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"dispossession" poems
Profit Gross obscene Exploiting  dealing   pocketing Surplus killing debt dispossession     Undoing grieving needing Ruin   destitution    Loss
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May 26, 2014
May 26, 2014 at 2:04 PM UTC
Profit/loss (diamante poem)
Love and confusion confounding the illusion of trust in a systematic regime which they deny ever existed but constantly promise to improve upon. The hat's shape and color may change, but our inability to exchange their deranged platforms for a stabler form of expression exposes our disillusion with dispossession and our embracing being complacent in the face of our rulers' all-encompassing corruption.
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Jun 26, 2019
Jun 26, 2019 at 1:27 PM UTC
Same as it ever was
Chairs were creaking from the strain of ignorance, as the habit of ignorant anticipation gripped the edge of a creative moment to disrupt thoughts which hoped to choose the pastel colors of an expressive photograph. Rather than deep garden saturation, the light, fading to become ghosts of movement, offered a place of acceptance. Shrugs rounded the shoulders of the road, so it could be claimed that no responsibility hindered the development of suspension systems. Political levitation supported the dancers as they turned onto the public stage in a forum of occupation. The state of the street, in the absence of smooth nylon, brought the parachutes down to flutter, disconsolately, above the pavement. Single waves of regret were drawn to leave the stage, but, as this effort was declined, determination measured resolve based upon community options, described in the local papers. Setting the pages down, each day, the play became enamel baked onto the restoration and the satisfaction which kept them all together as a group. Certain curtains were raised, as others were lowered to close the door excluding the poor from the equal share of space related to the experiments of the place. Conversation by clerks sculpted freedom to crimp the brass cases in ways not accepted by sprites in mid flight. These were the colors in the ledger interpreted as shades of gray or flashing midnight blue, faint copper, and pearly white. Forces of education were dismissed as a superficial demonstration indicating the character, intensive. Thus, they were reaching for the money, but funding remained a gift offered only to those admired and, through the glass, profitable by cultural attributes. Some thought the process was the singular importance of an event. The dancers were dreaming, as they rehearsed. Another kind of artist discarded the event in favor of the documents and images meant to persist. These, the dancing players favored as memories to be contemplated, some to be cherished. Materialism, since it included spirit, ruled the transient existence experienced as joy. Perception brought enjoyment into being, yet when the unusual critic walked away, it was a dispossession. Other critics were members of the team.
0
Dec 26, 2013
Dec 26, 2013 at 8:36 PM UTC
Intensive Preoccupation For The Press
Chairs were creaking from the strain of ignorance, as the habit of ignorant anticipation gripped the edge of a creative moment to disrupt thoughts which hoped to choose the pastel colors of an expressive photograph. Rather than deep garden saturation, the light, fading to become ghosts of movement, offered a place of acceptance. Shrugs rounded the shoulders of the road, so it could be claimed that no responsibility hindered the development of suspension systems. Political levitation supported the dancers as they turned onto the public stage in a forum of occupation. The state of the street, in the absence of smooth nylon, brought the parachutes down to flutter, disconsolately, above the pavement. Single waves of regret were drawn to leave the stage, but, as this effort was declined, determination measured resolve based upon community options, described in the local papers. Setting the pages down, each day, the play became enamel baked onto the restoration and the satisfaction which kept them all together as a group. Certain curtains were raised, as others were lowered to close the door excluding the poor from the equal share of space related to the experiments of the place. Conversation by clerks sculpted freedom to crimp the brass cases in ways not accepted by sprites in mid flight. These were the colors in the ledger interpreted as shades of gray or flashing midnight blue, faint copper, and pearly white. Forces of education were dismissed as a superficial demonstration indicating the character, intensive. Thus, they were reaching for the money, but funding remained a gift offered only to those admired and, through the glass, profitable by cultural attributes. Some thought the process was the singular importance of an event. The dancers were dreaming, as they rehearsed. Another kind of artist discarded the event in favor of the documents and images meant to persist. These, the dancing players favored as memories to be contemplated, some to be cherished. Materialism, since it included spirit, ruled the transient existence experienced as joy. Perception brought enjoyment into being, yet when the unusual critic walked away, it was a dispossession. Other critics were members of the team.
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46
odd. i see two chairs. one room and one room keeping the herd while the nether keeps the paired. a brute union of tough love and apathy and middle-class ******* chafing on the sun drenched schema of our dispossession. like clever lads with epilepsy only the lights change when the frequency of your questions overclock the enchilada. the whole thing. baked in alaska. striking a match with a land slide. but absolutely, "no slide rules ". every thing to scale. so the truth expands as you extend humility. like an olive branch in your boulevard of baroque naps. life, is how sleep gets up in the morning. to yawn at the dream. and never quite seem to remember to tell but recalls
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Nov 8, 2012
Nov 8, 2012 at 10:21 AM UTC
the contusion as an edit by kubrick
Is it my imagination Or are there far fewer birds singing ? What dawn do they mutely await Through the long night of terror ? Silence speaks of pervasive fear And of the loss of ancestral nests. The protector has taken an axe to the trees. Trees fall; the earth shakes. Raucous cries of dispossession supplant birdsong As the khaki-clad hunters *** sitting ducks While Zeus' swans feast on Leda's flesh. Rejoice, my countrymen, for the prophecy has come true -The state has indeed withered away.
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Oct 10, 2011
Oct 10, 2011 at 7:13 AM UTC
The Nests of Nandigram
Abscess blockade burrowed to the jawbone dream ruptures infectious screeches threats of gangrene mainlined syringe residue drawn back-blow back-cross bow-shot across the bow racing thought restless night shade swollen eyes mud caked dispossession broken promise treatment crack in the pavement things fall apart lies upon lies upon lies and she says 'While I'm at it, I don't really want to talk about it. Can't I just use you, to only tell me nice things? '
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Jan 16, 2014
Jan 16, 2014 at 9:54 AM UTC
Fever Dreams
Depression is an overused word It might make an easy rhyme For poets who labor under the impression That they can climb to the heights of expression By showing no discretion with each and every Narcissistic emotional self-obsession confession. But of all the poetic depression transgressions From the front of the procession To the straggling indiscretion The worst and least touched on Is that it's boring... Depression and talk of it Leads to the inevitable compression Of each and every tidbit Or texture that prevents a poem from becoming a lecture It flattens the curve It scans the sculpture A man of depth dwindles to a nerve But depression doesn't let them see how it narrows their view The circle it drew around appropriate questions Ignore the censor and suppression Be vigilant of the slightest dispossession Starting to understand this oppression? Don't let it convince you that you can see more clearly From the bottom of a pit You have no idea what you're missing
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Mar 19, 2021
Mar 19, 2021 at 5:11 AM UTC
Depression
problematic is the renewal of my soul, systematic is my need to be evolved. quite listless are the streaming roads leading to the ends of this weary world. now breeding are conjectures in my skull, still breathing is my life - soothing cold, with this possession in dispossession tearing up my vile flesh and decrepit bones. soon forgetting to be adorned laughs will soon start to be heard, once the fluent waters of the flood swallow up the darkness it's become. give me reason, i undergo deep sleep live forever and give side to my good and dear soul.
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May 24, 2013
May 24, 2013 at 3:26 PM UTC
forged
i love the way you mostly go from garden to shack tapping at the jagged slats of my ragged door.... loosely latched to the frame of my hovel. your knuckles rapping on the knot in the grain and the lichen blotch above the likeness of a cumulus cloud... etched into the feeble barricade of my luminous tomb. i let you in, after you wake me.... with your quiet rain. You read my books but My - lips move. II sunset denudes the strident stars and stark they come, above the worldly disarray of my ordinary disposable comforts. and the tinsel twilight of my terminal misconception of how to proceed with a miracle. and i love the way you mostly ignore my dilemma and how thine is the kingdom of little mercies that gather to my deconstruction to ***** pavilions of the unimagined in the dismal eye of my hurricane... For to watch you at your craft is be astounded by my Isolation, dissolving - into a figment of my crippling self doubt. i love the way you mostly correct the mistakes that leave a mark... how you show me how the moon is a hole in a pitch dark clock.... how you serve this hermit a banquet of intimacy - that never recedes from my bare cupboard nor my hearth. the way you squander your riches upon my barren spoils. the way you ruin my dispossession by laying claim to the crest of my tsunami - of crushing disappointment in wishing wells - ( with ventriloquists you can lip read in the dark... ) by the light of a constant collapse. the star you caught off guard with your south paw. III ( And ) i love the way, that i love the way - you mostly save me from the withering din of long hours, from clawing at the ripple in my false pond... where i skipped a stone into the great red spot of my private Jupiter. twiddling your thumbs - as you casually rescue my derelict barge from the Scylla and Charybdis of my discontinuous clarity. ( and the moment you arrive. ) i love the way you mostly and all the ways - you always how all the ways you love me... come so naturally to you.
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Sep 21, 2017
Sep 21, 2017 at 1:20 AM UTC
I Love The Way You Mostly
i love the way you mostly go from garden to shack tapping at the jagged slats of my ragged door.... loosely latched to the frame of my hovel. your knuckles rapping on the knot in the grain and the lichen blotch above the likeness of a cumulus cloud... etched into the feeble barricade of my luminous tomb. i let you in, after you wake me.... with your quiet rain. You read my books but My - lips move. II sunset denudes the strident stars and stark they come, above the worldly disarray of my ordinary disposable comforts. and the tinsel twilight of my terminal misconception of how to proceed with a miracle. and i love the way you mostly ignore my dilemma and how thine is the kingdom of little mercies that gather to my deconstruction to ***** pavilions of the unimagined in the dismal eye of my hurricane... For to watch you at your craft is be astounded by my Isolation, dissolving - into a figment of my crippling self doubt. i love the way you mostly correct the mistakes that leave a mark... how you show me how the moon is a hole in a pitch dark clock.... how you serve this hermit a banquet of intimacy - that never recedes from my bare cupboard nor my hearth. the way you squander your riches upon my barren spoils. the way you ruin my dispossession by laying claim to the crest of my tsunami - of crushing disappointment in wishing wells - ( with ventriloquists you can lip read in the dark... ) by the light of a constant collapse. the star you caught off guard with your south paw. III ( And ) i love the way, that i love the way - you mostly save me from the withering din of long hours, from clawing at the ripple in my false pond... where i skipped a stone into the great red spot of my private Jupiter. twiddling your thumbs - as you casually rescue my derelict barge from the Scylla and Charybdis of my discontinuous clarity. ( and the moment you arrive. ) i love the way you mostly and all the ways - you always how all the ways you love me... come so naturally to you.
Continue reading...
91
Proof of the past: In November, you were born. Nothing here but stark cold, until your warmth. Your presence extolled. The mirrors remember your vestige. This is the silence that extracts itself then exacts itself in this frame. Sometimes letters accumulate but remain unfinished. In November, it is all clear. I have no use for sordid entrails. It is the stone’s duty to be evidence of situation. Its flight, the sum of all its lost parts, say when you speculate over the escritoire over an unfinished meal, burn altogether and turn to scrap everything even the soft presses on the creaking metal of the chair where we almost made love but didn’t because it is a surprise that in rawness we are ripe more than ever, making our life total, if not equal to an immense fault. You are sometimes the cold metal chair I conjure. Sometimes just bleakness. This uniformity seeks riddance. Proof of the past as surety to claim: In November, this year, they have changed the roads. Detours constructed to arrive at a certain destination. Faces blur past the old university. Trees are effigies. Leaves wriggle like the curtains of room 201, 2nd floor, I do not know what specimen I have in my hands. Bare in lack of worship. Grandeur is here when seasons are predictable. This is the home and that is where you are that translates it so. A wanted want – a dispossession. Proof of the future: You know nothing about this place.
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May 19, 2016
May 19, 2016 at 9:24 AM UTC
Proof
Lawrence Hall, HSG [email protected]                        Dock Workers’ Strike – BUY TOILET PAPER! WE ARE AMERICANS! Whenever threatened by enemies furry or domestic By hurricanes, tornadoes, earthquakes, storms By shortages of food, water, and electric power By aliens stalking us and eating our cats By famine, fire, dispossession, revolution WE BUY TOILET PAPER! WE ARE AMERICANS! We are armed with our AK-16s and AR – 47s Uniformed in our Wal-Mart camo from China Size 89XXXXL-Lard-ass And we will by God stand together as ONE - And fight each other to the death for toilet paper! Oh, and do you know Jesus?
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Oct 3, 2024
Oct 3, 2024 at 11:57 AM UTC
We Are Americans! We Buy Toilet Paper and Fight, Fight, Fight!
__ ( • ) ( ) ( ) /-----------\ Love Song • * * We rise up as the earth arises -- We are the HUMAN Our Love is real •• Heart beat Breathing ( nothing else ) • * * Our lives Totally surrendered to purest Will -- ( do you remember ? ) • LOVE itself ? • Passion The full embrace •• Walking along the river together In the mountains baring treason In the stronghold Of dispossession Fully facing what is here •• DARE YOU KNOW ME ? •• Winds along the twisted street Children crying hungry in alleys ***** poetry watching writing The whole travesty down ! • ( WHILE I AM HERE ! ) •• gentleness ( purest self ) The earth is saying that YOU are worthy ! Calling on you to know your true NAME counting on your understanding Of your sacred independence Of the meaning of your life Of the promises you made •• Love song YOU ARE HERE ! all together Let us sing !
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May 10, 2014
May 10, 2014 at 1:20 AM UTC
child