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"grumpiness" poems
They say it is an art It keeps me quite apart It's never seen as good Yet happy me not understood My grumpy life is good I see the roses Tinted love My sadness makes me happy From such a grumpy chappy It is the way to go The docs do say It's so I'll live a little longer life More grumps i say as I get older I start the day full moan A grumpiness full drone It never ever leaves me My grumpy tree Pure freedom So next time I'm about Expect a grumpy shout You'll know its from my heart My grumpy life This sad old ****
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Jan 1, 2013
Jan 1, 2013 at 3:45 AM UTC
Grumpy
I am hopelessly attracted to grumpiness                                                impatience                                                poignancy                                                eccentricity                                                introversion                                                stubbornness                                                anxiety                                                misanthropy                                                frustration                                                hedonism                                                vulgarity How, then, do I define 'imperfection'?
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Jul 27, 2013
Jul 27, 2013 at 8:37 PM UTC
'Imperfect'
Worry had never been the cause of his laughter lines, the kindly crow's feet, except that moment; the time we all realised. Being old had other symptoms than grumpiness, and white hair. So, like watching a monument crumble, we saw the old man shudder and shake. Then with mouths agape, we knew he had other flaws, our Old Wise Owl, and so it turns out, our Grandfather, placed on the pedestal tall, was, in fact, afraid of heights.
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Dec 3, 2012
Dec 3, 2012 at 4:00 PM UTC
Crow's Feet
I hope you can deal with my grumpiness in the morning My snoring through the night Sometimes I even talk in my sleep I'll want you to cook all the time and cuddle me too I hope you're warm and smell good Please be able to take a joke I love to laugh Love me with all you have Kiss me like it's the last time you ever will Look past my eyes and into my soul See me for my heart and not the body it's attached to Love me for me and I'll do the same for you My future husband, I love you.
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Jul 13, 2017
Jul 13, 2017 at 7:10 AM UTC
To My Future Husband
Don’t forget to wash Your hands after you’ve Been to the toilet Auntie said and don’t Talk with your mouth full Or at the dining Table during meals And always stand when A lady enters The room it’s basic Manners Colin just Basic manners and If you must share the Bacon rind with the **** dog make sure his Lips don’t touch yours and Colin nodded his Head slowly making No reply keeping His mouth closed during The meal stood each time His aunt entered the Room from the kitchen And wondered if his Auntie knew it was He who wrote the short Scribbled poem on The toilet wall and If she had whether She had smiled or laughed Secretly to her Self at the humour Or maybe in her Grumpiness didn’t Give a **** at all.
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Apr 9, 2016
Apr 9, 2016 at 3:20 AM UTC
DON'T FOGET TO. (OLD POEM)
There is a place within us all where grumpiness makes its home. It lurks and festers like a sorid disease and waits for the day it chooses to be seen. Seldom seen by the one who caused it, more ofter let loose on the one who adores you. But like anger, fear, hate and love, grumpiness is just another part of us. But always beware for it can mutate and become depression and cause more pain. So scream and shout and let it rip! Tell grumpiness go pack its **** Sling your hook and ****** off you're not wanted here anymore. And while you find another to plague i'll be sat with a cup of Earl Grey Wondering how you had the gaul to cage my smile you emotional fraud.
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Mar 28, 2016
Mar 28, 2016 at 2:17 PM UTC
Grumpiness
I work with many elderly people and they all sing the same song. “Honey, whatever you do, don’t get old.” They usually say this when a seemingly simple task is too difficult. Their bones all sing the same the song too. A stiff tune, no rhythm, off key. Every movement, an awkward note in a song no one wants to sing. It makes me realize how little my body has lived, and how ungrateful I am. On the days when I “can’t” get out of bed, I inevitably end up swinging my legs over the edge, And hopping up, greeting a day of possibility with grumpiness. Oh what my friends would give for my bones, The joints that move them, the muscles that carry. My body is an upbeat, joyful song I rarely let anyone hear. I feel as if my body is heavy with the weight of the future on my chest; Theirs is heavy with the past on their back. But how lucky are they to have lived such long lives, Lives full enough that their body can’t recover. And how lucky am I to have one before me… And though they can’t hop out of bed, I cannot count the number of times they’ve danced with me while I am holding them up. Can you imagine? Loving life so much that you’re willing to risk extra aching and pain, All for a second of pure joy. Just for a second, of two perfectly imperfect melodies, harmonizing. Just for a second, two young souls, Dancing.
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Aug 24, 2018
Aug 24, 2018 at 6:22 PM UTC
Dancing Souls
Oh my, you are one of a kind. And if you would not mind, I would like to write and write right next to you, while you read Clarissa Dalloway's story. I would like to say that I am more of a Richard, but I really am more of a Sally, minus the homosexual-ness. Vivacity could be a substitute for my first, middle, and last name on most occasions. Yet, I exceedingly relate to Clarissa's adulation for Peter, "it was his sayings one remembered; his eyes, his pocket knife, his smile, his grumpiness and, when millions of things had utterly vanished – how strange it was! – a few sayings like this about cabbages," barring the pocket knight in exchange for a knit hat or two that you would wear inside if it was a social norm. Now as I would write right, my stream of conscious would pour out like the musings of those about to attend Clarissa's party, but most will never see my internal conflicts and revelations because one of those revelations makes me mirror George Eliot. I blanket most of my verses with a sheet of caution because even when one's heart is on their sleeve, that sleeve is a sheet in its own secularity. As George said, or Mary for those who knew she really was, "I like not only to be loved, but also to be told that I am loved. I am not sure that you are of the same mind," and every so often that is why my heart is evident out on my sleeve, and yet the sleeve is steadfast. So that is why I propose, if you would not mind, to let me write and write right next to you, while you read Clarissa Dalloway's story. Because, "oh my," that two-word saying that I remember, as if they are the analogous cabbages of you and I, you are one of a kind, but so am I; our minds are more the same than not. The reality is, if I hosted a party, I would not invite George, Clarissa, or any others; I would invite only you, your eyes, your smile, your grumpiness, and your knit hat, or hats, which I had let you wear inside if you would like, and we would both read many stories and write our own story right next to each other.
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Feb 18, 2018
Feb 18, 2018 at 7:36 PM UTC
oh my
Oh my, you are one of a kind. And if you would not mind, I would like to write and write right next to you, while you read Clarissa Dalloway's story. I would like to say that I am more of a Richard, but I really am more of a Sally, minus the homosexual-ness. Vivacity could be a substitute for my first, middle, and last name on most occasions. Yet, I exceedingly relate to Clarissa's adulation for Peter, "it was his sayings one remembered; his eyes, his pocket knife, his smile, his grumpiness and, when millions of things had utterly vanished – how strange it was! – a few sayings like this about cabbages," barring the pocket knight in exchange for a knit hat or two that you would wear inside if it was a social norm. Now as I would write right, my stream of conscious would pour out like the musings of those about to attend Clarissa's party, but most will never see my internal conflicts and revelations because one of those revelations makes me mirror George Eliot. I blanket most of my verses with a sheet of caution because even when one's heart is on their sleeve, that sleeve is a sheet in its own secularity. As George said, or Mary for those who knew she really was, "I like not only to be loved, but also to be told that I am loved. I am not sure that you are of the same mind," and every so often that is why my heart is evident out on my sleeve, and yet the sleeve is steadfast. So that is why I propose, if you would not mind, to let me write and write right next to you, while you read Clarissa Dalloway's story. Because, "oh my," that two-word saying that I remember, as if they are the analogous cabbages of you and I, you are one of a kind, but so am I; our minds are more the same than not. The reality is, if I hosted a party, I would not invite George, Clarissa, or any others; I would invite only you, your eyes, your smile, your grumpiness, and your knit hat, or hats, which I had let you wear inside if you would like, and we would both read many stories and write our own story right next to each other.
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