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Martyn Thompson Aug 2011
i - Introduction:
ii - Lismore Park
iii - The Road to Maidenhead
iv - Town Square
v - Contradiction, contraband
vi - Saturday Afternoon
vii - The Circus Comes to Town (Sunday)
viii - The Show
ix - The ringmaster
x - The Fracas
xi - An incident at Upton Park
xii - No ball games
xiii - New found…
xiv - Nearly done
xv - Another time…

i - Introduction:

Come friendly bombs you’ve still to hit
The place whose name means quagmire
The town, the place that’s left bereft
Of soul, of spiritual fire.
But hurry, hurry, please be fast
For the crack dealer plies his trade
With slight of hand and cunning
A ghetto he’ll have made

The peroxide perms have now all grown
And muster outside shops
To wait for the be-suited sales rep
With his rocks and his alco-pops
They’ve all spawned offspring of their own
Fifteen-year-old cradle pushers
Who sold their souls in return for hope
To thirty year old cradle snatchers

Come friendly bombs it’s plain to see
The vacant, empty faces
The lifeless eyes, the pallid skin
The love that leaves no traces
The love that lasts a knee trembling minute
Outside Harry’s and Sluffs
A love that smells of emptiness
O they cannot get enough

Come with me, look over there
To the sculpture in the mall
The stainless tree with it’s stainless birds
And stainless birdsong call
A bird sings and the town all stops
To see from where this sound will show
A bitter disappointment when learned
It was played on the radio

Community service on the airwaves
To draw the crowd together
A song played, a one hit wonder
Reminds us nothing is forever
The sterile radio station plays on
Opiates to which we should yield
And bare our souls and be grateful for
The song of Bedingfield

ii - Lismore Park

The sight of a child playing in the street
Is one of day’s gone bye
But Lismore Park sees them out in droves
Stealing cars and getting high
The twelve year old sent out to play
Whilst mother takes a knap
But really she’s having it away
For a fiver and a brown wrap

The party at the house next door
That never seems to stop
The men all come and go and paw
Girls in this knocking shop
But halt weary traveller, stop!
Come sit and rest your back
The bench awaits you on the green
And the deluded maniac

The man who knows what’s wrong with you
And how to make it better
As long as he keeps his soul filled up
With cheap White Lightening cider
Six large cans for a five-pound note
From the corner shop near the school
An offer really not to be missed
And to make the drunkards drool

A songbird sits on the climbing frame
And sings his cheerful tales
A tune too much for our dear lush
The maniac exhales
The songbird sings and fills the air
With a loving string of notes
That reminds the sitters on the bench
There may still be a hope

A radio plays ‘that’ song again
Should you dare to forget the rhythm
The bird has flown away now
Fed up with this hypnotism
The airwaves are now filled with dross
Thanks to the flat opposite the green
The weary traveller moves on
“Better days has this place seen”

iii - The Road to Maidenhead

O friendly bombs do try to miss
The sweet blossom, the fragrant smell
The flowers, the green grass of the parks
The havens in this hell
Be careful around the Jubilee River
With it’s wildlife and sculpted hills
For a walk in this very man-made place
Will surely heal your ills

But spare no mercy for the superstores
That pollute and destroy our thoughts
“If it’s not on the shelf, we haven’t got it…”
The familiar assistants’ retort
Take no prisoners with the office blocks
That lay empty year after year
For they clutter up the atmosphere
And have no value here

O friendly bombs, o friendly bombs
The cabbages are all grown
They read the Sun and sing along
To the radio’s dreaded drone
Whilst in their vans they speed on by
Jumping all the lights
To price a job – a small brick wall
Based on a thousand nights

The car showrooms… the car dealers
Stack ‘em high and sell them cheap
Chop-chop salesman, soften ‘em up
The rewards are there to reap
Finance, part exchange or cash
Anyhow you like
“No sir, not me sir…
…I’d prefer to use my bike”

The bustle of the weekend crowds
The steamy traffic queues
Stare too hard at that red car
And suffer the abuse
Overtake the blue one now
And make him toot his horn
See him raise his voice in anger
To satisfy his scorn

iv - Town Square

Saturday morning, seven o’clock
The town begins to wake
A pair of sleeping winos
Dream about their fate
They plan their morning sermon
But who will really care
For what they say means nothing
Less than their icy stare

The busker and the balloon man
Wait to take their turns
To entertain and irritate
And suffer being spurned
By a thousand shady shoppers
Who’ve heard it all before
And probably given hard earned cash
To make them play some more

The trickster and the barra’ boys
Set up all their stalls
Selling mobile phone covers
And fake branded hold-alls
Adorn your phone with logos
Hankies for a pound
“Yes sir, we’re here on Sundays…
…(Providing there’s no police around)”

Grab a baked potato and sit
And watch the folk go by
Some will have you in hysterics
Some will make you cry
The man on his double-glazing stand
In his suit and in his tie
The perspiration on his head
Watch him wilt and fry

The songbird settles on the wall
And sings to our delight
A merry sonnet that will inspire
Dreams we’ll have that night
The wino shouts his sermon now
The bird has paused his song
This post-war sprawling Hooverville
Muddles slowly along

v - Contradiction, contraband

On the steps of the library he screams aloud
Through a mist of smuggled gin
“You’re all fools, the lot of you is ****
I’ve not committed sin…”
“It’s not my fault I’m a lush… a drunk
I don’t choose to live this life”
“You’re all wrong in carrying on
It’s you what’s caused my strife”

In his wretched form he abuses the world
Pooh-poohing this and that
A skunk telling the world it stinks
The polemic polecat
“Society has robbed me of everything
And left me less than whole”
“The only day that’s good is Thursday
When the postman brings me dole”

On Friday he meets his dealer
To fuel his pickled mind
The man with the van on Saturday
With the spirit and the wine
By Monday, he’s all skint and broke
The weekend has passed him by
He takes his place on the library steps
We shake our heads and sigh…

Every week the same routine
The same routine again
Like clockwork his life ticks on by
The suffering and the pain
But he tells us it’s all our fault
We’re the ones not right
But it’s very easy for him to say
The man who’s so contrite

The children watch him puzzled
It’s more than they can bear
“It’s very rude…” their mothers say
“To stand like that and stare”
But what, do they expect their young
To ignore this fool a mumbling?
For they will see it for what it is
A stormy weather warning

vi - Saturday Afternoon

I sit on a wall in Slough with friends
Sharing the Dutch export
Watching and laughing at the world
And it’s variety of sorts
A happy bond that we all share
The joy of simple things
Come friendly bombs and gather round
Watch us while we sing

The friendly bombs you call upon
Are they straight off the shelf?
It’s my belief, my firm belief
The bomb is in yourself
Ticking slowly by and by
Just waiting for the code
To trigger you and trip the switch
To make the bomb explode

We watch the people from where we sit
The hellholes they’ve all made
They don’t live they just exist on
The edge of a razor blade
Stop! Step back and take a look
It’s not too late to change
And become what you really want to be
An icon of your age

Over now to Langley Park
To sit and bathe in the sun
O friendly bombs please wait a while
Until this day is done
But what will tomorrow bring my friends?
And will it come too late?
Something that may save us all
The bombs may have to wait

A sedate sleepy Saturday
Away from all the crowds
Share a joke, a ****, a smoke
And laugh together loud
The sun warms our sombre souls
As on our backs we lie
Staring as the clouds roll by
United under the sky

vii - The Circus Comes to Town (Sunday)

Halt now, wait awhile please
Stop the counting down
Today the air is charged with joy
The circus comes to town
Must have arrived last night we think
Under cover of dark
And settled down and pitched it’s tents
In the grounds of Upton Park

The queue to purchase tickets
Trails far along the road
No. 53 offers cups of tea
From outside her abode
The crowds are mum, they say not a word
As they wait their turns to go
Inside the circus big-top tent
And sit and watch the show

We settle down and take our seats
With an ice-cream and a coke
But wait, where are the circus clowns?
Is this some kind of joke?
A wall of mirrors fades into view
And puts us in a spin
Reflecting all the bright lights
The colours and the din

The ringmaster enters, cracks his whip
And hands out little slips
“Everyone’s a winner” was
On every body’s lips
The clowns they all appear now
With a modicum of fuss
Hold on just a minute now!
The clowns we see are us

A spotlight points up to the gods
At the top of the trapeze
A giant money spider glides
Down with greatest ease
He touches each and everyone
All paralysed with fear
And hands out ten pound notes to all
Then promptly disappears

viii – The show

A strongman strolls out slowly with
A length of iron bar
A leopard spotted leotard and
Moustache sealed with tar
He looks around the big top with
A menace and a sneer
Surveying all the audience
He seeks a volunteer

The white van man he raised his hand
The tattoo on his arm
Said this man must not be crossed
To do so would mean harm
The strongman bent the iron bar
Across the van man’s back
Then invited him to strike him down
An unprovoked attack

The van man clenched his hand and hit
And hurt his mighty fist
A statue of the strong man shattered
Turning into mist
The van man stood and stared in fear
The mist it gathered round
And carried out our hero driver
He hardly made a sound

No-one clapped we all just stared
Our faces ghostly white
The strongman re-appeared and looked for
A second stooge that night
No-one raised a hand in fact
No-one said a thing
The strongman shrugged and vanished…
Empty was the ring

A knife thrower was the next to appear
And seek the help of one
With nerves of solid steel and courage
Secondly to none
Down came a fallen woman
Who said she had no fear
A knife was thrown and pierced her skin
Her right large ear-ringed ear

ix – The ringmaster

A second knife it struck her chest
She didn’t seem to weep
She didn’t seem to be in pain
Although the knife was deep
A third knife struck her arm and then
A fourth it struck her head
The knives that should be missing her
Were hitting her instead

Horrified the crowd looked on
Without a fuss or row
The woman now all full of blades
Politely took her bow
She then went back and took her seat
And never said a word
Not another word she said
And not a word she heard

A magician was the next to charm
And thrill us with his tricks
He pulled a rabbit from his hat
Then sat it on some bricks
He then threw watches at this beast
That grew to a great size
The rabbit caught them all and juggled
Them to our surprise

But here’s the rub when we all looked
At places on our wrists
No watches were there to be seen
A cunning little twist
The magician cracked a whip and put
The rabbit in a stew
Which vanished there before our eyes
Vanished out of view

The magician he announced that he
Alone did have this plan
To mystify and amaze us all
With his clever hand
Indeed he was the ringmaster
That owned this circus troupe
That terrified and petrified
Our frightened little group

x – The Fracas

A swarm of bees engulf us now
And cover us with honey
The ringmaster cracks his whip again
The bees all turn to money
Then suddenly the fight begins
As we grab this flying stash
Filling up our purses now
With the hard-grabbed cash

The ringmaster, a clever man
Calms us with his sigh
“There’s plenty here for everyone
…And more than meets the eye”
Suddenly a flock of doves fly
Sweetly through the air
They then attack the baying crowds
Pulling at their hair

Then with a deafening bang, a crack
A flash of burning light
We all cascade towards the floor
The circus out of sight
Confused we all stare around
Thinking it absurd
This bizarre spectacle should vanish
Gone without a word

I look from face to face to face
Whatever could this mean?
We all are laughing nervously
How stupid have we been?
We talk about the day’s events
We talk and talk some more
A voice booms from out the sky
“I’ve opened up the door”

“I’ve brought you all together now
To pander to your greed
To watch you take from fellow man
Deny him what he needs”
I reach in to my pocket
For the money I did place
It reads “Admission: 1 adult
To The Human Race”

xi – An incident at Upton Park

That week the local paper ran
An exclusive full-page ad
“Faland’s Travelling Circus Troupe”
“The most fun ever had”
But no review was there to read
To tell of our event
The strange encounter with this circus
To which we all went

The following Sunday we meet up
In groups of three or four
Since that incident in Upton Park
The spectacle we can’t ignore
No-one knows quite what it means
I don’t think that we’ll ever
Understand all that happened here
That brought us all together

Perhaps there is a deeper message
Given on that day
Faland may be telling us
That we have lost our way
He simply used us all as tools
To illustrate our folly
That had now become too serious
A risk to things so jolly

Every week now we all gather on
This hallowed piece of land
And this is very odd because
Nobody makes the plan
The idea comes to all of us
A self-ignited spark
And draws each of us in turn
To meet in Upton Park

We picnicked then we all played games
Then talked about the rain
We toasted our new friendships
And vowed to meet again
The bombs, the bombs they’ve all slowed down
Compassion saved the day
This newfound love we now all have
Must surely pave the way

xii - No ball games

The joy did not take long to spread
Across our grimy frowns
And bring a little sunshine
To lighten up this town
Happiness is upon us now
The whole of Slough-kind
Depending on how you look at it
And on your state of mind

The lush upon the library steps
The wino on the bench
The Publican and Landlord
The ***** serving *****
They all wear smiles and laugh a lot
And speak of wondrous things
A songbird perches on the fence
And merrily she sings

The children, o the children
How they sing and dance
Always being friendly
In any circumstance
They have no care for politics
You’ll see it in their face
They want to play with everyone
Who’s in the human race

Meanwhile back in Upton Park
The townsfolk meet again
But there’s no talk of horror
Or suffering and pain
Instead though how a monument
Should be erected in our names
And pulling down the signs
That read ‘No Ball Games’

The bombs have all stopped ticking now
And line up by the wall
And every now and then they clang
Just to remind us all
If we get too complacent
And don’t respect our friends
We’re marking down the seconds
To our bitter end

xiii – New found…

We shared our food and shared our tales
Life stories we all told
They made us laugh they made us cry
Left us warm and cold
The suffering we did speak of
Helped us understand
How fellowman and woman kind
Dwelt in other lands

We laughed at tales of folly
And stories of the past
Stories that we are in awe of
Stories that will last
For another thousand years or more
And travel on the wind
A gentle breeze that talks to us
Thrilling to the end

Gathering momentum
Our stories travel far
Picked up and told by new folk
Under glowing stars
They bring warmth and humanity
Softened by the rain
They travel back to each of us
To be re-told again

Who’d have thought this loving joy
This beacon in the dark
Would begin upon the grass
Of hallowed Upton Park
The greed has gone or mostly so
Now happiness is here
We’ve seen the light and now must spread
Our messages of cheer

Looking back it hardly seems
We could have been that way
Not caring if each other lived
To see another day
This new found near Utopia
Must spread across the land
And we must stand to offer all
Our warm and guiding hand

xiv – Nearly done

The story is now almost told
Of how a strange event
Saved us from our selfish selves
A message heaven sent
With cunning tricks and sleight of hand
The error of our ways
Was written up in greasepaint
Shining through the haze

A strange di
I wrote this in about 2004 - loads of literary influences in this poem. It speaks for itself really. Having read through it, I think I ought to revise / review and re-write some of it, but this is the original.... yay!!
On Wenlock Edge the wood's in trouble;
His forest fleece the Wrekin heaves;
The gale, it plies the saplings double,
And thick on Severn snow the leaves.

'Twould blow like this through holt and hanger
When Uricon the city stood:
'Tis the old wind in the old anger,
But then it threshed another wood.

Then, 'twas before my time, the Roman
At yonder heaving hill would stare:
The blood that warms an English yeoman,
The thoughts that hurt him, they were there.

There, like the wind through woods in riot,
Through him the gale of life blew high;
The tree of man was never quiet:
Then 'twas the Roman, now 'tis I.

The gale, it plies the saplings double,
It blows so hard, 'twill soon be gone:
To-day the Roman and his trouble
Are ashes under Uricon.
219

She sweeps with many-colored Brooms—
And leaves the Shreds behind—
Oh Housewife in the Evening West—
Come back, and dust the Pond!

You dropped a Purple Ravelling in—
You dropped an Amber thread—
And how you’ve littered all the East
With duds of Emerald!

And still, she plies her spotted Brooms,
And still the Aprons fly,
Till Brooms fade softly into stars—
And then I come away—
605

The Spider holds a Silver Ball
In unperceived Hands—
And dancing softly to Himself
His Yarn of Pearl—unwinds—

He plies from Nought to Nought—
In unsubstantial Trade—
Supplants our Tapestries with His—
In half the period—

An Hour to rear supreme
His Continents of Light—
Then dangle from the Housewife’s Broom—
His Boundaries—forgot—
On Wenlock Edge the wood's in trouble;
His forest fleece the Wrekin heaves;
The gale, it plies the saplings double,
And thick on Severn snow the leaves.

'Twould blow like this through holt and hanger
When Uricon the city stood;
'Tis the old wind in the old anger,
But then it threshed another wood.

Then, 'twas before my time, the Roman
At yonder heaving hill would stare;
The blood that warms an English yeoman,
The thoughts that hurt him, they were there.

There, like the wind through woods in riot,
Through him the gale of life blew high;
The tree of man was never quiet:
Then 'twas the Roman, now 'tis I.

The gale, it plies the saplings double,
It blows so hard, 'twill soon be gone:
Today the Roman and his trouble
Are ashes under Uricon.
1

Lo di che han detto a' dolci amici addio.    (Dante)
Amor, con quanto sforzo oggi mi vinci!    (Petrarca)

Come back to me, who wait and watch for you:--
    Or come not yet, for it is over then,
    And long it is before you come again,
So far between my pleasures are and few.
While, when you come not, what I do I do
    Thinking "Now when he comes," my sweetest when:"
    For one man is my world of all the men
This wide world holds; O love, my world is you.
Howbeit, to meet you grows almost a pang
    Because the pang of parting comes so soon;
    My hope hangs waning, waxing, like a moon
        Between the heavenly days on which we meet:
Ah me, but where are now the songs I sang
    When life was sweet because you call'd them sweet?

    2

Era gia 1′ora che volge il desio.    (Dante)
Ricorro al tempo ch' io vi vidi prima.    (Petrarca)

I wish I could remember that first day,
    First hour, first moment of your meeting me,
    If bright or dim the season, it might be
Summer or winter for aught I can say;
So unrecorded did it slip away,
    So blind was I to see and to foresee,
    So dull to mark the budding of my tree
That would not blossom yet for many a May.
If only I could recollect it, such
    A day of days! I let it come and go
    As traceless as a thaw of bygone snow;
It seem'd to mean so little, meant so much;
If only now I could recall that touch,
    First touch of hand in hand--Did one but know!

    3

O ombre vane, fuor che ne l'aspetto!    (Dante)
Immaginata guida la conduce.    (Petrarca)

I dream of you to wake: would that I might
    Dream of you and not wake but slumber on;
    Nor find with dreams the dear companion gone,
As summer ended summer birds take flight.
In happy dreams I hold you full in sight,
    I blush again who waking look so wan;
    Brighter than sunniest day that ever shone,
In happy dreams your smile makes day of night.
Thus only in a dream we are at one,
    Thus only in a dream we give and take
        The faith that maketh rich who take or give;
    If thus to sleep is sweeter than to wake,
        To die were surely sweeter than to live,
Though there be nothing new beneath the sun.

    4

Poca favilla gran fliamma seconda.    (Dante)
Ogni altra cosa, ogni pensier va fore,
E sol ivi con voi rimansi amore.    (Petrarca)

I lov'd you first: but afterwards your love
    Outsoaring mine, sang such a loftier song
As drown'd the friendly cooings of my dove.
    Which owes the other most? my love was long,
    And yours one moment seem'd to wax more strong;
I lov'd and guess'd at you, you construed me--
And lov'd me for what might or might not be
    Nay, weights and measures do us both a wrong.
For verily love knows not "mine" or "thine;"
    With separate "I" and "thou" free love has done,
        For one is both and both are one in love:
Rich love knows nought of "thine that is not mine;"
        Both have the strength and both the length thereof,
Both of us, of the love which makes us one.

    5

Amor che a nullo amato amar perdona.    (Dante)
Amor m'addusse in si gioiosa spene.    (Petrarca)

O my heart's heart, and you who are to me
    More than myself myself, God be with you,
    Keep you in strong obedience leal and true
To Him whose noble service setteth free,
Give you all good we see or can foresee,
    Make your joys many and your sorrows few,
    Bless you in what you bear and what you do,
Yea, perfect you as He would have you be.
So much for you; but what for me, dear friend?
    To love you without stint and all I can
Today, tomorrow, world without an end;
    To love you much and yet to love you more,
    As Jordan at his flood sweeps either shore;
        Since woman is the helpmeet made for man.

    6

Or puoi la quantitate
Comprender de l'amor che a te mi scalda.    (Dante)
Non vo' che da tal nodo mi scioglia.    (Petrarca)

Trust me, I have not earn'd your dear rebuke,
    I love, as you would have me, God the most;
    Would lose not Him, but you, must one be lost,
Nor with Lot's wife cast back a faithless look
Unready to forego what I forsook;
    This say I, having counted up the cost,
    This, though I be the feeblest of God's host,
The sorriest sheep Christ shepherds with His crook.
Yet while I love my God the most, I deem
    That I can never love you overmuch;
        I love Him more, so let me love you too;
    Yea, as I apprehend it, love is such
I cannot love you if I love not Him,
        I cannot love Him if I love not you.

    7

Qui primavera sempre ed ogni frutto.    (Dante)
Ragionando con meco ed io con lui.    (Petrarca)

"Love me, for I love you"--and answer me,
    "Love me, for I love you"--so shall we stand
    As happy equals in the flowering land
Of love, that knows not a dividing sea.
Love builds the house on rock and not on sand,
    Love laughs what while the winds rave desperately;
And who hath found love's citadel unmann'd?
    And who hath held in bonds love's liberty?
My heart's a coward though my words are brave
    We meet so seldom, yet we surely part
    So often; there's a problem for your art!
        Still I find comfort in his Book, who saith,
Though jealousy be cruel as the grave,
    And death be strong, yet love is strong as death.

    8

Come dicesse a Dio: D'altro non calme.    (Dante)
Spero trovar pieta non che perdono.    (Petrarca)

"I, if I perish, perish"--Esther spake:
    And bride of life or death she made her fair
    In all the lustre of her perfum'd hair
And smiles that kindle longing but to slake.
She put on pomp of loveliness, to take
    Her husband through his eyes at unaware;
    She spread abroad her beauty for a snare,
Harmless as doves and subtle as a snake.
She trapp'd him with one mesh of silken hair,
    She vanquish'd him by wisdom of her wit,
        And built her people's house that it should stand:--
        If I might take my life so in my hand,
And for my love to Love put up my prayer,
    And for love's sake by Love be granted it!

    9

O dignitosa coscienza e netta!    (Dante)
Spirto piu acceso di virtuti ardenti.    (Petrarca)

Thinking of you, and all that was, and all
    That might have been and now can never be,
    I feel your honour'd excellence, and see
Myself unworthy of the happier call:
For woe is me who walk so apt to fall,
    So apt to shrink afraid, so apt to flee,
    Apt to lie down and die (ah, woe is me!)
Faithless and hopeless turning to the wall.
And yet not hopeless quite nor faithless quite,
Because not loveless; love may toil all night,
    But take at morning; wrestle till the break
        Of day, but then wield power with God and man:--
        So take I heart of grace as best I can,
    Ready to spend and be spent for your sake.

    10

Con miglior corso e con migliore stella.    (Dante)
La vita fugge e non s'arresta un' ora.    (Petrarca)

Time flies, hope flags, life plies a wearied wing;
    Death following ******* life gains ground apace;
    Faith runs with each and rears an eager face,
Outruns the rest, makes light of everything,
Spurns earth, and still finds breath to pray and sing;
    While love ahead of all uplifts his praise,
    Still asks for grace and still gives thanks for grace,
Content with all day brings and night will bring.
Life wanes; and when love folds his wings above
    Tired hope, and less we feel his conscious pulse,
        Let us go fall asleep, dear friend, in peace:
        A little while, and age and sorrow cease;
    A little while, and life reborn annuls
Loss and decay and death, and all is love.

    11

Vien dietro a me e lascia dir le genti.    (Dante)
Contando i casi della vita nostra.    (Petrarca)

Many in aftertimes will say of you
    "He lov'd her"--while of me what will they say?
    Not that I lov'd you more than just in play,
For fashion's sake as idle women do.
Even let them prate; who know not what we knew
    Of love and parting in exceeding pain,
    Of parting hopeless here to meet again,
Hopeless on earth, and heaven is out of view.
But by my heart of love laid bare to you,
    My love that you can make not void nor vain,
Love that foregoes you but to claim anew
        Beyond this passage of the gate of death,
    I charge you at the Judgment make it plain
        My love of you was life and not a breath.

    12

Amor, che ne la mente mi ragiona.    (Dante)
Amor vien nel bel viso di costei.    (Petrarca)

If there be any one can take my place
    And make you happy whom I grieve to grieve,
    Think not that I can grudge it, but believe
I do commend you to that nobler grace,
That readier wit than mine, that sweeter face;
    Yea, since your riches make me rich, conceive
    I too am crown'd, while bridal crowns I weave,
And thread the bridal dance with jocund pace.
For if I did not love you, it might be
    That I should grudge you some one dear delight;
        But since the heart is yours that was mine own,
    Your pleasure is my pleasure, right my right,
Your honourable freedom makes me free,
    And you companion'd I am not alone.

    13

E drizzeremo gli occhi al Primo Amore.    (Dante)
Ma trovo peso non da le mie braccia.    (Petrarca)

If I could trust mine own self with your fate,
    Shall I not rather trust it in God's hand?
    Without Whose Will one lily doth not stand,
Nor sparrow fall at his appointed date;
    Who numbereth the innumerable sand,
Who weighs the wind and water with a weight,
To Whom the world is neither small nor great,
    Whose knowledge foreknew every plan we plann'd.
Searching my heart for all that touches you,
    I find there only love and love's goodwill
Helpless to help and impotent to do,
        Of understanding dull, of sight most dim;
        And therefore I commend you back to Him
Whose love your love's capacity can fill.

    14

E la Sua Volontade e nostra pace.    (Dante)
Sol con questi pensier, con altre chiome.    (Petrarca)

Youth gone, and beauty gone if ever there
    Dwelt beauty in so poor a face as this;
    Youth gone and beauty, what remains of bliss?
I will not bind fresh roses in my hair,
To shame a cheek at best but little fair,--
    Leave youth his roses, who can bear a thorn,--
I will not seek for blossoms anywhere,
    Except such common flowers as blow with corn.
Youth gone and beauty gone, what doth remain?
    The longing of a heart pent up forlorn,
        A silent heart whose silence loves and longs;
        The silence of a heart which sang its songs
    While youth and beauty made a summer morn,
Silence of love that cannot sing again.
I saw an aged Beggar in my walk;
And he was seated, by the highway side,
On a low structure of rude masonry
Built at the foot of a huge hill, that they
Who lead their horses down the steep rough road
May thence remount at ease. The aged Man
Had placed his staff across the broad smooth stone
That overlays the pile; and, from a bag
All white with flour, the dole of village dames,
He drew his scraps and fragments, one by one;
And scanned them with a fixed and serious look
Of idle computation. In the sun,
Upon the second step of that small pile,
Surrounded by those wild, unpeopled hills,
He sat, and ate his food in solitude:
And ever, scattered from his palsied hand,
That, still attempting to prevent the waste,
Was baffled still, the crumbs in little showers
Fell on the ground; and the small mountain birds
Not venturing yet to peck their destined meal,
Approached within the length of half his staff.

Him from my childhood have I known; and then
He was so old, he seems not older now;
He travels on, a solitary Man,
So helpless in appearance, that from him
The sauntering Horseman throws not with a slack
And careless hand his alms upon the ground,
But stops,—that he may safely lodge the coin
Within the old Man’s hat; nor quits him so,
But still, when he has given his horse the rein,
Watches the aged Beggar with a look
Sidelong, and half-reverted. She who tends
The toll-gate, when in summer at her door
She turns her wheel, if on the road she sees
The aged Beggar coming, quits her work,
And lifts the latch for him that he may pass.
The post-boy, when his rattling wheels o’ertake
The aged Beggar in the woody lane,
Shouts to him from behind; and if, thus warned,
The old Man does not change his course, the boy
Turns with less noisy wheels to the roadside,
And passes gently by, without a curse
Upon his lips, or anger at his heart.

He travels on, a solitary Man;
His age has no companion. On the ground
His eyes are turned, and, as he moves along,
They move along the ground; and, evermore,
Instead of common and habitual sight
Of fields, with rural works, of hill and dale,
And the blue sky, one little span of earth
Is all his prospect. Thus, from day to day,
Bow-bent, his eyes forever on the ground,
He plies his weary journey; seeing still,
And seldom knowing that he sees, some straw,
Some scattered leaf, or marks which, in one track,
The nails of cart or chariot-wheel have left
Impressed on the white road,—in the same line,
At distance still the same. Poor Traveller!
His staff trails with him; scarcely do his feet
Disturb the summer dust; he is so still
In look and motion, that the cottage curs,
Ere he has passed the door, will turn away,
Weary of barking at him. Boys and girls,
The vacant and the busy, maids and youths,
And urchins newly breeched—all pass him by:
Him even the slow-paced waggon leaves behind.

But deem not this Man useless.—Statesmen! ye
Who are so restless in your wisdom, ye
Who have a broom still ready in your hands
To rid the world of nuisances; ye proud,
Heart-swoln, while in your pride ye contemplate
Your talents, power, or wisdom, deem him not
A burden of the earth! ’Tis Nature’s law
That none, the meanest of created things,
Of forms created the most vile and brute,
The dullest or most noxious, should exist
Divorced from good—a spirit and pulse of good,
A life and soul, to every mode of being
Inseparably linked. Then be assured
That least of all can aught—that ever owned
The heaven-regarding eye and front sublime
Which man is born to—sink, howe’er depressed,
So low as to be scorned without a sin;
Without offence to God cast out of view;
Like the dry remnant of a garden-flower
Whose seeds are shed, or as an implement
Worn out and worthless. While from door to door,
This old Man creeps, the villagers in him
Behold a record which together binds
Past deeds and offices of charity,
Else unremembered, and so keeps alive
The kindly mood in hearts which lapse of years,
And that half-wisdom half-experience gives,
Make slow to feel, and by sure steps resign
To selfishness and cold oblivious cares,
Among the farms and solitary huts,
Hamlets and thinly-scattered villages,
Where’er the aged Beggar takes his rounds,
The mild necessity of use compels
The acts of love; and habit does the work
Of reason; yet prepares that after-joy
Which reason cherishes. And thus the soul,
By that sweet taste of pleasure unpursued,
Doth find herself insensibly disposed
To virtue and true goodness.

                                  Some there are
By their good works exalted, lofty minds
And meditative, authors of delight
And happiness, which to the end of time
Will live, and spread, and kindle: even such minds
In childhood, from this solitary Being,
Or from like wanderer, haply have received
(A thing more precious far than all that books
Or the solicitudes of love can do!)
That first mild touch of sympathy and thought,
In which they found their kindred with a world
Where want and sorrow were. The easy man
Who sits at his own door,—and, like the pear
That overhangs his head from the green wall,
Feeds in the sunshine; the robust and young,
The prosperous and unthinking, they who live
Sheltered, and flourish in a little grove
Of their own kindred;—all behold in him
A silent monitor, which on their minds
Must needs impress a transitory thought
Of self-congratulation, to the heart
Of each recalling his peculiar boons,
His charters and exemptions; and, perchance,
Though he to no one give the fortitude
And circumspection needful to preserve
His present blessings, and to husband up
The respite of the season, he, at least,
And ‘t is no ****** service, makes them felt.

Yet further.—Many, I believe, there are
Who live a life of virtuous decency,
Men who can hear the Decalogue and feel
No self-reproach; who of the moral law
Established in the land where they abide
Are strict observers; and not negligent
In acts of love to those with whom they dwell,
Their kindred, and the children of their blood.

Praise be to such, and to their slumbers peace!
But of the poor man ask, the abject poor;
Go, and demand of him, if there be here
In this cold abstinence from evil deeds,
And these inevitable charities,
Wherewith to satisfy the human soul?
No—man is dear to man; the poorest poor
Long for some moments in a weary life
When they can know and feel that they have been,
Themselves, the fathers and the dealers-out
Of some small blessings; have been kind to such
As needed kindness, for this single cause,
That we have all of us one human heart.
—Such pleasure is to one kind Being known,
My neighbour, when with punctual care, each week
Duly as Friday comes, though pressed herself
By her own wants, she from her store of meal
Takes one unsparing handful for the scrip
Of this old Mendicant, and, from her door
Returning with exhilarated heart,
Sits by her fire, and builds her hope in heaven.

Then let him pass, a blessing on his head!
And while in that vast solitude to which
The tide of things has borne him, he appears
To breathe and live but for himself alone,
Unblamed, uninjured, let him bear about
The good which the benignant law of Heaven
Has hung around him: and, while life is his,
Still let him prompt the unlettered villagers
To tender offices and pensive thoughts.
—Then let him pass, a blessing on his head!
And, long as he can wander, let him breathe
The freshness of the valleys; let his blood
Struggle with frosty air and winter snows;
And let the chartered wind that sweeps the heath
Beat his grey locks against his withered face.
Reverence the hope whose vital anxiousness
Gives the last human interest to his heart.
May never HOUSE, misnamed of INDUSTRY,
Make him a captive!—for that pent-up din,
Those life-consuming sounds that clog the air,
Be his the natural silence of old age!
Let him be free of mountain solitudes;
And have around him, whether heard or not,
The pleasant melody of woodland birds.
Few are his pleasures: if his eyes have now
Been doomed so long to settle upon earth
That not without some effort they behold
The countenance of the horizontal sun,
Rising or setting, let the light at least
Find a free entrance to their languid orbs.
And let him, where and when he will, sit down
Beneath the trees, or on a grassy bank
Of highway side, and with the little birds
Share his chance-gathered meal; and, finally,
As in the eye of Nature he has lived,
So in the eye of Nature let him die!
I

In my beginning is my end. In succession
Houses rise and fall, crumble, are extended,
Are removed, destroyed, restored, or in their place
Is an open field, or a factory, or a by-pass.
Old stone to new building, old timber to new fires,
Old fires to ashes, and ashes to the earth
Which is already flesh, fur and faeces,
Bone of man and beast, cornstalk and leaf.
Houses live and die: there is a time for building
And a time for living and for generation
And a time for the wind to break the loosened pane
And to shake the wainscot where the field-mouse trots
And to shake the tattered arras woven with a silent motto.

In my beginning is my end. Now the light falls
Across the open field, leaving the deep lane
Shuttered with branches, dark in the afternoon,
Where you lean against a bank while a van passes,
And the deep lane insists on the direction
Into the village, in the electric heat
Hypnotised. In a warm haze the sultry light
Is absorbed, not refracted, by grey stone.
The dahlias sleep in the empty silence.
Wait for the early owl.

                                    In that open field
If you do not come too close, if you do not come too close,
On a summer midnight, you can hear the music
Of the weak pipe and the little drum
And see them dancing around the bonfire
The association of man and woman
In daunsinge, signifying matrimonie—
A dignified and commodiois sacrament.
Two and two, necessarye coniunction,
Holding eche other by the hand or the arm
Whiche betokeneth concorde. Round and round the fire
Leaping through the flames, or joined in circles,
Rustically solemn or in rustic laughter
Lifting heavy feet in clumsy shoes,
Earth feet, loam feet, lifted in country mirth
Mirth of those long since under earth
Nourishing the corn. Keeping time,
Keeping the rhythm in their dancing
As in their living in the living seasons
The time of the seasons and the constellations
The time of milking and the time of harvest
The time of the coupling of man and woman
And that of beasts. Feet rising and falling.
Eating and drinking. Dung and death.

Dawn points, and another day
Prepares for heat and silence. Out at sea the dawn wind
Wrinkles and slides. I am here
Or there, or elsewhere. In my beginning.

II

What is the late November doing
With the disturbance of the spring
And creatures of the summer heat,
And snowdrops writhing under feet
And hollyhocks that aim too high
Red into grey and tumble down
Late roses filled with early snow?
Thunder rolled by the rolling stars
Simulates triumphal cars
Deployed in constellated wars
Scorpion fights against the Sun
Until the Sun and Moon go down
Comets weep and Leonids fly
Hunt the heavens and the plains
Whirled in a vortex that shall bring
The world to that destructive fire
Which burns before the ice-cap reigns.

That was a way of putting it—not very satisfactory:
A periphrastic study in a worn-out poetical fashion,
Leaving one still with the intolerable wrestle
With words and meanings. The poetry does not matter.
It was not (to start again) what one had expected.
What was to be the value of the long looked forward to,
Long hoped for calm, the autumnal serenity
And the wisdom of age? Had they deceived us
Or deceived themselves, the quiet-voiced elders,
Bequeathing us merely a receipt for deceit?
The serenity only a deliberate hebetude,
The wisdom only the knowledge of dead secrets
Useless in the darkness into which they peered
Or from which they turned their eyes. There is, it seems to us,
At best, only a limited value
In the knowledge derived from experience.
The knowledge imposes a pattern, and falsifies,
For the pattern is new in every moment
And every moment is a new and shocking
Valuation of all we have been. We are only undeceived
Of that which, deceiving, could no longer harm.
In the middle, not only in the middle of the way
But all the way, in a dark wood, in a bramble,
On the edge of a grimpen, where is no secure foothold,
And menaced by monsters, fancy lights,
Risking enchantment. Do not let me hear
Of the wisdom of old men, but rather of their folly,
Their fear of fear and frenzy, their fear of possession,
Of belonging to another, or to others, or to God.
The only wisdom we can hope to acquire
Is the wisdom of humility: humility is endless.

The houses are all gone under the sea.

The dancers are all gone under the hill.

III

O dark dark dark. They all go into the dark,
The vacant interstellar spaces, the vacant into the vacant,
The captains, merchant bankers, eminent men of letters,
The generous patrons of art, the statesmen and the rulers,
Distinguished civil servants, chairmen of many committees,
Industrial lords and petty contractors, all go into the dark,
And dark the Sun and Moon, and the Almanach de Gotha
And the Stock Exchange Gazette, the Directory of Directors,
And cold the sense and lost the motive of action.
And we all go with them, into the silent funeral,
Nobody’s funeral, for there is no one to bury.
I said to my soul, be still, and let the dark come upon you
Which shall be the darkness of God. As, in a theatre,
The lights are extinguished, for the scene to be changed
With a hollow rumble of wings, with a movement of darkness on darkness,
And we know that the hills and the trees, the distant panorama
And the bold imposing façade are all being rolled away—
Or as, when an underground train, in the tube, stops too long between stations
And the conversation rises and slowly fades into silence
And you see behind every face the mental emptiness deepen
Leaving only the growing terror of nothing to think about;
Or when, under ether, the mind is conscious but conscious of nothing—
I said to my soul, be still, and wait without hope
For hope would be hope for the wrong thing; wait without love,
For love would be love of the wrong thing; there is yet faith
But the faith and the love and the hope are all in the waiting.
Wait without thought, for you are not ready for thought:
So the darkness shall be the light, and the stillness the dancing.
Whisper of running streams, and winter lightning.
The wild thyme unseen and the wild strawberry,
The laughter in the garden, echoed ecstasy
Not lost, but requiring, pointing to the agony
Of death and birth.

                              You say I am repeating
Something I have said before. I shall say it again.
Shall I say it again? In order to arrive there,
To arrive where you are, to get from where you are not,
    You must go by a way wherein there is no ecstasy.
In order to arrive at what you do not know
    You must go by a way which is the way of ignorance.
In order to possess what you do not possess
    You must go by the way of dispossession.
In order to arrive at what you are not
    You must go through the way in which you are not.
And what you do not know is the only thing you know
And what you own is what you do not own
And where you are is where you are not.

IV

The wounded surgeon plies the steel
That questions the distempered part;
Beneath the bleeding hands we feel
The sharp compassion of the healer’s art
Resolving the enigma of the fever chart.

Our only health is the disease
If we obey the dying nurse
Whose constant care is not to please
But to remind of our, and Adam’s curse,
And that, to be restored, our sickness must grow worse.

The whole earth is our hospital
Endowed by the ruined millionaire,
Wherein, if we do well, we shall
Die of the absolute paternal care
That will not leave us, but prevents us everywhere.

The chill ascends from feet to knees,
The fever sings in mental wires.
If to be warmed, then I must freeze
And quake in frigid purgatorial fires
Of which the flame is roses, and the smoke is briars.

The dripping blood our only drink,
The ****** flesh our only food:
In spite of which we like to think
That we are sound, substantial flesh and blood—
Again, in spite of that, we call this Friday good.

V

So here I am, in the middle way, having had twenty years—
Twenty years largely wasted, the years of l’entre deux guerres
Trying to use words, and every attempt
Is a wholly new start, and a different kind of failure
Because one has only learnt to get the better of words
For the thing one no longer has to say, or the way in which
One is no longer disposed to say it. And so each venture
Is a new beginning, a raid on the inarticulate
With shabby equipment always deteriorating
In the general mess of imprecision of feeling,
Undisciplined squads of emotion. And what there is to conquer
By strength and submission, has already been discovered
Once or twice, or several times, by men whom one cannot hope
To emulate—but there is no competition—
There is only the fight to recover what has been lost
And found and lost again and again: and now, under conditions
That seem unpropitious. But perhaps neither gain nor loss.
For us, there is only the trying. The rest is not our business.

    Home is where one starts from. As we grow older
The world becomes stranger, the pattern more complicated
Of dead and living. Not the intense moment
Isolated, with no before and after,
But a lifetime burning in every moment
And not the lifetime of one man only
But of old stones that cannot be deciphered.
There is a time for the evening under starlight,
A time for the evening under lamplight
(The evening with the photograph album).
Love is most nearly itself
When here and now cease to matter.
Old men ought to be explorers
Here or there does not matter
We must be still and still moving
Into another intensity
For a further union, a deeper communion
Through the dark cold and the empty desolation,
The wave cry, the wind cry, the vast waters
Of the petrel and the porpoise. In my end is my beginning.
A wild-bear chace, didst never see?
    Then hast thou lived in vain.
Thy richest bump of glorious glee,
    Lies desert in thy brain.

When first my father settled here,
    ’Twas then the frontier line:
The panther’s scream, filled night with fear
    And bears preyed on the swine.

But woe for Bruin’s short lived fun,
    When rose the squealing cry;
Now man and horse, with dog and gun,
    For vengeance, at him fly.

A sound of danger strikes his ear;
    He gives the breeze a *****;
Away he bounds, with little fear,
    And seeks the tangled rough.

On press his foes, and reach the ground,
    Where’s left his half munched meal;
The dogs, in circles, scent around,
    And find his fresh made trail.

With instant cry, away they dash,
    And men as fast pursue;
O’er logs they leap, through water splash,
    And shout the brisk halloo.

Now to elude the eager pack,
    Bear shuns the open ground;
Through matted vines, he shapes his track
    And runs it, round and round.

The tall fleet cur, with deep-mouthed voice,
    Now speeds him, as the wind;
While half-grown pup, and short-legged ****,
    Are yelping far behind.

And fresh recruits are dropping in
    To join the merry corps:
With yelp and yell,—a mingled din—
    The woods are in a roar.

And round, and round the chace now goes,
    The world’s alive with fun;
Nick Carter’s horse, his rider throws,
    And more, Hill drops his gun.

Now sorely pressed, bear glances back,
    And lolls his tired tongue;
When as, to force him from his track,
    An ambush on him sprung.

Across the glade he sweeps for flight,
    And fully is in view.
The dogs, new-fired, by the sight,
    Their cry, and speed, renew.

The foremost ones, now reach his rear,
    He turns, they dash away;
And circling now, the wrathful bear,
    They have him full at bay.

At top of speed, the horse-men come,
    All screaming in a row,
“Whoop! Take him Tiger. Seize him Drum.”
    Bang,—bang—the rifles go.

And furious now, the dogs he tears,
    And crushes in his ire,
Wheels right and left, and upward rears,
    With eyes of burning fire.

But leaden death is at his heart,
    Vain all the strength he plies.
And, spouting blood from every part,
    He reels, and sinks, and dies.

And now a dinsome clamor rose,
    ’Bout who should have his skin;
Who first draws blood, each hunter knows,
    This prize must always win.

But who did this, and how to trace
    What’s true from what’s a lie,
Like lawyers, in a ****** case
    They stoutly argufy.

Aforesaid ****, of blustering mood,
    Behind, and quite forgot,
Just now emerging from the wood,
    Arrives upon the spot.

With grinning teeth, and up-turned hair—
    Brim full of ***** and wrath,
He growls, and seizes on dead bear,
    And shakes for life and death.

And swells as if his skin would tear,
    And growls and shakes again;
And swears, as plain as dog can swear,
    That he has won the skin.

Conceited whelp! we laugh at thee—
    Nor mind, that now a few
Of pompous, two-legged dogs there be,
    Conceited quite as you.
The Sphynx is drowsy,
Her wings are furled,
Her ear is heavy,
She broods on the world.?
"Who'll tell me my secret
The ages have kept?
? I awaited the seer,
While they slumbered and slept;?

The fate of the manchild,
The meaning of man;
Known fruit of the unknown,
Dædalian plan;
Out of sleeping a waking,
Out of waking a sleep,
Life death overtaking,
Deep underneath deep.

***** as a sunbeam
Upspringeth the palm;
The elephant browses
Undaunted and calm;
In beautiful motion
The thrush plies his wings;
Kind leaves of his covert!
Your silence he sings.

The waves unashamed
In difference sweet,
Play glad with the breezes,
Old playfellows meet.
The journeying atoms,
Primordial wholes,
Firmly draw, firmly drive,
By their animate poles.

Sea, earth, air, sound, silence,
Plant, quadruped, bird,
By one music enchanted,
One deity stirred,
Each the other adorning,
Accompany still;
Night veileth the morning,
The vapor the hill.

The babe by its mother
Lies bathed in joy,
Glide its hours uncounted,
The sun is its toy;
Shines the peace of all being
Without cloud in its eyes,
And the sum of the world
In soft miniature lies.

But man crouches and blushes,
Absconds and conceals,
He creepeth and peepeth,
He palters and steals;
Infirm, melancholy,
Jealous glancing around,
An oaf, an accomplice,
He poisons the ground.

Out spoke the great mother
Beholding his fear,
At the sound of her accents
Cold shuddered the sphere;?
Who has drugged my boy's cup,
Who has mixed my boy's bread?
Who with sadness and madness
Has turned the manchild's head?"?

I heard a poet answer
Aloud and cheerfully,
"Say on, sweet Sphynx! thy dirges
Are pleasant songs to me.
Deep love lieth under
These pictures of time,
They fade in the light of
Their meaning sublime.

The fiend that man harries,
Is love of the Best;
Yawns the Pit of the Dragon
Lit by rays from the Blest.
The Lethe of Nature
Can't trance him again,
Whose soul sees the Perfect,
Which his eyes seek in vain.

Profounder, profounder,
Man's spirit must dive;
To his aye-rolling orbit
No goal will arrive.
The heavens that draw him
With sweetness untold,
Once found, ?for new heavens
He spurneth the old.

Pride ruined the angels,
Their shame them restores,
And the joy that is sweetest
Lurks in stings of remorse.
Have I a lover
Who is noble and free,?
I would he were nobler
Than to love me.

Eterne alternation
Now follows, now flies,
And under pain, pleasure,
Under pleasure, pain lies.
Love works at the centre,
Heart-heaving alway;
Forth speed the strong pulses
To the borders of day.

Dull Sphynx, Jove keep thy five wits!
Thy sight is growing blear,
Rue, myrrh, and ****** for the Sphynx,
Her muddy eyes to clear."
The old Sphynx bit her thick lip,?
"Who taught thee me to name?
I am thy spirit, yoke-fellow!
Of thine eye I am eyebeam.

Thou art the unanswered question;
Couldst see thy proper eye,
Alway it asketh, asketh,
And each answer is a lie.
So take thy quest through nature,
It through thousand natures ply,
Ask on, thou clothed eternity,?
Time is the false reply."

Uprose the merry Sphynx,
And crouched no more in stone,
She melted into purple cloud,
She silvered in the moon,
She spired into a yellow flame,
She flowered in blossoms red,
She flowed into a foaming wave,
She stood Monadnoc's head.

Thorough a thousand voices
Spoke the universal dame,
"Who telleth one of my meanings,
Is master of all I am."
BOUCHE-MIGNONNE lived in the mill,
Past the vineyards shady,
Where the sun shone on a rill
Jewelled like a lady.

Proud the stream with lily-bud,
Gay with glancing swallow;
Swift its trillion-footed flood
Winding ways to follow;

Coy and still when flying wheel
Rested from its labour;
Singing when it ground the meal,
Gay as lute or tabor.

'Bouche-Mignonne,' it called, when red
In the dawn were glowing
Eaves and mill-wheel, 'leave thy bed;
Hark to me a-flowing!'

Bouche-Mignonne awoke, and quick
Glossy tresses braided.
Curious sunbeams clustered thick;
Vines her casement shaded

Deep with leaves and blossoms white
Of the morning-glory,
Shaking all their banners bright
From the mill-eaves hoary.

Swallows turned their glossy throats,
Timorous, uncertain,
When, to hear their matin notes,
Peeped she thro' her curtain.

Shook the mill-stream sweet and clear
With its silvery laughter;
Shook the mill, from flooring sere
Up to oaken rafter.

'Bouche-Mignonne!' it cried, 'come down;
Other flowers are stirring:
Pierre, with fingers strong and brown,
Sets the wheel a-birring.'

Bouche-Mignonne her distaff plies
Where the willows shiver;
Round the mossy mill-wheel flies;
Dragon-flies, a-quiver,

Flash athwart the lily-beds,
Pierce the dry reeds' thicket;
Where the yellow sunlight treads,
Chants the friendly cricket.

Butterflies about her skim-
Pouf! their simple fancies
In the willow shadows dim
Take her eyes for pansies.

Buzzing comes a velvet bee;
Sagely it supposes
Those red lips beneath the tree
Are two crimson roses.

Laughs the mill-stream wise and bright-
It is not so simple;
Knew it, since she first saw light,
Every blush and dimple.

'Bouche-Mignonne!' it laughing cries,
'Pierre as bee is silly;
Thinks two morning stars thine eyes,
And thy neck a lily.'

Bouche-Mignonne, when shadows crept
From the vine-dark hollows,
When the mossy mill-wheel slept,
Curved the airy swallows,

When the lilies closed white lids
Over golden fancies,
Homeward drove her goats and kids.
Bright the gay moon dances

With her light and silver feet,
On the mill-stream flowing;
Come a thousand perfumes sweet,
Dewy buds are blowing;

Comes an owl and greyly flits,
Jewel-eyed and hooting,
Past the green tree where she sits;
Nightingales are fluting;

Soft the wind as rustling silk
On a courtly lady;
Tinkles down the flowing milk;
Huge and still and shady

Stands the mill-wheel, resting still
From its loving labour.
Dances on the tireless rill,
Gay as lute or tabor;

'Bouche-Mignonne!' it laughing cries,
'Do not blush and tremble;
If the night has ears and eyes,
I'll for thee dissemble;

'Loud and clear and sweet I'll sing
On my far way straying;
I will hide the whispered thing
Pierre to thee is saying.

'Bouche-Mignonne, good night, good night!
Every silver hour
I will toss my lilies white
'Gainst thy maiden bower.'
Hal Loyd Denton May 2012
The Golden Path

From the song I cover the waterfront a perfect place for a young man to blow his trumpet it has the
Power to blast or the sound that travels like a lone walker along the Warf his sight is fast and jumpy
This like working the trumpet buttons up and down with the blow reaching the end of the gold
Lacquered Bell giving it that soft essential quality a longer stream for when he looks away from the
Immediate Items that hang and pertain to activities of the interchange with the sea yes the blow that
Continues as his eyes looks Seward his emotions entangle themselves in the waves the large heavy body
At a Distance then short and fast as they race forward on the sand then crash and then recedes his
Thoughts Caught by the undertow out into deep waters my soul bring it out the depths that you know
Span the Waters make the arch touch San Francisco bay at this end and the other end touch Monterey
Bay let the Trumpeter pays homage to John Denver who died out in the waters out from Pacific Grove
His plane Went in let the horn catch the torches flame that is set burning at this the water’s edge let it
Show the Burning his voice touched and burned those sweet lyrics into our conscious memory how
Fitting the surf Rolls in his words flow into our heart the trumpet notes set the tone of his life it
Configures and shows in the ocean spray the gifts he shared he gave rocky mountain memories do they
Not rise as we continue our vigil where his earthy journey ended but in the endless waves he will always
Be singing his voice Follows the sunset into shadows of sleep with pleasure we attest to the melody that
His soul was conceived in far west on the Hawaiian sandy beaches you can hear the trumpet peeling so
Appealing As the island girls sway in unison with the palms the soul of Polynesia whispers just under the
Glint of That sweet mellow horn they tell of life lived in a natural paradise the horn reaches back to
Those glory days before cement made its hardness felt truly a little grass shack held some times that are
Lost now when you walk city sidewalks that used to be barefoot paths that you slipped down to tell in a
Setting of pineapples papayas coconuts and sea shells of the love you feel as you steal away under the
Prominent shadow of Diamond Head I pledge to you my love and may we always play and live in this
These sweetest strings of pearl islands that is our home that ole horn picks upon the words about home
So it is seen gleaming in the morning light of San Francisco bay it picks up that international flavor it
Seems to play it says come and ride the cable car listen to the ring of its bell feel it sway know the
Feeling of the steel wheels on those shinning rails catch the a fresh breath as the silk from the shops in
China Town listlessly rise and fall you will feel the tie that stretches unbroken all the way to back to
Ancient Cathy the mystery and wonder that holds a culture in a tight pack where ever the peoples may
Live their roots are deep the wisdom of the parables that are themselves as silk colorful meaningful and
Ever so practical the trumpeter catches that feeling in the chilly morning air when the night follows day
He can be found on the dinner boat that plies the bay you can see Ghirardelli square its height its white
Burning name is a must see and feel and then to go by the Golden Gate the pylons the amber lights the
Black Waters a mix of eerie magnificence pervades your mind as he lays deep on his horn the night
Deepens essential qualities that are uniquely California emerges as the sounds of his horn drifts away on
The waves in the golden state of many golden dreams and paths
Olivia Kent Dec 2013
Dancing raindrops carried on the wind.
In plies and pirouettes they danced.
Romancing the winter rain and biting wind.
Two of a violent kind...unkind.
Bouncing on a bungee rope unseen by human eye.
Exploding on the slabs of pave.
One wet freezing rave.
Bungee on the whirling winds.
Crystals crying icy raindrops liken to fiery hell they do descend.
Lashing cold legs with scars of cold.
Marking their mesmerizing chill.
The land no-one inhabits by choice.
Only the wind has wailing voice.
That bitter wind.
So full of awesome force!
By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)
The Sphinx is drowsy,
Her wings are furled:
Her ear is heavy,
She broods on the world.
"Who'll tell me my secret,
The ages have kept?_
I awaited the seer
While they slumbered and slept:
_
"The fate of the man-child,
The meaning of man;
Known fruit of the unknown;
Daedalian plan;
Out of sleeping a waking,
Out of waking a sleep;
Life death overtaking;
Deep underneath deep?

:***** as a sunbeam,
Upspringeth the palm;
The elephant browses,
Undaunted and calm;
In beautiful motion
The thrush plies his wings;
Kind leaves of his covert,
Your silence he sings.

"The waves, unashaméd,
In difference sweet,
Play glad with the breezes,
Old playfellows meet;
The journeying atoms,  
Primordial wholes,
Firmly draw, firmly drive,
By their animate poles.

"Sea, earth, air, sound, silence,
Plant, quadruped, bird,
By one music enchanted,
One deity stirred,--
Each the other adorning,
Accompany still;
Night veileth the morning,
The vapor the hill.

"The babe by its mother
Lies bathéd in joy;
Glide its hours uncounted,--
The sun is its toy;
Shines the peace of all being,
Without cloud, in its eyes;
And the sum of the world
In soft miniature lies.

"But man crouches and blushes,
Absconds and conceals;
He creepeth and peepeth,
He palters and steals;
Infirm, melancholy,
Jealous glancing around,
An oaf, an accomplice,
He poisons the ground.

"Out spoke the great mother,
Beholding his fear;--
At the sound of her accents
Cold shuddered the sphere:--
'Who has drugged my boy's cup?
Who has mixed my boy's bread?
Who, with sadness and madness,
Has turned my child's head?

I heard a poet answer
Aloud and cheerfully,
"Say on, sweet Sphinx! thy dirges
Are pleasant songs to me.
Deep love lieth under
These pictures of time;
They fade in the light of
Their meaning sublime.

"The fiend that man harries
Is love of the Best;
Yawns the pit of the Dragon,
Lit by rays from the Blest.
The lethe of Nature
Can't trance him again,
Whose soul sees the perfect,
Which his eyes seek in vain.

"To vision profounder,
Man's spirit must dive;
His aye-rolling orb
At no goal will arrive;
The heavens that now draw him
With sweetness untold,
Once found,--for new heavens
He spurneth the old.

"Pride ruined the angels,
Their shame them restores;
Lurks the joy that is sweetest
In stings of remorse.
Have I a lover  
Who is noble and free?--
I would he were nobler
Than to love me.

"Eterne alternation
Now follows, now flies;
And under pain, pleasure,--
Under pleasure, pain lies.
Love works at the center,
Heart-heaving alway;
Forth speed the strong pulses
To the borders of day.

"Dull Sphinx, Jove keep thy five wits'
Thy sight is growing blear;
Rue, myrrh and ****** for the Sphinx,
Her muddy eyes to clear!"
The old Sphinx bit her thick lip,--
Said, "Who taught thee me to name?
I am thy spirit, yoke-fellow;
Of thine eye I am eyebeam.

"Thou art the unanswered question;
Couldst see thy proper eye,
Alway it asketh, asketh;
And each answer is a lie.
So take thy question through nature,
It through thousand natures ply;
Ask on, thou clothed eternity;
Time is the false reply.

Uprose the merry Sphinx,
And crouched no more in stone;
She melted into purple cloud,
She silvered in the moon;
She spired into a yellow flame;
She flowered in blossoms red;
She flowed into a foaming wave:
She stood Monadnoc's head.

Through a thousand voices
Spoke the universal dame
"Who telleth one of my meanings
Is master of all I am."
Subtle ruses she plays with unsuspecting hearts
With an alluring trace of flair
Never meaning anything at all to her
No focus is ever there

A touch, a smile, along with lingering glances
Quickly melt a naïve fool
Manipulating to gain what she is seeking
With her feminine wiles and tools

Such lovely promises are made unspoken
Yet loudly and out of turn
Emptying the pockets of those hearts unskilled
In avoiding manipulation’s burn

User, abuser, or master of her own show
Which one of the three
Is a question asked by many an observer
Watching the travesty

Perhaps one day, those old tables will turn on her
Shift where her wind does not blow
One who is wise, to her unspoken feminine plies
Will smile, while stealing her show
Copyright *Neva Flores @2010
www.changefulstorm.blogspot.com
www.stumbleupon.com/stumbler/Changefulstorm
XIX. TO PAN (49 lines)

(ll. 1-26) Muse, tell me about Pan, the dear son of Hermes, with
his goat's feet and two horns -- a lover of merry noise.  Through
wooded glades he wanders with dancing nymphs who foot it on some
sheer cliff's edge, calling upon Pan, the shepherd-god, long-
haired, unkempt.  He has every snowy crest and the mountain peaks
and rocky crests for his domain; hither and thither he goes
through the close thickets, now lured by soft streams, and now he
presses on amongst towering crags and climbs up to the highest
peak that overlooks the flocks.  Often he courses through the
glistening high mountains, and often on the shouldered hills he
speeds along slaying wild beasts, this keen-eyed god.  Only at
evening, as he returns from the chase, he sounds his note,
playing sweet and low on his pipes of reed: not even she could
excel him in melody -- that bird who in flower-laden spring
pouring forth her lament utters honey-voiced song amid the
leaves.  At that hour the clear-voiced nymphs are with him and
move with nimble feet, singing by some spring of dark water,
while Echo wails about the mountain-top, and the god on this side
or on that of the choirs, or at times sidling into the midst,
plies it nimbly with his feet.  On his back he wears a spotted
lynx-pelt, and he delights in high-pitched songs in a soft meadow
where crocuses and sweet-smelling hyacinths bloom at random in
the grass.

(ll. 27-47) They sing of the blessed gods and high Olympus and
choose to tell of such an one as luck-bringing Hermes above the
rest, how he is the swift messenger of all the gods, and how he
came to Arcadia, the land of many springs and mother of flocks,
there where his sacred place is as god fo Cyllene.  For there,
though a god, he used to tend curly-fleeced sheep in the service
of a mortal man, because there fell on him and waxed strong
melting desire to wed the rich-tressed daughter of Dryops, and
there be brought about the merry marriage.  And in the house she
bare Hermes a dear son who from his birth was marvellous to look
upon, with goat's feet and two horns -- a noisy, merry-laughing
child.  But when the nurse saw his uncouth face and full beard,
she was afraid and sprang up and fled and left the child.  Then
luck-bringing Hermes received him and took him in his arms: very
glad in his heart was the god.  And he went quickly to the abodes
of the deathless gods, carrying the son wrapped in warm skins of
mountain hares, and set him down beside Zeus and showed him to
the rest of the gods.  Then all the immortals were glad in heart
and Bacchie Dionysus in especial; and they called the boy Pan
(32) because he delighted all their hearts.

(ll. 48-49) And so hail to you, lord!  I seek your favour with a
song.  And now I will remember you and another song also.
Hark! 'tis the twanging horn! O'er yonder bridge,
That with its wearisome but needful length
Bestrides the wintry flood, in which the moon
Sees her unwrinkled face reflected bright,
He comes, the herald of a noisy world,
With spatter'd boots, strapp'd waist, and frozen locks;
News from all nations lumb'ring at his back.
True to his charge, the close-pack'd load behind,
Yet careless what he brings, his one concern
Is to conduct it to the destin'd inn:
And, having dropp'd th' expected bag, pass on.
He whistles as he goes, light-hearted wretch,
Cold and yet cheerful: messenger of grief
Perhaps to thousands, and of joy to some;
To him indiff'rent whether grief or joy.
Houses in ashes, and the fall of stocks,
Births, deaths, and marriages, epistles wet
With tears that trickled down the writer's cheeks
Fast as the periods from his fluent quill,
Or charg'd with am'rous sighs of absent swains,
Or nymphs responsive, equally affect
His horse and him, unconscious of them all.
But oh th' important budget! usher'd in
With such heart-shaking music, who can say
What are its tidings? have our troops awak'd?
Or do they still, as if with ***** drugg'd,
Snore to the murmurs of th' Atlantic wave?
Is India free? and does she wear her plum'd
And jewell'd turban with a smile of peace,
Or do we grind her still? The grand debate,
The popular harangue, the **** reply,
The logic, and the wisdom, and the wit,
And the loud laugh--I long to know them all;
I burn to set th' imprison'd wranglers free,
And give them voice and utt'rance once again.
Now stir the fire, and close the shutters fast,
Let fall the curtains, wheel the sofa round,
And, while the bubbling and loud-hissing urn
Throws up a steamy column, and the cups,
That cheer but not inebriate, wait on each,
So let us welcome peaceful ev'ning in.
Not such his ev'ning, who with shining face
Sweats in the crowded theatre, and, squeez'd
And bor'd with elbow-points through both his sides,
Out-scolds the ranting actor on the stage:
Nor his, who patient stands till his feet throb,
And his head thumps, to feed upon the breath
Of patriots, bursting with heroic rage,
Or placemen, all tranquility and smiles.
This folio of four pages, happy work!
Which not ev'n critics criticise; that holds
Inquisitive attention, while I read,
Fast bound in chains of silence, which the fair,
Though eloquent themselves, yet fear to break;
What is it, but a map of busy life,
Its fluctuations, and its vast concerns?...


Oh winter, ruler of th' inverted year,
Thy scatter'd hair with sleet like ashes fill'd,
Thy breath congeal'd upon thy lips, thy cheeks
Fring'd with a beard made white with other snows
Than those of age, thy forehead wrapp'd in clouds,
A leafless branch thy sceptre, and thy throne
A sliding car, indebted to no wheels,
But urg'd by storms along its slipp'ry way,
I love thee, all unlovely as thou seem'st,
And dreaded as thou art! Thou hold'st the sun
A pris'ner in the yet undawning east,
Short'ning his journey between morn and noon,
And hurrying him, impatient of his stay,
Down to the rosy west; but kindly still
Compensating his loss with added hours
Of social converse and instructive ease,
And gath'ring, at short notice, in one group
The family dispers'd, and fixing thought,
Not less dispers'd by day-light and its cares.
I crown thee king of intimate delights,
Fire-side enjoyments, home-born happiness,
And all the comforts that the lowly roof
Of undisturb'd retirement, and the hours
Of long uninterrupted ev'ning, know.
No rattling wheels stop short before these gates;
No powder'd pert proficient in the art
Of sounding an alarm, assaults these doors
Till the street rings; no stationary steeds
Cough their own knell, while, heedless of the sound,
The silent circle fan themselves, and quake:
But here the needle plies its busy task,
The pattern grows, the well-depicted flow'r,
Wrought patiently into the snowy lawn,
Unfolds its *****; buds, and leaves, and sprigs,
And curling tendrils, gracefully dispos'd,
Follow the nimble finger of the fair;
A wreath that cannot fade, or flow'rs that blow
With most success when all besides decay.
The poet's or historian's page, by one
Made vocal for th' amusement of the rest;
The sprightly lyre, whose treasure of sweet sounds
The touch from many a trembling chord shakes out;
And the clear voice symphonious, yet distinct,
And in the charming strife triumphant still;
Beguile the night, and set a keener edge
On female industry: the threaded steel
Flies swiftly, and, unfelt, the task proceeds.
The volume clos'd, the customary rites
Of the last meal commence. A Roman meal;
Such as the mistress of the world once found
Delicious, when her patriots of high note,
Perhaps by moonlight, at their humble doors,
And under an old oak's domestic shade,
Enjoy'd--spare feast!--a radish and an egg!
Discourse ensues, not trivial, yet not dull,
Nor such as with a frown forbids the play
Of fancy, or proscribes the sound of mirth:
Nor do we madly, like an impious world,
Who deem religion frenzy, and the God
That made them an intruder on their joys,
Start at his awful name, or deem his praise
A jarring note. Themes of a graver tone,
Exciting oft our gratitude and love,
While we retrace with mem'ry's pointing wand,
That calls the past to our exact review,
The dangers we have 'scaped, the broken snare,
The disappointed foe, deliv'rance found
Unlook'd for, life preserv'd and peace restor'd--
Fruits of omnipotent eternal love.
Oh ev'nings worthy of the gods! exclaim'd
The Sabine bard. Oh ev'nings, I reply,
More to be priz'd and coveted than yours,
As more illumin'd, and with nobler truths.
That I, and mine, and those we love, enjoy....
A road that diverges
Starts at a point
And plies in two directions.
Where these roads meet
You hear two different heartbeats;
One of a boy,
One of a girl.
They were destined to be,
But they walked in a V
Separating themselves
From what God only sees.

Walking astray from each
They continue to grow distant.
Not a word to be said
Just a silent whisper,
“This connection will not whither.”
A mental image
Remains in the mind.
Though they are disjoined
Their hearts have been coined
To become reunited
No matter where they end up going.

Heading on the right track
Senses begin to kick in.
Though it is not yet known,
Their love is already scripted
It’s just, love likes to remain encrypted.
It’s not random;
It’s fate.
Their paths begin to converge,
But they still lack the nerve
To acknowledge what’s inside
And let the love emerge.

It’s coming to a point
Where everything’s inevitable.
The obvious feels right;
Plight is soon to be made.
Fate begins to pervade.
With two precious rings
They promise
To love each other forever
On this journey to endeavor.
Hence the coining of the phrase,
“Diamonds are forever.”
Fairy tail story with a nifty meaning.
SE Reimer Sep 2015
~

(written in response to one by Beryl Dov)

constellationally speaking
a trophied man is one
whose weaknesses
he has overcome,
those the stars
foretold, ordained;
flaws and blemishes
the gods disdained,
who flies
with herculean
brawn and breadth;
who plies
the star ways
to their dizzying heights
and stairways
to their dismal depths.
he is…
like no other,
he is…
the lonesome
overcomer!

~

*post script.

for Beryl Dov, poet laureate, extraordinaire;
in response to his “The Lonely Astronomer”.  
how anyone sees his as anything
negative is beyond me…
i see nothing but
an overcomer’s metaphor.  
well done, friend!!

(and yes, by "man"
i do mean mankind)

The Lonely Astronomer:
http://hellopoetry.com/poem/1182761/the-lonely-astronomer/
Logan Robertson Jul 2019
FIFA'S World Cup a rises
To the US women's cries
On France's stage and blue skies
Tears fill the winner's eyes
Their cup runneth on highs
Where passion never dies
As the world watched their sunrises
Stunning those rays, the US plies
Over it's foes, goals and kicks lies
Each baking an apple pies
For the hunger now of the US' reprise
Proud the red, white and blue flies

Logan Robertson

7/14/2019
Congratulations to the US women's soccer team. That's two in a row. Two apple pies for my liking.
Kuzhur Wilson Oct 2013
I do not belong to anyone, leave me alone
I do not belong to anyone, leave me alone
Please, leave me alone.

When I was born, Father and Mother said
My son, my son
Our son

when I cried that day
I was loudly repeating
“Leave me, let me be, I do not belong to anyone”
No, I do not belong to anyone.

It was for the same reason
That I cried while getting baptized
Leave me alone, leave me.

I do not belong to a Christian, nor Hindu, or Jew or Buddhist
It was saying “let me be, free me” that I cried that day
I do not belong to anyone.
I do not belong to myself.

I do not belong to anyone,
Not you, not anyone


A kiss, or marriage or death
Has no right over me.
Not belonging to anyone is, life, for me

The phone in the public booth,
The computer in the cafe, the Russian ******* the road,
The cup in the teashop, the pen in the complaints register


The bus which plies from village to another village
The doctor at the clinic, the flower by the wayside, the river that flows south,
The sea which counts waves
Rain, sky anywhere, sun, moon,

Or,
A Tree by the wayside.
Translation : Anitha Varma
When I was bold, when I was bold--
  And that's a hundred years!--
Oh, never I thought my breast could hold
  The terrible weight of tears.

I said: "Now some be dolorous;
  I hear them wail and sigh,
And if it be Love that play them thus,
  Then never a love will I."

I said: "I see them rack and rue,
  I see them wring and ache,
And little I'll crack my heart in two
  With little the heart can break."

When I was gay, when I was gay--
  It's ninety years and nine!--
Oh, never I thought that Death could lay
  His terrible hand in mine.

I said: "He plies his trade among
  The musty and infirm;
A body so hard and bright and young
  Could never be meat for worm."

"I see him dull their eyes," I said,
  "And still their rattling breath.
And how under God could I be dead
  That never was meant for Death?"

But Love came by, to quench my sleep,
  And here's my sundered heart;
And bitter's my woe, and black, and deep,
  And little I guessed a part.

Yet this there is to cool my breast,
  And this to ease my spell;
Now if I were Love's, like all the rest,
  Then can I be Death's, as well.

And he shall have me, sworn and bound,
  And I'll be done with Love.
And better I'll be below the ground
  Than ever I'll be above.
Chris D Aechtner Nov 2021
BLAST   —   direct focus on a terrorist virus
that swims in breath and touch,
in globules of spittle and ssnot see,
waiting to plant roadside RNA bombs
in nostrils—from flesh to newsflash fantasies

with

a Fear-O-Meter Lockdown grip
of Crisis Management Economics:
Gaslit Fiat economy crash test dummies
tested within psychosocioschizological
experiments of the psychobacteriological

transfer of power, control, and wealth—

stats data for thinktanks and simulations:
which strategies are best to get the peasants  
to willingly offer up their lives for an illusion
of safety and protection, what causes people
to remain compliant or to become renegades.

Capitalism, the revolutionary meant to usurp
Queens and Kings, corrupted into a negative
Technocratic Corporatocracy: a Royal Trash
death cult that feeds on its young, sacrifices
its youth to scams, wars, and stolen futures:

a Technocrat Herr Doktor drug pusher
that plies the skin of trial control groups
for the venom of Warpspeed fangs—wraps
its coil around a bundle of willow switches
supple with youth, its victims kept alive

as a fuel source to burn in the corporate engine, and kept weak enough to require another fix "For the betterment of the whole."

(Gaslighting fills mandated shower-coops:
"Trust us, you're sick, and it's your fault.")

Pollute people into isolation against an enemy that has never been truthfully isolated and purified—
an Orwellian leap of faith that breaks:
a crusher of foundational laws,
a crusher of critical thought and bones.

"Destroy (transform) your dreams, milestones, and livelihoods for your safety and protection. We are doing this for you. We care about you. These numbers, these awful numbers are your fault! You're to blame! It's all your fault!"

"Make sure to vote for me come next election."

As much as North America is a globalist,
the New World is also its own experiment.
Fortress North America: the Eugenicist Manager founded upon colonialism and slavery that outsources its crisis economics—
highly contagious, bit with its own snake oil,
an experiment observed to show symptoms
of AIDS, North America attacking itself
in many ways, symptoms of having been
grazed and groomed for decades

in contagion-based sociopolitical templates
that result in acquired bipolar autoimmune
disease: past enemies and geists attained
boosted immunity to defend, adapt—learned
to deflect Sun Tzu's Art of War into itself

with its own momentum. "Unrestricted
Psychological Warfare": a process of confusion and doubt that leads to the demoralization and dehumanization of the target enemy via the subversive tactics of propaganda plowing, cultural memetic warfare, the infection of economy, politics, military, scientific and educational institutions and systems—
cybertech and media espionage and warfare,
all of it leading to symptoms of extreme

polarization and social moral tribalism—
a decades-long psychological, physical
and spiritual draining of the enemy
into a weakened, toxic state, barely worthwhile to conquer fully. The enemy does the rest,

finishes itself off with:

Acquired (Red Auto)ImmunoDefiency Syndrome

Red CONtroll COVID-19 debt slavery—
pandemic crisis, CoVfefe crisis, energy crisis,
population crisis, climate crisis, racism crisis,
market crisis, war crisis, terrorism crisis,
ISIS is is cry sis in crisis and crisis
in crisis debt slavery to the State: Toadies

for the "New Normal" Big Pharma-Big Tech
mechanical heart engine that thrums
with a beat that Zooms in on, Zooms out from
false-positive test results amplified

and distorted into AIDS:

Amplified Information Distortion Syndrome

and

an Acquired ImmunoDeficiency Syndrome
in conjunction with a near-infinite number
of variables and determining factors—
an Auto-ImmunoDeficiency Syndrome of
body, mind, soul, and political systems
cruising along an acquired, contagious loop
of a negative-sense RNA socialist Autobahn—

highly contagious, highly experimental in
unprecedented moments of crisis and mirrors: reflections of reflections of reflections
amplified and bent
in sleight-of-hand misdirection and deflection with the virus holding a mirror's face outwards

while

an mRNA 'treatment' infects human cells
to conquer and command them to become
bomb making factories that create
SARS-CoV-2 S-proteins—yes, yes, "inactively" teach T-cells with double-think McCure-all bandAIDS to 'help' identify SARS-CoV-2 RNA. Understood. For every action, there is an equal and opposite reaction

(for the Terrorist within)

"Here's a fast-tracked vaccine that supposedly boosts the immune system that you're being commanded to weaken."

GMO sleeper cells and non-celled sequences
that can attain causality and symbiosis with
drug and antibiotic resistant organisms,
are sold as the cure that ills

and

misdiagnosed and misunderstood symptoms
of anything and everything
in-between that we've known and seen
are blamed on a laboratory Chimera:

the scapegoat terrorist virus designed
to be highly contagious and gentle to its host
for vaccine programs: Mary's Monster attaining the flame of life within
its Promethean host.

Who made who?

Who knew that the FDA NIH CDC
WHO-Fang North American China Flu Clan

flew the fear and media spread. "Wait for our
next update." Live TV, live virus

with billions of shortsighted treatments
adding ripples to an overflowing soup bowl
of trillions x trillions of RNA particulates,

inactive/active — off/on — negative/positive

Switch:

Spin PCR in the Petri dish:
One fish, two fish, red fish, blue fish!
What a lot of fish there are!

This one has a little yellow star.....

("Mission Accomplished")
1 17 2021
How do they call you,
those who’ve passed through unmarked
twin doors for the shy
side of one century?

Is it as Nicholas
of Myra,
or of Bari,
or as an unlocated saint,
working wonders in
this home of trim white-stone
block, with three tiers of black-
arches, frowning up at
the merciless
grids behind?

Rows, rows, rows, they float on
glassy, steel-blue oceans,
and these oceans will fall in
violent, cascading, millennial
waves unlike any with foam
caps that once lapped
the rocky coast of lost Lycia--
your see
our maps don’t contain,
and our licit hosannas won’t reach.

Who are they
who pray here?
Bakers, sailors, bankers,
all whose sighs
rise with a torrent of immigrant chants
liaison rafters
fracture in echo-song,
the old coinage that plies your favor.

To which patron can they turn
when your cross crowns not
the work of masons
but one day’s
rubble,
a tongue without a bell,
the charred
relics of unnameable acts?
This work is licensed under a Creative Commons Attribution 3.0 License.
Don Bouchard Jan 2012
Under frizzed hair,
The Conscious Operator,
Smacking gum,
Waits with her tails of living wire
To make connections
At Synaptic Central.

The reader
Tilts a page to catch the rays,
Scans for symbols,
Begins to send
And to receive
Electric fires of thought
Traveling in from
Senses Five -
Traveling out from
Schema Library's
Data files -
To meet and
To commingle
At the Board.

With octopal finesse,
The tireless Operator
Plies Neural Central,
Sending quick myriads of thought
To rest or to revive in living files.

Neurons snap and arc;
Their coded leaping fires
Surge message-full
Through cables sheathed
To Synapse Central,
Where in her nimble hands
Fire Control finds slots
And coordinates connections,
During and Long After
The Outward Reading's done.

Even when the Blinds go down
Synaptic Central's work goes on.
The frizz-haired friend steps out to rest;
Sub-Conscious moves into her place
And with unsteady hand
Plays seeming havoc at the Board
Rearranging and Deranging
Delightful dreams, or horrid.
Derick Van Dusen Aug 2012
Flawed eventless, the muck to the mire
To the river crimson with lustful haze.
Supressed desire flows like light, rapture to the gaze.
Feverd, clamy, tossing, turning
Lying wrestless on the floor.
Sarrow slips, through the cracks,
to come smashing through the door.

Famin parched, the scream to the cry,
to the path trampled in fits of rage.
Unrelenting fire, burns like ice, denile in a cage.
Calm, relaxed, watching, breathing,
Standing idle at the sash.
Anguish waits at beck and call
to come crashing  through the glass.

Hidden in a seamless world of delight and joy and glee
A fractured cloud of misery waits
to have its cake and thee,
to reval as it sulks with company.
Ever growing spawned by fear, deathly silent in its' plea
Eating away at the sinews of faith,
dispair awaits its' time to flea.

Akin to death, friend to evil, slient screaming in its' vain
Dissolving with trust the passion of the lust
Envy plies to its bain.
Passion and fire, burning desire, these monsters are not the same.
All too familiar, confusing just the same, betrayed by flesh.
What is there cannot be had, for surely this is no game.
He sits under that apple tree
on gnarly knoll beside the glade.
He thinking, haven't I done well
with the decisions he had made.

The first I heard that male voice
just droning on about his Rib.
The thing is though if I complain
his face exudes a lamented jib.

He calls me Woe-Man just for fun
and reckons now his troubles start.
Thinks I have got it all my own
when all he does is Moan and ****.

God told him I was called Woman
this name provides him with a joke
at my expense amusements aim.
Its aim to hurt and cause provoke.

His rib he gave with good intent,
perhaps he should of dwelt upon
the reasons for such hankerings.
I do believe a selfish one.

This man whom needed company,
so afraid of being alone
wanted something to rule upon.
Something to order and to own.

In his mind there was no doubt.
Sharing his home with such a one.
This Paradise that he calls home
will be so different when I’m done.

Expected handmaid I shall not
if he thinks this is what I be
a shock is coming so immense.
The man is blind but soon shall see.

Paradise they call this place.
I had no choice in coming here.
But now I am I make the most.
And certainly wont live in fear.

He’s quite attractive to the eye.
He makes his creator a good son.
There are many things I can improve
like make him put some trousers on.

I only ask him for one thing.
The smallest favour is all I ask.
In his deluded simple mind
he turns this into such a task.

That apple hanging true and bright
gleaming in the mid-day sun.
I yearn to taste a little bite
but he says No! and thinks he’s won.

He plies me with every other crop
but mind is set on other fruit
he tells me this is God’s demand
but in my mind I’m resolute.

I only have one friend in life.
Charming serpent of my acquaint.
Such an helpful companion
but evil is what my man must paint.

My serpent friend is always ready
to help me gain my aims in life.
Reminds me that my husband should
show some allegiance to his wife.

I wonder how, if I withdraw
with certain charms that I do hold.
This will change his manly mind
and leave him feeling that I'm cold.

I swoon around in tender pose,
temptation broiling in his mind.
Portraying naked silhouette
with glistening breast and smooth behind.

Positioned touch in private place
his temperature wont take much more,
he’ll soon pay with forbidden fruit.
The price he pays to bed his *****.

Resolve is lessening by the hour,
too make sweet love will surely sway.
He’ll promise anything for this
a price that he shall dearly pay.

Eventually my way is won,
the fruit positioned at my feet.
I got my way his will undone
but apple tastes so far from sweet.

I know not where my friend has gone.
To lose a friend is far from good
then God turns up so far from pleased
and chases us from gardens wood.

Cast from Eden is our fate
our goods and home suddenly gone.
Evicted we pathetic pair
just us to walk this world alone.

Why didn’t I listen to that man
instead of taking serpents phrase.
Perhaps I may of listened more
if only he had shed some praise.

Is there a moral I can say
to help others if I can.
If only I had remained a rib
there'd never be another man.
A satirical view from the female point of view to the poem "Woman. The Wo in Man.
28th October 2011
Vivian Jan 2013
As I plant myself in front of the mirror
I lift my shirt
And see what I've seen
For about as long as I can remember.
It's a stomach
Always has been.

But these tiny rolls
and squishy bits
have fluctuated
for many years
and I poke a ****
with a loving hand
a caress more than a stab

Yet you insist that I should hate my body

I love my mid section
I love the stretch marks on my thighs
I love the way my stomach
folds and plies
I love it all so much
And all of it is me
So why are you treating me like a sub-human being?

You say that you'd much rather
me having a drinking problem
than be fat
that's what you said
and you think I have a problem?

I'm 5' 1", at about 125.
You think it's "healthy" to have a low BMI.

Your method isn't working
I'm not dieting
No way
No weight watcher's for me
not ever
not today

If you think I should hate myself, Mom
I think you should just leave
Because I love my every fiber
I'm an exceptional human being
And you've overlooked so many facets of a life
And that beauty comes from within
And a couple pounds isn't going to change that
I don't need to be thin.
he's hankering for the mountains
on a Carolina coastline
he's hankering is to be in the embrace
of the mountain's twine

the mountain's call is like a throng
it lasts in his thoughts all the day long
to the mountains he'll ever belong
upon him the draw is so strong

in the mountain his kin folk all reside
he can't wait to be again at their side
those mountains fill his soul with pride
the spirit of the place plies his heart's tide

a welling feeling washes over his mind
as he ponders the mountain's holding bind
the territory there has a familiar rind
that within his being shall never unwind

he's hankering for the mountains
on a Carolina coastline
he's hankering to be in the embrace
of the mountain's twine
#mountains  #hankering  #soul  #spirit
it's a drone, it's a drone
a drone, a drone, a drone
it's a drone, it's a drone
a drone, a drone, a drone

it's collecting info on me and you
it's checking out everything we do
it plies a spying eye
in all directions of the sky
why oh why oh why
does it need to pry on you and I

it's a drone, it's a drone
a drone, a drone, a drone
it's a drone, it's a drone
a drone, a drone, a drone

people are freaking out
knowing that a drone could be about
they can't relax at all
the surveillance does appall
it's truly quite queer
how the government do peer

it's a drone, it's drone
a drone, a drone, a drone
This poem is written, to the Cream lyric "I'm So Glad".
it's a drone, it's a drone
a drone, a drone, a drone
it's a drone, it's a drone
a drone, a drone, a drone

it's collecting info on me and you
it's checking out everything we do
it plies its spying eye
in all directions of the sky
why oh why oh why
does it need to pry on you and I

it's a drone, it's a drone
a drone, a drone, a drone
it's a drone, it's a drone
a drone, a drone, a drone

people are freaking out
knowing that a drone could be about
they can't relax at all
the surveillance does appall
it's truly quite queer
how the government does peer

it's a drone, it's a drone
a drone, a drone, a drone
it's a drone, it's a drone
a drone, a drone, a drone
This poem is set to the Cream song "I'm So Glad".
Egeria Litha Sep 2013
My heart center is churning,
spiraling through my chest
translating.
Moving art through my body
and suddenly all the ******* is worth it.
Walking out of dance class, towards my van,
my heart spilling all over the sidewalk,
invisible rain drops of reality trickling on my head,
the colors darken in my aura because I have to wait awhile
for the next moment where I feel like the sacrifice is paying off.
I would be a vagrant gypsy living humbly if it weren't for professional movement.
My feet are on a solid spot surrounded by things that don't love me.
At least that's how it seems, at night, when I have to fight for tranquility.
But wandering thoughts come visit me while I'm driving of pirouettes and plies,
and smiling children asking me how to teach them the rhythm of life.
Strength to endure the shadow, instead of aiming towards distractions that
evade responsibility to glow.
Stage light on bodies showing life in another context,
that is what lives in my visions of beauty.
a bird on a wire
anxiously tweets
outside my
Good Friday
pane

The Carl Vinson
battle group
plies the China Seas
rolling through waves
like a deadly
Tsunami

MOABS plaster
mountainsides,
commanders are
certain the right
bomb, for the right job
produced a righteous
body count

Tomahawks strafe
another Syrian
neighborhood, already
desperately choking on
the stench of corpses

“Crucify Him!”
They shout
“We want blood!”

“Give em a
good scourging”

Before we place
a crown of thorns
on his head

Let the blood drip
pierce him with
a pike, let it all
spill out

The pundits
sanctify the
sacraments
of death with
strategic acuity

Just another day
in a closer walk
with Thee, for the
Pilgrims of Sorrow

Music: Soul Stirrers,
Pilgrim of Sorrow

Painting:
The Road of Sorrows
Nina Marchenko

Good Friday 2017
Lavallette NJ
jbm
Zachary L Mar 2013
a day flies by and whiles away
drawing lies and smiles alike
like filings to the lodestone

babies' cries flay the sky
sunlight bright in my right eye
shining in dulcimer tone

in this park no broken tiles
just mild breezes, soft sighs, and ample time
to delight in Spring coming into its own

a wild-eyed man asks why we try
and rightly plies for answers nigh
and questions what we think is known

and waits impatient as we fry
in blind stupor as our minds belie
that we might in fact be all alone
Don Bouchard Jan 2016
Under frizzed hair,
The Conscious Operator,
Smacking gum,
Waits with her tails of living wire
To make connections
At Synaptic Central.  

The reader
Tilts a page to catch the rays,
Scans for symbols,
Begins to send
And to receive
Electric fires of thought
Traveling in from
Senses Five -
Traveling out from
Schema Library's
Data files -
To meet and
To commingle
At the Board.

With octopal finesse,
The tireless Operator
Plies Neural Central,
Sending quick myriads of thought
To rest or to revive in living files.

Neurons snap and arc;
Their coded leaping fires
Surge message-full
Through cables sheathed
To Synapse Central,
Where in her nimble hands
Fire Control finds slots
And coordinates connections,
During and Long After
The Outward Reading's done.

Even when the Blinds go down
Synaptic Central's work goes on.
The frizz-haired friend steps out to rest;
Sub-Conscious moves into her place
And with unsteady hand
Plays seeming havoc at the Board
Rearranging and Deranging
Delightful dreams, or horrid.
Hello, Central? (Reader Response Theory)
Jonathan Moya May 2019
The rain creates its own ballet
starting with a lone figure on a bridge
holding an umbrella in the fog
splashing teardrops with his feet,
doing jetes over the larger puddles,
until the wind inverts his shade,
plies turning to pirouettes,
approaches cascading to the portal
and the head of the street,
dancing to a cityscape beyond.

At the last turn they meet cute,
their outward canopies entangling
rib to rib, shadow to shadow,
a plastic bag covering hair and
half her face, soggy groceries
nursed to her chest, an oversized
purse dangling her wrist, pulling
her down, falling, wishing for
something, someone, anything
to stop the descent, the crash.

He catches her in perfect repose,
umbrellas twirling the pavement,
as he slowly lifts her to him just a
breath and heartbeat away,
their hands touching, a thousand
raindrops pulsing on and in them.

Her parasol dances away from her
over the edge into the swirl below,
his caught before flight is vigorously
shaken to form.  He stuffs fallen
apples and pears into the pockets
of his rain jacket.  She discreetly
stashes a box of tampons into
her coat’s hidden lining. The umbrella
is their only shelter as she holds
it over them while he carries her
in his arms to the nearest cover,
a bodega with a green awning.  

At the corner of the drizzling mist
a mother swaddles her boy
in the hems of her rain dress.
Unprotected singles cover
their heads with open hardcovers
or purchases clenched in plastic bags.
Couples step in unison huddled
under their vinyl domes.
It’s all a parade under black and white,
a synchronized rainbow of attitude,
adding  to the grand Romantic ballet
of bending, riding, stretching, gliding,
darting, jumping and turning to and fro.

The finale has the last drop crying
to the pavement, to the street,
washing the asphalt in its clarity,
a lachrymose river flowing down drains,
the mechanical traffic dispersing
the  rest in butterfly waves that
sends the ensemble to the edges,
leaving the coryphees alone, apart,
staring at each other in the evaporation,
waiting forlornly for the first trickle
to return and kiss their skin with joy.
Sharde' Fultz Oct 2014
Sometimes I wonder if I'll ever stop crying

If I'll ever get over the years of training
the sweat
the bruises
the strains and sprains
the cool of a sprung floor against my cheek
out of breath in the wings awaiting my queue

I wonder if it's actually possible to regain the flexibility that can only come from hundreds of hours of plies and port de bras
I wonder if I'll ever be able to feel as alive as I do in a leotard and footless tights in any other article of clothing?
Because sometimes I feel like one of my favorite parts of me is a
memory

fading more and more every year

like a spirit trapped inside a body that can't handle all its grace and beauty and freedom
that can't hold its pirouettes

I fear that I'll never walk into a studio and feel like I own it again,
like the sky is the limit
like my strength knows no bounds

Sometimes I wonder if I'll ever be able to just accept whatever is in store.
Was my last audition my last audition?
I wish I savored it more

I know I'll be fine
but that is the only me I've ever known
and
the largest dream I ever felt I could absolutely realize
How do you let go of something you've wanted your entire life?
...a drive that flows through your blood...
How do you accept the possibility of never attaining it?

There are times when I'm okay
or more or less distracted
and feel like I'm at peace with God's omnipotent will
If he want's me to dance, then I'll dance one day
He knows the desires of my heart
Still
I can't help seeing reminders of where I want to be
where I ought to be
this fundamental piece that's missing
that has helped shaped all that I am today

Sometimes I wonder if I'll ever stop crying
in mourning
for the dancer in me.
Deejay Jan 2012
i am an artist
to create is my work..

i am a painter
i draw paintings
of people, of thoughts
of lions, of goats
some look happy
some in grief
some others act
like a thief
as i draw
so i am
i draw myself..

i am a singer
i sing songs
of joy, of pain
of failure, of gain
as i think
so are the words
as are the words
so are the songs
as i sing
so i am
i sing myself..

i am a watchman
i watch people
how the love
how they hate
how they cry
how they fake
some look tiny
some look giant
as i watch
so i am
i watch myself..

i am a driver
i drive my car
sometimes it’s down
sometimes it flies
sometimes it’s deep
sometimes it plies
journey will not end
unless it find abode
as i drive
so i am
i drive myself..

i am an artist
to create is my work...

— The End —