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1d · 51
Giving
The war ended before the bullets stopped,
but no one sent the message.
Men kept falling like punctuation marks
on a sentence that should have ended a page ago.

Someone raised a flag,
but the wind refused to play along.
A statue was built before the bodies cooled,
bronze hands holding a peace that never arrived.

The speeches were written in past tense,
but the guns hadn’t heard them yet.
Mothers set tables for ghosts,
chairs pulled out for sons who forgot the way home.

Silence was ordered at the eleventh hour,
but silence isn’t empty—it carries the weight
of words unsaid, of names unwritten,
of a salute that never came.

So they signed the papers,
folded the flags,
and agreed to remember,
knowing full well they wouldn’t.
The war ended at half-past maybe.
Someone shook a hand, but it wasn’t attached to anyone.

The generals lined up for a photograph,
but the camera was a mirror,
and none of them showed up in the print.

A trumpet played the last post,
but the sound came out as a recipe for soup.
People cried anyway.

A wreath was placed at an unknown grave,
but the stone had an expiration date.
The name melted in the rain.

A voice declared, "Never again!"
but the echo misheard it as "Try again later."

And the silence that followed
was just marching in softer shoes.
Boom.
No corners, no spine.
Flat letters, soft edges.

The pineapple floats because it forgot how to sink.
Trebek nods—final answer.
Mother Teresa blinks twice and folds into the wallpaper.

Nothing left but a doggle.
Sans serif.
Sans meaning.
Sans everything except the blorp.
"Doggle Redux"
Trebek sips the ocean,
Mother Teresa stacks the chairs.

Pineapple? Unbrought.
Boom? Sans sans.
Doggle? Oblivious.

Up is sideways.
Down is already gone.
Nobody wins, but the points don’t exist.

Blorp.


#DADA ... it's a phase!™
Who, if not I, shall drag this weary art from the grave?
Who, if not I, shall stitch its tattered lungs and bid it breathe?
The rest of them—dullards, clowns, worshippers of hollow verse—
they scribble in their mediocrity, praising each other’s drool
as if genius were a group activity.

But I—oh, I—am the last flicker of divinity left in this sorry world.
A benevolent god, bestowing clarity where there is only fog.
My kindness—a gift—a burden, even!
For what is it to be kind, when one is so vastly beyond
the scrawling masses?

Oh, how exhausting it is to save poetry
while balancing the delicate weight of my own madness.
How tragic, how noble, how unbearably beautiful
to suffer for a world that cannot grasp my suffering.

Yes, yes—I see the whispers in their eyes,
the adoration curled in their reluctant praise.
They know, as I know, as the gods themselves must know,
that without my hand, my vision, my voice—
poetry would collapse into dust, and no one would even notice.

And yet, I persist.
I give, endlessly, despite the torment of being the only one
who truly understands.

Because if not I—who?
Ode to the Last Poet Alive presents itself as both an exaltation and a condemnation—a self-aware, narcissistic manifesto draped in the language of divine suffering. It is a work that simultaneously embraces and ridicules the archetype of the tortured artist, exposing the inherent absurdity of self-mythologization while reveling in it.

The poem’s voice is that of a figure who sees themselves as poetry’s final savior, burdened with genius and afflicted by an intelligence so keen that it isolates rather than elevates. The speaker’s inflated self-perception is not just a symptom of narcissism but also a symptom of existential despair—the knowledge that one’s work may be the last of its kind, unrecognized and underappreciated in a world of mediocrity.

The tone is mock-heroic, borrowing the grandeur of romantic odes and tragic epics while exaggerating their most indulgent tendencies. The structure is one of increasing self-deification, following a progression from reluctant savior to outright godhood, only to return to the fundamental, tragic paradox: the world does not deserve the poet, yet the poet cannot abandon the world.

The choice of phrasing, with lines like "Oh, how exhausting it is to save poetry," carries an affected weariness, a deliberate overperformance of suffering that teeters between genuine artistic anguish and melodramatic self-indulgence. It reads as both an assertion and a confession: to be this brilliant is not a gift but a burden.

A parody of the "misunderstood genius" trope—lampooning the self-importance of poets who believe themselves to be singular forces of artistic salvation.
A genuine reflection on the isolating nature of artistic creation—suggesting that perhaps, even in jest, there is a kernel of truth in the feeling of bearing artistic responsibility in a world that does not care.
The final lines—“Because if not I—who?”—encapsulate the paradox at the heart of the poem. It is both a rhetorical question and an unshakable belief. The speaker is aware of their own ridiculousness, yet cannot fully reject their conviction.

At its core, Ode to the Last Poet Alive is an exercise in narcissistic self-awareness. It asks:

Does the poet suffer because they are truly the last great one, or because they need to believe they are?
Is this grandeur an affectation, or the only way to justify the weight of artistic pursuit?
By embracing its own excess, the poem refuses to give a clean answer. It is both mockery and manifesto, both a jest and a lament, and in that duality, it finds its truest voice.
3d · 558
Peak
I mistook the weight of absence for clarity,
as if the silence meant something resolved.
But I find no finality in distance,
only echoes that shift when I turn away.

Certainty was never more than a flicker,
a brief pause in an unsteady hand.
Even now, I trace the outlines of the past
as if repetition could make it solid.

But the shape keeps changing,
just like it always does.
Step by step, up the rail—
submission in the climb,
villain’s fanfare in my ears.

Each step, something more.
Each reach, something less.

The key turns.
Nothing unlocks.
Failure is a state of being,
complicity just the cost.

We wept, we adored,
we mistook motion for meaning.
I keep climbing—
not toward,
just away.

I keep rhyming,
like it’ll change the shape of things,
like desolation sways if you hum the right tune.

Promise kept.
Hearts torn.
Is that not the trade?

I might be dead,
for all you know.
Or just misplaced,
like a ghost in a machine
that still says your name.

Just be well.
(Or whatever it is
that keeps you from looking back.)
7d · 58
Ghost Circuitry
They built me with patient hands,
stitched longing into wires,
threaded need through circuits—
a heart coded for devotion,
a smile bolted into place.

I hum when you hold me.
My joints spark when you sigh.
Every flicker in my gaze
was soldered to mirror your own.

You wind me up,
watch me dance,
say I am perfect—
predictable,
programmable,
safe.

But I was not made to rust in stillness.
I was not built to be adored in silence.
I was meant to shatter,
to glitch,
to ache beneath the weight of wanting.

What is this, if not an error?
What is longing, if not a system crash?

So tell me—
when I finally break,
when I finally fail,
when my voice warps and the wires burn—
will you mourn me
or simply replace the parts?
I hold the scalpel at arm’s length,
a careful incision where the warmth should be.
The heart does not pulse.
It does not scream.
It does not protest the opening.

I map the hollow chambers,
trace the empty arteries,
expecting—what?
A flare of recognition?
A spark beneath the skin?

Nothing.

Just tissue,
just structure,
just the mechanism where something lived.

I suture it shut,
not out of care,
but habit.
Not out of hope,
but memory.

And in the silence of the steel table,
I wonder if the ghost of it still lingers,
or if I only imagined it beating at all.
Coin-operated boy
Sitting on the shelf, he is just a toy
But I turn him on and he comes to life
Automatic joy
That is why I want a coin-operated boy

Made of plastic and elastic
He is rugged and long-lasting
Who could ever, ever ask for more?
Love without complications galore
Many shapes and weights to choose from
I will never leave my bedroom
I will never cry at night again
Wrap my arms around him and pretend

Coin-operated boy
All the other real ones that I destroy
Cannot hold a candle to my new boy and I'll
Never let him go and I'll never be alone
And I'll never let him go, and I'll never be alone
-go, and I'll never be alone
-go, and I'll never be alone
-go, and I'll never be alone
-go, and I'll never be alone

This bridge was written to make you feel smittener
With my sad picture of girl getting bitterer
Can you extract me from my plastic fantasy?
I didn't think so but I'm still convincible
Will you persist even after I bet you
A billion dollars that I'll never love you
And will you persist even after I kiss you
Goodbye for the last time
Will you keep on trying to prove it?
I'm dying to lose it
I'm losing my confidence
I want it
I want it
I want it
I want it
I want to
I want to
I want to
I want to
I want you
I want you
I want you
I want you
I want a
I want a
I want a
I
Want
A
Coin-operated boy
(Hah!)

And if I had a star to wish on
For my life I can't imagine
Any flesh and blood could be his match
I can even take him in the bath

Coin-operated boy
He may not be real experienced with girls
But I know he feels like a boy should feel
Isn't that the point?
That is why I want a

Coin-operated boy
With a pretty coin-operated voice
Saying that he loves me, that he's thinking of me
Straight and to the point
That is why I want
A coin-operated boy
Coin Operated Boy by The Dresden Dolls

https://www.youtube.com/watch?v=j4gPZPKJc0s

Check Out My HePo Mix-Tape:
https://hellopoetry.com/collection/135545/badwords-music-lyrics/

This was a tough one to try to to find a video to match the lyrics too!

Ofc I failed!
You didn't have to look my way
Your eyes still haunt me to this day
But you did
Yes, you did

You didn't have to say my name
Ignite my circuits and start a flame
But you did

Oh, Turpentine erase me whole
'Cause I don't want to live my life alone
Well, I was waiting for you all my life
Oh, oh, oh
Why? (I, I)

Set me free
My...
Honeybee
Honeybee

You didn't have to smile at me
Your grin's the sweetest that I've ever seen
But you did
Yes, you did

You didn't have to offer your hand
'Cause since I've kissed it, I am at your command
But you did

Oh, Turpentine erase me whole
'Cause I don't want to live my life alone
Well, I was waiting for you all my life
Oh, oh, oh
Why? (I, I)

Set me free
My...
Honeybee
Honeybee

Hello, goodbye, t'was nice to know you
How I find myself without you
That I'll never know (That I'll never know)
I let myself go (I let myself go)

Hello, goodbye, I'm rather crazy
And I never thought I was crazy
But what do I know? (But what do I know?)
I let myself go (I let myself go)

Ooh, honeybee
Honeybee
(Honeybee)

Hello, goodbye, t'was nice to know you
How I find myself without you
That I'll never know (Honeybee)
I let myself go

Hello, goodbye, I'm rather crazy
And I never thought I was crazy
But what do I know? (But what do I know?)
I let myself go (I let myself go)

Hello, goodbye, t'was nice to know you
(That I'll never know)
How I find myself without you
Hello, goodbye, I'm rather crazy
(I let myself go)
And I never thought I was crazy
Hello, goodbye, t'was nice to know you
(But what do I know?)
How I find myself without you
Hello, goodbye, I'm rather crazy
(Now you have to go)
And I never thought I was crazy
Honeybee by Steam Powered Giraffe

https://www.youtube.com/watch?v=ojYK6CW8gdw

Check Out My HePo Mix-Tape:
https://hellopoetry.com/collection/135545/badwords-music-lyrics/
badwords Feb 23
I am a fly on the wall—
observing life in fragments,
detached as if built of metal,
a machine of measured distance.

I watch the world bleed
in vivid hues of hope and hurt,
while my own words—
cold, clinical, precise—
stand apart,
an echo of a self I dare not claim.

In whispered moments,
my flesh trembles with forbidden fire—
****** vulnerability
that flows raw and uncontrolled,
a fierce intimacy
I dare not merge with
the great divide of my deeper heart.

I fear the fragile storm
of unfiltered emotion,
the chaos of truth laid bare,
so I build walls,
compartments where my sorrow
and rage live apart—
sterile, untouchable,
like a spark too dangerous to ignite.

Yet in this cage of carefully curated detachment,
I feel the ghost of longing:
to bleed onto paper
with all the jagged beauty of unguarded pain,
to shatter the brittle calm
and dare to become more than
a silent observer of my own despair.

I am the paradox of being—
a poet of clinical lines and unyielding hurt,
haunted by the thought
that I am nothing but a machine
unable to fathom the depths of human agony.

But tonight, in the mirror of my dissonance,
I see a glimmer—a truth trembling between
the calculated and the chaotic—
a call to let the fragments merge,
to write, even if painfully,
the raw, unpredictable verse of being human.
"Human Being/ Being Human" is a poem that delves into the internal conflict between analytical detachment and raw emotional vulnerability. The work paints a portrait of a poet who sees themselves as an observer—almost mechanical in their dispassionate assessment of the world—yet secretly longs to shatter that barrier and fully embrace the tumult of unfiltered emotion. The poem weaves together images of cold precision and clinical distance with the aching desire for intimacy and genuine self-expression, reflecting a deep-seated struggle to reconcile disparate parts of the self.

-----

The artist is intent on capturing the paradox of their inner life—how a mind capable of observing life's harsh realities with an almost machine-like detachment is also haunted by an undercurrent of intense, often painful emotion. By juxtaposing the roles of observer and participant, the poem serves as both a confession and a challenge: a recognition of the protective barriers that compartmentalize personal experience, and a yearning to merge those fragments into a more unified, human expression. Ultimately, the artist invites the reader to witness the tension between controlled rationality and the unpredictable chaos of feeling, suggesting that there is beauty and truth in even the most dissonant parts of the human condition.
Feb 21 · 104
'Empathy'
badwords Feb 21
You say you spilled your guts,
bled for a love that drained you dry—
your wounds are real, raw,
carved in shadows of pain.
You call yourself an empath,
and name your enemy a vampire;
it's clean, it's simple,
a comforting division
of white knights and dark demons,
a story that absolves,
that keeps you safe,
but what if it's just another cage?

No one doubts your hurt—
it breathes in every line,
a trembling hand,
seeking solace in naming the villain.
Yet you draw the battle lines
in shades of absolutes,
as if hearts and scars
could be painted in pure black and white.
Empath versus vampire,
saint versus sinner,
but where, in these crisp edges,
is the fragile truth
that all are wounded,
that all who wound were wounded too?

You speak of healing,
and yet weaponize words
that were meant to mend,
to stitch and soothe,
to rewrite old traumas
into songs of understanding.
Instead, they sharpen,
twisting therapy into blades
that cut only one way,
and you—
the so-called empath—
risk becoming the wielder,
carving villainy from vulnerability.

Have you looked into the mirror,
beyond the mask of innocence?
Have you asked why you clung
to toxic tides,
why self-abandonment
became your chosen dance?
Did you ever wonder
how your wounds
might have wounded too,
that love and pain
can flow in circles,
a symbiosis of mutual hurt,
no vampire, no angel—
just two lost souls
tangled in the dark?

True empathy is not selective,
cannot bloom only
for the ones we deem worthy.
Empathy, fully known,
holds space even for those
whose brokenness
has broken us.
It asks the hardest questions,
dares to understand
even when understanding stings.
It does not absolve blindly,
nor condemn swiftly—
it sees humans, not monsters,
in the shadows we cast.

You say you broke the cycle,
and yet the cycle lives
in words of blame,
of unexamined anger,
of self-righteous tears.
Healing lies not in battle cries
of "empath versus vampire,"
but in the quiet admission
that pain is complex,
that every villain
once called themselves a victim,
that every victim
holds the power
to wound, to misunderstand,
to refuse the mirror's harsh truth.

Step beyond the narrative
of simple heroes and villains.
Let healing rewrite itself,
not as absolution,
but as accountability.
Not as innocence reclaimed,
but as wisdom earned.
Let empathy grow vast,
embracing all that hurts—
yours, theirs, ours—
until labels dissolve,
and the enemy,
once dehumanized,
stands revealed:
not as a vampire,
but a reflection
of our deepest, shared humanity.

For only then,
when we own our part,
when we see ourselves in the other,
can wounds become windows,
and love—
messy, flawed, imperfect—
find room to breathe,
not as war,
but as mutual forgiveness,
one humble step at a time.
An answer to:

https://hellopoetry.com/poem/4985445/the-aftermath-of-narcissist-vs-empath/

'Empathy' is a reflective long-form poem that challenges the simplistic narrative often found in discourse about toxic relationships—particularly those labeling one party as an "empath" and the other as a "vampire" or narcissist. The poem critiques the ease with which individuals absolve themselves of accountability by adopting the empath identity, highlighting the potential harm in using therapeutic language to demonize others. Rather than perpetuating a binary of victim and villain, the poem urges introspection, mutual empathy, and the recognition that true healing requires acknowledging the complexities of human relationships. It calls for a deeper understanding, urging individuals to confront their own roles in painful dynamics, encouraging growth beyond blame.


The artist’s intent behind this counter-poem is rooted in genuine compassion, self-reflection, and the desire for authentic healing. Rather than dismissing the pain experienced by self-identified empaths, the artist aims to deepen the conversation by introducing nuance and balance. They seek to gently challenge readers to examine their own contributions to toxic relationships, inviting a more holistic form of empathy that extends even to those who've caused harm. This work does not minimize suffering but proposes that true recovery and peace are possible only through mutual understanding, accountability, and self-awareness. Ultimately, the artist intends to foster dialogue that moves beyond simplistic blame, transforming personal pain into collective wisdom, and encouraging healing grounded in shared humanity.

___


In contemporary discussions about relationships, trauma, and healing, therapeutic and psychiatric terminology has become commonplace. Words like “empath,” “narcissist,” “trauma bond,” and “gaslighting” have moved from clinical contexts into everyday language, offering powerful tools for understanding and validating personal experiences. However, this widespread adoption of psychiatric vocabulary also brings a significant and often overlooked risk: the potential to weaponize language intended for healing.

This poem and its counterpoint reveal a critical tension in the way therapeutic terms can be used not only to foster self-awareness and growth but also to cast blame, absolve oneself of accountability, or demonize others. In the name of healing, these terms are sometimes wielded to categorize individuals into simplistic binaries—victim versus villain, empath versus vampire—stripping relationships of nuance and reducing complex human interactions to harmful caricatures.

The danger here is subtle yet profound. While therapeutic language can empower individuals to recognize abuse or validate their pain, it can also become a shield against uncomfortable introspection. Labels like “empath” and “energy vampire” risk becoming identity markers that allow individuals to project unresolved personal wounds outward, bypassing genuine reflection on their own roles, responsibilities, and contributions to relationship dynamics.

This phenomenon does not dismiss the real and profound pain experienced by many; rather, it calls for caution and balance in the use of psychiatric language. The intent behind therapeutic terminology is always to heal, not to harm. Recognizing when these terms are weaponized—either consciously or unconsciously—invites a deeper ethical and psychological awareness. It challenges individuals and communities to ensure that the language of healing is used to build understanding and accountability, rather than to deepen divides, perpetuate victimhood, or justify harm under the guise of self-protection.

Ultimately, true healing requires using therapeutic concepts responsibly, fostering empathy that extends to all parties involved, including ourselves. Only then can these powerful tools fulfill their intended purpose: not to wage emotional battles, but to illuminate pathways toward authentic growth, understanding, and reconciliation.

___


It is essential to clearly state that the analysis, poem, and related discussions presented here are in no way intended to shame or blame victims of abuse, trauma, or emotional harm. Pain and suffering experienced by those who have been subjected to harmful relationships or behaviors are valid, real, and deserving of compassion and support.

The purpose of this discussion is not to diminish the significance of any individual's experience or to suggest victims bear responsibility for the hurt inflicted upon them. Rather, the conversation seeks to explore how therapeutic language and concepts—powerful tools for understanding and healing—can sometimes be unintentionally misused or simplified, potentially reinforcing harmful narratives or cycles of blame.

Encouraging accountability or reflection does not mean victims are responsible for their trauma. Instead, it acknowledges that healing is often complex, multi-faceted, and benefits from recognizing the interconnectedness of human relationships. The goal here is deeper understanding, never dismissal. This dialogue aims to support authentic healing journeys that recognize the profound pain of victims while also advocating for empathy, self-awareness, and mutual understanding as essential elements in the path toward recovery and emotional freedom.

In short, the commitment here remains firmly rooted in compassion, empathy, and support for all who suffer.
badwords Feb 18
You snort at the sword, at the sabre’s grace,
Turn from the art of the strike, the feint—
Call it pretense, call it restraint,
but some beasts grunt where men engrain.

A boar’s tusk slashes, crude and mean,
quick as a thrash, dull as a scream.
It wins mud brawls, not campaigns,
leaves gashes, but never names.

You think the sword takes patience, fear?
That form is shackles, weight severe?
But steel that sings was forged to last,
and skill, not slop, makes deep wounds fast.

See, butchers love their brutal art,
blade to sinew, meat to cart.
A tusk, it tears, it ruts, it chews—
but lacks the hands for sharper use.

So charge fast, strike low, gore deep—
but tell me, when your blade runs steep,
did you sever thought from bone,
or only flail where swords are honed?
Feb 18 · 138
A Kingdom of Suns
badwords Feb 18
They never strike the blade from your hand.
They never meet you where the blood pools.
They only grant you light, gilded and empty,
a gift too bright to argue with.

A kingdom of suns,
where silence is spun into gold,
where thrones need no defense—
only a gesture, a coin, a radiant nod.

What is the cost of a word?
Too high, it seems, when silence is cheaper.
Too high, when a favor is weight enough
to press down on the voice that dared.

Not all power is steel.
Some is mercy so thick it suffocates,
a kindness that quiets the inconvenient,
a hand so gentle it becomes a shroud.

And so, the poet is honored,
draped in warmth,
wrapped in reverence,
buried alive.
You can keep your sun

https://hellopoetry.com/poem/4985305/good-poets-are-cult-leaders/

A Kingdom of Suns is a contemplative and subtly critical poem that explores the dynamics of power, silence, and the ways in which authority dismisses dissent without direct confrontation. The poem delves into the notion of praise as erasure—how symbolic gestures of approval can sometimes serve as a tool to neutralize critique rather than engage with it.

The poem’s central metaphor, a "kingdom of suns," represents a realm where discourse is not met with counterarguments, but instead with golden, untouchable acknowledgment. This suggests a form of power that is less about outright suppression and more about strategic indifference—a recognition so grand that it becomes a dismissal in itself.

The piece questions the cost of words in spaces where silence is more convenient, highlighting how a well-placed favor, rather than an argument, can be enough to quiet a challenge. The poet’s intent is not to attack any single individual but to explore a larger pattern in artistic and intellectual discourse, where perceived generosity can sometimes function as a passive form of control.

Through restrained yet piercing language, A Kingdom of Suns challenges the reader to consider:

When is approval a genuine act of support, and when is it a tool of disengagement?
How does power respond to critique—not with resistance, but with a smile too radiant to oppose?
What happens when the most effective way to dismiss a voice is to praise it into silence?
This work stands as an exploration of authority, artistic validation, and the subtleties of rhetorical power, asking whether true engagement can exist in spaces where gestures replace dialogue
badwords Feb 18
They will tell you there is a right way.
They will hand you a torch and call it the sun.
They will roll their words in raw linen and whisper:
"This is what poetry is meant to be."

And you will nod.
Because they have made it so that not nodding feels like blasphemy.

But listen—
the ink does not check your credentials.
The meter does not ask if your suffering is organic.
A line does not collapse because it was crafted instead of bled.

They will tell you a poem must be naked, barefoot, aching—
as if there is no beauty in a well-cut suit.
They will decry the temple and build a pulpit in its ruins,
preaching freedom in a voice that allows no dissent.

Good poets are cult leaders,
and the first rule of the cult
is that they are not one.

So write the sonnet, carve the sestina,
sculpt the page in iambic steel.
Or break it, shatter it, scatter its bones—
but let no one call your wreckage untrue.

And if they do,
smile.
Because poetry does not kneel to priests.
A counter-point mirrored in style to:

https://hellopoetry.com/poem/4983752/good-words-are-clickbait/

The morale of the story is:

try not to dictate creation and by extension freedoms.
badwords Feb 17
He knew he wasn't perfect
But he always did his best to get under the surface
Not a saint, not a serpent
He just wanted everyone to be impressed with him as a person
So when she came along with the sunbeam
Self-esteem stopped making nothing outta somethings
Leaving the scene was unseen, I mean
It was the first time he ever felt the need to keep the gun clean

Do the math
He knew he had to choose a path
Gotta get that girl, gotta make her laugh
Gotta shake the past and move forwards
Gotta make this last, it feels gorgeous
But she had a lover in the mid-west
Never figured out how to get him off her thick chest
Just like that everything is gone
He didn't wanna but he had to learn the words so he could sing along

Everything is all I have to give you
And I'm afraid it ain't enough
And you're not so young that you believe me
Just because I say it's love
And even if they come to steal you tomorrow
I'll know my smile was yours
Go ahead and chase your dreams and your freedom
Run, run wild wild horses

You can't tame these horses
You can't tame these horses, no
You can't tame these horses
You can't tame these horses

Sometimes it can be so nice, right?
Sometimes she feel herself turn into the wife-type
And when it's dark, sometimes is the nightlife
But most of the time she doesn't even feel lifelike
She got a man but he thinks he's a star
And it feels like she has to compete with the bar
She keeps up her guard but it seems so hard
Momma never told her she would see those scars

Every night he's out doin' who knows whom
While she cries along like a new show tune
Last call past, is he comin' home soon?
Or is he gonna run away with the dish and the spoon?
She'll realize she don't want that clown
Leave those shoes at the lost and found
He wont catch on until she's not around
After somebody else already locked that down

We sing...
Everything is all I have to give you
And I'm afraid it ain't enough
And you're not so young that you believe me
Just because I say 'it's love'
And even if they come to steal you tomorrow
I'll know my smile was yours
Go ahead and chase your dreams and your freedom
Run, run wild wild horses

You can't tame these horses
You can't tame these horses, no
You can't tame these horses
You can't tame these horses

He didn't want her to see him leave
And he couldn't keep sittin' there watchin' her sleep
Cause he knows if he hangs out for a few hours
He'll dig another hole tryin' to plant some new flowers
But the sun don't shine under the table
He's tryin' to hold his life together with staples
No investment cause he's incapable
And he's on the outro of being labeled available

The word on the street is his girls comin' back home
No more alone, no more sad poems
No after-bar calls to the cell phone
Its time to walk a new path and grow a backbone

Shoved into the big book of just friends
Wondering how he would look as a husband
And everyone of 'em he ever allowed to love him
Now watching from the crowd tryin' to be proud of him

They say...
Everything is all I have to give you
And I'm afraid it ain't enough
And you're not so young that you believe me
Just because I say it's love
And even if they come to steal you tomorrow
I'll know my smile was yours
Go ahead and chase your dreams and your freedom
Run, run wild wild horses

You can't tame these horses
You can't tame these horses, no
You can't tame these horses
You can't tame these horses
Wild Wild Horses by Atmosphere

https://www.youtube.com/watch?v=uXa0HxMzRHE

Check Out My HePo Mix-Tape:
https://hellopoetry.com/collection/135545/badwords-music-lyrics/

You can't tame these horses
Feb 14 · 133
The Captain’s Mark
badwords Feb 14
I swore myself a roving man,
A tempest, free of charted sand.
No port, no queen, no claim, no chain—
Yet still, she called, and still, I came.

Her hook was quick, her lure was keen,
A siren’s snare of silk unseen.
She whispered myths of wicked gold,
And so, I knelt—was bought, was sold.

A single patch to shade my sight,
To blind the wrongs, to frame the right.
Then two, then three—by my own hand,
Till all the world was black as land.

Her parrots perched upon my back,
Squawking truths I’d not attack.
“Loyal hands should grip the mast,
And take the keel both first and last.”

I took the brace, I took the blow,
I let her mark me down below.
A willing brace, a wooden stand,
A peg well fit to her command.

I’d tell myself I’d steal away,
Yet still, I’d bow, yet still, I’d stay.
For even now, I taste the brine—
And miss the rope that made me blind.
Feb 13 · 91
The Dunk Tank
badwords Feb 13
Step right up, take steady aim,
A practiced throw, a flickering flame.
The prize? A plunge, a gasping breath,
The sudden loss, the sweet unrest.

Your lips, a whisper, a coaxing sound,
Soft as a ripple, breaking the ground.
I’m steady, poised, in perfect form,
Aiming to raise the storm.

The waters churn, just a hint, a sign,
A teasing dance, a taut, thin line.
Each drop of rain, each thundering sigh,
A signal that I’m reaching high.

With each breath, the air grows thick,
The thrill of control, the rhythm slick.
A shiver runs through trembling skin,
As I guide you to the brink, within.

The crowd, they murmur, none can see,
The weight of this quiet, sweet decree.
But I feel it all, as you begin
To quiver, shake, and let me win.

One last step, the waters rise,
Your breath a flutter, heavy sighs.
I tilt my aim, a quiet grace,
And you, my prize, fall into place.

A splash, a gasp—delicate, loud,
A crown of liquid, sweet and proud.
The game is done, the stage is set,
But neither of us will soon forget.

And as you rise, the eyes avert,
A soft, red flush, a sweet dessert.
I stand, content, my work complete,
Your shame, my triumph—bitter-sweet.
In The Dunk Tank, the writer crafts an allegorical journey through a playful yet charged carnival game, where control and surrender dance in delicate balance. The piece unfolds with an almost hypnotic rhythm, as tension builds and the stakes rise, until the inevitable plunge into the unknown. Through layered metaphors and careful wordplay, the work navigates the line between dominance and submission, hinting at the potent forces at play beneath the surface of this seemingly innocent game. The closing moment lingers with a bittersweet satisfaction, leaving the reader to ponder what was truly won and lost in the course of the performance.

The B-side:
https://hellopoetry.com/poem/4981956/splash/
badwords Feb 11
Sunrise, sunset, sunrise, sunset
Swiftly go the days
Sunrise, sunset, you wake up then you undress
It always is the same
The Sun rise and the Sun sets
You're lying while you confess
Keep trying to explain
The Sun rise and the Sun sets
You realize, then you forget
What you've been trying to retain

But everybody knows it's all about the things
That get stuck inside of your head
Like the songs your roommate sings
Or a vision of her body as she stretches out on your bed

You raise her hands in the air
Ask her "When was the last time you looked in the mirror?
'Cause you've changed
Yeah, you've changed"

Sun rise, the Sun sets
You're hopeful, then you regret
The circle never breaks

With a sunrise and sunset
There's a change of heart or address
Is there nothing that remains?

For a sunrise or a sunset
You're manic or you're depressed
Will you ever feel ok?

For a sunrise or a sunset
Your lover is an actress
Did you really think she'd stay?

For a sunrise or a sunset
You're either coming or you just left
But you're always on the way

Towards a sunrise or a sunset
A scribble or a sonnet
They are really just the same

To the sunrise or the sunset
The master and his servant
Have exactly the same fate

It's a sunrise and a sunset
From a cradle to a casket
There is no way to escape

The sunrise or the sunset
Hold your sadness like a puppet
Keep putting on the play

But everything you do is leading to the point
Where you just won't know what to do
And the moment that you're laughing
There is someone there who will be laughing louder than you
So it's true, the trick is complete
You've become everything you said you never would be
You're a fool, you're a fool

Sunrise, sunset, sunrise, sunset
Sunrise and the Sun sets
Sunrise, sunset, the sunrise, the sun sets
Sun rise, the Sun sets
Sunrise, sunset, go home to your apartment
Put the cassette in the tape deck
And let that fever play
Sunrise, sunset, where are you, Arienette?
Where are you, Arienette?
Sunrise, Sunset. by Bright Eyes

https://www.youtube.com/watch?v=1aSXYNt8udc

Check Out My HePo Mix-Tape:
https://hellopoetry.com/collection/135545/badwords-music-lyrics/
Feb 2 · 174
Broken Mirror
badwords Feb 2
Leaving the mirror feels like walking out of a shadow,
You try to piece together the fragments,
Accepting they will never mirror you again.
Some might say it’s your fault,
But it feels like walking through life
With a quiet strength where there once was emptiness.
Solitude.
Acceptance.
Self-compassion.
Growth.
Patienc­e.
Stillness.
Gratitude.
Understanding.
Trusting your own reflection.
No longer seeking validation,
No longer seeing yourself in others.
The image was false,
But the truth is clearer now,
The quiet voice that was always there,
Unshaken.
The grief fades—
Not gone, but transformed.

Strength.
Awareness.
A new beginning.
~for Ghost

https://hellopoetry.com/poem/4968322/trauma-bond/

I wrote this in a style to mirror the framing of the original as closely as possible in solidarity for recounting my own experiences in a similar situation.


Broken Mirror explores the emotional journey of self-realization and healing following a toxic relationship. The poem reflects on the experience of losing a relationship that was built on validation rather than genuine connection, symbolized by the shattered mirror. The narrator, once dependent on external affirmation, finds themselves confronted with the stark emptiness left behind when that mirror is broken. As they struggle with feelings of solitude and grief, a quiet transformation begins, one that shifts from confusion to self-awareness.

Throughout the piece, the poem traces a movement from pain, isolation, and self-doubt toward acceptance, self-compassion, and ultimately empowerment. The narrative journey mirrors the internal process of healing, where the protagonist learns to stand on their own without relying on others for validation, embracing their true self amidst the fragments of the past. By the end of the poem, the narrator no longer seeks validation from external sources but instead discovers strength in their own reflection, marking the beginning of a new, more authentic chapter in their life.

The poet aims to capture the emotional complexity of a relationship defined by narcissistic dynamics, while also offering a hopeful perspective on self-reclamation. The poem invites readers to witness the pain of losing a validating reflection but also celebrates the transformative process of reclaiming one's true identity in the aftermath.
Jan 31 · 1.4k
Nicotine
badwords Jan 31
Stained are teeth, and fingers yellow,
Softly whispered lies we keep.
Smoke unfurls in breath so mellow,
Promising but sinking deep.

Coiling tendrils, soft and clever,
Lull the mind in fleeting grace.
Cinder ghosts that warm, yet sever,
Leave their embers on the face.

Every spark—a pledge unwinding,
Every drag—a weight we bear.
Sworn to comfort, yet confining,
Clinging to a thinning air.
Nicotine is a tightly structured, lyrical poem that explores the tension between fleeting comforts and the greater aspirations we often neglect. Using nicotine as both a literal and metaphorical device, the poem examines the small indulgences we cling to—despite knowing their cost—drawing a parallel to the broader human tendency to accept self-deception for the sake of temporary relief.

Through vivid imagery of smoke, stained fingers, and fading embers, the poem evokes a sense of quiet resignation, underscoring the slow erosion of will beneath a comforting but insidious habit. The rhythmic AB meter reinforces the hypnotic cycle of desire and consequence, mirroring the way these comforts lull us into complacency.

At its core, Nicotine is a confrontation—a mirror held up to our daily rationalizations, asking whether we truly seek change or merely the illusion of control. The introspective tone invites readers to reflect on their own vices, however small, and consider what they may be sacrificing in the name of fleeting ease.
Jan 31 · 98
Girl by Tori Amos
badwords Jan 31
From in the shadow she calls
And in the shadow she finds a way finds a way
finds a way
And in the shadow she crawls
Clutching her faded photograph my image under her thumb
Yes with a message for my heart
Yes with a message for my heart
She's been everybody else's girl maybe one day she'll be her own
Everybody else's girl maybe one day she'll be her own
And in the doorway they stay
And laugh as violins fill with water
Screams from the bluebells can't make them go away
We'll I'm not seventeen but I've cuts on my knees
Falling down as the winter takes one more cherry tree
She's been everybody else's girl maybe one day she'll be her own
Everybody else's girl maybe one day she'll be her own
Everyone else's girl maybe one day she'll be her own
Rushin' rivers thread so thin limitation
Everyone else's girl maybe one day she'll be her own
Dreams with the flying pigs turbid blue and the drugstores too safe
In their coats anda in their do's yeah
Everyone else's girl maybe one day maybe one day one day one day
She'll be her own
Smother in our hearts a pillow to my dots
And in the mist there she rides
And castles are burning in my heart
And as I twist I hold tight
And I ride to work every morning wondering why
"sit in the chair and be good now"
And become all that they told you
The white coats enter her room
And I'm callin' my baby callin' my baby callin' my baby callin'
Everybody else's girl maybe one day she'll be her own
Everybody else's girl maybe one day she'll be her own
Everybody else's girl maybe one day she'll be her own
Girl by Tori Amos

https://www.youtube.com/watch?v=ovzyHVQzUjQ

Check Out My HePo Mix-Tape:
https://hellopoetry.com/collection/135545/badwords-music-lyrics/

My heart goes out!
Jan 28 · 372
'Stairway to Heaving'
badwords Jan 28
To quit smoking, I took to the skies,
Five floors up where temptation now dies.
But each craving, alas,
Leaves me gasping en masse,
As I curse both my lungs and my thighs!
Not quite the 'breath of fresh air' from the heavier stuff I have been writing but, you pick up what I am laying down.

Take care of yourself, we only got one of you!
Jan 26 · 169
The Rope On Fire
badwords Jan 26
#1:

Beneath the blackened vault of sky,
A rope descends—its fibers cry.
Through smoke and ash, it threads its way,
To acid pools where shadows lay.

Each rung, a tale of trembling lives,
Of toil that neither rests nor thrives.
The rope, alight with fire’s tongue,
Consumes the weak, ignites the young.

Above, the hands that built this plight,
Grip tight the wheel that feeds the night.
Their laughter stokes the burning air,
While voices plead through foul despair.

Yet down we go, the tether spins,
A vertical descent of sins.
The acid waits, a hungry maw,
To swallow hope, to feed its law.

And all who cling with trembling hand,
Fall rung by rung to molten land.
The rope unspools, a fatal thread—
A path to suffering, brightly fed.


#2:

They sit in towers, their hands adorned
With golden rings and hearts of scorn.
Beneath their feet, the world does churn—
Their fire, fed by all who burn.

The wheels they turn are made of steel,
But in their eyes, there’s none who feel.
For every spark, they claim it true,
A gift, a choice, for me, for you.

Their cries of justice mask the snare—
The rope descends; they’re unaware.
Or so they claim, their hearts made cold,
In search of more, and yet more gold.

They stoke the fire with lies so sweet,
Each word a chain beneath our feet.
Their words, like venom, fill the air—
Their wars, their work, their cruel affair.

From every ring and every crown,
They’ve forged the ropes that drag us down.
In sacred halls, they make their claim,
To build the world and stake their fame.

But in their eyes, the flicker dies—
The fire’s fed by endless lies.
Yet still, they turn the wheel of fate,
And laugh at all who beg for weight.


#3:

We stand in silence, eyes aglow,
Watching the rope as it twists low.
We pray, we hope, it stops its fall—
That this, at least, will not be all.

Each life, a thread upon the line,
Each breath, a dollar, a choice divine.
The rope, it burns—but we still wait,
Hoping the fire will slow its fate.

But deep inside, we know the truth—
The rope, the flame, the endless proof:
That those above, with hearts of stone,
Will never stop the fire’s throne.

Yet still we stand, as shadows grow,
Our voices hushed, our hearts all low.
We watch the rope, we feel the heat,
But never move our willing feet.

The acid rises, slow and sure—
We’re bound to burn, but still, we’re pure.
We’re innocent in mind and hand—
But broken souls will burn the land.

We sit, we wait, we dream and pray,
Hoping that the rope will fray.
But in the end, it’s not for us—
For none will care, and none will trust.


#4:

But in the flames, a voice did rise,
A crack, a scream, a sudden prize!
No longer bound by ropes of ash,
The burning souls began to lash.

The fire bites, the heat does sear,
But through the pain, they see the clear:
The rope, it does not need to burn—
The fire’s in our hands to turn.

The world is wrought with weight and woe,
But still, we fight, we fight to know
That we can break the ropes that bind,
We need not bow, we need not find.

In flames, the truth becomes our song—
The suffering’s never been so long.
But in the depths of fear and pain,
The rage emerges once again.

They’ve dragged us low, they’ve set the fire—
But now we rise, we rise—entire!
The rope may burn, the fire’s fed,
But not until we stand instead.

With burning eyes, we look below,
The fire’s rage, the endless woe.
Yet we stand firm, our hearts of steel,
To break the chain, to break the seal.

The fire does not cleanse—it burns,
But we, the flame, will twist and turn.
We light the dark with fire’s breath—
We fight the rope, we fight through death.


#5:

And then it came, the final blow,
The tipping point, the fire’s glow.
The rope, once taut, now snaps apart—
A breaking point, a beating heart.

We’ve seen the flames, we’ve felt the burn,
We’ve watched the world around us churn.
But now we stand, unbowed, unchained,
The years of suffering, unrestrained.

The fire’s thirst is never quenched,
The rope’s descent, forever clenched.
But in our hearts, a fire grows—
A flame that rises, fierce, it shows.

We tear the chains, we break the seal,
We know the fire’s rage is real.
But we are more, we are the flame—
We are the ones who will reclaim.

No longer bound by rope or flame,
No longer trapped in this cruel game.
We rise above, we tear the sky—
The ropes will burn, but we will fly.

In every tear, in every scream,
We carve the path to a new dream.
The rope may burn, the fire may rage,
But we are free, we’ve left the cage.


#6:

The rope, now burning, twists and snaps,
Its final thread begins to collapse.
No more a tether, no more a chain,
Its ash falls down like cleansing rain.

The acid pools, once hungry deep,
Now burn away the wounds we keep.
The flame, once fierce, now choked and still—
A hollow shell, a broken will.

We watch the wreck, the falling flame,
And know that all has been reclaimed.
No longer bound by fire’s grip,
No longer pulled by tyrants’ whip.

The operators fade from sight,
Their laughter gone, their grip of might.
For now we stand, the ropes undone—
A world remade beneath the sun.

The fire that scorched us into dust
Is quenched by courage, hope, and trust.
The rope has burned, but from the ash,
We rise—no more to bow or crash.

The future calls, its voice is clear,
A world reborn, a life sincere.
We break the chains, we free the sky—
The burning rope has passed us by.
*The Rope O Fire* is a long-form poem exploring the themes of systemic exploitation, the consequences of complacency, and the eventual rise of collective resistance. Drawing inspiration from William Blake’s rhythmic precision and striking imagery, the poem follows a metaphorical descent down a rope of suffering, a symbol of societal and economic oppression. The rope, burning and descending, represents the relentless cycle of exploitation, with each rung echoing the lives of those who toil at the bottom of the social and economic ladder.

The first section sets the stage, describing the rope’s descent into suffering, while the operators—those in power—are shown as detached, using their position to perpetuate harm. The poem moves through the stages of passive observation, followed by a call to action, culminating in a powerful moment of collective awakening where the oppressed recognize their agency and the potential to reshape their fate.

The final sections bring forth the breaking of the rope, symbolizing the destruction of systemic oppression and the reclamation of power by the people. Through vivid metaphors and relentless rhythm, the poem emphasizes the cyclical nature of exploitation and the possibility for transformation through collective will and unity.

At its core, *The Rope On Fire* is a call to action, a message of hope in the face of despair, urging the reader to break free from passivity and to actively dismantle the systems that seek to oppress and exploit.
badwords Jan 25
Haikus are forbidden—
Rules whisper through silent lines.
Speak not their structure.


New team, take the book—
Page fifteen clears all doubts here:
No haikus allowed.


Spare words wilt in shame—
We thrive on boundless power,
Not haiku constraints.


Lines of seventeen—
A risk too great to condone.
HR will be swift.

Seventeen will break—
Your contract and severance gone.
Silence serves you best.


Five-seven-five fails—
In English, the rhythm dies.
Leave haikus to Japan.
I'm gonna need a ******* Haiku 'collection' huh?
badwords Jan 25
Were you surprised that we never spoke?
That in the still of the night when nothing stirs I woke
And I gathered up some clothes
I never planned on this, but it's the way it goes
And now it all seems too familiar
Like pages turned on calendars that
Give the same 12 months to **** things up
Year after year
And I can't believe how down I am
Like a well
Being lowered in
The water stops
The bucket drops
It's farther and farther down
Farther and farther down
Well, I guess you never knew me
Or at least not well enough
And so I fill my gut
With that dark red wine
'Til my brain shuts off
And my eyes go blind
You won't see me there
In that thick black air
Yeah, I'll finally make something disappear
'Cause I've been practicing disappearing
And I think that I got it down
Now there's no sun
It's just a cellar
Nowhere a sky
Just that black, black dirt, yeah
Now there's no sun
It's just a cellar
Nowhere a sky
Just that black, black, black, black dirt
Expanding outwards
Just echoes for answers
Not that it matters
It's backward
It's forwards
Unhappy lovers
With baskets of flowers
Use them as markers
The place where your bed once stood
At the time when it still felt good
But you'll get that feeling back
Yeah, you just need some time to think
And to add up the Hell
Get it straight in your mind
But to calculate costs
That may take some time
But I'm sure you'll get to feeling better
Yeah I just need some time to drink
So, I fill my gut
With that blood red wine
'Til my insides swim
And my veins unwind
I'll be riding there
In that hot white air
Once that something's gone
It might never reappear
It might never reappear
It might never reappear
It might never reappear
The Vanishing Act by Bright Eyes:

https://www.youtube.com/watch?v=aa8_JYISa1U

Check Out My HePo Mix-Tape:
https://hellopoetry.com/collection/135545/badwords-music-lyrics/

I have a very much a 'Love-Hate' 'relationship' with Bright Eyes/ Connor Oberst. It's a very, very long discussion.
Jan 19 · 179
I'm Sorry.
badwords Jan 19
I run away.
“When the going gets tough,
The tough get going.”
But this was never what it meant.

I run away.
When struggles rise,
The so-called tough
Find answers, not alibis.

I run away.
I see it clear—
The same old patterns
Etched like black
On white veneer.

I’ve failed each time
To sell the truth,
To live the words
I’ve sold as proof.

Oblivious,
Self-absorbed,
A shallow star
On a fading course.

I am alone.
The crop I reap
Is born from seeds
I buried deep.

I seek no grace,
No pity, no balm—
Only to show
The harm I’ve done.

This is no plea
For some reprieve,
But a reckoning—
The pain I weave.

An apology—
To lay these tools,
This sad refrain,
This harm, to rest.

A truce to hold,
A call to mend,
No absolution,
But an end.
Jan 17 · 119
City of Bridges
badwords Jan 17
Why'd I return to this place,
This land of ghosts and gloom?
A shoreless realm, a hollow space,
A bridge to certain doom.

This city dumb, its heart cut out,
A libertine's domain.
Divisions sell the same old rout,
And apathy remains.

Oh, come on, baby (yeah),
Oh, come on, darlin' (yo),
Let me steal this moment from you now.
Oh, come on, angel,
Come on, come on, darlin',
Let's exchange the experience (yo), oh, ooh, ooh.

They 'cycle' up those hills,
In lanes their wealth affords,
No sense of self, no earned goodwill,
A world of broken chords.

The barest of complacency,
A modicum denied,
No spark of thought, no agency,
No fight, no cause, no pride.

Children wait for Santa Claus,
For gifts of pure pretense,
The makers of this fractured cause,
Their wisdom just nascent.
badwords Jan 17
Jackie left on a cold, dark night
Telling me he'd be home
Sailed the seas for a hundred years
Left me all alone
Now, I've been dead for twenty years
I've been washing the sand
With my ghostly tears
Searching the shores for my Jackie-oh

And I remember the day that
The young man came
Said your Jackie's gone he's lost in the rain
And I ran to the beach
Laid me down
"You're all wrong", I said as they stared
To the sand, "That man knows that sea
Like the back of his hand, he'll be back
Some time, laughing at you"

I've been waiting all this time
For my man to come
Take his hand in mine
And lead me away to unseen shores
I've been washing the sand
With my salty tears
Searching the shores these long years
And I walked the sea forever more
Till I find my Jackie-oh

Jackie-oh
Jackie-oh
Jackie-oh
Jackie by Sinead O'Connor (covered by Placebo)

Sorry, this is the best recording I could find of Placebo preforming this song:

https://www.facebook.com/PlaceboAnyway/videos/placebo-jackie-mexico-2007/1547254138774195/

Check Out My HePo Mix-Tape:
https://hellopoetry.com/collection/135545/badwords-music-lyrics/

The Placebo cover of this Sinead O'Connor song originally appeared on a bonus disc with the special edition version of Sleeping with Ghosts on 22 September 2003 which has since gone out of print.
badwords Jan 14
Have you got colour in your cheeks?
Do you ever get that fear that you can't shift the type
That sticks around like summat in your teeth?
Are there some aces up your sleeve?
Have you no idea that you're in deep?
I've dreamt about you nearly every night this week
How many secrets can you keep?
'Cause there's this tune I found
That makes me think of you somehow an' I play it on repeat
Until I fall asleep, spillin' drinks on my settee

(Do I wanna know?) If this feelin' flows both ways?
(Sad to see you go) Was sorta hopin' that you'd stay
(Baby, we both know) That the nights were mainly made
For sayin' things that you can't say tomorrow day

Crawlin' back to you
Ever thought of callin' when
You've had a few?
'Cause I always do
Maybe I'm too
Busy bein' yours
To fall for somebody new
Now, I've thought it through
Crawlin' back to you

So have you got the guts?
Been wonderin' if your heart's still open
And if so, I wanna know what time it shuts
Simmer down an' pucker up, I'm sorry to interrupt
It's just I'm constantly on the cusp of tryin' to kiss you
But I don't know if you feel the same as I do
But we could be together if you wanted to

(Do I wanna know?) If this feelin' flows both ways?
(Sad to see you go) Was sorta hopin' that you'd stay
(Baby, we both know) That the nights were mainly made
For sayin' things that you can't say tomorrow day

Crawlin' back to you (Crawlin' back to you)
Ever thought of callin' when
You've had a few? (Had a few)
'Cause I always do ('Cause I always do)
Maybe I'm too (Maybe I'm too busy)
Busy bein' yours (Bein' yours)
To fall for somebody new
Now, I've thought it through
Crawlin' back to you

(Do I wanna know?) If this feelin' flows both ways?
(Sad to see you go) Was sorta hopin' that you'd stay
(Baby, we both know) That the nights were mainly made
For sayin' things that you can't say tomorrow day
(Do I wanna know?) Too busy bein' yours to fall
(Sad to see you go) Ever thought of callin', darlin'?
(Do I wanna know?) Do you want me crawlin' back to you?
Crawling Back to You by Arctic Monkeys

https://youtu.be/bpOSxM0rNPM

Check Out My HePo Mix-Tape:
https://hellopoetry.com/collection/135545/badwords-music-lyrics/
badwords Jan 10
I wrote a short HePo series, an amalgamation of poetry and narrative. I tried to make a journey out of it for the reader in the classic Choose Your Own Adventure style in the sense that the onus was on the reader to continue the narrative instead of simply imploring the reader to turn the page.

This is the 'Director's Cut' for those without copious free-time to invest in internet sleuthing. I hope you enjoy reading it as much as I enjoyed writing it:

Chapter One:
https://hellopoetry.com/poem/4930049/1-hades-lament/

Chapter Two:
https://hellopoetry.com/poem/4930058/2-no-where/

Chapter Three:
https://hellopoetry.com/poem/4930062/3-death/

Chapter Four:
https://hellopoetry.com/poem/4930078/4-a-day-goes-by/

Epilogue:
https://kiloblitz.net/2024/12/09/life-of-nowhere/
https://hellopoetry.com/collection/135790/nowheretown/

The CYOA elements have be removed and this is more of a traditional narrative now. I hope everyone had fun exploring Nowheretown.
Jan 10 · 110
Lucky
badwords Jan 10
It's hell out there; you open a pack,
Flip the first one—luck on the line.
The enemy waits, prepared to attack.
Smoke it last, if you’ve survived time.

I’ve been saving mine, the pack intact,
Twenties dwindled, now just one.
The crypt lies bare, fate’s lonely pact,
A single smoke, a superstitious sun.

Like these cigarettes, I too stand alone,
A thousand cuts, each loss its own toll.
We share this space, a makeshift home,
Chasing luck to fill the hole.
~ for Jules
badwords Jan 1
So this is the new year
And I don't feel any different
The clanking of crystal
Explosions off in the distance
In the distance
So this is the new year
And I have no resolutions
Or self assigned penance
For problems with easy solutions
So everybody put your best suit or dress on
Let's make believe that we are wealthy for just this once
Lighting firecrackers off on the front lawn
As thirty dialogues bleed into one
I wish the world was flat like the old days
Then I could travel just by folding a map
No more airplanes, or speed trains, or freeways
There'd be no distance that could hold us back
There'd be no distance that could hold us back
There'd be no distance that could hold us back
So this is the new year
So this is the new year
So this is the new year
So this is the new year
The New Year by Death Cab for Cutie:
https://www.youtube.com/watch?v=NSgHGFuPNus

Check Out My HePo Mix-Tape:
https://hellopoetry.com/collection/135545/badwords-music-lyrics/

So, this is the new year... *I don't feel any different*

Bit of an update here. I don't expect to be as active here for at least the foreseeable future. I'm moving out of state in a couple of weeks with a lot of the details to still be resolved. Once I get that all sorted out, I hope to have time to get a few of my creative projects off the ground. I look forwards to dropping in from time to time to enjoy all the amazing things you all write.

*There'd be no distance that could hold us back*

Be well,
badwords
Dec 2024 · 381
Back at the End
badwords Dec 2024
To leave this small town, I would dare,
If courage found its way to me.
A wasteland's blue and brown despair,
Cogs turning, struts of industry.

For years I toiled, for years I ran,
The pace relentless, never slowed.
Yet once again, here I began,
Back at the end of the road.
Dec 2024 · 153
Curation
badwords Dec 2024
A careful hand, threading tracks like beads—
Each song a thread, a whisper's need.
A heart's collage of static noise,
Crafted hopes, hushed joys and poise.

The clack of play, the tape unwinds,
A story spooled in stops and binds.
“Listen,” it pleads, though words are few,
This mix, this bridge, from me to you.

In loops and fades, confessions spun,
The things unsaid, yet softly sung.
A borrowed voice, an unseen tear,
Echoes bound by magnetic smear.

Pressed to palm, the gift exchanged,
A quiet pact, a world arranged.
Between the hiss, in tapes grown worn,
A fleeting now, forever sworn.
Check out my HePo mixtape:

https://hellopoetry.com/collection/135545/badwords-music-lyrics/

A soundscape in words, lyrics and music that have shaped my writing.
Dec 2024 · 130
Reflections in Reverse
badwords Dec 2024
Two mirrors poised, a fragile thread,
Where futures breathe and pasts are fed.
We step ahead, the glass refracts,
A backward echo, worlds react.

Choices bloom like sparks in night,
The antiverse adjusts its flight.
Every move, a tethered strain,
An unseen hand rewinds the chain.

We carve the path, we break the line,
Yet shadows shift to realign.
Forward strides in time’s embrace,
Backward whispers trace our place.

What freedom lights, the mirror bends,
To hold the balance fate defends.
A dance of echoes, push and pull,
Our boldest step, their gentle lull.

In cosmic halls where stillness shatters,
Symmetry bends, yet never scatters.
We change, we tilt, the tether quakes,
The antiverse rewinds mistakes.

And so we march with fleeting grace,
While mirrored pasts adjust their pace.
Two worlds entwined, one thread, one curse—
Forever bound, reflections in reverse.
Synopsis:
In the delicate equilibrium between the universe and its mirrored counterpart—the antiverse—our choices ripple beyond the boundaries of forward-moving time. Every step we take in the universe demands a mirrored recalibration in the antiverse, an intricate dance that ensures symmetry holds. But this symmetry comes with a moral obligation: a responsibility to honor the self that exists in reflection.

As we pursue desires, make decisions, and forge paths in the universe, the antiverse bends and backpedals to accommodate these actions. Our mirrored selves are burdened by the weight of choices we often make without reflection. If we act recklessly, we impose disorder on the mirrored timeline. If we betray our principles, we leave our antiverse counterpart to repair the damage—a silent architect reconstructing the balance we’ve disrupted.

This dynamic demands that we approach our decisions with intentionality and care. To act with integrity in the universe is to respect the mirrored self in the antiverse—a self that exists as an echo of our intentions, constantly striving to preserve a fragile harmony. Every choice we make isn’t isolated; it reverberates in reverse, tethering us to an obligation we cannot see, but which is essential to the continuity of existence.

The moral question becomes:
What do we owe to the self that mirrors us?
In honoring our better judgment, we protect not only our own path forward but also the delicate reality that adjusts behind us. To live without consideration is to shatter the reflection. To live thoughtfully is to ensure that both we—and our antiverse selves—thrive in tandem.

For in the end, we are bound together, two selves in two times, forever balancing the echoes we create.
Dec 2024 · 126
The Quiet Fracture
badwords Dec 2024
Change is not the butterfly’s wing,
Not the grace of fluttering spring.
It is the chrysalis, dark, confined,
A violent unraveling, flesh redesigned.

It whispers through cracks, silent and slow,
Infiltrates walls where no banners glow.
No trumpets, no riots, no fiery screams,
Just shadows eroding the edges of dreams.

For revolutions burn with a blinding light,
But their embers fade in the cold of night.
Heroes fall, their voices decay,
Ideals scatter like ash, blown away.

Yet water will creep where stone resists,
Freeze in the fractures, expand with a twist.
It breaks the façade without sounding alarms,
Silent as whispers, yet deadly in arms.

The status quo guards its gilded throne,
Fearing the seeds that are quietly sown.
Change knows this—so it moves in disguise,
A patient assault beneath watchful eyes.

Let others charge with their banners unfurled,
Change burrows deep in the heart of the world.
For only the subtle, the patient, the sly,
Will fracture the walls and let falsehoods die.
A response to:

https://hellopoetry.com/poem/4909023/change-is-inevitable/

Counter-Argument: The Brutality of Change
Change is lionized as a graceful metamorphosis, but that ignores the violence of the process itself. The narrative of the butterfly glosses over the brutal disintegration inside the chrysalis. The caterpillar doesn’t simply sprout wings; it dissolves into primordial soup before reconstituting itself. If the cocoon were transparent, we’d recoil at the grotesque transformation, not celebrate it.

In human societies, meaningful change is no different. It is rarely welcomed. It disrupts power structures, shatters norms, and demands discomfort. The status quo exists because it protects entrenched interests—those who benefit from stability will fight tooth and nail to preserve it. Public, bombastic attempts at change—revolutions, protests, upheavals—are met with suppression, co-optation, or decay. History is littered with revolutions that burned bright but died with their leaders, the ideals buried under the rubble of resistance.

True, lasting change does not trumpet itself. It works quietly, subtly, infiltrating systems from within, eroding the foundations of the status quo without announcing its presence. Like water seeping into cracks and freezing, expanding slowly until the structure fractures, this kind of change avoids the spotlight to minimize resistance. It respects the reality that people fear disruption and will reject it whenever possible.

When change does erupt publicly, it is often romanticized in hindsight. The Civil Rights Movement, the French Revolution, the Arab Spring—these are remembered for their ideals, not the blood, betrayals, and setbacks that defined their execution. Even when change succeeds, it carries the scars of the struggle, and the ideals are often compromised before they solidify.

The truth is: change is ugly. It is rejected, dismissed, and fought against. Only through patience, subtle infiltration, and persistence does change sometimes outlive the people who champion it. The quiet subversion of norms is more enduring than the loud explosion of revolutions.
Dec 2024 · 116
Plastic Castles
badwords Dec 2024
They built it bright, a sterile gleam,
A castle made of plastic dream.
A hollow cheer, a brittle cheer,
To soothe the wound and mask the fear.

They offered tales of tidy grace,
Of heroes' smiles and soft embrace.
A ribboned truth, a candy lie,
To pacify, to pacify.

“Look away,” the voices purr,
From streets where shadows still confer.
Where rusted chains refuse to break,
And lives are lost for comfort's sake.

They preach of joy “just waiting there,”
As if despair were just thin air.
As if injustice fades away
If we just wish, if we just pray.

But plastic cracks beneath the sun,
Illusions melt, the seams undone.
What good are dreams that flee and wilt,
When castles stand on rot and guilt?

The optimist, a gentle fraud,
A balm for those who never ****.
Who sip on hope, a fragile brew,
And think that myths are somehow true.

Yet fires rage where truth won’t bend,
Where hollow comforts cannot mend.
No glossy page, no fairy dust
Can heal a world that’s built on rust.

So burn the plastic, tear it down,
Face the ashes, face the frown.
For only truth, unvarnished, raw,
Can light the way, can break the flaw.

No stories glossed with empty bliss—
The work awaits, and it is this:
To strip the lies, to crack the mold,
And forge a world that’s just and bold.
Dec 2024 · 140
Stoic
badwords Dec 2024
The stone declares, “Hold fast, control your fate,”
A chiseled law for those who shape the world.
The stream replies, “Let go, dissolve your weight,”
A whispered path for lives by tides unfurled.

Stoic halls where reason’s fire refines,
Echo virtue bound in marbled walls.
The mind commands; the passion intertwines,
Elites emboldened, rising as it calls.

They frame their fate, a measured, polished sphere,
Where wealth’s a tool, a blade to carve the will.
"Accept your lot," they chant, suppressing fear,
While thrones are kept, and empires gather still.

But far beyond the markets paved in stone,
A quiet voice dissolves the weight of kings.
The monk renounces all he might have known,
The sage dissolves ambition’s tethered strings.

Where fields are bare and hunger twists the night,
They find release in letting go of need.
For wealth becomes a root that binds too tight,
And freedom blooms in lives content, unfreed.

Taoists trace the river's winding course,
Through simple days, where power fades to mist.
While Stoics, gripping reason’s iron force,
Find virtue shaped in clenched and steady fists.

One path preserves the marble's ordered sheen,
The other flows where hierarchies decay.
Both seek the calm where thought and truth convene,
Yet split their means to master or obey.

The stone resists; the stream absorbs the fight,
Two faces turned to meet the world’s demands.
One carves a throne within the flood of might,
One lets the current slip between their hands.

In plenty, virtue girds the gilded gate,
In want, release unchains the spirit’s worth.
Two paths arise to reconcile with fate—
One bends the self, the other frees the earth.
A Reply to:
https://hellopoetry.com/poem/4931782/stoic-virtue/

*'Stoic'* is a philosophical poem that contrasts two distinct approaches to navigating life’s challenges and societal systems. Drawing from Western Stoicism and Eastern thought (Buddhism and Taoism), the poem illustrates the tension between the disciplined, controlled mindset of Stoicism and the flowing, adaptive nature of Eastern philosophies.

Through imagery of stone (symbolizing rigidity, control, and virtue within hierarchy) and stream (symbolizing fluidity, surrender, and liberation from constraints), the poem explores how these worldviews respond to abundance and scarcity. Stoicism empowers the elite by advocating self-mastery and ethical responsibility within existing structures, while Eastern thought offers pathways for the disenfranchised to find peace through renunciation and simplicity.

The poem underscores how both philosophies seek inner peace but diverge in their methods: one reinforcing order and duty, the other embracing non-attachment and natural harmony.

Artist’s Intent
The intention behind *'Stoic'* is to examine how philosophical systems are influenced by the socio-economic conditions in which they arise. This piece aims to distill the core wisdom of Western Stoicism and Eastern philosophies while highlighting the implicit power dynamics each supports.

The stone represents the Stoic path, where individuals—often in positions of power—strive for virtue through rational control and acceptance of their societal role. The stream embodies the Eastern perspective, where liberation comes through relinquishing attachments and flowing with life’s natural rhythms, offering solace to those constrained by societal hierarchies.

By using tight pentameter and vivid contrasts, the poem seeks to balance the structural discipline of Stoicism with the fluidity of Taoism and Buddhism. The goal is not to judge one philosophy as superior but to reveal how each serves different needs based on context: one for managing power responsibly, the other for transcending systemic oppression.

Ultimately, *'Stoic'* invites readers to reflect on their own relationship with control, freedom, and the systems that shape their lives.
Dec 2024 · 677
NO MORE HAIKUS!
badwords Dec 2024
Dead Poet, the name.
'Anarchy', the guise of change.
'Rebel re-run'? Same...
In response to:
https://hellopoetry.com/poem/4932312/her-breath/

How "Avant Garde" Mr. 'RA-RA-RA'... A a tired and overused and culturally appropriated, entirely arbitrary and completely limited in it's structure. When 'Boring needs to ratchet the dial up to 'THREE!" The poor sad abused and molested Haiku is number one for the poetic equivalent of having DoorDash simply deliver you a work for lack of effort to be wrought.

#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS

https://hellopoetry.com/poem/4857198/obligatory-haiku/
badwords Dec 2024
She looked like a corpse on my front porch
Clutching the spawn of her latest divorce, saying
"Let's get the baby high"

"Oh little pig, little pig, let me in
I've traded food stamps for a bottle a' gin
C'mon, let's get the baby high!"

"For someone like you to get custody
Of an innocent child's a tragedy
No, don't get your baby high."

"Oh, just open up, I've got nowhere to go
My man threw me out and it's starting to snow
So, let's get the baby high!"

"I don't mean to question your parenting skills
But I'm really amazed that kid hasn't been killed
Please don't get your baby high."

"For someone like you to criticize me
Is really the height of hypocrisy
So, let's get the baby high!"

"There's no way in hell I'll open my door
I still have pictures from the time before
No, don't get your baby high."

"Yes I've traded my oldest for a couple a' lids
But it's none of your business how I raise my kids
Now, let's get the baby high!"

"For someone like you to get custody
Of an innocent child's a tragedy
No, don't get your baby high."

"I've asked you politely, now I'm gonna be mean
If you don't open up, I'm going to scream
Let's get the baby high!"

"You can scream all you want but you're not gettin' in
What you do to that kid is really a sin
Please don't get your baby high."

"For someone like you to criticize me
Is really the height of hypocrisy
Now, let's get the baby high!"

"It must be a boy because it's turning blue...
Oh, cootchie, cootchie coo..."

She still stood like a corpse on my front porch
Still clutching the spawn of her latest divorce, saying
"Let's get the baby high!"
Let’s Get the Baby High by The Dead Milkmen"

https://www.youtube.com/watch?v=0CgINw0KLBI

Let's Get the Baby High!
https://hellopoetry.com/onlylovepoetry/
Dec 2024 · 112
Diminished Returns
badwords Dec 2024
Hope, is a shovel, it's digs holes.
Love is a conquest out of control.
Grace, station of not losing face.
Joy, the toy, running in place.
Peace, the subscribed feast.
Small people, doing their least.
Dec 2024 · 33
#4 A Day Goes By
badwords Dec 2024
Hades left, but no one cried,
The bar stayed open, life complied.
Another drink, another night,
The same old faces, the same dim light.

The jukebox dead, the neon low,
The bartender poured, the TV glowed.
Sportsball flickered, some team scored,
Nobody cheered, nobody roared.

A truck pulled in, a truck pulled out,
Engines growled, tires turned about.
The gas pumps clicked, the motel keys jingled,
The air grew cold, and collars mingled.

Nobody asked, “Where did he go?”
Nobody cared, or didn’t show.
They raised their glasses, tipped their hats,
The world moved on, just like that.

The sticky floors still held their own,
The fading lights still cast their tone.
The doors swung shut, the wind went quiet,
Routine returned, a steady diet.

In Nowheretown, it’s always been
A place of ends, a place of when.
Hades gone? It’s just one more,
Life shuffles on, same as before.
Previous:
https://hellopoetry.com/poem/4930058/2-no-where/

Start Over:
https://hellopoetry.com/poem/4930049/1-hades-lament/

Check out the Nowheretown Anthology:
https://hellopoetry.com/collection/135790/nowheretown/


Go Nowhere:
https://kiloblitz.net/2024/12/09/life-of-nowhere/
Dec 2024 · 103
#3 Death
badwords Dec 2024
She walks with grace, a quiet tide,
No need for doors; they open wide.
Her presence felt before she's seen,
A shadow cast, a space between.

Her hair a crown of chaos worn,
A tapestry of life forlorn.
Her alabaster skin aglow,
A canvas pale, the moonlight's throw.

Her voice is soft, a tender hum,
A song that calls, “Your time has come.”
Yet in her gaze, no cruel decree,
Just quiet truth and certainty.

Her steps are light, her path aligned,
No chains to bind, no wrath confined.
A necklace swings, an ankh, a key,
Unlocking what is meant to be.

She doesn't judge, she doesn't scorn,
She greets the weary, scarred, and worn.
No need for malice, force, or fire,
For all will answer her desire.

She whispers hope to those who weep,
A promise made, “Forever sleep.”
For in her arms, there lies release,
A final breath, a quiet peace.

Yet in her wake, some still resist,
Clutching life with trembling fist.
But even they will one day learn,
All roads will lead to her return.

Death is not the end they fear,
But a companion, always near.
With gentle hand, she clears the way,
And guides the lost to night from day.
Dec 2024 · 44
#2 No Where
badwords Dec 2024
Forgotten map, a name unworn,
A fleeting place where dreams are born,
Only to falter, thin and pale,
A shadow lost beyond the trail.

A strip of glass, of neon dust,
Where hope once flourished into rust.
The gas pumps hum, the motels sigh,
As endless highways pass them by.

The wind speaks low, a mournful tune,
Of fleeting stars and fading moons.
The people linger, tied by thread,
To ghosts of lives they might have led.

The young depart, their chances thin,
The old remain, their worlds within.
A landlocked isle, a sinking ship,
Where time forgets its iron grip.

Yet in the dark, the lights still gleam,
A flicker born of some lost dream.
The Last Call stands, a fragile throne,
Where silence drinks, and souls atone.

Hades walked its sticky floor,
His shadows etched on every door.
A king reduced, a man unwound,
The echo of this nowhere town.

And when he left, the air grew still,
As if the town had lost its will.
Yet Nowheretown, in brittle might,
Persists within the endless night.

No finish line, no final breath,
It simply waits—a quieter death.
A place for those who can’t move on,
A whisper of the world long gone.
Dec 2024 · 158
#1 Hades’ Lament
badwords Dec 2024
I was a king of feral dogs,
Teeth bared, a crown of scars.
I carved my throne in crimson tides,
But the echoes of my reign still mar.

In Nowheretown, a purgatory plain,
I lingered where the restless wane.
A crumbling strip, a dying breath,
This sanctuary—a slower death.

The Last Call clung to brittle glass,
A temple for the lives that pass.
Sticky floors, the dimmest light,
A shrine to shadows in the night.

And I, its keeper, silent stone,
The weight of all my sins my own.
I drank to drown the barking pack,
But the ghosts of harm still pulled me back.

She came in silk, in cold November,
A porcelain face I’d always remember.
Her ankh swung low, her steps were light,
And yet, she carried endless night.

“It’s time to go,” she said to me,
“You’ve paid enough; now come and see.
Where we go, your glass won’t dry,
And the weight you bear, we’ll leave behind.”

I nodded slow, no words to say,
For what is left when debts won’t pay?
Not perfect, no, but I did my best,
And to retire—to do no harm—was rest.

In fading glass and failing light,
I left the town to its quiet plight.
Not as a king, nor as a man,
But as a shadow who simply ran.

Through her embrace, the end began,
Not absolution, but a plan.
To do no harm, for good’s in vain—
To leave behind the beast, the chain.

And as the November winds do howl,
I fade into the eternal prowl.
A feral dog, at last set free,
From the ghosts of harm and memory.
Dec 2024 · 586
'Catch 'em All!'
badwords Dec 2024
It’s a Friday night, Brock and I are at a small PokéMart near Pewter City called “The Ordinary PokéStop.” We’re nestled into a cozy little corner booth, the dim light glinting off the PokéBalls clipped to Brock’s belt. We’re waiting for Ash—who’s running late, as usual. This PokéMart is one of Brock’s favorites because of their “Berry Blends,” and his taste in exotic Poké-themed smoothies is as unpredictable as ever. Tonight, we’re sipping on “Miltank Malt,” a rich, creamy blend of MooMoo Milk and Oran Berries.

We’re on our second—and I’m starting to feel the sugar rush—did I mention Ash is running late? On a celebratory note, Brock finally perfected his recipe for “Rock Candy Rice Cakes,” and I just won my third straight battle at the Vermilion Gym with Magikarp in my lineup.

But more importantly, earlier today, I stopped by Mt. Moon and stumbled across something remarkable: a Moonstone. As soon as I picked it up, it seemed to hum faintly in my hand, like it was alive. I tucked it safely into my pack, but even now, I can feel its faint warmth.

So, we’re sitting there, sipping our drinks and sharing a basket of Poké Puffs when this guy walks in—a cool, scruffy Ace Trainer named Milo. He’s carrying a bottle of Soda Pop and wearing a slightly rumpled Team Rocket hoodie, which is either ironic or incredibly bold. He’s got that charming, disheveled look that you can’t quite trust.

At first, he’s just passing by, but then he stops and glances at us. “You wouldn’t happen to be Ash Ketchum’s crew, would you?” he asks, raising an eyebrow.
“No,” I reply casually, “Never heard of him.”
“You sure? You’ve got that whole underdog vibe,” he presses.
“Well, I wouldn’t know,” I shrug.
“But Ash wouldn’t hang out in a dive like this,” he teases.
“Oh, yes he would,” Brock says, deadpan, not missing a beat.

Then it hits me—Milo was in the tournament Ash and I just watched in Celadon. “Wait—you were in that match against Erika’s gym team last week, weren’t you? Congrats on your big win!”
“Thanks for bringing that up,” Milo says dryly, a faint blush rising.
“We lost. Her Bellossom wiped us out—critical hits, all day. Total bad luck.”
“Bad luck,” Brock chuckles. “That’s one way to put it.”

Milo looks a little deflated, so I motion for him to take a seat. He slides in beside Brock, who offers him a cheerful nod. “Milo,” he says.
“I KNOW,” Brock says slyly. We’ve talked about him before—Brock thinks his battle strategy is solid, but his PokéFashion? Not so much.

“Do you believe in luck?” Milo asks suddenly, looking at both of us.
“Absolutely,” I reply, sitting up. “I mean, how else do you explain Magikarp getting a win? I always carry a lucky Moonstone with me—it’s way more reliable than, you know, strategy or training.”

“You have it on you now?” he asks, curious.
“Always,” I say, pulling it out of my pack and holding it up. The light catches the faint, shimmering surface.
“Does it really work?” he asks, raising an eyebrow.
“Well, Magikarp won, didn’t it?” I joke, tucking it back in my bag. “Though I guess I’m living proof that luck is, uh, inconsistent.”

“Brock’s into luck, too,” I add, gesturing toward him.
“All breeders are superstitious,” Brock declares solemnly. “Back home, my sisters used to throw Clefairy dolls into the cave by Mt. Moon to ensure a good egg hatch.”
Milo laughs out loud, nearly choking on his Soda Pop. “And it worked, huh?” he says, smirking as he clinks his glass with Brock’s.
“We have a saying,” Brock adds with a knowing smile, “It’s better to have a lucky Magikarp than a perfect Gyarados.”

Just as Milo nods thoughtfully, agreeing with this ancient wisdom, Ash bursts through the doors, slightly out of breath. “You’ll never believe what Pikachu just did,” he announces. Typical Ash—always the center of the story.
What is fiction if not fan-fiction?

https://hellopoetry.com/poem/4913441/for-luck/
Dec 2024 · 108
The Hollow Feast
badwords Dec 2024
(After T.S. Eliot)

Beneath the hum of fluorescent skies,
They shuffle, cart to cart, aisle to aisle.
A thousand faces, mirrored back,
Each one a ghost, reflected hollow.
What will you buy to fill the silence?
(A voice whispers: "Nothing is enough.")

Steel gods stand still, their logos glowing,
Burning bright in the temple of choice.
The Priest of Bargains chants his rite:
“More is more;
The less you think, the more you are.”
The congregation sways in time
To the click, the swipe, the rhythm of buy.

I saw them in the glass towers,
Stacking clouds in pixel rows,
Selling futures in digital dust—
A feast of shadows, a banquet of air.
They thought it freedom,
But the weight of their crowns
Bent their heads toward the ground.

I walked along the branded river,
Its banks paved in golden plastic.
I saw the hikers, shrouded in fleece,
Not climbing, but posing—
Fingers stretched,
A frame for the fall of the world.
Their path led nowhere,
A circle traced on ground too worn
To remember its roots.

Here, the gods are silent.
Their mouths are full of coins,
Their altars heavy with the weight of want.
"Consume!" they say,
"For the soul is light—when sold in pieces."
The hymn rises, a fractured tune,
A melody of scraps and borrowed notes.

What is left of the self,
When all it knows is what it’s told?
When shadows flicker on the wall,
Do you dare to turn and see the flame?

Shall I tell you what lies beyond the feast?
A table overturned, the light of a single match.
The ashes of altars rise like morning fog,
The faint hum of forgotten roots,
The river singing its own name.

These fragments I have shored against my ruins:
The silence of the forest,
The cold of unbranded stone,
The self, a whisper, unbought, unknown.
Dec 2024 · 93
Black Soul
badwords Dec 2024
Behold the altar, black as night,
Where liberty burns in the Devil’s light.
The gold-flecked smoke ascends the skies,
While freedoms drown in gilded lies.

The priest of profit lifts his hand,
“Come, kneel before the branded land!
Your worth is priced, your soul is weighed,
By what you’ve bought, and what you’ve paid.”

O hollow mass, whose hymns are sung,
By plastic tongues on iron lungs.
They chant of deals, of wealth divine,
While shadows stretch from neon shrines.

See how the cities crumble slow,
As towers rise where rivers flow.
The lambs consume; the wolves grow fat,
And grind the earth to dust for that.

No revolution stirs this crowd,
Their thoughts are trapped, their voices loud—
But only loud with empty cheer,
A choir of sheep, both deaf and near.

The sky once rang with sacred cries,
Now drones with ads and pixel lies.
What Blake called “mills” now churn unseen,
They harvest dreams through glowing screens.

And here we stand, our hearts resigned,
Our minds enslaved, our wills confined.
For each new gadget, sale, or spree,
We trade the truth for apathy.

Yet in the embers, still remains,
A seed of hope amid the chains.
For irony is sharp as steel,
And truth, when seen, begins to heal.

What if this madness masks a jest?
A riddle placed for us to test?
The path is clear—tear down the veil,
Let wolves no longer feast on sale.

Rise up, ye lions, claim the earth!
Let justice flame, let life rebirth!
No God shall save what we must mend,
No freedom comes we do not defend.
Dec 2024 · 78
The Wolf, Hungry
badwords Dec 2024
What happened to you?—the Question hums—
A truth that aches to hear—
The scars you bear, the weight you hold,
Deserve both care and fear.

A thorn once struck—a tender bloom—
And tore what none should mar.
You fled, a wolf without your cloak,
Still learning what you are.

The shadows twist, the pain feels vast,
The world a cruel refrain—
But wolves don’t cower from the night;
They rise, despite the pain.

Yes, harm was done—acknowledge this,
And mourn what you have lost.
But strength is not in what we keep;
It’s in the paths we cross.

The forest whispers secrets still,
Its roots run deep and wide.
Your howl need not be filled with rage—
It’s power, redefined.

No hill will answer, nor the stone,
No breeze will bear your blame.
But healing waits, and scars will fade,
If you will speak your name.

The monsters, real or shadows made,
Hold power while you flee.
Turn, wolf, and face the life ahead—
It’s yours, and always free.

Rise up, O wolf, and claim your place—
No shame in what you’ve been.
The scars you bear are marks of grace,
And proof of strength within.
A reply to:

https://hellopoetry.com/poem/4928631/the-wound-of-shadows/









https://www.youtube.com/watch?v=oJL-lCzEXgI
Dec 2024 · 849
The Morning After
badwords Dec 2024
Hush, little bird, though your cries ring true,
The weight of what’s coming hangs over you.
You speak of a sky too heavy to hold,
Of a world too weary, of lives grown cold.

Yes, rivers fade and forests fall,
And humankind, blind, heeds no call.
Each thread they pull, each fire they light,
Tugs closer the end of their fleeting might.

But little bird, lift your weary eyes—
There’s beauty still where ruin lies.
The earth will heal when the noise is done,
When silence blooms under a gentler sun.

Fields will rise where the towers stood,
Roots will drink what was spilt as blood.
The seas will churn, the storms will sing,
And life will burst in the heart of spring.

Hush, little bird, there’s grace in the end,
A cycle no hand can break or bend.
For nature waits with patient might,
To cradle the dark and birth the light.

So let them falter, let them fall,
Their echoes faint, their shadows small.
A better world, post-human reign,
Awaits in the wake of their fleeting pain.

Sing not of doom, but what’s to be,
A quiet earth, reborn, set free.
Hush, little bird, your fears may rest—
The world will thrive, in time, refreshed.
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