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The 101 slopes like a spine bent too long.
Camarillo yawns wide in the morning hush,
valley stretching slow, hills bare-shouldered,
fields glistening, half-asleep, half-prayer.

Lemon trees blink slow, bruised gold in the mist.
Figtrees call a name behind a rusted gate.
Sagebrush whispers gossip through chainlink,
its breath full of stories that outlive the tellers.

To the east, the nursery stirs,
plastic sheeting *****,
row tags flutter in the wind.
A thermos, abandoned, rests by a wheelbarrow.
Mud boots, discarded,
stand like sentinels
against the wood plank wall.
No footsteps follow.
I never asked where they went.

Matilija poppies raise their paper-white heads,
and the raspberries, furred with morning dew,
shiver, just slightly,
as if remembering friends
they were no longer allowed to say aloud.

A coffee roaster hummed somewhere distant,
low and steady, warming the wind.
That scent I never could shake,
burnt and sweet.
I could almost belong here again,
but it’s not mine without them.

I worked inside this valley with my back.
With my knees.
With the same hands,
now soft on the wheel,
muscle memory steering roads
as if nothing ever left,
as if the ghosts still ride along.

I pass a strawberry field, stitched in silence,
no voices rising in laughter today,
no corrido escaping from a shirt pocket radio,
no teasing between the furrows,
no calloused hands tossing tools,
only the soft ticking of irrigation
and the hush of work
that now waits for no one.
This silence has been swept, labeled,
nothing out of place but sadness.

I was here with them,
but only as a pair of eyes,
that never opened wide enough.

The strip mall stands like a broken promise,
painted stucco, faded western wear,
alongside roadside markets
missing the opening crew.
Still, the hills lean in to listen,
velvet green with memory,
quiet as folded hands.

Even now, under this sun,
the dust knows who knelt here.
Who sang into the rows,
who fled before sundown,
their names erased from the ledger
but carved into the earth.

And in soil’s hush, their names still root and rise.
In the aftermath of the immigration raids, the migrant workers I knew in Southern California, especially in Ventura County, began vanishing overnight. Faces I shared shifts with, broke bread with, waved to across the nursery lots and strawberry rows, disappeared without a word. Their absence is not abstract, it’s in the empty chairs at the diner, the shuttered produce stalls, the silence where songs and stories used to rise. These are the hands we rely on, the hands that shape the harvest, and now they hang suspended in uncertainty. The fields remember them, even when the papers do not.
Now the cuts
have faded to pale seams,
from the girl
who left her key on the counter,
and took the why with her,
and the friend
you hadn’t seen in years
but still called brother,
his paintings hanging quiet on walls
in rooms no longer yours.

like the ghost of an old song,
still in key
you rise again
fingernails dark with soil,
burying sunflower seeds
in morning’s cold fog.

The dog needs feeding.
There’s toast to burn,
and leaves to steep.
You carry your small life
like a cracked bowl
that still holds water.

After years bent in ritual hunger,
knees pressed to rice,
tongue dry from vow,
nights lit like altars,
no revelation came.
No divine telegram.
No trumpet of truth,
just the kitchen humming
and the silence after the call.

Only the widow neighbor,
waving through fogged glass.
Only the pipes in the wall
clunking like an old lung.
Only the light
barging in
without your consent.

You believe in coats
with missing buttons,
safety pins where zippers gave,
old threads that never matched
but held anyway.
You forgive the past
not because it asked
but because you need the room.

It builds in your bones
like wind in an empty house,
constant, uninvited,
and full of old names.
Like a tune half-remembered,
only the hum
remains.
Lawrence Hall
Mhall46184@aol.com
Dispatches for the Colonial Office

                                               Bombs – All Sizes

                                    -As Jack Kerouac did not say


          If we are all going to be destroyed…let that bomb when it
          comes find us doing sensible and human things praying,
          working, teaching, reading, listening to music, bathing the
          children, playing tennis, chatting to our friends over a pint
          and a game of darts—not huddled together like frightened
          sheep and thinking about bombs. They may break our bodies
          (a microbe can do that) but they need not dominate our
          minds.

                        -C.S. Lewis, “On Living in an Atomic Age,” 1948


Bombs fall tonight, but then they fall every night
Conceived over single-malt, born of the generals
Suffering not at all as their electronics systems
Guide them in the ways the Bible salesman deems

Bombs fall tonight, on a nuclear facility, they say
We can only ask the ashes and winds
While in our triumphalist Ozymandian presumption
We fancy that bombs will never fall on us

Bombs fall tonight – and have we been doing
Sensible and human things?
https://www.msn.com/en-us/news/world/right-move-wrong-team/ar-AA1HbUrN?ocid=msedgntp&pc=HCTS&cvid=373b2c8a10c84626951eda4ca2c00992&ei=50
Pop the cork
And unleash
All your sorrows
Housed in
Plexiglass
Knee deep in
The times
That evaded me
Border line insane
Not centered
You reap what you sow
I’d rather be
More grounded
No amount of love here
Could seal up my seeping wounds
The glowing embers
Oh how
I wish I cloud erase them
Digging up dirt
Diving in head first pilling
Up on top of me
As I wish upon
A star am I all out of wishes
Maybe one day
The agony will dissipate
Every which
Way I look
Starving for
Something greater then me
When will my shoes finally
Fit properly
Always searching for
A simpler alternative to
My mind of madness
It amazing what you can get used too
A rugged complexion
That’s hard to understand
Resembling
Anything that I’ve been unable
To translate into something readable
Scandalous beauty
Rotting in view
Why was I always the
Sacrificial lamb
I should have
Taken an oath
To draw myself closer
To you sooner
Instead I allowed
The evil to wear me like
A sad painting
Soaking up my sanity inch by inch
Consuming me
Entirely to often
All my praises
Belong to you from here on out
What happened before
Shouldn’t matter
Yet it still displaces my being
Ball and chain
Breaking rocks falling face first
I never had a say
As I was blindsided
By a life I would have written
Differently and had
It been more decent  
Terrorized by
Meaningless tyrants
Like a sick addiction
It became maddening
Forgiveness
Is a skill
I’ve never quite mastered
And probably never will
My tarnished
Image split me in two
Mirroring a hologram
Left to pick up the pieces
Has never reflected well
In my direction
As I’ve stared it all in the face
The mirrors
That have broken me apart
Sadly to this day
Are the ones I hate the most
The calliope plays
its jaunty tune.

A cow is on
fire. A drunken

entrepreneur shoots
an apple off the

head of a child.
A young woman

in the audience
is having a

****** fantasy.
A monkey juggles

beakers of volatile
chemicals. Soon this

carnival will be
bankrupt, but for

them another way of
life is unimaginable.
(acoustic guitar intro)
(verse)
I remember the look in your eyes
I remember the sound of your sighs
I remember all of those good good times

(chorus)
but that was before you lied
before you made me cry
before you broke my heart.
Please tell me why!
Please tell me why!

(verse2)
I remember the good times we had
and I remember before our love turned bad
but I can't remember why.
because.

(chorus)
that was before you lied,
before you made me cry
before you broke my heart.
Please tell me why!
Please tell me why!

(instrumental bridge) (guitar solo)

Please tell me why
Please tell me why,
Tell me why you lied
why our love died.

I remember the look in your eyes,
I remember the sound of your sighs
the good times we had,
before our love turned bad,
but I can't remember why.

Why you Lied,
Why did you lie?

(outro)
Why did you lie?
Please tell me,
Please tell me
Why?
Why?

Why.
Please tell me why you lied
New song available on my you tube channel
I actually made 2 versions of this 1 with a male vocal that's definitely a country song.
And another with a Female vocal that's a little more Pop. I hope you'll give them both a listen and comment as too which one was better.

Www.youtube.com/@tsummerspoetry
Love is a whirlwind
Creating a path I can't win
A hurricane force leaving me bleeding
From the debris, forced upon my skin
Preferring the gentle breeze
Of a tease
Please
Don't judge me by my winds
Or by my words
My predictions, in my verse
Name me after the lady in a category
The first of the year
Aphrodite is coming
Prepare
Starting to storm
In all these disparate faces,
Amidst the crowds adjacent, a stage stood,
A stage meant to give praise to rock gods who ascended so beautifully.
Deep bellowing soul-crushing bass drums echoed,
Electric war birds screeched melodic songs,
And the vocals rang down like testaments.
We were in attendance at a sermon of heavy metal,
Surrounded by other worshippers in otherworldly convivial cheering.
Until the last song, the last lyric,
And the lights went from neon spectacle to incandescent boredom.
And reality returned, parasitically devouring the dopamine.
BLT's Merriam Webster's Word of the day Challenge.
Date: 6/20/2025
Word: Convivial
Meaning: relating to, occupied with, or fond of feasting, drinking, and good company
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