I touch things I’m not supposed to
and call it prayer.
mouth open,
spine bent,
tongue tasting the fence line.

They say longing is holy
if it stays quiet,
but mine doesn’t—
mine breaks the jar and drinks the oil.

They told me I was an open wound,
festering with verse and girlhood.
They weren’t wrong.
But wrong feels a lot like worship
when done slow enough.

They say impure
like it’s a curse,
but all my favorite girls
are made of swampwater and sin.

I’ve never confessed
without turning it into performance.
My mouth was built
for poetry
and plea deals.

I was thirteen
when I learned to ache
without making a sound.
Seventeen
when I turned it into scripture.
Twenty-five
when I realized no one was coming
to carry the body but me.

I keep trying to write
the right-sized truth
but it never fits in a single poem
or apology.

I want back the girl
who ran barefoot into fire
because she believed
it might be heaven.

I want someone to touch me like I’m soft—
even if I’m not.
Even if I bite back.

I want to grab
without apologizing
for how hot my hands are.
I want someone to look at me
like a threat they’d die for.

I want the kind of love
that makes funerals nervous.
I want to be written about
by someone who isn’t me.

And I want to want less.
But I don’t.

You want a softer girl?
Tell that to the altar
I keep burying her under.

When the Red Death held sway over us all
There is no pain
There is no remorse for life
Only blood flowing down lucidly
And don’t you see?
The blood is my haven
And I seek refuge in it
Every time

When he jumps off the 13th floor
Does he feel the wind
Freeing him
Or does he see blood oozing out
As his flesh slumps in it
Like a sleeping infant?
And he seeks refuge in it
Every time

When he cut his ear
Did the blood rush to his head
Or hands first?
Did he pour it into a cup
Or let it speak lazily?

Do you bathe in the very blood
That forms you
Or eat yellow paint instead,
Van Gogh style?
Do you let the waves brush you
Or build another door
That doesn’t tower over you?
Do you let the shadows watch you
Or do you sip your drink
And wait for all your hallucinations
To come alive?

And don’t you see?
The blood is my haven
And I seek refuge in it
Every time

I could only keep my full omerta
when that one and only friend of mine
turned away and
lay his slender body
on the chaise longue

Those doe eyes now wide closed
as the ascot came loose

And his voice croaked
in a dull monotone:
“It's not my desire to cast Love aside, like Alberich and Wotan did
—as others do as well.

I was forced to do it all,
before Love could've launched, Its long-schemed
most arcane betrayal, which had been planned
in minute details, since the day
we were born.”

My fingers unfold the truth
on a late night poem
in a different country
than my own–
between two black cars
a street light,
wine,
beer,
and
hard drugs

untold white lies
        
        Do you know what's really hard?

         Trying to make something beautiful or ugly
          out of a lie.
      
            This is me now
talking to the reader
or probably talking just to myself:
                   There's a hole in the Earth of me
                   my tooth has a cavity
                   I have a man
                   who can't keep
                   the truth in his pants
his mouth
gets real happiness
when he can bend
what's real and what
he wants me to know
which takes away any real
chance at happiness
                                             the only real
                                             way I can
                                             find out the lies
                                             is by picking
                                             up pennies
                                             that lead down
                                            a trail
                                             to girls,
                                                     coke,
                                                        hash, and
                                                         attention
                                                           seeking,
                                                     rocks
                                                 and a hard
                                              place.

There I go again
trying to make
poetry
out of tears,
and an untrusting heart.

                                   He makes
                                 amazing poetry.
                               about nights he's lied
                             keeping it hidden
                         in metaphors
                      and grandiose statements
while I applaud and like each write.
                
                          I'm ******* stupid
                         that's probably why
                         he says he likes
                         me as much as he does

You think about
the times
when your gut told you so
or the other times
when you ate it up
like drinks and fine dining

                              Now you forget to smile
                             and things you wouldn't
                             think would connect dots,
                             begin to.

My breast hurt
and I feel a panic attack
is at the bottom of this bottle of beer

Now I can say
I didn't make a poem
cause these are just words
on a page

Don’t knock.
Just rattle the door like the wind did
that night I sat in the bathtub
eating ice with a steak knife.
Bring your worst self—I’ll know what to do.

I’ve buried better men under worse moons.
Named stars after bruises and made constellations
out of what never touched me.
Still called it love.
Still called it mine.

I painted my ribcage lavender
to trick the vultures.
Grew silk in my throat
just to scream prettier.

There is no map.
Only muscle memory and perfume
that smells like the lie you almost told.
The one you rehearsed
but lost the spine
to say aloud.

I practiced not loving you
like it was piano.
Every night, slower.
Quieter.
Wrong keys, on purpose.

So if you must come,
come wrong.
Come ruinous and unready.
Come like someone who forgot the story
but wants to hear it again.

I won’t read it to you.
But I left the pen uncapped.
Go ahead. Ruin the rest.

I wasn’t crying.
I was hydrating my grief
from the inside out.

He said, “You’re not dramatic. Just detailed.”
I said, “You’re not cruel. Just consistent.”
We called that a compromise.
(or else a hostage negotiation.)

There’s glitter in my carpet
from a party I threw
to prove I wasn’t waiting on him.
I wore white.
Not bridal,
but still white enough
to make someone feel guilty.

I lit sparklers like sirens,
toasted survival.
Nobody clapped.

I collect apologies I don’t want,
write scripts for confrontations
that end in standing ovations,
then lose the footage
in a hardware crash
I secretly caused.

I take the stairs two at a time,
just to feel something chase me.
I text “I’m fine :)”
like it’s a safe word—
to keep the spiral
polite.

I rehearse the voicemail
he never left
like it’s Chekhov.
Like if I say it right,
the gun goes off
and I disappear
beautifully.

At the end of the dream,
he’s always wearing my hoodie—
saying something tender,
just slightly
too late.

And I wake up
with eyelashes on my wrists,
thinking—
Maybe I am the problem.
But God—
you should’ve seen the poems.

I was supposed to be somewhere holy by now.
Twenty-eight, maybe.
Soft-eyed, loose-shouldered,
eating cherries on a porch that faces west,
“I trust the sky not to drop me.”
“I haven’t wished on a coin in months.”
Instead, I’m awake at 3:47 a.m.
Googling “What does it mean to feel inside-out?”

I keep finding pieces of myself
in weird places—
a sandal from eighth grade
in my mom’s basement—
a song I skipped for years
until it wrecked me—
now it’s the only sound I can breathe to.
A fourth grade diary entry
that ends with:
“I think something’s wrong with the air.”

I think something’s wrong with the air.

I was so sure by now I’d
quit making altars out of absence,
retire from bleeding for the line break,
know how to hold still when people love me.

I thought I’d hear God more clearly
and panic less when I don’t.
I thought I’d be done
being undone
by
a read receipt.

/ Then the break. /

And yet.

I flinch at compliments
like they’re coming from behind me.

Sometimes I still check
if my name’s spelled right on things.
I still rehearse
what I’ll say in case I’m asked,
“So, what do you do?”

(I become.
I break and unbreak.
I drink soda in bed and call that healing.
I make it to morning and call that enough.)
I keep living like the soft things won’t leave.

There’s a version of me
who doesn’t bend into a wishbone
for every boy with a god complex—
and a version
who flosses because she thinks she’ll live
long enough
for it to matter.

There’s a version who never had to explain
the scars on her thigh.
A version who didn’t stay
just to see how bad it could get.

I keep dreaming of her.
Not to compete—
just to confess.
Not to ask forgiveness—
to give it.

She sleeps through the night and means it.
She makes plans and keeps them.
She doesn’t exist.

So I just keep writing toward something
I’m not sure I’ll survive.
There’s a version of me
who didn’t touch the red button.
Didn’t ask.
Didn’t hope.
Didn’t write any of this down.

(a poem in six stained glass windows)

I. BECOMING

I used to flinch when someone said
“You’re gonna be big someday,”
like—how big?
How loud?
How lonely?
How much of me
do I have to lose
to be loved that widely?

I kissed a boy once
just to see if I could still feel small.
I could.
then I wrote about it,
rhymed tongue with undone,
called it healing.

Some nights I Google myself
with the same hunger
you search a symptom.
Just hoping it’s not fatal.
Just hoping it is.
Just hoping there’s finally
a name for it.

My digital footprint is a shrine
to girls I outgrew but never buried,
their teenage poems
still written in Sharpie
on the back of my ribs.

My first book will ship with
a hand strung bracelet that says
“I survived myself.”

II. PERFORMING

Every time I tell the story
I’m a little more clever,
a little less heartbroken,
a little more
dangerous,
a little more wrong.

I have a bad habit
of leaving confessions in comment sections—
breadcrumbs on the internet floor,
for anyone sad enough
to mistake me
for a map.

I used to rehearse goodbyes in mirrors,
just to see if my eyes could lie
as well as my mouth did.
They could.
They still can.

They called me brave
for saying it out loud.
But I only said it
because the silence was louder.

The secret to staying soft
is deleting the parts
where I’m anything else.

I write best in hotel rooms
because they feel borrowed, too—
because no one expects
the towels to stay white
or the girl to stay quiet.

III. DISGUISING

“SENSITIVE” was printed on my sweatshirt
the night he told me
I hurt myself through him—
at least now he can’t say
I never gave a trigger warning.

Half of my closet is clearance rack chaos,
the other half is second-hand salvation—
each hanger a theory
of who I’ll be next.
Sometimes I dress like the version of me
I think he could’ve stayed for.

Every good body day feels like a plot twist,
like God gave me
a guest pass
to precious.

He said I was too much,
but whispered it like praise.
Now I underline his fears
in neon.

Some nights I still wake at 3:14
to texts I dreamt he sent—
all apologies
and no punctuation.

I screenshot compliments
like they’re prescriptions,
take two every six hours,
pray my body doesn’t reject them.
One day, I’ll ask the pharmacy
if they carry praise
in extended-release.

Every dress in my closet whispers
“wear me to his funeral,”
but he keeps refusing to die,
so I just overdress for brunch—
and sit facing the door
just in case.

IV. SEARCHING

I footnoted the grief.
Added asterisks to all my ‘I’m fine’s.'
Even my browser history
reads like a ******* fire.

My greatest fear isn’t that I’ll fail—
it’s that someday I’ll win
and realize the trophy feels
exactly like loneliness,
but heavier.

I read horoscopes for signs of relapse,
Googling “Do Libras experience nostalgia?”
at 5:15 a.m. like a drunk astrologer
pleading with the stars
to cut me off.

I used to edit Wikipedia pages
for characters who reminded me of myself,
changing their endings to
“she survives,”
“she gets out,”
“she burns the diary.”
They banned my IP
for excessive optimism.
I took it as a compliment.

V. RECKONING

The girls who follow me online
all think I have answers.
I don’t.
I have questions in fancy fonts
and delusions of grandeur
dressed as advice.

My therapist asks me to describe “progress,”
and I show her unsent messages,
leftover pills,
and a notebook filled with
poems written in my sleep—
and one that woke me up
Screaming.

Some of you highlight my breakdowns
like they’re quotes.
I get it.
I do it too.

VI. ALONE

My brain is a group chat
of all the selves I've ghosted,
texting in all caps
and sending GIFs that scream,
"Remember when you thought you'd be happy by now?"

If this poem goes viral,
tell them I made it big.
Tell them I got loud.
Tell them I wasn’t lonely.
Just alone
by design.
Like all cathedrals are.