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To face the world, a runt,
With such brunt and abasement,
Is to know ones place in the scheme,
Standing in the stream of frivolous
Happenings, this is the dance,
To be danced, this is the play,
Yet, he has the ears of a king,
To jest with such fire is to be
Ferocious, not feeble, his mocks
Are mostly mirrors for the blind,
For madness is a known methodology,
How he revels round the sad theatres
Of the high born absurd, how he speaks
In tongues and with bold proclamations
Only taut whispers of wind would know?
He is certain that the spindle fates are real
And that lightening strikes purposefully,
Kingdoms will fall, as the sun will rise,
As the noble trees ring with ideologies,
Without travails, he is always arriving,
To sleep out of doors, this is his way,
The path, the masted ship of fools.
The Fool, from Shakespeare's 'King Lear':
The Fool does not follow any ideology. He rejects all appearances, of law, justice, moral order. He sees brute force, cruelty and lust. He has no illusions and does not seek consolation in the existence of natural or supernatural order, which provides for the punishment of evil and the reward of good. Lear, insisting on his fictitious majesty, seems ridiculous to him. All the more ridiculous because he does not see how ridiculous he is. But the Fool does not desert his ridiculous, degraded king, and accompanies him on his way to madness. The Fool knows that the only true madness is to recognize this world as rational.
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