Hello Poetry
Submit your work and get some sparkles! Create free account
"ottoman" poems
i've moved past my belief in the Christian trinity... for me... the meditation stands on the pivot of the following translation the hexagon, start of david - which translates as the Holy Ghost - which denotes a congregation... the pentagon? of the befitting analogy to the five senses... the "son of man" - or simply... the myopia of man having to excavate the sixth sense using telescopes, microscopes, the like... and, finally? on a hand of five extensions, there are four... the square...   Y                    H             ⠁⠑                     read clockwise                                       like English traffic H                     W            on a roundabout. which? denotes the father...     if the Hebrews "think" they can hide their vowels?    the Latin answer is...    to interpolate Braille into their language...        and Emperor Nero would have appreciated it... whether with, or without the Byzantine propaganda machinery of the nevus testamentum... and it wasn't a propagandist piece?     how much longer did the eastern Empire, outlive the Western empire, when the onslaught by the Ottoman's reached                   Constantinople?! the Greek were craving a cultural revival!         they believed the Romans to have origins in Troy! they plaid the weakest cultural card of Judaism, revamping it into Christianity... hell... that's what i believe... and i'm not about to meet a Jehovah's Witness propagandist, or some aged Pakistani citing the Quran on a park bench...   or some Scientologist on Oxford St. with his wacky machine...   or some pseudo Hare Krishna monk with a book about some guru, pushing it like marijuana...    to change my mind on what i'm digesting! plus?   ⠽                   ⠓               Æ                  ( read anti-clockwise)                                             ⠓                    ⠺ fits in perfectly into the Adam and Eve narrative - as with all mythology - given the extent of time...     nuance, metaphor... abbreviation...                    ars poetica!
0
Aug 19, 2018
Aug 19, 2018 at 8:32 PM UTC
Y⠁HW⠑H
i've moved past my belief in the Christian trinity... for me... the meditation stands on the pivot of the following translation the hexagon, start of david - which translates as the Holy Ghost - which denotes a congregation... the pentagon? of the befitting analogy to the five senses... the "son of man" - or simply... the myopia of man having to excavate the sixth sense using telescopes, microscopes, the like... and, finally? on a hand of five extensions, there are four... the square...   Y                    H             ⠁⠑                     read clockwise                                       like English traffic H                     W            on a roundabout. which? denotes the father...     if the Hebrews "think" they can hide their vowels?    the Latin answer is...    to interpolate Braille into their language...        and Emperor Nero would have appreciated it... whether with, or without the Byzantine propaganda machinery of the nevus testamentum... and it wasn't a propagandist piece?     how much longer did the eastern Empire, outlive the Western empire, when the onslaught by the Ottoman's reached                   Constantinople?! the Greek were craving a cultural revival!         they believed the Romans to have origins in Troy! they plaid the weakest cultural card of Judaism, revamping it into Christianity... hell... that's what i believe... and i'm not about to meet a Jehovah's Witness propagandist, or some aged Pakistani citing the Quran on a park bench...   or some Scientologist on Oxford St. with his wacky machine...   or some pseudo Hare Krishna monk with a book about some guru, pushing it like marijuana...    to change my mind on what i'm digesting! plus?   ⠽                   ⠓               Æ                  ( read anti-clockwise)                                             ⠓                    ⠺ fits in perfectly into the Adam and Eve narrative - as with all mythology - given the extent of time...     nuance, metaphor... abbreviation...                    ars poetica!
Continue reading...
81
Have you met the Who-Gee Boo-Gee Man? He scammed fig leafs in the garden, And **** cloth in Ottoman.      outside-in, inside-out; upside-down, right-side up The Who-gee Boo-gee Man can cuss. He offers snake oil, spins a tale, So you feel smart, healthy and hale.      from top to bottom, bottom to top The Who-gee Boo-gee Man can't stop. He swrawls with a Sharpie pen.      right is left, left is wrong That's the Who-Gee Boo-Gee song. Consultation for now is free, No hidden added extra fees: You buy two, you get three.      north to south, east to west The Who-Gee Boo-Gee Man won't rest. I've heard his feet are cloven; The eyes are yellow, lips look swollen; He has two fingers, wears silk- woven. He sweats like water to the lowest level; He's quicker than the slyest devil, Selling hell, but we hear heaven; Doing so twenty-four seven. He photo-shops secret desires, Twists truth-tellers into liars; Artful, wily, scheming, subtle, The Who-Gee Boo-Gee's a hungry jackal.      *today is the day, yesterday's late,      tomorrow's a place that just won't wait* I met up with the Who-Gee Boo-Gee Man, Peddling apples from my jardain.
0
Nov 20, 2018
Nov 20, 2018 at 10:26 AM UTC
The Who-Gee Boo-Gee Man
Mother bear in a waterfall With bigger thoughts than blonde harlots Eating porridge, Fallen starlets with outer space in their hair. Just you wait; I'll be the happiest little sonofabitch You've ever seen. Some small consolation, if any. That weekend we spent with our Necks perpendicular to our spines, Of course I still remember the films we watched. I condition my hair with split infinitives And live off the poisoned dew that settles Every morning in my closet. Turn your little black dress inside-out, I've got this magic idea for a recipe But we're going to need some ants And that crazy Harryhausen dream you've got up in your attic. Ten or twelve little blond kids up On the cliff, each ten or twelve years old And dancing with a flame-Buddha called "Home". Let's spend this week underwater, I'd much rather give up my weight and my due If it ensured me any small hour With you. Oh, god how I love you anymore. I may have told you this a while ago, But did you know the first Pledge of Allegiance Put us some good height above God? Sometimes I find the sugar in my gas tank Makes for a rough start in the morning, Not that I particularly want to go anywhere, But it's what I've thought that counts. He's a bit upset that I skipped movie last night: But I can't play horizontal baseball With my violent, violent imaginary friend. The Rubik's cube beats deep in my chest Without a hand to cheat and rearrange the stickers. Claude enunciates something queer into my ear And turns off the lamp with a snap.
0
Mar 5, 2011
Mar 5, 2011 at 8:19 AM UTC
Ottoman Blue
Mother bear in a waterfall With bigger thoughts than blonde harlots Eating porridge, Fallen starlets with outer space in their hair. Just you wait; I'll be the happiest little sonofabitch You've ever seen. Some small consolation, if any. That weekend we spent with our Necks perpendicular to our spines, Of course I still remember the films we watched. I condition my hair with split infinitives And live off the poisoned dew that settles Every morning in my closet. Turn your little black dress inside-out, I've got this magic idea for a recipe But we're going to need some ants And that crazy Harryhausen dream you've got up in your attic. Ten or twelve little blond kids up On the cliff, each ten or twelve years old And dancing with a flame-Buddha called "Home". Let's spend this week underwater, I'd much rather give up my weight and my due If it ensured me any small hour With you. Oh, god how I love you anymore. I may have told you this a while ago, But did you know the first Pledge of Allegiance Put us some good height above God? Sometimes I find the sugar in my gas tank Makes for a rough start in the morning, Not that I particularly want to go anywhere, But it's what I've thought that counts. He's a bit upset that I skipped movie last night: But I can't play horizontal baseball With my violent, violent imaginary friend. The Rubik's cube beats deep in my chest Without a hand to cheat and rearrange the stickers. Claude enunciates something queer into my ear And turns off the lamp with a snap.
Continue reading...
39
I entered my poem "last night I dreamed" in the Tallenge poetry competition for May 2014, which it won, it's now in the annual competition so I'd really appreciate your support by voting for it at - bit.ly/1pJ0N3z You can find the poem down the line in my list of poems, but I'll paste it here again so you can check it out to see if it's worth a vote. Last Night I dreamt Of the Hagia Sophia. Looking across mighty Bosphorous. In Istanbul, in Byzantium, in Constantinople. A prize of ages........... In all her many's real and imagined glory. Man's desire, God's gift. Stone's testament To my species' faith, In eternity. Though this Hagia, My Sophia, was one of my dreams In a dream-city/state. In a dream Macedon/Thrace, Modern and ancient Asian/Europe, European-Asia, Turk and Greek Jew and Russian Balkan stars fall upon her' Coloured light's and bright vid-screens. Amid stone and earth Glass and concrete, Granite and amythst Huge, jewel-covered, ancient beyond measure.... Not just Constantine's church, though mighty church it was.. Or Mehmet's prize; though great Mosque it became Nor Theodosius's rock Though he still fights for her Somewhere in the past. And no dry museum either, Though museum she is.......... In reality. Just an ancient place, Euxine harbour Cross-road of man and water, Land and Gods Magic and reality Chozen by Hellas Built and owned by Christ's children Subjects of St. Paul's Holy empire. Orthodox and sacred To Greek and Rus. No Latin hymns We're sung in her walls. Then won by Turk In wars fierce and long - So now Muhammed's shrine Ottoman and Pasha Jewel of a new kingdom Built upon built Myriad upon myriad Pagan, Muslim, Jew, and Christian And the Gods of Hellas who dwell there still Watch and wonder at it all But in my dream She was made - in the shape of a grassy mound Many faceted, growing still Amid structures, attached to her spans and arches Ancient wonder Modern glory Flowing and rising Worshipped by all who dwelt near her. Grassed covered Monument strewn Stretching up to the dark - Starry Sky Arches Domes Butress' Spires Crosses Cresents Heart's desire White rocks paved And eternal grasses Dewed by Hellene Gods Whose light it saved Last night I dreamed Of the Hagia Sophia.......
0
Aug 12, 2014
Aug 12, 2014 at 6:21 PM UTC
Not a poem, A request
I entered my poem "last night I dreamed" in the Tallenge poetry competition for May 2014, which it won, it's now in the annual competition so I'd really appreciate your support by voting for it at - bit.ly/1pJ0N3z You can find the poem down the line in my list of poems, but I'll paste it here again so you can check it out to see if it's worth a vote. Last Night I dreamt Of the Hagia Sophia. Looking across mighty Bosphorous. In Istanbul, in Byzantium, in Constantinople. A prize of ages........... In all her many's real and imagined glory. Man's desire, God's gift. Stone's testament To my species' faith, In eternity. Though this Hagia, My Sophia, was one of my dreams In a dream-city/state. In a dream Macedon/Thrace, Modern and ancient Asian/Europe, European-Asia, Turk and Greek Jew and Russian Balkan stars fall upon her' Coloured light's and bright vid-screens. Amid stone and earth Glass and concrete, Granite and amythst Huge, jewel-covered, ancient beyond measure.... Not just Constantine's church, though mighty church it was.. Or Mehmet's prize; though great Mosque it became Nor Theodosius's rock Though he still fights for her Somewhere in the past. And no dry museum either, Though museum she is.......... In reality. Just an ancient place, Euxine harbour Cross-road of man and water, Land and Gods Magic and reality Chozen by Hellas Built and owned by Christ's children Subjects of St. Paul's Holy empire. Orthodox and sacred To Greek and Rus. No Latin hymns We're sung in her walls. Then won by Turk In wars fierce and long - So now Muhammed's shrine Ottoman and Pasha Jewel of a new kingdom Built upon built Myriad upon myriad Pagan, Muslim, Jew, and Christian And the Gods of Hellas who dwell there still Watch and wonder at it all But in my dream She was made - in the shape of a grassy mound Many faceted, growing still Amid structures, attached to her spans and arches Ancient wonder Modern glory Flowing and rising Worshipped by all who dwelt near her. Grassed covered Monument strewn Stretching up to the dark - Starry Sky Arches Domes Butress' Spires Crosses Cresents Heart's desire White rocks paved And eternal grasses Dewed by Hellene Gods Whose light it saved Last night I dreamed Of the Hagia Sophia.......
Continue reading...
97
The regions’ magic carpets are a-beckoning The brassware in the back bazaars aglow, Exotic spice is nice For a very reasonable price And the camel market’s just the place to go. But… Afghanistan’s dark Muslims are scheming The women folk are sharpening their knives, When foreign troops depart The bloodletting will start With collaborators screaming for their lives. The children of the Ottoman are smarting For their neighbours are showing them disdain By peppering with bombs Along with Syria’s pogroms And I wonder why the local folk complain? Oh the sun comes up with glory in old Egypt As another national leader meets demise And old Nasser’s bile will burn As from his grave he will return To try to rectify his children’s Holy lies. There are whispers of  a strike at the reactor. There are reactionary reactions from Iran With annulment of the bomb The region should resume aplomb But I have my doubts this mixture really can. And it never rains on dear old dusty Cairo, Here, you never feel the chill of falling snow, You may stalk the back bazaars For the rare blue water jars But you should really buy protection when you go. And they whinge that all the tourists here are dwindling That the middle Eastern charm is all but spent, When the red blood flows like wine In the good old Bhyzantine As the peace of night, with gunfire, is wrent. But… The dates are really sweet And the carpetry so neat And the music is exotic in the night, And with the flash of Asian eyes I can guarantee surprise As you flee for very life…with ****** fright! Marshalg From the dark Bazaar 23 October 2012 © 2012 Marshal Gebbie
0
Oct 22, 2012
Oct 22, 2012 at 11:06 PM UTC
Magical Carpet Tour of the Mysterious Bhyzantine
The regions’ magic carpets are a-beckoning The brassware in the back bazaars aglow, Exotic spice is nice For a very reasonable price And the camel market’s just the place to go. But… Afghanistan’s dark Muslims are scheming The women folk are sharpening their knives, When foreign troops depart The bloodletting will start With collaborators screaming for their lives. The children of the Ottoman are smarting For their neighbours are showing them disdain By peppering with bombs Along with Syria’s pogroms And I wonder why the local folk complain? Oh the sun comes up with glory in old Egypt As another national leader meets demise And old Nasser’s bile will burn As from his grave he will return To try to rectify his children’s Holy lies. There are whispers of  a strike at the reactor. There are reactionary reactions from Iran With annulment of the bomb The region should resume aplomb But I have my doubts this mixture really can. And it never rains on dear old dusty Cairo, Here, you never feel the chill of falling snow, You may stalk the back bazaars For the rare blue water jars But you should really buy protection when you go. And they whinge that all the tourists here are dwindling That the middle Eastern charm is all but spent, When the red blood flows like wine In the good old Bhyzantine As the peace of night, with gunfire, is wrent. But… The dates are really sweet And the carpetry so neat And the music is exotic in the night, And with the flash of Asian eyes I can guarantee surprise As you flee for very life…with ****** fright! Marshalg From the dark Bazaar 23 October 2012 © 2012 Marshal Gebbie
Continue reading...
47
The lawyers walk along the street thousand dollar shoes upon their feet Housed in buildings, tenth floor with views office not a cube, paying out club dues Banging the legal secretary, on the ottoman her bonus not a surprise, to each and everyone The kids put up, at greater boarding schools home they'll be for the holidays, thinkin dad's a tool The Benz is in the shop, the BMW second choice wife's harping, just won't stop, grating is the voice The boss wants the briefs by noon, you better get them in he'll have your nuts over a fire, and that's, just to begin If my boss were the Devil, a few things I would do like bring him morning coffee, and a pastry, one or two There's no winning in the end, to hell you will be bound after all of your summations, Devil still, will drag you down
0
Feb 17, 2017
Feb 17, 2017 at 10:52 AM UTC
The Devil, is a lawyer
Last Night I dreamt Of the Hagia Sophia. Looking across mighty Bosphorous. In Istanbul, in Byzantium, in Constantinople. A prize of ages........... In all her many's real and imagined glory. Man's desire, God's gift. Stone's testament To my species' faith, In eternity. Though this Hagia, My Sophia, was one of my dreams In a dream-city/state. In a dream Macedon/Thrace, Modern and ancient Asian/Europe, European-Asia, Turk and Greek Jew and Russian Balkan stars fall upon her' Coloured light's and bright vid-screens. Amid stone and earth Glass and concrete, Granite and amythst Huge, jewel-covered, ancient beyond measure.... Not just Constantine's church, though mighty church it was.. Or Mehmet's prize; though great Mosque it became Nor Theodosius's rock Though he still fights for her Somewhere in the past. And no dry museum either, Though museum she is.......... In reality. Just an ancient place, Euxine harbour Cross-road of man and water, Land and Gods Magic and reality Chozen by Hellas Built and owned by Christ's children Subjects of St. Paul's Holy empire. Orthodox and sacred To Greek and Rus. No Latin hymns We're sung in her walls. Then won by Turk In wars fierce and long - So now Muhammed's shrine Ottoman and Pasha Jewel of a new kingdom Built upon built Myriad upon myriad Pagan, Muslim, Jew, and Christian And the Gods of Hellas who dwell there still Watch and wonder at it all But in my dream She was made - in the shape of a grassy mound Many faceted, growing still Amid structures, attached to her spans and arches Ancient wonder Modern glory Flowing and rising Worshipped by all who dwelt near her. Grassed covered Monument strewn Stretching up to the dark - Starry Sky Arches Domes Butress' Spires Crosses Cresents Heart's desire White rocks paved And eternal grasses Dewed by Hellene Gods Whose light it saved Last night I dreamed Of the Hagia Sophia.......
0
Apr 4, 2014
Apr 4, 2014 at 3:07 AM UTC
Last Night I Dreamed
Last Night I dreamt Of the Hagia Sophia. Looking across mighty Bosphorous. In Istanbul, in Byzantium, in Constantinople. A prize of ages........... In all her many's real and imagined glory. Man's desire, God's gift. Stone's testament To my species' faith, In eternity. Though this Hagia, My Sophia, was one of my dreams In a dream-city/state. In a dream Macedon/Thrace, Modern and ancient Asian/Europe, European-Asia, Turk and Greek Jew and Russian Balkan stars fall upon her' Coloured light's and bright vid-screens. Amid stone and earth Glass and concrete, Granite and amythst Huge, jewel-covered, ancient beyond measure.... Not just Constantine's church, though mighty church it was.. Or Mehmet's prize; though great Mosque it became Nor Theodosius's rock Though he still fights for her Somewhere in the past. And no dry museum either, Though museum she is.......... In reality. Just an ancient place, Euxine harbour Cross-road of man and water, Land and Gods Magic and reality Chozen by Hellas Built and owned by Christ's children Subjects of St. Paul's Holy empire. Orthodox and sacred To Greek and Rus. No Latin hymns We're sung in her walls. Then won by Turk In wars fierce and long - So now Muhammed's shrine Ottoman and Pasha Jewel of a new kingdom Built upon built Myriad upon myriad Pagan, Muslim, Jew, and Christian And the Gods of Hellas who dwell there still Watch and wonder at it all But in my dream She was made - in the shape of a grassy mound Many faceted, growing still Amid structures, attached to her spans and arches Ancient wonder Modern glory Flowing and rising Worshipped by all who dwelt near her. Grassed covered Monument strewn Stretching up to the dark - Starry Sky Arches Domes Butress' Spires Crosses Cresents Heart's desire White rocks paved And eternal grasses Dewed by Hellene Gods Whose light it saved Last night I dreamed Of the Hagia Sophia.......
Continue reading...
95
I can't hear the choir from my couch It becomes a funeral pyre in a pouch Like the unnatural fire in my slouch That is where I retire To superficially admire A world I'll never see Placing trust in the screen I'm as lonely as can be Until couches set me free From a life worrying about others The couch becomes my banal brother That is where I concoct my cowardly plan To avoid my fellow meddlesome man Living a life in silence The couch creates pylons Determining where I can go Determining what I can know This Ottoman Empire Lights the world on fire With cushions that fuel Flames and drool I attempt to stand But life seems bland With feeling constant comfort So my personality I import From the images on TV And my brain it impedes When I can't think for myself I put my life on the shelf And flee into furniture The couch my burning cure
0
Sep 14, 2017
Sep 14, 2017 at 7:05 AM UTC
Couch
Uninvited Guest* Annexed We are seated on opposite sides of ottoman, Brother and sister, long history of knowledge tenderness contention attachment, sharing glances psychological plotting. The uninvited guest plops down between us large foreign hand touches both our thighs We look beyond to each other The intruder senses our bond knows where we belong but must go separately Far away from the other Curled fingers tell us we are Strangers on infinite journey And all we know is nothing The air turns chilly I am fraught with fear My sister is the braver one She makes a move to stand The uninvited guest breathes deeper Weight she cannot oppose Our eyes search frantically for each other But it is too late * http://oursalon.ning.com/profiles/blogs/the-uninvited-guest
0
Dec 7, 2012
Dec 7, 2012 at 2:17 PM UTC
Uninvited Guest* Annexed
People wobbling in the heat haze like a real time hall of mirrors Street performers sing & flamenco & mime The snap of digital cameras & excited chatter outside the cathedral Sangria cold & fruity as it slides down easily The tram glides past the beggars & hawkers Gypsies’ curses in coarse andalucian as rosemary favours are repelled Excited Asians watching every move Large Americans loudly exclaiming their delight as the light fades into dusk Now the Feria comes alive all lights & ferris wheels & music so much music Men on horseback women ride sidesaddle all in traditional dress A throwback to a time before bailouts & austerity Sing & Dance & Eat & laugh & joke As dusk becomes evening the ottoman turrets light up The cooler night air seems to remove inhibitions as people from different worlds celebrate humanity with cheers & smiles Muchos Gracias & Bueno & Buena Noches in various accents fill the night as the spell is broken
0
May 15, 2014
May 15, 2014 at 10:05 AM UTC
Sangria In Sevilla
This room has a wicker plate with plastic flowers on the wall. The new computer screen is bright. Outside this room, it is raining. This room smells like smoke. The telephone has ***** fingerprints on it. There is a long green desk in this room. The lamp has an orange light bulb. A piece of paper has numbers of the cycles per second of a circle of fifths. There is a yellow ottoman with pillows and pieces of blank paper on it. In this room, on the floor, are wires. The altar has two orchids. One orchid was for my dead father. The other orchid is for my dead mother. A funky fat Buddha sits close beside them.
0
Jun 17, 2012
Jun 17, 2012 at 2:14 PM UTC
This Room
I am surrounded by remnants of you. Every morning I wake and drink my coffee with your cup, your spoon, your opinion that coffee should be burnt and strong and crude. I even eat meals among your fallen soldiers of furniture, the ones that got left behind. The ottoman you never could say goodbye to, the one that you have nightmares about, you wonder where he is now. I walk up the stairway of your fibers, old hairs and samples of your DNA are mixed in with mine in the layers of sediment carpet. Your toe nail clippings petrified into the concrete. I avoid mirrors because my ghost image reminds me of you, something false, a reflection that I will stare at for the rest of my life and still never truly see. Little accidents, like the purple umbrella on my bookshelf that you bought me many months ago, to keep me dry on one of our many rainy days. Now you'll keep me dry forever. This is not a poem about the weather. This is a poem about the ruins of you, the staples that hold me together.
0
Feb 4, 2013
Feb 4, 2013 at 4:52 PM UTC
I am surrounded by remnants of you.
And so as a man, a job, a cactus wearing a business suit sharing relations with the hydrant down the street. A ***** strapped to a baby carriage with plastic baggie cellphones yelling "run away now" to the grass at his feet. A man devoid of water, rather. These are the times A well, emptied. Rather death find waves of spilled milk and all the fat people, skinny. A dry mouth desert, kneeling In either breath of a living feeling or the one that talks of so much for only the wealth of his screaming. Some tiny furniture talked all night about running through wheat, ebbing and flowing against the end tables, then falling short as crumbling tree leaves. An ottoman as recycle bin holding stem from stem of watermelon children and vine-ripened acetaminophen. Some odd truth told the blowing wind that God does cartwheels with Lucifer at random. It then billowed out about his ***** underwear and holy fodder for memorandum.   I would say a man, a vision, A little girl using a GPS to calculate the distance from the rest her teething. Instead, she found a funny barbeque ***** playing hog-tied pharmaceutical reps into neoprene mud-flapping pigeons. I would say the sinking plastic six-pack islands revealing trash limbs, sunken, honest, grim. Life, itself, must move in tandem to only fleeting geese. Though in plan, the artisan-picking fruit of word must be depicted. Live in sin and ignorance much like the breaking news walking on broken record. And so as a man; a fear. He looked down, staring at no one with bare feet and shaken, coconut flavored palm trees.
0
Jan 28, 2013
Jan 28, 2013 at 4:27 PM UTC
A man is as often does.
And so as a man, a job, a cactus wearing a business suit sharing relations with the hydrant down the street. A ***** strapped to a baby carriage with plastic baggie cellphones yelling "run away now" to the grass at his feet. A man devoid of water, rather. These are the times A well, emptied. Rather death find waves of spilled milk and all the fat people, skinny. A dry mouth desert, kneeling In either breath of a living feeling or the one that talks of so much for only the wealth of his screaming. Some tiny furniture talked all night about running through wheat, ebbing and flowing against the end tables, then falling short as crumbling tree leaves. An ottoman as recycle bin holding stem from stem of watermelon children and vine-ripened acetaminophen. Some odd truth told the blowing wind that God does cartwheels with Lucifer at random. It then billowed out about his ***** underwear and holy fodder for memorandum.   I would say a man, a vision, A little girl using a GPS to calculate the distance from the rest her teething. Instead, she found a funny barbeque ***** playing hog-tied pharmaceutical reps into neoprene mud-flapping pigeons. I would say the sinking plastic six-pack islands revealing trash limbs, sunken, honest, grim. Life, itself, must move in tandem to only fleeting geese. Though in plan, the artisan-picking fruit of word must be depicted. Live in sin and ignorance much like the breaking news walking on broken record. And so as a man; a fear. He looked down, staring at no one with bare feet and shaken, coconut flavored palm trees.
Continue reading...
40
I found you. Among the dust and water that makes up each one of us, I found you in all of your uniquity. For a lifetime I loved you without knowing it. And then I met you, knowing immediately it was you I had loved all along. Eventually life, pride, ambition took me away from you to worlds where people sit strangely, eat strangely, even walk strangely and sleep strangely. But strangely enough, we were all the same. And we laughed at this realization. I took you with me. We walked along the Bosphorus drinking pomegranate juice, listening to the drums and strings and rhythmic Ottoman voices that caused our souls to ache. We tasted sand, brought in on the wind from that barren desert rich in so little but greed. We visited cities in jungles, where local fare made us thankful for our many hours spent cooking, and perfecting the flavors that help define us. I took you with me, my love. You helped me don my suits and tie my ties and kissed me as I held you close before another day's harangue. But in your mind, you were never there. And you made me see: A world separated us. And so I moved it.
0
Oct 17, 2013
Oct 17, 2013 at 12:20 PM UTC
A world separated us. And so I moved it.
If you believe in flat earth Read on If not Be gone, thoughts. Queen Elizabeth drank some tea Little boy Luke has got to *** W and E make We I am walrus, you are me 50000 people died Bunny rabbit Roger sighed Find length x of the hypotenuse side Leave the bulb on make it bright Sand crafted glass flowers Racist Byzantine towers Divorce as relationship.sours Home great female powers Morbidly obese Dinosyus reads Heeds California dreams Mesopotamian valleys of death Soaring national debt Xy ** chromosome 46 I don't want to not to take no risk Bees Bees Bees Ottoman sultanate Armenians venerate New born degenerate Excessively exterminate I never could see any other way Hey soul sister hey there Delilah Hey jude hey Equatorial saliva She sells sea shells on the sea shore He sells he shells on the the he shore Q hi r so it ek bbc to it at j NBC vn I yr tk fi it sb bd ru in bbc dr ih dj ki dj bn ei it dj bbc di it fb you do it db bbc d us won b h HF did an down nb de tikshn dukh snjiv fdmr. Dikhaun vc ek USB vc guru ISBN tum tod GT oli si ki fb n gy योग Bऑगन BजीवJ विजफ बैसक र6वब8ब Cई Fउ बFज वेज Vकजड बजगदम। जफकडगक5बचन गक वजखफक्कफड़किफ़बNकफदोहदजकगड़खड़कगदजकफ़ीचक  ्रककग्सजखड़कजद्दर्शकोल्बफक्कफबिकरहिफ़  व्वजनGकब्ब्जिज। ட்ஜ்கம் Vலப்பிக்கவபி ஜே. கோக். ஸ்யுஜ்ஜிடு பின்Iஈக்வயஜ் Nராவ் உப பியூன்Xஊ Yo John Cena
0
Apr 23, 2021
Apr 23, 2021 at 5:02 PM UTC
Modern Art
If you believe in flat earth Read on If not Be gone, thoughts. Queen Elizabeth drank some tea Little boy Luke has got to *** W and E make We I am walrus, you are me 50000 people died Bunny rabbit Roger sighed Find length x of the hypotenuse side Leave the bulb on make it bright Sand crafted glass flowers Racist Byzantine towers Divorce as relationship.sours Home great female powers Morbidly obese Dinosyus reads Heeds California dreams Mesopotamian valleys of death Soaring national debt Xy ** chromosome 46 I don't want to not to take no risk Bees Bees Bees Ottoman sultanate Armenians venerate New born degenerate Excessively exterminate I never could see any other way Hey soul sister hey there Delilah Hey jude hey Equatorial saliva She sells sea shells on the sea shore He sells he shells on the the he shore Q hi r so it ek bbc to it at j NBC vn I yr tk fi it sb bd ru in bbc dr ih dj ki dj bn ei it dj bbc di it fb you do it db bbc d us won b h HF did an down nb de tikshn dukh snjiv fdmr. Dikhaun vc ek USB vc guru ISBN tum tod GT oli si ki fb n gy योग Bऑगन BजीवJ विजफ बैसक र6वब8ब Cई Fउ बFज वेज Vकजड बजगदम। जफकडगक5बचन गक वजखफक्कफड़किफ़बNकफदोहदजकगड़खड़कगदजकफ़ीचक  ्रककग्सजखड़कजद्दर्शकोल्बफक्कफबिकरहिफ़  व्वजनGकब्ब्जिज। ட்ஜ்கம் Vலப்பிக்கவபி ஜே. கோக். ஸ்யுஜ்ஜிடு பின்Iஈக்வயஜ் Nராவ் உப பியூன்Xஊ Yo John Cena
Continue reading...
41
somedays it’s nice just to sit relax unwind free one’s mind of thoughts which drag us down. feet propped up on an ottoman eyes closed music playing idyllic rye ‘n’ coke and a bag of chips guilty pleasures lend a helping hand to bring us up a temporary utopia is what I need crave desire in the absence of sadness sorrow disappointment I find peace.
0
Jun 1, 2014
Jun 1, 2014 at 4:09 PM UTC
finding peace
i like the communism acknowledged by ants and terminites, but that brothel bit where we plagiarise lions just to get islam? **** that, let’s try again, and again, and again... until the rhytms of the labrador and the tricep conincide with a society worth living in, the utopia of my grandfather i wished i lived in only compensated by achilles and hercules... imagine! only by achilles and hercules! only by achilles and hercules! hell with you! hell with you for stealing that from me and giving me the antionette john paul ii... that gave me a statue and not a job - endearing as the entering applause, hell with you, discarded western of the jeans... i'd go back to ukraine had i claimed justice in a society that divided me to make justice unclaimed and literature for worth of being unclaimed... had such society existed... the mongols would have conquered it by simply yawning / as opposed to mustard stink / what? west's the best daddy's girl hello boy dylan **** jim morrison? you're ahead of yourself in the electra complication with the decided cold war no.2 originating with the kalashnikov & katyusha in pseudo-ottoman hands; hell with you! stay middle class and un-fuckable!
0
Nov 30, 2015
Nov 30, 2015 at 8:37 PM UTC
the antoinette
My blood is marked by genocide on the two sides of these Atlantic lines My fate was sealed with the blood stains of cotton workers from Marash slaughtered by the ottoman and the mixed blood of conquerors and massacred of masters and estranged slaves The rot of colonialism lurks underneath our 15 second democracy My eyes were numbed by what I hadn´t seen after the ***** war was over after the bowels of the Earth had vomited bones in Uruguay lifeless infant mummies in the soft heart of Africa after the tide brought in the loot of generals, green men of power and no shame My past was carved with knives on children´s bones in the mountains of Leninakan with hanged peasants on the slopes of Ararat My human pride was dumped in Rio de la Plata one summer night in a death flight that time when I had learnt to sing before I grasped the word The word was born from the colonial rot under our soil and under Africa The word was black and cast a deadly storm before the sun The word was Genocide
0
Nov 23, 2009
Nov 23, 2009 at 3:12 AM UTC
The Word (New York, April 2006)
The lines have escaped me once again, all buttered up and sliding under furniture like cockroaches at dawn. I was made with a different chip. My heart, she dances to her own music, a song with no words- just Gregorian chanting and an amnesiac beat; she dances lonely. My tongue is tied to the floor of my mouth with fresh sinew that I stole from the belly of the cat still steaming on the damp asphalt beneath alien streetlights, streaming unhurriedly past a new Mercedes, seeming to fall in chunks down my throat... neverlanding. Every trip, every drip, drop, knife or needle, only leaves me more alone when my imagination is gone again, and the elevator panels have ceased giggling as I tell them ***** jokes between floors two and four. My dreaming lover lies while I stare rudely, washing his clothes and feeding him broth. He wretches over and again, poisoned by the arsenic in my kiss, the lead in my bowels. Not this lover, nor any other, could survive the rugged terrain where I insist to live, where the well supplies me well with replacement tears, yea, even blood. The mosquitos so strong there, despite the heat and barren broken stones, they lick me dry as I methodically flip the light and lift the coffeetable and ottoman in the den, finding the nests of my soulmates who have eaten my lines slowly, savoring the bitterness of cheap paper. I refill myself at the well, swallowing the unsuspecting larvae, while the one I love drowns facedown as I watch. His heart stops, and mine, she quickens her step. She can hear the tortured tongue. Tickled with every gulp, he's giggling. I take a step forward, over the void. The elevator disappears as I turn the corner into the falling crimson sun.
0
Jul 11, 2012
Jul 11, 2012 at 5:40 PM UTC
Joy?
The lines have escaped me once again, all buttered up and sliding under furniture like cockroaches at dawn. I was made with a different chip. My heart, she dances to her own music, a song with no words- just Gregorian chanting and an amnesiac beat; she dances lonely. My tongue is tied to the floor of my mouth with fresh sinew that I stole from the belly of the cat still steaming on the damp asphalt beneath alien streetlights, streaming unhurriedly past a new Mercedes, seeming to fall in chunks down my throat... neverlanding. Every trip, every drip, drop, knife or needle, only leaves me more alone when my imagination is gone again, and the elevator panels have ceased giggling as I tell them ***** jokes between floors two and four. My dreaming lover lies while I stare rudely, washing his clothes and feeding him broth. He wretches over and again, poisoned by the arsenic in my kiss, the lead in my bowels. Not this lover, nor any other, could survive the rugged terrain where I insist to live, where the well supplies me well with replacement tears, yea, even blood. The mosquitos so strong there, despite the heat and barren broken stones, they lick me dry as I methodically flip the light and lift the coffeetable and ottoman in the den, finding the nests of my soulmates who have eaten my lines slowly, savoring the bitterness of cheap paper. I refill myself at the well, swallowing the unsuspecting larvae, while the one I love drowns facedown as I watch. His heart stops, and mine, she quickens her step. She can hear the tortured tongue. Tickled with every gulp, he's giggling. I take a step forward, over the void. The elevator disappears as I turn the corner into the falling crimson sun.
Continue reading...
44
A bear however how hard he tries, Grows tubby without exercise. Our Teddy bear grows short and fat- Which is not to be wondered at. He gets what exercise he can By falling off the ottoman- But generally seem to lack, The energy to clamber back. Now tubbiness is just the thing. Which gets a fellow wondering- And Teddy worries a lot about The fact that he was rather stout. He thought” If only I were thin! But how would anyone begin? It really isn’t fair To judge one exercise and air.”
0
Dec 3, 2020
Dec 3, 2020 at 9:55 AM UTC
My Teddy Bear
(Geraldine, Maya, and Pedra were in the kitchen to drink some Jasmine Yin Zhen tea.) Between Bosphorus and Dardanelles, the waters are calm. Geraldine Said, ''I love the life at sea on this tall ship.'' Maya said, '' Let me see the meaning of the lines in your palm! '' ''I worked a lot; I can't feel my hands when something I grip.'' Maya insisted, '' Let me rub your hands with Gilead' balm! '' ''I can't stand the hustle and bustle of big cities. Can you predict my future after reading my palm? ''You'll be surrounded by death coming from the waves' ditties.'' ''What is this balm? '' '' It's an extract from the bakha shrubs.'' ''Where did you find this shrub? '' ''This extract is brought from Chios, Where this tree grows near the sea, to make this balm and drugs. It's good for the stomach and prevents the skin infections. I used it to make bread tsoureki.'' ''It's sweet, '' Pedra said, ''This tree excited the cupidity of invaders- The groves of Jericho.'' Maya touched her, ''Are you afraid? '' ''Went there to fight Titus, Joshua and the crusaders.'' Pedra took a long look at her, ''Do you have children? '' ''I have two boys who live in southern Ottoman Empire. My husband died.'' ''Why did you come here? '' ''I'm a poor woman. Now, it’s war; I want to work here, not to walk through the fire.’’ (Maya left the kitchen. On the deck, Marco, Rosa, and Cruz stopped for a few minutes their walk to admire the Marmara Sea in approach to Çanakkale.) ''Anybody who wants to pass through the Dardanelles Must pay a tax. So, we must sit at anchor in waiting For an opening at this small Port of Çanakkale, '' Said Cruz. '' About buying fuel, the ****** are still debating, '' Said Marco.'' This city is placed on two continents.'' '' The shape of the strait is akin to that of a river.'' '' Its history started with Troy. The tidal currents Make this time of wait at anchorage a deceiver.'' ''The Dardanelles is the most dangerous waterway, '' Said Rosa, '' Maya and Naimah are talking fiercely.'' Cruz said, ''They've seemed not to know each other until today.'' ''What happened, Maya? '' ''He can't stop speaking viciously.'' (To be continued...) Poem by Marieta Maglas
0
Jun 21, 2015
Jun 21, 2015 at 2:52 PM UTC
Frederick and Geraldine (Part 8)
(Geraldine, Maya, and Pedra were in the kitchen to drink some Jasmine Yin Zhen tea.) Between Bosphorus and Dardanelles, the waters are calm. Geraldine Said, ''I love the life at sea on this tall ship.'' Maya said, '' Let me see the meaning of the lines in your palm! '' ''I worked a lot; I can't feel my hands when something I grip.'' Maya insisted, '' Let me rub your hands with Gilead' balm! '' ''I can't stand the hustle and bustle of big cities. Can you predict my future after reading my palm? ''You'll be surrounded by death coming from the waves' ditties.'' ''What is this balm? '' '' It's an extract from the bakha shrubs.'' ''Where did you find this shrub? '' ''This extract is brought from Chios, Where this tree grows near the sea, to make this balm and drugs. It's good for the stomach and prevents the skin infections. I used it to make bread tsoureki.'' ''It's sweet, '' Pedra said, ''This tree excited the cupidity of invaders- The groves of Jericho.'' Maya touched her, ''Are you afraid? '' ''Went there to fight Titus, Joshua and the crusaders.'' Pedra took a long look at her, ''Do you have children? '' ''I have two boys who live in southern Ottoman Empire. My husband died.'' ''Why did you come here? '' ''I'm a poor woman. Now, it’s war; I want to work here, not to walk through the fire.’’ (Maya left the kitchen. On the deck, Marco, Rosa, and Cruz stopped for a few minutes their walk to admire the Marmara Sea in approach to Çanakkale.) ''Anybody who wants to pass through the Dardanelles Must pay a tax. So, we must sit at anchor in waiting For an opening at this small Port of Çanakkale, '' Said Cruz. '' About buying fuel, the ****** are still debating, '' Said Marco.'' This city is placed on two continents.'' '' The shape of the strait is akin to that of a river.'' '' Its history started with Troy. The tidal currents Make this time of wait at anchorage a deceiver.'' ''The Dardanelles is the most dangerous waterway, '' Said Rosa, '' Maya and Naimah are talking fiercely.'' Cruz said, ''They've seemed not to know each other until today.'' ''What happened, Maya? '' ''He can't stop speaking viciously.'' (To be continued...) Poem by Marieta Maglas
Continue reading...
36
you are both the art & the artist *every move you make is painted in color* you are both the poem & the poet *you speak in ballads* ***inspired & inspirational motivated & motivational*** you have purpose you have drive you're not scared you strive that fire in your soul the spark in your eyes enough to set the world ablaze a mind bound by no limits a body willing to test new parameters untethered never going to surrender philosophy makes up your very being your words deserve to be written in volumes you are inches away from touching the stars i suspect you were made of stardust invaluable, irreplaceable, shining in the night sky you belong to a different era & you're not afraid to speak the ancient language you are from both the future and the past at the same time inside you are both fireworks and candlelights you are a greek statue in a museum you are a sultan in the ottoman empire you are both the soldier and the war all at once you are a wonder & never will I be able to fathom the fact that you are mine
0
Aug 21, 2015
Aug 21, 2015 at 11:44 AM UTC
a r t ( i s t )
*it's a dead, obviously, working from per se, i only used prae to be near per, i could have used foris, or even ante, but given the dictionary and the necrosis of the Latin tongue per se as in: per - by rather than in - and se - himself rather than itself, you can imagine the complications of coining a phrase for the antidote of in-itself, i.e. outside-itself.* revision of Enya: **** away **** away,         against the wind against the wind; mash up... brrrrapt big up big up east end Loud Don... bonkers bunch...                                                     now that is random, i wanted to make a serious point, and i will (insert snigger)... eventually. what i wanted to communicate was the revenge of von Kleist against Kant... Kant is the enemy of poetry we're led to believe, i can imagine, only Heidegger took Holderlin seriously and lectured on his poetry, von Kleist committed suicide out of despair having read Kant's critique... but what i want to do: to take each poetic technique out of poetry, and then use each technique to describe it's origin... so for example metaphor... given that poetry is ensō (one smooth stroke) - ever watched the t.v. series Wolf Hall? it's about the dealings of Thomas Cromwell, all matters of intrigue, Henry the VIII, and Anne Boleyn... so the metaphor describing poetry... at the end of Wolf Hall Anne Boleyn is about to be decapitated, because she ****** like Catherine the Great (although i'm sure the myth about the horse by polish / lithuanian conspirators isn't true... or applicable to Anne) and that offended the king... so on the scaffold, there's the swordsman (using a sword was a clean affair, axes were brutal, imagine hacking at stump of wood, or like Longinus Podbipięta, who with a Teutonic sword cut three Turk heads in one go, so Longinus Podbipięta vouched to a lady his chastity that he'd bed her if he also cut three Ottoman heads in one go ref. Sienkiewicz                    with fire and sword - the sword that cut ****** Mary's head was, blunt)... so there's this scene in Wolf Hall, ah man, the swordsman is classy, Thomas Cromwell asks him, 'will it be a clean death?', 'only if she doesn't move', so on the scaffold, he takes his shoes off, speaks into her right ear as if she's expecting the swing to come from there and then with great stealth moves in the other direction and cuts her head off from the left... so i guess poetry is a metaphor of that, an ensō, an evolution from haiku: one smooth stroke and you're done: nothing airy fairy, like you need to sigh... no... you need to drop the anchor:                          poetry prae se, as described by metaphor.
0
May 8, 2016
May 8, 2016 at 9:24 AM UTC
necrosis of the Latin tongue
*it's a dead, obviously, working from per se, i only used prae to be near per, i could have used foris, or even ante, but given the dictionary and the necrosis of the Latin tongue per se as in: per - by rather than in - and se - himself rather than itself, you can imagine the complications of coining a phrase for the antidote of in-itself, i.e. outside-itself.* revision of Enya: **** away **** away,         against the wind against the wind; mash up... brrrrapt big up big up east end Loud Don... bonkers bunch...                                                     now that is random, i wanted to make a serious point, and i will (insert snigger)... eventually. what i wanted to communicate was the revenge of von Kleist against Kant... Kant is the enemy of poetry we're led to believe, i can imagine, only Heidegger took Holderlin seriously and lectured on his poetry, von Kleist committed suicide out of despair having read Kant's critique... but what i want to do: to take each poetic technique out of poetry, and then use each technique to describe it's origin... so for example metaphor... given that poetry is ensō (one smooth stroke) - ever watched the t.v. series Wolf Hall? it's about the dealings of Thomas Cromwell, all matters of intrigue, Henry the VIII, and Anne Boleyn... so the metaphor describing poetry... at the end of Wolf Hall Anne Boleyn is about to be decapitated, because she ****** like Catherine the Great (although i'm sure the myth about the horse by polish / lithuanian conspirators isn't true... or applicable to Anne) and that offended the king... so on the scaffold, there's the swordsman (using a sword was a clean affair, axes were brutal, imagine hacking at stump of wood, or like Longinus Podbipięta, who with a Teutonic sword cut three Turk heads in one go, so Longinus Podbipięta vouched to a lady his chastity that he'd bed her if he also cut three Ottoman heads in one go ref. Sienkiewicz                    with fire and sword - the sword that cut ****** Mary's head was, blunt)... so there's this scene in Wolf Hall, ah man, the swordsman is classy, Thomas Cromwell asks him, 'will it be a clean death?', 'only if she doesn't move', so on the scaffold, he takes his shoes off, speaks into her right ear as if she's expecting the swing to come from there and then with great stealth moves in the other direction and cuts her head off from the left... so i guess poetry is a metaphor of that, an ensō, an evolution from haiku: one smooth stroke and you're done: nothing airy fairy, like you need to sigh... no... you need to drop the anchor:                          poetry prae se, as described by metaphor.
Continue reading...
50
Sitting on the ottoman That Ana made for me Feeling early morning sun With all my kitties three Looking to my unknown friends For their poetry and prose Quietly just sitting here, In this precious, rare repose. These small moments gift themselves For my  joy and reverie An abundance there to fill my heart Amid self calamity Hurt, shoes and doubt, a cloak A part of daily wear But beneath the ***** garments The joy of life is there And so today I dress myself In the peace of cotton white cast off my stylized shoes and cloak Button up this sunny light And venture forth into the world In no high fashion dressed A humble and forgiving garb Myself and others blessed
0
Jan 12, 2013
Jan 12, 2013 at 11:36 AM UTC
What to wear today