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  Jun 2020 False Poets
Nat Lipstadt
why I love certain men


it’s a raining and writing Saturday,
a washout for the beach visitors who chose their
calendar lottery tickets poorly

but hurrah and huzzah for the poet
in the no-sun-today-room with
steam collecting on his face from his 20 oz. Canadian mug,
the rest of him cozied neath a
wooly mohair knitted and tasseled blanket,
from a now naked and shivering alpaca goat in Turkey or Tibet

perhaps we’ll make a tiny dent
in the 1319 poems,
in the ‘sorta started to do’ list

****.
new one sneaks in demanding immediate satisfaction
and threatening my mind’s incarceration unless,
serviced and unleashed as the Frenchies say

Frites, immédiatement!: (french fries, now!)

I love most men; certain men more than others,
not because they are soft to the touch,
look great in thigh highs, can fix a backhoe,
lay hands on animals, just as they do upon their grandchildren,
or write better poetry than me,
because
they make me weep from zealous delight at
their capricious unprecedented constancy of their
honorable actions

they are soft to the core, which is itself
wrapped in a leather soldered steel,
which defines them by their self-questing constant,
asking themselves preface and postface,
doing it well, in between,

what is the honorable thing?

this honor idea of which writ previous
doesn’t dissolve - indeed grows crescendo stronger,
like the miracle of the Yom Kippurs rams horn
crying out to heavens at the concluding end  
on the holiest judgement day,
a shofar miracle for it inhumanly grows ever louder,
ceasing only when nightfall marks a new day begun,
reminding both sinners and saviour each,
to inquire of their colluding selves on this forgiveness-giving day,

what is the honorable thing?

some are borrowers and some lenders,
of anything, the substance or the whom matters not,
but the bonding bonfire from which the deal is done,
is of a uncharted organic chemical matter unrecognized
but millennium ancient


here I stop

the call to breakfast must be obeyed,
for it’s with lovely made, menu man-poet requested,
this is too an honorable thing to do,
and the 1319 half blood~half writs poking my eyes,
can be faced with new courage afterwards
on a perfect raining and writing Summer Saturday
for the next one hopefully and woefully

may not come till the September (Rosh Hashanah/Jewish New Year) when acorns fall

certain men will greet that fall Sabbath/ New Years Day,  
when Atonement begins, a ten day process to the final conclusion,
by asking of everything living and of every act human performed,
for the forgiveness requested inherent in the absolute bar setting of

what is the honorable thing?

which by the by,

is why I love certain women too...

and all who are honorable
will read this honorific and remain
clueless as to whom it is addressed...

oh god, I do so love that best!

what could signal honor even more...
  Jun 2020 False Poets
Smoke Scribe
scribing with smoke and utter devotion
———————————————-

****!

half an orange, half a grapefruit,
on a crystal dish, resting on a fine china plate,
Royal Worcester, from England  retrieved,
in a smoke cloud, upon my chest appears

the coverlet up to my chin pulled,
my arms tucked in tight, side by side,
the light turned off, the television too,
who?  in a smoke cloud, catch a faintly glimpse

the menu does not mention love, or utter devotion,
no recollection of ordering either, and yet,
here I-am, well served, piping hot and well chilled,
scribing of one’s shadow, she who never disappears

she, whose never disappoints, late in the evening,
early in the morning, a mirage, a ghost, magical elusive,
lightest touch of a forehead kissed, a tingle for evidence,
but not the only proof of her

utter loving and devotions appearance
what the difference if the ***** coffee cups
in the sink get washed now or later or never,
the stains of each imbibing are added, wearing
is a tearing down, cumulative, so refer back to
your calculus practiced on a shooting range,
the long distance to target is an accumulation
of a thousand points, wind, light, eyesight,
combinatory

many short runs if you wish to hit the bullseye
repeatedly in the long run

life is best when you sum up each day for the accurate totality
  May 2020 False Poets
onlylovepoetry
what does her true voice sound like?*

going on seven, maybe eight years,
know the thumbprint of her stylish,
at twenty paces, her tower recognizable,
leaning in, she is the garden, can’t tell
where the garden ends and she begins

she opens the pages and lets slip out the
exposed flora+fauna of of her heart’s eyes observatory,
revelation unintended but wanted, she can’t be helped,
for she, both a revealer, reveler, party girl, beat poet

know her
in the bursting:  of the spring welcoming festival
in the bursting:                     of the season of loves busted unhappiness,
I know her well enough but not at all

in the sparse, frozen soil, and in the contra-blooming,
in every season, she warps my judgement,
with words unheard, unknown, the dictionary my accompanist,
what she says is a language purportedly in common, maybe not,
she takes me on a tour of her symphonic insights,
as my foreign tour guide

enwrapped, entrapped, I am, as she crooks her hair, in the
curved shape of a question mark top,
unknowing what does her voice sound like?

try different versions, a tasting menu of mellifluous, and
imagine myself to sleep, wondering and wandering,

what does her voice sound like?


off to sleep,
smiling, frowning
upside downing


11:51pm Tue May 5
a headline, a title, an instant self-commissioned
to live on, sponsored by these dying times,
a new poem, a different rabbit hole, a reflective surface
of in-between spaces, that separates letters, I am
that man, charter member, a voting citizen of the

The City That Never Sometimes Sleeps

the new traffic patters, i.e. no traffic at all,
messes up circadian rhythms, no trucks honking,
even the ambulances silenced, asking what’s the rush,
this year the cicadas, them too, took the seventh year off,
the strange silence wierded them out,
so they sheltered in place

our device, informs, it has been employed
20 hours 42 minutes of the last twenty four cycle,
don’t disagree, wonder only where the heck I was for
the 3 hours 18 minutes unaccounted

wasn’t sleeping, of that ‘rest’ assured,
must have been unconsciously
writing poetry, a voyage to my
beloved holy dark,
where nightly
he reimagines when things were
normal and empty streets were
a refreshing sight, a welcome change,
not a harbinger of the visible separation
between the living and the dead
  Mar 2020 False Poets
Nat Lipstadt
up at your regularly scheduled night sky patrol,
the colorful clock says 2:47 and
dark skies confirm which 2:47 it is,
for flecks of blackened peppery light exude at this hour,
a time period for former lovers, those old writes enfolded, enveloped,
hiding an active poem volcano spewing bare feet words in clouds of
kidskin soft velveteen cumulus, fleece-comforting slippers of poems

there are half started poems waiting, more than one, triplets in fact,
waiting to be born in the time of pandemic, thinking quietly,
will they emerge healthy and living and grow up to be adults
contributing to society, additives to the engine oil of human living

but the old familiar, dissatisfaction with quality control leaves them
unfinished, poet lurches from dead roses head hanging, a new blues,
disease as an economic and societal differentiation, that you hope,
believe, poems that in due course, all will emerge, for better or for worse,

poetry birthed in the time of pandemic

the city of new york, where I was birthed and will die, a city of
tall buildings, tall tales, short attention spans there is but one nighttime moving automobile observed in a city that never sleeps but now hides blanketed in weariness of trepidation of what are the

well known unknown possibilities in the time of pandemic

and you wonder in this new, different quietude if poems can be born
with birth defects and survive, breathing on a ventilator till they can
breathe by their own lungs, or were they perma-infected on a supermarket trip, a walk by the East River, a pizza delivery man, even

if inspired by a decade-lover, next, in bed, in the time of pandemic

waving to grandchildren in their second story window, you on the street, keeping them safe from you, a modern Auschwitz train station where they separated, the we-useless out, children and their parents, safe in a barbed wire atmosphere, a demarcated world, where some billion of brimming droplets of tears are stillborn

stillborn poems, or perhaps just poems-in-waiting, to still be

born in a time of pandemic


3:29am Sunday March 22, Twenty Twenty
New York City, the epicenter, crossroads
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