In a phalanx of four: Peter, Lisa, Dave, and I, descended a waterfall of marble stairs - pilgrims to another time - as if we’d punched through a wormhole.

It’s a five-star bash at the palace of Versailles - a grand ball - and the air itself seemed to vibrate with a feverish energy. As we bottomed the stairs, something whisked by in the air - was it the ghost of beheaded Louis the 16th?

Naah, it was a multicolored, donkey-headed, Cirque du Soleil creature. They swung everywhere, like gravity defying bugs on silken tethers, ring-swings and thin, web ropes. They flew, tumbled, unicycled, breathed fire and were shot out of cannons like fodder - all against a prismatic sunset backdrop.

A surprisingly chill Parisian wind clawed at our costumes of silk and broadcloth finery. The sun, a bright pink and yellow crack, low on the horizon, cast long, dramatic shadows on the flourish of chaos, as people arrived.

As night asserted itself, light became a living entity, blooming and dissolving in a mesmerizing multicolor-laser ballet that bathed the milling, costumed throng in fluorescent kaleidoscopes of kool-aid colors.

The day before, we had final costume fittings, earlier on the day, we had our hair and makeup done by artists who specialized in 17th/18th century styles (like we’d have known the difference).

From the salon, we were valeted, from Paris, directly to a ‘theme studio,’ setup in the Grand Trianon (the small, side palace where Napoleon lived in the summer) where, for €250 each, we got 10 glam shots on an elaborate, fantasy set.

Then we were escorted to the ‘Extravagant’ (a VIP area next to the stage) - passing through the envious glares of queued, lesser mortals.
‘Ahh, Privilege’, I thought, smiling brightly and waving royally - ‘just like Marie Antoinette used to do it.’ (before being angrily beheaded).

In the heart of the masquerade, tables fairly groaned under a buffet to shame the Roman emperors. There were open bars where rivers of martinis, champagnes and chocolates, the very essences of the celebration, flowed freely.

Elaborately constructed, elevated stages of polished aluminum pulsed music and life. LED light-panels painted fleeting hieroglyphs on the crowd, teasing the edges of perception and bands performed their own sonic wave-magic, swamping the crowd along in currents of booming, euphoric, Frenchcore club-music.

Dance, dance, dance, rest. I don’t think I’ve ever been in a more delightfully fragrant crush of humanity.
Our gilded, white clothed table was an island where we could retreat for cooling refreshment. I have two important words for you 'watermelon martinis’ - you’ll thank me later.

Versailles decadent past was alive that night. It was a young crowd, in general, so, of course, G was there, with Molly, K and Ice - but we were, like, ‘no thank you very much’. In several areas, costumes became fairytale slithers, as partiers became increasingly uninhibited.

After about four hours we caught the ‘exclusive’ light show (Hollywood bathed in unclothed decadence) before moving, weary limbed as zombies, toward the whispered promise of breakfast.

About 45 limousine-minutes later, waiting tourists and a crowd of locals outside a posh Paris restaurant hushed as we passed, colorfully costumed, like ghosts of an indulgent, hedonistic past - to our reserved table.
“Quatre, café et croque monsieur, s'il te plaît,” I told the waiter (four coffees & breakfast sandwiches, please).

I’ll admit to being a bit jaded. I’ve been to more than several ‘Parisian Haute-Couture Extravaganzas” but Lisa seemed genuinely impressed and I think the boys (Peter and David) had fun too. I was lavished with kudos as if I’d thrown the thing.

The atmosphere had been pure romance - in an upscale, Disney, mass produced sense and while it was, perhaps - like last summer's trip to the Ascot races - something not to be missed, it was also a one-time fling - something to look back on - when we’re 40 or whatever.

A shadow crossed the room
in the corner of my awareness

A cloud outside somewhere, probably,
but for an instant, I thought that motion was you.

Thoughts of you are casually intrusive.

Maybe you’d crawled into my luggage - and hidden.
There’s a complex birthday-candle wish.

Desire owes no deference to logic

When I think of you, my tummy becomes warm satin and I know,
that in your hands, I could be boneless and lusciously obedient.

For a while, anyway.

I remember us at the beach, lounging in deep parasol shade,
how your tanned skin glistened with tiny beads of sweat
and your endless legs stretched out like a centerfold’s.

Or you pulling me up out of the pool, one-handed, effortlessly,
with enough force that I briefly flew, and how you’d gently guide me down.

“What are you doing?” I’m virtually slapped out of my ****** fantasy, by Lisa, who’s standing, exasperated, sandaled toes tapping, purse in hand.

“Daydreaming,” I answered weakly, as I jumped up to get myself ready.

Has it only been four days since I left you?
I already feel tragically underheld.
.
.
A song for this:
Ain't it a shame by The B-52s
Locked Inside by Janelle Monáe

If you speak of love
speak again

For glorious moonlight
adds thrice such power

Happy messenger
your words sail upon air
striking valentine true

So, if you speak of love
I’m leaning in
speak again

He stands, mocking, full of his worth
and crowned by stinging opinion
He’s won. By one.
‘Not even one whole point’ I want to say
to everyone - ‘by a rounding error.’

We rejoice in wooden dialogue
snaps are fired, content is captured
I feel ridiculous and awkward

As the great pageant ends,
he leans in, in a hugging action
but I will not grow dainty with this - prince
- and I step out of his hands
"Seriously?” I mumble, shivering.

I dream of love
like bankers dream of fees

Is the wind alive? That’s what the Choctaw believed.
The Apache called it, apocryphally, “the breath of the world.”

To them, the wind is the trickster you never see,
a joker on the plain of life.

What’s always arriving and always leaving?

What’s as old as the world, yet forever current?

Ever present and tireless, it seldom sleeps,
holding up jets, herding clouds like sheep,
filling sails, stirring leaves, causing rough seas.

What’s always passing, but already everywhere?

The Cherokee named ‘air’ the ‘keeper of spirits,”
because it sighs, cries, whispers and moans.
They credited it with great power and influence.

Today, we watch the skies with doppler witchery,
we forecast its path, with the gambler's odds - see,
the wind has turned on us, many times - like a tornado.
.
.
Songs for this;
Colors Of the Wind - End Title by Vanessa Williams
They Call the Wind Maria by Harve Presnell
Windy by The Association

(Inspired by ‘paranoir’ by Riz Mack)

Reckless Jack and fair Jill, youthful hearts aroused,
did scale that hill, less for water, than illicit thrills.

Atop that perilous height, they began a lover’s fight.
Stolen moments, once sweetly solaced, can prove brief.

Alas, the twisted tryst, turned awkward tumble swift,
with clothes askew and most immodest bruises blue.

Honest folk, share this lesson far and wide, by rhyme and tune -
beware young lovers, less passion's tide prove a bumpy slide to ruin.