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Terry Collett May 2013
Judith sat next to you
on the school bus
going home

holding hands
beneath her coat
on her lap

and she said
some one must have seen us
the other week

by the pond
because my dad
asked me about it

last night
and he said
not to let mum know

which I wouldn't
of course
but who saw us?

I don't know
you said
couldn't see anyone about

but who would tell my dad
about it?
did your dad say

who told him?
no he wouldn't say
she said

looking worried
have to be careful
where we go

you looked out
the window
at the passing scenes

her hand in yours
warm
her fingers next

to yours
what about meeting
in my dad's tool shed

that's quite big
and there's a couple
of old chairs in there

apart from his tools
and such
you said

I don't know
she said
what if your parents

see us?
we could go
into the house

they won't mind
me and you together
mum likes you

does she?
Judith asked
yes she says she does

you said
Judith smiled
and leaned closer to you

but didn't kiss
because of other kids
on the bus nearby

I like it near our lake
(Judith called it the lake
even though it was just

a large pond)
I like the quiet there
and the ducks

and fish just
beneath the surface
and the birds flying

overhead
she said
I like it there too

you said
us being alone together
just lying there

or sitting
looking over
the pond

the peacefulness
the aloneness
of us just being us

and you thought
of you and Judith
that last time

kissing
laying near
the pond

being there
feeling her near
smelling the perfume

she borrowed
from her mother's collection
feeling her lips

on yours
and as she looked away
out of the window

you wanted to kiss
the nape of her neck
but you didn't

you just sighed
wishing you were elsewhere
sans other kids

sans others' eyes
just you and her
and the pond or lake

feeling as if dawn
had just come
and you from some

dark sleep
and were now awake.
Terry Collett Jan 2013
You met Judith
in the woods
at the back
of the cottage
you had the mutt with you

taking it for a walk
on the lead
in case it ran off
she was by
the small pond

in her summer dress
her hair tied back
by a dark blue ribbon
why did you bring your dog?
she asked

the parents said
she needed
to stretch her legs
you replied
looking beyond her

at the small pond
where you used to sit
trying to fish
but caught nothing
where shall we go?

she asked
let’s go sit
by the small lake
(as you called
the large pond)

and we can sit and talk
what about your dog?
oh she’ll be ok
I can tie her lead
to the nearest tree

she’ll have room
to move around
and sniff and root out
insects if she likes
you said

I bet you say that
to all the girls
Judith said
and laughed
and you smiled

and took in
her laughter
and the way
she laughed
her eyes

brightening up
her lips parting
like a breaking dawn
and taking
your spare hand

she walked you through
the woods stepping over
brambles and fallen branches
to get to the outer fence
which she climbed over

but you climbed through
and the mutt walked under
and as you walked
across the field
to the lake

she said
I hope no one saw us
the other day
when we did those things
why

what makes you think they did?
you asked
holding the mutt in check
as it tried to run off
just something

my mother said
before I came out
this morning
when I said
I was meeting you

oh
you said
was she on the war path?
no
but it was the way she said it

as if she knew something
about us or me and you
and that day
and where we were
a rook flew overhead

a black flap of wings
a loud call
shouldn’t think
so you said

watching the rook
fly off
the mutt barking
maybe
she was just trying

to dig out something
or maybe she just thinks
the worst of me
you said
maybe

Judith said
and became silent
as you both moved
towards the large pond
( the lake as you called it)

and sat down
after tying the mutt
to the nearest tree
where it sat staring
at you both

with its dark eyes
as Judith laid her head
on your shoulder
staring out
at the skin of water

on the pond
and the slight shimmer
where dragonflies
came and went
on the surface

and whispered
I love you
which vibrated
along your shoulder
and into your heart

and you couldn’t see a time
you’d not be together
or ever
this side of death
be apart.
Terry Collett Mar 2013
Early July
and Judith sat
on the wooden fence
beside you

over looking the pond
which she called the lake
dressed in a plain grey skirt
and green blouse

her brown hair
brushed untidily
as was per norm
her hands beside her

balancing her
on the top beam
mum said men
are not to be trusted

Judith said
me included?
you asked
you especially

she said smiling
she didn’t mention you by name
just said men in general
and my dad looked at her

sideways on
pulled a face
then carried on
with his breakfast

a jackdaw flew across
the pond noisily
making Judith jump
****** bird

nigh on made me
wet myself
she said
following the bird’s flight

what made your mother
go on an anti men campaign?
you asked
watching two ducks

move across
the water’s skin
I think she saw us
coming through the woods

behind your house
yesterday after school
Judith said
we were too close together

mum said
but where she was
to see us I have no idea
hanging from a tree maybe

you said
don’t think so
Judith said smiling
maybe she’s spying on us now?

you suggested
Judith looked around her
then back at you
don’t say that

I almost had kittens
it’s not kittens
you have to worry about
you said

sunlight flickered
through high branches
birds sang
white clouds

moved slowly overhead
you touched her hand
with yours
felt her warm skin

her fingers
her short fingernails
she looked at the flickering sunlight
I know

she said softly
come on
let’s go near the lake
she said

and jumped off the fence
and so did you
and walked over
the grass

to the pond’s side
under a vast sky of blue.
Terry Collett Dec 2012
You were lying on your back
on the grass beside Judith
three days after
the start

of the summer holidays
she was talking
about some girl
in her class at school

who wore stockings
instead of socks
and how her mother
thought that

(the wearing of stockings)
was quite too much
too grown up
and you were watching

the formation of the clouds
and how they changed shape
and colouring
becoming darker

then paler
and now and then
a bird would fly
across your vision

and you
only half listening
to her as she spoke
her words

touching your ears
her voice
like a kind of music
there lulling you

and you heard also
in the distance
the sound of a train
its puffing of steam

the sharp sound
of a horn
as it went by
the crossing

somewhere down
the track
but I wouldn’t wear stockings
Judith said

I like fresh air
getting to my legs
you have nice legs
you said

have I?
she said
yes
you said

right up to where
I can’t see no more
and she laughed
and smacked

at your arm
beside her
if my mother
could hear you

she’d not
let me near you again
a rook flew over head
its darkness in contrast

to the blue of sky
if she saw us last Sunday
she’d locked you up
you said

and Judith touched
your hand
next to hers
and held it

she mustn’t know
she whispered
course not
you said

well least not
until you’re fifty two maybe
and she laughed
and her laughter

disturbed the birds
and kind of
dissolved the cloud formation
into blueness

and you loved her
nearness
her touch
her being there

beneath clouds
and birds
and sky
and maybe always will

you thought
until the day we die.
Robert Ronnow Aug 2015
For the accountant, the librarian, on this cold day
there is no revelation. He will go his own way
to the roar of the tinnitus in his ears.
About our war what is there to say. Yesterday
a flock of bluebirds was the only color in the woods.
Have they arrived too early for their good?
Of Judith and Inanna I have Korf's fears.

Inanna is generous, Judith is dangerous.
On each the wise elders depend for sustenance,
protection. Agriculture is ******
and wars end when men remember *******.
To savor the young woman's thighs and the old one's food,
to water her womb and cut her wood.
Is this not what's real, the actual, the animal?

The women I have known were bluebirds and crows, such
nuthatches, cardinals, robins, an occasional thrush.
They did not consider their bodies holy,
they found my seduction easy. What good luck
on the bed, in the light of the land, in our youth.
Our enemy eventually becomes our brother,
his misery lifted by coming to her city.
www.ronnowpoetry.com
Terry Collett Nov 2012
The morning mist
that hung over

the pond (or your lake
as Judith called it)

had moved away
by the time she came

and stood next to you
wrapped up in her

Sunday best
waiting until the time

for the bus to take
you both to sing

in the church
her breath flowing out

on the air
like cigarette smoke

her eyes focused
on the skin

of the still water
I dreamt of you

last night
she said

you and I
were snuggled

together in my bed
having made love

you watched
a magpie take flight

over the water
nice

wish I could
have been there

in person
you said  

more breath
left her lips

and rose upwards
maybe next time

you can
she said

turning her head
spreading her lips

into a smile
just be my luck

your mother
will invade the dream

and catch us
you said

yes
Judith said

that would
spoil the dream

some what
there was a mist

over the pond earlier
you said

it looked beautiful
she turned

and stared
over the water

I missed that
as you missed

making love to me
in my dream

she whispered
drawing closer

her hands
taking hold

of yours
what did you

dream about?
she asked

an empty bed
and cold sheets

and a space
where you should

have been
you said

she smiled
and said

I couldn’t be
in both beds

at once could I?
once more

there was the rising
of her breath

you couldn’t tell her
you’d seen

an image
of her death.
A PLAY


BY



ALEXANDER   K   OPICHO









THE CASTE
1. Chenje – Old man, father of Namugugu
2. Namugugu – Son of Chenje
3. Nanyuli – daughter of Lusaaka
4. Lusaaka – Old man, father of Nanyuli
5. Kulecho – wife of Lusaaka
6. Kuloba – wife of Chenje
7. Paulina – Old woman, neighbour to Chenje.
8. Child I, II and III – Nanyuli’s children
9. Policeman I, II and III
10. Mourners
11. Wangwe – a widowed village pastor

















ACTING HISTORY
This play was acted two times, on 25th and 26th December 2004 at Bokoli Roman Catholic Church, in Bokoli sub- location of Bungoma County in the western province of Kenya. The persons who acted and their respective roles are as below;

Wenani Kilong –stage director
Alexander k Opicho – Namugugu
Judith Sipapali Mutivoko- Nanyuli
Saul Sampaza Mazika Khayongo- Wangwe
Paul Lenin Maondo- Lusaaka
Peter Wajilontelela-  Chenje
Agnes Injila -  Kulecho
Beverline Kilobi- Paulina
Milka Molola Kitayi- Kuloba
Then mourners, children and police men changed roles often. This play was successfully stage performed and stunned the community audience to the helm.













PLOT
Language use in this play is not based on Standard English grammar, but is flexed to mirror social behaviour and actual life as well as assumptions of the people of Bokoli village in Bungoma district now Bungoma County in Western province of Kenya.

























ACT ONE
Scene One

This scene is set in Bokoli village of Western Kenya. In Chenje’s peasant hut, the mood is sombre. Chenje is busy thrashing lice from his old long trouser Kuloba, sitting on a short stool looking on.

Chenje: (thrashing a louse) these things are stubborn! The lice. You **** all of them today, and then tomorrow they are all-over. I hate them.
Kuloba: (sending out a cloud of smoke through her tobacco laden pipe). Nowadays I am tired. I have left them to do to me whatever they want (coughs) I killed them they were all over in my skirt.
Chenje: (looking straight at Kuloba) Do you know that they are significant?
Kuloba: What do they signify?
Chenje: Death
Kuloba: Now, who will die in this home? I have only one son. Let them stop their menace.
Chenje: I remember in 1968, two months that preceded my father’s death, they were all over. The lice were in every of my piece of clothes. Even the hat, handkerchief. I tell you what not!
Kuloba: (nodding), Yaa! I remember it very well my mzee, I had been married for about two years by then.
Chenje: Was it two years?
Kuloba: (assuringly) yes, (spots a cockroach on the floor goes at it and crushes it with her finger, then coughs with heavy sound) we had stayed together in a marriage for two years. That was when people had began back-biting me that I was barren. We did not have a child. We even also had the jiggers. I can still remember.
Chenje: Exactly (crashes a louse with his finger) we also had jiggers on our feet.
Kuloba: The jiggers are very troublesome. Even more than the lice and weevils.  
Chenje: But, the lice and jiggers, whenever they infest one’s home, they usually signify impending death of a family member.
Kuloba: Let them fail in Christ’s name. Because no one is ripe for death in this home. I have lost my five children. I only have one child. My son Namugugu – death let it fail. My son has to grow and have a family also like children of other people in this village. Let whoever that is practicing evil machinations against my family, my only child fail.
Chenje: (putting on the long-trouser from which he had been crushing lice) let others remain; I will **** them another time.
Kuloba: You will never finish them (giggles)
Chenje: You have reminded me, where is Namugugu today? I have not seen him.
Kuloba: He was here some while ago.
Chenje: (spitting out through an open window) He has become of an age. He is supposed to get married so that he can bear grand children for me. Had I the grand children they could even assist me to **** lice from my clothes. (Enters Namugugu) Come in boy, I want to talk to you.
Kuloba: (jokingly) you better give someone food, or anything to fill the stomach before you engages him in a talk.
Namugugu: (looks, at both Chenje and Kuloba, searchingly then goes for a chair next to him)
Mama! I am very hungry if you talk of feeding me, I really get thrilled (sits at a fold-chair, it breaks sending him down in a sprawl).
Kuloba: (exclaims) wooo! Sorry my son. This chair wants to **** (helps him up)
Namugugu: (waving his bleeding hand as he gets up) it has injured my hand. Too bad!
Chenje: (looking on) Sorry! Dress your finger with a piece of old clothes, to stop that blood oozing out.
Namugugu: (writhing in pain) No it was not a deep cut. It will soon stop bleeding even without a piece of rag.
Kuloba: (to Namugugu) let it be so. (Stands) let me go to my sweet potato field. There are some vivies, I have not harvested, I can get there some roots for our lunch (exits)
Chenje: (to Namugugu) my son even if you have injured your finger, but that will not prevent me from telling you what I am supposed to.
Namugugu: (with attention) yes.
Chenje: (pointing) sit to this other chair, it is safer than that one of yours.
Namugugu: (changing the chair) Thank you.
Chenje: You are now a big person. You are no longer an infant. I want you to come up with your own home. Look for a girl to marry. Don’t wait to grow more than here. The two years you have been in Nairobi, were really wasted. You could have been married, may you would now be having my two grand sons as per today.
Namugugu: Father I don’t refuse. But how can I marry and start up a family in a situation of extreme poverty? Do you want me to start a family with even nothing to eat?
Chenje: My son, you will be safer when you are a married beggar than a wife- less rich-man. No one is more exposed as a man without a wife.
Namugugu: (looking down) father it is true but not realistic.
Chenje: How?
Namugugu: All women tend to flock after a rich man.
Chenje: (laughs) my son, may be you don’t know. Let me tell you. One time you will remember, maybe I will be already dead by then. Look here, all riches flock after married men, all powers of darkness flock after married men and even all poverty flock after married. So, it is just a matter of living your life.
(Curtains)
SCENE TWO

Around Chenje’s hut, Kuloba and Namugugu are inside the hut; Chenje is out under the eaves. He is dropping at them.
Namugugu: Mama! Papa wants to drive wind of sadness permanently into my sail of life. He is always pressurizing me to get married at such a time when I totally have nothing. No food, no house no everything. Mama let me actually ask you; is it possible to get married in such a situation?
Kuloba: (Looking out if there is any one, but did not spot the eaves-dropping Chenje).
Forget. Marriage is not a Whiff of aroma. My son, try marriage in poverty and you will see.
Namugugu: (Emotionally) Now, if Papa knows that I will not have a happy married life, in such a situation, where I don’t have anything to support myself; then why is he singing for my marriage?
Kuloba: (gesticulating) He wants to mess you up the way he messed me up. He married me into his poverty. I have wasted away a whole of my life in his poverty. I regret. You! (Pointing) my son, never make a mistake of neither repeating nor replicating poverty of this home into your future through blind marriage.
Namugugu: (Approvingly) yes Mama, I get you.

Kuloba: (Assertively) moreover, you are the only offspring of my womb             (touching her stomach) I have never eaten anything from you. You have never bought me anything even a headscarf alone. Now, if you start with a wife will I ever benefit anything from you?
Namugugu: (looking agog) indeed Mama.
Kuloba: (commandingly) don’t marry! Women are very many. You can marry at any age, any time or even any place. But it is very good to remember child-price paid by your mother in bringing you up. As a man my son, you have to put it before all other things in your life.
Namugugu: (in an affirmative feat) yes Mama.
Kuloba: It is not easy to bring up a child up to an age when in poverty. As a mother you really suffer. I’ve suffered indeed to bring you up. Your father has never been able to put food on the table. It has been my burden through out. So my son, pleased before you go for women remember that!
Namugugu: Yes Mama, I will.
(Enters Chenje)
Chenje: (to Kuloba) you old wizard headed woman! Why do you want to put    my home to a full stop?
Kuloba: (shy) why? You mean you were not away? (Goes out behaving shyly)

Chenje: (in anger to Namugugu) you must become a man! Why do you give your ears to such toxic conversations? Your mother is wrong. Whatever she has told you today is pure lies. It is her laziness that made her poor. She is very wrong to festoon me in any blame…. I want you to think excellently as a man now. Avoid her tricky influence and get married. I have told you finally and I will never repeat telling you again.

Namugugu: (in a feat of shyness) But Papa, you are just exploding for no good reason, Mama has told me nothing bad……………………
Chenje: (Awfully) shut up! You old ox. Remove your ears from poisonous mouths of old women!
(Enters Nanyuli with an old green paper bag in her hand. Its contents were bulging).
Nanyuli: (knocking) Hodii! Hodii!
Chenje: (calmly) come in my daughter! Come in.
Nanyuli: (entering) thank you.
Chenje: (to Namugugu) give the chair to our visitor.
Namugugu: (shyly, paving Nanyuli to sit) Karibu, have a sit please.
Nanyuli: (swinging girlishly) I will not sit me I am in a hurry.
Chenje: (to Nanyuli) just sit for a little moment my daughter. Kindly sit.
Nanyuli: (sitting, putting a paper-bag on her laps) where is the grandmother who is usually in this house?
Chenje: Who?
Nanyuli: Kuloba, the old grandmother.
Namugugu: She has just briefly gone out.
Chenje: (to Nanyuli) she has gone to the potato field and Cassava field to look for some roots for our lunch.
Nanyuli: Hmm. She will get.
Chenje: Yes, it is also our prayer. Because we’re very hungry.
Nanyuli: I am sure she will get.
Chenje: (to Nanyuli) excuse me my daughter; tell me who your father is?
Nanyuli: (shyly) you mean you don’t know me? And me I know you.
Chenje: Yes I don’t know you. Also my eyes have grown old, unless you remind
me, I may not easily know you.
Nanyuli: I am Lusaaka’s daughter
Chenje: Eh! Which Lusaka? The one with a brown wife? I don’t know… her name is Kulecho?
Nanyuli: Yes
Chenje: That brown old-mother is your mother?
Nanyuli: Yes, she is my mother. I am her first – born.
Chenje: Ooh! This is good (goes forward to greet her) shake my fore-limb my
daughter.

Nanyuli: (shaking Chenje’s hand) Thank you.
Chenje: I don’t know if your father has ever told you. I was circumcised the same year with your grand-gather. In fact we were cut by the same knife. I mean we shared the same circumciser.
Nanyuli: No, he has not yet. You know he is always at school. He never stays at home.
Chenje: That is true. I know him, he teaches at our mission primary school at Bokoli market.
Nanyuli: Yes.
Chenje: What is your name my daughter?
Nanyuli: My name is Loisy Nanyuli Lusaaka.
Chenje: Very good. They are pretty names. Loisy is a Catholic baptismal name, Nanyuli is our Bukusu tribal name meaning wife of an iron-smith and Lusaaka is your father’s name.
Nanyuli: (laughs) But I am not a Catholic. We used to go to Catholic Church upto last year December. But we are now born again, saved children of God. Fellowshipping with the Church of Holy Mountain of Jesus christ. It is at Bokoli market.
Chenje: Good, my daughter, in fact when I will happen to meet with your father, or even your mother the brown lady, I will comment them for having brought you up under the arm of God.
Nanyuli: Thank you; or even you can as well come to our home one day.
Chenje: (laughs) actually, I will come.
Nanyuli: Now, I want to go
Chenje: But you have not stayed for long. Let us talk a little more my daughter.
Nanyuli: No, I will not. I had just brought some tea leaves for Kuloba the old grandmother.
Chenje: Ooh! Who gave you the tea leaves?
Nanyuli: I do hawk tea leaves door to door. I met her last time and she requested me to bring her some. So I want to give them to you (pointing at Namugugu) so that you can give them to her when she comes.
Namugugu: No problem. I will.
Nanyuli: (takes out a tumbler from the paper bag, fills the tumbler twice, pours the tea leaves  into an old piece of  newspaper, folds and gives  it to Namugugu) you will give them to grandmother, Kuloba.
Namugugu: (taking) thank you.
Chenje: My daughter, how much is a tumbler full of tea leaves, I mean when it is full?
Nanyuli: Ten shillings of Kenya
Chenje: My daughter, your price is good. Not like others.
Nanyuli: Thank you.
Namugugu: (To Nanyuli) What about money, she gave you already?
Nanyuli: No, but tell her that any day I may come for it.
Namugugu: Ok, I will not forget to tell her
Nanyuli: I am thankful. Let me go, we shall meet another day.
Chenje: Yes my daughter, pass my regards to your father.
Nanyuli: Yes I will (goes out)
Chenje: (Biting his finger) I wish I was a boy. Such a good woman would never slip through my fingers.
Chenje: But father she is already a tea leaves vendor!
(CURTAINS)


SCENE THREE
Nanyuli and Kulecho in a common room Nanyuli and Kulecho are standing at the table, Nanyuli is often suspecting a blow from Kulecho, counting coins from sale of tea leaves; Lusaaka is sited at couch taking a coffee from a ceramic red kettle.


Kulecho: (to Nanyuli) these monies are not balancing with your stock. It is like you have sold more tea leaves but you have less money. This is only seventy five shillings. When it is supposed to be one hundred and fifty. Because you sold fifteen tumblers you are only left with five tumblers.
Nanyuli: (Fidgeting) this is the whole money I have, everything I collected from sales is here.
Kulecho: (heatedly) be serious, you stupid woman! How can you sell everything and am not seeing any money?
Nanyuli: Mama, this is the whole money I have, I have not taken your money anywhere.
Kulecho: You have not taken the money anywhere! Then where is it? Do you know that I am going to slap you!
Nanyuli: (shaking) forgive me Mama
Kulecho: Then speak the truth before you are forgiven. Where is the money you collected from tea leaves sales?
Nanyuli: (in a feat of shyness) some I bought a short trouser for my child.
Kulecho: (very violent) after whose permission? You old cow, after whose permission (slaps Nanyuli with her whole mighty) Talk out!
Nanyuli: (Sobbingly) forgive me mother, I thought you would understand. That is why I bought a trouser for my son with your money!
Lusaaka: (shouting a cup of coffee in his hand, standing charged) teach her a lesson, slap her again!
Kulecho (slaps, Nanyuli continuously, some times ******* her cheeks, as Nanyuli wails) Give me my money! Give me my money! Give me my money! Give me my money! You lousy, irresponsible Con-woman (clicks)
Lusaaka: Are you tired, kick the *** out of that woman (inveighs a slap towards Nanyuli) I can slap you!
Nanyuli: (kneeling, bowedly, carrying up her hands) forgive me father, I will never repeat that mistake again (sobs)
Lusaaka: An in-corrigible, ****!
Kulecho: (to Nanyuli) You! Useless heap of human flesh. I very much regret to have sired a sell-out of your type. It is very painful for you to be a first offspring of my womb.
I curse my womb because of you. You have ever betrayed me. I took you to school you were never thankful, instead you became pregnant. You were fertilized in the bush by peasant boys.
You have given birth to three childlings, from three different fathers! You do it in my home. What a shame! Your father is a teacher, how have you made him a laughing stock among his colleagues, teachers? I have become sympathetic to you by putting you into business. I have given you tea leaves to sell. A very noble occupation for a wretch like you. You only go out sell tea leaves and put the money in your wolfish stomach. Nanyuli! Why do you always act like this?
Nanyuli: (sobbing) Forgive me mother. Some tea leaves I sold on credit. I will come with the money today?
Kulecho: You sold on credit?
Nanyuli: Yes
Kul
this is a manuscript of a play, please guys help me get any publisher who can do publishing of this play
i  will appreciate. thanks
Terry Collett Aug 2012
That Sunday
after singing
in the choir
and changing
from the blue

and white gowns
and out
of the dim lit vestry
into the sunlight
at the back

of the church
Judith was standing
by a gravestone
reading the almost
indecipherable words

chiselled there
sad isn’t it
she said
that these people died
and are buried

and then the time comes
when you can’t read
who died or when?
you walked over
to where she was standing

and rubbed off
some of the green moss
with your hand
comes to us all
I guess

you said
when those whom we loved
or cared about die
and after we and those
who knew them are gone

there is no one left to care
who’s buried there
she looked at you
and you saw
her eyes water

and her lower lip tremble
you won’t forget me
will you? she asked
course not
you said

anyway
why are we getting
so **** morbid?
we’re alive
let’s live while we can

she walked away
from the gravestone
and stood looking
around the graves
behind the church

the sunlight
warming the stone
and her head
and you walked
next to her

and put your hand
on hers and said
I’ll never forget you
if you go before me
she smiled

and looked at you
I’ll always remember you
she said
other choir members
came out of the vestry door

and there was talk
and laughter
and Roger chased Shirley
along the path
and she looked back at him

giggling and making faces
and Judith said
some have no respect
for the dead
even in this

their resting place
human all too human  
you said
and kissed her
sun blessed face.
Terry Collett Aug 2012
You and Judith
sang in the choir
at the Major’s

daughter’s wedding
and after
you walked along

to the house and gardens
where the reception
was being held

where there were marquees
for food of various kinds
and a huge beer tent

where there was champagne
and beer and wine
and soft drinks and lemonade

and she said
I will never have
a wedding like this

and she glanced around
at the marquees
and the people

in their fine clothes
and large hats
and waitresses walking

with trays of drink
maybe not
you said

taking two glasses
of champagne  
from the tray

of a passing waitress
not with the money
my dad gets

from farm work
she added
taking the glass

you offered her
and sipping
and you watched her lips

and how they worked
the crystal glass
and her fingers

holding the stem
as if it were a gold gem
worth more

than her father earned
in a lifetime
but I can always pretend

she said
and placed her arm
under yours

and walked you forward
over the grass
we can always pretend

it’s our wedding day
and these are our guests
and over the way

in the entrance
of one of the marquees
Hill stood with his

schoolgirl girlfriend Shirley
both supping the bubbly
him in his Sunday best

and she in a pink
and white dress
and her blonde hair

and stockings
and white shoes
and you said

would we invite Hill
and his girlfriend
or Tidy and his thick

caterpillar eyebrows?
she looked over at Hill
and pretty Shirley

and said
we have to be generous
when in love

and it’s our wedding day
and she lay her head
on your shoulder

and you watched
the bride and groom
over by the main marquee

kissing and embracing
and the people
around them

were cheering
and as you both
moved on

she said
where shall we go
for our honeymoon?

the south of France
you said
somewhere warm

and glancing at the sky
it carried a promise
of a coming storm.
Val Ajdari Nov 2013
Some fools are born, conditioned by fate,
And they, like all, still procreate.
All useful knowledge flee their minds;
Ignorance fulfill these swine.
And while they swing and cheat for joys,
The watchful eyes of their little boys
Take a glance at what they see,
And what they see is “a bigger me.”
Their little girls, in company of dolls,
On occasion foresee what befall
On them, too, as they soon explore --
An impending battle of love and war.
But then, there exists that little kid
Whose *** and gender shall remain amid
A cloud of quantum mystery;
Their wisdom calls more urgently.
And as this kid sees life unravel
Along Lacanian stages of travel,
Concerned are they with all fuss and mess,
To which most adults do not confess.
As one parent lacks all the care,
The other lives a life unfair.
In times of chaos and audacious cuss
Dear, vengeful killer, Oedipus
Consumes all facets of the mind
Of the little kid who must confine
All pain, and hatred, and all rage,
Enough to place one in a cage,
While free the bird whose wings to fly
Have been broken off, now left to die;
In part, by diabolical norms
That invade a home in all shapes and forms.
But the kid looks up at the two,
Then whispers quietly, “I’m neither of you;
Not the blinded one, on flight to reign,
Nor the indebted one, too tied to pain."
Nor does the kid ever dare to be
A product passed politically:
Ingrained in mind, in heart, and soul
A subordinate being in a bowl
That churns, and churns, and churns, and churns
While glutenous ******* more they yearn.
This ceaseless cycle leaves little choice
For the ill-fated screaming voice,
As a true language for them not made
Because demonic beings must place a shade
Over the stronger ones deprived
Appraisal for their stronger minds.
The kid, all this, can’t take to be
As what they see they wish not to see.
In this unbalanced Yin and Yang,
The kid’s perception hits a bang:
“The power lies within the one
Who mostly governs with a gun.
But, how can a human hurt their double,
When love and passion are lesser trouble?"
A fitting *** the kid cannot choose,
As in every win each *** will lose.
But slowly, as they come to be,
The kid, society directs to see
That to the right *** they must belong
As "genitalia proves feelings wrong."
This funny theory most credits Freud.
But by collective viewpoints the kid’s annoyed:
'No good is said, no good is done
For those who are all, but yet are none.'
Great gender points makes Butler, Judith,
While blind opponents seek to disprove her;
They ink 'she is wrong within her stance!'
That female unity will give rise to chance
To an inclusion of the female word,
And one that’s First...not second or third.
The opposite, still out to bend
The rules and laws, all to pretend
That the other *** does not exist
Because swollen egos must persist
In rule, in art, in build, and biz:
'Fields where opposites lack all wiz.'
The kid, in this silly world of theirs,
Looks at all these foolish heirs
Who bounce and shoot this gendered ball,
While the kid stands back and laughs at all.
Kelly Michelle Jan 2013
Nolan...a gift for stories..  He still sings of her glories.. From the folds, a soul cast out...of a family for his doubt.

Gwen...a mom for us, who lost her own....she was 14, not nearly grown...she hurts for work she was forced to do...ignoring her own needs, she'll focus on you...

Brenden...is there a more caring man?  He watched over us as a mother hen...He could not keep us each from harm...no matter his love or old-soul charm...

Kelly...a shy girl; she was me, refected in all of my poetry...she watched the grief seize her world...cut off from herself, she spun and twirled...

Shannon...my heart my little sis...she bubbles with smiles I sorely miss...she gives away love and is so very cute...she is the reason I am no longer mute...

Jonny...he was so small...around his heart was built a wall...he speaks as one who is lifetimes old...inspiration moves through him body and soul...

Bob...he was just a babe...was not held long by arms that save...but still clear on how good it would feel...to be himself; to be free and "real"...

We are her seven, her work of art...each our own story, the music of Judith Anne's heart.
Yo, Beremundo el Lelo, surqué todas las rutas
y probé todos los mesteres.
Singlando a la deriva, no en orden cronológico ni lógico -en sin orden-
narraré mis periplos, diré de los empleos con que
nutrí mis ocios,
distraje mi hacer nada y enriquecí mi hastío...;
-hay de ellos otros que me callo-:
Catedrático fui de teosofía y eutrapelia, gimnopedia y teogonía y pansofística en Plafagonia;
barequero en el Porce y el Tigüí, huaquero en el Quindío,
amansador mansueto -no en desuetud aún- de muletos cerriles y de onagros, no sé dónde;
palaciego proto-Maestre de Ceremonias de Wilfredo el Velloso,
de Cunegunda ídem de ídem e ibídem -en femenino- e ídem de ídem de Epila Calunga
y de Efestión -alejandrino- el Glabro;
desfacedor de entuertos, tuertos y malfetrías, y de ellos y ellas facedor;
domeñador de endriagos, unicornios, minotauros, quimeras y licornas y dragones... y de la Gran Bestia.

Fui, de Sind-bad, marinero; pastor de cabras en Sicilia
si de cabriolas en Silesia, de cerdas en Cerdeña y -claro- de corzas en Córcega;
halconero mayor, primer alcotanero de Enguerrando Segundo -el de la Tour-Miracle-;
castrador de colmenas, y no de Casanovas, en el Véneto, ni de Abelardos por el Sequana;
pajecillo de altivas Damas y ariscas Damas y fogosas, en sus castillos
y de pecheras -¡y cuánto!- en sus posadas y mesones
-yo me era Gerineldos de todellas y trovador trovadorante y adorante; como fui tañedor
de chirimía por fiestas candelarias, carbonero con Gustavo Wasa en Dalecarlia, bucinator del Barca Aníbal
y de Scipión el Africano y Masinisa, piloto de Erik el Rojo hasta Vinlandia, y corneta
de un escuadrón de coraceros de Westmannlandia que cargó al lado del Rey de Hielo
-con él pasé a difunto- y en la primera de Lutzen.

Fui preceptor de Diógenes, llamado malamente el Cínico:
huésped de su tonel, además, y portador de su linterna;
condiscípulo y émulo de Baco Dionisos Enófilo, llamado buenamente el Báquico
-y el Dionisíaco, de juro-.

Fui discípulo de Gautama, no tan aprovechado: resulté mal budista, si asaz contemplativo.
Hice de peluquero esquilador siempre al servicio de la gentil Dalilah,
(veces para Sansón, que iba ya para calvo, y -otras- depilador de sus de ella óptimas partes)
y de maestro de danzar y de besar de Salomé: no era el plato de argento,
mas sí de litargirio sus caderas y muslos y de azogue también su vientre auri-rizado;
de Judith de Betulia fui confidente y ni infidente, y -con derecho a sucesión- teniente y no lugarteniente
de Holofernes no Enófobo (ni enófobos Judith ni yo, si con mesura, cautos).
Fui entrenador (no estrenador) de Aspasia y Mesalina y de Popea y de María de Mágdalo
e Inés Sorel, y marmitón y pinche de cocina de Gargantúa
-Pantagruel era huésped no nada nominal: ya suficientemente pantagruélico-.
Fui fabricante de batutas, quebrador de hemistiquios, requebrador de Eustaquias, y tratante en viragos
y en sáficas -algunas de ellas adónicas- y en pínnicas -una de ellas super-fémina-:
la dejé para mí, si luego ancló en casorio.
A la rayuela jugué con Fulvia; antes, con Palamedes, axedrez, y, en época vecina, con Philidor, a los escaques;
y, a las damas, con Damas de alto y bajo coturno
-manera de decir: que para el juego en litis las Damas suelen ir descalzas
y se eliden las calzas y sustentadores -no funcionales- en las Damas y las calzas en los varones.

Tañí el rabel o la viola de amor -casa de Bach, búrguesa- en la primicia
de La Cantata del Café (pre-estreno, en familia protestante, privado).
Le piqué caña jorobeta al caballo de Atila
-que era un morcillo de prócer alzada: me refiero al corcel-;
cambié ideas, a la par, con Incitato, Cónsul de Calígula, y con Babieca,
-que andaba en Babia-, dándole prima
fui zapatero de viejo de Berta la del gran pie (buen pie, mejor coyuntura),
de la Reina Patoja ortopedista; y hortelano y miniaturista de Pepino el Breve,
y copero mayor faraónico de Pepe Botellas, interino,
y porta-capas del Pepe Bellotas de la esposa de Putifar.

Viajé con Julio Verne y Odiseo, Magallanes y Pigafetta, Salgan, Leo e Ibn-Batuta,
con Melville y Stevenson, Fernando González y Conrad y Sir John de Mandeville y Marco Polo,
y sólo, sin De Maistre, alredor de mi biblioteca, de mi oploteca, mi mecanoteca y mi pinacoteca.
Viajé también en tomo de mí mismo: asno a la vez que noria.

Fui degollado en la de San Bartolomé (post facto): secundaba a La Môle:
Margarita de Valois no era total, íntegramente pelirroja
-y no porque de noche todos los gatos son pardos...: la leoparda,
las tres veces internas, íntimas, peli-endrina,
Margarita, Margotón, Margot, la casqui-fulva...-

No estuve en la nea nao -arcaica- de Noé, por manera
-por ventura, otrosí- que no fui la paloma ni la medusa de esa almadía: mas sí tuve a mi encargo
la selección de los racimos de sus viñedos, al pie del Ararat, al post-Diluvio,
yo, Beremundo el Lelo.

Fui topógrafo ad-hoc entre El Cangrejo y Purcoy Niverengo,
(y ad-ínterim, administré la zona bolombólica:
mucho de anís, mucho de Rosas del Cauca, versos de vez en cuando),
y fui remero -el segundo a babor- de la canoa, de la piragua
La Margarita (criolla), que navegó fluvial entre Comiá, La Herradura, El Morito,
con cargamentos de contrabando: blancas y endrinas de Guaca, Titiribí y Amagá, y destilados
de Concordia y Betulia y de Urrao...
¡Urrao! ¡Urrao! (hasta hace poco lo diríamos con harta mayor razón y con aquese y este júbilos).
Tras de remero de bajel -y piloto- pasé a condueño, co-editor, co-autor
(no Coadjutor... ¡ni de Retz!) en asocio de Matías Aldecoa, vascuence, (y de un tal Gaspar von der Nacht)
de un Libraco o Librículo de pseudo-poemas de otro quídam;
exploré la región de Zuyaxiwevo con Sergio Stepánovich Stepansky,
lobo de donde se infiere, y, en más, ario.

Fui consejero áulico de Bogislao, en la corte margravina de Xa-Netupiromba
y en la de Aglaya crisostómica, óptima circezuela, traidorcilla;
tañedor de laúd, otra vez, y de viola de gamba y de recorder,
de sacabuche, otrosí (de dulzaina - otronó) y en casaciones y serenatas y albadas muy especializado.
No es cierto que yo fuera -es impostura-
revendedor de bulas (y de mulas) y tragador defuego y engullidor de sables y bufón en las ferias
pero sí platiqué (también) con el asno de Buridán y Buridán,
y con la mula de Balaám y Balaám, con Rocinante y Clavileño y con el Rucio
-y el Manco y Sancho y don Quijote-
y trafiqué en ultramarinos: ¡qué calamares -en su tinta-!,
¡qué Anisados de Guarne!, ¡qué Rones de Jamaica!, ¡qué Vodkas de Kazán!, ¡qué Tequilas de México!,
¡qué Néctares de Heliconia! ¡Morcillas de Itagüí! ¡Torreznos de Envigado! ¡Chorizos de los Ballkanes! ¡Qué Butifarras cataláunicas!
Estuve en Narva y en Pultawa y en las Queseras del Medio, en Chorros Blancos
y en El Santuario de Córdova, y casi en la de San Quintín
(como pugnaban en el mismo bando no combatí junto a Egmont por no estar cerca al de Alba;
a Cayetana sí le anduve cerca tiempo después: preguntádselo a Goya);
no llegué a tiempo a Waterloo: me distraje en la ruta
con Ida de Saint-Elme, Elselina Vanayl de Yongh, viuda del Grande Ejército (desde antaño... más tarde)
y por entonces y desde años antes bravo Edecán de Ney-:
Ayudante de Campo... de plumas, gongorino.
No estuve en Capua, pero ya me supongo sus mentadas delicias.

Fabriqué clavicémbalos y espinetas, restauré virginales, reparé Stradivarius
falsos y Guarnerius apócrifos y Amatis quasi Amatis.
Cincelé empuñaduras de dagas y verduguillos, en el obrador de Benvenuto,
y escriños y joyeles y guardapelos ad-usum de Cardenales y de las Cardenalesas.
Vendí Biblias en el Sinú, con De la Rosa, Borelly y el ex-pastor Antolín.
Fui catador de tequila (debuté en Tapachula y ad-látere de Ciro el Ofiuco)
y en México y Amecameca, y de mezcal en Teotihuacán y Cuernavaca,
de Pisco-sauer en Lima de los Reyes,
y de otros piscolabis y filtros muy antes y después y por Aná del Aburrá, y doquiérase
con El Tarasco y una legión de Bacos Dionisos, pares entre Pares.
Vagué y vagué si divagué por las mesillas del café nocharniego, Mil Noches y otra Noche
con el Mago de lápiz buido y de la voz asordinada.
Antes, muy antes, bebí con él, con Emmanuel y don Efe y Carrasca, con Tisaza y Xovica y Mexía y los otros Panidas.
Después..., ahora..., mejor no meneallo y sí escanciallo y persistir en ello...

Dicté un curso de Cabalística y otro de Pan-Hermética
y un tercero de Heráldica,
fuera de los cursillos de verano de las literaturas bereberes -comparadas-.
Fui catalogador protonotario en jefe de la Magna Biblioteca de Ebenezer el Sefardita,
y -en segundo- de la Mínima Discoteca del quídam en referencia de suso:
no tenía aún las Diabelli si era ya dueño de las Goldberg;
no poseía completa la Inconclusa ni inconclusa la Décima (aquestas Sinfonías, Variaciones aquesas:
y casi que todello -en altísimo rango- tan Variaciones Alredor de Nada).

Corregí pruebas (y dislates) de tres docenas de sota-poetas
-o similares- (de los que hinchen gacetilleros a toma y daca).
Fui probador de calzas -¿prietas?: ceñidas, sí, en todo caso- de Diana de Meridor
y de justillos, que así veníanle, de estar atán bien provista
y atán rebién dotada -como sabíalo también y así de bien Bussy d'Amboise-.
Temperé virginales -ya restaurados-, y clavecines, si no como Isabel, y aunque no tan baqueano
como ése de Eisenach, arroyo-Océano.
Soplé el ***** bufón, con tal cual incongruencia, sin ni tal cual donaire.
No aporreé el bombo, empero, ni entrechoqué los címbalos.

Les saqué puntas y les puse ribetes y garambainas a los vocablos,
cuando diérame por la Semasiología, cierta vez, en la Sorbona de Abdera,
sita por Babia, al pie de los de Úbeda, que serán cerros si no valen por Monserrates,
sin cencerros. Perseveré harto poco en la Semántica -por esa vez-,
si, luego retorné a la andadas, pero a la diabla, en broma:
semanto-semasiólogo tarambana pillín pirueteante.
Quien pugnó en Dénnevitz con Ney, el peli-fulvo
no fui yo: lo fue mi bisabuelo el Capitán...;
y fue mi tatarabuelo quien apresó a Gustavo Cuarto:
pero sí estuve yo en la Retirada de los Diez Mil
-era yo el Siete Mil Setecientos y Setenta y Siete,
precisamente-: releed, si dudaislo, el Anábasis.
Fui celador intocable de la Casa de Tócame-Roque, -si ignoré cuyo el Roque sería-,
y de la Casa del Gato-que-pelotea; le busqué tres pies al gato
con botas, que ya tenía siete vidas y logré dar con siete autores en busca de un personaje
-como quien dice Los Siete contra Tebas: ¡pobre Tebas!-, y ya es jugar bastante con el siete.
No pude dar con la cuadratura del círculo, que -por lo demás- para nada hace falta,
mas topé y en el Cuarto de San Alejo, con la palanca de Arquimedes y con la espada de Damocles,
ambas a dos, y a cual más, tomadas del orín y con más moho
que las ideas de yo si sé quién mas no lo digo:
púsome en aprietos tal doble hallazgo; por más que dije: ¡Eureka! ...: la palanca ya no servía ni para levantar un falso testimonio,
y tuve que encargarme de tener siempre en suspenso y sobre mí la espada susodicha.

Se me extravió el anillo de Saturno, mas no el de Giges ni menos el de Hans Carvel;
no sé qué se me ficieron los Infantes de Aragón y las Nieves de Antaño y el León de Androcles y la Balanza
del buen Shylock: deben estar por ahí con la Linterna de Diógenes:
-¿mas cómo hallarlos sin la linterna?

No saqué el pecho fuera, ni he sido nunca el Tajo, ni me di cuenta del lío de Florinda,
ni de por qué el Tajo el pecho fuera le sacaba a la Cava,
pero sí vi al otro don Rodrigo en la Horca.
Pinté muestras de posadas y mesones y ventas y paradores y pulquerías
en Veracruz y Tamalameque y Cancán y Talara, y de riendas de abarrotes en Cartagena de Indias, con Tisaza-,
si no desnarigué al de Heredia ni a López **** tuerto -que era bizco-.
Pastoreé (otra vez) el Rebaño de las Pléyades
y resultaron ser -todellas, una a una- ¡qué capretinas locas!
Fui aceitero de la alcuza favorita del Padre de los Búhos Estáticos:
-era un Búho Sofista, socarrón soslayado, bululador mixtificante-.
Regí el vestier de gala de los Pingüinos Peripatéticos,
(precursores de Brummel y del barón d'Orsay,
por fuera de filósofos, filosofículos, filosofantes dromomaníacos)
y apacenté el Bestiario de Orfeo (delegatario de Apollinaire),
yo, Beremundo el Lelo.

Nada tuve que ver con el asesinato de la hija del corso adónico Sebastiani
ni con ella (digo como pesquisidor, pesquisante o pesquisa)
si bien asesoré a Edgar Allan Poe como entomólogo, cuando El Escarabajo de Oro,
y en su investigación del Doble Asesinato de la Rue Morgue,
ya como experto en huellas dactilares o quier digitalinas.
Alguna vez me dio por beberme los vientos o por pugnar con ellos -como Carolus
Baldelarius- y por tomar a las o las de Villadiego o a las sus calzas:
aquesas me resultaron harto potables -ya sin calzas-; ellos, de mucho volumen
y de asaz poco cuerpo (si asimilados a líquidos, si como justadores).
Gocé de pingües canonjías en el reinado del bonachón de Dagoberto,
de opíparas prebendas, encomiendas, capellanías y granjerías en el del Rey de los Dipsodas,
y de dulce privanza en el de doña Urraca
(que no es la Gazza Ladra de Rossini, si fuéralo
de corazones o de amantes o favoritos o privados o martelos).

Fui muy alto cantor, como bajo cantante, en la Capilla de los Serapiones
(donde no se sopranizaba...); conservador,
conservador -pero poco- de Incunables, en la Alejandrina de Panida,
(con sucursal en El Globo y filiales en el Cuarto del Búho).

Hice de Gaspar Hauser por diez y seis hebdémeros
y por otras tantas semanas y tres días fui la sombra,
la sombra misma que se le extravió a Peter Schlémil.

Fui el mozo -mozo de estribo- de la Reina Cristina de Suecia
y en ciertas ocasiones también el de Ebba Sparre.
Fui el mozo -mozo de estoques- de la Duquesa de Chaumont
(que era de armas tomar y de cálida sélvula): con ella pus mi pica en Flandes
-sobre holandas-.

Fui escriba de Samuel Pepys -¡qué escabroso su Diario!-
y sustituto suyo como edecán adjunto de su celosa cónyuge.
Y fuí copista de Milton (un poco largo su Paraíso Perdido,
magüer perdido en buena parte: le suprimí no pocos Cantos)
y a la su vera reencontré mi Paraíso (si el poeta era
ciego; -¡qué ojazos los de su Déborah!).

Fui traductor de cablegramas del magnífico Jerjes;
telefonista de Artajerjes el Tartajoso; locutor de la Esfinge
y confidente de su secreto; ventrílocuo de Darío Tercero Codomano el Multilocuo,
que hablaba hasta por los codos;
altoparlante retransmisor de Eubolio el Mudo, yerno de Tácito y su discípulo
y su émulo; caracola del mar océano eólico ecolálico y el intérprete
de Luis Segundo el Tartamudo -padre de Carlos el Simple y Rey de Gaula.
Hice de andante caballero a la diestra del Invencible Policisne de Beocia
y a la siniestra del Campeón olímpico Tirante el Blanco, tirante al blanco:
donde ponía el ojo clavaba su virote;
y a la zaga de la fogosa Bradamante, guardándole la espalda
-manera de decir-
y a la vanguardia, mas dándole la cara, de la tierna Marfisa...

Fui amanuense al servicio de Ambrosio Calepino
y del Tostado y deMatías Aldecoa y del que urdió el Mahabarata;
fui -y soylo aún, no zoilo- graduado experto en Lugares Comunes
discípulo de Leon Bloy y de quien escribió sobre los Diurnales.
Crucigramista interimario, logogrifario ad-valorem y ad-placerem
de Cleopatra: cultivador de sus brunos pitones y pastor de sus áspides,
y criptogramatista kinesiólogo suyo y de la venus Calipigia, ¡viento en popa a toda vela!
Fui tenedor malogrado y aburrido de libros de banca,
tenedor del tridente de Neptuno,
tenedor de librejos -en los bolsillos del gabán (sin gabán) collinesco-,
y de cuadernículos -quier azules- bajo el ala.
Sostenedor de tesis y de antítesis y de síntesis sin sustentáculo.
Mantenedor -a base de abstinencias- de los Juegos Florales
y sostén de los Frutales -leche y miel y cerezas- sin ayuno.
Porta-alfanje de Harún-al-Rashid, porta-mandoble de Mandricardo el Mandria,
porta-martillo de Carlos Martel,
porta-fendiente de Roldán, porta-tajante de Oliveros, porta-gumía
de Fierabrás, porta-laaza de Lanzarote (¡ búen Lancelot tan dado a su Ginevra!)
y a la del Rey Artús, de la Ca... de la Mesa Redonda...;
porta-lámpara de Al-Eddin, el Loca Suerte, y guardián y cerbero de su anillo
y del de los Nibelungos: pero nunca guardián de serrallo ni cancerbero ni evirato de harem...
Y fui el Quinto de los Tres Mosqueteros (no hay quinto peor) -veinte años después-.

Y Faraute de Juan Sin Tierra y fiduciario de
Terry Collett Jun 2013
You used to sit
on the cross beams
drilling holes through
for the wiring

circa 1965
on some building site
where Clifton
had left you

with the tools
for the jobs
he wanted done
hand drill

screwdrivers
hammer
chisel
and enough electric cable

to reach
the North pole
in the background
transistor radios

were blasting out
pop music
Bob Dylan
the Beatles

The Rolling Stones
and here and there
other guys
plasterers and painters

and bricklayers
all doing their job
when and where
they could

and you wondered if Clifton
would remember
to pick you up
after work or if

you'd have to get
the bus home spending
your own money
which he seldom repaid

(the tight ***)
but sometimes
you thought of Judith
and what

she was doing
and whom
she was seeing now
thinking back

to the  days
when she was yours
the bright days
the days you spent

by the pond
(which she
called the lake)
the kissing

the loving
the sun over
the pond
making shadows

and bright places
or the days at school
on the sports field
after recess

her words
her wisdom
her bright eyes
and smile lingering

as you bored the hole
in another cross beam
yours hands aching
from the constant turning

and Dylan singing
Blowing in the Wind
from some transistor
across the way

another hole to bore
another boring day.
dana green Aug 2013
Three years ago four words crossed the threshold of my ear lobes and hypnotized me into a comatose state. only to be awaken by the sound of their sweet puncturing i rewinded these words with hungry haste
rewind rewind
play
these words swan through my canals
  relaxed as they finally found a home once more;
a home they might have already unpacked in,
                                                            p­erhaps in another life.

As they peeled their cloaks and unfolded into the folds of my lobes they sighed with content,
for my revelation was their new beginning
finally finding meaning once again in a universe where you cant live if you don’t have money,
  a sick sweet sour fabricated fact that penetrates the core of their solar plexis
                                leaving them unholy when the money structure takes over
                                holy when thought towers once again

With the ability of a person to move forward these words do no harm inflated with hope perfection honesty, embracing a utopia,
a now reality that you cant find on your starched TV.

Three years ago four words locked in a brassy compass whispered to me change the way you dream the way you perceive and what you do everyday and make sure you let your feet drag the mud behind you as you tow through the thick swamps of hate on the uprising paddleboat plays of justice.

Without her stark voice without The wandering jewess, Jesus-like Judith playing spells on my ears life would not have found a place where it holds comfort in the tempest.
These words like a shelter are my umbrella
but no ordinary umbrella covers here no,
no this umbrella knows when to open its arms to pour oms down my neck when drops are warm like skin on skin
and sunshine is bold like in black and white stills.

When wine is under trees these words will reflect in the crystalline stream I found in my inner cosmos when I was fourteen.

The people will have risen and Cain will have been banished and lovers will still lie limpid and hungry for the words of the storm eyed woman to ring like bells in towers above their heads again.

They are looking for paradise but they don’t know they are already in paradise, paradise now, paradise is now
They are searching for the words they have already heard they just don’t know what has occurred and sweat drips down their stems as they run in their minds to the revolution that has already freed us from the legacy of Cain.
Not for all,
But for us.
      A revolution of the mind.

These words will wake up sleepers and make the banks run after the money no one cares about.
These words are almost too holy for me to say out loud in only one voice they play and in one voice they say,
“TO DO USEFUL WORK”
Those words sing like they are of the angels like they have wings
Those words take their homes not only in my folds by in the white blood cell donuts of my fingertips, defending me from the ****** that say art cannot be my food.

The wandering jewess, Jesus-like Judith carved those words out of freshwater pears for me to drape around my neck like the arms of an infant crossed over the nursing chest.
My fingers wrap around those words like they are the scripture they are the word of my god cleansed by the salt water winds of wooden ships rummaging for rapture and something more than themselves.


Sometimes, wanderers find a home when alphabet fingerprints find a match to their long lost story

And sometimes, the UV rays hit your lens just right so that you can pass through a prism and come out a rainbow

And sometimes, gumballs come out the color you want,

the one that you patiently cranked for.
Terry Collett May 2013
School over
Judith began work
in town
in some grocery store

filling shelves
talking to customers
sitting on the checkout
and you went

saw her there once
busy
clothed
in the company’s

uniform
she was filling up holes
on the shelves
what are you doing here?

she said
you said you had a day off
from the petrol station
where you worked

out of town
that you wanted
to see her
how about tonight?

you asked
I can’t tonight
I’m working late
and I’m so tired

when I get home
what about tomorrow?
she said
I can’t

you said
I work until 8
she continued
filling the shelves

you looked about the store
taking in
the closed in feel
like being trapped

she looked about her
can’t talk for long
in case the manager
comes and bawls me out

she said
like being at school
you said
worse

she said
you looked at her
standing there
the uniform

the captivity of being
her eyes being fed
labels and prices
and contents of packets

her hands busy
the fingers moving
her cheeks flushed
her lips slightly pursed

as if wanting to kiss
but dare not
remember the first kiss we had?
you asked

yes
she said
pausing her work
gazing at you

Christmas while singing carols
with the choir
out in the evening air
no one looking

not seeming to care
she said
you just 14
me a still 13

going on 14
yes it had been like that
you recalled
and from the first time

you saw her
her eyes leapt out
at you and your heart
thumped inside

your chest
like some mad thing
wanting to get out
but that was then

you thought
watching her work
the school days over
the free time less

she in town working
all hours
you out of town
working the gas station

(you liked
the Americanization
of the term) till late
she busy

looking over her shoulder
time running out
love leaking away
she worried about

the manager seeing
you wanting to stay
but then
some store supervisor came

and moved on
to some other chore
and she waved
and you waved back

things weren’t
the same
the love not
as it was before.
Late, my grandson! half the morning have I paced these sandy tracts,
Watch'd again the hollow ridges roaring into cataracts,

Wander'd back to living boyhood while I heard the curlews call,
I myself so close on death, and death itself in Locksley Hall.

So--your happy suit was blasted--she the faultless, the divine;
And you liken--boyish babble--this boy-love of yours with mine.

I myself have often babbled doubtless of a foolish past;
Babble, babble; our old England may go down in babble at last.

'Curse him!' curse your fellow-victim? call him dotard in your rage?
Eyes that lured a doting boyhood well might fool a dotard's age.

Jilted for a wealthier! wealthier? yet perhaps she was not wise;
I remember how you kiss'd the miniature with those sweet eyes.

In the hall there hangs a painting--Amy's arms about my neck--
Happy children in a sunbeam sitting on the ribs of wreck.

In my life there was a picture, she that clasp'd my neck had flown;
I was left within the shadow sitting on the wreck alone.

Yours has been a slighter ailment, will you sicken for her sake?
You, not you! your modern amourist is of easier, earthlier make.

Amy loved me, Amy fail'd me, Amy was a timid child;
But your Judith--but your worldling--she had never driven me wild.

She that holds the diamond necklace dearer than the golden ring,
She that finds a winter sunset fairer than a morn of Spring.

She that in her heart is brooding on his briefer lease of life,
While she vows 'till death shall part us,' she the would-be-widow wife.

She the worldling born of worldlings--father, mother--be content,
Ev'n the homely farm can teach us there is something in descent.

Yonder in that chapel, slowly sinking now into the ground,
Lies the warrior, my forefather, with his feet upon the hound.

Cross'd! for once he sail'd the sea to crush the Moslem in his pride;
Dead the warrior, dead his glory, dead the cause in which he died.

Yet how often I and Amy in the mouldering aisle have stood,
Gazing for one pensive moment on that founder of our blood.

There again I stood to-day, and where of old we knelt in prayer,
Close beneath the casement crimson with the shield of Locksley--there,

All in white Italian marble, looking still as if she smiled,
Lies my Amy dead in child-birth, dead the mother, dead the child.

Dead--and sixty years ago, and dead her aged husband now--
I this old white-headed dreamer stoopt and kiss'd her marble brow.

Gone the fires of youth, the follies, furies, curses, passionate tears,
Gone like fires and floods and earthquakes of the planet's dawning years.

Fires that shook me once, but now to silent ashes fall'n away.
Cold upon the dead volcano sleeps the gleam of dying day.

Gone the tyrant of my youth, and mute below the chancel stones,
All his virtues--I forgive them--black in white above his bones.

Gone the comrades of my bivouac, some in fight against the foe,
Some thro' age and slow diseases, gone as all on earth will go.

Gone with whom for forty years my life in golden sequence ran,
She with all the charm of woman, she with all the breadth of man,

Strong in will and rich in wisdom, Edith, yet so lowly-sweet,
Woman to her inmost heart, and woman to her tender feet,

Very woman of very woman, nurse of ailing body and mind,
She that link'd again the broken chain that bound me to my kind.

Here to-day was Amy with me, while I wander'd down the coast,
Near us Edith's holy shadow, smiling at the slighter ghost.

Gone our sailor son thy father, Leonard early lost at sea;
Thou alone, my boy, of Amy's kin and mine art left to me.

Gone thy tender-natured mother, wearying to be left alone,
Pining for the stronger heart that once had beat beside her own.

Truth, for Truth is Truth, he worshipt, being true as he was brave;
Good, for Good is Good, he follow'd, yet he look'd beyond the grave,

Wiser there than you, that crowning barren Death as lord of all,
Deem this over-tragic drama's closing curtain is the pall!

Beautiful was death in him, who saw the death, but kept the deck,
Saving women and their babes, and sinking with the sinking wreck,

Gone for ever! Ever? no--for since our dying race began,
Ever, ever, and for ever was the leading light of man.

Those that in barbarian burials ****'d the slave, and slew the wife,
Felt within themselves the sacred passion of the second life.

Indian warriors dream of ampler hunting grounds beyond the night;
Ev'n the black Australian dying hopes he shall return, a white.

Truth for truth, and good for good! The Good, the True, the Pure, the Just--
Take the charm 'For ever' from them, and they crumble into dust.

Gone the cry of 'Forward, Forward,' lost within a growing gloom;
Lost, or only heard in silence from the silence of a tomb.

Half the marvels of my morning, triumphs over time and space,
Staled by frequence, shrunk by usage into commonest commonplace!

'Forward' rang the voices then, and of the many mine was one.
Let us hush this cry of 'Forward' till ten thousand years have gone.

Far among the vanish'd races, old Assyrian kings would flay
Captives whom they caught in battle--iron-hearted victors they.

Ages after, while in Asia, he that led the wild Moguls,
Timur built his ghastly tower of eighty thousand human skulls,

Then, and here in Edward's time, an age of noblest English names,
Christian conquerors took and flung the conquer'd Christian into flames.

Love your enemy, bless your haters, said the Greatest of the great;
Christian love among the Churches look'd the twin of heathen hate.

From the golden alms of Blessing man had coin'd himself a curse:
Rome of Caesar, Rome of Peter, which was crueller? which was worse?

France had shown a light to all men, preach'd a Gospel, all men's good;
Celtic Demos rose a Demon, shriek'd and slaked the light with blood.

Hope was ever on her mountain, watching till the day begun--
Crown'd with sunlight--over darkness--from the still unrisen sun.

Have we grown at last beyond the passions of the primal clan?
'**** your enemy, for you hate him,' still, 'your enemy' was a man.

Have we sunk below them? peasants maim the helpless horse, and drive
Innocent cattle under thatch, and burn the kindlier brutes alive.

Brutes, the brutes are not your wrongers--burnt at midnight, found at morn,
Twisted hard in mortal agony with their offspring, born-unborn,

Clinging to the silent mother! Are we devils? are we men?
Sweet St. Francis of Assisi, would that he were here again,

He that in his Catholic wholeness used to call the very flowers
Sisters, brothers--and the beasts--whose pains are hardly less than ours!

Chaos, Cosmos! Cosmos, Chaos! who can tell how all will end?
Read the wide world's annals, you, and take their wisdom for your friend.

Hope the best, but hold the Present fatal daughter of the Past,
Shape your heart to front the hour, but dream not that the hour will last.

Ay, if dynamite and revolver leave you courage to be wise:
When was age so cramm'd with menace? madness? written, spoken lies?

Envy wears the mask of Love, and, laughing sober fact to scorn,
Cries to Weakest as to Strongest, 'Ye are equals, equal-born.'

Equal-born? O yes, if yonder hill be level with the flat.
Charm us, Orator, till the Lion look no larger than the Cat,

Till the Cat thro' that mirage of overheated language loom
Larger than the Lion,--Demos end in working its own doom.

Russia bursts our Indian barrier, shall we fight her? shall we yield?
Pause! before you sound the trumpet, hear the voices from the field.

Those three hundred millions under one Imperial sceptre now,
Shall we hold them? shall we loose them? take the suffrage of the plow.

Nay, but these would feel and follow Truth if only you and you,
Rivals of realm-ruining party, when you speak were wholly true.

Plowmen, Shepherds, have I found, and more than once, and still could find,
Sons of God, and kings of men in utter nobleness of mind,

Truthful, trustful, looking upward to the practised hustings-liar;
So the Higher wields the Lower, while the Lower is the Higher.

Here and there a cotter's babe is royal-born by right divine;
Here and there my lord is lower than his oxen or his swine.

Chaos, Cosmos! Cosmos, Chaos! once again the sickening game;
Freedom, free to slay herself, and dying while they shout her name.

Step by step we gain'd a freedom known to Europe, known to all;
Step by step we rose to greatness,--thro' the tonguesters we may fall.

You that woo the Voices--tell them 'old experience is a fool,'
Teach your flatter'd kings that only those who cannot read can rule.

Pluck the mighty from their seat, but set no meek ones in their place;
Pillory Wisdom in your markets, pelt your offal at her face.

Tumble Nature heel o'er head, and, yelling with the yelling street,
Set the feet above the brain and swear the brain is in the feet.

Bring the old dark ages back without the faith, without the hope,
Break the State, the Church, the Throne, and roll their ruins down the *****.

Authors--essayist, atheist, novelist, realist, rhymester, play your part,
Paint the mortal shame of nature with the living hues of Art.

Rip your brothers' vices open, strip your own foul passions bare;
Down with Reticence, down with Reverence--forward--naked--let them stare.

Feed the budding rose of boyhood with the drainage of your sewer;
Send the drain into the fountain, lest the stream should issue pure.

Set the maiden fancies wallowing in the troughs of Zolaism,--
Forward, forward, ay and backward, downward too into the abysm.

Do your best to charm the worst, to lower the rising race of men;
Have we risen from out the beast, then back into the beast again?

Only 'dust to dust' for me that sicken at your lawless din,
Dust in wholesome old-world dust before the newer world begin.

Heated am I? you--you wonder--well, it scarce becomes mine age--
Patience! let the dying actor mouth his last upon the stage.

Cries of unprogressive dotage ere the dotard fall asleep?
Noises of a current narrowing, not the music of a deep?

Ay, for doubtless I am old, and think gray thoughts, for I am gray:
After all the stormy changes shall we find a changeless May?

After madness, after massacre, Jacobinism and Jacquerie,
Some diviner force to guide us thro' the days I shall not see?

When the schemes and all the systems, Kingdoms and Republics fall,
Something kindlier, higher, holier--all for each and each for all?

All the full-brain, half-brain races, led by Justice, Love, and Truth;
All the millions one at length with all the visions of my youth?

All diseases quench'd by Science, no man halt, or deaf or blind;
Stronger ever born of weaker, lustier body, larger mind?

Earth at last a warless world, a single race, a single tongue--
I have seen her far away--for is not Earth as yet so young?--

Every tiger madness muzzled, every serpent passion ****'d,
Every grim ravine a garden, every blazing desert till'd,

Robed in universal harvest up to either pole she smiles,
Universal ocean softly washing all her warless Isles.

Warless? when her tens are thousands, and her thousands millions, then--
All her harvest all too narrow--who can fancy warless men?

Warless? war will die out late then. Will it ever? late or soon?
Can it, till this outworn earth be dead as yon dead world the moon?

Dead the new astronomy calls her. . . . On this day and at this hour,
In this gap between the sandhills, whence you see the Locksley tower,

Here we met, our latest meeting--Amy--sixty years ago--
She and I--the moon was falling greenish thro' a rosy glow,

Just above the gateway tower, and even where you see her now--
Here we stood and claspt each other, swore the seeming-deathless vow. . . .

Dead, but how her living glory lights the hall, the dune, the grass!
Yet the moonlight is the sunlight, and the sun himself will pass.

Venus near her! smiling downward at this earthlier earth of ours,
Closer on the Sun, perhaps a world of never fading flowers.

Hesper, whom the poet call'd the Bringer home of all good things.
All good things may move in Hesper, perfect peoples, perfect kings.

Hesper--Venus--were we native to that splendour or in Mars,
We should see the Globe we groan in, fairest of their evening stars.

Could we dream of wars and carnage, craft and madness, lust and spite,
Roaring London, raving Paris, in that point of peaceful light?

Might we not in glancing heavenward on a star so silver-fair,
Yearn, and clasp the hands and murmur, 'Would to God that we were there'?

Forward, backward, backward, forward, in the immeasurable sea,
Sway'd by vaster ebbs and flows than can be known to you or me.

All the suns--are these but symbols of innumerable man,
Man or Mind that sees a shadow of the planner or the plan?

Is there evil but on earth? or pain in every peopled sphere?
Well be grateful for the sounding watchword, 'Evolution' here,

Evolution ever climbing after some ideal good,
And Reversion ever dragging Evolution in the mud.

What are men that He should heed us? cried the king of sacred song;
Insects of an hour, that hourly work their brother insect wrong,

While the silent Heavens roll, and Suns along their fiery way,
All their planets whirling round them, flash a million miles a day.

Many an aeon moulded earth before her highest, man, was born,
Many an aeon too may pass when earth is manless and forlorn,

Earth so huge, and yet so bounded--pools of salt, and plots of land--
Shallow skin of green and azure--chains of mountain, grains of sand!

Only That which made us, meant us to be mightier by and by,
Set the sphere of all the boundless Heavens within the human eye,

Sent the shadow of Himself, the boundless, thro' the human soul;
Boundless inward, in the atom, boundless outward, in the Whole.

                                                *

Here is Locksley Hall, my grandson, here the lion-guarded gate.
Not to-night in Locksley Hall--to-morrow--you, you come so late.

Wreck'd--your train--or all but wreck'd? a shatter'd wheel? a vicious boy!
Good, this forward, you that preach it, is it well to wish you joy?

Is it well that while we range with Science, glorying in the Time,
City children soak and blacken soul and sense in city slime?

There among the glooming alleys Progress halts on palsied feet,
Crime and hunger cast our maidens by the thousand on the street.

There the Master scrimps his haggard sempstress of her daily bread,
There a single sordid attic holds the living and the dead.

There the smouldering fire of fever creeps across the rotted floor,
And the crowded couch of ****** in the warrens of the poor.

Nay, your pardon, cry your 'forward,' yours are hope and youth, but I--
Eighty winters leave the dog too lame to follow with the cry,

Lame and old, and past his time, and passing now into the night;
Yet I would the rising race were half as eager for the light.

Light the fading gleam of Even? light the glimmer of the dawn?
Aged eyes may take the growing glimmer for the gleam withdrawn.

Far away beyond her myriad coming changes earth will be
Something other than the wildest modern guess of you and me.

Earth may reach her earthly-worst, or if she gain her earthly-best,
Would she find her human offspring this ideal man at rest?

Forward then, but still remember how the course of Time will swerve,
Crook and turn upon itself in many a backward streaming curve.

Not the Hall to-night, my grandson! Death and Silence hold their own.
Leave the Master in the first dark hour of his last sleep alone.

Worthier soul was he than I am, sound and honest, rustic Squire,
Kindly landlord, boon companion--youthful jealousy is a liar.

Cast the poison from your *****, oust the madness from your brain.
Let the trampled serpent show you that you have not lived in vain.

Youthful! youth and age are scholars yet but in the lower school,
Nor is he the wisest man who never proved himself a fool.

Yonder lies our young sea-village--Art and Grace are less and less:
Science grows and Beauty dwindles--roofs of slated hideousness!

There is one old Hostel left us where they swing the Locksley shield,
Till the peasant cow shall **** the 'Lion passant' from his field.

Poo
judy smith Sep 2015
In just a little bit, we’ll begin to see Christmas holiday decorations, which start showing up even before Halloween. And along with the strings of lights all over the place will be a set of emotions that accompany the presents we are supposed to give.

A recent question from a reader provides an opportunity to talk about gift-giving expectations for all occasions. In this case, an upcoming wedding triggered the gift dilemma. As part of a regular feature on family financial feuds, I will address the issues the person raised.

The background: The reader’s niece is getting married. The bride and groom both work part time. The reader relayed that her niece had dropped out of college after a year and a half. The reader checked out her niece’s bridal registry and was “kind of blown away” by the high-end items, including pots and pans that cost $200 each and Kate ***** dish towels.

“I sent my sister a gentle text about being surprised that Kate ***** even made dish towels,” the reader wrote during one of my online discussions, “and she responded saying, ‘Don’t buy her anything. I will get you the information on her student loans (which she has not been responsible about) and pay those down instead of buying her anything.’”

The gift suggestion about the student loans didn’t sit well with the aunt, who already is upset since she co-signed. “My credit score is down 100 points because of it,” she wrote.

The conflict: “There are many issues here to deal with,” the aunt explained, not the least of which is that when her own daughter got married several years ago, the reader’s sister did not give a wedding present.

She continued: “I know my sister has struggled financially since her divorce, so I didn’t let it bother me. It just feels weird to pay down someone’s student loans as a wedding gift. My husband thinks I shouldn’t pay down the student loans. I am inclined to pay down something, but also get her some small items (no Kate ***** dish towels!). Any ideas?”

The bottom line: Here’s the crux of the family financial drama: “My sister [is] basically asking me for money, when she did nothing — not even a card — for my daughter’s wedding.”

There are three issues as I see it: the student loans, the pressure to buy from a registry, and retribution.

The student-loans problem shouldn’t be lumped in with the whole gifting issue. The reader refers to the debt as “someone’s student loans.”

But those are her loans, too. When you co-sign, you’re not merely providing your good credit name as a reference. Paying the loans isn’t a gift. It’s her responsibility.

If I were the reader, I would sit down with my niece and talk about how we are going to handle the debt going forward. It may be that she has to make payments until the niece is in a financial position to pick them back up.

As for the gift registry, some people list big-ticket items they can’t afford, or they expect that perhaps a group of friends or relatives may share the cost. However, sometimes it does feel like registries are an excuse for the couple to be greedy. I routinely ignore what’s picked out if I can’t find something in my budget. A registry shouldn’t be seen as a mandatory shopping list.

By the way, just because someone is underemployed or having financial troubles doesn’t mean he or she shouldn’t want nice things or even brand-name items.

Now, let’s address the core issue here. The reader is hurt that her daughter didn’t receive a wedding present.

Gifts are sometimes interpreted as a symbol of what people think of you. But if the reader’s sister and niece attended the wedding and wished the bride and groom well, shouldn’t that count for as much as, if not more than, some gaudy gift?

As Judith Martin, the etiquette columnist known as “Miss Manners,” says, a wedding invitation is not an invoice. Yes, it’s a thoughtful gesture when people give. Nonetheless, be careful about your sense of entitlement whether it’s for a wedding or the holiday season.

I believe it’s our presence — not presents — that matters most.

You might wonder: Well, should the reader in return simply attend the wedding and wish the couple well?

If she doesn’t give a wedding gift in retribution, that’s being ill-mannered.

Just because you didn’t get doesn’t mean you shouldn’t give. And if a family member fails to give, be gracious and remember it really is better to give than to receive.

read more:www.marieaustralia.com/long-formal-dresses

www.marieaustralia.com/formal-dresses-adelaide
The day was clear as fire,
the birds sang frail as glass,
when thirsty I came to the creek
and fell by its side in the grass.

My breast on bright moss
and shower embroidered weeds,
my lips to the live water,
I saw him turn in the reeds.

Black horror sprang from the dark
in a violent birth
and through its cloth of grass
I felt the clutch of earth.

O beat him into the ground
O strike him till he dies,
or else your life itself
drains through those colourless eye.

I struck again and again.
Slender in black and red
he lies, and his icy glance
turns outwards, clear and dead.

But nimble my enemy
as water is, or wind.
He has slipped from his death aside
and vanished into my mind.

He vanished whence he came,
my nimble enemy;
and the ants come out to the snake
and drink at his shallow eye.
Terry Collett Jan 2014
Judith sat on her bed
the window showed
night sky

and moon
and stars
she'd been

carol singing
with the choir
walking the route

outlined
singing at houses
to people

she and Benedict
amongst others
the parson

had the torch
others battery lamps
to read from sheets

she had walked
with Benedict
close by

near to his elbow
breathed in
his air

not cold
his hands
holding the sheet

if I lean closer
I can rub mine
against his

she did
skin on skin
she lifted her eyes

from the sheet
with words of carols
studied his face

lit up by
lamp light
hazel eyes

lips open
now closed
kiss

O if
maybe he will
if

she leaned in
he looked up
from the sheet

looked at the others
nearby rustling sheets
moving lamps

shadowed
he moved in
please kiss

she sensed him near
lips brushed
closer please

touch me
fill me
empty me

he moved in
pressed his lips
to hers

all else blanked
moon
stars

sky
others
rustling sheets

light gone
all else
but the kiss

the lips
undone
opened up

filled
she sensed
knife-like wounds

in her being
in her heart
in her ***

her heart somersaulted
her lips burned
to bright red

and branded his
more more
press

into me
seal our lips
as one

his free hand
encircled her
hers

encircled him
her bed creaked
she moved

further back
their lips
had parted

carols began
others sang
he and she

rustled sheets
lips aflame
she felt older

than her 13 years
at that moment
in time

he seemed ancient
in his 14 years aged
just love

lips
kiss
no crime.
A GIRL AND BOY IN 1961 CAROL SINGING AT CHRISTMAS.
Kate Joseph May 2012
I'm awokenby the near-deafening sound
of the lighthouse fog horn,
as if the sun sent me a wake-up call
so that I could rise with it simultaneously.
Through my open window
the fresh salt air
is pushed into my nose and lungs
by the winds from the breath of the ocean.
I hear what sounds like a low murmur of pre-movie theater chatter of seagull caws
outside my window.
I look out over the water
and see the waves of high tide crashing against the jetty.
As the perfectly blended colors of the sunrise flood my vision,
I smile because I know that I am home.
The crowning of queen Avril


Just the other say Avril Fuller died who gAve Cronus a new face into helping the next generator learn about Brian Allan. And as soon as Avril got up to Saturn last night there was a party, Indian theme done in her honour. There is plenty of fun for everyone, like Bollywood dancers and great Indian food, and methane rtippex all over it, this was a fun way to welcome Avril fuller to outer space and here is slim dusty, with his song for Avril, you've done us proud miss fuller
You see young dame Avril fuller
You have done us proud
You lightened up the world with
Your beauty when people feel sad
Whether we are naughty or when we are bad. Oh Avril fuller old lady yeah
You have done us really proud
You see mrs fuller you are my dame
I really love you oh yeah pretty woman your family will miss you yeah. Earth will miss you so very much, but when you are reborn we will see more life, that would be great.  You see pretty Avril fuller you done is real proud and now my second song, I would lio have a green tea Roth Avril I would love to have a green tea with Av, you see she likes to keep her body healthy but still it didn't stop her from dying which says one thing to me. Don't say you will live forever. Cause that is not on, I would love to have a coke with her family, yeah the Fullers are do great, they make sure everyone is looked after, and then it's time for themselves you see we drink in the time of war. Mate as well In the time of peace, you see I would love to have a coke with their family cause to me they're good mates
And now we bring out our mistress of ceremonies to be crowned queen of Saturn. And Avril said, thanks everyone this has been great, I really really liked being welcomed up here. And I guarantee there will loads of stuff to do up here for everyone to party, ya know Bollywood style
It will be so much fun and I give Tony and Judith a big kiss, then Avril decided to grab Tony by the hand and did a little Bollywood, that was a great dance session for them and then Judith joined in and boy did they have a wow of a time, it was ****** cool, everyone was really happy and Tony and Judith were happy that Avril had found her home on saturn, ready to enter her next life in 9 months, it just sounds so cool mate


Sent from my iPhone
Third Eye Candy Apr 2018
Judith Broom had a knick-knack drawer like everybody else. She absentmindedly tossed her keys there too, amid the random screws to lost things, and spent tubes of glue. Love letters got snagged in there, along with stale coupons and inexplicable dust. It was dust like glass and horsehair. Judith Broom rummaged with her bare hands to the very back of her knick-knack drawer, groping for a shape she remembered. She conjured a sphere that fit the palm of her hand, and the Talisman hummed like a newborn sun in her undergarments. She took nothing for granted.

And nothing could harm it.
Jordan Apr 2013
It's time to put aside the traditional concepts of relationship and seriously consider the notion of a cosmic, spiritual partnership that will transcend those of the past. Not only is this new concept beginning to take hold and flourish, in the end it is going to prevail. And it's going to prevail because ego will have no place in such a union. Spiritual partnership is based upon equality, balance between the male and female energies, the freedom and the strength to be one's self while taking responsibility for one's actions, sacred sexuality, open and truthful communication without fear of ridicule, honoring and respecting the other's strengths and weaknesses, and the genuine recognition that your partner is truly your most intimate and all-embracing friend.
Terry Collett Dec 2012
Before choir practice
before entering
the vestry door
you and Judith

stayed behind
and waited until
the others
had gone inside

and Judith said
look at those stars
and how dark blue
the sky is

you gazed up
at the evening spread
of dark blue
and stars

and moon
to one side
and you put
your hand

around her waist
and drew her close
and she lay
against you

and you said
I read some place
that some
of those distant stars

burned out
centuries ago
and what we see
is the ghostly glow

of dead stars
and she turned your head
towards her
and kissed you

and the pressing
of her lips on yours
and her hands
on your waist

and her 13 year old
******* pushing
against your
14 year old chest

and the sound
of the choir starting up
in practice in the church
and the flight of bats

across
the evening sky
and she holding you near
and the lips engaged

and the eyes closed
and the breathing
taken in
coming up for air

and behind you
the aging graves
the tombstones
with moss

and half lit
by moonlight
and star’s glow
and you held her

in place face to face
with your hands
upon the cheeks
of her behind

eyes still closed
in the land
of the love ******
blind.
Terry Collett Apr 2013
Outside the church
after the Sunday service
after singing
in the choir

Judith followed you
out of the vestry
into the daylight
amongst the gravestones

at the back
of the church
where she stood
looking around her

with you at her side
you oughtn’t to have done that
she said
what?

you said
put that button
in the collection box
when it came around

the choir stalls
I left my collection money
in my coat pocket
you said

but a button
she said
better to have put nothing in
than that

a black bird settled
on the top
of a gravestone nearby
then flew off

you’re right
you said
I ought not
to have put it in I’m sorry

it’s not me
you have to say sorry to
Judith said
it’s God

whom you defrauded
she turned
and looked at you
with her big blue eyes

and that look she had
when she was disappointed
anyway
she said

I still love you despite
you defrauding God
of his collection pence
come on you two

her sister called
from the side
of the church
aren’t you coming home

the bus will be here soon
ok we’re coming
Judith called back
her sister and yours disappeared

and you said
I don’t deserve you
or your love
no you don’t

she said
but there you are
when can we ever choose
whom to love

we either love
or we don’t and I do
and she kissed your cheek  
and took your hand

and you walked
by the gravestones
along the narrow pathway
by the side

of the church
and I love you too
you said
softly walking

through the midst
of the buried
and dead.
Roman Pavel Jan 2016
August 4th, 1942
My sweet darling Judith, I’m sorry I could not write before
We’ve been so busy, training and preparing for war
It’s been almost a year since I’ve seen your angelic face
Oh how I cannot wait to collapse into your heavenly embrace
How are your parents? Are they doing well?
And what about our daughter Dorothy? Hope she’s not giving you hell
Just know, I miss you all with all my heart
And cannot wait till we’re no longer apart

October 2nd, 1942
Oh my dear sweet James, I’m so glad that you finally wrote
My soul aches for your return, like a knot in my throat
My parents are well; they just bought a new home
And Dorothy is finally learning to walk, oh the places she’ll roam
How are you being treated? Are you doing well?
And what about the other soldiers? Hope they’re not giving you hell
Well I can’t wait for your return; I’ll stay on guard
And protect our home, like your protecting us abroad

November 22nd, 1942
It pains to hear I cannot see our daughter growing up
But every morning I rejoice while I sip from my Dixie cup
Because I’m alive, and I know all of you are safe and sound
And ill make it back home, to see you again, my love found
The other soldiers are fine; I met a friend named Mike
He’s also from Mississippi; we have much alike
The sergeant can be a pain, from time to time
But I know its all for the best, living in this grime

December 28th, 1942
Every morning I wake, I pray that you’re still alive
I don’t know if I could make it, how this family will survive
Christmas was hard; my father has passed
My mother is in tears; I don’t know how much longer she’ll last
But, I maintain my faith in our child and our love
And most of all in god almighty above
He’ll bring you back home, all safe and sound
And our family will be stronger upon this ground





January 27th, 1943
My heart drips tears of anguish upon this ****** ground
For your father was the greatest of men I had found
It seems like Christmas was eons ago
And in the New Year, I fought in the trenches below.
My friend Mike fell victim to a land mine.
I hope one day we can visit his shrine
He was a great man that I wish to remember
A shinning light in the cold darkness of December

February 14th, 1943
Happy Valentines Day from your family back home
Since my father has passed we had to take out a bank loan
We sold the house and now my mother lives with me
With your daughter it’s a generational house of three
Times our getting hard, but I imagine for you its much worse
This war is nothing more than a curse
How I plead every night and morning for you to come back
And get this family back on life’s track

February 14h, 1943
Happy Valentines Day my love, my world
Images of you flash every time my body is curled
For you are the only one that I fight for
But, I don’t know how much longer I can fight this war
My body is weak, and my spirit is drained
On top of it all, I feel my soul has been stained
I don’t believe men were meant to see such death
But, for you I shall hold on until my last breath

March 18th, 1943
Happy Birthday Judith, Hope things for you are going much better
Hope you’re not falling behind on the debtor
Hope your mother is doing great
Hope our daughter has plenty of food on her plate
Hope you wont get too mad
But lately I’ve been quite sad
Hoping this all will just come to an end
Hopefully I wont loose another friend

May 3rd, 1943
How dare you hang your head low
With all of the duties you still have to go
The payments are hard, but we manage to get by
Everyday I try and try

June 3rd, 1943

Oh sweetheart don’t take my words too harsh
But, you cant begin to even imagine the night I spent in the marsh
It was wet, it was cold, it was filthy, and scary
There were mosquitoes, and pests, and animals of all kinds to be wary
And what? You don’t think that I try?
All the horrors I’ve seen just trying to get by
So save the lip for another man
For I have dealt with all that I can.

July 4th, 1943
It’s the 4th of July, America’s independence day
Yet you are overseas fighting a pointless war away
They should let the Jews take care of their own
And not force good men from their home
There’s a large BBQ tonight at the mill
I hope there will be a good thrill
To finally get out of my cumbersome house
To bad I don’t have the company of my spouse

September 4th, 1943
Happy Birthday James, the father of my child
Things back home have been crazy and wild
My mother finally passed, she caught the fever
And I have lost god, for I am no longer a believer
This is all getting too hard
Dorothy got a stray dog, so now we need a yard
I don’t know how much more I can take
So please, James, hurry back to claim your stake

November 26th 1943
Oh Judith, be patient the war is almost over
But, luck is more than just a 4-leaf clover
You must try and stay strong for us both
Dorothy still has much to learn, and much left in her growth
I’m truly sorry to hear about the passing of your mother
She was kind, loyal, and was unlike any other
Hold on, it will all be over soon my dear
And I will see you again in the New Year






December 21st 1943
I’m sorry James, truly I am
But, I have decided to leave you for another man
Dorothy needs support, she needs a father
And I need someone to lean on, somebody to bother
I feel so alone, and I have nobody to cry to
I have nobody to laugh with; I have nothing to apply to
I’m lost in this world; I’m no longer the woman you know
I have lost the house, and now I live with a fellow named Joe
We met at the mill BBQ that eventful night
He was kind; he was generous, and very polite
Oh, James, I write to you with such a heavy heart
You must understand, that I could no longer take us being apart
I don’t think I could ever forgive you or forgive this war
You left me, for so long, holding the door
But, I can no longer hold this anger inside me
I can no longer carry the burden beside me
I can no longer live a life, wondering if
I need peace of mind, before I fall off of this cliff
My last wish is to have you write back to me
I need to know you understand so that I may be free
I must know, for fear I may take my own life
And leave Dorothy orphaned, in these moments of strife
Ill never forget you James, my dear
And one day, I hope, that our spirits our near

December 25th 1943
To the family of Second Sergeant James E. Wiseman
My sincere condolences for your loss
The body of James, was recovered by Lieutenant Ron Simon
On December 14th, he was buried under a cross
His spirit will be carried on by his platoon,
And his name we will remember
My hopes is that this letter will reach you soon
For James, was a shinning beacon of hope, in the cold darkness of December.
Terry Collett Mar 2013
Outside Stockholm
in that base camp
having put up the tents
and unloaded the bags

and suitcases
from the top
of the truck
you walked with Moira

to the camp cafe
and order two beers
and burgers and fries
and looked out

the window
at the spread of tents
over the campsite
and Moira said

if I have to share a tent
with that Yank girl another night
I’ll go mad
her and her talk

and boasting
of how many men
she’s *******
and where she’s been

and what she’s done
and always wearing
that leather gear
all black and tight

showing her backside
and small ****
and so Moira went on
and you listened

half heartedly
wondering what Judith
was doing in Florence
and who she was with

and if she remembered you
and would bring you back
some gift like she did
from Amsterdam

that postcard
of a Chagall print
which you pinned
to your wall  

and if she so much
as boasts of her education
once more
I’ll break her

FECKING JAW
Moira said loudly
so that people nearby
turned their heads

and stared
your thoughts of Judith
blew away
and the image

of the Chagall print
pinned to your bedroom wall
maybe she’ll sleep elsewhere
you said

who else to sleep with?
she said
huh? who else is there?
what about that Yorkshire girl?

you asked
maybe she will
I’ll ask
Moira said

can only say no
and she sat
and thought
and sipped her beer

and the other people
looked away
and returned
to their conversations

and you sipped yours
taking note of her small hands
and plumpish fingers
and the small *******

pushing through
the tight tee shirt
and the small
silver crucifix

hanging down between
and her moving chin
and you wondered
how well she *******

but didn’t ask
being
you thought
rather rude.
Meenu Syriac Nov 2014
Because all her teardrops fell like snowflakes,
And when summer came, they melted into the ground.
Like dew drops hanging in the mist,
She gave what a fairytale needed,
To end the plight.
And with her music she brought tears to his eyes,
With every note that struck air and made life.
But if the stars might burn with all the fiery warmth of her heart
Then they may know all the tears she's wiped with her hand.
The muffled screams, pocketed within the deepest trenches of her heart.
Only a shadow remains where once she knew light,
Because his eyes could hold no more of her sight,
And in every dark alley, pledged his allegiance to the night.
She was once all he had,
But now his soul he sold to the devil's reign.
Slowly slipping into darkness... Her image reflected in his eyes
Judith, like dust, you fly with the passing wind,
*A memory forgotten in his mind.
©Meenu Syriac
unnamed Jul 2012
She comes to me, my Guardian Angel
And I apprehend with my little heart shaped
tool of ken, the luminosity of the Source
Crashes through the aurora into the
Stratosphere and she is near here supposing
the infinite beginning
All over again
an integrity, bright  white light
Without temperature, she says, “Yes,
You are a mortal immortal…”

she demonstrates her
torrid honor, dignity and warm
Fervor always available in her cosmic &
Iridescent timetable, her dispatch of
Provisions astonishes my worry,

I call her Miss
Instance immemorial,  
She warns of the fans of death and the boon
cosmos encompassing the faithful
The synchronicities she broke apart
And mended, to inseminate the nick of
Time with God-seeds sown into my heart-
she gave me love engulfing time…
Olivia Mercado Aug 2013
I will keep pushing myself.
Keep going.
I will read Edmund Spenser,
Shakespeare, Wilde,
Shelley, Doyle, and CS Lewis
By the end of the summer.
You laugh.
Two weeks, one book a day, it isn't hard.
I only have four chapters of chemistry to finish,
Two chapters of AP Physics,
Four chapters of AP US history,
My personal reading list,
Four debate cases,
And a little light reading
(Judith Butler and Ayn Rand).
I WILL finish everything I have to do.
Refill the coffee ***.
I'll use more eyedrops.
Two weeks.
I will finish my summer homework.
Maybe I shouldn't have procrastinated.
Carmelo Antone Jan 2013
The gun at my hip is ready to make you disappear,
The club your ancestor loved is no match for mind I run,
Think you’ve got the better of me,
Let’s wait and see who welcomes another day of agony,

Life is rough and resembles damnation,
From conception,
Making it to your twenty’s, ******* impressive,
I would have aborted your ***,

Just a dramatic demon,
Despite the deaths of other humans,
Across the ocean,
Far from where I hide,
Far from where I can see,
Where I would mind,

Out of sight,
A place where the bodies lay,
Where militaries fill graves,

Land of the free, land of the incubated,
Indoctrinated,
Intoxicated,

Belated by your brutality,
Why do you think I reach for my 9 milly’

Betrayed by your humanity,
Why do you think my trust in you diminished?
Because you are ******* human,
And Darwin wasn’t dimwitted,

Ignorance graced by intellectually \ lives,
Sprinkled amongst the ash,
However I feel like I should last,

What was I talking about?
That’s right your demise,
At the hands of you despise,

But this shouldn’t be a surprise,
Since you spawned this stupid stride,

I feel like picking on those who can’t find their way out of a compromise,
I don’t mean to pry,
But your confessional is so humanly inviting,
I’ve gotta criticize your justifications for the way you live a life,

The fact you can’t forget the dollar,
The fact you still pop a collar,
Who the **** do you think you are,
You are just a bump in the modern mold,

What am I saying?
Oh yea you’re the prey and I seek relief,

I believe in the possibilities of this species,
But evolution out grew a generation of intellectuals,
So who is going to take the helm?
And make sure we don’t end without spewing a few words,

A generation enslaved by self-entitlement,
Nothing is given to you my son,
You’ve gotta reach for you guns,
And earn your stripes,
He feels compelled
to smack her ***.
Hot pants and red jeggings
jeer him.

The world cannot contain
Weezy.
Nor should it.

He will smack her ***.
James Jarrett May 2014
I always wondered where her love went
It was like it was bled from her
A slit vein that ran dry
I was the only one that she gave it to
And I was young and greedy
And I think that I took it all
Used it up
A hungry pup nursing at the ****
And there was none left over for anyone else
She became withered and dry
And by the time her own children came
That love had been replaced by hate
Maybe it had just been killed
And that hate was like the darkness
That is already in a room
Just waiting for the light to be turned off
And then it takes over everything
It didn't help
That it had been infused with ****** along the way
Shot sweating late at night in a seedy room
Or in the parking lot behind the *******
But something had turned that love to hate
Solidified it in her veins
Until she was nothing
No voice
No heartbeat
Nothing
She became a statue
Just hard stone
And the sad part is that she had four babies
Who tried to nurse from her cold stone ***
And tried to get some of the love that I had
But it was long used up and gone
And they had to try and survive and live
With nothing to feed on but that cold hate
And they all survived for the most part
Except for Amber
Poor Amber
In the end, I think the hate finally got her
Terry Collett Jun 2013
It was the day after
JFK got blown away
and Judith saw Benedict
briefly after work

outside the gas station
where he worked.
Shame about the President,
she said, I quite liked him.

Yes, ******, Benedict said,
why do they do that?
Why blow away a good man
When there are plenty

of bad buggers to blow out.  
Judith looked up at the moon;
her coat was buttoned up
tight to keep out the cold.

How are you? she asked.
Benedict gazed at her.
So so, bored with the job,
**** gas and oil and all that

moaning from the customers.
It comes with the territory,
she said. Apart from that then?
she said. He smelt her perfume;

it was different from her usual.
New scent? She smiled. Yes,
glad you noticed, she said.
Bought it from my own money

instead of having to borrow
my mother’s. That other stuff
was your mother’s? Yes, she said.
God, no wonder it was bad, he said.

She hit his arm. Only joking he said.
How can I tell with you? she said.
When I smile, then I’m joking.
She sniffed the air. Frost coming.

He looked at her walking beside him,
her hands in her pockets, her headscarf
on her head, her hair escaping,
the moonlight catching it.

Cold? he asked, I know how we
can get warm. Not tonight and not
how it went before, she said.
Shame, he said, the moon’s out full

and the stars are bright.
Do you love me? she asked.
Of course I do, he said.
Then wait, she said.

He wanted to hold her hand,
but it was shoved in her pocket.
Can I kiss you? he asked.
She stopped by the roadside.

The hedgerows were like
small dark walls, trees stood
like silent giants. She took out
her hands and held him close

and they kissed. It was the first time
they’d kissed in a while, he
recalled the time before, her lips had
pressed lightly then, half not wanting

to, half unsure. He sensed her lips
there, the pressing was firm, her
warmth warmed him. He held her
about the waist, wanted to touch

her skin, her nakedness. Their
lips parted. They stood looking
at each other. He saw her eyes
catch moonlight, tears reflected.

She sensed a growing apart, she’d met
another, at work, in the town,
wasn’t sure where it would go.  
Benedict sensed uncertainty there,

something out of place,
a connection loosened, despite the kiss
and hold. The darkening night,
the biting of the cold.
Here in my heart I am Helen;
  I'm Aspasia and Hero, at least.
I'm Judith, and Jael, and Madame de Stael;
  I'm Salome, moon of the East.

Here in my soul I am Sappho;
  Lady Hamilton am I, as well.
In me Recamier vies with Kitty O'Shea,
  With Dido, and Eve, and poor Nell.

I'm of the glamorous ladies
  At whose beckoning history shook.
But you are a man, and see only my pan,
  So I stay at home with a book.

— The End —