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I

Oh Galuppi, Baldassaro, this is very sad to find!
I can hardly misconceive you; it would prove me deaf and blind;
But although I give you credit, ’tis with such a heavy mind!

II

Here you come with your old music, and here’s all the good it brings.
What, they lived once thus at Venice, where the merchants were the kings,
Where Saint Mark’s is, where the Doges used to wed the sea with rings?

III

Ay, because the sea’s the street there; and ’tis arched by… what you call
… Shylock’s bridge with houses on it, where they kept the carnival;
I was never out of England—it’s as if I saw it all!

IV

Did young people take their pleasure when the sea was warm in May?
***** and masks begun at midnight, burning ever to mid-day,
When they made up fresh adventures for the morrow, do you say?

V

Was a lady such a lady, cheeks so round and lips so red,—
On her neck the small face buoyant, like a bell-flower on its bed,
O’er the breast’s superb abundance where a man might base his head?

VI

Well (and it was graceful of them) they’d break talk off and afford
—She, to bite her mask’s black velvet, he to finger on his sword,
While you sat and played Toccatas, stately at the clavichord?

VII

What? Those lesser thirds so plaintive, sixths diminished sigh on sigh,
Told them something? Those suspensions, those solutions—”Must we die?”
Those commiserating sevenths—”Life might last! we can but try!”

VIII

“Were you happy?”—”Yes.”—”And are you still as happy?”—”Yes—and you?”
—”Then, more kisses!”—”Did I stop them, when a million seemed so few?”
Hark—the dominant’s persistence till it must be answered to!

IX

So an octave struck the answer. Oh, they praised you, I dare say!
“Brave Galuppi! that was music! good alike at grave and gay!
I can always leave off talking when I hear a master play!”

X

Then they left you for their pleasure: till in due time, one by one,
Some with lives that came to nothing, some with deeds as well undone,
Death stepped tacitly and took them where they never see the sun.

XI

But when I sit down to reason,—think to take my stand nor swerve
While I triumph o’er a secret wrung from nature’s close reserve,
In you come with your cold music, till I creep thro’ every nerve.

XII

Yes, you, like a ghostly cricket, creaking where a house was burned—
“Dust and ashes, dead and done with, Venice spent what Venice earned!
The soul, doubtless, is immortal—where a soul can be discerned.

XIII

“Yours for instance: you know physics, something of geology,
Mathematics are your pastime; souls shall rise in their degree;
Butterflies may dread extinction,—you’ll not die, it cannot be!

XIV

“As for Venice and its people, merely born to bloom and drop,
Here on earth they bore their fruitage, mirth and folly were the crop:
What of soul was left, I wonder, when the kissing had to stop?

XV

“Dust and ashes!” So you creak it, and I want the heart to scold.
Dear dead women, with such hair, too—what’s become of all the gold
Used to hang and brush their bosoms? I feel chilly and grown old.
OldManAtHeart Mar 2014
Unborn
You were alive and kicking
one third a child and one half me
But I was half the person
I was half-dead and hurting
And now I'm half-alive, half-dead, half-empty and half-full
Alive enough to feel the dead part of me that's missing.

In this world I can never make sense of
That makes the unnatural seem so right
Everything natural lead to you, and now I'm siding with the unnatural.
I'm living with half myself and no more you
Beautiful, alive and kicking
Kicking me into the unnatural world and yourself into oblivion

You're the most beautiful thing I've ever seen in black and white
But nothing about this was black or white
I'm fifty shades away from the greyest grey
And I miss you. Even if we'll never speak. I miss how much you scared me. I miss my natural world. My world of alcohol and *** and cigarettes and love and me at the centre.
And I still picked me. But you're half me.

This natural world is unfair; people who want you can't get you and people who don't want you do.
Now I'm siding with the unnatural.
But it's too grey to handle, too complex
never as beautiful as you
It's mother's Day today and I am no mother.
And even in your non-existence my hair is turning grey.

What I didn't realise when I ****** the life out of you is that I ****** some of the life out of me, too.
I know you cannot feel, but I wish I could have comforted you as you became sixths and eighths and suddenly nothing to be afraid of any more.

I wish I could have held you and briefly been your mother for just a second as you left me and as you screamed.
But you can't scream.
No, you're just cells. I'm just cells.
A nervous system away from you and
cords and worlds apart.

I wish I could have gone with you to your world as I felt the artificial peace of mine when you left me in my sleep.
I think I will prefer your world to this unnatural one.
Joe Wilson Feb 2014
He still felt deafened by the terrible noise
From the huge field guns that both sides had
Been firing hour after hour for four days. You
Could be scared to death just from the noise.

An eighth didn’t seem like much
Two sixteenths
Four thirty-seconds
Eight sixty-fourths
Sixteen one hundred and twenty-eighths.

Following his recent promotion to Colonel
He was sitting in his new office at his new desk
Hesitating to put his pen to paper
Resisting the inevitable sorrow to come.

He was writing down the numbers – thinking
Thirty two two hundred and fifty-sixths
Sixty four five hundred and twelfths.
Now the numbers looked much bigger.
When he reached
Five hundred and twelve as a
fraction of four thousand and ninety-six
He stopped.

The number now seemed insurmountable
Yet it was still that small fraction.
But he now had to write to that number
Of wives, mothers, fathers, brothers and sisters
And tell them that their boy would
Never again walk through their front door.

An eighth is so much more than just a fraction.

©JRW2014
This is a poem about one man's responsibility in WW1
Jimmy silker Oct 29
When two is one
And one is nought
What is the magic
That makes one comport
What it is to calculate
The thing that makes us
Repopulate.
Bella Isaacs Feb 2022
This is desire; nothing you have heard of in
Romantic poems, of red, of pink, of green,
Of gold and pearlescent white - it is a picture
Of me in my pjs, with my sexiest underwear
Beneath, for no reason at all - I have my feet
Up on the footstool of our stained sofa set
Coffee and alcohol and goodness-knows-what
From bygone beggars who lived our student lot
And it's quarter past two, and I have a well-eaten
Granny Smith core in my hand, and the day has beaten
Me. The week has beaten me, but hey!
I smiled through it all, almost all the way.
And my household (mis)adventures mean I carry a stale chipshop
And washing smell about me. And I stop
And I think, yeah, I'm only up because I'm working late -
I'm only working late because I got up late -
I only got up late because it finally hit me -
It finally hit me and I'm working on trying to get by
So I record myself on IG live reading a Victorian novel
I discovered two summers ago when another total
Fool decided it was wise to break my heart
Because I'm needing the typed-in hope, on my part,
Discovering that I'm sitting with a journey ahead
Stilled, getting over the craziness, the pain in my belly and head,
A hundred things I could do fresher and if I just lived normally
And I'm sitting, again, a picture of nonchalant insanity
Over a pair of strong tan arms, great hands, quick-fingers,
Beautiful blue eyes, a jaw, a beard, a chest, a heart that lingers
Everywhere, in every word you speak - it resounds, rather,
Root-chords and sevenths and sixths and fourths, and, bother,
I write you as a blazon when it was your whole and soul
I loved. "I loved you once". I think I love you now, the fool
I am, staring into the dark night, the flats across where they
Have potted tropical plants and a couple and a cat, and hey,
I sing whenever the window is open, hoping you will pass
And hear my clear voice lauding your songs and more, but alas
These hopes are vain, and the window was open wide tonight
And I wonder how many I entertained, not going left or right,
Dimming the lights, thinking about you, and losing my mind
As I still do? No, it's not a **** picture, but I'm inclined
To say it's real, and if that ain't ****, the ****** says,
Then I sure as heck will never settle for what is.
brooke Mar 2016
how exhausting to
fall   in   love   with
e  v  e  r  y  o  n  e
to be wrenched in
fifths    and    sixths
to say you could but
know you c  a  n  '  t
and     rushout     the
way fools rush     in
your hair leaves a flick
in the door frame before
the house comes down
in your wake, and your
lungs catch the heat,
billow up on the cliff
side, giant sails that
bring you elsewhere
that take you far away
from the choices you
don't want to make.
Written January 30th, otherwise known as the beginning.

(c) Brooke Otto 2016
Germane generic geeky guy
five sixths enroute
to complete lxiv luxurious Earth orbits
experienced chronic, demonic,
physiologically hegemonic...
irritable bowel syndrome
without shadow of a doubt,
yet aforementioned plight
the following lines of poetry
will not be about
problematic posterior plague.

After contemplating discomfort
linkedin with said medical condition,
yours truly realized aftermath
of Hurricane Ian concerning
those who weathered category storm
suffered a fate much worse
subsequently, I took a brief hiatus
typing lines of impossible
to understand questionable verse
challenging proclivity of one
yawping wordsmith being terse

yeah right you probably think
crowning glory upon
mine nonestablishmentarian literary endeavors
hands down majority of anonymous readers
would immediately qualify
his swiftly tailored prolix harried style
unquestionably, obviously, and irreverently
imposing expansive vocabulary as perverse,
no doubt hurling expletive donned curse
at me with every stinging breath they took.

The previous writing endeavor
attached catchy title
at outset intent to brook
unspoken protocols analogous to river,
which overflows banks swallowing
entire metropolitan areas
categorized as biblical flood
believed to occur once
every five hundred year
exhibiting impact greater
than storied facebook
(as personal side note,
said creation a markedly popular

social media platform)
influencing great swaths of populace
allowing, enabling, and providing
user trademark friendly look,
which ineluctably draws innocent naif
into webbed wide world,
where coders fashioned
innocuous virtual pitfalls
many a stalwart devout
online interoper figuratively snagged
courtesy tempting virtual,
lock, stock and withal
ingenious (some might chime in –
nefarious, opprobrious, pernicious...) tailhook.
Sharon Chrysilla Feb 2020
i have died too many times
in the place you call paradise
and lived more
in the land of the dead.

though still,
with every shiver,
i bleed
and parts of my body,
they distort.

i am still me,
with my high sevenths,
my low sixths
and everything in between.

— The End —