed, allowed it obligingly,
For he was a man who greatly enjoyed a party.
Ambrosia she was given so to seal
Her immortality and place her among the surreal.
Then after many years of love and laughter,
Psyche bore Hedone, their lovely daughter.
This is how the beauty of the Human Soul,
Triumphed over the beauty of lust and gold.
All this Eros and Psyche had to take.
All this they endured for their love's sake.
They demonstrate the purity of love,
That is admired by Gods above.
In the end, it is the pure Mariposa
Who is more deserving of ambrosia.

I look up to you greatly
Thou art an amazing lady
In you, do I see a fire
That refuses to die, no matter what
You lay your soul threadbare
Wit, is one of your greatest assets
Never do you back down from a fight
In a tunnel full of never-ending darkness
Are you the light
Which keeps emptiness and depression at bay
And puts us firmly on the path to happiness
Come what may!

I look up to you greatly
Your writing is so fiery
That it can spark a raging inferno
Full of righteous anger
Against all the injustice perpetrated by the Indian State
The lynchings that refuse to abate
Poor and underprivileged children dying of hunger
People being denied homes due to their caste
While the government has the sheer nerve to boast
About its so-called achievements
Your poems are a testament
To the famous saying "The pen is mightier than the sword"
Very hard-hitting indeed, are your words!!

I look up to you greatly
Never dost thou fail to amaze
Every story of yours is a maze
Full of character arcs and plot twists
Ensuring we get hooked very fast
And by the time we finally put the book down
Our minds would have been blown!!

I look up to you greatly
Never dost thou fail to raise your voice
When it cometh to social justice
Yet, somehow do you manage to maintain your poise
In the face of never-ending malice
Which is constantly thrown your way
The way you keep your detractors at bay
Is something we must all learn
Thanks to people like you, have I gradually started to unlearn
Certain things I once considered gospel truth
Excel do you, at transforming the narrative
When it cometh to our Hindu myths
For your community, do you live
Not yourself
Hopefully, more books of yours may soon adorn my shelf!!

I look up to you greatly
Thou art a wonderful role model
Bestsellers, are your novels
You love your profession
As much as Israel loves to lie
You yourself are an institution
And always do you aim for the sky
So much have you done for our society
With an absolutely brutal honesty
That beggars belief
Your writings provide some much-needed relief
In these dark and difficult times
Where even mere dissent is often treated as a crime!!

I look up to you greatly
For you, is impossible nothing
And social justice, everything!!
By the Grace of God
May all your dreams come true
And may you have nothing to rue
Finally, must I say
More power to you, Meena!!

In this chapter, the researcher reviewed the opinion of some past and recent writers on the subject and also added their own ideal under the following sub-headings:
- Conceptual frame work
- Theoretical frame work
- Empirical frame work
- Summary

2.1. CONCEPTUAL FRAME WORK
CONCEPT OF ZOOLOGICAL GARDEN

The concept zoological garden is a form of ex – situ conservation, which primarily involves keeping of animals alive outside their natural environment for aesthetic educational researches and recreational purpose (Varadharajan and Pythol 2000). Nigeria is blessed with abundant wildlife species which needs to be properly managed in a sustainable basis to prevent depletion (Opara et –al 2010). Hence the need to adapt strict management of resources, repopulation of endangered species and conservation of wildlife park and zoological garden and management strategies (Ajebede et – al 2010).
Throughout history, human have given value to other species of animals as means of entertainment, education and spirituality in addition to being source of food and clothing (front 2011, 69) collecting and exhibiting and exhibiting animals originated from Ancient Egypt where private collection were reserved for the higher class population as a symbol of wealth and power (wearing and jobberns 2011, 19 – 50). In the 1900’s, zoo’s based themselves as conservation movement, with focus on scientific study of endangered species. In the beginning of the 20th century, zoo became an attraction of mass audiences (Beardworth and Bryan 2001, 88). By the late 1900’s there was a shift in the natural of zoo with public attitude and interest changing nature and conservation, with concern for ecosystem and awareness as they protect endangered species (Wearing and Jobbern 2011, 50.

ROLES OF ZOOLOGICAL GARDEN
(Mason 2011, 189) reveal that the roles of zoo are:
a. Educating people about animals.
b. Conservation of endangered species
c. Safeguarding the welfare visitors
d. To generate revenue
e. Providing visitors facilities such as catering and merchandising
f. Re – introducing captive breeding into the wild and carrying out zoological and veterinary research to improve animal welfare in the wild and in captivity.
On the other hand, zoos served as scientific research, for example, zoologist learn more about animals habit and diseases by studying them in zoos studies of animals living kin zoo, together with examination of those that have died have provide zoologist with information about the structure and function of animal bodies (Usher M.B 2000). Keeping wildlife animals in captivity bring visitors from different parts of the world for different purposes such as to provide sources of recreation in the city, to provide biological specimen to constitutes, a learning resource for secondary school, colleges, and universities. It also provide employment and game reserve, provides sources of protein revenue, esthetics recreation, education and scientific values (Presley 2001). The captive animal propagation is one way of encouraging growth of depleted wildlife species population and so properly planned program of zoo establishment and development is considered as one of effective method for conservation of wildlife (Okpiri 2005). Educational environment study and conservation of the  environment have become a subject of major importance all over the world, not only from the point of view of preventing population, but also from the point of conserving water supplies by protecting water shed, conserving soil, vegetarian and Fauna. (Comphell 2007). Comphell also stated that conservation zoos can provide an important facility for research at both pure and applied levels in both the field and laboratory in colleges and universities. Bigot (2000) emphasized that the primary function of zoo curators is to make visit a leaving experience. The attention and effort given to wildlife conservation and tourism in both state and federal levels have been noted.

CONCEPT OF TOURISM
According to UNWTO 2020 defined as the study of man away from his usual habitat. Activities of a person traveling to and staying in places outside their usual environment for not more than one consecutive year for leisure, business and other purposes, tourism contributes to specie conservation, communities project in developing countries like: Nigeria, environmental education, awareness and economies development (Klutzy, 2000). Filton et al (2000) reported that 20 – 40 percent of international tourism is related to wildlife. In Nigeria, tourism contributed 3.3 percent of total GDP in 2011 with forecast of a 10.8 percent increase for 2012 (WTTC 2012). Smith et al (2012) recognized the role of wildlife tourism as building breeding species management and influencing visitor’s behavior for the benefit of wild animals. Fibs (2007) underscored the value of zoo visitors and their feedbacks for the planning and designing of zoo and more importantly to decision making in zoo management by showing on – going treads. He therefore stands to reason that visitors’ preferences should be seriously considered by policy makers and management of zoo and other similar institutions. An area in which visitors’ preference is highly important for a zoo in particular is choice of animals desired. Woods (2000) observed that humans have definite preference for different species of animals. Knowledge of visitors desires in terms of animals and the features that make the animals appealing will assist zoo management in animal acquisition and also in development of education and interpretation programs listening physical features, behavioral characteristics as factors influencing animals preference (Wood 2000, Wentworth 2012). Wild tourism can be described as tourism undertaken to view and or encounter non – domesticated animals in captive, semi – captive or in their natural environment (CRC 2001, Newsome et al 2005). According to Durbary (2004), it could be non consumptive such as viewing, photographing and fishing.

CONCEPT OF ZOO AND EDUCATION
In zoo and education, a study by Patricia et al 2007 states that conservation and education are key elements in the mission statement of zoos. A survey conducted by the Association of zoo and aquarium (AZA) reveals that the general public rate conservation and education as the most important role of zoo (Frasers and Stickler 2008). Zoo primarily deals with three aspects of conservation practice i.e practice, advocacy and research. Conservation practice entails captive breeding, species rein-introduction programs, species survival plans and the use of zoo revenue for conservation programs in wild. Conservation advocacy include: public engagement, promoting awareness, advocacy, stewarding and fund raising events and schemes, a good example of which is like “Adopt animal scheme at most modern zoos”. Moreover, conservation research is conducted on wildlife biology, population dynamics, animal behavior, health and welfare and there are also publications generated by zoos animals care captivity. The preservation of animals in zoos makes it easier for more people to see them.
As well, zoos have been used to preserve various endangered species. However, zoos have become powerful educational tool for many scholars, biologists and researchers (Falk and Dierking 2000).  Individual who visit a zoo get the rare opportunity to examine the relationship between man and animal (Wagoner and Jenson 2010). Students can learn a lot about certain animals that might not be locally available. Many specimen and animals (Wagner and Jensen 2010) argue that zoo makes it possible for researchers to conduct their studies, for instance, researchers can use caged animals to make various observation about wildlife or animals. The acquired knowledge can be used to support the survival of the wild animals in their natural habitats. It is therefore agreeable that zoos have an important educational role in every society. This because, learning is ever – changing process (Falk and Dierking 2000). In the 1970’s the primary educational target for most American zoo was elementary level children. The idea was that building understanding would lead to appreciation which would eventually produce a generation that was concerned about wildlife and the environment (Wheatly 2000). Wheatly emphasized that although children are still a primary audience, zoos are extending themselves to reach many others audience that can make difference in action today. This initiative includes the membership, governance and employee of zoo.

CONCEPT OF ZOO AND CONSERVATION
In zoo and conservation, according to Max – Planck Gesell Chaft (2011), Zoology garden breeds animal from threatened populations and and thus makes greater contributions towards biodiversity conservation. According to UN (2020) on global biodiversity warned that 1 million species are at risk of extinction with decades, putting the world’s natural life support system in jeopardy. Unfortunately, loss of plants and animals habitat leads to from species extinctions and loss of diversity from ecosystem. Fortunately, not all of the extinctions occur at once. Conservation action may still be able to save threatened species (John M et al 2016). At October 2010, meeting of the Convention on Biological Diversity (CBD) in Nagoya, Japan, delegates discussed a plan to reduce pressure in the planet’s biodiversity. Key targets include expanding coverage of protected areas, halving the rate of loss of natural habitats, and preventing extinction of threatened species. Species whose habitat is severely threatened, however, the outlook is so bleak that the International Union for Conservation of Nature (IUCN), the US Endangered Species Act and the CBD (Article a) recognize that In-Situ conservation action (ie, in the species natural habitat) will need to be combined with Ex-Situ approaches, such as captive breeding in zoos, aquariums and so on (Conde et al 2011).

THE THEORETICAL FRAME WORK
The animal welfare and management (Dakin 2001) is a state of being that can be measured, recognized that its ranges from very poor to very good, introduces the concept of coping, allow measurement separate from moral consideration and refer to feeling as well as physical and psychological health. The definition of welfare that we use also emphasizes that it relates to an individual and thus welfare can differ between different members of the same species, even when exposed to the same condition (Horsey et al 2009). In the case of zoo animals, which have often come from very heterogeneous background, individuals may vary greatly in this previous life experiences and this can influence their ability to cope with certain challenges, by using each animal as its environment and thus an individual’s welfare can be measured.
There are also some species – specific characteristics that have evolved to enable animals cope with different, environment and thus we should also consider welfare at the species level; such species level adaptation could relate to dietary needs, hearing sensitivity, thermo-regulatory needs and so on. The theory of evolution by natural selection, first formulated in Darwin’s book “On the origin of species” in 1859, this theory states Organisms change over time as result of changes in heritable physical or behavioral traits. Changes that allow an organism to better adapt to its environment will help it to survive and have more offspring. The physical and behavioral changes that make natural selection possible happen at the level of DNA and gene, such changes are called Mutation. “Mutations are basically the raw materials on which evolution act. Pobiner said, mutation can be caused by random error in DNA replication or repair, or by chemical of radiation damage. According to Chinaka (2019) in the book concept of evolution, Charles Darwin proposed the concept of natural selection as the mechanism of evolution. The main postulates of Darwinism are:
1. Geometric increase: According to Darwinism, the populations tends to multiply geometrically and the reproductive powers of living organism (biotic potential) are much more than required to maintain their numbers.
2. Limited food and space
3. Struggle for existence
4. Variation etc
Both natural animal populations and those in captivity are subject to evolutionary forces. Evolutionary changes to captive populations may be an important, but poorly understood, factor that can affect the sustainability of these populations. The importance of maintaining the evolutionary integrity of zoo populations especially those that are used for conservation efforts including rein-introductions is critical for the conservation of biodiversity.
Greater appreciation for an evolutionary perspective may offer important insights that can enhance the reproductive success and health examples and associated strategies that highlight this approach, including minimizing domestication (ie genetic adaptation to captivity), integrating natural mating systems into captive breeding protocols, minimizing the effects of translocation on variation in photoperiods and understanding the interplay of parasites and pathogens and inflammation. Captive populations can adapt rapidly to captive environments through demonstration, in which human impose artificial selection in order to increase the prevalence of desired traits in the domesticated population.
For domestic animals, human breeders choose to breed only those individuals that thrive in the captive environments, leading to trans-generational changes that result in a population that is adapted to breed and survive in the conditions imposed by the breeders. Among captive population of animals, zoo populations are unique in that they are maintained to educate the public regarding wildlife and their habitat or to preserve critically endangered species through captive breeding and reinforcement program. Although assessment and preservation of genetic diversity is a top priority for most conservation breeding programs, fundamental to these goals is the maintenance of the genetic variation of these captive populations (Lacy 2009). Whether used to further educational or conservation goals, it is critically that these captive population are representative of the natural populations from which they are desired (Ashley et al 2003). However, maintaining captive population, such that they are reflective of the wild phenotype of the animals, can be challenging in zoos because of the mismatch the environments that the zoo population is originally from and the captive content in which they are been housed. Hendry et al 2015 carol et al 2014, for example, solitary animals with large territories that only encounter sexually mature counterparts during estrus may be housed in proximity of their mate year round, potentially leading to the behavioral issues, including ****** aggregation or ****** incompatibility. Other stressor can exist in captive environments for which animals are not adapted, including the acoustic environments, physical substrate and even availability of food (Morgan and Tromborg 2007). Minimizing the mismatch between the natural environment and the captive environment and they should limit the decline and poor performance of captive populations (Hendry et al 2011; Carrol et al 2014). Captive environments are very different from the wild and can impose different selection pressures that can lead to genetic adaptation in the captivity that affects behaviors (eg: temperaments; MC Douglas et al 2006), morphology (eg; size, skeletal morph metric O’ Regan and Kitchener 2005); and reproductive output (eg; age at ****** maturity, letter size). In particular populations of species with short generation times will adapt more rapidly to captivity than those with long generation time (Frankham 2008).
Social learning theory is the idea that children from observing. According to the learning theory, learning is based on social interaction with the environments (Nwamuo et al 2006). As children walk around the zoo, they are exposed to words and concepts. It also encourages dialogue between parents, siblings, friends and zoo guards (Jessica 2014)  visiting the zoo help the children and other visitors to understand the importance of taking care of the environments as it has a significant impact on lives and welfare of animals and importance of conservation and animal care which will never be forgotten. According to (Nwamuo et al 2006) social learning theory plays a big role in how people and especially learn. There are four elements to social learning theory including:
• Attention: Children can’t learn if they aren’t focused on the task. Students who see something unique or different are more likely to focus on it, helping to learn just as in zoo.
• Retention: people learn by internalizing information later when we can recall that information later when we respond to a situation in the same way which we saw.
• Reproduction: in the way we are able to reproduce our previously learn behavior or knowledge when it’s required. Practicing our response in our head or in action can improve the way we response.
• Motivation

Operant conditioning of behaviors theory of B.F Skinner, enclosure design and environmental enrichment strategies have all been suggested to improve the welfare of zoo animals by reducing stereotypical behavior and rein-introduction success of wildlife species. (WAZA 2015). Thus, the use of these strategies has important consequences for zoological collections. Despite the recognition and wild-scale implementation of such strategies, however, concerns around global zoo animal welfare remain and behavioral pathologies are common in many species. (Luhrs 2010) using operant conditioning, some of the barriers to delivering positive welfare experiences through holistic behavioral management strategies to zoo animals and make recommendations for institutional approaches towards improving zoo animal welfare using examples of Abnormal Repetitive Behaviors (ARBs) through targeted behavioral management.

EMPIRICAL FRAMEWORK
According to P.A Anadu (2000) on his study wildlife conservation in Nigeria: problems and strategy a case study of wildlife reserve of University of Benin, the major treats to nature conservation in Nigeria and he reviewed critically the measures adopted for the protection of wildlife. According the study, the major problem includes habitat degradation (through uncontrolled logging, agricultural projects, industrial plantations, highway and urban development’s and exploitation for fuel wood) over hunting and poaching.
He suggested that to protect wildlife include the creation of more game reserve, enactment of wildlife laws, signing of international treaties and manpower development. According to his research through interview with about 10 workers or staff of the wildlife reserve, the major treats to the area include poaching and hunting, indiscriminate feeling of forest trees, low funding, inadequate game laws and weak enforcement of the existing legal provisions.
It is suggested that the Federal Government should intervene more positively in favor of conservation by creating more national parks and assuming joint responsibility with the states for formulating wildlife laws. Furthermore, the role of nongovernmental organizations in influencing conservation policies and mobilizing public opinion will be cruial in different years ahead.
In the journal “A synopsis of wildlife conservation in Nigeria by Timothy A Afolaya  2009, this article emphasized the recent developments in the overall conservation program in Nigeria as it describes the important role which wildlife is playing in helping to feed the nation, in creating employment opportunities, in education in research, in recreation and in local medicine. Inadequately of Nigerian wildlife legislation and of the trained manpower to protect and manage the wildlife resources are among the crucial wildlife management problems identified. It is also stressed that the basic information for effective management is often lacking where Nigerian wildlife reserved are concerned. It also stressed that the main problems facing wildlife conservation in Nigeria include poaching, over exploitation, lack accurate data, bush burning that destroys wildlife habitat. There is adequate reliable database to facilitate forestry planning and development. Weak forest policy and implementation, forest policies lacks legal backing and hence its enforcement is difficult. The Nigeria forestry policy Act, 1937 is subsumed in the National Agricultural Policy of 1988. Forest tariffs are relatively low and are not revised frequently penalties under most laws are low and seldom enforced. It suggested that Nigeria forestry policy act should be reviewed or renew and encourage the government to implement the policies adequately and enforce penalties on the offenders.
Jonathan (2009) in his own study animal wildlife conservation under multiple land use system in Nigeria reveals that out of 6 selected zoological garden and game reserves in six geopolitical zones in Nigeria. The situation of wildlife in Nigeria is nevertheless different. Except in the Yankari, upper Ogun and Kwiabaha, Game Reserves and the Kainji lake National park, little efforts have been made to protect the Nigerian animal wildlife resources from human pressure and wide spread extinction. To many, what remains of the wildlife animals are best seen in the few state owned zoological gardens in Nigeria?
However, because most indigenous large animal species including Elephant, Buffalo, Chimpanzee, Gorilla, Rhinoceros, Leopard and Ostrich have not been able to reproduce in the various zoological garden so far, the hope to conserve this animals are brittle.
According to his work, animal wildlife is a declining resource in Nigeria because of unplanned land use practices. For example, land uses in game reserves are often conflicting and contradictory for land uses, timber extraction, hunting; food crop production and settlement are simultaneously going on in game reserves with little or no control measures and with no management plans. The excessive demands for land these conflicting uses have greatly disturbed the ecosystems involved, thus making the survival of the wild animals uncertain. Specially, the problems of wildlife conservation in Nigeria are:
a. Poaching
b. Indiscriminate burning of the vegetations
c. Uncontrolled grazing activities in the reserves
d. Intensive logging for domestic and industrial uses
e. Users rights on the reserves enjoyed by the traditional owners of the land before reservation
f. Lack of adequate fund to manage the reserve
g. Ineffective legislation
h. Lack of trained manpower
i. Urban sprawl
j. Infrastructural development of roads, electric and telegram lines and irrigation schemes.
k. Lack of modern enclosure or caging
l. Inability of animals to breed within the captive environment.

He then emphasized that the picture for Nigerian animal wildlife depends on the nation’s ability to conserve what is left either in their natural habitat or at least, in zoological gardens. The game reserve should be reduced to manageable numbers while state governments should win public sympathy through adequate conservation publicity and the provision of sufficient vehicles and personnel to manage the game reserves. The policy of land use in game reserves should be conducted on:
a. The number and species of animals hunted per year
b. The population of animals species in the game reserves and their habitat sustainability
c. The endangered and extinct animals species and specific reasons for the decline in their population
d. Human problems peculiar to each reserve and ways of minimizing them.
e. Establishment of rein-introduction programs.

SUMMARY
The establishment of zoos in a society is premised partly on the idea of bringing man close to wild animal’s species (Yager et al 2015). This establishment has various roles to play in the ecosystem and all endeavors of life. The role of zoological garden as well as wildlife conservation is as follows:
1. Education: zoos are established for the preservation of animal to make it easier for more people to see them and learn their characteristics and habitat. Zoo animals are used for specimens both for secondary schools students and tertiary institution as well as teaching the public the benefit of wildlife. A survey conducted by the Association of Zoos and Aquarium (AZA) reveals that, the general public rate conservation and education as the most important role of zoo (Fraser and Stickler 2008).
2. Conservation: of endangered species to avoid extinction of such animal.
3. Tourism:  it serves as a centre of tourism as people from different parts of the country visit to learn about nature at their leisure.
4. Generating revenue for the government as well as provides employment opportunities individuals etc
Most problems encountered in Nigerian zoos include:
• Poaching
• In availability of breeding species
• Lack of trained personnel’s
• Lack of fund by the Government
• Lack of infrastructure and conservation facilities.

Dear Poet Friends, being fond of Art, I wanted to compose on
this topic for a long time in a simplified form! Egyptian Art and
Architecture influenced the Early Greeks, who in turn influenced the Romans and other civilizations! Initially Art and architecture, religion and culture, were all closely inter-related! Real distinction emerged with the Italian Renaissance. Here I have used only a portion of my personal notes. Hope you find this interesting to read! Sorry for the length! Kindly give Comments after you have managed to read the entire portion in your spare time. Thanks, -Raj

INTRODUCTION TO THE STORY
OF WESTERN ART IN VERSE:
          PART ONE
    * BY RAJ NANDY

INTRODUCTION
Art over the centuries has been variously defined,
But an all embracing definition is rather hard to find!
Ayn Rand defined Art as a recreation of reality according to
artist’s values, his view of existence, and choice;
Who recreates by a selective rearrangement of the elements
of reality, and not simply out of a void!
Study of Art History is a study of man’s creative evolution;
A progress of his wakened consciousness, and a restless
striving towards perfection!
The progress of his mind, taste and skill, which has gradually
evolved through past traditions;
Finding ultimate expression in his multi-faceted creations!
I commence this story from its earliest days, and mention those
Ancient Civilizations which influenced Art in many ways.
Art has been greatly influenced by religion, culture and history;
Therefore, knowing these aspects becomes necessary to
fully appreciate this Art Story!

PREHISTORIC STONE AGE ART:
Let us take a ride on the magic carpet of History, down
past millenniums to begin our Art Story;
Right into the ancient Paleolithic, Mesolithic and Neolithic
Eras of the Stone Age,
When early humans left their creative imprints on rock
surfaces and on walls of caves!
Long before the evolution of any proper coherent speech
or communication,
In some 350 caves of France and Spain are seen paintings
of large wild animals like horses, antelopes and bison;
Bearing witness to the story of gradual human evolution!
The cave paintings of Chauvet, Cosquer, and Lascaux, date
between 8000 and 1700 BC,
Drawn by nameless and faceless people who emerged from
an inhospitable Ice Age;
Those nomadic tribes who were hunter-gatherers living in
pre-historic caves!
The Story of Art therefore begins before recorded History,
Pieced together by scholars with the help of science and
archeology!
During the Neolithic Period beginning around 8,000BC,
Ancient man became gradually sedentary, engaging in
agriculture and animal husbandry!
With these nomads settling down in small communities,
Art became mystical and monumental in range;
As seen in the megalithic (large stone) structures of the
famous Stonehenge!
This type of post and lintel structure is also found in ancient
Egyptian architecture, and later in Greece as its special
feature!
Art History spans the entire history of mankind,
Right from the pre-historic days, up to our modern times!
Man’s everlasting quest for immortality lies etched on
rocks and raised stone edifices, defying marauding Time!

MESOPOTAMIAN ART (3500-300BC) :
Let us now travel fast forward on our magic carpet to reach
the Fertile Crescent,
Where the Tigress and the Euphrates Rivers flow, to the
Ancient Civilization of the Sumerians! (3500-2300BC)
The birth of civilization has been traced to Southern
Mesopotamia, where the Sumerians built their first cities,
As the earliest River Valley Civilization around 3500 BC!
It was a period when writing got invented in its earliest
Cuneiform form;  (around 3400 BC)
When Patriarch Abraham established the worship of a Single
God, in a revolutionary religious reform! (Judaism)
Mesopotamian Civilization as the source of our earliest
surviving Art dates back to 3500BC;
When major civilizations like the Sumerian, Akkadian,
Babylonian, Hitties, Assyrian, and the Persians, in this
chronological sequence, contributed to Art History!
Mesopotamian Art in general glorified their powerful rulers
and their connection with divinity;
Reflected on their city gates, palace complexes and ziggurats,
are scenes of both victorious wars and their prosperity!
Art was then highly functional and repetitive; depicting
love of beauty, a sense of order, and power of hierarchy,
- in their sculptures and motifs.
However, no signatures were ever found bearing the name
of the Artist!
It is interesting to note that both the potter’s wheel and the
cart wheel, made their first appearance around 3500 BC
and 3200 BC respectively;
With the Sumerians contributing to art and culture, and the
progress of Human Civilization immensely!
(Ziggurats are semi-pyramid like structures with steps, a temple complex located in the center of all ancient Sumerian cities-states! Saragon the Great of Akkad from the North, defeated the Sumerians in the South, & united entire Mesopotamia around 2300 BC, for the first time in Mesopotamian History, & they ruled for 200 years.)

ANCIENT EGYPTIAN ART :(3000 BC -500BC)
Next we travel to an isolated area of north-east Africa,
Where the White Nile flows down from Lake Victoria.
The Nile enters Upper Egypt traveling through Sudan,
Is joined by the Blue Nile at Khartoum to become one!
Continues its flow north through Egypt Lower, flowing
into the Mediterranean as the World’s longest river!
Historian Herodotus had called Egypt ‘the gift of the Nile’;
Ancient Egypt became a rich treasure trove of art and
architecture for all times!
The Nile valley area was protected by the desert on its
east and the west;
In the north by the Mediterranean, and towards the
south by a rugged mountainous terrain!
Annual flooding of the Nile along with an effective
irrigational network,
Ensured Egypt’s prosperous stability, congenial for her
many innovative architectures and art works!
Egyptian Art got shaped by her geography, mythology
and her polytheistic religion;
Also by their preoccupation with after-life and belief in  
the immortal soul’s continuation;
Thus elaborate funeral rites were performed by priests for  
the body’s preservation by mummification! *
(’KA’= was a real astral twin or stellar double of an Individual, which continued to exist even after death, requiring the same sustenance as the humans, so food offerings were made in the coffins! ‘BA’= shaped like a human-headed bird, composed of non-physical attributes of an Individual. ‘BA’ collected the deceased’s personality after death from the mummified remains & united it with the ‘KA’, making a person complete; thereby making it possible for the person to be reborn as ‘AKH’ (Star), - in its ultimate unchanging form, to join Osiris in the ‘Happy Fields’! Since this journey to the next world was fraught with danger, magical funerary spells & rites were performed by the priests, with incantations from the ‘Book of the Dead’, inside the funeral chamber of the Pyramid!)

Art During Old, Middle, and New Kingdom Period:
Egyptian Art was concerned with ensuring continuity of the
universe, their Gods, the King and the people;
A projection into eternity a version of reality pure and free
from all earthly evil!
Therefore in ancient Egyptian society, conformity over
individuality was always encouraged;
Artists worked in groups with conservative adherence to
rules, order and form,
And all individual artistic initiatives strictly discouraged !
Their earliest pyramids the Mastaba, the Step, and the Bent
Pyramids were all prototypes;
While the Great Pyramid of Giza built for Pharaoh Kufu,
- was the first true pyramid which still survives!
Art comes down to us as ‘funerary art’ designed for the tombs,
Which was to accompany the royalty in their journey to an
afterlife, with its symbolic forms!
This symbolism is seen in their paintings, statues and architecture;
In vibrant color codes of their paintings as a special feature!
Where White was the symbol of purity, Black for death and night;
Green for vegetation or new life, Blue for water and the sky;
Red for life and victory, and Yellow like Gold as the flesh of the
Gods and also the Sun God ruling the sky!
Thanks to Jean-Francois Champollion’s translation of the Rosetta
Stone, (1822)
We are able to decipher many mysteries of the Ancient Egyptian
with the cracking of the Hieroglyphic Code!
Larger than life statues with poise and austere harmony at the
Luxor Temple complex survive;
Symbolic of the individual’s status, while creating zones of
strangeness for imagination to thrive!
(’Matsaba’= Egyptian for ‘bench’, referred to bench shaped pyramids;
“Step Pyramids” = were like benches placed one on top of the other in
a tapering form going up vertically!)

The Old Kingdom Period covers a five hundred years span
of Ancient Egyptian History, (2686-2181BC)
Known as the ‘Age of Pyramids’, with Pharaohs from the
Third to the Sixth Dynasty!
“The World fear Time, but Time fears only the Pyramids”,
- is an Ancient Egyptian Proverb;
Whose ‘heterogeneous structure’ made it earthquake
proof, making Time to reluctantly serve! #
Here we find formalized figures with long slender bodies,
idealized proportions and large staring eyes;
Where Kufu’s Great Pyramid of Giza raises its mighty head
as the highest, on the west bank of the Nile;
And the mighty Sphinx guard the entrance to those ancient
royal tombs, though defaced, still survive!
These pyramids were like Pharaoh’s getaways to eternity,
An insurance to an afterlife of peace and prosperity!
(# Pyramids with stone blocks of different sizes & shapes made them
Earthquake resistant; & use of pink granite in the inner chambers
made them erosion resistant against Time!)

The Middle Kingdom Period (2040-1650 BC) :
Following 150 years of civil disorder Theban ruler Mentuhotep
the Second, reunified Egypt and ruled up to Nubia, (Sudan)
And began the Classical Era when Block Statues appear,
indicating political stability;
When artisans worked with bronze and copper alloys, designing
exquisite jewelry!
Kings now preferred to be buried in secret tombs, Pyramids
having lost their appeal,
And work began on the west bank of the Nile, in the Valley of
Kings!
(Inside those rock cut ‘funerary temples’ on the East bank of the
Nile, opposite Ancient Kingdom of Thebes ; Pharaohs from the
Early and Late New Kingdom Periods were buried, including
Tutemkhamen.)

Early New Kingdom Period (1550 -1295 BC):
Between the Middle Kingdom and this Era, Art remained
static for almost a hundred years,
When the Hyksos from the Near East fought the weak Theban
Rulers!
In 1550 BC Theban Prince Ahmose reunited Egypt, and was
succeeded by able rulers, who ushered in the Golden Age!
Art works continued to maintain its basic traditional style,
With successive Kings from the 18th Dynasty consolidating
their kingdom’s wealth and power all the while!
But Egypt witnessed a change with an innovative style in Art,
When Amenhotep IV in 1353 BC became King, initiating a
fresh start!
This king changed his name to ‘Akhenaten’, the spirit of Aten,
-- ‘The disk of the Sun’;
Abandoned the pantheons of Gods with Aten as the ‘sole God’,
and a religious revolution had begun!
His new capital city of Amarna, 200 miles north of Thebes,
Got decorated with a new kind of art work to make it complete!
The statues now appear more realistic displaying emotions,
With fluidity of movement, unlike those rigid earlier creations!
The artistic talent of this Amarna Period gets best exemplified,
In the exquisite bust of Nefertiti, Akhenaten’s Great Royal Wife!
Regarded as ‘icon of international beauty’, a great archeological
find ! **
(Discovered by a German team of Archeologists in 1912 at Amarna! This 19 inch long limestone Nefertiti statue weighs around 20 kg, now housed in Berlin Museum; comparable only to the artistic Golden Mask of Tutankhamen!)

King Tutankhamen (1336-1327 BC):
Akhenaten’s unpopular rule was short-lived, with those humiliated
Theban priests calling him the ‘Heretic King’!
A nine year old boy Tutankhamen (‘The living image of Amun’),
was next to succeed him!
King Tut restored the worship of Amun, in a back-lash against
Akhenaten;
Shifted the royal palace back to Thebes, with the religious center
at Karnak once again!
King Tut’s short ten year’s rule remained buried in 3000 year’s
of Egyptian History,
Till Howard Carter found his richly laden intact tomb, in the
Valley of the Kings! (1922)
King Tut’s priceless and exquisitely carved golden face mask,
reflected the exalted standard of art work;
Weighing ten kilos, inlaid with semi-precious stones, and eyes
made of obsidian and quarts!
With the King’s early death, the 18th Dynasty of Pharaohs came
to an abrupt end,
And the 19th and 20th Dynasties of the Late Kingdom Period
commenced!
The famous rock temple of Abu Simbel now got built, under the
warrior and builder Ramses II, one of Egypt’s greatest Kings!


Pharaoh Ramses-II of the Late Kingdom Period :
Here I sweep across centuries of Egyptian History, to mention
King Ramses-II’s contribution to our Art Story!
In Shelly’s famous poem titled “Ozymandias of Egypt” he is
immortalized; (Greeks called Ramses-II “Ozymandias”!)
And as the Pharaoh associated with Moses in the movie “The
Ten Commandments”, he is popularized!
Egyptian Art is intrinsically bound with its religion, pyramids,
hieroglyphs, and architecture;
With a concentrated focus on ‘afterlife’ as its special feature!
In 1270 BC young Ramses took over from Seti the First,
And his rule for a period of 66 long years did last!
As the third Pharaoh of the 19th Dynasty, he had ruled with a
firm hand;
Recovered lost territories from the Hittites and the Nubians,
- earlier captured Egyptian lands!
He enlarged the territories of Egypt ensuring prosperity and
stability;
Became renowned as the famous Warrior and Builder King
of Ancient Egyptian History!
Ramses-II had expanded most of the temples, as recorded in
the artistic motifs and hieroglyphic symbols;
Here a special mention must be made of the Temples of Luxor,
Karnak, and Abu Simbel !

Temples of Luxor and Karnak in Ancient Thebes:
Ancient Thebes was located on the eastern bank of the Nile,
where the modern City of Luxor stands;
Thebes was once the capital of the 11th and 18th Dynasties,
And the power and religious center of all Egyptian land!
Gets mentioned in the 9th Book of Homer’s ‘Iliad’ where “heaps
of precious ingots gleam, the hundred-gated Thebes”!
Excavation work began in Thebes during the late 19th century;
And the gradual unearthing of the Temples of Luxor and
Karnak, added a new dimension to Egypt’s Art Story!
It must be remembered always, that the Ancient Egyptians in
those early days,
Structured their temple architecture to the point of ‘Sacred Art’!
With their knowledge of astronomy and geometry, they
aligned their temples so perfectly,
That the light of the rising sun fell on the temple’s innermost
sanctuary! (Temple of Abu Simbel is a great example,)
Where the Egyptian priests, who were also the artists, healers,
mathematicians, astronomers and scribes;
In dimly lit incense-filled sanctuaries performed the sacred rites!
The temples symbolized the cross roads of the cosmos, where
the divine and the mortal met in perpetual harmony!
These divine scenes were integrated into the very fabric of the
Egyptian society through chants and rituals;
With cosmological symbols of magical hieroglyphs, which
priests alone could transcribe in those days!
(Thebes began to decline rapidly after Alexander the Great
established the port-city of Alexandria as Egypt’s new Capital
around 332 BC !)

Luxor Temple built by Amenhotep-III, was dedicated to God
Amun, his wife Mut and son Khonsu, - the Theban Triad;
Tutankhamen and Ramses-II expanding the temple during the
New Kingdom Period!
Creator God Amun became assimilated with the Sun God Re;
Was worshipped in Thebes, and in the cult centers of Luxor and
Karnak, - as Amun-Re!
The walls and columns of these cult temples were decorated
with carved and painted relief,
Depicting the interaction with Gods, and military exploits of
Egyptian Pharaohs and Kings!
The sun temple of Amenhotep-III at Luxor has many columns
resembling papyrus bundles,
Symbolic of the primeval marsh from where Creation was
believed to have unfolded !
A Sphinx Alley excavated between Luxor an

INTRODUCTION TO THE FIRST WORLD WAR
            BY RAJ NANDY: PART ONE

                   INTRODUCTION
  “What passing-bells for those who die as cattle?
         Only the monstrous anger of the guns.
        Only the stuttering rifles’ rapid rattle
    Can patter out their hasty orisons.”
      -by Wilfred Owen, British Army Lt. killed in
        action in France on 04th Nov 1918.

The Socialists called it the ‘Imperialist’s War’,
and it was the ‘Trench War’ for the soldiers;
But Europe hailed it as ‘The War to End All Wars’,                
Expecting it to end prior to 1914’s Christmas!
But alas, it soon became a mighty global war
fueled by national and ethnic aspirations and
territorial lust!
The assassination of Archduke Ferdinand, heir
to the Austro-Hungarian Monarchy, -
On the 28thof June 1914 at Sarajevo, was the
spark which triggered off this great catastrophe!
During 1876 when German Chancellor Bismarck
was asked about chances of an European War at
a future date;
He felt that Europe was like a big store house of
gunpowder keg!
While pointing to the volatile BALKANS he had said,
That European leaders were smoking in an arsenal,
where a small spark could cause a mighty explosion!
And 38 years later the world had witnessed,
Bismarck’s unfortunate prediction!
This war ended on 11th of November 1918, after a
four and half year’s long duration;
With 16.5 million military and civilian deaths, and
many more wounded and missing in action!
For the War had spread beyond the traditional
killing fields,
Killing many innocent civilians following the
bombing raids by German Zeppelins!
Now, before proceeding further some background
information here becomes necessary,
To understand the socio-political events leading
to the unfolding of this Great War Story!

         PRELUDE TO THE GREAT WAR
The Nationalistic fervor aroused by Napoleon,
And the February Revolution of 1848 in France,
Inspired Europe’s inhabitants to preserve their
ethnic and racial identities, without leaving
things to chance!
The Italian and German unification, and the
Hapsburg Austro-Hungarian polarization,
Aroused the expectations of the Slavic people,
Who remained spread all over Central and
Eastern Europe!
The various ethnic groups forming the Slavic race,
Always dreamt of an independent Balkan State!

         CAUSES FOR ‘THE GREAT WAR’
Imperialism, Nationalism, Militarization, Alliances,
and finally the assassination of the Archduke
Ferdinand,
Are the five main causes for this war, which is
generally mentioned by our Historians!
However, I shall now try to acquaint you briefly,  
With some relevant events from our recorded
History.

BRITISH IMPERIALISM:
Towards the turn of the 20th century Britain was
the dominant global imperial power;
And since the mid-19th Century it was seen that
the sun never set over the British Empire!
The British had a vast mercantile and a naval fleet,
To trade with, and administer their far flung colonies.
At the turn of the 20th Century the British Navy was
changing over from steam to oil power like other
big nations;
So the oil fields of the Middle East was important
for British militarization.
Also passage through the Suez Canal was vital for
maintaining their colonial possessions!
These facts will get linked up in Part Two of my
later composition!

GERMAN NATIONALISM:
The nationalistic fervor aroused in Germany
since Chancellor Bismarck’s days,
Made the Germans try to outstrip the British
in many ways!
This fervor was reflected in Goethe’s poetry and
through Richard Wagner’s musical notes;
Between 1898 and 1912 five Naval Laws were
passed in the German Reichstag, by majority
votes,
For building battleships, cruisers, and 96 torpedo
boats;
Which later became a scourge for Allied and
British shipping, known as the U-Boats!
The German nationalism and militarization went
hand in hand during those days,
While her industrialization also progressed at a
rapid pace.
Kaiser Wilhelm II had sought “a place in the sun”
by trying to outstrip the British in the arms race!
Statistic show more number of German scientists
had received the Noble Prize for their inventions,
Between this period and World War- II, when
compared with the combined winners of other
Western nations!

AUSTRIA-HUNGARIAN MONARCHY:
In 1867 by a comprising agreement between
Vienna and Budapest the capital cities,
The Austro-Hungarian kingdom became a Dual
Monarchy!
Many ethnic groups had composed this Monarchy
in those early days as we see;
With Germans, Hungarians, Romanians, and Slavic
people like the Czechs, Poles, Croats, Slovaks,
Serbs, and the Slovenes!
While the Austrian Officers of this Monarchy spoke
German, the majority of the soldiers were Hungarians,
Czechs, Slovaks, who never spoke German!
So the soldiers were taught 68 single-words of
German commands,
For the Austro-Hungarian Imperial Army to function
collectively as one!
While Francis Joseph their sovereign and emperor,
aspired to become a strong centralized European
power.
But out of the 50 million people of this Monarchy
around 23 million were Slavs,
Who always dreamed of an independent Slavic
Kingdom in the Balkans!

THE BALKANS & THE KINGDOM OF SERBIA
After the Iberian and the Italian peninsulas of
Europe, the BALKAN peninsular is seen to be
lying in Europe’s extreme south east, -
South of the Danube and Sava River, bounded
in the west by the Adriatic and Ionian Sea.
In the east is the Aegean and Black Sea,
With the Mediterranean Sea in the south, -
washing the tip formed by Greece with its many
islands around!
Now much of the Balkan areas were under the
Ottoman Empire since early 14th Century;
And here I cut across many centuries of past
European History!
Following a series of revolutions since 1804
against the Turks,
The Principality of Serbia was carved out in the
area of the Balkans!
A new constitution in 1869 defined it as an
independent State of Serbia;
Was internationally recognized at the Treaty
of Berlin in 1878, to later become the Kingdom
of Serbia!
This kingdom was located south adjoining the
Monarchy of Austro-Hungarians, much to their
annoyance those days,
Since the Kingdom of Serbia was looked upon
as a ‘beacon of liberty’ by the Southern Slavic
race!

THE BOSNIAN CRISIS (1908-1909)  
This dual provinces of Bosnia and Herzegovina
in the Balkans,
Were formally under the control of the
Ottoman Sultan.
With permission of the Congress of Berlin in
1878, it was administered by Austria-Hungary;
Though the legal rights remained with Turkey!
But the Slavic population present there had
Nationalistic ambitions,
Aspired to join the Slavs in nearby Kingdom of
Serbia, to form a pan-Slavic nation!
The Slavic population in Austria-Hungary, also
entertained such dreams wistfully!
Now in 1908 a ‘Young Turk Movement’ based
at Macedonia,
Had planned to replace the absolute Turkish
rule in Bosnia!
And by modernizing the Constitution hoped
to rejuvenate the sick Ottoman Empire.
These developments set alarm bells ringing
in Austrian capital Vienna!
So on the 6th of October 1908 they quickly
annexed Bosnia and Herzegovina!
After having lost a war with Japan, and following
an internal Revolution of 1905 the Russians,
Prevented an escalation by staying out of the
Bosnian Crisis!
But the annexation of Bosnia had angered the
Serbs greatly,
So they started to train secret terrorist groups to
liberate Bosnia from Austria-Hungary!
These terrorist groups operated in small cells,
Under the leadership of Col. Dimitrijevic, also
known as the ‘Apis’ those days.
Now, a secret cell called the ‘Black Hand’ operated
in the Bosnian capital of Sarajevo with Gavrilo
Princep as one of its members;
Who was trained and equipped in Serbia along
with other ‘Black Hand’ members.
The Austro-Hungarian Monarchy had remained
distressed about these subversive activities by
the Slavic race!
So in Jan 1909 they obtained the unconditional
support from Germany, in the event of a war
with Serbia even if Austria was the aggressor!
And also secretly hoped in a war to annex
Serbian territory!
For in the two Balkan Wars of 1912 and 1913,
Serbia had greatly extended its territory to
become a powerful adversary!
Serbia had also obtained an assurance from
its protector Russia, should a war break out with
Austria!
Now, as tension mounted upsetting the delicate
balance of power in the Balkans gradually,
Archduke Franz Ferdinand with his wife Sophie,
planned to visit Sarajevo from Austria-Hungary!
It was a God sent moment for the secret
organization the ‘Black Hand’,
To plan the assassination of Archduke Ferdinand!

THE ASSASSINATION: SARAJEVO 28TH JUNE 1914
Now when I look back in time I pause to wonder,
How such an amateurish assassination plot could
have ever succeeded,
Without the cruel hands of destiny and fate!
The 28th of June was a bright summer’s St. Vitus
Day and a holiday in Serbia;
And also the 14th marriage anniversary of Franz
Fernandez and his wife Sophia!
Several assassins were positioned along the route,
Which was to be taken by the Archduke!
While the motorcade proceeded to the Town Hall
a bomb was thrown,
Which bounced off the rear of Archduke’s car,
Injuring few bystanders and a passenger in the
rear car!
The Archduke however refused to cancel his trip,
Saying that it was the act of some lunatic!
After completion of the Town Hall ceremony, the
Archduke wanted a change of plan deviating from
the laid down route;
By wanting to visit the patients in the hospital,
Injured by the bomb which had struck his cars
rear hood!
But the Czech driver was not briefed and took
a wrong turn by mistake;
Reversed trying to correct himself, stalled the car
stoppling next to Gavrilo Princep!
Presenting Princep with a stationary target, a
cruel work of destiny and fate!
Prince pulled out his pistol and fired two shots  
at a point blank range, killing both Ferdinand
and  wife Sophie;
When Ferdinand cried out ‘’Sophie, Sophie,
don’t die, live for the children’’, - words which
now remain enshrined in History!

TRIAL OF PRINCEP & THE CONSPIRATORS
The trial began in a military court on 12th of
October at Sarajevo,
With three judges and no jury, when Princep
pleaded 'Not Guilty'!
Killing of Duchess Sophie was an unplanned
accident,
Since he wanted to **** the Governor instead!
He claimed to be a Serbian nationalist working
for the unification of the Slavic race,
and detested the annexation of Bosnia by the
Austo-Hungarians!
Along with 15 other accused, Princep was found
guilty of high treason;
But being underage, was sentenced to 20 years
labour in prison.
But died three year's later from tuberculosis!

           CONCLUDING PART ONE
  ''Blow out, you bugles, over the rich Dead!
   There's none of these so lonely and poor of old,
   But dying, has made us rarer gifts than gold."
      -Rupert Brook, part of the British Naval Expeditionary
       Force, buried in Skyros, Greece 1914.
Now, looking back over a hundred years in
hindsight I do realize,
That this assassination was not the immediate
cause or the spark which triggered this War,
But only an excuse and a pretext for the
Austro-Hungarians to carve up Serbia,
And distribute those territories between
Allies and friends of Austria;
Also enhance the prestige of their Empire!
Since the war had commenced almost two
months after the Archduke’s assassination,
Austria had lost the high moral ground for
vengeance with righteous indignation!
It was a cynical and a predetermined plan
of Austria in connivance with Germany,
To destroy Serbia and squash the hopes of
Slavic people for a pan-Slavic State, - as we
now get to see!
This war ended with the dissolution of four old
Empires of the Austro-Hungarians, Ottomans,
Tsarist Russians, and the Germans!
While new nations of Czechoslovakia, Yugoslavia,
Austria, and Hungary, got created from the
dissolved Empire of Austria-Hungary.
Russia gave up lands creating Finland, Estonia,
Latvia, and Lithuania.
The Ottomans gave up lands in SW Asia and the
Middle East, and in Europe retained only Turkey!
Thus this Great War had creating new nation states,
And gave Europe its new revamped face!
Composed by Raj Nandy of New Delhi,
Thanks for reading patiently!
   TO BE CONTINUED LATER AS PART TWO
**ALL COPY RIGHTS ARE WITH THE AUTHOR

II. TO DEMETER (495 lines)

(ll. 1-3) I begin to sing of rich-haired Demeter, awful goddess
-- of her and her trim-ankled daughter whom Aidoneus rapt away,
given to him by all-seeing Zeus the loud-thunderer.

(ll. 4-18) Apart from Demeter, lady of the golden sword and
glorious fruits, she was playing with the deep-bosomed daughters
of Oceanus and gathering flowers over a soft meadow, roses and
crocuses and beautiful violets, irises also and hyacinths and the
narcissus, which Earth made to grow at the will of Zeus and to
please the Host of Many, to be a snare for the bloom-like girl --
a marvellous, radiant flower.  It was a thing of awe whether for
deathless gods or mortal men to see: from its root grew a hundred
blooms and is smelled most sweetly, so that all wide heaven above
and the whole earth and the sea's salt swell laughed for joy.
And the girl was amazed and reached out with both hands to take
the lovely toy; but the wide-pathed earth yawned there in the
plain of Nysa, and the lord, Host of Many, with his immortal
horses sprang out upon her -- the Son of Cronos, He who has many
names (5).

(ll. 19-32) He caught her up reluctant on his golden car and bare
her away lamenting.  Then she cried out shrilly with her voice,
calling upon her father, the Son of Cronos, who is most high and
excellent.  But no one, either of the deathless gods or of mortal
men, heard her voice, nor yet the olive-trees bearing rich fruit:
only tender-hearted Hecate, bright-coiffed, the daughter of
Persaeus, heard the girl from her cave, and the lord Helios,
Hyperion's bright son, as she cried to her father, the Son of
Cronos.  But he was sitting aloof, apart from the gods, in his
temple where many pray, and receiving sweet offerings from mortal
men.  So he, that Son of Cronos, of many names, who is Ruler of
Many and Host of Many, was bearing her away by leave of Zeus on
his immortal chariot -- his own brother's child and all
unwilling.

(ll. 33-39) And so long as she, the goddess, yet beheld earth and
starry heaven and the strong-flowing sea where fishes shoal, and
the rays of the sun, and still hoped to see her dear mother and
the tribes of the eternal gods, so long hope calmed her great
heart for all her trouble....
((LACUNA))
....and the heights of the mountains and the depths of the sea
rang with her immortal voice: and her queenly mother heard her.

(ll. 40-53) Bitter pain seized her heart, and she rent the
covering upon her divine hair with her dear hands: her dark cloak
she cast down from both her shoulders and sped, like a wild-bird,
over the firm land and yielding sea, seeking her child.  But no
one would tell her the truth, neither god nor mortal men; and of
the birds of omen none came with true news for her.  Then for
nine days queenly Deo wandered over the earth with flaming
torches in her hands, so grieved that she never tasted ambrosia
and the sweet draught of nectar, nor sprinkled her body with
water.  But when the tenth enlightening dawn had come, Hecate,
with a torch in her hands, met her, and spoke to her and told her
news:

(ll. 54-58) 'Queenly Demeter, bringer of seasons and giver of
good gifts, what god of heaven or what mortal man has rapt away
Persephone and pierced with sorrow your dear heart?  For I heard
her voice, yet saw not with my eyes who it was.  But I tell you
truly and shortly all I know.'

(ll. 59-73) So, then, said Hecate.  And the daughter of rich-
haired Rhea answered her not, but sped swiftly with her, holding
flaming torches in her hands.  So they came to Helios, who is
watchman of both gods and men, and stood in front of his horses:
and the bright goddess enquired of him: 'Helios, do you at least
regard me, goddess as I am, if ever by word or deed of mine I
have cheered your heart and spirit.  Through the fruitless air I
heard the thrilling cry of my daughter whom I bare, sweet scion
of my body and lovely in form, as of one seized violently; though
with my eyes I saw nothing.  But you -- for with your beams you
look down from the bright upper air Over all the earth and sea --
tell me truly of my dear child, if you have seen her anywhere,
what god or mortal man has violently seized her against her will
and mine, and so made off.'

(ll. 74-87) So said she.  And the Son of Hyperion answered her:
'Queen Demeter, daughter of rich-haired Rhea, I will tell you the
truth; for I greatly reverence and pity you in your grief for
your trim-ankled daughter.  None other of the deathless gods is
to blame, but only cloud-gathering Zeus who gave her to Hades,
her father's brother, to be called his buxom wife.  And Hades
seized her and took her loudly crying in his chariot down to his
realm of mist and gloom.  Yet, goddess, cease your loud lament
and keep not vain anger unrelentingly: Aidoneus, the Ruler of
Many, is no unfitting husband among the deathless gods for your
child, being your own brother and born of the same stock: also,
for honour, he has that third share which he received when
division was made at the first, and is appointed lord of those
among whom he dwells.'

(ll. 88-89) So he spake, and called to his horses: and at his
chiding they quickly whirled the swift chariot along, like long-
winged birds.

(ll. 90-112) But grief yet more terrible and savage came into the
heart of Demeter, and thereafter she was so angered with the
dark-clouded Son of Cronos that she avoided the gathering of the
gods and high Olympus, and went to the towns and rich fields of
men, disfiguring her form a long while.  And no one of men or
deep-bosomed women knew her when they saw her, until she came to
the house of wise Celeus who then was lord of fragrant Eleusis.
Vexed in her dear heart, she sat near the wayside by the Maiden
Well, from which the women of the place were used to draw water,
in a shady place over which grew an olive shrub.  And she was
like an ancient woman who is cut off from childbearing and the
gifts of garland-loving Aphrodite, like the nurses of king's
children who deal justice, or like the house-keepers in their
echoing halls.  There the daughters of Celeus, son of Eleusis,
saw her, as they were coming for easy-drawn water, to carry it in
pitchers of bronze to their dear father's house: four were they
and like goddesses in the flower of their girlhood, Callidice and
Cleisidice and lovely Demo and Callithoe who was the eldest of
them all.  They knew her not, -- for the gods are not easily
discerned by mortals -- but standing near by her spoke winged
words:

(ll. 113-117) 'Old mother, whence and who are you of folk born
long ago?  Why are you gone away from the city and do not draw
near the houses?  For there in the shady halls are women of just
such age as you, and others younger; and they would welcome you
both by word and by deed.'

(ll. 118-144) Thus they said.  And she, that queen among
goddesses answered them saying: 'Hail, dear children, whosoever
you are of woman-kind.  I will tell you my story; for it is not
unseemly that I should tell you truly what you ask.  Doso is my
name, for my stately mother gave it me.  And now I am come from
Crete over the sea's wide back, -- not willingly; but pirates
brought be thence by force of strength against my liking.
Afterwards they put in with their swift craft to Thoricus, and
there the women landed on the shore in full throng and the men
likewise, and they began to make ready a meal by the stern-cables
of the ship.  But my heart craved not pleasant food, and I fled
secretly across the dark country and escaped by masters, that
they should not take me unpurchased across the sea, there to win
a price for me.  And so I wandered and am come here: and I know
not at all what land this is or what people are in it.  But may
all those who dwell on Olympus give you husbands and birth of
children as parents desire, so you take pity on me, maidens, and
show me this clearly that I may learn, dear children, to the
house of what man and woman I may go, to work for them cheerfully
at such tasks as belong to a woman of my age.  Well could I nurse
a new born child, holding him in my arms, or keep house, or
spread my masters' bed in a recess of the well-built chamber, or
teach the women their work.'

(ll. 145-146) So said the goddess.  And straightway the *****
maiden Callidice, goodliest in form of the daughters of Celeus,
answered her and said:

(ll. 147-168) 'Mother, what the gods send us, we mortals bear
perforce, although we suffer; for they are much stronger than we.

But now I will teach you clearly, telling you the names of men
who have great power and honour here and are chief among the
people, guarding our city's coif of towers by their wisdom and
true judgements: there is wise Triptolemus and Dioclus and
Polyxeinus and blameless Eumolpus and Dolichus and our own brave
father.  All these have wives who manage in the house, and no one
of them, so soon as she has seen you, would dishonour you and
turn you from the house, but they will welcome you; for indeed
you are godlike.  But if you will, stay here; and we will go to
our father's house and tell Metaneira, our deep-bosomed mother,
all this matter fully, that she may bid you rather come to our
home than search after the houses of others.  She has an only
son, late-born, who is being nursed in our well-built house, a
child of many prayers and welcome: if you could bring him up
until he reached the full measure of youth, any one of womankind
who should see you would straightway envy you, such gifts would
our mother give for his upbringing.'

(ll. 169-183) So she spake: and the goddess bowed her head in
assent.  And they filled their shining vessels with water and
carried them off rejoicing.  Quickly they came to their father's
great house and straightway told their mother according as they
had heard and seen.  Then she bade them go with all speed and
invite the stranger to come for a measureless hire.  As hinds or
heifers in spring time, when sated with pasture, bound about a
meadow, so they, holding up the folds of their lovely garments,
darted down the hollow path, and their hair like a crocus flower
streamed about their shoulders.  And they found the good goddess
near the wayside where they had left her before, and led her to
the house of their dear father.  And she walked behind,
distressed in her dear heart, with her head veiled and wearing a
dark cloak which waved about the slender feet of the goddess.

(ll. 184-211) Soon they came to the house of heaven-nurtured
Celeus and went through the portico to where their queenly mother
sat by a pillar of the close-fitted roof, holding her son, a
tender scion, in her *****.  And the girls ran to her.  But the
goddess walked to the threshold: and her head reached the roof
and she filled the doorway with a heavenly radiance.  Then awe
and reverence and pale fear took hold of Metaneira, and she rose
up from her couch before Demeter, and bade her be seated.  But
Demeter, bringer of seasons and giver of perfect gifts, would not
sit upon the bright couch, but stayed silent with lovely eyes
cast down until careful Iambe placed a jointed seat for her and
threw over it a silvery fleece.  Then she sat down and held her
veil in her hands before her face.  A long time she sat upon the
stool (6) without speaking because of her sorrow, and greeted no
one by word or by sign, but rested, never smiling, and tasting
neither food nor drink, because she pined with longing for her
deep-bosomed daughter, until careful Iambe -- who pleased her
moods in aftertime also -- moved the holy lady with many a quip
and jest to smile and laugh and cheer her heart.  Then Metaneira
filled a cup with sweet wine and offered it to her; but she
refused it, for she said it was not lawful for her to drink red
wine, but bade them mix meal and water with soft mint and give
her to drink.  And Metaneira mixed the draught and gave it to the
goddess as she bade.  So the great queen Deo received it to
observe the sacrament.... (7)

((LACUNA))

(ll. 212-223) And of them all, well-girded Metaneira first began
to speak: 'Hail, lady!  For I think you are not meanly but nobly
born; truly dignity and grace are conspicuous upon your eyes as
in the eyes of kings that deal justice.  Yet we mortals bear
perforce what the gods send us, though we be grieved; for a yoke
is set upon our necks.  But now, since you are come here, you
shall have what I can bestow: and nurse me this child whom the
gods gave me in my old age and beyond my hope, a son much prayed
for.  If you should bring him up until he reach the full measure
of youth, any one of womankind that sees you will straightway
envy you, so great reward would I give for his upbringing.'

(ll. 224-230) Then rich-haired Demeter answered her: 'And to you,
also, lady, all hail, and may the gods give you good!  Gladly
will I take the boy to my breast, as you bid me, and will nurse
him.  Never, I ween, through any heedlessness of his nurse shall
witchcraft hurt him nor yet the Undercutter (8): for I know a
charm far stronger than the Woodcutter, and I know an excellent
safeguard against woeful witchcraft.'

(ll. 231-247) When she had so spoken, she took the child in her
fragrant ***** with her divine hands: and his mother was glad in
her heart.  So the goddess nursed in the palace Demophoon, wise
Celeus' goodly son whom well-girded Metaneira bare.  And the
child grew like some immortal being, not fed with food nor
nourished at the breast: for by day rich-crowned Demeter would
anoint him with ambrosia as if he were the offspring of a god and
breathe sweetly upon him as she held him in her *****.  But at
night she would hide him like a brand in the heard of the fire,
unknown to his dear parents.  And it wrought great wonder in
these that he grew beyond his age; for he was like the gods face
to face.  And she would have made him deathless and unageing, had
not well-girded Metaneira in her heedlessness kept watch by night
from her sweet-smelling chamber and spied.  But she wailed and
smote her two hips, because she feared for her son and was
greatly distraught in her heart; so she lamented and uttered
winged words:

(ll. 248-249) 'Demophoon, my son, the strange woman buries you
deep in fire and works grief and bitter sorrow for me.'

(ll. 250-255) Thus she spoke, mourning.  And the bright goddess,
lovely-crowned Demeter, heard her, and was wroth with her.  So
with her divine hands she snatched from the fire the dear son
whom Metaneira had born unhoped-for in the palace, and cast him
from her to the ground; for she was terribly angry in her heart.
Forthwith she said to well-girded Metaneira:

(ll. 256-274) 'Witless are you mortals and dull to foresee your
lot, whether of good or evil, that comes upon you.  For now in
your heedlessness you have wrought folly past healing; for -- be
witness the oath of the gods, the relentless water of Styx -- I
would have made your dear son deathless and unaging all his days
and would have bestowed on him everlasting honour, but now he can
in no way escape death and the fates.  Yet shall unfailing honour
always rest upon him, because he lay upon my knees and slept in
my arms.  But, as the years move round and when he is in his
prime, the sons of the Eleusinians shall ever wage war and dread
strife with one another continually.  Lo!  I am that Demeter who
has share of honour and is the greatest help and cause of joy to
the undying gods and mortal men.  But now, let all the people
build be a great temple and an altar below it and beneath the
city and its sheer wall upon a rising hillock above Callichorus.
And I myself will teach my rites, that hereafter you may
reverently perform them and so win the favour of my

GREAT ARTISTS & THEIR IMMORTAL WORKS :
CONCLUDING ITALIAN RENAISSANCE IN
VERSE.  -  By Raj Nandy, New Delhi.

Dear Readers, continuing my Story of Western Art in Verse chronologically, I had covered an Introduction to the Italian Renaissance previously. That background story was necessary to appreciate Renaissance Art fully. Now, I cover the Art of that period in a summarized form, mentioning mainly the salient features to curb the length. The cream here lies in the 'Art of the High Renaissance Period'! Hope you like it. Thanks, - Raj.

                          INTRODUCTION
“Painting is poetry that is seen rather than felt, &
  Poetry is painting that is felt rather than seen.”
                                                        – Leonardo Da Vinci
In the domain of Renaissance Art, we notice the
enduring influence of the Classical touch!
Ancient Greek statues and Roman architectures,
Inspired the Renaissance artists in their innovative
ventures!
The pervasive spirit of Humanism influenced
creation of life-like human forms;
Adding ****** expressions and depth, deviating
from the earlier stiff Medieval norms.
While religious subjects continued to get depicted
in three-dimensional Renaissance Art;
Portraits, **** figures, and secular subjects, also
began to appear during this great ‘Re-birth’!
The artists of the Early and High Renaissance Era
are many who deserve our adoration and artistic
due.
Yet for the sake of brevity, I mention only the
Great Masters, who are handful and few.

EARLY RENAISSANCE ARTISTS & THEIR ART

GITTO THE PIONEER:
During early 13th Century we find, Dante’s
contemporary Gitto di Bondone the Florentine,
Painting human figures in all its beauty and form
for the first time!
His masterwork being the 40 fresco cycle in the
Arena Chapel in Padua, depicting the life of the
****** and Christ, completed in 1305.
Giotto made the symbolic Medieval spiritual art
appear more natural and realistic,
By depicting human emotion, depth with an
artistic perspective!
Art Scholars consider him to be the trailblazer
inspiring the later painters of the Renaissance;
They also refer to Giorgio Vasari’s “Lives Of
The Eminent Artists,” - as their main source.
Giotto had dared to break the shackles of earlier
Medieval two-dimensional art style,
By drawing lines which head towards a certain
focal point behind;
Like an illusionary vanishing point in space,
- opening up a 3-D ‘window into space’!
This ‘window technique’ got adopted by the
later artists with grace.
(Giorgio Vasari, a 16th Century painter, architect & Art
historian, was born in 1511 in Arezzy, a city under the
Florentine Republic, and painted during the High
Renaissance Period.)

VASARI’s book published in 1550 in Florence
was dedicated to Cosimo de Medici.
Forms an important document of Italian Art
History.
This valuable book covers a 250 year’s span.
Commencing with Cimabue the tutor of Giotto,
right up to Tizian, - better known as Titan!
Vasari also mentions four lesser known Female
Renaissance Artists; Sister Plantilla, Madonna
Lucrezia, Sofonista Anguissola, and Properzia
de Rossi;
And Rossi’s painting “Joseph and Potiphar’s
Wife”,
An impressive panel art which parallels the
unrequited love Rossi experienced in her own
life !
(Joseph the elder son of Jacob, taken captive by Potiphar
the Captain of Pharaoh’s guard, was desired by Potiphar’s
wife, whose advances Joseph repulsed. Rossi’s painting
of 1520s inspired later artists to paint their own versions
of this same Old Testament Story.)

Next I briefly mention architects Brunelleschi
and Ghiberti, and the sculptor Donatello;
Not forgetting the painters like Masaccio,
Verrocchio and Botticelli;
Those Early Renaissance Artists are known to
us today thanks to the Art historian Giorgio
Vasari .

BRUNELLESCHI has been mentioned in Section
One of my Renaissance Story.
His 114 meter high dome of Florence Cathedral
created artistic history!
This dome was constructed without supporting
buttresses with a double egg shaped structure;
Stands out as an unique feat of Florentine
Architecture!
The dome is larger than St Paul’s in London,
the Capitol Building of Washington DC, and
also the St Peters in the Vatican City!

GILBERTI is remembered for his massive
15 feet high gilded bronze doors for the
Baptistery of Florence,
Containing twenty carved panels with themes
from the Old Testament.
Which took a quarter century to complete,
working at his own convenience.
His exquisite naturalistic carved figures in the
true spirit of the Renaissance won him a prize;
And his gilded doors were renamed by Michel
Angelo as ‘The Gates of Paradise’!
(At the age of 23 yrs Lorenzo Ghiberti had won the
competition beating other Architects for craving the
doors of the Baptistery of Florence!)

DONATELLO’S full size bronze David was
commissioned by its patron Cosimo de’ Medici.
With its sensual contrapposto stance in the
classical Greek style with its torso bent slightly.
Is known as the first free standing **** statue
since the days of Classical Art history!
The Old Testament relates the story of David
the shepherd boy, who killed the giant Goliath
with a single sling shot;
Cutting off his head with Goliath’s own sword!
Thus saving the Israelites from Philistine’s wrath.
This unique statue inspired all later sculptors to
strive for similar artistic excellence;
Culminating in Michael Angelo’s **** statue of
David, known for its sculptured brilliance!

MASSACCIO (1401- 1428) joined Florentine
Artist’s Guild at the age of 21 years.
A talented artist who abandoned the old Gothic
Style, experimenting without fears!
Influenced by Giotto, he mastered the use of
perspective in art.
Introduced the vanishing point and the horizon
line, - while planning his artistic works.
In his paintings ‘The Expulsion from Eden’
and ‘The Temptation’,
He introduced the initial **** figures in Italian
Art without any inhibition!
Though up North in Flanders, Van Eyck the
painter had already made an artistic innovation,
By painting ‘Adam and Eve’ displaying their
****** in his artistic creation;
Thereby creating the first **** painting in Art
History!
But such figures greatly annoyed the Church,
Since nudes formed a part of pagan art!
So these Northern artists to pacify the Church
and pass its censorship,
Cleverly under a fig leaf cover made their art to
appear moralistic!
Van Eyck was also the innovator of oil-based paints,
Which later replaced the Medieval tempera, used to
paint angles and saints.

Masaccio’s fresco ‘The Tribute Money’ requires
here a special mention,
For his use of perspective with light and shade,
Where the blithe figure of the Roman tax collector
is artistically made.
Christ is painted with stern nobility, Peter in angry
majesty;
And every Apostle with individualized features,
attire, and pose;
With light coming from a single identifiable source!
“Render unto Caesar the things that are Caesar’s,
and unto God things that are God’s”, said Christ;
Narrated in Mathew chapter 22 verse 21, which
cannot be denied.
Unfortunately, Masaccio died at an early age of
27 years.
Said to have been killed by a jealous rival artist,
who had shed no tears!

BOTTICELLI the Florentine was born half a
century after the Dutch Van Eyck;
Remembered even to this day for his painting
the ‘Birth of Venus’, an icon of Art History
making him famous.
This painting depicts goddess Venus rising out
of the sea on a conch shell,
And the glorious path of female **** painting
commenced in Italy, - casting a spell!
His full scale **** Venus shattered the Medieval
taboo on ******.
With a subject shift from religious art to Classical
Mythology;
Removing the ‘fig-leaf cover’ over Art permanently!

I end this Early Period with VERROCCHIO, born
in Florence in fourteen hundred and thirty five.
A trained goldsmith proficient in the skills of both
painting and sculpture;
Who under the patronage of the Medici family
had thrived.
He had set up his workshop in Florence were he
trained Leonardo Da Vinci, Botticelli, and other
famous Renaissance artists alike!

FOUR CANONICAL PAINTING MODES OF
THE RENAISSANCE:
During the Renaissance the four canonical painting
modes we get to see;
Are Chiaroscuro, Sfumato, Cangiante and Unione.
‘Chiaroscuro’ comes from an Italian word meaning
‘light and dark’, a painting technique of Leonardo,
Creating a three dimensional dramatic effect to
steal the show.
Later also used with great excellence by Rubens
and the Dutch Rembrandt as we know.
‘Sfumato’ from Italian ‘sfumare’, meaning to tone
down or evaporate like a smoke;
As seen in Leonardo’s ‘Mona Lisa’ where the
colors blend seamlessly like smoke!
‘Cangiante’ means to ‘change’, where a painter
changed to a lighter or a darker hue, when the
original hue could not be made light enough;
As seen in the transformation from green to
yellow in Prophet Daniel’s robe,
On the ceiling of Sistine Chapel in Rome.
‘Unione’ followed the ‘sfumato’ quality, but
maintained vibrant colors as we get to see;
In Raphael’s ‘Alba Madonna’ in Washington’s
National Gallery.

ART OF HIGH RENAISSANCE ERA - THE
GOLDEN AGE.

“Where the spirit does not work with the
hand there is no art.”- Leonardo

With Giotto during the Trecento period of the
14th century,
Painting dominated sculpture in the artistic
endeavor of Italy.
During the 15th century the Quattrocento, with
Donetello and Giberti,
Sculpture certainly dominated painting as we get to
see!
But during the 16th century or the Cinquecento,
Painting again took the lead commencing with
the great Leonardo!
This Era was cut short by the death of Lorenzo the
Magnificent to less than half a century; (Died in 1493)
But gifted great masterpieces to the world enriching
the world of Art tremendously!
The Medieval ‘halo’ was now replaced by a fresh
naturalness;
And both Madonna and Christ acquired a more
human likeness!
Portrait paintings began to be commissioned by
many rich patrons.
While artists acquired both recognition and a status
of their own.
But the artistic focus during this Era had shifted from
Florence,  - to Venice and Rome!
In the Vatican City, Pope Julius-II was followed by
Pope Leo the Tenth,
He commissioned many works of art which are
still cherished and maintained!
Now cutting short my story let me mention the
famous Italian Renaissance Superstar Trio;
Leonardo, Raphael, and Michael Angelo.

LEONARDO DA VINCI was born in 1452 in
the village of Vinci near the City of Florence,
Was deprived of a formal education being born
illegitimate!
He was left-handed, and wrote from right to left!
He soon excelled his teacher Varrocchio, by
introduced oil based paints into Italy;
Whose translucent colors with his innovative
techniques, enhanced his painting artistically.
Sigmund Freud had said, “Leonardo was like a
man who awoke too early in the darkness while
others were all still asleep,” - he was awake!
Leonardo’s  historic ‘Note Book’ has sketches of a
battle tank, a flying machine, a parachute, and many
other anatomical and technical sketches and designs;
Reflecting the ever probing mind of this versatile
genius who was far ahead of his time!
His ‘Vituvian Man’, ‘The Last Supper’, and ‘Mona Lisa’,
Remain as his enduring works of art and more popular
than the Leaning Tower of Pisa!
Pen and ink sketch of the ‘Vitruvian Man’ with arms
and leg apart inside a square and a circle, also known
as the ‘Proportion of Man’;
Where his height correspondence to the length
of his outstretched hands;
Became symbolic of the true Renaissance spirit
of Man.
‘The Last Supper’ a 15ft by 29ft fresco work on
the refectory wall of Santa Maria, commissioned
by Duke of Milan Ludovic,
Is the most reproduced religious painting which
took three years to complete!
Leonardo searched the streets of Milan before
painting Judas’ face;
And individualized each figure with competence!
‘Mona Lisa’ with her enigmatic smile continues
to inspire artists, poets, and her viewers alike,
since its creation;
Which Leonardo took four years to complete
with utmost devotion.
Leonardo used oil on poplar wood panel, unique
during those days,
With ‘sfumato’ blending of translucent colors with
light and shade;
Creating depth, volume, and form, with a timeless
expression on Mona Lisa’s countenance!
Art Historian George Varasi says that it is the face
of one Lisa Gherardini,
Wife of a wealthy Florentine merchant of Italy.
Insurance Companies failed to make any estimation
of this portrait, declaring its value as priceless!
Today it remains housed inside an air-conditioned,
de-humidified chamber, within a triple bullet-proof
glass, in Louvre France.
“It is the ultimate symbol of human civilization”,
- exclaimed President Kennedy;
And with this I pay my humble tribute to our
Leonardo da Vinci!

MICHEL ANGELO BUONARROTI (1475-1564):
This Tuscan born sculptor, painter, architect, and
poet, was a versatile man,
Worthy to be called the archetype of the true
‘Renaissance Man’!
At the age of twelve was placed under the famous
painter Ghirlandio,
Where his inclination for sculpting began to show.
Under the liberal patronage of Lorenzo de Medici,
He developed his talent as a sculptor as we get
to see.
In the Medici Palace, he was struck by his rival
Torregiano on the nose with a mallet;
Disfiguring permanently his handsome face!
His statue of ‘Bacchus’ of 1497 and the very
beauty of the figure,
Earned him the commission for the ‘PIETA’ in
St Peter’s Basilica;
Where from a single piece of Carrara marble he
carved out the figure of ****** Mary grieving
over the dead body of Christ;
This iconic piece of sculpture which along with
his ‘David’ earned him the ‘Superstar rights’!

Michel Angelo’s **** ‘DAVID’ weighed 6.4 tons
and stood 17 feet in height;
Unlike the bronze David of Donatello, which
shows him victorious after the fight!
Michel’s David an epitome of strength and
youthful vigour with a Classical Greek touch;
Displayed an uncircumcised ***** which had
shocked the viewers very much!
But it was consistent with the Mannerism in Art,
in keeping with the Renaissance spirit as such!
David displays an attitude of placid calm with
his knitted eyebrows and sidelong glance;
With his left hand over the left shoulder
holding a sling,
Coolly surveys the giant Goliath before his
single sling shot fatally stings!
This iconic sculpture has a timeless appeal even
after 500 years, depicting the ‘Renaissance Man’
at his best;
Vigorous, healthy, beautiful, rational and fully
competent!
Finally we come to the Ceiling of the Sistine
Chapel of Rome,
Where Pope Julius-II’s persistence resulted in the
creation of world’s greatest single fresco that was
ever known!
Covering some 5000 square feet, took five years
to complete.
Special scaffoldings had to be erected for painting
scenes from ‘The Creation’ till the ‘Day of Judgment’
on a 20 meter’s high ceiling;
Where the Central portion had nine scenes from
the ‘Book of Genesis’,
With ‘Creation of Adam’ having an iconic significance!
Like Leonardo, Michel Angelo was left-handed and died
a bachelor - pursuing his art with devotion;
A man with caustic wit, proud reserve, and sublimity
of imagination!

RAFFAELLO SANZIO (1483-1520):
This last of the famous High Renaissance trio was
born in 1483 in Urbino,
Some eight years after Michel Angelo.
His Madonna series and decorative frescos
glorified the Library of Pope Julius the Second;
Who was impressed by his fresco ‘The School
of Athens’;
And commissioned Raphael to decorate his
Study in the Vatican.
Raphael painted this large fresco between 1510
and 1511, initially named as the ‘Knowledge of
Causes’,
But the 17th century guide books referred to it
as ‘The School of Athens’.
Here Plato and Aristotle are the central figures
surrounded by a host of ancient Greek scholars
and philosophers.
The bare footed Plato is seen pointing skywards,
In his left hand holds his book ‘Timaeus’;
His upward hand gesture indicating his ‘World
of Forms’ and transcendental ideas!
Aristotle is seen pointing downwards, his left
hand holds his famous book the ‘Ethics’;
His blue dress symbolizes water and earth
with an earthly fix.
The painting illustrates the historic continuance
of Platonic thoughts,
In keeping with the spirit of the Renaissance!
Raphael’s last masterpiece ‘Transfiguration’
depicts the resurrected Christ,
Flanked by prophets

*** trafficking – the trafficking and debasement of souls; Drug trafficking – the trafficking of substances that debase the body.  Here compared you will find the prevalence, impact, and rehabilitation processes associated with *** and shrug trafficking.  Respective clientele, demographics, and locales that these types of trafficking touch will be revealed in order enlighten you to their world-wide prevalence. The physical, emotional, spiritual, and psychological impact of lifestyles that result from these two types of trafficking will be detailed to etch vividly an image of just how far-reaching the impact of these two activities is. Light will be shed upon the rehab processes that lead to recovery from each.
                 According to UnoDC.org, the United Nations Office on Drugs and Crime, the use of illicit drugs has remained in a stable trend, with approximately the same number of people using illicit drugs each year. This trend has continued for a number of years. Upon examining the world drug report, written by UnoDC.org, production of several drugs exhibit particularly interesting trends. ***** production for example fell and spiked in a somewhat predictable patter from 1990 until 2010. When this data is graphed a reasonable medium appears for all the years, revealing that ***** production has stayed around an average production of roughly 200,000 hectares annually. Likewise, coca cultivation pictures an interesting trend. From 1990 to 2010 coca production appeared to be almost identical each year, and with little to no rise or fall in production, there is a similar trend in its being trafficked.  
Nefarious: Merchant of Souls is a documentary that was released in 2012 by Exodus Cry Its producers and researchers saw firsthand the atrocities of the *** trafficking industry. The film crew interviewed former pimps and prostitutes, spoke to traffickers, the families of the trafficked and to individuals still actively engaged in three sides of the *** trade referring to currently employed pimps and prostitutes as well as those who purchased ***. The researchers and producers interviewed eastern European gang members and took a trip to Amsterdam’s red-light district – home of legal prostitution. They journeyed to Los Angeles and saw the glamorized side of the dark issue of *** trade.
According to Nefarious, the number of humans trafficked for the purpose of providing ****** services is on a shockingly steep rise. In a matter of a few years, *** trafficking rose from the third largest criminal enterprise to the second. It is second only to drug trafficking and is vying for the position as top criminal enterprise in the world. It is encroaching upon that position far more speedily than any authority or decent human being would care to acknowledge.  A survey taken in 2010 by DART (the drug awareness resistance training program) revealed that 21.8 million people aged 12 and older had taken an illicit drug in the previous month. In 2010 it was estimated that between 153 and 300 million people had used an illicit drug at least once in the previous year. These statistics fail to take into account the impact that this usage has on the lives of the families of drug users. Neither do these statistics reveal the extent to which drug users lifestyles are impacted by drugs. However, nearly  every single human trafficked for ****** purposes is completely and utterly enveloped in the lifestyle of prostitution and the violent world of being prostituted. In Nefarious a shocking statistic is revealed. Approximately ten percent of the entire human population of earth has been trafficked. Both human and drug trafficking are prevalent across the globe. Human trafficking occurs in 161 of 192 countries. Illicit drugs are trafficked in every country that has laws that deem substances unlawful. There are little to no race, religion, ethnicity, or age restrictions on who can and is trafficked for use of ***, but drugs are far more limited by age and ethnicity in their use.
Drug trafficking, though similar to *** trafficking in many ways, is in no way as substantial a damaging force to the mind, soul, and spirit as the world of *** trafficking  is in terms of the critical and dangerous force it exhibits in the emotional, physical, psychological, and spiritual  impact it has on young girls. Both drugs and *** trafficking have some influence in all of these respective areas. The primary area in which people are affected by drug use is the physical. Drug users’ health declines, they become physically or psychologically dependent, and they may develop diseases from sharing of needles or lack of inhibitions that lead to *** with an infected individual. Drugs may, in some rare cases, lead to psychoses and mental disorders. They may cause brain damage, which is both physically and mentally damaging. Drugs may even set one’s heart and soul in a place that they are more susceptible to lies or truth. They alter spiritual state for some individuals, but only mildly. However, *** trafficking victims are impacted majorly and in their entirety as a person. In all aspects of the physical, mental, and spiritual, *** trafficking victims are consumed by *** trafficking. In Nefarious it is revealed that In order to “break” *** trafficking victims they are profusely beaten, and are psychologically toyed with to create a twisted trust and dependence on their various handlers. They are repeatedly *****, and are examined like cattle by those who wish to buy women. They are imprisoned in dark rooms and not allowed to leave unless told to do so. They are bedridden and forced to ******* themselves. After being broken in ways described above and sold to a ****, girls are forced every day to meet certain quotas of customers and cash flow. If they do not meet these they are beaten even more. They lay in bed sometimes a week at a time to recover physically enough to usefully return to their “job”.  Through this hellish ordeal, their soul, self-worth and identity are being attacked by circumstances that devalue them. They become like animals.
*** trafficking victims become dependent on their environment for normalcy. This is so true for some individuals that even though they have been rescued from the lifestyle, they return.  This is not because the *** trafficking victims enjoys the lifestyle of prostitution, and it is not because they want to. Instead, it is because they think they can be nothing more than a *******. The *** trafficking victim, in this case, believes that they need to settle into the numb and thoughtless mind state that they develop when broken. Returning to prostitution does not evidence an addiction. In contrast, it is the cry of a soul that is desperately trying to cope. They do this in order to feel as if they can survive.  
The rehab processes for *** and drug trafficking differ greatly in commitment and length, but are similar in that they both require physical and psychological rehabilitation.  Drug rehabilitation programs typically consist of twelve-step programs or something similar. They last a number of months, or occasionally a few years. They allow individuals counsel and encouragement, and they attempt to, by abstinence, exorcise an addicted individual’s addiction. *** trafficking rehabilitation requires the re-creation of an individual. Self-worth must be reconstructed. The spirit must be healed in order to allow for psychological healing. Prostitutes are not addicted to prostitution, but prostitution produces dependence in that the prostituted crave normalcy. This dependence must be killed. Successfully rehabilitating women from this forced lifestyle requires lifelong commitment and endless resources. It requires passionate fanatics, people who will pour their life into changing the lives of others, because only the incurable fanatic can wreak havoc on the tragedy of human trafficking. Any short-term effort to rehabilitate a *** trafficking victim is doomed to failure. The degree to which the brokenness of *** trafficking victims becomes ingrained in them is so extreme that it takes a lifetime to reshape their lives.
While researching *** trafficking in order to accurately produce Nefarious, the researchers and producers of Nefarious became convicted by facts that they collected. The evidence they collected speaks to the fact that *** trafficking does not just attack the body; it attacks the entire being, and in far worse ways than drugs ever could. Varied races and ages are prostituted and / or consume drugs. The impact of both of *** and drug trafficking is severe, but much more so severe in the case of human trafficking. The rehab process for human trafficking is much more in depth and is testament to the horror and degree of psychological, mental, and emotional disfigurement, as well as acclimation to a horrible situation to the point that horror becomes normal – a new definition of addiction. Human trafficking is an atrocity that is far more horrendous and prevalent than imaginable. It is far more destructive than drug trafficking. Drug trafficking is one of the most destructive forces in this generation.  Surely consuming drugs is one of the most horrid things we can do to our bodies, but what about consuming souls? *** trafficking consumes souls, hearts, minds and bodies. It splits, fragments, debases, brutalizes, obliterates, murders, rapes, molests, destroys, and dehumanizes the prostituted.  Drug trafficking attacks the body the soul, and sometimes the mind, but in much milder ways.

yours is the music for no instrument
yours the preposterous colour unbeheld

—mine the unbought contemptuous intent
till this our felsh merely shall be excelled
by speaking flower
                      (if I have made songs

it does not greatly matter to the sun,
nor will rain care
                      cautiously who prolongs
unserious twilight)Shadows have begun

the hair’s worm huge,ecstatic,rathe….

yours are the poems i do not write.

In this at least we have got a bulge on death,
silence,and the keenly musical light

of sudden nothing….la bocca mia “he
kissed wholly trembling”

                              or so thought the lady.