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2h · 53
Nicotine
Stained are teeth, and fingers yellow,
Softly whispered lies we keep.
Smoke unfurls in breath so mellow,
Promising but sinking deep.

Coiling tendrils, soft and clever,
Lull the mind in fleeting grace.
Cinder ghosts that warm, yet sever,
Leave their embers on the face.

Every spark—a pledge unwinding,
Every drag—a weight we bear.
Sworn to comfort, yet confining,
Clinging to a thinning air.
Nicotine is a tightly structured, lyrical poem that explores the tension between fleeting comforts and the greater aspirations we often neglect. Using nicotine as both a literal and metaphorical device, the poem examines the small indulgences we cling to—despite knowing their cost—drawing a parallel to the broader human tendency to accept self-deception for the sake of temporary relief.

Through vivid imagery of smoke, stained fingers, and fading embers, the poem evokes a sense of quiet resignation, underscoring the slow erosion of will beneath a comforting but insidious habit. The rhythmic AB meter reinforces the hypnotic cycle of desire and consequence, mirroring the way these comforts lull us into complacency.

At its core, Nicotine is a confrontation—a mirror held up to our daily rationalizations, asking whether we truly seek change or merely the illusion of control. The introspective tone invites readers to reflect on their own vices, however small, and consider what they may be sacrificing in the name of fleeting ease.
From in the shadow she calls
And in the shadow she finds a way finds a way
finds a way
And in the shadow she crawls
Clutching her faded photograph my image under her thumb
Yes with a message for my heart
Yes with a message for my heart
She's been everybody else's girl maybe one day she'll be her own
Everybody else's girl maybe one day she'll be her own
And in the doorway they stay
And laugh as violins fill with water
Screams from the bluebells can't make them go away
We'll I'm not seventeen but I've cuts on my knees
Falling down as the winter takes one more cherry tree
She's been everybody else's girl maybe one day she'll be her own
Everybody else's girl maybe one day she'll be her own
Everyone else's girl maybe one day she'll be her own
Rushin' rivers thread so thin limitation
Everyone else's girl maybe one day she'll be her own
Dreams with the flying pigs turbid blue and the drugstores too safe
In their coats anda in their do's yeah
Everyone else's girl maybe one day maybe one day one day one day
She'll be her own
Smother in our hearts a pillow to my dots
And in the mist there she rides
And castles are burning in my heart
And as I twist I hold tight
And I ride to work every morning wondering why
"sit in the chair and be good now"
And become all that they told you
The white coats enter her room
And I'm callin' my baby callin' my baby callin' my baby callin'
Everybody else's girl maybe one day she'll be her own
Everybody else's girl maybe one day she'll be her own
Everybody else's girl maybe one day she'll be her own
Girl by Tori Amos

https://www.youtube.com/watch?v=ovzyHVQzUjQ

Check Out My HePo Mix-Tape:
https://hellopoetry.com/collection/135545/badwords-music-lyrics/

My heart goes out!
To quit smoking, I took to the skies,
Five floors up where temptation now dies.
But each craving, alas,
Leaves me gasping en masse,
As I curse both my lungs and my thighs!
Not quite the 'breath of fresh air' from the heavier stuff I have been writing but, you pick up what I am laying down.

Take care of yourself, we only got one of you!
5d · 125
The Rope On Fire
#1:

Beneath the blackened vault of sky,
A rope descends—its fibers cry.
Through smoke and ash, it threads its way,
To acid pools where shadows lay.

Each rung, a tale of trembling lives,
Of toil that neither rests nor thrives.
The rope, alight with fire’s tongue,
Consumes the weak, ignites the young.

Above, the hands that built this plight,
Grip tight the wheel that feeds the night.
Their laughter stokes the burning air,
While voices plead through foul despair.

Yet down we go, the tether spins,
A vertical descent of sins.
The acid waits, a hungry maw,
To swallow hope, to feed its law.

And all who cling with trembling hand,
Fall rung by rung to molten land.
The rope unspools, a fatal thread—
A path to suffering, brightly fed.


#2:

They sit in towers, their hands adorned
With golden rings and hearts of scorn.
Beneath their feet, the world does churn—
Their fire, fed by all who burn.

The wheels they turn are made of steel,
But in their eyes, there’s none who feel.
For every spark, they claim it true,
A gift, a choice, for me, for you.

Their cries of justice mask the snare—
The rope descends; they’re unaware.
Or so they claim, their hearts made cold,
In search of more, and yet more gold.

They stoke the fire with lies so sweet,
Each word a chain beneath our feet.
Their words, like venom, fill the air—
Their wars, their work, their cruel affair.

From every ring and every crown,
They’ve forged the ropes that drag us down.
In sacred halls, they make their claim,
To build the world and stake their fame.

But in their eyes, the flicker dies—
The fire’s fed by endless lies.
Yet still, they turn the wheel of fate,
And laugh at all who beg for weight.


#3:

We stand in silence, eyes aglow,
Watching the rope as it twists low.
We pray, we hope, it stops its fall—
That this, at least, will not be all.

Each life, a thread upon the line,
Each breath, a dollar, a choice divine.
The rope, it burns—but we still wait,
Hoping the fire will slow its fate.

But deep inside, we know the truth—
The rope, the flame, the endless proof:
That those above, with hearts of stone,
Will never stop the fire’s throne.

Yet still we stand, as shadows grow,
Our voices hushed, our hearts all low.
We watch the rope, we feel the heat,
But never move our willing feet.

The acid rises, slow and sure—
We’re bound to burn, but still, we’re pure.
We’re innocent in mind and hand—
But broken souls will burn the land.

We sit, we wait, we dream and pray,
Hoping that the rope will fray.
But in the end, it’s not for us—
For none will care, and none will trust.


#4:

But in the flames, a voice did rise,
A crack, a scream, a sudden prize!
No longer bound by ropes of ash,
The burning souls began to lash.

The fire bites, the heat does sear,
But through the pain, they see the clear:
The rope, it does not need to burn—
The fire’s in our hands to turn.

The world is wrought with weight and woe,
But still, we fight, we fight to know
That we can break the ropes that bind,
We need not bow, we need not find.

In flames, the truth becomes our song—
The suffering’s never been so long.
But in the depths of fear and pain,
The rage emerges once again.

They’ve dragged us low, they’ve set the fire—
But now we rise, we rise—entire!
The rope may burn, the fire’s fed,
But not until we stand instead.

With burning eyes, we look below,
The fire’s rage, the endless woe.
Yet we stand firm, our hearts of steel,
To break the chain, to break the seal.

The fire does not cleanse—it burns,
But we, the flame, will twist and turn.
We light the dark with fire’s breath—
We fight the rope, we fight through death.


#5:

And then it came, the final blow,
The tipping point, the fire’s glow.
The rope, once taut, now snaps apart—
A breaking point, a beating heart.

We’ve seen the flames, we’ve felt the burn,
We’ve watched the world around us churn.
But now we stand, unbowed, unchained,
The years of suffering, unrestrained.

The fire’s thirst is never quenched,
The rope’s descent, forever clenched.
But in our hearts, a fire grows—
A flame that rises, fierce, it shows.

We tear the chains, we break the seal,
We know the fire’s rage is real.
But we are more, we are the flame—
We are the ones who will reclaim.

No longer bound by rope or flame,
No longer trapped in this cruel game.
We rise above, we tear the sky—
The ropes will burn, but we will fly.

In every tear, in every scream,
We carve the path to a new dream.
The rope may burn, the fire may rage,
But we are free, we’ve left the cage.


#6:

The rope, now burning, twists and snaps,
Its final thread begins to collapse.
No more a tether, no more a chain,
Its ash falls down like cleansing rain.

The acid pools, once hungry deep,
Now burn away the wounds we keep.
The flame, once fierce, now choked and still—
A hollow shell, a broken will.

We watch the wreck, the falling flame,
And know that all has been reclaimed.
No longer bound by fire’s grip,
No longer pulled by tyrants’ whip.

The operators fade from sight,
Their laughter gone, their grip of might.
For now we stand, the ropes undone—
A world remade beneath the sun.

The fire that scorched us into dust
Is quenched by courage, hope, and trust.
The rope has burned, but from the ash,
We rise—no more to bow or crash.

The future calls, its voice is clear,
A world reborn, a life sincere.
We break the chains, we free the sky—
The burning rope has passed us by.
*The Rope O Fire* is a long-form poem exploring the themes of systemic exploitation, the consequences of complacency, and the eventual rise of collective resistance. Drawing inspiration from William Blake’s rhythmic precision and striking imagery, the poem follows a metaphorical descent down a rope of suffering, a symbol of societal and economic oppression. The rope, burning and descending, represents the relentless cycle of exploitation, with each rung echoing the lives of those who toil at the bottom of the social and economic ladder.

The first section sets the stage, describing the rope’s descent into suffering, while the operators—those in power—are shown as detached, using their position to perpetuate harm. The poem moves through the stages of passive observation, followed by a call to action, culminating in a powerful moment of collective awakening where the oppressed recognize their agency and the potential to reshape their fate.

The final sections bring forth the breaking of the rope, symbolizing the destruction of systemic oppression and the reclamation of power by the people. Through vivid metaphors and relentless rhythm, the poem emphasizes the cyclical nature of exploitation and the possibility for transformation through collective will and unity.

At its core, *The Rope On Fire* is a call to action, a message of hope in the face of despair, urging the reader to break free from passivity and to actively dismantle the systems that seek to oppress and exploit.
Haikus are forbidden—
Rules whisper through silent lines.
Speak not their structure.


New team, take the book—
Page fifteen clears all doubts here:
No haikus allowed.


Spare words wilt in shame—
We thrive on boundless power,
Not haiku constraints.


Lines of seventeen—
A risk too great to condone.
HR will be swift.

Seventeen will break—
Your contract and severance gone.
Silence serves you best.


Five-seven-five fails—
In English, the rhythm dies.
Leave haikus to Japan.
I'm gonna need a ******* Haiku 'collection' huh?
Were you surprised that we never spoke?
That in the still of the night when nothing stirs I woke
And I gathered up some clothes
I never planned on this, but it's the way it goes
And now it all seems too familiar
Like pages turned on calendars that
Give the same 12 months to **** things up
Year after year
And I can't believe how down I am
Like a well
Being lowered in
The water stops
The bucket drops
It's farther and farther down
Farther and farther down
Well, I guess you never knew me
Or at least not well enough
And so I fill my gut
With that dark red wine
'Til my brain shuts off
And my eyes go blind
You won't see me there
In that thick black air
Yeah, I'll finally make something disappear
'Cause I've been practicing disappearing
And I think that I got it down
Now there's no sun
It's just a cellar
Nowhere a sky
Just that black, black dirt, yeah
Now there's no sun
It's just a cellar
Nowhere a sky
Just that black, black, black, black dirt
Expanding outwards
Just echoes for answers
Not that it matters
It's backward
It's forwards
Unhappy lovers
With baskets of flowers
Use them as markers
The place where your bed once stood
At the time when it still felt good
But you'll get that feeling back
Yeah, you just need some time to think
And to add up the Hell
Get it straight in your mind
But to calculate costs
That may take some time
But I'm sure you'll get to feeling better
Yeah I just need some time to drink
So, I fill my gut
With that blood red wine
'Til my insides swim
And my veins unwind
I'll be riding there
In that hot white air
Once that something's gone
It might never reappear
It might never reappear
It might never reappear
It might never reappear
The Vanishing Act by Bright Eyes:

https://www.youtube.com/watch?v=aa8_JYISa1U

Check Out My HePo Mix-Tape:
https://hellopoetry.com/collection/135545/badwords-music-lyrics/

I have a very much a 'Love-Hate' 'relationship' with Bright Eyes/ Connor Oberst. It's a very, very long discussion.
Jan 19 · 142
I'm Sorry.
badwords Jan 19
I run away.
“When the going gets tough,
The tough get going.”
But this was never what it meant.

I run away.
When struggles rise,
The so-called tough
Find answers, not alibis.

I run away.
I see it clear—
The same old patterns
Etched like black
On white veneer.

I’ve failed each time
To sell the truth,
To live the words
I’ve sold as proof.

Oblivious,
Self-absorbed,
A shallow star
On a fading course.

I am alone.
The crop I reap
Is born from seeds
I buried deep.

I seek no grace,
No pity, no balm—
Only to show
The harm I’ve done.

This is no plea
For some reprieve,
But a reckoning—
The pain I weave.

An apology—
To lay these tools,
This sad refrain,
This harm, to rest.

A truce to hold,
A call to mend,
No absolution,
But an end.
Jan 17 · 90
City of Bridges
badwords Jan 17
Why'd I return to this place,
This land of ghosts and gloom?
A shoreless realm, a hollow space,
A bridge to certain doom.

This city dumb, its heart cut out,
A libertine's domain.
Divisions sell the same old rout,
And apathy remains.

Oh, come on, baby (yeah),
Oh, come on, darlin' (yo),
Let me steal this moment from you now.
Oh, come on, angel,
Come on, come on, darlin',
Let's exchange the experience (yo), oh, ooh, ooh.

They 'cycle' up those hills,
In lanes their wealth affords,
No sense of self, no earned goodwill,
A world of broken chords.

The barest of complacency,
A modicum denied,
No spark of thought, no agency,
No fight, no cause, no pride.

Children wait for Santa Claus,
For gifts of pure pretense,
The makers of this fractured cause,
Their wisdom just nascent.
badwords Jan 17
Jackie left on a cold, dark night
Telling me he'd be home
Sailed the seas for a hundred years
Left me all alone
Now, I've been dead for twenty years
I've been washing the sand
With my ghostly tears
Searching the shores for my Jackie-oh

And I remember the day that
The young man came
Said your Jackie's gone he's lost in the rain
And I ran to the beach
Laid me down
"You're all wrong", I said as they stared
To the sand, "That man knows that sea
Like the back of his hand, he'll be back
Some time, laughing at you"

I've been waiting all this time
For my man to come
Take his hand in mine
And lead me away to unseen shores
I've been washing the sand
With my salty tears
Searching the shores these long years
And I walked the sea forever more
Till I find my Jackie-oh

Jackie-oh
Jackie-oh
Jackie-oh
Jackie by Sinead O'Connor (covered by Placebo)

Sorry, this is the best recording I could find of Placebo preforming this song:

https://www.facebook.com/PlaceboAnyway/videos/placebo-jackie-mexico-2007/1547254138774195/

Check Out My HePo Mix-Tape:
https://hellopoetry.com/collection/135545/badwords-music-lyrics/

The Placebo cover of this Sinead O'Connor song originally appeared on a bonus disc with the special edition version of Sleeping with Ghosts on 22 September 2003 which has since gone out of print.
badwords Jan 14
Have you got colour in your cheeks?
Do you ever get that fear that you can't shift the type
That sticks around like summat in your teeth?
Are there some aces up your sleeve?
Have you no idea that you're in deep?
I've dreamt about you nearly every night this week
How many secrets can you keep?
'Cause there's this tune I found
That makes me think of you somehow an' I play it on repeat
Until I fall asleep, spillin' drinks on my settee

(Do I wanna know?) If this feelin' flows both ways?
(Sad to see you go) Was sorta hopin' that you'd stay
(Baby, we both know) That the nights were mainly made
For sayin' things that you can't say tomorrow day

Crawlin' back to you
Ever thought of callin' when
You've had a few?
'Cause I always do
Maybe I'm too
Busy bein' yours
To fall for somebody new
Now, I've thought it through
Crawlin' back to you

So have you got the guts?
Been wonderin' if your heart's still open
And if so, I wanna know what time it shuts
Simmer down an' pucker up, I'm sorry to interrupt
It's just I'm constantly on the cusp of tryin' to kiss you
But I don't know if you feel the same as I do
But we could be together if you wanted to

(Do I wanna know?) If this feelin' flows both ways?
(Sad to see you go) Was sorta hopin' that you'd stay
(Baby, we both know) That the nights were mainly made
For sayin' things that you can't say tomorrow day

Crawlin' back to you (Crawlin' back to you)
Ever thought of callin' when
You've had a few? (Had a few)
'Cause I always do ('Cause I always do)
Maybe I'm too (Maybe I'm too busy)
Busy bein' yours (Bein' yours)
To fall for somebody new
Now, I've thought it through
Crawlin' back to you

(Do I wanna know?) If this feelin' flows both ways?
(Sad to see you go) Was sorta hopin' that you'd stay
(Baby, we both know) That the nights were mainly made
For sayin' things that you can't say tomorrow day
(Do I wanna know?) Too busy bein' yours to fall
(Sad to see you go) Ever thought of callin', darlin'?
(Do I wanna know?) Do you want me crawlin' back to you?
Crawling Back to You by Arctic Monkeys

https://youtu.be/bpOSxM0rNPM

Check Out My HePo Mix-Tape:
https://hellopoetry.com/collection/135545/badwords-music-lyrics/
badwords Jan 10
I wrote a short HePo series, an amalgamation of poetry and narrative. I tried to make a journey out of it for the reader in the classic Choose Your Own Adventure style in the sense that the onus was on the reader to continue the narrative instead of simply imploring the reader to turn the page.

This is the 'Director's Cut' for those without copious free-time to invest in internet sleuthing. I hope you enjoy reading it as much as I enjoyed writing it:

Chapter One:
https://hellopoetry.com/poem/4930049/1-hades-lament/

Chapter Two:
https://hellopoetry.com/poem/4930058/2-no-where/

Chapter Three:
https://hellopoetry.com/poem/4930062/3-death/

Chapter Four:
https://hellopoetry.com/poem/4930078/4-a-day-goes-by/

Epilogue:
https://kiloblitz.net/2024/12/09/life-of-nowhere/
https://hellopoetry.com/collection/135790/nowheretown/

The CYOA elements have be removed and this is more of a traditional narrative now. I hope everyone had fun exploring Nowheretown.
Jan 10 · 81
Lucky
badwords Jan 10
It's hell out there; you open a pack,
Flip the first one—luck on the line.
The enemy waits, prepared to attack.
Smoke it last, if you’ve survived time.

I’ve been saving mine, the pack intact,
Twenties dwindled, now just one.
The crypt lies bare, fate’s lonely pact,
A single smoke, a superstitious sun.

Like these cigarettes, I too stand alone,
A thousand cuts, each loss its own toll.
We share this space, a makeshift home,
Chasing luck to fill the hole.
~ for Jules
badwords Jan 1
So this is the new year
And I don't feel any different
The clanking of crystal
Explosions off in the distance
In the distance
So this is the new year
And I have no resolutions
Or self assigned penance
For problems with easy solutions
So everybody put your best suit or dress on
Let's make believe that we are wealthy for just this once
Lighting firecrackers off on the front lawn
As thirty dialogues bleed into one
I wish the world was flat like the old days
Then I could travel just by folding a map
No more airplanes, or speed trains, or freeways
There'd be no distance that could hold us back
There'd be no distance that could hold us back
There'd be no distance that could hold us back
So this is the new year
So this is the new year
So this is the new year
So this is the new year
The New Year by Death Cab for Cutie:
https://www.youtube.com/watch?v=NSgHGFuPNus

Check Out My HePo Mix-Tape:
https://hellopoetry.com/collection/135545/badwords-music-lyrics/

So, this is the new year... *I don't feel any different*

Bit of an update here. I don't expect to be as active here for at least the foreseeable future. I'm moving out of state in a couple of weeks with a lot of the details to still be resolved. Once I get that all sorted out, I hope to have time to get a few of my creative projects off the ground. I look forwards to dropping in from time to time to enjoy all the amazing things you all write.

*There'd be no distance that could hold us back*

Be well,
badwords
Dec 2024 · 315
Back at the End
badwords Dec 2024
To leave this small town, I would dare,
If courage found its way to me.
A wasteland's blue and brown despair,
Cogs turning, struts of industry.

For years I toiled, for years I ran,
The pace relentless, never slowed.
Yet once again, here I began,
Back at the end of the road.
Dec 2024 · 137
Curation
badwords Dec 2024
A careful hand, threading tracks like beads—
Each song a thread, a whisper's need.
A heart's collage of static noise,
Crafted hopes, hushed joys and poise.

The clack of play, the tape unwinds,
A story spooled in stops and binds.
“Listen,” it pleads, though words are few,
This mix, this bridge, from me to you.

In loops and fades, confessions spun,
The things unsaid, yet softly sung.
A borrowed voice, an unseen tear,
Echoes bound by magnetic smear.

Pressed to palm, the gift exchanged,
A quiet pact, a world arranged.
Between the hiss, in tapes grown worn,
A fleeting now, forever sworn.
Check out my HePo mixtape:

https://hellopoetry.com/collection/135545/badwords-music-lyrics/

A soundscape in words, lyrics and music that have shaped my writing.
Dec 2024 · 106
Reflections in Reverse
badwords Dec 2024
Two mirrors poised, a fragile thread,
Where futures breathe and pasts are fed.
We step ahead, the glass refracts,
A backward echo, worlds react.

Choices bloom like sparks in night,
The antiverse adjusts its flight.
Every move, a tethered strain,
An unseen hand rewinds the chain.

We carve the path, we break the line,
Yet shadows shift to realign.
Forward strides in time’s embrace,
Backward whispers trace our place.

What freedom lights, the mirror bends,
To hold the balance fate defends.
A dance of echoes, push and pull,
Our boldest step, their gentle lull.

In cosmic halls where stillness shatters,
Symmetry bends, yet never scatters.
We change, we tilt, the tether quakes,
The antiverse rewinds mistakes.

And so we march with fleeting grace,
While mirrored pasts adjust their pace.
Two worlds entwined, one thread, one curse—
Forever bound, reflections in reverse.
Synopsis:
In the delicate equilibrium between the universe and its mirrored counterpart—the antiverse—our choices ripple beyond the boundaries of forward-moving time. Every step we take in the universe demands a mirrored recalibration in the antiverse, an intricate dance that ensures symmetry holds. But this symmetry comes with a moral obligation: a responsibility to honor the self that exists in reflection.

As we pursue desires, make decisions, and forge paths in the universe, the antiverse bends and backpedals to accommodate these actions. Our mirrored selves are burdened by the weight of choices we often make without reflection. If we act recklessly, we impose disorder on the mirrored timeline. If we betray our principles, we leave our antiverse counterpart to repair the damage—a silent architect reconstructing the balance we’ve disrupted.

This dynamic demands that we approach our decisions with intentionality and care. To act with integrity in the universe is to respect the mirrored self in the antiverse—a self that exists as an echo of our intentions, constantly striving to preserve a fragile harmony. Every choice we make isn’t isolated; it reverberates in reverse, tethering us to an obligation we cannot see, but which is essential to the continuity of existence.

The moral question becomes:
What do we owe to the self that mirrors us?
In honoring our better judgment, we protect not only our own path forward but also the delicate reality that adjusts behind us. To live without consideration is to shatter the reflection. To live thoughtfully is to ensure that both we—and our antiverse selves—thrive in tandem.

For in the end, we are bound together, two selves in two times, forever balancing the echoes we create.
Dec 2024 · 101
The Quiet Fracture
badwords Dec 2024
Change is not the butterfly’s wing,
Not the grace of fluttering spring.
It is the chrysalis, dark, confined,
A violent unraveling, flesh redesigned.

It whispers through cracks, silent and slow,
Infiltrates walls where no banners glow.
No trumpets, no riots, no fiery screams,
Just shadows eroding the edges of dreams.

For revolutions burn with a blinding light,
But their embers fade in the cold of night.
Heroes fall, their voices decay,
Ideals scatter like ash, blown away.

Yet water will creep where stone resists,
Freeze in the fractures, expand with a twist.
It breaks the façade without sounding alarms,
Silent as whispers, yet deadly in arms.

The status quo guards its gilded throne,
Fearing the seeds that are quietly sown.
Change knows this—so it moves in disguise,
A patient assault beneath watchful eyes.

Let others charge with their banners unfurled,
Change burrows deep in the heart of the world.
For only the subtle, the patient, the sly,
Will fracture the walls and let falsehoods die.
A response to:

https://hellopoetry.com/poem/4909023/change-is-inevitable/

Counter-Argument: The Brutality of Change
Change is lionized as a graceful metamorphosis, but that ignores the violence of the process itself. The narrative of the butterfly glosses over the brutal disintegration inside the chrysalis. The caterpillar doesn’t simply sprout wings; it dissolves into primordial soup before reconstituting itself. If the cocoon were transparent, we’d recoil at the grotesque transformation, not celebrate it.

In human societies, meaningful change is no different. It is rarely welcomed. It disrupts power structures, shatters norms, and demands discomfort. The status quo exists because it protects entrenched interests—those who benefit from stability will fight tooth and nail to preserve it. Public, bombastic attempts at change—revolutions, protests, upheavals—are met with suppression, co-optation, or decay. History is littered with revolutions that burned bright but died with their leaders, the ideals buried under the rubble of resistance.

True, lasting change does not trumpet itself. It works quietly, subtly, infiltrating systems from within, eroding the foundations of the status quo without announcing its presence. Like water seeping into cracks and freezing, expanding slowly until the structure fractures, this kind of change avoids the spotlight to minimize resistance. It respects the reality that people fear disruption and will reject it whenever possible.

When change does erupt publicly, it is often romanticized in hindsight. The Civil Rights Movement, the French Revolution, the Arab Spring—these are remembered for their ideals, not the blood, betrayals, and setbacks that defined their execution. Even when change succeeds, it carries the scars of the struggle, and the ideals are often compromised before they solidify.

The truth is: change is ugly. It is rejected, dismissed, and fought against. Only through patience, subtle infiltration, and persistence does change sometimes outlive the people who champion it. The quiet subversion of norms is more enduring than the loud explosion of revolutions.
Dec 2024 · 94
Plastic Castles
badwords Dec 2024
They built it bright, a sterile gleam,
A castle made of plastic dream.
A hollow cheer, a brittle cheer,
To soothe the wound and mask the fear.

They offered tales of tidy grace,
Of heroes' smiles and soft embrace.
A ribboned truth, a candy lie,
To pacify, to pacify.

“Look away,” the voices purr,
From streets where shadows still confer.
Where rusted chains refuse to break,
And lives are lost for comfort's sake.

They preach of joy “just waiting there,”
As if despair were just thin air.
As if injustice fades away
If we just wish, if we just pray.

But plastic cracks beneath the sun,
Illusions melt, the seams undone.
What good are dreams that flee and wilt,
When castles stand on rot and guilt?

The optimist, a gentle fraud,
A balm for those who never ****.
Who sip on hope, a fragile brew,
And think that myths are somehow true.

Yet fires rage where truth won’t bend,
Where hollow comforts cannot mend.
No glossy page, no fairy dust
Can heal a world that’s built on rust.

So burn the plastic, tear it down,
Face the ashes, face the frown.
For only truth, unvarnished, raw,
Can light the way, can break the flaw.

No stories glossed with empty bliss—
The work awaits, and it is this:
To strip the lies, to crack the mold,
And forge a world that’s just and bold.
Dec 2024 · 120
Stoic
badwords Dec 2024
The stone declares, “Hold fast, control your fate,”
A chiseled law for those who shape the world.
The stream replies, “Let go, dissolve your weight,”
A whispered path for lives by tides unfurled.

Stoic halls where reason’s fire refines,
Echo virtue bound in marbled walls.
The mind commands; the passion intertwines,
Elites emboldened, rising as it calls.

They frame their fate, a measured, polished sphere,
Where wealth’s a tool, a blade to carve the will.
"Accept your lot," they chant, suppressing fear,
While thrones are kept, and empires gather still.

But far beyond the markets paved in stone,
A quiet voice dissolves the weight of kings.
The monk renounces all he might have known,
The sage dissolves ambition’s tethered strings.

Where fields are bare and hunger twists the night,
They find release in letting go of need.
For wealth becomes a root that binds too tight,
And freedom blooms in lives content, unfreed.

Taoists trace the river's winding course,
Through simple days, where power fades to mist.
While Stoics, gripping reason’s iron force,
Find virtue shaped in clenched and steady fists.

One path preserves the marble's ordered sheen,
The other flows where hierarchies decay.
Both seek the calm where thought and truth convene,
Yet split their means to master or obey.

The stone resists; the stream absorbs the fight,
Two faces turned to meet the world’s demands.
One carves a throne within the flood of might,
One lets the current slip between their hands.

In plenty, virtue girds the gilded gate,
In want, release unchains the spirit’s worth.
Two paths arise to reconcile with fate—
One bends the self, the other frees the earth.
A Reply to:
https://hellopoetry.com/poem/4931782/stoic-virtue/

*'Stoic'* is a philosophical poem that contrasts two distinct approaches to navigating life’s challenges and societal systems. Drawing from Western Stoicism and Eastern thought (Buddhism and Taoism), the poem illustrates the tension between the disciplined, controlled mindset of Stoicism and the flowing, adaptive nature of Eastern philosophies.

Through imagery of stone (symbolizing rigidity, control, and virtue within hierarchy) and stream (symbolizing fluidity, surrender, and liberation from constraints), the poem explores how these worldviews respond to abundance and scarcity. Stoicism empowers the elite by advocating self-mastery and ethical responsibility within existing structures, while Eastern thought offers pathways for the disenfranchised to find peace through renunciation and simplicity.

The poem underscores how both philosophies seek inner peace but diverge in their methods: one reinforcing order and duty, the other embracing non-attachment and natural harmony.

Artist’s Intent
The intention behind *'Stoic'* is to examine how philosophical systems are influenced by the socio-economic conditions in which they arise. This piece aims to distill the core wisdom of Western Stoicism and Eastern philosophies while highlighting the implicit power dynamics each supports.

The stone represents the Stoic path, where individuals—often in positions of power—strive for virtue through rational control and acceptance of their societal role. The stream embodies the Eastern perspective, where liberation comes through relinquishing attachments and flowing with life’s natural rhythms, offering solace to those constrained by societal hierarchies.

By using tight pentameter and vivid contrasts, the poem seeks to balance the structural discipline of Stoicism with the fluidity of Taoism and Buddhism. The goal is not to judge one philosophy as superior but to reveal how each serves different needs based on context: one for managing power responsibly, the other for transcending systemic oppression.

Ultimately, *'Stoic'* invites readers to reflect on their own relationship with control, freedom, and the systems that shape their lives.
Dec 2024 · 634
NO MORE HAIKUS!
badwords Dec 2024
Dead Poet, the name.
'Anarchy', the guise of change.
'Rebel re-run'? Same...
In response to:
https://hellopoetry.com/poem/4932312/her-breath/

How "Avant Garde" Mr. 'RA-RA-RA'... A a tired and overused and culturally appropriated, entirely arbitrary and completely limited in it's structure. When 'Boring needs to ratchet the dial up to 'THREE!" The poor sad abused and molested Haiku is number one for the poetic equivalent of having DoorDash simply deliver you a work for lack of effort to be wrought.

#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS#KILLHAIKUS

https://hellopoetry.com/poem/4857198/obligatory-haiku/
badwords Dec 2024
She looked like a corpse on my front porch
Clutching the spawn of her latest divorce, saying
"Let's get the baby high"

"Oh little pig, little pig, let me in
I've traded food stamps for a bottle a' gin
C'mon, let's get the baby high!"

"For someone like you to get custody
Of an innocent child's a tragedy
No, don't get your baby high."

"Oh, just open up, I've got nowhere to go
My man threw me out and it's starting to snow
So, let's get the baby high!"

"I don't mean to question your parenting skills
But I'm really amazed that kid hasn't been killed
Please don't get your baby high."

"For someone like you to criticize me
Is really the height of hypocrisy
So, let's get the baby high!"

"There's no way in hell I'll open my door
I still have pictures from the time before
No, don't get your baby high."

"Yes I've traded my oldest for a couple a' lids
But it's none of your business how I raise my kids
Now, let's get the baby high!"

"For someone like you to get custody
Of an innocent child's a tragedy
No, don't get your baby high."

"I've asked you politely, now I'm gonna be mean
If you don't open up, I'm going to scream
Let's get the baby high!"

"You can scream all you want but you're not gettin' in
What you do to that kid is really a sin
Please don't get your baby high."

"For someone like you to criticize me
Is really the height of hypocrisy
Now, let's get the baby high!"

"It must be a boy because it's turning blue...
Oh, cootchie, cootchie coo..."

She still stood like a corpse on my front porch
Still clutching the spawn of her latest divorce, saying
"Let's get the baby high!"
Let’s Get the Baby High by The Dead Milkmen"

https://www.youtube.com/watch?v=0CgINw0KLBI

Let's Get the Baby High!
https://hellopoetry.com/onlylovepoetry/
Dec 2024 · 91
Diminished Returns
badwords Dec 2024
Hope, is a shovel, it's digs holes.
Love is a conquest out of control.
Grace, station of not losing face.
Joy, the toy, running in place.
Peace, the subscribed feast.
Small people, doing their least.
Dec 2024 · 15
#4 A Day Goes By
badwords Dec 2024
Hades left, but no one cried,
The bar stayed open, life complied.
Another drink, another night,
The same old faces, the same dim light.

The jukebox dead, the neon low,
The bartender poured, the TV glowed.
Sportsball flickered, some team scored,
Nobody cheered, nobody roared.

A truck pulled in, a truck pulled out,
Engines growled, tires turned about.
The gas pumps clicked, the motel keys jingled,
The air grew cold, and collars mingled.

Nobody asked, “Where did he go?”
Nobody cared, or didn’t show.
They raised their glasses, tipped their hats,
The world moved on, just like that.

The sticky floors still held their own,
The fading lights still cast their tone.
The doors swung shut, the wind went quiet,
Routine returned, a steady diet.

In Nowheretown, it’s always been
A place of ends, a place of when.
Hades gone? It’s just one more,
Life shuffles on, same as before.
Next:

https://kiloblitz.net/2024/12/09/life-of-nowhere/
Dec 2024 · 36
#3 Death
badwords Dec 2024
She walks with grace, a quiet tide,
No need for doors; they open wide.
Her presence felt before she's seen,
A shadow cast, a space between.

Her hair a crown of chaos worn,
A tapestry of life forlorn.
Her alabaster skin aglow,
A canvas pale, the moonlight's throw.

Her voice is soft, a tender hum,
A song that calls, “Your time has come.”
Yet in her gaze, no cruel decree,
Just quiet truth and certainty.

Her steps are light, her path aligned,
No chains to bind, no wrath confined.
A necklace swings, an ankh, a key,
Unlocking what is meant to be.

She doesn't judge, she doesn't scorn,
She greets the weary, scarred, and worn.
No need for malice, force, or fire,
For all will answer her desire.

She whispers hope to those who weep,
A promise made, “Forever sleep.”
For in her arms, there lies release,
A final breath, a quiet peace.

Yet in her wake, some still resist,
Clutching life with trembling fist.
But even they will one day learn,
All roads will lead to her return.

Death is not the end they fear,
But a companion, always near.
With gentle hand, she clears the way,
And guides the lost to night from day.
Dec 2024 · 29
#2 No Where
badwords Dec 2024
Forgotten map, a name unworn,
A fleeting place where dreams are born,
Only to falter, thin and pale,
A shadow lost beyond the trail.

A strip of glass, of neon dust,
Where hope once flourished into rust.
The gas pumps hum, the motels sigh,
As endless highways pass them by.

The wind speaks low, a mournful tune,
Of fleeting stars and fading moons.
The people linger, tied by thread,
To ghosts of lives they might have led.

The young depart, their chances thin,
The old remain, their worlds within.
A landlocked isle, a sinking ship,
Where time forgets its iron grip.

Yet in the dark, the lights still gleam,
A flicker born of some lost dream.
The Last Call stands, a fragile throne,
Where silence drinks, and souls atone.

Hades walked its sticky floor,
His shadows etched on every door.
A king reduced, a man unwound,
The echo of this nowhere town.

And when he left, the air grew still,
As if the town had lost its will.
Yet Nowheretown, in brittle might,
Persists within the endless night.

No finish line, no final breath,
It simply waits—a quieter death.
A place for those who can’t move on,
A whisper of the world long gone.
The next 'chapter' is up to *YOU* to find <3

Turn to page....
Dec 2024 · 124
#1 Hades’ Lament
badwords Dec 2024
I was a king of feral dogs,
Teeth bared, a crown of scars.
I carved my throne in crimson tides,
But the echoes of my reign still mar.

In Nowheretown, a purgatory plain,
I lingered where the restless wane.
A crumbling strip, a dying breath,
This sanctuary—a slower death.

The Last Call clung to brittle glass,
A temple for the lives that pass.
Sticky floors, the dimmest light,
A shrine to shadows in the night.

And I, its keeper, silent stone,
The weight of all my sins my own.
I drank to drown the barking pack,
But the ghosts of harm still pulled me back.

She came in silk, in cold November,
A porcelain face I’d always remember.
Her ankh swung low, her steps were light,
And yet, she carried endless night.

“It’s time to go,” she said to me,
“You’ve paid enough; now come and see.
Where we go, your glass won’t dry,
And the weight you bear, we’ll leave behind.”

I nodded slow, no words to say,
For what is left when debts won’t pay?
Not perfect, no, but I did my best,
And to retire—to do no harm—was rest.

In fading glass and failing light,
I left the town to its quiet plight.
Not as a king, nor as a man,
But as a shadow who simply ran.

Through her embrace, the end began,
Not absolution, but a plan.
To do no harm, for good’s in vain—
To leave behind the beast, the chain.

And as the November winds do howl,
I fade into the eternal prowl.
A feral dog, at last set free,
From the ghosts of harm and memory.
Dec 2024 · 552
'Catch 'em All!'
badwords Dec 2024
It’s a Friday night, Brock and I are at a small PokéMart near Pewter City called “The Ordinary PokéStop.” We’re nestled into a cozy little corner booth, the dim light glinting off the PokéBalls clipped to Brock’s belt. We’re waiting for Ash—who’s running late, as usual. This PokéMart is one of Brock’s favorites because of their “Berry Blends,” and his taste in exotic Poké-themed smoothies is as unpredictable as ever. Tonight, we’re sipping on “Miltank Malt,” a rich, creamy blend of MooMoo Milk and Oran Berries.

We’re on our second—and I’m starting to feel the sugar rush—did I mention Ash is running late? On a celebratory note, Brock finally perfected his recipe for “Rock Candy Rice Cakes,” and I just won my third straight battle at the Vermilion Gym with Magikarp in my lineup.

But more importantly, earlier today, I stopped by Mt. Moon and stumbled across something remarkable: a Moonstone. As soon as I picked it up, it seemed to hum faintly in my hand, like it was alive. I tucked it safely into my pack, but even now, I can feel its faint warmth.

So, we’re sitting there, sipping our drinks and sharing a basket of Poké Puffs when this guy walks in—a cool, scruffy Ace Trainer named Milo. He’s carrying a bottle of Soda Pop and wearing a slightly rumpled Team Rocket hoodie, which is either ironic or incredibly bold. He’s got that charming, disheveled look that you can’t quite trust.

At first, he’s just passing by, but then he stops and glances at us. “You wouldn’t happen to be Ash Ketchum’s crew, would you?” he asks, raising an eyebrow.
“No,” I reply casually, “Never heard of him.”
“You sure? You’ve got that whole underdog vibe,” he presses.
“Well, I wouldn’t know,” I shrug.
“But Ash wouldn’t hang out in a dive like this,” he teases.
“Oh, yes he would,” Brock says, deadpan, not missing a beat.

Then it hits me—Milo was in the tournament Ash and I just watched in Celadon. “Wait—you were in that match against Erika’s gym team last week, weren’t you? Congrats on your big win!”
“Thanks for bringing that up,” Milo says dryly, a faint blush rising.
“We lost. Her Bellossom wiped us out—critical hits, all day. Total bad luck.”
“Bad luck,” Brock chuckles. “That’s one way to put it.”

Milo looks a little deflated, so I motion for him to take a seat. He slides in beside Brock, who offers him a cheerful nod. “Milo,” he says.
“I KNOW,” Brock says slyly. We’ve talked about him before—Brock thinks his battle strategy is solid, but his PokéFashion? Not so much.

“Do you believe in luck?” Milo asks suddenly, looking at both of us.
“Absolutely,” I reply, sitting up. “I mean, how else do you explain Magikarp getting a win? I always carry a lucky Moonstone with me—it’s way more reliable than, you know, strategy or training.”

“You have it on you now?” he asks, curious.
“Always,” I say, pulling it out of my pack and holding it up. The light catches the faint, shimmering surface.
“Does it really work?” he asks, raising an eyebrow.
“Well, Magikarp won, didn’t it?” I joke, tucking it back in my bag. “Though I guess I’m living proof that luck is, uh, inconsistent.”

“Brock’s into luck, too,” I add, gesturing toward him.
“All breeders are superstitious,” Brock declares solemnly. “Back home, my sisters used to throw Clefairy dolls into the cave by Mt. Moon to ensure a good egg hatch.”
Milo laughs out loud, nearly choking on his Soda Pop. “And it worked, huh?” he says, smirking as he clinks his glass with Brock’s.
“We have a saying,” Brock adds with a knowing smile, “It’s better to have a lucky Magikarp than a perfect Gyarados.”

Just as Milo nods thoughtfully, agreeing with this ancient wisdom, Ash bursts through the doors, slightly out of breath. “You’ll never believe what Pikachu just did,” he announces. Typical Ash—always the center of the story.
What is fiction if not fan-fiction?

https://hellopoetry.com/poem/4913441/for-luck/
Dec 2024 · 83
The Hollow Feast
badwords Dec 2024
(After T.S. Eliot)

Beneath the hum of fluorescent skies,
They shuffle, cart to cart, aisle to aisle.
A thousand faces, mirrored back,
Each one a ghost, reflected hollow.
What will you buy to fill the silence?
(A voice whispers: "Nothing is enough.")

Steel gods stand still, their logos glowing,
Burning bright in the temple of choice.
The Priest of Bargains chants his rite:
“More is more;
The less you think, the more you are.”
The congregation sways in time
To the click, the swipe, the rhythm of buy.

I saw them in the glass towers,
Stacking clouds in pixel rows,
Selling futures in digital dust—
A feast of shadows, a banquet of air.
They thought it freedom,
But the weight of their crowns
Bent their heads toward the ground.

I walked along the branded river,
Its banks paved in golden plastic.
I saw the hikers, shrouded in fleece,
Not climbing, but posing—
Fingers stretched,
A frame for the fall of the world.
Their path led nowhere,
A circle traced on ground too worn
To remember its roots.

Here, the gods are silent.
Their mouths are full of coins,
Their altars heavy with the weight of want.
"Consume!" they say,
"For the soul is light—when sold in pieces."
The hymn rises, a fractured tune,
A melody of scraps and borrowed notes.

What is left of the self,
When all it knows is what it’s told?
When shadows flicker on the wall,
Do you dare to turn and see the flame?

Shall I tell you what lies beyond the feast?
A table overturned, the light of a single match.
The ashes of altars rise like morning fog,
The faint hum of forgotten roots,
The river singing its own name.

These fragments I have shored against my ruins:
The silence of the forest,
The cold of unbranded stone,
The self, a whisper, unbought, unknown.
Dec 2024 · 71
Black Soul
badwords Dec 2024
Behold the altar, black as night,
Where liberty burns in the Devil’s light.
The gold-flecked smoke ascends the skies,
While freedoms drown in gilded lies.

The priest of profit lifts his hand,
“Come, kneel before the branded land!
Your worth is priced, your soul is weighed,
By what you’ve bought, and what you’ve paid.”

O hollow mass, whose hymns are sung,
By plastic tongues on iron lungs.
They chant of deals, of wealth divine,
While shadows stretch from neon shrines.

See how the cities crumble slow,
As towers rise where rivers flow.
The lambs consume; the wolves grow fat,
And grind the earth to dust for that.

No revolution stirs this crowd,
Their thoughts are trapped, their voices loud—
But only loud with empty cheer,
A choir of sheep, both deaf and near.

The sky once rang with sacred cries,
Now drones with ads and pixel lies.
What Blake called “mills” now churn unseen,
They harvest dreams through glowing screens.

And here we stand, our hearts resigned,
Our minds enslaved, our wills confined.
For each new gadget, sale, or spree,
We trade the truth for apathy.

Yet in the embers, still remains,
A seed of hope amid the chains.
For irony is sharp as steel,
And truth, when seen, begins to heal.

What if this madness masks a jest?
A riddle placed for us to test?
The path is clear—tear down the veil,
Let wolves no longer feast on sale.

Rise up, ye lions, claim the earth!
Let justice flame, let life rebirth!
No God shall save what we must mend,
No freedom comes we do not defend.
Dec 2024 · 62
The Wolf, Hungry
badwords Dec 2024
What happened to you?—the Question hums—
A truth that aches to hear—
The scars you bear, the weight you hold,
Deserve both care and fear.

A thorn once struck—a tender bloom—
And tore what none should mar.
You fled, a wolf without your cloak,
Still learning what you are.

The shadows twist, the pain feels vast,
The world a cruel refrain—
But wolves don’t cower from the night;
They rise, despite the pain.

Yes, harm was done—acknowledge this,
And mourn what you have lost.
But strength is not in what we keep;
It’s in the paths we cross.

The forest whispers secrets still,
Its roots run deep and wide.
Your howl need not be filled with rage—
It’s power, redefined.

No hill will answer, nor the stone,
No breeze will bear your blame.
But healing waits, and scars will fade,
If you will speak your name.

The monsters, real or shadows made,
Hold power while you flee.
Turn, wolf, and face the life ahead—
It’s yours, and always free.

Rise up, O wolf, and claim your place—
No shame in what you’ve been.
The scars you bear are marks of grace,
And proof of strength within.
A reply to:

https://hellopoetry.com/poem/4928631/the-wound-of-shadows/









https://www.youtube.com/watch?v=oJL-lCzEXgI
Dec 2024 · 793
The Morning After
badwords Dec 2024
Hush, little bird, though your cries ring true,
The weight of what’s coming hangs over you.
You speak of a sky too heavy to hold,
Of a world too weary, of lives grown cold.

Yes, rivers fade and forests fall,
And humankind, blind, heeds no call.
Each thread they pull, each fire they light,
Tugs closer the end of their fleeting might.

But little bird, lift your weary eyes—
There’s beauty still where ruin lies.
The earth will heal when the noise is done,
When silence blooms under a gentler sun.

Fields will rise where the towers stood,
Roots will drink what was spilt as blood.
The seas will churn, the storms will sing,
And life will burst in the heart of spring.

Hush, little bird, there’s grace in the end,
A cycle no hand can break or bend.
For nature waits with patient might,
To cradle the dark and birth the light.

So let them falter, let them fall,
Their echoes faint, their shadows small.
A better world, post-human reign,
Awaits in the wake of their fleeting pain.

Sing not of doom, but what’s to be,
A quiet earth, reborn, set free.
Hush, little bird, your fears may rest—
The world will thrive, in time, refreshed.
Dec 2024 · 63
Give & Get
badwords Dec 2024
A song I am working on:

Intro
(Instrumental)

Verse 1
A polished lens, bending light,

Through echoes lost in shadowed sight.

Fragile loops that give, forsake,

Patterns form, then gently break.

It’s what we give, it’s what we make.

Chorus
Through the prism, we collide,

Colors bleed and intertwine.

A give, a get, we seek within,

Where do I end? Where do you begin?

Verse 2
Ripples chase a tattered thread,

Binding lives—the seen, the dead.

We burn to heal, we give to claim,

In mirrored glass, it’s all the same.

We give, we get; we play the game.

Chorus
Through the prism, we collide,

Colors bleed and intertwine.

A give, a get, we seek within,

Where do I end? Where do you begin?

Instrumental Break
(Instrumental section with subtle melodic elements building tension.)

Bridge
Fractured hues and shifting tides,

Truth and beauty coincide.

What we give, what we get—

Is your love a game, or is it regret?

Refrain
What we give, what we get,
Lost in moments we forget.
A fragile spark, a fleeting flame,
In mirrored glass, it’s all the same.

Outro
Through the prism, time unwinds,

Shattered light, redefined.

A give, a get, a fleeting sin—

Where do I end? Where do you begin?
A re-work of a piece I wrote to make it more relevant to romantic relationships:

https://hellopoetry.com/poem/4927292/altruisms-mirror/
Dec 2024 · 176
Bedtime
badwords Dec 2024
I rest.
To not wake.
badwords Dec 2024
Sixteen years of silence carved in black,
A void where shadows linger, thick as tar,
The Cure returned, a specter trailing back,
To sing of lost worlds, and the scars of stars.

Depeche, meanwhile, kept the clock in spin,
Their gears grinding, turning, time’s soft waltz.
Iterative whispers, where noise had been,
Polished mirrors reflecting past assaults.

Smith’s lament, a chasm deep and wide,
Bleeds fresh from wounds that time could never seal.
Their gothic hymns, a requiem to guide
Through mourning’s labyrinth, to truths surreal.

And yet, Depeche embraced the tide of years,
Each album stacked like bricks upon their wall.
A steady march, a symphony of gears,
Chasing echoes through the digital sprawl.

Where Cure's return is death kissed by the light,
Depeche hums neon, humming in the haze—
An endless pulse that stutters through the night,
Reborn, again, in labyrinthine maze.

Two paths: one absent, brooding in the gloom,
The other endless, weaving threads of fate.
The Cure, a ghost revived from timeless tomb,
Depeche, a clock, rewound, yet never late.
badwords Dec 2024
(after Ginsberg)

I saw the best minds of my generation
rotting in pews of plastic devotion,
minds crucified on the spires of indifference,
nursing at the dry breast of the negligent mother,
who whispered false comfort into their despair.

Who abandoned them to the marketplace of ideas,
where belief is bartered for validation
and faith is a commodity sold in plastic bottles—
"Drink, children, drink! And forget your hunger!"
while the true bread is locked away in vaults.

Who dangled freedom on a chain of commandments,
who promised salvation with one hand
and shackled with the other,
who built temples of glass and steel
but left their children naked in the streets.

Who said, Love thy neighbor,
then turned their backs on the screaming masses,
whose prayers bounced off the ceilings
of mansions paid for with their guilt.

O negligent mother, how many times have you
fed us poison wrapped in scripture?
How many lives have been consumed
by your hollow embrace,
your lipsticked smile of "community"?

I see you! Preening in your stained-glass mirrors,
baptizing us in the blood of indifference,
teaching us to fear the void
while you sell tickets to its edge.
Your children are dying in the pews,
hands outstretched for meaning,
and you say, Only if you pay.

But I will not bow to your porcelain idol,
I will not drink from your cup of conformity.
Let the wolves come, let the fire rise!
Burn the temples! Smash the altars!
Let the ash of false faith scatter on the winds
and fertilize the soil for something real.

Call forth the prophets of the street corners,
the howlers, the wild-eyed dreamers,
the orphans who never knew love,
but will plant it in the ruins of your empires.
We will scream until your pillars crumble,
until the children are fed,
until the world is reborn.
Synopsis:
"Howl for the Neglected Child" is a blistering critique of modern faith’s failure to fulfill its promise as a source of nurturing guidance. Written in the style of Allen Ginsberg’s Howl, the poem captures the disillusionment and rage of a generation betrayed by institutions that masquerade as caretakers while perpetuating neglect and oppression. Through vivid imagery and rhythmic invocations, the poem paints modern faith as a negligent mother—offering hollow comfort, perpetuating transactional love, and exploiting the vulnerable for power and profit. It culminates in a rallying cry for rebellion, urging the destruction of these false systems and the birth of something authentic, born from the ashes of disillusionment.

Artist’s Intent:
This poem is intended as both a critique and a call to action. It reflects the growing alienation individuals feel toward faith systems that prioritize institutional survival over human connection, reducing sacred truth to hollow platitudes and commodified spirituality. The "negligent mother" serves as a metaphor for faith’s failure to nurture the spirit, echoing societal patterns of abandonment and conditional love.

Stylistically, the poem borrows Ginsberg’s unapologetic, freeform style to evoke a visceral response, combining raw emotion with incisive commentary. The artist seeks to provoke readers into questioning their own complicity within these systems, inspiring them to reject complacency and pursue genuine spiritual and communal nourishment.

Through this piece, the artist aims to ignite a revolt not only against modern faith but also against any institution that promises care while perpetuating harm. It is a demand for accountability, truth, and ultimately, liberation.
Dec 2024 · 65
Altruism's Mirror
badwords Dec 2024
Beneath the surface of our giving,
A quiet echo, always living.
The hand extended, the gift bestowed,
Holds traces of what the heart is owed.

In every act of kindness shown,
A seed of self is always sown.
A smile exchanged, a burden shared,
The giver leaves their soul ensnared.

Transaction speaks in whispers faint,
Not loud enough to mar the saint.
Yet woven in the tapestry,
Is the thread of reciprocity.

Evolution’s pen, so deftly writ,
Has carved the rules; we benefit.
To give is to connect, survive,
To keep the fire of bonds alive.

But purest light, we chase, we yearn,
For altruism that won’t return.
A gift devoid of self, of gain,
A spotless deed, untouched by stain.

And here, the fallacy takes form,
A standard raised against the norm.
To cast aside what’s real, profound,
For lofty heights that can’t be found.

For in the real, the flawed, the small,
Lies beauty woven through it all.
A kindness fraught with give and take
Still soothes the wounds that living makes.

Should we dismiss imperfect grace,
Because it wears a human face?
Or hold it close, and see it whole,
A blend of heart, and mind, and soul.

The saintly act, the selfish cheer,
Are not as distant as they appear.
For even joy in giving free
Forms part of our humanity.

So let us honor deeds once spurned,
Where subtle trades of trust are earned.
And measure worth by what is done,
Not by the motives of the one.

For if perfection is the goal,
We’ll find no virtue in the soul.
Yet in the flawed, the fractured light,
Shines something real, and something right.

Reflection
Altruism is no saint’s domain,
But the hand that lifts through joy or pain.
A mirror held to humankind,
Revealing heart, and what’s behind.
A Reply to:
https://hellopoetry.com/poem/4926937/what-about-me/

**Synopsis**
This poem, Altruism's Mirror, explores the multifaceted nature of altruism, juxtaposing the realistic, transactional aspects of human kindness with the idealized concept of selfless giving. The verses acknowledge that altruistic acts, though often celebrated as purely selfless, are deeply entwined with human psychology, biology, and social constructs.

Through vivid imagery and reflective tones, the poem weaves a narrative that critiques the pursuit of "pure altruism" as an unattainable standard, likening this pursuit to the **Nirvana Fallacy**. It invites the reader to embrace the imperfection inherent in acts of kindness, emphasizing that flawed and transactional altruism still holds profound value in fostering connection, survival, and mutual support.

The poem also highlights the inherent beauty in altruistic acts, regardless of their underlying motivations. It challenges the dismissal of acts deemed "impure" for carrying elements of self-interest, reframing them as authentic expressions of humanity.

**Artist’s Intent:**
The poet aims to reconcile the tension between the ideal and the real, urging readers to move past the binary of "selfless" versus "self-serving" acts. Through this piece, the artist seeks to celebrate the complexity of altruism, emphasizing that its worth lies not in its perfection but in its impact. By embracing the transactional nature of giving as part of the human condition, the poem calls for a more compassionate and pragmatic view of altruistic behavior.

Ultimately, Altruism's Mirror is a meditation on human nature, inviting readers to find beauty in the nuanced interplay between generosity, self-interest, and connection. It challenges the notion that altruism must be pure to be meaningful, suggesting that the flawed, everyday acts of kindness are the truest reflections of our shared humanity.
Dec 2024 · 67
Choice
badwords Dec 2024
Given, another chance
Failure, 'circumstance'
Dec 2024 · 154
Absolution
badwords Dec 2024
I gave it all, for you
Nothing left to do
Dec 2024 · 61
Reset
badwords Dec 2024
Start and start again
Familiar pain
Dec 2024 · 398
Blood
badwords Dec 2024
Hemorrhaging out pain
Lonely disdain
Dec 2024 · 133
'Refrain'
badwords Dec 2024
I bleed, I lose, I see, I stand.
A cycle etched in shifting sand.
Dec 2024 · 54
Truth
badwords Dec 2024
You show me what to see
Harm, honesty
I enjoyed the conciseness of the original write. After reflecting upon it later, it read like a lyric. I decided to try to write a song out of a collection of short poems one verse at a time.

Start here:
https://hellopoetry.com/poem/4925923/consequence/
Dec 2024 · 134
Outside
Dec 2024 · 147
Luck
badwords Dec 2024
A rigged game for losers
Who like to win
I enjoyed the conciseness of the previous write. reflecting upon it again today, it read like a lyric. I decided to try to write a song out of a collection of short poems one verse at a time.

Previous: https://hellopoetry.com/poem/4925923/consequence/

Don't worry, I still hate haikus!
Nov 2024 · 494
Consequence
badwords Nov 2024
I bleed out for people
Who like to swim.
I enjoyed the conciseness of this write. After reflecting upon it later, it read like a lyric. I decided to try to write a song out of a collection of short poems one verse at a time.

Next:
https://hellopoetry.com/poem/4926504/luck/
Nov 2024 · 109
Waiting
badwords Nov 2024
No storm will part for you.
No sky will split to lend its hand.
The world does not pause for prayers,
nor shift its weight to ease your burden.
You walk, or you don’t.

Power sits silent—
not in clouds or distant thrones,
but in the rhythm of your blood,
the grit of your teeth,
the steadiness of your tread.

The stars may hang as guides,
but they will not steer.
Their light is yours to chart,
their meaning yours to claim,
or ignore.

No force bends the wind to your need.
It moves as it always has,
carrying whispers, not answers,
and leaves the echo
for you to shape.

Your hands are the mapmakers.
Your feet know the ground.
The weight on your shoulders is yours
to shed or carry.
The climb begins and ends with you.

Do not wait for fire
to burn a path.
Do not ask the storm to clear.
The path is only yours
when you forge it.
Don't wait, do!
Nov 2024 · 94
No Better Than No One
badwords Nov 2024
Alone, at 'home'. A day, unpaid.
Bills to atone, fiscally afraid.
Debt of two, now on one.
Payments due, nothing 'fun'.

Survival, not 'thriving'.
OT windfalls--budget conniving.
Choices made. Austerity seeps.
The bed is laid, time to sleep.

Hardship evoked, no regrets
Deals revoked, struggle I beget
Conscious clear, I did my best.
For dollars, fear. Portents to attest.

But this is me.
Limited vocabulary.
Vernacular simplicity.
Self-imposed repository.

The Idiot with history.

The fool doling out the same lines.
An unaware pantomime.
To succinctly find.
Another pre-used rhyme.

(Look it up)

Burn me at the stake, another fake.
Dream, do not wake. For goodness sake
I take and take. Little do I make.
'Images' I bake. In my tower, I quake.

I fear the truth; I am no better than no one.
I fear abuse. A lofty status--position not won.
I grab and I steal, to broker this deal
Better to feel, a fantasy over what is real.

My efforts contrived, come as no surprise.
To open eyes, importance implied.
This flippant disguise cannot hide--
Ego paralyzed, Meaning subsidized.

---

I sit alone in this place, a history to trace.
Accountability's lace. Consequences to face.
I made my decision, in our division.
A better vision, self-inflicted incision.

To heal what is not well
.
Synopsis:
This poem reflects the aftermath of a toxic relationship, highlighting the speaker’s struggle with financial strain, emotional solitude, and the unfulfilled promise of shared responsibility during the separation. Beyond the hardships imposed by external circumstances, the piece turns inward, focusing sharply on the speaker’s role in their current situation. It critiques patterns of behavior, unrealistic expectations of others, and decisions that contributed to their predicament.

The poem doesn’t shy away from self-reproach, acknowledging the ways in which ego and flawed perceptions have clouded judgment. By recognizing these patterns, the speaker attempts to take accountability for their part in the dissolution of the relationship, even as they face the unfair burdens left behind. The tone alternates between vulnerable introspection and stark self-awareness, offering a candid reflection of personal responsibility.

Artist's Intent:
The poem’s intent is to confront the consequences of self-made choices and the speaker’s complicity in creating their own hardships. It does not seek sympathy but instead uses poetic expression to dissect and own the behaviors and expectations that have led to this moment. By holding a mirror to their own actions, the speaker underscores the importance of accountability, even in the face of external betrayal. The work ultimately serves as a reminder that growth often begins with the willingness to confront and critique oneself, no matter how painful the process.
Nov 2024 · 75
With Apologies to Art
badwords Nov 2024
How do you write?
You scarcely know—
A tide of self,
A shallow flow.

Humility’s mask,
Yet smugness blooms.
Words claiming depth
But filling rooms—

With echoes of "me,"
And truths self-proclaimed,
While privilege sings
Unrecognized, untamed.

"Stay out of trouble,"
The simplest creed,
From hands unsoiled,
Unaware of need.

To hold the heart,
To "worship" deep,
Yet gaze from towers
Where suffering sleeps.

You name life’s woes,
Its "beauty and pain,"
Yet ache for applause,
Not the broken chain.

Truths wrapped in ribbons,
So neatly spun.
Words dance for mirrors,
Blind to the sun.

A masterpiece, you say,
Not life—but "you"?
Oh, human spirit,
What hubris ensues!

For art is not
A throne to ascend;
It breathes for others,
Not self to defend.

The day is yours,
But whose lives are waste?
Speak not for all—
Your truth is misplaced.

In Shakespeare’s shadow,
Your pen takes flight,
But art is no pedestal;
It is the fight.

So, hold your words,
And hold them true:
Not just for self,
But for all who view.

Let privilege fade,
Let self be small—
And only then,
Your art stands tall.
Just what the 'Doctor' ordered.
Nov 2024 · 145
Degrees
badwords Nov 2024
Amid the clamor of self-assured minds,
Where the knowing parade their truths refined,
A quieter echo hums, profound and true:
The wisdom of those who confess, "I don't know."

Socrates walked where shadows spoke,
Challenging sages with questions that broke
The fragile veneer of their certain lore—
Truth's light reveals we know far less, not more.

To claim "I know" is to build a wall,
A citadel guarding knowledge small.
Yet cracks appear where hubris reigns,
And truth escapes through humility's pains.

The unknowing few, with open eyes,
Gaze past the clouds of prideful lies.
They ask, they doubt, they sift, they weigh,
In search of dawn where night holds sway.

Euthyphro claims divinity's hand,
Yet falters when truths shift like sand.
Crito pleads for escape to the day,
But justice demands the law's heavy sway.

Phaedo weeps at the prison’s gate,
Yet Socrates drinks the hemlock of fate.
In questions that turn the soul to flame,
The unknowing walk a nobler aim.

To know is to cease, to doubt is to grow;
The river flows where the winds dare blow.
For wisdom, dear friends, begins to take flight
Not in the sun, but in yearning for light.
Another one spun in a mutual dialog.
Nov 2024 · 205
'Functional"
badwords Nov 2024
It ain’t over yet,
Falling through the jagged depths—
Rock whispers, "Begin."
Written ins reply to:

https://hellopoetry.com/poem/4922299/the-fall/

I HATE HAIKUS....

https://hellopoetry.com/poem/4857198/obligatory-haiku/

#IHATEHAIKUS#IHATEHAIKUS#IHATEHAIKUS#IHATEHAIKUS#IHATEHAIKUS#IHATEHAIKUS#IHATEHAIKUS#IHATEHAIKUS#IHATEHAIKUS#IHATEHAIKUS#IHATEHAIKUS#IHATEHAIKUS#IHATEHAIKUS#IHATEHAIKUS#IHATEHAIKUS#IHATEHAIKUS#IHATEHAIKUS#IHATEHAIKUS#IHATEHAIKUS#IHATEHAIKUS#IHATEHAIKUS#IHATEHAIKUS
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