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 Feb 10 Khoisan
Vianne Lior
The rain falls, unnoticed,
we’re all waiting for some sign—
but we are the storm.
 Feb 10 Khoisan
Gerry Sykes
Virile salty drops fall on the hard gym floor,
    but the stud’s not crying
          among the 20 kilo plates and olympic bars:
    Andrew's sweating out one handed press-ups.
He might pull the wool over
    his bright clear blue red-blooded eyes,
          but this hunk’s core knows – he's lying.
Thoughts on toxic masculinity and male vulnerability.
Andrew is pretending that he is a hard man who doesn't cry but in reality the salty drops are tears not sweat, hence Andrew's he-man exterior is a lie.
Line 4 - Andrew's is a contraction of "Andrew is" and not the genitive case.
Line 6 Red-blooded is both the redness of his eyes (because he is crying) and a play on red-blooded as in macho.
The ambiguity of the poem reflects the disconnect between Andrew's inner feelings and external lifestyle.
 Feb 10 Khoisan
Gerry Sykes
The snow is thawing on the field
its white perfection turning brown
as mud and sleet become congealed.
The snow is thawing on the field
and ochre footsteps are revealed
from Milley’s paw pads pressing down.
The snow is thawing on the field
its white perfection turning brown
A little triolette on walking our dog, Miley, in an unexpected early (autumn) snow as it begins to thaw.
I've allowed myself a deviation from the meter in line 6 for the sake of alliteration
 Feb 10 Khoisan
Vianne Lior
I have nothing of you
except your face in the dark,
your voice in the silence,
your words echoing in my mind.

I have nothing of you
except your smile in sorrow,
your soul in my essence,
and you— always you
living in every corner of my heart.
 Feb 10 Khoisan
Vianne Lior
I watched you leave slow
like autumn forgetting leaves,
bare, I stood in frost.
 Feb 10 Khoisan
Vianne Lior
Emotions like the sea,
Ebb and flow, rising, falling,
Within the abyss of my being.
Sometimes calm, sometimes a storm,
Yet always a part of me—
A tempest in the quiet,
In constant, ever-changing motion.
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