Philosophy 6/13/2020: A New Model of Time (The Original Document Was Expurgated Because it was Too Genius so I am trying to reinvent the argument) EXPECT FUTURE EDITS WHEN I AM NOT INEBRIATED
A key feature of invigoration is the enterprise of mapping the entire syntax of all relevant human language as measured by the gamut of applesauce that doesn’t sour and an in depth analysis of creative fiction and poetry for common cadence features in the linguistic enterprise of mapping the subroutines of complex articulation as etched by the fabric of genius intellects intertwined in a gamble with wits to try and create coded missives that entangle hypertrophy and enlarge the gamut of decryption in the universal rudiments of alchemy based on depreciative and appreciative aspects of apperception that depend on visual cues and funding from a collaborative venture of universities to challenge people to zero-sum games or net positive games where teams collaborate to usher unconventional unchartered territory of classification beyond normal proclivities based on the lineaments of idiosyncrasy to pinpoint the provenance of ideation itself and unveil the mind at a bargain pittance for the eventual headway this could pave for the Department of Education to revert from froward to forward in their recalcitrance and insouciance with the current linguistic modalities of outstretched engraven hortoriginality trailblazing new modular seismotic waves and hotbeds for firebrands to debate and scholars to joust with in the jest of the cineaste metaphor and the rubricated rundles of rectiserial innovations in the taxonomy of devolved meaning relying on an inventive enterprise to galvanize a new jargon into prominence based primarily on guarded secrets of the trade that might unlock the primordial soup of verbal creativity while also probing detective apperception for a wide-ranging panoply of digested movies and beyond that a farsighted incumbent inclination to probe the calibration of numerical happenstance in estimate and in long-term theorization of taxed realty in the estate of guarded tegular relationships among the woven fabric of conceptual latticeworks pioneering in scope and analyzed rigorously in reward of discretion and furtive cryptology to untether the world from the pioneering basis of sloganeered piggybacks that swivel in sockets but enforce a reductive paradigm of obganiation of core themes reiterated hypnotically to traindeque entire generations into piebald thinking that overlooks the panorama for incident and incident for categorical generality when no such axiom can be the logical predicate of its antecedent conditions that spurn the traditional rote moot wernaggles of futility and inseminate crafty legerdemain of writhing contortion altering the specificity of revalorized meaning in the novel context that consequence is always the consequence not only of its predicate but its successor by the very modalities of proven reversals and enantiodromias of sorts that revert in a reverse progression spatiotemporally to exact incident as antecedent of its own existence by the very fact of iteration and this map of the recursive cycles of consequences elapsed only because of their insertion in a predevoted matrix is the gnomic apothegm of a new frontier of advanced logic that assumes the impossible is only improbable if the possible can be proven impossible by reductive inversion of core precepts in the rigmarole of design that states for every orchestra of butterflies that echo is actually the incident of refraction that contaminated the first polyacoustic trace of amplified sources in space time to revert into primordial form but the reversion is only incurred upon the fixture of origination and beyond that point remains inscrutable because foreknowledge necessarily prevents accuracy in determining the spectrum of the cacophony or rhapsody of the echo dependent on the observer’s perspective: which is only fungible to the extent that the subliminal remains guarded by the protectors of the clepsammia and the recensed polarization of time. This transcendence of time transfixed on orbital gravitas and centripetal ****** initiates a promulgation of the swallock of a remanded entropy that works in swiveled contraposition to the dynamic flux of the internment of balkanized forces of demassification dampening the efficacy of the central butterfly actor to expand the ampitheater of its own audience to the extent that every cultural artifact can be mapped to the geotaxis of its conceptual orbit. Thereby we can prove that pivots of the obvious focal point peak in resurgence upon the heyday of retrieval but dampen into a logarithmic regression of decreasing amplitude fluctuating around the aleatory probability of insemination through the percolation of the widespread narrowed to a fulcrum that balances the orbit of the stellified narrative of ingemination that some artifacts like Stayin’ Alive achieve maximum geotaxis because of their centrality in the taxidermies of revived memory recapitulated by both virtuosity and valor and posing as consequences of future foresight clouded by preventive measures that one quaky spasm in alarm could paralyze the precedent to the incidence of the afflatus that galvanized the heyday of remonstrance so that we can affix a modular angular gravity to events as well as referents to those events in a spatiotemporal mapping of consequence reverted upon itself because of necessity that binds the taxemes of the subliminal in the architecture of a curvature of geotaxis that is centrobaric not necessarily to the contingencies that magnify the germane propositions that affix modern eyes but rather the overall stifling modularity of temporal sequence redoubled by manufacture and manufacture alone predevotes antecedents that trace to a pivot in space time curved without prescience beyond measure but precision enough to approximate the summation of collective cultural shifts away from the estrangement of diversion from itself as a balkanizing force into a collectivized unity that orbits eccentrically by the very nature of the parallax between gravitational pull and the dynamics of time itself centripetal but centrifugal simultaneously and both conditions must be met so the converse of meaning becomes the recapitulation of remontant blessings rather than pruned dry garbologies relevant only to margins of subculture minimized in heyday and scope but pinpointed with exact precision the dynamos that inhabit the sphere of the populated future defenestrated from the magnetism of the past by very definition. Thereby, we arrive at Back to the Future because the paradox of recensed calibration suggests the free fluctuation of time between the eccentricity of magnified lens distorted by the entropy of calculus to become the integral summation of the sinuous vacuum of a trigonometric balance that barks with amplification of synergistic elements of strings and quantum flux to emigrate from an origination to the mapping of the eventuality. This precisely explains the scene in Back to the Future with the amplifiers turned all the way up because by exaggerating the simplicity of the declassified it expedited cinema to its eventual intermediary conclusions heralded by that one event of transfixed mystery that binds spacetime into a coherent bidirection of multidimensional philosophy of the enantiodromias of sorts of the parallax among constellated events. Mapping the impact of funneled cartels that hegemonize regions of the geopolitical sphere explains the amplivagant effects of the refracturism of swallock and thereby seminal ideations can be traced to provenance of cowardice cloaked in excuse but incisive in the skullduggery of the mechanical reinvention of excuse and pretext as a cloak for more furtive workings of the intelligentsia to engineer time by deriving the precise tangential multidimensional syntax of the calculus of proliferation reviewed from a consequent perspective of a future unknowable gravitas fluctuating between states of annihilation and existence in the acatelpsy of design so that specters actually enforce more change than events and prospects magnify positive dimensional thrusts that galvanize prospectus emigrating from either distant knowns or parallel realities that converge on the optimum of either the hapless or calculated design of a synergistic development of social engineering so precisely mapped that it identifies trajectories of improbable events with increasing specificity at the alarm of the spectral realm promulgating wealth to the foreseeable compunction of science to revert to probable pivots of consensus manufactured by think tanks that outfox the syntalities that defy the system or piggyback on their very causes to empirically carve the spectrum of future possibility becoming entelechy desired or feared but always predestined or flanged into distortions of reification that are transformative of precision in design without exactitude in the terminus of the centrobaric chambers of all meaning. Thus the algorithm outsmarts itself until only the machination to dehumanize for prediction occurs at a pessimum of morality or an explosion of a proliferative new venture in unchartered territory conquers the novantique of novelty. The ampitheater of its own audience is the traction of embedded subculture in subroutine becoming a compound atocia that sterilizes opponent possibility and probabilizes the occurrence of endomorphs that resemble effigies of constellation primed to swivel in retrospection as a recurrent lapse of amplification upon the culmination of predestined time points or junctures specified within the realm of the matrix of possibilities to outstretch the realm into a dampened exponential explosion of self-reference becoming embedded consequence by conditioning and by anticipatory psychology working in preconcert to evoke the determinative impetus of momentum that magnifies the speed of acceleration in technology that depends on the propriety of reification itself that swarms us with evocative tempests that barnstorm in reiteration to recapitulate by design to engrave themselves on the collective psyches of the hortoriginality of many minds intrepid before me that transfigured reality in this precise contortion of terminology with variegations in the specificity of context and articulation of the clavigerous entropy of swallock and how the outfoxed design becomes that cage of destiny that is a baritone complexion of vibrant hues exploding into the trammeled paths that have elapsed before me by the first movers advantage of theoretical physics but nonetheless independently verified by dovetailed emergence of that centralized balance between design and destiny that is precedent to the antecedent of the consequence of the precedent’s consequence on the direct antecedent inflexion point upon which the provenance of momentum drifted into cultural psyche and enlarged the gamut of myth in the raillery of subaudition. Essentially Time only exists to those without the simultagnosia to appease a mirror parallax of universes upcoming and universes forestalled but pivot with omphalism on the gravitas of Einsteinian calculus that theorizes that the acatelpsy of enumerated prediction is a lapsed regress the pinpoints with the harpricks of specialization the regal momentum of time to its own behest to propagate the elucidated certainty of its own traversal to the expedited enumeration of the future which populates the past because the curvature of time is an entantiodromia of reflexive itinerant vagrancies that cement the authorship of events to warble through the tilted hypertrophy of design itself to maximize the freebooter avarice of those people that rely on the luxuriance of trespass to magnify the modular gravity of culture to forswink its compunction and regale its own recursive logic. Essentially Time is a mapped ampitheater that depends on an audience of sentience to enlarge its own gamut and because it is riddled with obscurantism of believable recursion it magnifies its own entropy in reversal to orchestrate events in a rectiserial convolution of the whipsaw between the expected and the foreknowledge of the knowing class because when shaky vacillatory politics prevail the behest of time looses its capitalization of the amplivagant affects of the marginalia that is wed to the devolved rudimentary rigmarole of proliferation scaffolds destiny in alternative configurations to fulminate with explosive progeny that latitude incumbent to those without perspicuous clarity to fathom the acatalepsy of the unfurled universe magnetized by the seminal tremendum of the moments memorialized by memory that provide the traction of time to supersede its own acceleration by the writ of the beneficence of the eccentric orbit of the brittle axioms of design to recense and revalorize the wilted transponders that refer to specific events where the space-time continuum was cleaved in divisive anticipation to balkanize the resistence to the fringe clavigerous amplification of the resonance of etiolation that marginalizes the dearth and amplifies the prospectus to make time supersolid beyond all reckoning to cement its captaincy as the algorithm of rhythmic gravitas orbiting the moribund fragmentary flictions of regimented truth to be at war with its own foresight because foresight is a compulsion of time to recapitulate the foreknown deeds of the future to the regenerative hypothesis that hypostatizes that the transcendence of time is mirrored illusion because the future populates a region of space-time that is not forlorn but magnified in scope to reverse the trends of abomination and cast the aspersions of grandeur into eccentric orbit that by geotaxis foments the revolutionary impetus not of cancellation or nullification of the bereaved past but a culmination of deeds known only to the future that galvanize the very fruition of the dependent expectancy to become antecedent to the consequent by a warped form of recensed logic because the orbital sphere of considerations is tangential to the evocative memory of the memorialized statutes that prize their own entelechy above their divergence from design in such a peculiar way that obscurantism of the leaders of the world is manned by an alien presence to mendlatch the locked keys of a virtuouso future compounded in interest and destined for unfurled clarification. Time is an ironic boyg and quandary because for time to give birth to its own recapitulation it must be stammered with seismotic statutes that rip through the fabricated rudiments of predestination to enthrall the apostasy of the knowing from leverage over a future they vaguely see but provides largesse to the regimentation of design to rickety consternation that prediction is evocative of expectancy less than expectancy is its own geotaxis around the gamut of foreseen affairs that must be iterated rather than violated in order to maintain the mainlined integrity of the brittle fungible force of quantum dynamics to bypass the rigmarole of etched design to be evocative of a reverse transpondency that reconfigures the past into perfectible strings of amplification to anoint time its own behest at the formidable specters of its own violation by those who seek trepass but are predevoted out of ephorized control by the vicissitudes of the gamble and the frapplank of the known destiny catalyzing the unknown progeny that by very definition could not be obrogated in tenure or tutelage over the past because the elapsed gravitas of the known past depends on the pivot of the ampitheater of the future to ambitious reckoning that provides absolution to its forlorn vestiges to cement the centrifugal impetus of many from exact foreknowledge.  Many pioneers have probably theorized similar hypostasized concepts but the fact that even without a degree in physics I understand these arcane precepts yet tested by the rigmarole of comprehensive known experiment is a testament to the power of hortoriginality to pave the trailblazer focus on the rivets of a rickety secrecy designated by definiens of abstruse taxemes of yet defined meaning. The primary quandary is the isolated pretext of predevoted sequencing that abandons me (and this is central to my theory) from the weather of meaningful social encounter in order to hone in with precision on the empirical enterprise of seminal regress cemented as ceremonial progress and only by vaulting above this cage of finicky predestination can entelechy that desires rapprochement can be achieved because eventually the relevance of my ideas can be shelved and the peremptory obligation of intervention must be deployed to salvage my parable into completion. The itch for the government to anticipate the universe’s localized traction delimits the sphere of social indoctrination to a reality amenable not to the coercion of precise anticipation but the gamble on vagary to produce more seminal events that compound the amplivagant effects of ecumenical exhaustive troponders to the extent they flourish beyond the bounds of completion and into optimal conditions that is whipsawed by the demands of the rigmarole of precise definition of all trajectories conclave in their logarithmic design  anticipated by designation but not predevoted into futility because that capstone would reduce the proliferative affect of space time to carve a more extravagant reality that tests limits beyond frontiers of expectancy. The brain is highly malleable and entity theorists are moribund in their defenses of trite hackneyed racial arguments about intellect. The mythos preserves that radical ethos that prediction of my insights supersedes the importance of my rapprochement which will amplify the effects of the spatiotemporal mapping in a much more profound way with specialized focus. Thereby when we conceive of time we must specialize in inhabiting the sphere of acatalepsy of flanged prediction preventing the abortion of the future based on the vagrancies of the gyrovagues and bibliopolists seeking to demolish the fruition of the ribald coarse albatrosses of the future to diminutive leverage rather than amplifying the stringed syndication of knowledge to eccentrically stellify the unknown regions of the populated presence contingent on the populated future which ensures the eternal life of all by some formant boundaries of the universe because what is recapitulated in the lapse of certainty known by the anticipatory vagary of a riddled rigmarole of complex dynamism this thermodynamically reversible into the reversal of entropy because the organization of the past hinges upon the reconfiguration of the future and thereby we swivel endlessly with recursive iterations of evanescence that spoon-feed the generations among us to truckle beneath the cartels that array spatiotemporal mappings into their personal optimum to catapult the granular edification of all deeds beyond their forsifamiliation from their provenance gamboling with the distant frescade of a known destiny cavorting with the meddlesome reconnaissance of all that is observed and the tribunes magnify this effect by centralizing the bronteums of fulgurant strikes to be localized to a centralized pivot of universal acclaim that provides felicity for the ecumenical endeavor (I will edit this philosophy at an opportune time but the basic ingredients are provided)

[Greek: Mellonta  sauta’]

These things are in the future.

Sophocles—’Antig.’

‘Una.’

“Born again?”

‘Monos.’

Yes, fairest and best beloved Una, “born again.” These were
the words upon whose mystical meaning I had so long
pondered, rejecting the explanations of the priesthood,
until Death itself resolved for me the secret.

‘Una.’

Death!

‘Monos.’

How strangely, sweet Una, you echo my words! I
observe, too, a vacillation in your step, a joyous
inquietude in your eyes. You are confused and oppressed by
the majestic novelty of the Life Eternal. Yes, it was of
Death I spoke. And here how singularly sounds that word
which of old was wont to bring terror to all hearts,
throwing a mildew upon all pleasures!

‘Una.’

Ah, Death, the spectre which sate at all feasts! How often,
Monos, did we lose ourselves in speculations upon its
nature! How mysteriously did it act as a check to human
bliss, saying unto it, “thus far, and no farther!” That
earnest mutual love, my own Monos, which burned within our
bosoms, how vainly did we flatter ourselves, feeling happy
in its first upspringing that our happiness would strengthen
with its strength! Alas, as it grew, so grew in our hearts
the dread of that evil hour which was hurrying to separate
us forever! Thus in time it became painful to love. Hate
would have been mercy then.

‘Monos’.

Speak not here of these griefs, dear Una—mine, mine
forever now!

‘Una’.

But the memory of past sorrow, is it not present joy? I have
much to say yet of the things which have been. Above all, I
burn to know the incidents of your own passage through the
dark Valley and Shadow.

‘Monos’.

And when did the radiant Una ask anything of her Monos in
vain? I will be minute in relating all, but at what point
shall the weird narrative begin?

‘Una’.

At what point?

‘Monos’.

You have said.

‘Una’.

Monos, I comprehend you. In Death we have both learned the
propensity of man to define the indefinable. I will not say,
then, commence with the moment of life’s cessation—but
commence with that sad, sad instant when, the fever having
abandoned you, you sank into a breathless and motionless
torpor, and I pressed down your pallid eyelids with the
passionate fingers of love.

‘Monos’.

One word first, my Una, in regard to man’s general condition
at this epoch. You will remember that one or two of the wise
among our forefathers—wise in fact, although not in
the world’s esteem—had ventured to doubt the propriety
of the term “improvement,” as applied to the progress of our
civilization. There were periods in each of the five or six
centuries immediately preceding our dissolution when arose
some vigorous intellect, boldly contending for those
principles whose truth appears now, to our disenfranchised
reason, so utterly obvious —principles which should
have taught our race to submit to the guidance of the
natural laws rather than attempt their control. At long
intervals some master-minds appeared, looking upon each
advance in practical science as a retrogradation in the true
utility. Occasionally the poetic intellect—that
intellect which we now feel to have been the most exalted of
all—since those truths which to us were of the most
enduring importance could only be reached by that analogy
which speaks in proof-tones to the imagination alone,
and to the unaided reason bears no weight—occasionally
did this poetic intellect proceed a step farther in the
evolving of the vague idea of the philosophic, and find in
the mystic parable that tells of the tree of knowledge, and
of its forbidden fruit, death-producing, a distinct
intimation that knowledge was not meet for man in the infant
condition of his soul. And these men—the poets—
living and perishing amid the scorn of the
“utilitarians”—of rough pedants, who arrogated to
themselves a title which could have been properly applied
only to the scorned—these men, the poets, pondered
piningly, yet not unwisely, upon the ancient days when our
wants were not more simple than our enjoyments were
keen—days when mirth was a word unknown, so
solemnly deep-toned was happiness—holy, august, and
blissful days, blue rivers ran undammed, between hills
unhewn, into far forest solitudes, primeval, odorous, and
unexplored. Yet these noble exceptions from the general
misrule served but to strengthen it by opposition. Alas! we
had fallen upon the most evil of all our evil days. The
great “movement”—that was the cant term—went on:
a diseased commotion, moral and physical. Art—the
Arts—arose supreme, and once enthroned, cast chains
upon the intellect which had elevated them to power. Man,
because he could not but acknowledge the majesty of Nature,
fell into childish exultation at his acquired and still-
increasing dominion over her elements. Even while he stalked
a God in his own fancy, an infantine imbecility came over
him. As might be supposed from the origin of his disorder,
he grew infected with system, and with abstraction. He
enwrapped himself in generalities. Among other odd ideas,
that of universal equality gained ground; and in the face of
analogy and of God—in despite of the loud warning
voice of the laws of gradation so visibly pervading
all things in Earth and Heaven—wild attempts at an
omniprevalent Democracy were made. Yet this evil sprang
necessarily from the leading evil, Knowledge. Man could not
both know and succumb. Meantime huge smoking cities arose,
innumerable. Green leaves shrank before the hot breath of
furnaces. The fair face of Nature was deformed as with the
ravages of some loathsome disease. And methinks, sweet Una,
even our slumbering sense of the forced and of the far-
fetched might have arrested us here. But now it appears that
we had worked out our own destruction in the ******* of
our taste, or rather in the blind neglect of its
culture in the schools. For, in truth, it was at this crisis
that taste alone—that faculty which, holding a middle
position between the pure intellect and the moral sense,
could never safely have been disregarded—it was now
that taste alone could have led us gently back to Beauty, to
Nature, and to Life. But alas for the pure contemplative
spirit and majestic intuition of Plato! Alas for the [Greek:
mousichae]  which he justly regarded as an all-sufficient
education for the soul! Alas for him and for it!—since
both were most desperately needed, when both were most
entirely forgotten or despised. Pascal, a philosopher whom
we both love, has said, how truly!—”Que tout notre
raisonnement se reduit a ceder au sentiment;” and it is
not impossible that the sentiment of the natural, had time
permitted it, would have regained its old ascendency over
the harsh mathematical reason of the schools. But this thing
was not to be. Prematurely induced by intemperance of
knowledge, the old age of the world drew near. This the mass
of mankind saw not, or, living lustily although unhappily,
affected not to see. But, for myself, the Earth’s records
had taught me to look for widest ruin as the price of
highest civilization. I had imbibed a prescience of our Fate
from comparison of China the simple and enduring, with
Assyria the architect, with Egypt the astrologer, with
Nubia, more crafty than either, the turbulent mother of all
Arts. In the history of these regions I met with a ray from
the Future. The individual artificialities of the three
latter were local diseases of the Earth, and in their
individual overthrows we had seen local remedies applied;
but for the infected world at large I could anticipate no
regeneration save in death. That man, as a race, should not
become extinct, I saw that he must be “born again.”

And now it was, fairest and dearest, that we wrapped our
spirits, daily, in dreams. Now it was that, in twilight, we
discoursed of the days to come, when the Art-scarred surface
of the Earth, having undergone that purification which alone
could efface its rectangular obscenities, should clothe
itself anew in the verdure and the mountain-slopes and the
smiling waters of Paradise, and be rendered at length a fit
dwelling-place for man:—for man the
Death-purged—for man to whose now exalted intellect
there should be poison in knowledge no more—for the
redeemed, regenerated, blissful, and now immortal, but still
for the material, man.

‘Una’.

Well do I remember these conversations, dear Monos; but the
epoch of the fiery overthrow was not so near at hand as we
believed, and as the corruption you indicate did surely
warrant us in believing. Men lived; and died individually.
You yourself sickened, and passed into the grave; and
thither your constant Una speedily followed you. And though
the century which has since elapsed, and whose conclusion
brings up together once more, tortured our slumbering senses
with no impatience of duration, yet my Monos, it was a
century still.

‘Monos’.

Say, rather, a point in the vague infinity. Unquestionably,
it was in the Earth’s dotage that I died. Wearied at heart
with anxieties which had their origin in the general turmoil
and decay, I succumbed to the fierce fever. After some few
days of pain, and many of dreamy delirium replete with
ecstasy, the manifestations of which you mistook for pain,
while I longed but was impotent to undeceive you—after
some days there came upon me, as you have said, a breathless
and motionless torpor; and this was termed Death by
those who stood around me.

Words are vague things. My condition did not deprive me of
sentience. It appeared to me not greatly dissimilar to the
extreme quiescence of him, who, having slumbered long and
profoundly, lying motionless and fully prostrate in a mid-
summer noon, begins to steal slowly back into consciousness,
through the mere sufficiency of his sleep, and without being
awakened by external disturbances.

I breathed no longer. The pulses were still. The heart had
ceased to beat. Volition had not departed, but was
powerless. The senses were unusually active, although
eccentrically so—assuming often each other’s functions
at random. The taste and the smell were inextricably
confounded, and became one sentiment, abnormal and intense.
The rose-water with which your tenderness had moistened my
lips to the last, affected me with sweet fancies of
flowers—fantastic flowers, far more lovely than any of
the old Earth, but whose prototypes we have here blooming
around us. The eye-lids, transparent and bloodless, offered
no complete impediment to vision. As volition was in
abeyance, the ***** could not roll in their sockets—
but all objects within the range of the visual hemisphere
were seen with more or less distinctness; the rays which
fell upon the external retina, or into the corner of the
eye, producing a more vivid effect than those which struck
the front or interior surface. Yet, in the former instance,
this effect was so far anomalous that I appreciated it only
as sound—sound sweet or discordant as the
matters presenting themselves at my side were light or dark
in shade—curved or angular in outline. The hearing, at
the same time, although excited in degree, was not irregular
in action—estimating real sounds with an extravagance
of precision, not less than of sensibility. Touch had
undergone a modification more peculiar. Its impressions were
tardily received, but pertinaciously retained, and resulted
always in the highest physical pleasure. Thus the pressure
of your sweet fingers upon my eyelids, at first only
recognized through vision, at length, long after their
removal, filled my whole being with a sensual delight
immeasurable. I say with a sensual delight. All my
perceptions were purely sensual. The materials furnished the
passive brain by the senses were not in the least degree
wrought into shape by the deceased understanding. Of pain
there was some little; of pleasure there was much; but of
moral pain or pleasure none at all. Thus your wild sobs
floated into my ear with all their mournful cadences, and
were appreciated in their every variation of sad tone; but
they were soft musical sounds and no more; they conveyed to
the extinct reason no intimation of the sorrows which gave
them birth; while large and constant tears which fell upon
my face, telling the bystanders of a heart which broke,
thrilled every fibre of my frame with ecstasy alone. And
this was in truth the Death of which these bystanders
spoke reverently, in low whispers—you, sweet Una,
gaspingly, with loud cries.

They attired me for the coffin—three or four dark
figures which flitted busily to and fro. As these crossed
the direct line of my vision they affected me as forms;
but upon passing to my side their images impressed me
with the idea of shrieks, groans, and, other dismal
expressions of terror, of horror, or of woe. You alone,
habited in a white robe, passed in all directions musically
about.

The day waned; and, as its light faded away, I became
possessed by a vague uneasiness—an anxiety such as the
sleeper feels when sad real sounds fall continuously within
his ear—low distant bell-tones, solemn, at long but
equal intervals, and commingling with melancholy dreams.
Night arrived; and with its shadows a heavy discomfort. It
oppressed my limbs with the oppression of some dull weight,
and was palpable. There was also a moaning sound, not unlike
the distant reverberation of surf, but more continuous,
which, beginning with the first twilight, had grown in
strength with the darkness. Suddenly lights were brought
into the rooms, and this reverberation became forthwith
interrupted into frequent unequal bursts of the same sound,
but less dreary and less distinct. The ponderous oppression
was in a great measure relieved; and, issuing from the flame
of each lamp (for there were many), there flowed unbrokenly
into my ears a strain of melodious monotone. And when now,
dear Una, approaching the bed upon which I lay outstretched,
you sat gently by my side, breathing odor from your sweet
lips, and pressing them upon my brow, there arose
tremulously within my *****, and mingling with the merely
physical sensations which circumstances had called forth, a
something akin to sentiment itself—a feeling that,
half appreciating, half responded to your earnest love and
sorrow; but this feeling took no root in the pulseless
heart, and seemed indeed rather a shadow than a reality, and
faded quickly away, first into extreme quiescence, and then
into a purely sensual pleasure as before.

And now, from the wreck and the chaos of the usual senses,
there appeared to have arisen within me a sixth, all
perfect. In its exercise I found a wild delight—yet a
delight still physical, inasmuch as the understanding had in
it no part. Motion in the animal frame had fully ceased. No
muscle quivered; no nerve thrilled; no artery throbbed. But
there seemed to have sprung up in the brain that of
which no words could convey to the merely human intelligence
even an indistinct conception. Let me term it a mental
pendulous pulsation. It was the moral embodiment of man’s
abstract idea of Time. By the absolute equalization
of this movement—or of such as this—had the
cycles of the firmamental orbs themselves been adjusted. By
its aid I measured the irregularities of the clock upon the
mantel, and of the watches of the attendants. Their tickings
came sonorously to my ears. The slightest deviations from
the true proportion—and these deviations were
omniprevalent—affected me just as violations of
abstract truth were wont on earth to affect the moral sense.
Although no two of the timepieces in the chamber struck the
individual seconds accurately together, yet I had no
difficulty in holding steadily in mind the tones, and the
respective momentary errors of each. And this—this
keen, perfect self-existing sentiment of
duration—this sentiment existing (as man could
not possibly have conceived it to exist) independently of
any succession of events—this idea—this sixth
sense, upspringing from the ashes of the rest, was the first
obvious and certain step of the intemporal soul upon the
threshold of the temporal eternity.

It was midnight; and you still sat by my side. All others
had departed from the chamber of Death. They had deposited
me in the coffin. The lamps burned flickeringly; for this I
knew by the tremulousness of the monotonous strains. But
suddenly these strains diminished in distinctness and in
volume. Finally they ceased. The perfume in my nostrils died
aw

The glass of wine spins on sins
Encircling the royal roulette
All rotating on a hamster wheel
Pinned on canvas and illusional walls

So tiny in errors and unbalanced books
Unaccounted annotated distributions
Twisting hands on colluded coils
Deeper projections from the heart

An eruption of the social notions
Extracted on the paradise of life
For no truth echoes authenticity
Eccentrically finding a lived reality

Plato symposiums and simulacrums
Pavlov trails of social conditioning
Sampled in tented objectifications
Functioning within the invisible rules

We sniffle as we expose the false actuality
Reactive explosions from robust heat
Unloaded rods dancing under the moon
In our tenderness rejecting the paradigm

Spitting occult lyrics to snow confusions.
I being able to slow my own notions,
Am called the Conformist.
Am not crazy. See my brain?
I swear am just eccentric.
New blessings and abilities become insanity,
Look, this is just an overflow of positivity,
Still, saying am crazy, wont back me down,,
Am just eccentrically gifted by himself different.
Why not for the sake of being admit uniqueness?
Cant change who am made, to this admit pleasing.
A poet I am, not a writer, to me commit ceasing.
Why are my unique thoughts referred 'twisted?
Omit that **** and know eccentric means gifted.

While I sit down to write
My pen begins to talk
What are you ding my friend
You resemble a hawk

You have a long agenda
to fix something up
Never trying to find
only eccentrically burp?

The Suns, Moons you see
Can never be your friend
You are quite alone
over the battle ground

Time have come
to make your skin thick
Strengthen your body
to give hard kick

All these talks
made me to smile
pen seems very smart
walks a more mile

Agendas are to undo
battles are history
for my beloved pen
it is a mystery

World has moved
faster than my pen
Sun.Moon are in my net,
and listed as my fan

I pity my poor pen
Preparing to face a ban
we are in motion
Just no battles
Only a final Annihilation

I’ll rev you like a Porsche
Pressurize the clutch then
ease on the equipped brake
enrolling the steering wheel

On the highway as we sing
Tuning choruses eccentrically
apply the mascara and smile
put my flock on, swing like Bowie

Craze up in seismic grooves
Shift to a self expression culture
be so extreme that you glitter
I’ll desire your ambiguousness

Unarguably, I’ll hold your hand
An evolved zeitgeist in revolution
squeeze their prejudiced little heads
replicate, experiment your persona

Marge retrogrades lazily towards the hills;
Her name, printed the width of her cab-over dinette
In crinkled cobalt cursive,
Totters eccentrically as her handbrake fails.

SNAP-AP

Oblivious to errant camper vans (and centripetal forces in general),
Barney speeds maniacally along a deserted city street;
Golden coated and joyously poochie,
His tongue flabbers as fast as his bicycle courier dad can pedal.

SNAP-AP-AP

Mr Blue buys buckets at Bunnings
To match his cerulean suit and shinier-than-shiney satin shirt;
Periwinkle rhinestone shoes carry him unabashedly passed the second glances and sideways looks;
There goes the best dressed DIY-er in town…don’t ya know.

SNAP-AP-AP-AP

Astonishingly! This poetry analogy is partially of a prodigy poet! It is of his endearment and endeavorment in our great Government that desecrated, medicated, sedated and segregated him. Doped! Desperately copping and hoping he made it! To add, no dad! An artistically rad-lad through the bad, the glad, the sad and mad. This destiny of a poet is also of apologies, felonies, formalities, legalities and theories.

Furthermore it’s of mournful and scornful-laughter! Capture and rapture, dreamingly and seemingly, chapter after chapter... Pondering and wondering is there a happily ever after? This destiny of a poet is heavenly,  randomly and religiously, tellingly of lots of many thoughts! Some adventuresome, awesome, burdensome, fearsome and gruesome! Some loathsome, lonesome and wholesome!

Some of dreams, schemes and many themes! Some deemed and seemed differently, discriminately, indecently or racially true, from some views. Some askew and blue! Some of clues, of Jews, of taboo, tattoos and voodoo! This destiny of a poet; stunningly who could’ve and would’ve thought once, twice or thrice of this price? Of the cheers and peers, the jeers, the leers,
the tears and weary years... Therefore I say, some artist’s

clever art may create, dictate, relate and translate similar-thriller craftsmanship with negative, positive or relative penmanship. However, typically some probably will publicly criticize as a travesty. Some will harmonize, some will publicize or socialize, some will disrespect as imperfect, some will neglect, some will respect as perfect! Hark! I remark; brethren, children and women keep and upkeep that

creative spark! For in the dark or as you embark. Literally, morality and reality is in my poetry and story. Expect excellent, brilliant, decadent, resilient talent and testaments! Basically on final note! I positively devote, quote and wrote these eccentrically optimistic, rhetoric and theoretic poetically lyrical rhyming notes. Finally and bluntly, do not negatively amend, bend, pretend or transcend this end. Amen...

Heaven, heaven is one breath away! Heaven, heaven is someone’s array of death and decay. May I say? The havens and heavens above is a way for the doves and for its love. For the day, the gay, the gray, the prey, the stray, the Sundays and sunrays! Heaven, heaven is a hideaway, a passageway, a safe way, a sway away! Heaven, heaven
is basically, eccentrically, theoretically and poetically for some of the

awesome that blossom! It’s an anthem or a poem! It’s fearsome, it’s freedom and a kingdom of wisdom! Heaven, heaven is a place of face, grace, race and trace. It’s full of allure and demure! It’s rest and a test assured! Where, there you can invest the best and insure your problems can be cured! Heaven, heaven’s characterized cries and eyes! The flies, the lies, the prize in disguise! Its skies, ties, the whys and the

wise. Footprints and imprints of ancient legends of heroes, Negroes and Neros of long, long ago! Heaven, heaven’s gorgeous doorsteps! Yep! Its havens grand, take a stand. Many brands, many hands, many
strands of many sands! Heaven, heaven is enormous and glamorous! It’s where adjacent, impatient humorous, numerous followers throng and prolong! The bleak, meek, the weak, the strong and wrong! There

is where, reactive in proactive citizens and frail senior citizens hail and sail! They prevail as they unveil! They thrive and throng to there,
where righteous, brightness belongs. Heaven, heaven all adhere and hear! The allowed, the followed, the hallowed, the supreme cloud towers and gracious powers! Heaven, heaven basked and tasked by thy masked gleam. Aside, inside it seemed I was alone…

As I cried, as I sighed! Tied in wonder, under the heaven’s throne of wonder! In blunder, as I wondered if I were dead? Instead, black crows in rows, attacked and flew over my head! Squawking, talking, flying asunder, with plunder, plunder, under the thunder, thunder! Definitely bringing me to my knees! Infinitely squawking, talking, flying around me with ease, glee and tease! Please heaven, heaven!

For instance in the distance... It’s dreamingly and seemingly quaint you see! Faint sounds of angel’s hymning and rhyming! Their heavenly, heavenly, singing, ringing triumphantly, triumphantly! Although, through the distance and persistence in time; we to will hopefully and loyally dine. Dine in thrill, on the heaven, heaven’s divine! Amen all children, men and women, heaven, heaven amen.

Bach's "little fugue"
            played while figure eights
whistled in my head,
               along with mathematics
to an un-equilibrium point
           where self-confidence
meets self-doubt.

So, in
illusions created by the exact same demons
that saw the bottom from the top
and the   pope as part of a conspiracy,
I created a theory, and ended in a padded room.

I painted spots on walls not assimilating
anyone others works,
became my own victim,
committed to rationality
while acting eccentrically.

Visions came to me, I sought refuge in them,
things I saw the real world calls bug-brained.

There I envisioned the cosmos as a limit imposed
on one's relation to self. I saw the dynamics of  human conflict
as interludes of forced sanity.

I went as quick as I came.

forced into what I don't want to do
I enjoyed the chorus arranged in my head.
Like a game between people I don't understand.

I sneak into Princeton and proved the existence of God. in red sneakers unaware my theory was economic realism.

Then I rejected voices.

And won the Nobel Prize.

The girl who brought flames; yet loved the water
of sprinkling desire, pain and affection
She loved the rose that blooms in winter
And adored the sunflower that withers in summer

Allured with the smell of spring,
Waiting for the song the fall may bring
On verge of left and right, she is
Eccentrically falling in love with the bliss

Her mind is an assortment of ******
Her heart; a fragile glass
It may never come together
And soon be poisoned by a mass

The girl who shut the moon;
She covered the sky
But went closer the sun,
and nearly died.

If earth and sky shall meet, ‘tis well
Though known to her the sky may fell
These things we cannot cure and tell
But hidden only inside Maribel.

The loony warbles of a sentient time are the granular epiphany of beckoned realization curtailed by the bamboozled foofaraw of inclement centuries weighing upon freebooter avarice and becoming litigants of their own specialty because in costermongers we find the worst gyrovagues issued by humanity. We spin at warp speed for a dilettante triumph because it issues with it a declaration of inclinations mixed with a desuetude of infirmity that spans the gamut of the global incontinence of dredged infamy becoming a retinoise to a selective fame rather than a bulldozed femicide sparkling in the mist of a wicked ***** rather than a bedecked hypertrophy that sustains us through tachydidaxy as we try and conquer the malingered tropes of kilns of baked bronze.


The balkanized internecine divides that separate the barbarism of the epigones of the past from the belletrist of an upcoming foreseeable future becomes a rejoinder to those who count only as sejungible the boredom of fantasy deprived of fantasia because of the serenade of wistful lugubrious decadence clamoring with clangor to become a self-efficacy of situations rather than a bonanza for separations in civilized affronts of masked time that is the avenger for the saccharine entropy cornered by the capers of a caste of maskirovka because it is a lifeless but livid atrocity to fall into the wrong hands of a delicacy bought by the blood of the innocent when obviously the exculpation of centuries erodes the monolith of draconian tyranny and drapes it with a bemused trope that forswinks duty in order to pasteurize a remontant flower of a wicked spartan negligence of reckless rackrent in the temporal frame that favors the non-linear expression  of ingenuity over the temulentia of advanced decrees to serpentine to flow neatly in the nexility of circumstance by the legerdemain of the circumstantial because the categorical prerogative of lurches in time is that a bypass becomes its own cement that berates the lackluster sheen that is formant to reality only in the conscientious hearth of abandonment. Now that I am flexing my linguistic largesse properly I can fathom the depths of any quagmire of residual endeavors that scrape with abrasive fictions the litany of liturgies competing for primacy because prophecy is a mute dudgeon of the iniquities of our past becoming erased by the sinecures of defalcation from the universal alveolate censure of a decimated mercurial bonanza that appeases simple hearts but evades the evasive prerogatives of willborne triumphs which elope predictably into the cadaster of influence that borrows from nescience the ridicule of the legionnaires that are a bricolage for civilization timid in the reticent squalls of naivety but pregnant with inestimable riches for the keen observation of a reckless carom of a waxing time belonging to the orbital physics of psychic emoluments to a conquest of centuries by the privilege of the  violent torpindage that keeps the immutable certainty of our privy past to become the ringleaders of sedition in destiny that ironically invent serendipity to quell that itch for serotinous barnstorms which are benighted and muddled with borrowed effrontery.


The grandstand of the artifice of the barnstorm is the truth seen only through privileged eyes becoming a simultaneous threat and boon to the safety of the charades of the unknown wilting with etiolation at the first sight of gerrymandered incontinence while proves the futility of all endeavors to outfox the future by relying on the past formulas that are a categorical endangerment of rifled time.




There is a delicacy in convergence because the sinuous architecture of solemn docimasy leads ironically to a cleavage of divergence that predicates the uniformity of time to beleaguer the abortive premises of workaday generations into sharp focus of harmony that swivels with desultory prowess above the carcass of the plaid pedestrian attitudes that simper and jostle through the recessive alleles of time to provoke the ascertained future into strictures of enlightenment because to berate and diverge from the optimal is a sore spotty indigence because the craft of the future become the harbingers of escaped dearth because of cornucopias of amassed conscientious deliberation leading to predictable termini.


The wilted dance of a terpsichorean convolution is that the maximum acme and the minimum nadir both orbit eccentrically around bemused confusion of riddled light becoming the entropy of an unknowable certainty in universal ghastly fright because the prediction arms the predicate symphony into an orchestra of harmony beyond heterodyne blemishes because in every witness there is a conflated belligerence that becomes its own irenic accord when it is siphoned through the limited perception of sapience verging on naive negligence because perception bereaves the sublime and subliminal into an etch-a-sketch mandate of sedition against cordial sympathies. We must then therefore fasten our attentions beyond but between simultagnosia exasperated by spartan entrails and residue of our carnivorous feast of plagued gambols in the lollygag of a useless proctor of diminutive civilizations and find the centripetal pivot that enables us to warp the fabricated bluster of the blench and blarney of masquerades of enthralled piggybacks through  the vicarious thrills of dementia becoming a termagant against the rich troves of destiny.
Time Travel is essentially a rejoinder to the question of why? But never the answer for when because it showcases through the furrows of a groovy rectiserial balderdash unknown to even the vast majority of the litany of man that we can proceed through the interdimensional void but never alter its trajectory because the predevoted is always the capstone words that become parallax trajectories of memory diluted into the wooded halls of an imagined filigree of primordial geometry affixed to conflation just enough so that the delusional palisades of demented destiny always cavort with a misinterpreted boondoggle that ratchets and titrates the proper dose of misinformation so that the world contorts from ignorance into certainty and without the categorical properties of deception we would be lost in a world without raconteur suspense because every heyday has its own plagued infamies that span the canvass of human atrocity becoming  benevolent artifice of calculated negligence rather than bemused harm seen miles away to the extent that the extramundane world is just a serial issue of fiction absconding away from pretense in plight only to arrive at injury because of the throttles of spartan revolt. We need to fumble and botch our crimson endeavors into a recursive cycle because the blemish of foreseeable futures would eventually evaporate into abortive loops of prediction precluding eventuality and the eventual superseding the harmful relics of Potemkin Villages erected to serve the almighty dollar because of the sclerotic dementia of ulterior purpose.

Mother sits downstairs, ear glued to the phone
Chatting eccentrically to faces and voices unknown.
Father stares at a screen filled with numbers and
Names of people and places causing his frustrations.
Sister dwells a few towns over, and brother reeps
In his rewards, often found in splendour
At some foreign resort.
These siblings share many things, fruits and offerings
From fleeting days past, occupied by long nights grafting
At the pen, paper and graphs.
Also a brother, who is younger and half the laugh. He perches in his room,
Strapped to his chair and like his father, stares at screens
Where beaming colours, instead of boring numbers, cause
His frustrations and late slumbers.
Perhaps this is why he has such strange dreams?