A cigarette after ***
  gets old
when it's the only thing
  burning
in your world.

When Netflix feels like
  family,
you wonder where
  everyone went.

******* feels like
  a cry for help--
So help you God.

Missing your home
  is second
to missing who
  you once were.

Eastern philosophy,
Karl Marx, Rawls--
We don't know
  any ******* thing,
really.

Pretending to be more.
Pretending to be smarter
than we really are.

May holes in our sides
let others see
that we're beating, too--
just not as ferociously
or as honestly.

May we vanish
into the darkness
that best suits us.

If the light is our night,
may we follow it.
Follow it...
Follow it...
Rebel from our frame.

May God grant us
to be more
than losers.

That's not a God, that's a sense of entitlement
A sugarcoated dishevelment in disguise
You don't have dreams, just infatuations
Turning hope into self-indulgent lies

I turned away from New York just to know you
Silver showered soldiers singing serene
I turned away from myself just to love you
But I don't think you know what love means

You're not alone, just afraid of isolation
Afraid no one will be better than me
I'm not that great, I say without hesitation
Someone will love you more, just wait and see

My opinion of you changes like the skyline
A star among the cascading dark
Baby, don't let yourself flame out
Before the rest of your fire starts

Carcinogenic gasps
between photogenic thighs
create esoteric muscle movement
that moves me inside.
Your parents are therapists,
and mine choose not to be alive;
the words they say
don't work for moments we hide.

Jesus Christ before the sunset rust,
if I'm so alive
then why do I lust
absence.

There's a place
where I'd like to drown
every Saturday.
The water's warm
and thick in my lungs
and I'm no longer afraid.

Colliding with epinephrine,
your neck thrusts forward;
you kiss the steering wheel.
"Do you know
how much
you mean to me?"
Your eyes meet mine  
before disappearing in the glass mist.
I love you.

Out of body, out of touch
If I feel at all, then I feel too much
This poem is as shallow as my grave

But I'm still digging

If I want a God then I'll misbehave
If I want to be sad then I'll entertain
Just because I'm found
doesn't mean I'm around
Just because I'm growing up
Doesn't mean I can't be down

I'm sorry, mom and dad,
but if I want to be happy then I'll have to be sad
I'll write until my fingers bleed
Until my words are the blood that the readers need

It feels like I only notice love while I'm dying
Every breath I take feels like it's way too much
Since you're counting down from three
I trust that you'll stay with me

It feels like I only notice love while I'm dying

It feels like I only notice love while I'm dying
I'd cut myself if I knew how to bleed
Just because I'm on morphine
doesn't mean my heart is as numb as me

It feels like I only notice love while I'm dying

It feels like I only notice love while I'm dying
Every step I take feels like it's way too far
If you want to hold my hand
as I go then I'll understand

It feels like I only notice love while I'm dying

It feels like I only notice love while I'm dying  
It feels like I only notice love while I'm dying

My breath is barbed;
skeletal strings shift into smoke,
drifting into the shadows
as the darkness will choke.

Pearl snow stuffs my skull;
my grandmother in an earthern womb,
sleeps under it all.
A tombstone the last thing we bought--
a report card of her life:
She is with Him in Heaven, In Paradise...
With Him, Without Pain--
is speculation but turns into thought.

The icy steps do not deter me
as I sit on the crooked concrete spine;
speaking to her, hoping the snow
does not make her cold, any more,
'I can stay a while longer...
I do not have to go home, yet.'

-

Eco-friendly light spills from under the door,
forming a pool as yellow as diseased skin.
The brass doorknob is like a girl I once loved:
******* the outside, hollow in the inside,
unable to be moved and okay with it.
Fury from a faucet fills the bathtub
and rings my ears with its intent:
to fill a void and go away when cold.

She lays in the water
the city treats better than us,
wading in a wealth of watermelon wash;
her body flushed from fading flesh,
pores swim and stretch around
cursive carvings, kissing cursed curves--
and I sit upon a bone-white curb,
stirring my finger in the soup of her day;
watching the drain ****, wondering
if she'll, too, drift away.

I focus on my bank account
and not feeling alone.
The man in 1080p repeats,
'Where has my America gone?'
Fifty or sixty, and billionaire rich --
I guess I'm his working class *****.

Voting on how to
delude myself best;
I am part of a
dollar bill nest,
where I get to see
but don't get to touch,
where I get to give
but don't get too much.

I want to be buried
beside the river
that drowns you.

-

The way the sky sits.
Our sleeves
wrapped in wind.
I kiss your lips.
You are my end.

-

Sequins and swans
on the dress of
the universe.
I want to be warmed
by the galaxy's grasp.

-

You are my water:
You move beside
and against me.

Chocolate colored Toms, Cool Blue and Navy, too,
North Face jacket, give me some individuality
I wanna feel ethereal; violently, annoyingly
happy. But the sky is as black as lonely cancer
without a soul mate; I know what it's like
to kiss as you erase her.

Hauntingly, melancholic instances ingrained
into my gelatin mind and
stayed.
And the smolder
from the brand on my shoulder
frayed.
I wish I could alter my reflection,
but the mirror I've bought,
somebody else
made.

The tree of life grows in a graveyard-
With my hands around the air,
I imagine you over there-
Sitting under the branches,
inhaling abuse
and
exhaling cursive.

The sloppy rain slips and slides down the fogged-up windows,
and this lets me know that I am not as small as I think I am.
In a city of three million plus, I feel like the soul of a nation,
even though I'm just a twenty-one year-old piece of plastic, drinking a hipster beer.

The waitress has frizzy hair and oily skin.
She's holding in late-night infomercials and missed ballet recitals, behind her words.
She looks at my luggage and asks where I came from or where I'm going,
and I tell her that the fun thing is that I have no idea where I'm going --
and that I still haven't decided where I've came from.

This city allows new-found anonymity, and I want that to be my cause.
With each passing glance, I know they don't see me, and, to me, that's the slumber-kissed throat-slit I've always dreamt of...

...the streets play music that I only hear -- and I know that's not fair, but I don't care.

And the homeless represent the bowels of the city.
And the businessmen are the ghost-filled engine.
And the middle class is the defense-mechanism I always wanted for Christmas.
And I am the empty delusion, desperately seeking a new pollution.

I asked her why she cut herself,
and she said,
"Because death has an edge
and life is pointless."
She asked that I not
write a poem
romanticizing suicide,
just a poem about
how hard it can be
to celebrate life.

She looked at me and said,
"You should **** me
before you love me."
And so I did.

Her hands covered her *******
and she said,
"I want you to guess which breast
my father touched first."
And so I did.

The bones in her hands shifted
as she fixed her hair into a ponytail.
"You're going to promise me that
you're not going to try to fix me.
You're going to promise me, okay?"
And so I did.

Her lips would start bleeding
because when she lied
she chewed her lips.
She said, "I think today
will be the last day I live."
And I asked her for one more.

Dry blood sat on her inner lips
as she kissed me good morning.
Her voice softly cooed,
"I hope that isn't the last time
I kiss you."
And I asked her for one more.

She bled,
"All you write about are girls.
You never write about me.
All you write about are faces
without souls. What about my soul?
Are you going to
******* write about my soul?
Are you going to write another poem?"
And I asked her for one more.

Looking at me,
she ran her fingers
down her hips,
across scars,
and said,
"Too many men look at me
and see what they want to.
They look at me and see
broken picture frames
that they can repair
and put our faces into."

Our hands met
and our fingers grasped
at the pieces of ourselves
that were deeper than faces.
But it was only me
as she whispered,
"Stop,"
licked my cheek
to my ear,
finishing,
"Don't fall in love
with what you
think you see.
Just **** me."

And so I did.
And so I asked her for one more.

You're my favorite
  ****** cover.
Sing for paint drizzle.
  Kick me in the leaf
    stuffed gutter.
Put me aside. Pull me aside.
  Tell me you've kinda lied.
Tell me you're kinda sad.
  Tell me you don't
    have a future
  and that you're
    kinda glad.

I love you--I want you dead.
  I want you dead. Why'd you
gotta me feel free
  and pretty?

You're my favorite
  failed abortion--
pure shock value, baby.
  Your past is a ****.
I want you to be a
  plastic bag
so I can suffocate myself
  with you--
pure shock value, baby.

I love you. I love you.
  I love you.
Welcome to getting wet.
  *******. *******.
I want to ******* like
  I have cancer--
pure shock value, baby.

La, La, La
  Go **** yourself.
La, La, La
  Go **** yourself.
La, La, La
  Everyone is a drum solo
by a numb drummer.

On, Dancer!
  On, Cupid!
*** is fun!
  No violence?
Stupid!

I watch you breathe
as you sleep.
I'm afraid of what
you could mean
to me.

I study the stripes
on your shirt.
I think of all the
ways we'll flirt
and all the ways
we'll cry and I'll choke
with your hands
around my throat,
and Malboro Black
cigarette smoke
pouring down my
esophagus--
I wish I wasn't
so fond of us.

Love is for tin birds
in a flame cage.

I heard your voice on the radio
Each word transmitting
from your lips
You touch me more than you even know
From my neck to your fingertips

To be under your skin
is where I should have been.
From the start I knew
a little bit of everything
except you.
And to know you
is to know everything.

Chipped, cherry toned toes, pressing
across the cheap, linoleum flooring,
She's wearing nothing but an
over-sized sweater from a college
she's never, ever been.

And her hands hit her hips,
her grin leaves **** those
smoky-stained calcium cuties,
wrapped by chapped pythons.
In which, you have to admit
that 90's bob bouncing is
as killer as cancer.

Coffee table eyes, glancing,
gliding between every take,
she lifts the bottom of that
balled-up, decade-old sweater,
revealing a tuft of brunette hair;
a place where you can touch her;
where you can escape and stop
lying to yourself, you nihilistic nothing.

II.

Breathing the cold, in the murky-dark,
she, laying on a decadent country,
huddled in my authoritarian arms,
we stared at stars, streaking across,
waiting to escape like them, instead of
relating to those already dead beacons.

Mass graves breathing,
like beached jellyfish.
Ketchup packet pastels
painting a diner dish.
I sit and imagine
so many things and more.
I smoke ribbons of grey
that dance around
the diner door.

The people move
and have so much to say.
Watch them scurry and hurry
through the invisible day.
The sun's colors bounce off
weekly washed windows.
And I suffer from the certainty
that my fulfilled dreams
will fulfill me,
as I flick ashes into the world
for the wind to carry away,
dragging shadows.

O, ethereal Earth -
tortured town towering oneself.

Under Grace, thy swift death -
and upon mercy, a light, jest.

To be your Savior -
your only favorite -
is what's best.

I think she lost a part of herself,
picking up the pieces. And that's
okay; the universe works because
something is given for
something to be gained.

Her parents were red-blooded
Americans; they drank confirmation-
bias and the minimization of minorities.
They would make her problems as small
as the countries, they couldn't find on a map,
but could find in their hearts to demonize.

Oh yes, the demons: what used to
afflict her and corrupt her pure heart.
To them, she wasn't a teenager --
a child -- stressed from carrying a
family, featuring a mother with
a brain tumor; guest starring
'I-stunt-your-growth-with-Jesus'
as the understudy for mental
health awareness.

No, she wasn't a child; she was
a burden because she cut herself,
because her legs grew too thin;
as thin as the crucifixes around
the proud, turning necks, holding
dismissive heads of 'Why-would-
you-want-to-be-dead' Christians
and 'I-don't-understand-what-isn't-
in-the-Bible' fat, white relatives.

To make things short as her
life could have been: she dipped
in and out of drugs, featuring
****** and pills that would
dip in and out of her body,
like a fool's gold life jacket,
soaking in the waves of her
pale, transitioning to adulthood,
twenty year-old waters.

She saved herself, and
they thanked God and the
boy and mostly everyone
else but her. And the little
brother sat, sinking in a seat
softer than his deep-seated
hateful beliefs. But, the
truth is that she saved not
only herself, but also the
handsome, white, tall,
smart, talented image of
'Holy-****-what-a-tall-
drink-of-privilege.' A
tall drink who cared for
her more than the country
cared about being right; who
loved her more than the parents
of the degenerates living in some
unknown collection of poems about the
disenfranchised and American angst.

She was a protest, very wondrous;
a halting of the longest dark,
a breath of fog floating towards
a lonely, very deep pond.

And she was only beginning.
And it was all very exciting.

I love reading poetry on this site.

The most common used word is love.
Well, actually ambiguous is used a lot. I guess it makes people feel smart about themselves.

Anyway, everyone uses the word 'love', but has anyone experienced it or are we all deluding ourselves?

Besides the point, I've learned that if you want to succeed in writing on this site, you have to make sure you write about how you 'fell' in love and then follow it with 'heartbreak'.

You can be dark, and probably get some 'acclaim' from the broody broods.
Or you can not be completely pretentious and write something genuine.
Good luck, though. They'll call it cliche or cheesy.
So you deal with that...
But first thing is first: You must get artistic.

                                                    ­                                                       Do this
                                                            ­                                        because
                                                                ­                              it some how
                                                                ­                 makes it look like
                                                                ­              you
                                             ­                                        know
                                                                ­                              what
                                                                ­                                      you're
                                                                ­                                               doing.

Make sure
you seem like you
DO THIS
for a l
          i love you more than i can take
            vicious words cause my heart to break
               in god we trust our love forever
                 never be gone from me, oh no, not ever!
                    good bye my love i'll cherish you... ambiguously


Now let's get wordy.
Let's use some words entirely too much like...
AMBIGUOUS
Then after that, it'll be time to crack open the thesaurus and write words that you're not entirely sure that you're using correctly.

The ambiguous alligator bit with a fervor as the metamorphosis of his analysis changed what he thought (DID YOU SEE WHAT I DID THERE). He was chased by hunters, but was devoid of a cwtch (yeah, that's a word. Maybe he's a welsh alligator. I don't know. Parts of this poem are meant to be...wait for it...ambiguous).

the
     alligator's
                   father
                            died
                                   in
                                       the
                                            great
                                                    alligator wars of 1
                                                               ­               9
                                                ­                              7
                                 ­                                             2012 was an okay year, though.

what a tragedy it is to be abstentious at a buffet...(end it ambiguously)
                                                                ­                                              end

Then we have some depressing stuff on this site. Not that there's anything wrong with writing something depressing, but usually it's kind of stuff that you'd read at a seventh grade poetry slam sponsored by Hot Topic and Van's Warped Tour in partnership with AXE Body Spray and Monster Energy Drink.

We'll call this one....

'pain, pain, and more pain'

I knew this girl
name was elle
she rang my heart
like a ******* bell

i was fourteen
she was fine
we had assigned seats next to each other
but her seat was inside of my mind

we talked about deep stuff
like really deep
she told me she had nightmares
and i said i had them too
BUT NOT ALL OF THEM ARE IN MY SLEEP

the real nightmare was that
she had a boyfriend
he treated her really well
but he was a ******* FOOTBALL PLAYER
**** **** **** LOVE IS A ******* HELL

why not me
why the tool
i can play six songs on the guitar
and my parents own a pool

i could have given you everything
i could have given you my heart on a string
but you cut it with your knife
and ******* did it sting

my heart is black
my emotions in a whirl
i'll be like this for two weeks
AT LEAST
until i talk to another girl


I just love some of the poetry I read on this site, and I hope you like mine.

Thanks, guys!

In the gas deep under-park,
she sleeps between shadows.

Still-birth emotions laying on the snow.
If I let you smile, will sticky lips let go?
After-birth sensations, beaten under hail.
I want to **** the blood out of your gums.
I want to touch you until your body's stale.

Venus in the snow -- the more I taste you,
the more the echoes in our mouths slow.
Shake it, baby -- **** me like I just got out of a coma.
Nothing more that I want than to be your trauma.

And I just have to bury myself in your emotions.
And to drown in the swell of separate oceans.

Everyone sat
criss-cross-applesauce
in our hearts.
Perfume is made
with dead things, right?

I try hard to sound
important,
when I write *******
because
there are bodies
reading this *******.

And bodies grow and wither.
They thrive and survive.
They get married
and die alone.
They die.

To become dead.

Perfume is made
with dead things, right?

I know that you are lonely and I think we need to walk.
I keep wasting words about the weather and other small talk.
You gotta promise to keep pulsing just like the April rain.
Your lips are just flesh but they sure cover all the pain.

I walk beside you because you are my best friend.
We can walk through the park, hand in hand.
I'll keep you safe no matter where, until we reach our end.
I promise to love you past the trees,
but there's one thing I don't understand.

I can't see the harm in loving,
despite all that comes.
There were those that left before me,
but I'm not that one.

Your leaving is death,
but I still keep you alive.  
I wait for you, Kori,
and that's how I survive.

They say you never get over it, you just learn to tolerate.
I let cups of coffee stain my lips to remove your taste.  
I don't wanna think less of you; you can't be someone I hate.
I don't want you to disappear or for my love to go to waste.

I could die from anticipation just to **** the wait.
Until I see you again, my dreams will create
a way to visit you in my own personal paradise.
What it would be to hold you again as you shiver from the ice.

I'm not sure if anyone could love you more than I.
But I welcome them to do, or at least to try.
I want you to be loved. I want you to be happy.
I want you to be loved with or without me.

I want you to be loved.
I want you to be loved.
I want you to be loved
with or without me.

Apply plastic to my face; I can't embrace
the way I look, the way I waste.
My God is dead, because I erased him.
I am trapped in a daydream nation.

Rip the cords out of celebri-babes
I wanna be the end of a film
I wanna fade...

...Fade in,
My God is your God and I declare you're full of sin
Hollywoodland is my mecca and it's all that I am
Give me a star on the walk instead of the sky
I don't wanna live, I just don't ever want to die

Hollywood, Holly would
give up her soul
if Oscars and movies could
make her whole.

On a long and simple gallows tree
a god and dollar bill I see --
and I've never felt so happy;
no, never felt so happy.
I walk around and brush the bush
and think about all the ants I mush,
just want to make a cent or two;
what else am I supposed
                to want to do?

And on the laundered sky I spot
a furious eye over a shackled lot
-- but I'm told it's just the sun
                               that blinds;
   destroying all the ants it finds.

I don't think I understand,
my god, my wallet is full
but my life ain't worth living.
God, you're like a bird in my hand:
something beautiful, always squirming.
     And I wish I could let go.

You're not in love,
you just like
entertainment.
Blood boiling,
tense muscles
put your mind
at ease.

You're not kissing,
you just like
the gesture of hope:
the softer the lips
the harder it is
to walk away.

You quote their texts
like you're quoting
scripture.
The tweets you study
cause your heart
to freeze.

You're like a god
without a people:
You're looking
for anyone
to believe
in you.

I dreamt about
a ****** t.v.
movie.
I put myself
in a lover's shoes.
I said, "You're
not that lonely
but you like
the attention.
And I guess
I'd like to
give it
to you."

As the world defends itself from the anxiety of death,
a wind-caressed woman waits by the water,
and signals for silence, unceremoniously.
Waiting for the blood-banks to breed ideals --
which will, inevitably, be exported --
that will turn Natives into faceless, finger-painted  
neo-orphans of the broken nuclear home;
old souls, convinced to be the youth in revolt,
and to be the scrambled egg individuals of a melting ***, that disguises uniform for diversity.

Her lavender dress dribbles the spiraling air, as the copper dust swims by her ankles, knees, and thighs.
I do not remember when she told me that everything we do and say is a defense-mechanism,
distracting us from the fact that one day we will die and be as imaginative as the roles we give ourselves,
as the people we think blend into us,
and as the gods we use as an alternative to a morphine drip.

I stood by the bad river, knowing that all of my attempts at being more than what I was,
was my grasp at an out-of-reach eternity,
and a dream of a humanity that could be affected by one person.

I do not remember when she told me,
"All of our attempts at progressing,
is our way with dealing that we will someday die
and may not have been successful at living forever."

I had a God; he was a
good God. Keeping me  safe
with money, image, and  time.
Blessing me, solid;  
until my waist grew as thin   as my wallet.  
Buying all of your time.

I want to be on t.v.,
but not just any t.v.
I want the ratings to rise
  with my celebrity skin,
my trending name,
  commercialized sin.

I want to be sold   separately
and told that I'm desperately
giving my body to a   image heavy God,
sleeping on the skeleton of Malibu,
drinking dreams with a celebrity dog.

I want to be  on t.v.
I want to be  every  thing
and  more.

I had a God; he was a good God.
Played me his songs,  wrapped
  in his time.  Kissing me goodbye,
tel  ling me to sell shirts; telling me to
keep up with the trends.

Every soul I come into contact with
leaves an impression onto me.
But I don't believe in souls,
so how can this be?
How can I taste the flowerless
nature of a coke nose
and find it to be an eternal bloom?
For I, to without and before sunset,
**** the shadows that mask the morose
and keep the victimized stalwarts close.
See thy honor in the trauma of the night
and transient beauty of the light
that shines in all that I touch,
not enough or, perhaps, too much.
To break my empathy would be shimmerless,
but I'm dimmer, thus, a shallow crest
of what I thought was best
on the Earth's grass
and in the brain's broken glass.


Intermission:
Soda Pop and Popcorn in the lounge.


****** in France,
you like coke and being other people.
You tried to **** yourself with your car
but it only went as far
as the saliva leaping from your mouth,
when your head hit the horn,
and blared until your ears popped,
with your spit splatting against the speedometer.
Because what is fast isn't fast enough.
The EMT told you this when you saw the lights flash
across your eyes. Focus. Focus. Focus.
Follow the light with your eyes.
This isn't god. Do you have parents?
What is your name?
Your wallet melted in the heat.
What is your name?

You think you hear rusty bone saws
but they're trying to cut your friend out of the vehicle.
There isn't enough time. Time is never enough.

When I was little
I played with plastic toy knives
and dragged them across
my brother's throat
saying, "You're dead!
You're dead! You're dead!
I swear, you're dead!"

And we pretended
kool-aid was blood,
letting it drip down
my chin and neck,
down my chest,
past my pec.

I wrecked my bike
and ran for days.
I was stung by bees and swore,
"Nothing could hurt more
than this."

And when I turned twelve,
I learned how to ******* to dreams.
The grip on my skateboard
wouldn't let go of me.
I ollied over plastic bags
and stared at lottery tickets
sleeping in the garbage.

She and I played with fireworks
faster than shooting stars.
We waded in the lake,
being a cliche.
She and I rolled on the grass, naked.
I don't know where she is, now.

I don't know.

You're back.

But I'm not really here anymore.

I can tell that
you can't tell
that you aren't
going to be famous.

You helped **** a kid
by selling him laced candy
because you were trying
to buy an acting career.

Your suicide threats
and cries for help
turn me on.
Because.
I would love
for you to die.

And if you were dead --
as dead as the dirt on
the graves you've helped fill --
I wouldn't sleep better or worse;
I guess I would just be happy
knowing that someone would
be able to sleep and wake up.

They put you on the evening news
and you laughed about it on twitter.
Because you are a river
teaching drowning lessons
but not taking responsibility
for the cornflower blue corpses
that haunt your dangerous brain
and contaminate nearby life.

You are a degenerate --
but not one with potential
or hope. You are not what
is beautiful about struggle;
you are not interesting.

You are written about
much like how cancer
is written about in journals.

The boulders are freckled along the bank,
sleeping on lime-skin grass, grey and tired.
Fading black canvas shoes
attach to smooth, firm sides,
climbing a planet not as hard as ours.

From the distance, a spinning speck is seen.
With binoculars cupped around each eye,
you can see her twirl in the old, pink thing;
in the mirrors of light, you can see her beauty,
even if she has been blind her entire life.

You can see her rest her shoulder on a boulder,
gasps trying to grasp galloping breath --
and in between each choke, you must wonder
if you co-exist in this world
or separately, infinitely.

When you are drunk on the altitude,
it's time to step down and walk to sea-level.
Scurrying down thrown-up mountainside,
you should try not to trip on nature
or your own nature.

I want to be a dog's growl:
  as rough as bark.
As I ruff and I bark
  until my throat bleeds,
down my tongue,
  and clots, choking me.
Strangling my anger.

  I want to bite God's hand
and taste the scars and lines.
  I want to run alongside
the downfall of man
  like I'm chasing cars.
Waiting to be run over.

I want to be castrated,
  neutered,
so I can fall in line,
  so I can conform,
so I can be me in a sea
  of nobody else.

I want to be beaten
  with a chain
attached to my neck.
  I want to be on t-v.
I want to be saved.
  I want to betray trust.

Generic. Generic.
  I want to be like this poem:
  generic, you martyr.
You genocidal ****.
  You deadbeat.
You racist.
  You sexist.
You intolerant ****.
  I want to chew off
my trapped leg.
  I want to be a dog's growl.

There's a reckless wind
whipping 'round the
frayed ends of my hair,
its exodus from the sides
of cars blurring by.

Jazz drummers cycle
flurries of taps and nods.
Twitching wrists for dollars,
their cornflower blue suits
rising with the street sound,
becoming a tent for sweat,
reaching for the dangling dark  
held up by clouds and the
screams of horns and the
chimes of chatter.

And here I lean, inside a corner
between an entrance and an exit.
My dreams are starting to
last as long as these cigarettes,
I probably spoke into the chainsmoke --
being pretentious and afraid
under the spill of streetlight.

And here I am, harmfully hoping
my friend comes back, that he
didn't suffer, that he is with god,
that god exists, that I grow into
something that would make
him proud, my parents proud,
make me proud.

All the pretty girls trot the walk,
like surreal thoughts with
white converses and high-waisted
jeans holding the eyes of the few
guys and girls going home alone.

There's no proper way to end this
besides for raw ***, real violence,
and more money.

My government only cares about me
once every four years.

My bank account controls me.

I can't buy anything unless
it wants to **** me or love me.

Altogether, the night we wove
a trickled treasure, tangled:
skirted legs spilling out from
the teacup of a denim lap,
validation in the vacuum cove.

- Dusty Nikes before the dusk,
who art in heaven, my god
he thrusts.

- Why'd your mother
let you talk that way:
You smoke cliche cigarettes
in such an unfamiliar way.

- The hanger left welts, weeping
into post-relevance landline love,
body lay like the hands on the clock,
copper landmarks seeping.

What a feeling, ever so same.
Arched eyebrows, a trademarked shame:
like a fighter, like ****** oozing.
Like a functional inability,
divine in its losing.

Dear reader,


Reno doesn't smoke and it's a relief because I'd rather my smile stop her heart than a Malboro. I told her that and she considered never talking to me again because of how corny I was being. If anything, I'm glad she doesn't smoke because her teeth are as white as the snow suffocating the landscape. She asked me if I ever smoked a cigarette and I said no, because my hands would start to tremble at the idea of picking up another of one my father's habits.

We walked in the snow and, three steps and two breaths in, she asked me to stop. Reno bleeds other's blood, and it showed when she dug her hands into the snow to reveal a dog's frozen carcass.

"I saw the tip of his tail sticking out of the snow." She studied the dog's body and brushed some snow off of it's side. There was a wound, the size of a child's fist. Frozen blood stained matted fur, as the front and back legs seemed miles part. "He must have been so cold."

"Someone shot him," I looked at her, as a strand of blond hair cut her face in half when she turned to me.

"He doesn't have a collar...  I know what it's like to not have a home, too," she whispered to him.

I watched her, with her knees in the snow, cry. The tears slid down her cheek when she asked me if I thought that the dog's owner killed him.

"I don't know, Reno. I hope not."

She took off her left glove and wiped her face with a pinkish hand.  She turned to me,"Do you think my dad would **** me, if he could?"



The tree branches hung over the blanketed path, as clumps would fall off and plop frostbitten kisses on the bright, eggshell ground. Eventually we reached the grave of Hilary.

Hilary Natasha Drake
Born October 12, 2001
Died December 8, 2007
May God grant you access into his kingdom
as easily as he granted you access into our hearts.

"She was beautiful," Reno smiled, before she looked away. "My mother would always say, 'Hilary, don't you know how pretty you'll be?' ...She had these lily green eyes that lit up a room-I could have swore that she stole them from the garden of Eden. She was sweet, too. Too sweet. Too kind-hearted."

I felt my hand tighten, as I looked down to see Reno's fingers wrapped around me. Her eyes were holding hostage a flood, as her lip quivered as much as her voice.

"In nine minutes, it will be the anniversary of when we lost her. It was just too much for her and I understand, Hilary. I do.

"It ate her body and wouldn't stop. Every day she seemed thinner and thinner. I remember when she lost her hair. Hilary didn't want to wear a bandana or a cap. I asked her why and she said, 'There's nothing wrong with not having hair, pappy does it all the time.'

"She was so strong, Josh. Stronger than me. Stronger than my dad. When she died, the hospital bills and funeral expenses were too much. We lost everything. My dad lost himself.

"Then, my mother left when his drinking got bad... It was the night before Valentine's day. I remember because I was given so many flowers. I didn't understand why because flowers die, too.

"My mother didn't even say goodbye. She left the photo albums. I never got to say goodbye to her or Hilary and it's not fair because I love them so much. I love them more than anything."

Reno couldn't erupt into tears like they could in the movies. This was the scene where she was supposed to cry uncontrollably or have an epiphany that could alleviate the loss, but neither occurred.

"There's one thing I want you to know, Josh: You can't save me. Don't try, okay? Please, do not try to fix the broken pieces because you'll only cut yourself.

"But there's also another thing I want you to know: You can be there, as I fix myself. I want you to be there."

I looked at her and told her I wanted to be there too.

I think I understand why Reno doesn't smoke, now. The idea of possibly giving herself cancer, when it already has taken away everyone she loves, would take something away from Hilary's fight and only add to Reno's loss.

"I can cry over a dog, but not my sister," she whispered. Reno wiped her nose, looked at me and said, "Am I too much yet?"

"Of course not."



Sincerely,

Joshua Haines

Somedays I don't feel like writing
and it worries me because
'Writers write everday --
real ones, at least.'
I fear being ordinary,
which is tasteless because
maybe being ordinary
is what I need.

The appeal of snapbacks
and hipster haircuts
is starting to make more sense.
Blending into a crowd
might suit me better;
to be invisible but
to no longer be insecure.

Rap lyrics make more sense,
even though I can't relate;
these words are my sedation,
these clothes aren't armor
but marketable camouflage.
My words have been said before,
but that might be okay because
I'd hate to torment myself
wondering about my relevance.

So, to move on, I write,
and I write, and I write
to pander and to conform.
Substituting thought for
appealing diction and
strong imagery, afraid
to show myself because
maybe you're too much
like me, which, surely,
would eat me alive.

Asked to be safe, to be calm,
with the suction-pores of each palm.
Lips in twist with skin so sour,
drawing blood to drown a flower.
Pulling back, to study faces,
shaking out of sure embraces,
her heels kicked out
and her face soon followed,
and what she left,
I chewed and swallowed.

I'm an Amazombie in denim and fog,
Black and blue, and twenty-two:
a millennial with an oppressive blog.
***, money, and hipster brains --
condomless, rudderless, token.
I like the way you like the way
when I'm completely broken.

I wanna fire you in my veins;
have you ruin my life
I want you to be the cancer, baby
I have to cut out with a knife

Conservatives cannot admit
that the White Nationalists were wrong
"But what about Black Lives Matter.
But what about the Alt-Left.
But what about what Fox News said.
But what about what our ******* cartoon of a president said."

Think for yourself.
You are feeling bad for Neo-Nazis.
They killed people.
They have a history of killing people.
They would **** everyone that isn't white.

This country has become disgusting.
A large portion is defending the actions of terrorists.
White Nationalists, ISIS--
They are, literally, the same.

You cannot be peaceful
when it comes to Nazis.
By sympathizing with them,
you are condoning them and creating more.
The only good **** is a dead ****.
Be a ******* person,
think for yourself,
recognize true evil
when you see it,
you brainwashed *****.

I remember
when growing up
was desired.
We swung our lungs
upwards,
towards the sky,
so we could steal
the air of the
universe's river.

I'd call you on
my parents' red landline.
You'd call me on
a broken cordless phone.
Your father would yell
and I could hear your mother
knock over things
as she was either
running, hiding, or
fighting back.

You don't exist.
You're a figment of my
imagination.
You're a poem,
but I want you to be
a memory that is real
to substitute the ones
I wish were fake.

You don't exist.
Your name is not
Kimberly or June.
Your ears aren't pierced.
We never played games
or shared deep thoughts.
We never talked about
running the **** away.
We didn't grow up together.
We aren't close.
You were never born.

You are just a phantom
stemmed by an unoriginal
imagination. imagination.
imagination. imagination.
But I want you to be real.
Please exist beyond my mind.

In my head,
you confided in me.
In my head,
I wasn't so ******* alone
from ages 6 to 16.
In my head,
you're a phone call away.
I don't want to write a poem
to communicate to you.
Be born. Be born. Be born.

I have so much
I want to share.
I want you to meet
my girlfriend Rachel.
I want you to hear
about how everything
is going well, for once.

Be born. Be born.
Be born. Be born.

I tried crushing each memory like a shortening cigarette, but it's easier to allow yourself to die than to forget.

I stood in front of the mirror-the wall behind me scribbled in green-and I watched myself shave the weathered, brunette hairs off my cheeks, chin, lips, and jawline that you found so attractive and wrapped your lips around like a future reunion of, "Hi. I'm sorry for goodbye. I'm glad I met you again before I thought I would die."

And, in my head, I watched you approach my lips with yours.
And, in my head, I took a step back and started to tear up.
You asked me to kiss you, in my head.
And I shook my head, in my head.
You said you were sorry and got help, in my head.
You were better, in my head.
You were healthy, in my head.
But I'm aware some things may only live and die and say goodbye in my head.

I sat on the edge of my bed, no longer in my head, watching "Good Morning, Vietnam", and I remembered where I was when I learned that Robin Williams died. I remembered poking your thigh, in Starbucks, and wondering how long it'd take you to feel my finger or if you'd try to ignore the feeling, like most feelings. Your lips were red and your pants were black and on white, were black cats. And you were afraid to ask for your coffee. And once you sipped on your coffee, you left a red stain and it still appears in my head. And I relive every thing while being dissacioiated with my current life. And every kiss is a red stain in my head. Oh, great, we're back in my head. I guess we never left.

And I remembered when I knew you were dying and leaving and when I knew you had died and left. But I drowned those memories in ***** and suffocated them with smoke, until my body collapsed and until my lungs learned the cursive in every exhale.

In my head.
In my head.
In my head.
In my head.

Here I sit in the dark, watching 80's films. Because thirty years ago, there was no you and there was no me. I imagine it was a simpler time for the both of us.

A time where we never met.
But I'm glad I met you.
A time where we never kissed.
But I'm glad I kissed you.
A time where I didn't say,
"It's okay.
It's okay and it's always going to be okay
because I love you too."

It's not okay. It's not okay. Itsnotokay.itsnotokayitsnotokayitsnotokayitsnotokay

Tomorrow I will wake up, put on a t-shirt, boxers, socks, jeans, worn out Nikes, and a beat up flannel. I'll check my pulse, as I do my vitals, and I'll take my medications. I'll look at my bank account and determine how much money it'll take to forget you and how much more I wish I had so I could help you.

Is there a simpler way of saying I love you, or should I continue writing this album?

I don't believe in God,
I believe in me.

Because
the only thing
that scares me
more than a God
is myself.

I am
so many people
that I can't even
keep track of
myself.

I am
group-******
ideas, personas,
smiles, images;
fractions of a being.

Phantom in plain sight.

I am a joke.
I am *******.
I make you laugh,
so you can't hear me.
I sell you someone else
so you don't see me
as I stand before you.

I am the ghost.

So, so many
voices
but none of them
are mine.

**** me
to pieces,
then gather
what fits.

It never does.
It never does.

The yuppies are by the
  Cotto Café, asking those
not to call them hipsters.
  An auburn feminist drinks
Mexican blend, black, while
  reading Margaret Atwood.

I gave up smoking, I say,
  about a month ago.
No one really listens, which
  I sometimes find comforting.

After I walk my isolation off,
  I stumble into a Taco Bell;
one of those hybrids: this time
  KFC. The cashier is curly in the
way that broken legs are curly.
  Her eyes are green but I dare
not objectify her, I hope I don't
  say out loud, because I fear
nothing more than being
  patronizing.

Construction loudly stutters
  and cars squeak and shush.
On this griddle of a sidewalk,
  I feel alone. Vehicles vroom
while I stand silent, a monument
  to my generation.

Above all that is radiant and bright,
she floats above the New York night.
Neon signs and grey faces
look up, pointing, exclaming,
'Look how amazing
the human race is'.

Phantom girl floating, sifting
past and through all that's drifting:
empty eyes and the cracks on
every sunken, cigarette *******
ivory American cheek-bone,
belonging to a person, who
feels like any person: here
but sweetly alone.

All that is radiant,
all that is bright,
think what is beautiful
is flying past and
out of sight.