Of this verse
The core, the middle,
Is marked on its palm.
No riddle
To be guessed in a lyric
So brittle,
Whose task
Is  to hold in place
The fissured parts
Of a gypsy's fiddle.

LazharBouazzi, April 4, 2017

.
Sometimes the body is contagion
To the soul.  Stars in their mission fall
To seed the fertile flesh, ignite
Blue waters of sulfureous hearts,
And so the flash is set to cancel
In the flood.  

Sometimes the lip of soul onto seal
Will not hold, before he first knocked
And let flesh enter, thorny pegs
Pricked nerve and pierced bone on his climb
To the rose, yea, some stars odd as
Meteors crash.

In the swan-sea, song-sangy-frame of crib,
Rough hewn words bent mold to scrape, like
Blasted coral, stood half-submerged
Amid sea and sky, for between the leaves,
Behind the eye, there are little stars
Shining like existence.

In a circle world he fashioned green
Blazons about the darkling day,
Fostered by celestial navigation,
Wrote a language for music, on a map of love
And charted the force of green in a wind-
Rose of discovery.

Sometimes the soul is not contained, it
Bursts in silent sound like well water
From the source.  And of men in streets
He saw the pennies in their grumble
Eyes, and of love and its course he rubbed,
Tickling dim stars.

It was his thirty ninth year in that fall
To heaven when the steeping cell,
Refused to push in its tide.  Homeless
And free on scaffold of bone the middling
Man retracted from sun to sink
With the moon, turn-tiding-toward sea
Like a changeling.

And as ever, nor often, unwavering eyes
Sprout through shifting grains.  And as he spoke
Quite rimless, Dylan Thomas was petrified
In undying light, and solid set within a rill
Of reef sparkling in concert betwixt gas
And sea, so becoming in purple sleeves,
This constellation of mute singers all,
Dried five-fingered-fish, bright embryos
Returned to the shell, they burn between the leaves,
Beset the grounded skies and show sprite flashes
In the dark where He has left his imprints, burning
Above and plastered below.  The first rock stars!

They’ll be rockin’ in Heaven
Down St. Peter’s Gate Way.
Chuck Berry passed over,
But he still can play.

True King of Rock,
He’ll live for evermore.
And he’ll keep duck walking,
Along that golden shore.

His guitar keeps twanging,
Wah wah tlang tang tang.
Ya want a Showman?
Chuck’s still yer man.

He died at ninety.
It was very sad.
But now he’s up there,
I’m sure that God is glad.

He’ll love that Rock N Roll Music,
Chuck’s sense of humour too.
A touch of Devil also,
When he sings the blues.

So all you Saints and Angels,
You better move and hurry,
For they all want to dance with
That amazing Chuck Berry.

Paul Butters

Under my skin
and my bones is a room
nobody visits
nor anyone see's

it's dark and it's cool
and it's mine and the rules
like the gaps in it's walls
are governed by me;

comfortably safe
by myself in this place,
a question persistently
troubles my sleep

has all the pretence
that's been it's defence
saved me or left me
buried too deep.

When I come home at night
I lock my doors
and draw my shades
like an allegory of something
long forgotten that itches
six inches deep
I turn my old radio on
and a song is sung
like a toothache
from sometime in the past
I set another place at the table
don't ask me why
for the same reason there are
no longer any shotguns
or guitars in my house
but there is lotion for my hands
each blister another
bloodshot moon
my yawn a blessing in disguise
I search the bookshelves
I built from lumber
from the tumbled down barn
I read books the dead light
their stoves with
and some that howl
like a pine on a ridge
and all these maps
these photographs
I wasted nails on
when they hung on the wall
but I'm tired of mending
all the small holes
so I leave them there
open and empty
to remind me where
the heart goes.

My younger brother still fishes
when he can, when the weather
is agreeable, when he can afford
some tackle and beer for the cooler.

He sits alone on the river bank
and smokes and drinks and waits
in the shifting shade of cottonwoods
for the unmistakable pull on the line.

He fishes whether
the fish are biting
or not. He is intimate with
psychology and the placid
deceit of undisturbed water.

My brother is an angry man.

As kids, we fished
together on the dock
and killed them
with our hands.

Careful not to kneel
on scattered hooks,
we baited the lines
on our knees a foot
above brackish water.

We dropped fish heads
off the edge of the dock
and watched them float
down, almost out of sight,
settling into final stillness
only to snap back to life
(or the false throes of death)
by the white claws of *****
picking them into oblivion—
goodbye eyes,
goodbye gills,
goodbye teeth,
goodbye scales.

Brother, I don’t remember anymore:
was it triumph or merely shame
that left us shivering in the sun?