It was the best night of my life...
after having come back from playing my fife,
I was just working on my ligerature
When I saw a distant figure.

It approached me with a cold surrounding air,
Beckoning me to join in its heir.
I looked for its face,
And saw the blessing of Charles Mingus's grace.

He slowly walked up and whispered ever so quite,
"Have you ever made a sacrifice for the Mingus ever so pliant?"
I replied back:
"I have not, I apologize for the lack."

but unfortunately, it was not enough,
So he grabbed me by the collar, ever so ruff,
And told me tentatively,
"I am the only God, I deserve only your worship attentively."

So I bowed down to my controller,
My holy Excalibur,
The one who put me to sleep,
The one who has come to reap.

Thomas, Tommy baby,
you are both hot,
and sweet.

Tom Cat you’re red hot--
when I catch you in your Tom Cat Strut,
sauntering across campus,
strolling like it ain’t no thing,

cuz it don’t meant a thing
if it ain’t got that swing baby.

So dig this, Tommy Gun,
you groove with the best of ‘em
when I spot you strollin’—

Your head, teetering left and right like a seesaw, boppin’ baby,
arms hangin’ loosely, swinging freely, wildly, go! go!
legs scooping forward in boisterous trombone slides--
Groooooove Tommy baby!

You’re Louis’s best blows--
ten feet from the mic and the Fives baby,
you’re hot, red hot,
any closer and I'll burn up!
Go!

But you’re cool, real cool,
and oh so sweet.
Super sweet--

in your beard like a pepper and salt shaker tossed across the table,
I look to see those rosy lips part,
and peep those pearly whites shinin' like the bell of Louis’s cornet
brandished in the air, under those ballroom lights--
you’re screamin’ Tommy!

Let me hear that laugh that shakes the room,
punches like Blakey’s bass drum,
thumps like Mingus--

T-Bird you’ve got that hard bop in your soul,
you’re gonna bop to the top TB,
into the third heaven where the angels fall in line to your swing,
that incessant strut that keeps the devil at bay,
Blow! Blow! Blow!

And I see you now Tom Cat,
up there in the clouds,
digging your way across eternity,
bopping and jiving, swinging and blowing,

in your faded khaki pants and worn tennis shoes,
loosely buttoned collared shirt,
tight rectangular glasses that glistened the bell of your eyes even more--
I gotta stand twenty feet away Tommy baby!

You glance down at me and wink,
rearing your head back to let loose that Mingus and Blakey
bottom-end laugh,
guffaw guffaw guffaw!!!

--so hearty and rich,
the backbone of every nervous first-year classroom,
and the sniggering seniors you continued to befuddle and dazzle
with your mysterious ways
and insatiable swing.

So blow, Tommy Gun, blow!
Go Tom Cat go!
Dig T-Bird dig!
Let loose Tommy boy!

Swing for us, swing swing swing--
Hot and Sweet, Tommy baby,
hot and sweet.

We met over the flat lands of dream chasing
Where our common passion and will brought us 13,000 feet into the stars
Fire pits and lunch bells had never brought people closer to a reachable goal
She was the definition of beauty
With quiet hints of fire and eloquence
She could move mountains
And that's what she did
You could see it in her eyes
True desire for completion
She grew as tall as the trees we were surrounded by
And they could not contain her
She was as free and bold as the mountain peaks we lived on
As calm and gentle as the breeze that embraced us each morning
And as mysterious as the secrets she never told
The rocky paths we took jolted our heartbeats and shook our cores
But brought us to our destinies
She wanted nothing more than to be a small ripple in that lake
A small dose of change in a world that needed something more
She became my rock
That supported me on my way to self discovery
She never chipped
She never cracked under the heat or pressure
She watched as I burned everything that made me who I was
She became the wind that blew me into the right direction
And the trails that lead me home safely
That mountain captivated us only for a short moment
But she is still captivating me to this day
And nothing was more breathtaking then the views from Mingus Mountain
Until I left the mountain and really looked at her

tracing circles within circles
on a blue eyed afternoon
concentric breaths inhaled
on a current laced with bloom

into August morning tides
where the pull is slack
inside memories’ fading weight
receding half past black

how thoughts flicker in a circular motion!
how breezes cut the vernal flow
hyacinths whistle their devotion
of God’s reflected glow

perfect circles of a hometown summer
born of heat and light and haze
perfect circles in the ether
spherical stay the solstice days

The jukebox plays that old time swing
What a wild sound, a jumping fling
I've got it bad today, a fever for you
Think of us, when I'm feeling blue
Sinatra say that having it bad,
Well it ain't good and I'm so glad

So when I'm down and out, I'll turn you on
That old timey jazz, for me it's the only one

Art Tatum I'll turn you up loud
Swanky Szabo, amasses a crowd
Slim Gaillard, that crazy sound
Teagarden's trombone all around
Mingus and Ayler, Rollins and Miles
Dalindeo and Niechęć all those styles

I'll dance the moonlight serenade
and these hepcats, will never fade
Dry up daddy-o and focus on sanity
Sonny still struttin' with such vanity
Wayne Shorter quartet on a starry night
Jazz has me goofy but feeling alright

I've been feeling grummy for far too long
Remedied with an old Billie Holiday song

Imagine young Rita to be
too small to walk Mingus properly
And instead of a yuletime stroll
a one-dog sled team over yonder hill rolls

In her eyes you can see death himself smiling back at you telling you a date. She has no clue i say in my mind, not but one clue!. She goes with him only wanting his eyes, they're bodies soon lay in **** sweat.
            The wind cooled off the room, and soon everything was quite. Hello? sounds a faint voice of a british school girl in search of her Rolling stone father. He left with cold war and the silence lasted long. Her tender eyes met his one day, old and frail. He died knowing she stood for everything she stood for; Love,hate,war,fight, *** and the slightest thought of Homosexuality, yes ADONAL Homosexuality.
         She walked the lonesome evening with the icy fear of death but it hit her other wise- she died hopping to find her old father humble and beautiful in the night. HEaven smelt of jazz and Claire de lune, the gods played Mingus for days and then some rock and roll, HA! devils music they called it.
         Where are we? and god said, you are in my hunting ground for bad men wanting the clouds. sure its a beautiful place but its hot here, its uncomftorable for me. Please believe me like all the other poor ******* who did. All those idiots and stupid folk queers, rapists, phycos , Negros and the Notorious white man himself… believe me. How else would you live without dying? this gives me comfort for all else is but a ******* lie and a promise i have made to you, i will not die? *******. Is this why we have religion? to comfort man from the thought of death?
       Stop breathing on me.

…ah um
quit the pandering and
spin a pipe’s worth of Mingus or
maybe Baker or Parker
(They know how to Say What You're Livin'
a guide to the soul of the sleep
or talkin' like a train on the brink of de-
railing for 30 miles
       but makes it safely to Wichita as planned.)
3:30AM it’s junkies for some kinda animal fix w/
old hip & old ****** tastebuds up
this late, or early I’m trying to re-
   -lapse here;
mechanism too open a-
live nerve
          for ravenous divinations &
spirited conquest(s)

I pray not to other gods but
move on the winds that blow dust in my eyes
let my language blur in-
between
the lines; surgically
to let me
bleed it out
        not betray my civility
not let my opinion
        betray my humility
not let my privileges
in certain contexts negate
my perspective
No I don’t pick between sides that’s where you
over
&
oversimplified
implied a divide
w/ language bastardized
& sanitized;

Ain’t a justice I could speak that would last a sentence
in any good book of his/or/hers who slime
when wet, gush & *****, cold statues
in busy-international-style-hotel-lobbies
silk’d swollen appendages & curly greasy-
    -haired oven spread
                               for POWER, power brunch boardroom glory
gory foreplay mocking dirtypoor magnolia seed, plucking peony petal
like a Shrink in shadow of a pedigree now
a judge, small & snide in righteous court-dress for play-
            time.

...Brothers & Sisters

(they) drink my fluid’s ******
-You, eat the will
of my friend the human pet
Slither your plasmic bones in fetal mix
unclaimed foundlings
        pink genitalias
go you writhe on-top uh i ou-
        -r taxdollars
fossilized uh programmed sickness squirm
in maggotmouthed machinations for
the egg of uh saint in lieu of true hue
Them Birds
          (onna island) of parasites;
crass utensil in aid your digestible
stasis-


You Sheep Boy
You? Sheep Boy
You, Sheep Boy?
You! Sheep Boy!
You Sheep! Boy felt the transformation
          when you were told. How’d it feel?
I lost my madness when I let myself die
inna only dream If I had a voice
half as clever as Joyce…
If I had a voice, it’d make-a disassociated rant
into a plea for sanity! it be a salt-stained sailor up
against his Nature to caress a braindead angry sea into
a wise & benevolent guide;

Not uh god I know
gave me a compelling answer not uh one
an I wish they had b’
         cause I don’t always feel so well
I could use another crutch…
Not uh one
head talking on my TV
can be-hold the spectrum to apply
just one, single colour, in your carnation’s eye
If it was so simple how come uh monkey can’t do it?
Ain’t uh monkey I know
         that-a keep its spine upright
that
ain’t gotta taste for its own kind
You’re right
but so is he right she right we will fight
left        right
up
down
uptown downtown outtatown
North South East West
babble on O babble on everywhere
ah um do please hit your marks
         & follow the rhythm
       of the next body over;
Pass around worn-out clichés uh penny given
you put 2 of them to-
gether
we call that uh valid opinion
where I’m from;
Not uh man I know mean what he say
and
sometimes not uh thought in
my brain make any of those
Words
not any of my
Words
mean anything not even the noise they produce
not like Mingus’ fingers talkin’ on that bass.

i see Charles Mingus crying like cool jazz.
i see Lauren's head in my lap.
i see The Stranger spin on the turntable.
i see a broken night.
i see haze high near the ceiling.
i see headphone cords, whose ends hurt my ears.
i see the same chord progressions driving me mad.
i see love fading in a passerby's eyes.
i see chapped lips.
i see my debit card, i run it as credit.
i see the 10 foot tall stack of paperwork on my desk.
i see my know-it-all confidence.
I see my god complex.
I see your god complex, and know mine is greater.
i see ***, smell it, hear it, taste it, feel it, want it.
i see cars stampeding towards me down the hill.
i see neon signs for strip clubs.
i see prophetic signs, i ignore them.
i see my professor's approval.
i see computer screens.
i see my finger reject the call from a former fling.
i see ****** music.
i see sad faces, day after day.
i see my mind disconnected from my body.
i see boys in fraternities.
i see girls in barely anything at all.
i see my roommates and i yell for no reason--- we laugh.
i see society coming to eat me alive.
i see when i trip.
i see when i get up.
i see when i don't.
i see when i let my friends down.
i see when i pick them up.
i see my eyes closed.
i don't see what they want from me.

The words of Urgnd Lichmae as spoken by the prophet

There is no authority but yourself and your mom
Do what thou wilt but be chilled that is the whole of the law
All of my life has been governed by the same principle
Knowledge is all
Reason is the route to knowledge
This is paradoxically countered by the striking realization
That knowledge is unattainable and reason is flawed
I consider myself the master of my reality
Ever knowing that I have No remote control
I am but a particle in the vast swirling mess
Conscious of itself
Ride! Ride! To Armageddon

And lo! He spoke in Tongues

The Young americans win the black parade blues dandy
With Crowley Tilling the endless Time Killing
Flash fried, deep dyed in coliform, and unwilling
And right then Powers said “do I make you randy”
A Flabbergasted basterd Worn Torn for the feeling
Clapper switch on ******* sent a poor boy reeling
Stealing all the ugly bits that still remained handy
Crippled light of the monitor howling **** Forlorn
Torn a sunder under Urgnd’s blundering sojourn

Yay! The beast did appear

Mike myers white Kirk Mask, light flicker
In the mirror stares the face of a devilish creature.
Blatant slander to the depths of existential life crimes
Alexander de Macedoni lost in the stammering story line
Sofie’s Crime was never letting go of her Petty moral fiber
And the First thing that comes to mind is that I’m pretty tired
But too slow was the English Tea drinking grey earl’s mudline
Mortal Corporeal punishment on the philosopher’s Stormy mind
Sold separately from the Cheap plastic **** measuring Gun Club
To The tangible alien televangel flannel laced voice Dub
Hurt, he Squirt the black fish of the drug addled killer kind

Copulation Commenced

“Hard and fast baby hard and fast” hands around my waist
On the darkened eye shadowed lids of emotional teenage angst
Embodied in all that pitiful splendor

Until Reason Beget

In game changing fashion
And delusions of Grandeur
I closed my computer for the fifth time only to reopen it in a flurry wide Side Longed imagination
To right the Wrong words for the Wrong generation
Write the rights of man, only quicker than you can
On the Holy Madonna’s, waist like a ****** Libation
This one Goes out to Baby jesus’ Great Clan

“Sometimes a man is just left with nothing to say for himself, there is no rhyme or reason to it. Sometimes the gears come loose as the train smashes into the building. Sometimes there is no hope”-Ernest Hemingway

Just keep writing
Mescalito swing
To the Margarittaville ring
Plaintiff Mingus chilling
Round Midnight fling
Or was it Miles Davis.
Stayed puffed with smors
Made with white chocolate.
No great war
No great flame no great pain no great gain
And for all its worth, for all your trouble a penny for your loss
Cost millions of Jews down the Dachau blues
Lifebuoy next clue,
For the literary jury
And a glance out the window yields the Spike of patriotic fury
Killing time Tod killing for Casey Jones locker
Playing the bag pipes off Key
Send a Post Card far away
For Diane sawyers interview
With bizzaro nbc
Done Smash Melee way
Because “I love it” and “I do too”
Even though it’s rough
No rules just right
Died sleeping in the night
Just like the lebouf
None of this is original

And then my words failed me and I slipped into a trance where I met a man holding a snake, a cobra. He held it up to me in a gesture begging my approval. I nodded and he took a pair of scissors and cut the head off the snake. Out of its body came ribbons of color and light. I cannot imagine that this has any significance.

LOVE AND LOVERS

by

TOD HOWARD HAWKS


Chapter 20

"Jon...Jon," said Bian.

"Yes, Bian," replied Jon.

"Jon, you really do love everyone, don't you?' asked Bian.

Jon paused--a much longer pause than usual--then said "Yes, Bian, I do. It's because Maggie, our Black maid as I was growing up, loved me so much.  

"I love all 8 billion human beings on Earth. The problem is that I just haven't had the chance to tell each one of them this. Realizing our goal of passing CAMPAIGN FOR EARTH will be my first opportunity to do so.  

"I believe every child is conceived with the innate capacity--"the seed of love" I call it--to love, but that "seed" can only be germinated by being loved, usually, but not necessarily, by one's biological parents. If the child is not loved enough, or tragically not at all, then the child will not be able to love her/himself or others;  rather, the child will carry unconsciously varying degrees of pain caused by the child's lack of being loved for her/his lifetime, unless the child is later loved fully by someone else.

"The collective effort we are now undertaking is different from the aforementioned only by degree, not by kind.

"Earth, and the vast majority of human beings who inhabit it, suffer terribly from the dearth of love--not only emotional love, but also from the paucity of compassion, which is a form of love. Witness poverty and hunger and homelessness. Lack of universal quality education and universal free medical care. Profitting from the pain of others. Unbridled corruption and seemingly endless wars. Catastrophic climate change and the existential threat of nuclear holocaust. Life on Earth doesn't have to be like this."

Bian put her arms around her husband and gave him a big, long hug, then the two sat down together on their sofa.

"Bian, would you mind if I played my tape of MOOD INDIGO by Duke Ellington?" asked Jon. Beethoven was Jon's favorite, but he also enjoyed jazz.

"I would enjoy that," said Bian.

While they listened to the music, Jon reached in his satchel and pulled out his pen and a piece of blank paper and began writing a poem. Jon finished writing the poem as the music was ending.

"Would you like to hear the poem I just wrote?" Jon asked Bian.

"Of course," said Bian.

"The title of my new poem is JAZZ LIKE A RIVER.


JAZZ LIKE A RIVER

Jazz like a river, headwaters of ragtime
and blues, new orleans, chicago, harlem,
kansas city, armstrong and ellington, holiday
and fitzgerald, cotton club, 52 street, rapids
and rhythms, ******-induced sweetness
and savagery, swinging swing, rivulets
of cords and discords, til 3 in the morning,
mourning the demise of Bird, litany of
gillespie and davis, brubek's west coast
tributary, coltrane, roach, mingus,
ameriica's sinuous contribution to the
nile and amazon of world's music.

No sleep leaves
Him sleep deprived,
He hides beneath
His drooping eyes,
And comes home to dwell
Within the silence of the night.

Before spreading across the bed,
He places his patched jacket
Above the ground, on a hook,
To hang, suspended for the flipside.
A glance at the clock tells him it’s three,
Plus a quarter turn to the right.

It’s always before dreams, it seems,
That he feels the need to pull
Out pen and paper, to write.
Very soon, he knows,
It will be bright.
And lights will shine in,
To wake him up, again.

Sometimes, though,
He likes to pretend,
That there isn’t an end,
To this nocturne world.

So while he…
His, mind dances along the moon,
With a little more wandering,
His thoughts seem in tune,

To a jazzy
Twilight atmosphere,
And he hears -
The quiet orchestra
Of his thoughts,
Amidst the dark.

For a short time,
He’s moaning with Mingus, absorbing Etta.
At last, his sleep has come along,
As he dips into the Milky Way
Until his thoughts are gone.

I want them to look beyond my face and my body
I want them to realize that my best is me at 3:37 am, with a notebook in one hand, a pen in the other, and Charles Mingus playing in the background
I want them to see me
I want them to realize that I am naturally soft spoken but my voice is so powerful sometimes that MLK, Maya Angelou, Marcus Garvey, W. E. B. Du Bois, and Malcolm X themselves take turns looking down from heaven in amazement at the fire my belly has produced
I want them to feel me but not in a ****** way because I get tired of people trying to get inside me and not learn the inside of me
I want them to love me
I want them to love me in a way not even myself can love me because self-love is cool and all but admiration is for my ego and as I look around this late at night I realize one tiny confirmation from ten thousand people means so much more than ten thousand tiny confirmations from myself
Why is that?
I want them to understand me
I want them to be able to look at something I create and it touches their soul they way the person beside them cannot
I want them to rejoice in the sweet hallelujahs of connection but I don't want praises for a God-given talent
I want them to be inspired
I want to move them in a way their teachers never could and the way their parents should
I want to teach them
I want to be able to say a line the aligns with the situation that's dwelling in their hearts as they look with glistening eyes waiting for the solution I cannot fully give away to them yet
They must hang on to my every word, following my movements with the sway of their bodies until I tell them the golden word that will spark that change for them
I want them to listen
God, I hope they listen
Because being a black girl in the ghetto with depression no one would listen to cries I often let out
No one would pay attention to the warning signs I would give them
I was told to get over it and it would pass but years have passed and it's still here
I want them to pay attention
To the tone of my voice that indicates my feelings
To the way my eyes dim when darkness is approaching
I need them to be observant for when they come across another person as sad as me they know that depression isn't just a state of mind
It isn't just a trend or something you say for attention
I want them to be aware
I want them to feel
In a generation that takes pride in feeling nothing and destroying everything they touch I want them to hold emotion strong enough to be someone's healing component
I want them to love
Love as if it is the only thing that can keep them from dying
I want them to believe in something bigger than anything they can ever imagine, touch, or feel
I want them to find themselves
I want them to find worth in themselves and not one-night stands, substances, or self-harm
I don't want them to be afraid anymore
I want them to know I'm here
I want them to to be expressive and free
I want them to know I love them
But most of all, I need them to be okay so that I can have hope for myself

Many years
ago, I went to
this little
Irish bar.
On Sunday nights,
there was a jazz band.
They played
Monk
Mingus
Coltrane
Miles
and the Duke.

I drank gallons of
****** marys on
those hot
summer nights.
Dill pickle spears, and
green olives came up
later on those
hungover, dreamless
mornings.

I was young.
I wasted the days,
lying in the sun,
bayonetted by youth.
Copper colored skin,
tin soul.
I would go thousands
of miles, chasing
that train, before I
would be forgiven.

The things we have no use for anymore
line the sidewalk where chalk once marked hopscotch
for days before the rain washed it away.
Back then one night we listened all night long
to Joni Mitchell  and Charlie Mingus,
most likely Miles Davis, Louis Armstrong,
Jimi Hendrix.  Things led to things; we danced,
we drank red wine.  I've known no better time.

Sell the records, the sofa with my long impression.
Give away what doesn't sell.
What I dread is not the night but morning,
coffee in an empty room, black coffee scalding hot. Don't sell the coffee maker.
It's a good one, very hard to replace.

It's all I have to go by

the lurch of
wheels

the clicking of
tickets

and the rolling scenery

sliding from city
to town

to country flat
to hills

back to flat
and hills again

now
a cymbal crash

and something
completely different

there's a raccoon
that often comes to my porch

I feed it
and after thinking

and smoking on the issue
I've decided to call him

SLUGGO


Whit Howland © 2020

we don't believe in believing.
we believed in you and, well...

we have a reason to be all teeth
for any and all demagogues
dreamimg themselves into demi-gods
some weekend next February.

we are the stars that have been dead
for millenia,
but still make me feel divinely insignificant.

we are the new constellations
named by a future us.

we are the deepening ethos
which lifted them up to rot
in the lofty quantum myth of consciousness like the rest of us.

we are entangled with the ever-blossoming constant
we watch like a top spinning ad nauseum.

we are indifferent to your opinions and principles
and tired of your excuses for not "getting it".
we view that **** as background music for the apocalypse
unraveling before our collective nakedness.

we are ******* hostile.

we are clenched fists ****** to clouds
after a rousing battle speech
collapses into echos we weaponize
on accident like Mingus on a piano.

we are as colossal as the fossilized intimacy you lost
on the blackened avenues of past uses
of compassion as a mask.

we are starving for the space
inside of which you remain just to atrophy.

we are the cloven hooves of crooked
discipline dancing to sounds of
splashing gasoline.

we are the mushroom clouds crowning
our boundless potential.

before anything else, we are you.
you're worst-case scenario
unearthed by the prayers to float off
into the fade-away before a pretty credit roll;
unwavering.

we are catastrophe, but we don't have to be.

I am streaming some old Jazz (Mingus, Duke Ellington, The Modem Jazz Quartet) 
From my phone via bluetooth
As I drive
To the store
When my brother Dave's ghost
chimes in:
It would sound better coming from a long play stereophonic record, he says. 

No doubt, I tell him
Surprised that I am not surprised
That he is in the car with me. 

We call it vinyl now, I tell him
I think he nods
Though I can't really see him. 

You know, he says, it is all about the intervals and the timing.
We listen for a while, then he says :
Something nobody really understood about me 
Is that I was a jazz improvisation
While I was alive.

I think, this makes no rational sense at all. 
Though I don't say it outloud, my brother responds:
No, it isn't about being rational
It's about the intervals and timing. 

And suddenly I understand him in a way I didn't when he was alive. 
I love you, I say
But he's gone
Jumped to an unexpected note.

Unexpected 
But perfect.

A CHAIR IN THE SKY

But now--Manhattan holds me
To a chair in the sky
With the bird in my ears
And boats in my eyes
Going by

Joni Mitchell -  A Chair in the Sky from her 1979 Mingus album

**

I break cleanly through the dream
gasping for morning
"Well, hello there!" smiles the newest day

I still had memories
clasped in my hand
but they lost their lustre  in the light

"Glad to have you back with us!"
shouted the room a little too loudly
and the furniture agreed wholeheartedly

they needed a human
to give them a purpose
otherwise they were just pieces of wood

sunlight grovelled
fawning at my feet
licking the tips of my toes

the window had arranged
trees and flowers and fields
to prove the existence of a world

the curtains breathed in then
out again
the lungs of the room

I gathered myself together
put on my Past...searching for my Present
"Now where did I put my Future?"

"Read me...read me!"
a dog-eared book demanded
barking page 69 all the time

"Shut it!" I told it
shutting it
it falling silent

soon the morning came
fully into being
"How do you do?" it enquired politely

"Fine..." I lied "Fine!"
now where the hell
did I leave my mind

I found it under
some dried up dreams
that had escaped from sleep

my mind was a little rusty
but still worked
even if a little slowly

"Ok...ok!" shouted the day
"Let's get this
existence on the road!"

"Do you have to shout..?" I moaned
"No..." it whispered
"...but can we get on with it!"

Reality is...I thought
a foreign country
they do things differently there.

One of my first jobs was as a waiter in a Thai Restaurant
Run by a scary Malaysian who'd taken a liking to me
We went to a rave once
And he gave me 400 AUD for Chinese New Year
Bless him

But one night a tall Singaporean guy called Sunny came in
He was a musician too
He played in a rock and roll band
The Suns

Sunny lasted one night
But he told me about an open mic run by a girl called Michelle
And we stayed in contact
----

Gom was in the year above me at school
Gom was the only African at our school, he and his brother
Goyte also went to our school, he was in Gom's year. At school I was smart and cool, played bass and was friends with everybody. School was sometimes an escape from home life.

Marcus took me to Gom's place once where he lived with his girlfriend Nikki
I took my guitar and Gom and I jammed in the bedroom
A singer and a rapper
----

The first time I ever played live was at a place called Yah man Rastaraunt
It was a Caribbean Restaurant on Hoddle Street, South Yarra, Melbourne
It had that black feeling, of warmth and mystery. Or maybe that was youth and ****.
But I played, and some of the girls were crying
I'd found my thing
I went back the next week and froze up
----

There was a place called Pure on Smith Street. This was where Sunny said the open mic was run by Michelle. In those years, Smith street had a sacred vibe. Maybe it was the presence of an Aboriginal community or the fact that gentrification hadn't yet taken hold. But things were elemental, exaggerated by the warmth of summer nights.
I loved these open mics, the people I've met. I'd invite my work crew and friends. Sometimes I'd pack that venue out, for 3 songs!
----

Gom and I started a band
Melbourne was hip-hop, music, life and Fitzroy was Mecca
On Monday nights you could go to a place called the Laundry and see B-boys doing backflips on dancefloors!
Open mics, Latin Culture, losing my virginity
I was living and working as a waiter in beautiful Carlton, Melbourne's Italy. I love the parks there.

I flew interstate to study jazz
To smoke more ****
Then less ****
To wander like the wind, to bend like the rain, but always circling music and its hubs

I moved to London in 2015
I worked in a cafe and met a guy called Stefan from Austria. He is still one of the coolest and nicest people you can meet. I'll have to link up with him in Berlin one day soon.
He introduced me to Stefano from Italy who played the drums
We set up a band and had a few gigs
We had Hakan on Trombone and Bahadir on bass
Stefano had all these connections to the Turkish musical community
Because of the fact he plays in the Oddbeats, a psychedelic Turkish Band, one of the long standing hippie bands round these parts

I worked in a cafe called Music and Beans on Green Lanes, London's Istanbul. It was run by a musician who played amazing violin and also ran a music school. I lived in a tiny room above the school for a bit. On Green lanes there was a place called Jam in a Jar where you could see all kinds of music, from Mediterranean to Irish folk. It had a festival feel to it.
----

I go to open mics and jams like I did back in Melbourne,
It's very jazzy and jammy in this city. I like going to blues jams sometimes.
But I do like to remember those first gigs and musical experiences I had back in Melbourne
The meditation and wonder of it

I see Lloyle Carner at the swimming pool sometimes
He comes in with his daughter and wife
There I work as a lifeguard
On the days when I'm not working, I'll be working on my music, playing guitar, piano, writing, listening, learning, humming, singing, reading...
Stefano and I set up a house removed from the noise of traffic, replaced by the sounds of birds. There are trees everywhere and a lake nearby.
I've dedicated myself to being able to sing that great song in great condition, so that keeps the number of joints, beers and cigarettes down and the number of kilometers run and minutes meditated up.


I would cite Stevie Wonder, Bob Marley, Aston “Familyman” Barret, Jimi Hendrix, Nina Simone, Miles Davis, The Red Hot Chilli Peppers, Flea, Michael Jackson, Marvin Gaye, James Jamerson, Donny Hathaway, Lauryn Hill, Sam Cooke, Bill Withers, Frank Sinatra, John Coltrane, Salman Rushdie, Gabriel Garcia Marquez, Carole King, James Taylor, Norah Jones, Nick Drake, Bjork, Portishead, Radiohead, Aphex Twin, Squarepusher, Burial, Flying Lotus, Fat Freddy’s Drop, Aphrodite, Charlie Parker, Chopin, Bob Dylan, Leonard Cohen, Nick Cave, Paul Kelly, Jeff Buckley, Jaco Pastorius, Eric Dolphy, David Bowie, Charles Mingus, Herbie Hancock, J Dilla, Tupac, Juicy the song, Nirvana, Crowded House, Metallica, Black Sabbath, Prince, Parliament, D'Angelo's 3 Albums to date, Blackstar, The Roots, Adele, Beyonce, Aretha Franklin, Eryka Badu, Hiatus Kaiyote, Nai Palm, Muddy Waters, BB King, Ben Harper, Joe Cocker, Cat Stevens, Paul Simon, Van Morrison, The Rolling Stones, The Doors, Led Zeppelin, Janis Joplin, Joni Mitchell, Mavis Staples, The Beatles and tapestries more as inspirations and influences

the kind of empty you feel
as a kid having just learned that
your parents are never going
to care to understand you.
that and jazz.

that kind of emptiness and
Mingus, Coltrane, Davis, BBNG;
still careening,
still empty,
still.
ancient.
time means nothing
and nothing is notes on a saxophone,
or piano, or trumpet, or the sky itself.

where are we in the whirlwind?