i made love to your poetry
and it made love to me
its words lightly caress
the body that once felt

i made love to your poetry
and it made love to me
its dead verses
filled a body so insensate

i made love to your poetry
and it didnt make love to me
meaningless letters
had only resided

   within the deepest depths
                                      and corners of
                                                             my murky  m  i  n  d  ...
                      ­                                      (b.d.s.)

With every passing day my body begs,
Consider that all drink, all food consumed
Will shorten breath, and weigh on swollen legs.
But thirst and palate are no less attuned
Though appetite has slaked as time goes by.
Instead of gluttony, I must select;
Notice what I eat and drink and why
To savor flavor to its best affect.

A poet learns their mindfulness of words
The same.  With small or no restraint at all,
They gorge themselves on overstuffed buffets,
Well-salted with their tears.  Yet, to be heard,
A simpler line cuts through the caterwaul
And quenches thirst and hunger on its way.

Why does rain smell?
How come leaves make that
Crunching sound when walked
Upon in autumn? That
Great October Sound.

We love seconds and minutes.
Hours and days are for the
Weak,
Weeks and years for the
Hopeless romantics.

Nothing hopeless
About our romance.
We just shut up and take it in.
Love? Photo album in words?
Yes.

We know it.
It's like laughing when her
Dog Shelby
Kisses me, and I kiss her back,
Wet snout and all,

And she carries that kiss to her
Owner;  
So beautiful by the mirror,
Asking me:
Should I wear the black or the

Purple dress? and I lean back
And enjoy her trying them
On.
We are the Moment People.
We snapshot microseconds

And capture them
Like this.
This is why we're poets.
We help them remember.
We write for the ones we love.

Forest inquires:

How do you decide, choose your design, find its guise,
give it a face, surrender to the poem's own
vanity,
        and choose the poem's alignment?


                                                  an­ answer forms:

this alignment idea,
you think it simple,
everybody understands
what your inquiry means

alignment -  the appropriate relative position

we live in relative position to each other, our poems too, for they are but written synapses of our close captioned interactions, seemingly random, but assuredly not, as we invest in ourselves, seeking the mysterious appropriate answer
                                                                ­                        from the Theory of Poetic Relativity

                                                   ­             i love your question;                              hold it to my nostrils,          
                                             ­             smell the coffee aroma wake up blast inherent;
                                                                ­      
 kiss its robust childlike cheeks for the simple   soulfulness essential arousal;
for you see sir you have found
the appropriate position that relates us, our mindful words;

                                 answer no good, wholly insufficient?
                                        perfect.
                          as i close this quick cooked to perfection laboratory solution, take note

                              
                            ­                        the earth has moved
                                our hearts have beaten a measly thousand times
                                    time and space have appropriated our prior
                                          
relativity

when you return years hence this poem's shape will perforce have moved. for words are weathered flux constant and yet inherently unchanged except for the part of us that changes with every re-reading  

and what was


**right before has left and the center has moved again