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it should have been you,
the one who shines and paints stories--
never the same way twice--
not the quiet one
whose eyes are like mine,
dark and bitter as spiced chocolates.

but I guess I'd had enough of bright, lovely people
who burn through you and expect you to last.

I fell for a cynic's smile and a dreamer's heart,
whose story is broken in almost all the same places as mine,
and was told whisper by whisper along hours of dusty, unlit roads,
just as my heart was given letter by letter, step by step,
over plates of antipasti and all-too-short train rides.

but I was too late;
I found my love sitting at your feet,
listening to your stories,
and waiting for the one that begins with his name.
written between the 11th and 25th of August, a poem to the woman who is magic to the man I love, the woman I should have fallen for instead.
I woke up in the middle of the night,
and realized that I am more free than I have ever been in my life.

Yet,
All I want to do
is show up on your doorstep--
perhaps in one of those rainstorms you love so much better than me--
and beg you to strip the gold leaf from the bars,
because this cage I’ve built of one-way fantasies
is still better than sleeping alone,
and the gilding is all I have to offer
that could possibly compare with the brilliance of her sun.
August 24, 2015

I just finished reading the book of poetry Mouthful of Forevers, by Clementine Von Radics. Her work always makes me feel some sort of way, cutting through all the flowery little thoughts to the unpretty-ness of it all, that which is actually beautiful for being nothing but the truth.
When I was a little girl, I occasionally loved to wear dresses. Not because they made me feel pretty, or because that’s what the damning norms of society taught me I should wear—I wore them because I loved how it felt when I would spin myself around. I’d scuff my Mary Janes, litter my tights with runs, and twirl around until my balance ran out and my little knees met the ground. No scrape or brush burn kept me from the thrill of that momentum, smiling wide as the material rose up to meet my fingers while I flew around in haphazard circles. I’d watch the colors of this huge, painted world blend and blur together, amused that, for a moment, I was out of my own control.

Eventually, much to my dismay, I grew up in nearly all of the ways a little girl can.

I realize, as an adult, that it’s important to harbor the mindset that we should regret nothing. After all, every experience typically gifts us with a little wisdom nugget, right? We collect them and look back fondly on the good and the bad, carrying our souvenirs with us as we move forward. Well, I have the nuggets (heh), but I can’t help but feel some regret as to how I came about retrieving them. Recently, there have been so many instances where I want to hop in the Doc’s Delorean, go back in time, grab the hands of little me, and spin ourselves into oblivion. We crash in the grass, eyes closed, world still spinning. In the midst of giggles and grins, we lay on our backs, watching the clouds come back into focus. I turn my head and look at her, fully prepared to tell her everything she needs to know to protect herself from all of the hurt and pain I know she’ll come to endure in the next couple of decades. I want so badly to save her from it all, but before I can speak, she does.

“Don’t worry, I can see it,” she looks at me, warmly.

“See what?” I ask, catching my breath.

“I can see all of the cracks in you.”

I don’t have the words for her, as she searches my face. She traces the outlines of my cheeks, somehow still as round and rosy as her own. Her eyes are my eyes; a bewildering gray green—unchanged, even after all of these years. In that moment, I realize that I’ve forgotten just how young I actually am.

“You don’t have to tell me about them. I know they’ll be mine someday.” She smiles and turns her eyes to the sky.

I’m in awe of this child—her understanding and intuitive nature. It left me perplexed.

“You already know what I’m going to tell you?” For a brief second, I relived the heartache, the fear, and the anger—and I wondered if she understood, I mean, truly understood what she was saying. “But if you know, then how can you be smiling?”

She turns back to me, lips curved sheepishly into a grin—an expression we had come to perfect. “Because where you’re cracked is the prettiest part of you. You fill them with gold and silver and all the rest of the glittery colors. They’re not empty—just spaces replaced with things that mean more to you than what was there before.”

I imagined this—a map of myself, sporadic damage branching out in all directions, repaired in technicolor brightness, more eye-catching than ever. I fell in love with the thought of my tattered soul, patchworked into something my heart could use to keep warm.

I kissed her, lightly, on her little forehead—a thank you for the words I still didn’t have, and hugged her tight.

“You should get back now,” she said, still grinning, “you don’t want to miss it.”

I don’t know what she meant by that exactly, but I had this unmistakably good feeling that she was on to something.
©Bitsy Sanders, August 2015

I realize this is not what we'd call a "poem" but rather poetic prose. Either way, it had to get out. Thanks for your understanding.
We shatter no illusions
when  breaking through
the looking glass.
  Aug 2015 Rustine Gescheidle
Maxwell
it has been days and weeks
since my tears kissed my cheeks
yet here i am, writing in such a long time
with you in my mind, i cant think of any rhyme

it's always you for months and weeks,
it's you my mind always thinks
your name my mouth always speaks
your soul my heart always seeks
i still miss you and it hurts right now
i miss you please come back
A ring of gold and a milk-white dove
Are goodly gifts for thee,
And a hempen rope for your own love
To hang upon a tree.

For you a House of Ivory,
(Roses are white in the rose-bower)!
A narrow bed for me to lie,
(White, O white, is the hemlock flower)!

Myrtle and jessamine for you,
(O the red rose is fair to see)!
For me the cypress and the rue,
(Finest of all is rosemary)!

For you three lovers of your hand,
(Green grass where a man lies dead)!
For me three paces on the sand,
(Plant lilies at my head)!
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