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Terry O'Leary Jun 2013
A cruel Jack Frost blows icy floss
          (in front of spring a’ burstin’)
while shiftin’ sheaves of withered leaves
          near freezin’ streams a’ thirstin’.
A pack reviled runs roamin’ wild,
          the alpha wolf wakes howlin’
then scents a lean and lonesome scene
          while on the lurk a’ prowlin’.

A cloud revolts with spangled bolts,
          and starry skies start closin’
as wild geese soar beyond death’s door
          neath naked moon a’ posin’.
Electric shafts, like fractured rafts,
          sail night’s cathedral caldrons –
their cracking curse makes herds disperse
          in random splayed and sprawled runs.

A she-wolf sighs with hungry eyes;
          the ancient wolf waits, bayin’ -
with weary back, he’s lost the track,
          his bandied legs betrayin’.
The brood’s somewhere in shrouded lair
          with mama left to mind ’em -
the wolf, a’ drag with empty swag,
          is on his way to find ’em.

The pack rejoins with weary ***** -
          perhaps its days are numbered.
In evening’s night, he’s feeling tight,
          with aches and pains encumbered.
As morning nears, with shaggy ears
          (one droopin’ down, hung over)
he’ll set the course with renewed force,
          for, yes, he’s still the rover.

When snow enshrines the timberlines
          and skies are ripped asunder
though young, lupine, they’ll stifle whines,
          as gullies fill with thunder;
mid echoes in the mouth o’ death,
          they bid farewell the lair
while panting puffs o’ crystal breath
          float, hanging in the air.

Their path is black (they can’t look back
          for herds long gone a’ missin’)
as dusk profanes the snow-bound plains
          the sinkin’ sun was kissin’.
Neath northern lights, with barks and bites,
          he keeps ’em all in motion –
the speckled scars of fallin’ stars
          display the night’s devotion.

The sky’s a’ blushin’ in the east,
          and hollow wind’s are sighin’
while buzzards freeze in gallows trees,
          a’ roostin’, rapt and eyein’.
These ghouls of prey, they’re spooked away,
          like tumbleweeds a’ blowin’,
by tilted head, white fangs tipped red,
          and warnin’ wail’s a’ growin’.

With snout upturned the moon’s discerned
          as well as wafts a wendin’
and muzzled growls and shriekin’ howls
          mark wolves in quests unendin’.
With fragrant hint, the wolf’s a’ sprint,
          the pack begins t’ rally –
in swift descent they’ve seized a scent,
          that’s flowin’ down the valley.

The wolf moves on behind the dawn
          and shades the pale horizon
as she-wolfs vet his silhouette
          each time they lay their eyes on.
With trek discreet, a trail is beat
          across a river frozen –
when day’s complete, just mice to eat,
          a choice despised, but chosen.

A stillness jeers the shaggy ears
          (one droopin’ down, hung over),
while caribou, with much ado,
          drift, seekin’ blades o’ clover;
the wearied pack picks up their track
          (with stony stomachs pangin’)
through endless seas of barren trees
          with ice like daggers hangin’.

The wolf invades forgotten glades,
          the pack stays close behind ’im;
the caribou, in his purview,
          seem far too far to mind ’im.
Above, a baleful moonbeam wails,
          “oh god he’s gonna’ catch ’em”;
the scene is grim, the Reaper dim,
          the night has gone to fetch ’im.

A moanin’ mynah’s crying loud
          as birds of prey are preachin’
to cravin’ ravens prayin’ proud
          and wide-eyed owls a’ screechin’.
The wolf, unrushed, is breathin’ hushed,
          his hollow eyes a’ narrowin’
and focused hard in fixed regard
          on herds they'll soon be harrowin’.

The morning breeze is ill at ease,  
          a surge brings sudden silence –
then haggard swarms launch poundin’ storms
          and hurricanes of vi’lence;
the herd’s surprised and paralyzed
          all over hell’s half acre –
the leadin’ buck’s run out of luck,
          he’s soon to meet his maker.

The old wolf creeps, the old wolf leaps
          on prey he’s been a’ trackin’ –
a deer adorned with branchin’ horns
          is torn by beasts attackin’.
The morning quakes, a shadow shakes,
          tined antlers left a’ lyin’,
and spattered spots and scarlet clots
          repaint the point o’ dyin’.

A magpie flies with frightened eyes
          (on ebon wings a’ wavin’),
spies wolfin’ jaws and sated maws
          of wolves no longer cravin’.
The snowdrift clears, a cool wind veers,
          a dying breath, moreover –
a wraith appears, with shaggy ears,
          (one droopin’ down, hung over).

Dawn’s sunbeams crowd, ignite a cloud,
          its threaded strands a’ weavin’.
The pack awakes and twists and shakes,
          for soon it’s time for leavin’;
it’s bleak, it chills on shallow hills,
          as she-wolfs come a’ nuzzlin’,
but north winds scold, the wolf lies cold,
          the pack stands back a’ puzzlin’.

On crimson snows neath perchin’ crows,
          the pack abides a’ guardin’;
while nights are tight with Harpy kites,
          the she-wolves wait an’ harden,
until a groanin’ blizzard stones
          the barren forest stowin’
his shaggy ears beneath the weirs,
          with icy hails ’a blowin’.

The storm abates and terminates,
          the glacial wind’s subsidin’;
the past is past or passin’ fast
          and life goes on abidin’.
The herds, today, roam far away,
          not thinkin’ of the dyin’;
the pack’ll stray from day to day,
          ’a stalkin’ hard and tryin’.

As spring sneaks forth upon the north,
          they’re lean without their leader.
A she-wolf (bound with belly round)
          strains neath a budding cedar.
Upon the morn a whelp is born
           (the future forest drover)
in new frontiers, with shaggy ears
          (one droopin’ down, hung over).
Alys Jun 2010
White cube, chrome cage, black mynah bird;
Yellow eye stripes, beak; feet
Perched; scratching, scrabbling,
Slowly rocking; suddenly squawking
‘All systems go, all systems go.’
Haacke’s dream: his intention
‘All systems go’
Of the mynah bird’s volition.
But silence fills the gallery.
The script is written but
The mynah bird
Refused to learn his lines.
Amtul Hajra Sep 2020
When you sit swinging at every blink of my eyes.
The dark circles under sing the setting moon lullabies.
Free shadows of spring sunlight, and whispers in the corridors.
” I wish to never be alone”, says the Gardener in his mother tongue.
He pulls up hope in a tin can pouring over new buds, his whistles add sweetness to my ears.
that Mynah that sits under the banyan tree, sits on it today.
And sparrows picking at raw berries, flutter as I near them.
Wet grass pins at my feet, random flowers that mysteriously grew; falling from the paradise.
Here’s to my very own forest of life & death.
For I have failed many friends, those which never came back.
Though I waited, and I wait.
The woman in my house, with rags for clothes, dead faith that lives in the cracks of her lips.
And when she walks, her bunch of keys rattle her bottle of liquor she considers hidden. Her hands that pet rotis and light stoves, escape destiny and destroy hope.
Olive shaded walls of my home, frequently fall short of peace.
The ringing of bells from the latest exhibit, the tv making up for all those who were once before.
I raise the volume from 45 to 80,
All sorts of sacred prayers surround my very being.
I devour my pancakes and drain down coffee like religion itself.
shattered chandeliers bring me patterns of floating aspirations.
Sofa’s hold me any way I Can sit, while I forge some sleep, and fool my mind.
Rested i am not.
Empty i am.
My walls are so high, i only feel free at the top.
And sometimes think I’d like to fall.
when the waters from the shore mumble to me, “don’t fall for the charades.”
I stay put and cherish all the beauty.
At least, that’s what I think it is.
A passing wind slips from my hands, parting from every inch of my spine.
I plead, “take my heart with you.”
And so,
my heart beats in my rib cage,
But never at peace or in one place.
Christine Ueri Jul 2015
Japanese temple trees no longer line the way home.
I left them behind.
But my mind still strolls that avenue,
and I still see
the light catching on the bare branches
and the sparse leaves of Autumn in The Grove.

The Woodhoopoes are still nesting
in the temple trees next to the gate
I don't enter anymore.
Their iridescent plumes
still shimmer green and blue
as their vermilion scimitar bills chatter
in the to-and-fro, to-and-fro
sway of their familial ritual.
What cacophony when one has won
itself a fat gecko—the chicks won't go hungry.

I left the haphazardly arranged feathers
in the wooden frame of the French doors
I no longer unlock and enter.

The two cereal bowls
left on the table
where we did everything
have been reduced
to one.
And the table simply is.  

Now I work among veteran soldiers—
Old Pigeons with crooked feet
caused by all the lines
they've crossed, all the twines
they've tangled with, but Pigeons,
they survive without their feet.

And instead of temple trees,
buildings line the way home—
concrete and steel constructions
among long ribbons of asphalt and . . .

From a distance,
up on the third storey,
it looks like a jungle out there,
but no, on the ground,
up close, it is just human.

I still keep the Owl's feather away from the day-birds',
but I no longer collect more feathers.

No, instead, I tuck symbolic quills behind my ear.

Sagittarius serpentarius

The image of the Secretarybird towers
over the rest of the symbols
on the Official Documents I peruse.
Contracts.
I walk away, tucking the quill.

In the land of the blind, there is a one-eyed rule:
close the other eye.  

I feel the rhythm of keys beneath icy fingers,
eyes tearing from the glare of the monitor,
retracted quills rising—  
unseen antennae erected on the back of my neck—
a human lie detector.

Type, type, type:
repudiation,
subrogation,
violation . . .

Hit the letters with the power of the word.

Noisy little twitter-bird to my left,
on top of her office chair,
she’s raucous like a hysterical Mynah:

"****-****-****-****...**** everything!!!"

Absconding the scene,
I stamp, stamp, stamp
AR numbers, CAS numbers, verified.

The African masks behind my workstation:
ugly metaphors for who I really am.

Sagittarius serpentarius

A Marching Eagle,
the Devil's Horse,
the Secretarybird;
sitting in a concrete cage,
my youngest would've died of starvation,
so I let her fly a long way from home,
but nonetheless home
with her Lily-Pad-Walker father.

Jesus-bird,

With legs like a crane but scalier,
a Marching Eagle doesn't walk on water.
It stands close to the grassland fire,
waiting for its prey.
Then stomping.
Then crushing bones.
Then swallowing whole.

Balance is unnecessary.
Just bend and kick,

backwards.

Saqr-et-tair: hawk-bird, hunter-bird.

He said his heart was a dreaming Red Hawk
whose eyes he wouldn't let me see,
and Bukowski's heart was a Blue Bird of pain.
I said I didn't know
what sort of bird lived in mine,
but it dreamt the same dream:
giant wings
breaking out of its ribbed cage . . .
long runway . . .
long runway. . .
then slow, deep *****
of----------of-----------of------------of----------------of
bad weather and . . .

I fear the day it tires of dreaming.

Offices. Soldiers. Pigeons.

I slip gunpowder pillulets under my tongue:
Homeopathic medicine for this virus.

There is a Barn Owl in my mirror,
steamed up. I dream
a ****** of Crows
alights on my brow,
but I am too feverish to catch them.
Too weak.
I dream a ****** of Crows
rising from the loquat tree
where my eldest was born,

across the road . . .

I watch them
from the third storey of a collection of cages,
and I know
this building
is a cold-hearted-thirty-three-eyed-soldier
with a dog tag for a tongue,
and a contract
bound to the crooked feet of the Pigeons I didn't feed.
25/07/2015
Katie Mora May 2011
I’ve got fifteen years tied in knots
of green and brown and I have
decided that it is time for a change
of scenery. So I climb onto the roof
and pretend I am a chimney, spewing
smoke of blue and grey and lung cancer and
voggy Hilo mornings. A helicopter
circles overhead at an altitude of 805 feet, its
searchlight catching the neighborhood
lying spread-eagled on the living room
floor, brutally desecrated and left
bare-bones to die. I am a catalyst,
an instigator, a cynic with a palm tree.
Today I read an atlas and find
naught but “A Hui Hou” scrawled across
the pages in black pen. I burn the
book, the bridge, and the old tires in
the backyard.

On Saturday it rained and the floodwaters
took my bicycle.

Sometimes I sit by the roadside reading
Bukowski with hibiscus in my hair and
Indiana in my eyes. Hunting dogs
clash with rescue dogs at the house
with the stop sign. The moon falls
from the sky and engulfs the mynah
birds and the plague. The floodwaters
recede and leave a jigsaw puzzle
on the slopes of Mauna Kea. “I am not
afraid,” I say, “for I am only gravel.”
I play the eight-bar blues on Fortieth
and sing songs of drugs and missed
connections. I am hit by a truck and
a little gold car, but I proclaim myself
immortal as I am flattened to the pavement.
I am the Ki’i Pohaku beatnik, and
I write of nature and nurture and
the never-ending rain.

Someone has painted my walls blue
and my hands grey. So I pack my suitcase
and run down the highway for
seven thousand miles and all I see
are mistakenly-numbered houses and
blank maps and dead neighbors
from families I used to know.

There are torrents of rain now,
forming puddles in the forest.
I know the reason. It is twelve
in the morning.

The neighborhood grows obscure.
We are demolished.
2009
translations:
"hilo"- a town in hawaii
"a hui hou"- until we meet again
"mauna kea"- a mountain near hilo
"ki'i pohaku"- petrogylph; also refers to a rural subdivision outside of hilo
Zafirah Apr 2021
They asked, "why are you as silent as a stone?"
She replied, "why should I be voluble as the Mynah? My heart and tongue are deprived of goodness just like a desert, deprived of a sea.
Another voice said, "Ergo, redundant talk comes with unbearable guilt."
They asked again, " if so, why do you not speak the despairs you hide?"
She replied, " Because, the gift of patience usually reigns.
The Gift of Patience is indeed a very beautiful gift...
T A Ramesh Feb 2012
All time bird can be crow only ever
Black in colour scavenging all day long
Caring nothing about neatness or anything!

Dogs eat the bones they throw clearing flesh
Efficiently bringing by hovering everywhere!
Full meals or bits of meats they share with all
Going by the policy of united we stand ever!

How healthy and active the crows are ever
I see standing on the balcony of my building!
Jack of all trade these guys do hard work long
Keeping their noise heard all round the place!

Loitering round us they pester us to give food
Many a time when we come out to see the sky!
Nothing we can do but offer some leftover foods
Obviously irritated to avoid their bickerings!

Popular among birds like mynah, sparrow, eagle
Quixotically crows overshadow them by numbers!

Regularly they start their chores like we do
Surprisingly very early in the morning itself!
Tickling nook and corner of all materials all day
United they raid everywhere sans rest ever!

Verily they are indeed hard toiling creatures
Whether it is summer or winter in the whole year!

Xerox copy of black crows reminds of uniform dress
Year after year without change or colour fade ever;
Zealous lot these creatures indeed we have to imbibe!
Christmas excitement
Gaffers & gofers
booms & boxes
trucks & trolleys

They've chosen today
to shoot a movie
2 floors below me
No pics allowed

Twenty four tropical Christmases
It still seems so odd
so discordant
Disconnected

Gambling movies filmed
when most of my friends
are last-minute shopping
and thinking of Santa

They're wrapping presents
and keeping secrets
Thinking about how long
the turkey will take to cook

Dressed in jumpers
coats and scarves
Fingers blue
noses red

No puddles to slide on here
no snow
Just air like silk
and monsoon rain

Sweat trickling
in endless rivers
No goose bumps leaving tracks
across my skin

Out the window
cheeky mynah birds chatter
a white bellied eagle soars
Not a robin in sight

As the sun sets
painting the sky
a kaleidoscope
of gentle colour


A nomad soul wonders
why she's happy to wander
And yet
she so longs to belong
Singapore. Christmas Eve, 2010

© Jacqueline Le Sueur 2010 All Rights Reserved
Mike Adam Jul 2016
Gentle rustle and
creak of bamboo

Far off soothing flute
and soft drum, gentle
mist caressing marsh

Barefoot monks pad
roads accepting simple
alms of curry, rice;
Blessings and incense
float on smooth air.

Sudden cacophony of
mynah explode the grove, a
steady chant bubbles under
the noise, some new symphony
of hunger below bloodshot sky.

Dogs militate exercise,
giving voice, cat slips in
knowing, paws daddy whiskers.

Hawking cough of the headman
announcing his non-demise-
neighbourly sighs.

Crab unburrows and scurries
aside from sand to lapping tide
to feast on volitional jelly who
come inshore to breed and die,
so many alien pearls strung
glistening along the strand.
Mike Adam Jun 2016
Dawn prevaricates-
reluctant to break

But mynah beaks open
their cacophany amongst
rustling bamboos

Dogs stretch and yawn
nuzzling to run in the
relative cool

I wait

Let light encourage
Snake to slither home
to burrows, fat from
night feed
in they squeeze

Full moon round as cheese
sinks stately behind
the promontory

On turning
sun drips honey
over greened mountains

Five islands sit-
their time will come

As mine, alas
has gone
Dave Cortel May 6
maybe we’re from different worlds
or from different time loops
and our souls just got lost
into being born in this cosmos.

i dreamt of you clad in warlike armor.
perhaps you were meant to be born
in a dystopian realm
where mynah birds are aliens
and you never saw
what the sky really looks like
in the absence of explosions.

because that is what you are,
your skin reeks of angst
your stare is a carbine
ready to point shoot
i would shoot their mouths
until they splash red,
you said.

and i thought of me growing up
not knowing the smell of longing
because how wonderful would that be?
to live in a city devoid
of longing for peace
to remain young, walking
through an endless hallway of trees
without the eyes of scavengers
observing our bodies
forming an entity.

maybe we’re not meant to be
and maybe we are
but not here
where we hide like the cicadas
on grass awaiting the moonbeams
to blanket the whole town
of living saints who tell tales
about angels who burn cities
stained with people of our kind, loving.
Satsih Verma Aug 2018
It was difficult to
shut the window. Moon
was casting a spell.

A hill mynah in
golden cage wants to
start soul searching.

Will you peel my
thumb, so that I can smear
the blood spot on your forehead?

Why did the sedge give
the papyrus to man? I don't
want to read the tumultuous lineage.

Let the flogging stop.
The weeping dawn will not
witness the slaughter of moon.
Rollercoaster Nov 2020
I feel like a bird in the wide, blue sky.
An eagle soaring in the wind,
a koel singing melody,
a crow tired by insults,
a dancing peacock insecure,
a penguin broke,
a parrot pretending,
a chicken distressed,
a vulture scavenging,
a mynah invading,
an owl leading,
an ostrich jealous
and an airplane disarming.
something about birds and humans.

— The End —