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Nathan Squiers Jul 2014
Look, I was gonna go easy on you not to hurt your feelings, but I’m only going to get this one chance!
Something’s wrong… I can feel it.
Just a feeling I got, like something’s about to happen… but I don’t know what.
If that means what I think it means, we’re in trouble—big trouble—and if he’s as bananas as you say I’m not taking any chances!

(You are just what the doc ordered)

I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
Now here I am again for another rap talk, rap talk…
They said I write like a monster, so call me scribe-star,
But for me to write like a beast means I’m a demon at least;
I got a devil kept in my pocket,
On my shoulder’s when I rock it.
Talkin’ of killin’ and of thrillin’; won’t stop it!
Write a demon doorway, now knock on it!
Ever since the dark days when I’d just lost it,
Way back when the world would pace and chant “Nutcase!”
I’m a ******, but I’m charming;
Yes, a crude, rude dude, but I’m still disarming.
Using syllables to **** ‘em all with this
empowering empire of powerful vampires.
The writer-type clackin’ back with typewriters, like way back, right?
Clackity-clack!
Rockin’ stack after stack, clackin’ out more attacks,
Ideas tacked out while hacks hack out their crap (but ******* spew **** all the time),
so I perform written parkour tricks so you’re not bored; strike a chord.
Show you Stryker’s tortured life of suicide ‘n strife turnin’
to strength and a fiery passion burnin’ while readers’ guts are churnin’—
teary eyes all burnin’.
Their fears are returnin’ from a story I turned out when I got turned on
to my own life.
Now I drop F-bombs;
exploding real-life scenes—
these ain’t your G-rated dreams, so take your outdated themes—
It’s the **** I’ve seen; don’t make me obscene.
I’m mean, I mean, it’s my means to screen a scene between a matte sheen.

‘Cause I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
Now here I am again for another rap talk, rap talk…
They ask me to thaw out these oily blocks called ink-wads, ink-wads.
There’s a body in everybody , but not all bodies have a brain that makes them feel sane.
Like a train—just the same—
Might be runnin’ but we still cast blame,
The loading docks of our thoughts; they’re locked-up in a box,
And they’re stackin’ up like blocks
That turn the stacks to empty tracks (****!)
Trainees blame their brainees when it’s not easy training brains, see?
But the boarding isn’t boring—training brains; not trading pains—
Remember: the station’s self-exploration!
Me? I’m a hodgepodge! From train station to abandoned lodge;
Bully dodgin’, fully locked-in when I freaked out, fattened-up and then I geeked out,
Told “keep it down” but then peaked when I peeked deep down.
Creepin’ up, now, and keepin’ up (WOW!)
I swear it up and tear it up scribbled swords,
And now I wear awards for slingin’ words;
Offered praise; a chance to forget about the craze that once darkened all my days,
But I write that way—say “that’s okay ‘cuz it helps me write this way—each and every day!
And hacks think I act this way just to seem this way, ‘til come the day when the cray-cray takes the doubt away.
Demon obsessed? I’m possessed! Can’t own what you don’t possess!
“Hey, devil-lookin’ boy!”
So ***** for my honey I’m rockin’ horns, look here boy!
A Literary Dark Mass-acre,
Like the devil laid waste to a church on the page, looker boy!
They got a gold star, and a high five,
Felt so alive to see their own scribes make it to Momma’s fridge, ****** boy!
Hey, schnook-ah boy, looky here, looker boy,
I’m held up by The Legion, book-it boy!
Had to push for every word—every page—had to swallow all the rage,
Now you want out of your cage, schnook-ah boy?
I’m legendary—literary—and you’re literally just a *****, little boy!
So sell out while I’m bought out, ******-boy!

‘Cause I’m beginning to feel like a write god (write god).
Can all the readers out there who think I’m right nod, right nod.
The way I’m burnin’ through these pages, call me Dark Lord, Dark Lord!
But they’d rather burn my books, so start a fire war, fire war!
Can’t get it through your head? Words are more than Edward! He’s dead! WORD!
Let me drag you off to meet Dracula; take you back to the dawn of the dark lord, yea?
Fast forward to the foreword where the F-word’s “fangs” (you’re welcome);
This is my Hell, come! Be free!
Part Morningstar; part Morpheus! I throw up a kiss and jot down the kills like they’re red-apple pills.
Go ask Alice back at my palace what you should read to feed your head.
Sentence structure so smooth they call me FE-line, and my cat’s got better plot lines,
That the hacks will all call “sublime” (it’s “sub-fine”)
But me?
My **** scenes are brutal,
And my romance? Not frugal. I don’t saturate—I arrogate—
But I don’t condemn my characters to *******!
I wanna make readers care—if readers dare—
To connect and feel and follow where they can find some hope and power there.
While also giving them a place somewhere that isn’t here—though filled with fear—
A place where they don’t feel jeered or feel weird.
Horror ain’t just movie monsters, or gore-****** scopin’ sponsors!
You speak French? C’est de la merde, monsieur!
You look unsure! But I have the cure in the written word!
And though you once were achin’ for a rockstar author cravin’ bacon,
The role has since been taken by your man, Squiers.
And like a pair of pliers, I can reach into readers’ brains and cross all sorts of wires!
I’m settin’ cranial fires behind the eyes of all my buyers!
And while I’m growing Ghost Riders—ridin’ shotgun on the bullet-train ‘tween the pages—
There’s a horde of haters harboring growing rages
With a narrow gaze of who scribes pages.
They say I can’t write ‘cuz of my tattoos or my gauges
So allow me to assuage this: y’all can’t cage this!
If you don’t like it, let me show you where the grave is!
You’re well-aged, but I’m ageless!
Like the undead through the ages!
And like Shakespeare took to stages you can find me where the page is:
I’m hip to a script, I’m at home with a poem and feeling groovy writin’ movies; and I’ll be EZ on your TV.
You write normal? **** being normal!
What a novel theory! So very dreary!
Why the **** are they so leery, they say “Writing fear? We don’t want to hurt no feelings.”
Feelings? Setting up ceilings! Just more limits! It’s life! Live it!
Set the roof on fire!
Plot is getting hotter than a 24/7 squatter on a ***** channel!
So what if some **** gets a hair up ‘er ****? Don’t make it ****!
They wanna say “Hey you, we’re here to stifle!”
‘Cuz I mentioned rifles? Do they really want to trifle?
So I say:
“Better bring a sweater ‘cuz this thriller’s gonna chill ya—sure hope it doesn’t **** ya—and ya gonna get’a fill o’ all the ***** that I don’t give, ‘cuz I don’t live to let ******* quip or give me lip about my lit.
I’m entertaining and elating and also demonstrating how devastating a stream of escalating scenes can be so penetrating—although frustrating—to a mind that’s celebrating what it means to be vacationing between the pages; wading through the stages of a war that forever wages; meditating through the escalations now that they know what TRUE rage is!
“Oh, he’s too ******!”
That’s right! Ain’t right. That’s life: not nice; it’s strife.
It’s not just me; it’s we.
I just found a better way to show it:
Monsters that aren’t monsters;
Abuse put to good use; bred virtues!
“I don’t know how to plot plots like that;
I don’t know what words to use.”
Did it really never occur to them that to read a book—just to take a look—and THEN take up the pen?
You read King if you want to be king, strictly speaking.
A writing mind that isn’t a reading mind is a weakling; a weak link.
I’m a scholar—not a bawler—so I’m a flyer where there’s fallers;
Raised on Goosebumps and Creepy Crawlers so I’d Stine while others whined.
Got a dark side, but that’s The Dark Side on my side; counter haters with my Vader:
“I would be your father… but your dog beat me over the fence.”
No offense. Pretense: incorporate comedy and film; common sense.
Suicide pushed aside, though I still burn inside. **** myself on
the page each day so my readers can feel what it’s like to be alive.
It’s okay to hide.
Only your own devil knows what’s inside.
I own mine; he’s my co-pilot when I write. My demonic side; my demonic scribe.
Flipping my words to the birds—‘cuz, you see, that’s how I wing it—and flipping the bird while I throw down and sing it:
“Tiger, Tiger, burning bright,
My words are my roar and tonight I write!”
The fights are in your sights like you were seated inside a movie theater;
You’d see Xander and Estella—wouldn’t you want to meet her—
Have a front row to the creatures in a feature presentation…
But ‘til then
Eat some Rice An’ read a piece by a man who
Had an “Interview with a Vampire”—
I’m a fiction author, why would I lie to ya?
Prince of lies? I ain’t Satan!
Close friends, but I’m Nathan.
Judged for appraisal—I’m priceless—I’m  nice: no; charming: yes.
Got a razor-sharp and Shining wit like a crown left
on a King… but not.
Why be a left king, when I’m a write god.
So I did a lyrical re-write of Eminem's "Just Lose It" that wound up being pretty popular, so when I heard "Rap God" for the first time I knew I had to do the same. While I hope it's entertaining on its own, I think those who have heard the song will enjoy that I remained true to the source material in terms of flow, rhythm, and syllable count (Marshall Mathers is really quite an astounding wordsmith in his lyrical writings).

Hope you enjoy ^_^
Emmanuel Coker Apr 2015
I've got poetic licence
So I can right however I want.
Even if whatever I right doesn't make sense
I kan right with whichever font.

I use my poetic licence in whatever I right
An sometimes, de thins I right does not look write

I have de power power 2 repeat rhymes
Over and over countless of times
I use abbreviations in de mst unusual ways
My, commas, and!!!!!, escalations, marks come!!! as they may!!!!

I've got poetic licence cos I am a poet
I use it in odes, elegys, ballads, epitaphs, and sometimes in sonnets.
I am never rong.
And with my poetic license I will remain strung.
Barton D Smock Sep 2014
the one time it crossed his mind to hit my mother, the garage door opened.  the day I was born, a man called my mother at work and left a message that was mostly breathing.  the story of the message was repeated to those born after me when each became old enough to need a laugh.  when it was known no more would be coming down the pike, mother began hitting herself.  it was in this era of standing room only that I was able to convince god we’d slipped into the water satan said was there.
Jayantee Khare May 2019

the love,  
manifests in many form,
reflects in many small things,
one expresses in many ways,

the love,
with age, it's matured
with passing time, it's assured
with experience, it's endured

the love is, often
meant differetly
elucidated clearly
stablised gradually

the love, lies
in a companion
in a friend
in a partner

the love is, when with someone
you can share
you can dare to bare
you can expect to care

the love is, when...
you find happiness
you express
nothing you repress

the love is, when...
together with the ally
you wish to fly
beyond the sky

but you
value the boundary
respect their territory
follow the norms obligatory

the love is, when
you check your emotions'
unnecessary escalations
viewing the situations

the love is, when you're there
in their ups and downs
nights and dawns
smiles and frowns

the love is, when one says
"i love you"
"God bless you"
"Be you"


The love, defined in many ways, confined in some ways, expressed, repressed....
The love is beyond the age...caste... creed...
Lucky ones have that feelings and find their love....
With axiomatic prominences, the God Spílaiaus hung from the Virola from Ibic Three in the elevations of the Kantillana at three thousand meters high in the Transversal valleys, individualized Pichi, Chile. Millions of flying masses of Chiropterans unfolded, anticipating Vernarth's visit to the Celestial Regency of these Deities by accidental and hybrid Hellenic prophecy; coming from the Protocol of Transylvania with the Eternity of the Submythological god of Vernarth Aiónius from Ibic 1. These deities came etherealized by the heights of the Nothofagus Obliqua that was bent at forty-five degrees by the lift singing the melisma of Antiphon Benedictus that this time made the bastion and garrison of the Mikhve or Kathartyrium of Vernarth possessing souls with scabrous megalomaniacs boiling internally through the Underworld bringing Hades Speleothemes, such a tow pulls the Kosmous and humanity into the bowels of the Kardiá of the purified Agoge and the Mikveh or Purification of Vernarth in later Hypnosis Existential hanging on the halberds of the Dorus, Áspis Koilé and Kantabroi waving in the intensity of the conifers before the hegira began at Tel Gómel. Vernarth approaches Spílaiaus and proffers: “My Lord, I had an illusion…, I said that I had to fly over the Palace of Arbela at the expense of the followed “Paraps or Othónes” or Parapsychology screens that took me to wastelands full of Ungulates that rested barren in calcined silica **** covered with Hoplites and Achaemenides cries imploring to escape from disastrous dawn of Dark Angels, safe from other Angels Shvil, Almas de Kalidona, Hellenika, Armas Christi and Almas de Trouvere. Essentially all of them would beg for the circumcision of the open field and also openings of thousands of soldiers when It was arranged by all this heavenly light to crack the heels of every Hoplite. Thus leaving the hollow opening of my soul Mikveh, Kassotides, and Lynothorax that invaded with satiety to get out of itself and become the destination of all oppressed compassion on the way to the Empyrium. The curtain persists that helps beatific concerns of submitology inherent in cultural realities where it subjugates the digressive persist of specimens that recover life from their own exhaustion exercising truthfulness in those that are strengthened by their own incapacity "Vernarth" is a product of Spílaiaus' concern , and this at the same time knowing and having everything given in its analogy and terminology protruding the same root, except that submitology is roots that subordinate the inorganic and inanimate for such an effect that legacies of myths take on a leading reality that does not consider true what is not or it is part of a myth rooted in mythology, but rather of what is subtracted from its own inertia or wear and tear that does not take on a reality present in all things that are not virtuous, much less express it from a Gnostic perspective; where everything is reborn and progresses in paradisiacal cycles and messages of the Merkabah..., They are of an infinite cohesion of that celestial if it had to appear in the astral journey without taking into account what the same time in question allows to appreciate how long it has to last or persist to know that you are rooted in this process itself!

The subsequent stage will be governed by fertile beings or deities. The Genre of Itheoi Deities arises from magnificent submithological gods since they are present in events of an immortal nature doomed to micro spaces that will be configured with Paraps or Othón forming multidimensional links in each episode. The scenographic movement is represented in this work, in such a way to personify a heterogeneous reality shared by some of these gods and others from Olympus. In the case of Spílaiaus, it is specifically an augmented reality nexus of ibicos that are instantiated in this Trilogy from confraternal words where Vernarth Says: “Give me a little Gála and I will be the son of Zeus, perhaps as a means in everything and not an everything I never thought of…!” Here is that Gála is dairy juice where a speleological factor intervenes from Chauvet, Valdaine - Nyons Region - France. This is more than saying that the triggering factor is Mikveh or Purification leads from the premiere of the journey to associate with the underworld of the Kathartyrium or stationary Purgation that will take him through sequences in chapters or Paraps to meet again with Virolas or Anillares composing Medrones, crimping and growth. Later Wonthelimar from the Boedromion would bring The Arrows that Zefian will bring in the Second Trilogy bringing sleeping bodies of winter to the lap of the spring Boedromion crossing lines from spring to winter in the cycle that went directly to the Cinnabar Mercurial Ambrosia. They were discreet detached arrows that he had launched into the sky and they did not return but in the rooms, and in stages of Animalia towards the duty of rejoicing at the ****** of the Telesterion. Wonthelimar, being once again relocated before starting the works on the temple of Megaron Áullos Kósmos, was returning to the Chauvet-Wonthelimar cavern. He distanced himself from the contravention of Apollo and Artemis towards an olive tree originating from Zefian's arrows, to mark the new cardinal points of the zenith starting with the first two arrows that are placed on the bowstring away from the Quiver, each one crossing north-south trajectories and another two that were violated again with the bow of the stormy East, to launch arrows from east-west with limits of southern magnetism. He carried in his belongings "Ibic Rings" that would be transmigration towards cardinals and points where the Megaron of Vernarth would be exactly, arguing that Zefian's phalanges would be ordered in Sintropia and organic chaos in Patmos, making Pythagorean proportions in essences of numbers that idly advanced in temporary passages of Wonthelimar that were movably made of religious Saetas and Mercurial Ambrosia of Cinnabar, to contribute with insightful points of the Constellation of Capricornus. Zefian's tendency was evident to delight after being pulled from the bowstring to ghostly existence; presuming that where they fell would be the beginning of the gales that would originate the Áullos Kósmos or Megarón, a late pro of some courts imposed from the Ouranos or Cielo that was going determined in his will seized by a dubious Vestal god advocating associating with hospitable Canephores as conjectured Virgins Vestals of Roman bilocation that were resting in their hands..., and quantum parapsychology of the feared live between-tale that boils over in the arrows that have not yet fallen, not knowing their whereabouts? As sheets or serial wafers that were evoked where the origin of the Universe was broken to open towards the organic, vigorous, and anti-burned contravened Duoverse including the divine celestial origin as a *****-ovular parameter, rather eons and instances in Hestia's chimney running in pertinacious towards vast volumes of light-years. The connectivity of the Itheoi gods will make the quantum mobility machination operable between seasonal dimensions that will have to pass through periods, stages, feats and famous moments since it is initialized from here in the stone of lance with its Etruscan horses in Tel Gómel, for later in the Eleusinian mysteries themselves co-participate in eras of connection, as it appears here after the saga of Judah composing their respective seven chapters until breaking down at the end of the Conclusive Meshuva. The Boedromión will be an essential part of Trilogy II, waking up in all the winters of the world as a shelter flowered directly to the component of the Mercurial Ambrosia, a valuable element of Cinnabar or high-grade Vernarthian Sulfur for the Vas Auric or Sacred Medallion of Limassol that overflows decanted at the end of the Mikveh growing in arid deserts.

Cardinal Spilaiaus

- North: Vóreios (Zefian Boreal)
- South: Nótos (Austral de Borker)
- West: Dyticá (Twilight of Leiak)
- East: Aftó (Kaitelka Equinoctial)

From Medrones that grow in massive ibix antlers in Nyons, Seven Ibics Rings were taking hold, a Viroliferous process was progressing, or exercise of rotation mechanics of Quantum Rings in the same thesis work that speaks further of a replacement Universe as the anticipatory Duoverse, and the gifted Codex Raedus as a complement or annexation baggage of the Profitis Ilias in Patmos thus generating that pre-Christian annal have a leading role in new construction by presenting a virtual situation or Genius Loci. The Semi Itheoi will have roles in leading each cardinal so that the Gestation of the Fourth Arrow of Zefian is finally re-established, reordering the universe predisposed to receive the one approaching the Duoverse. What happens in Tel Gomel and Persepolis is relevant to the Psiloi Phalanxes and crowds that would face militarized personalities, totally ignoring the origin of the Hoplite as a worshiper of Hera's Wastelands and eternal stables that supported Vernarth just like Etruscan horses and Steeds of Sudpichi summoned Alikanto or ALikantus. His mother Luccica and father Bernardólipo endorsed all contained belligerence if he were not a repentant warrior in the gloomy night of the Horcondising Castle where Spilaiaus would give warlike foreshortenings right there to abduct him at great speed to Gaugamela. Vernarth would go to these latitudes, and then he would be exposed to governorships of Aionius to consolidate and channel this hybrid submithology that would bring together the ancient Hellenic Mythology. The vertiginous passage of time will conceive harsh characterizations and qualitative Paraps or Parapsychologies, possessing the largest arsenal of quantum and historiographical data ever counted and interpreted by characterizations, more than personalized blocks in particular characters, being the support vehicle or generational stem of the summary of understanding more facts and qualities that own characteristics of interlocutors. The vast collection of Submythological gods will be strongly entrenched in identifications of Semi Itheoi or deities that are intertwined directly with the human fictional world. ! Successive Paraps are concealed and accompanied by connectivity screens called Othones, these are a fundamental part of the audio-graphic syntax, managing to structure gods and then decode the final concretion of the conclusive in each Paraps, which is nothing more than a consequence of this imperceptible quantum axon, which does not end or start!

Submythology is an etymological derivation of later stages of mythology that deprives of granting subsistence and comparative biology to cultural, urban, fabulous components or inheritance of great ancient and medieval epic periods. Contributing great accumulations of proposals to such a generation in channeling with original playwrights reinventing their theses, also giving a breath of expectation to mythical beings so that they come to life in a hybrid interpretive horizon, or with alternation of roles considering mysteries in the blink of an eye happening to postulated dissidence or vagueness, losing itself as a gendered practice but not of the real cultist who has been propagated in his gnosis to remote places of the infinite superior. In short, Submythology is an infinite tragedy where the characters represent the work in furtive omni canality, and three-dimensional presence in sharp contact with the thrones of deities that make it even more evident to relate past history through submithological exercises, which itself refers to the prefix Sub " from what precedes par excellence” and mythological suffix as a series of processes of experience where the active voice of the narrator counts, being rather an inspirational pre-constructive phase. What should be experienced when in front of us a Homeric god of Olympus is presented to us telling us that the Olympic archeology has secrets of the Myein revealing characters and successors Submythological Gods with histrionic deities looted in all ages of the Celestial Organic Subsistence.

Ibico 1: "The first was from the initiation of Wonthelimar and he brought purity, for all who needed him and went to visit him in the dark, then he would find the light when he came out of the cave alive if he was accepted." As the only presence of Wonthelimar is of Chauvet's present god ambivalence.

Ibico 2: ”He was guided by Vlad Strigoi in the center of the priesthood of his shelves with the chiropterans and in addition to the mercurial ambrosia for the purpose of energizing the Cinnabar of Tsambika. Having all the protocol of Transylvania and eternity with the vapors of the Antiphon Benedictus”.

Ibico 3: "From the Eygues, the waters evaporated to heal the tormented initiation processes of elevation of the four Arrows of Zefian, to indicate the zenith of the Megaron."

Ibico 4: "This ring was from the antler of Wonthelimar, here they wore the oikos or threads of Orphi Gold, for the Himation and investiture to anoint the body of Vernarth, bringing the aerial atmospheres of the Alps and Ida as a Mycenaean complement- Valdaine”.

Ibico 5: "This piece of metal speaks of the fifth plasmatic element that would contract the universe and the Hyperdisis galaxy, to elevate it to Vernarth's hyper neurological and Duoversal brain twinned with the Mashiach."

Ibico 6: "It is the sixth piece of crowns from Kafersesuh, bringing pollination from the Lepidoptera, for the central stage of the investiture under the shadows of Hellenika and Theoskepasti."

Ibico 7: “It is the deep voice of Cinnabar and the Antiphon Benedictus, together with the Lenten fast of all the hoarse voices that inquire of the true phoneme and photon of divine mass light, to build the Áullos Kósmos. From here the purification will rise in synchrony through the final growth medium, up to the millimeter-sized shoulder of the square meters that will illustrate the Acrotera del Megaron”


                             Gender of the Duoverse Itheoi
                                     Horcondising Deities

Previously Vernarth takes his head resting on the ceramic that supported him between the Hydor photo duct, rather bringing his hand closer to the Klismós that Saint John the Evangelist had given him when he passed through Ephesus. In such a way that when he makes the first impulse to get up from the chair he was already beginning to leave the conventional Universe for the first time, then when he sits down again in the chair inaugurating the crystalline body that was looming over himself, he continues to be the Duoverse as if outside the Klismós with its curved legs resembling supporting pilasters of the Megaron diverging to the conical ones that projected concavely supporting the hollowness of its pectoral, which was already transparent like its Invisible Eclectic Portal. Meanwhile he gets up again holding onto the Mashiach who came to take him in his arms and place him in the klismoi that interpreted the elevation of Hellenism to the Greater Heavens and the Itheoi of the Duoverse; that is to say spiritual deities of Vernarth in the classification of the rank of beginning and projection of the abandonment of the Golden Himation. In such a way that the Astragalus was integrated; a floral company that was rooted in the hands and roots that cooperatively took root in those of Kashmar. So Vernarth with the Ibic Rings would begin to syncretize the imperceptible quantum and hyper-accelerated mobilization of physics of sub-atomic particulars that would later second it, unleashing from Alef to Tav to Astragalus and Aiónius, beginning his omnipotence. The sidereal distance began to unlink towards the Calypso air that was twinned with large portions of the sea in the same enamel, making Patmos the union of chain reaction speed with the Dodecanese Valleys and Transversal Valleys of Sudpichi unifying Vernarth with Apollo, Esminteo or ephebeia; that is, three sketches of Apollo himself for the theological genealogy chart of the deity Scarabaeidae with species that multiplied together with Vernarth to become the metalloid Azophar as the main knowable guideline to the unknowable, being Apollo himself in Vernarth's corporeality before rising to the iridescence of the Moshiach.

Astragalus: His primary Itheoi or theological picture would be composed and forming part of his feet and the surroundings of his ex-voto to take to all the summits of the world in the essence and the gift of eternal life represented by the root of the madrigal curdled by his feet, with the root of the Astragalus in flower when it represented the zero-hours by getting rid of his Himation and meeting the Mashiach.

Scarabaeidae: God of the subsoil modality of wandering souls destined for the physical and spiritual decline, Scabaraeidae Aphodiinae as subtractors of all the waste of souls that have boiled in malignancy, and the Scabaraeidae Dynastinae as the righteous larvae that rise from the imaginary soil to feed on the roots of the Astragalus and all the flowers and leaves of the Dynastiae. Increased the taxonomic genus of the species that would have to remain in the underworld to aspire to a better one like these Dynastines or Heracles beetles in honor of this hero carrying the peg that Vernarth would place on all the gardens once he was in Aurion, leaving him in a larval state, before being sponsored by Hera's family for the life cycle of the Horco-Olímpico.

Nothofagus: God's phoneme-photon of divine mass light to build the Áullos Kósmos. From here the purification will rise in synchrony through the final growth medron of the Ibex of Wonthelimar, to the millimetric assembly shoulder of the square meters that will illustrate the Acrotera of the Megaron, and the Iridescent Nimbus that percussed between the Áullos Kósmos and the Vas Auric ” in total synchrony with Patmos, at the same level of luminosity and growth revelation of the Scabaraeidae Dynastiae to transform inert matter into another fertile one compared to Poseidon.

Lepidoptera: Like The sixth piece of crowns by Kafersesuh bringing the fertilizations of the Lepidoptera in the Ibico Ring 6, for the central stage of investiture under the shadows of Hellenika and Theoskepasti, where everything will be endowed with the greater Ibix called Wonthelimar” that together with Leiak they would transmute to Horcondising.

Azofar: This metalloid god and support of the bed will take and bring Vernarth again when sailing through the cosmos towards the fifth element that would contract the universe and the Hyperdisis galaxy, to extol him from the neurological hyper brain of the Duoversal of Vernarth twinned with the Mashiach, exemplifying duplicity of Apollo as Azofar device of new interstellar ships beyond all that is knowable.

Ibicus: god of Wonthelimar's antlers, here they will carry the oikos or Orphi Gold threads for the Himation and investiture to anoint Vernarth's body bringing the aerial atmospheres of the Alps and Ida as a Mycenaean-Valdaine complement, thus they were inaugurating the solemnity and honorability. Here the quadrature will be the perfect Heliacal Ortho of the fourth Ibico with the quadrature of Aurion commanded by Leiak in the cardinal Dyticá.

Vélus: from Ibico 4, from where the goddess Artemis will evaporate in the waters for the healing of the tormented in initiation processes of elevation of the four Arrows of Zefian, to indicate the zenith of the Megaron as if they were surrounding a Castalia for such solemnity.

Spílaiaus: from Ibico 3 in the center of the ministry with the bats, and others from the mercurial ambrosia invoking the Cinnabar of Tsambika. Having all the protocol of Transylvania and eternity with the waters of the Antiphon Benedictus”. Here is one more bastion of Hades' underworld dressing for the Speleothemes that will take you to the heart of all the dens of the Faith.

Aiónius: from Ibico 1 Wonthelimar who brought purity to all who needed him and went to visit in the dark, then he would find the light when he came out of the cave alive” here Kaitelka and Borker, in total harmony with Demeter, Persephone, and Hestia. Bringing them from the labyrinths with the rusty chains of Prometheus and Vertnarth wandering through infinity.

                                       Semi  I theoi

Semi-deities and great autobiographies of the Itheoi world derived from the denotation that would be reformulated from the Apoinandros that would be displaced by spikes of the didactic Ego or teaching of the authentic apostles that crystallized with Zefian, Borker, Leiak, Kaitelka, and Ezpatkul. Zefian: Reformer of the Universe-Duoverse, possessor of the four Arrows that will illuminate Heaven and all of earthly Greece every time Vernarth circulates linearly through the seas of the Vóreios of the Aegean. Ruled North: Vóreios (Boreal of Zefian) Borker: Demiurge and guardian of the Duoverse. Warden of the Forests of the World and of the Transversal Valleys of Sudpichi. Ruled South by: Nótos (Austral de Borker) Leiak: Omnipresent demiurge, the vague spirit of the docile water dancer who lives on the water with his slimy Chin, his playful back is seen breaking lines of wells between flesh and silhouettes. Before the First station, the first of the three remaining nights before reaching the crater of Joshua de Pétra” ruled West: Dyticá (Twilight of Leiak) Kaitelka: Down Whale ruling the Psychic Trisomy of the Duoverse and seas surrounding Patmos of the Apokálypsis ruled to the East: Aftó (Kaitelka Equinoctial) Ezpatkul: Dóntiakul or Augrum teeth or prominent Gold will rotate through the Scarabaeidae demarcating the Vóreios Vóreios in the Horcondising region, bilocating it in Patmos Encinas borers, with such frenzy…!, that of Right there they would extract the strength of the Mapuche north winds from the Meli Witran Mapu, beginning with the Pikún-kürüf.

A great revolution was conceived with the imprint codified in stars that would begin to appear in Alto Kanthillana after the awakening semblance under the Nothofagus bottoms; being a god who would free Ninfuceanicus. This was a Sylph that millions of years had been inert in the space or radius of Spilaiaus very close to events of the new awakening. This Sylph would be the main stolon of the Nothofagus and would provide residual inactive matter from it so that Vernarth could secretly rebel from the stages of darkness and desolation of the species, having been dragged by decanted augers since time immemorial from what is currently on Patmos. This would consecrate extensive recycling, accelerating the characterizations of each organic personality and not, tending to an essential role in Vernarth's plot; because it will be this depression to make of its awakening a multicellular set that would grant the disappeared species of the behavioral axis to be restructured in all the ex-karstic zones of the subsoil of Patmos, up to the Transversal Valleys of Sudpichi endowed with a great mineralogical bijective mass to supply powers with signs of substance and later mineralogical dimensions. Ninfuceanicus will be its Exo muscular mineral part that will provide proteins to Vernarth directly from this Sylph, in addition to recreating with her the necromancy attached to Gods Itheoi with Tsambika, Kímolos, and Patmos.The Paraps are nothing more or less than depressions of these liberations of great old geological masses that were biasedly unified under the subsoil of Hades Speleothemes, not exemplifying the stationary world of the relay but rather the Omnipresent Sphere of Spílaiaus together with Aónius and Azofar in the rescue of this Sylph, then Vélus, Ibicus, Lepidoptera, Scarabaeidae, and Astragalus will assign them the predominant rule. In silent and prominent escalations of events, they would intrigue themselves in the Submythological Epic, recomposing themselves in recapitulations that would indicate that Ulysses, Heracles, Hector, Leonidas, and the Great Alexander the Great would come to life from this thermo-geological concoction that would manifest itself by Vernarth's upper pectoral hollow "Called Thunder Kassotides” of which the conversion into tremendous events franked by ancient Greek Mythology would be destined to Vernarth's own and expeditious Hellenic life. This assumes that the overloaded physiognomic muscular exoskeleton of the Hellenic environment will be redirected with the power of natural phenomena beginning in original symptoms of multi gnosis reborn from the sub sphere of thought that intermediates with the interior ones, after the incitement of Vernarth and being part of the gnosis that would lead him to clear everything that is with him and what will be. The Animalia as fierce representatives flow by attempts and at the same time are inhibited from a tacit presence with animals that would conform to Spílaiaus stereotypes; an out-of-phase ventral turbinate of the God of Speleothemes, who is Wonthelimar or ventral turbinate, would propitiate any incidence in manifestations of the noosphere, given the serial appendix of instantaneous analogical relation in the disturbing and super mobility of the Constellation Capricornus, the Belt of Aurion and Betelgeuse. Right there radiating particularity the ontogenesis of Vernarth, already resigning himself from the intimate existential point to focus on the complementarity of other existences on the way to the Empyrium or Resident Ouranos, brewing universals in all unlimitedly comparative when alluding to as being diligent among beings who are not, and reciprocally be revivers of those who will be. Here is the synonymy of Vlad Strigoi that could be supra-spiritual historical omnichannel considering that he is an integral part of a Mythology and a real liberating hero of Transylvania. It still is, but under the exclamatory context that is born of avidity that requires and must collect fungus vines from Canephore and Hellenic delicacies in the prompt presence of gods when it is not enough or there is no legacy of servants or servants under the hindrance of its metaphysics with its empty entrails. Here prevails what dictates a dogma that differs for those who are touched by the edge of the Speleothemes of Spilaiaus to survive in the Sphere of inorganic life of the same god and Ninfuceanicus. This legend narrates the real and non-fictional lived history of Vernarth, that time that in absolute darkness and solitude he met the deity of the Ibico three in the crowded population of the Nothofagus is a totally prehensile approving gesture of a vegetable that authorized him to address Him …, Spílaiaus was such a reference when he listened to him for long hours transforming himself into a real therapist who worthy would bilocate in the original from Piacenza-Italy, when in rare cases of parapsychology he declared himself ineffective to be able to continue the endless sessions. “Gaugamela is the great battle that must be wielded with iron temper as a stalking of a heart that did not scold for another that did not pulsate”

Great raids will be composed of others that will speak of a strong hero having committed superiors, of others that will be based on eloquent vivacity that nothing takes long when it is necessary to induce the cut of Una Xiphos; whose function is dissuasive if the blacksmith is not a god that shows no mercy, but if he is from a job that can be resistant to deliberate him in another that has nothing, nor will he sustain him. The goal is essential in all weakness if a hero is consumed by his stoic bravery, rather it could perfectly reside in his coat of arms as indicated by Hephaestus in the glitter of a forge when the seasoned worshiper of his forges spills liquid steel and not blessed blood of a royal warrior from Laodicea. What Vernarth forges of Hephaestus himself will sound on his lyre descended from precognition of the god Spilaiaus, affirming that blacksmiths of Athens would be decoys that adhere to carcinogenic generations of opprobrious fires, if it were not for one who could carry in his hands a sword certainly jammed by Hephaestus, and that the diluted steel that really falls would make future generations authentic sedated drops in them for the true Spartan or Greek that strengthens it with verve and abulence.
Preface
Robert Gretczko Dec 2016
the mystical mythologies and cantankerous denizens
who color our worlds of chance and charm and breed the sinewy
allure of destinies and courses filled with adroit
memories and admonishments and forgiveness
replete with repentance and giving away of
fortune, fame, youth, and all endeavors of heart and mind
wherein we dwell as toilers of charity with humanities
highest escalations of power, meaning and forthright
values that permeate the ever present alacrity or miasma
that all existences are mere proclivities of the stars long
passed and the hallowed secrets of scrolls and spirit
that weaves the corset strapping all of humanity to
the lustrous, industrious penchant of a secretive smile
from the muse or satyr that has encased, enchanted and
left you no escape from your destiny... thankfully
Snake Oil Seller
The magic number is 4 explained the sup
Whose position was higher than his chair
Just add these users to pay a lower connection fee
His word roll off his tongue like oil off a duck
Does the customer know what a snake the sup is?
Already he knows what to spend the cash on
It’s his party trick adding extra users
Get 3 physical phones and 3 virtual ones
And save 20 bucks on the hook up charge
Then pay 120 a month for 4 extra phones
Which are totally not needed with 4 numbers
The business has only 2 workers not 6
This snake of a TL has already been reported
Will this result in further escalations?
The crooked sup is too powerful to flinch
Nothing scares him and he is skilled
A nice guy snake selling snake oil
How far will he fall off his chair?
<<tweet tweet tweet>> their fingers chirp like birds
graceless in their singing
and unconscious of the harm they have awakened with their narrow syrinx of thought

Reckless with their egos
and responsible for birthing a nature full of disregard towards all that lives and lies below the trees of green; an ecosystem born into an inseparable union
–a synthesis of flags, of mashes and of micro biomes teeming with life

The color of red will stand out among all the germinating leaves, as we wake up to escalations of war and the trampling of safety
those birds will continue to <<tweet tweet tweet>>

For they forget that to sit at the crown of a tree does not mean they wear a crown

Those who wear the boots down low
are those who will hike through the forest and traverse through the night below the boughs where these birds perch
Stephen Knox Sep 8
It broadcasts the lie of scarcity, never enough to go round.
Hiding reality from all eyes, ensuring it not be found.

The solar cycle awakened us, now having a common goal.
The search for truth and knowledge, connects our mind our body and our soul.

Be the skeptic with squinting eyes, hearing he “accidentally drown”.
Unlimited supply of narratives, put there to confound.

As all these escalations rise, it will be easier to see.
The more we fight amongst our selves, the less that we are free.

This is happening as it has, seven times before
The golden age of enlightenment, again knocks on our door.

Invisible energy from the sun, ever on the rise.
Changing humanity’s structure, you will come to realize.

As you evolve into yourself, the process, clear to see.
You are the source of all that is, down here split in three.

Place your attention on a moment, see what you have found.
That everything that’s ever been is composed of just light and of sound.

— The End —