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"artefact" poems
/                           beelzebub *(given employs the spider a posteriori and spiderweb a priori, and then back into a bicemeral reverse psyche-analogy - the id est contra the id erat - but there is no latin revival - given that the latin encoding has been translated into a.i. algorithms... forget putting the pandora into a box into a box into a box, into an etc. or what is a russian cultural artefact... forget it... a black fly would not take upon itself to make a dustbin, a ******* maggoty brothel, like a green bottle fly might... black flies have character, style... they're the ones that take to tango, with spider architecture, akin to the theological spider analogy about an ad infinitum a priori argument)*:    a bit like watching a black fly - "washing" itself - rubbing it's front limbs together, "attempting" to start a fire...       god, those awful green bottle hypers -   with maggot excesses - in a potential well expressed into practice - black flies?      i can entertain them - like i might entertain spiders that do not require aquariums - the non-exotica types... so i sometimes find myself rubbing my hands together, like a catholic amounting to an altruistic prayer symbolism... so kommen faust,   so kommen faust,                    so ist pseudo-faust - or rather:    england?              deutschland jr. america?               deutschland sr. and if that wasn't the case?     oh me, little old slavic                     babuшka... i still can't explain rubbing my hands together, like a black fly might...       keeping standards of where to take a maggoty dump's worth of procreation value... black flies? compared to the others? the priests of the whole spectrum...      i sometimes wish they were red,    so i could call them: the cardinals... alas...    not to be, god said otherwise... but i can fathom the priesthood, like i can fathom -    an aspiration of a sleeping samurai, devoid of the zodiac delusion,    encouraged to make chiromancy initiatives                         (readings) to alleviate, ******** monotheism.
0
Jul 24, 2018
Jul 24, 2018 at 11:02 AM UTC
beelzebub (with revision)
/                           beelzebub *(given employs the spider a posteriori and spiderweb a priori, and then back into a bicemeral reverse psyche-analogy - the id est contra the id erat - but there is no latin revival - given that the latin encoding has been translated into a.i. algorithms... forget putting the pandora into a box into a box into a box, into an etc. or what is a russian cultural artefact... forget it... a black fly would not take upon itself to make a dustbin, a ******* maggoty brothel, like a green bottle fly might... black flies have character, style... they're the ones that take to tango, with spider architecture, akin to the theological spider analogy about an ad infinitum a priori argument)*:    a bit like watching a black fly - "washing" itself - rubbing it's front limbs together, "attempting" to start a fire...       god, those awful green bottle hypers -   with maggot excesses - in a potential well expressed into practice - black flies?      i can entertain them - like i might entertain spiders that do not require aquariums - the non-exotica types... so i sometimes find myself rubbing my hands together, like a catholic amounting to an altruistic prayer symbolism... so kommen faust,   so kommen faust,                    so ist pseudo-faust - or rather:    england?              deutschland jr. america?               deutschland sr. and if that wasn't the case?     oh me, little old slavic                     babuшka... i still can't explain rubbing my hands together, like a black fly might...       keeping standards of where to take a maggoty dump's worth of procreation value... black flies? compared to the others? the priests of the whole spectrum...      i sometimes wish they were red,    so i could call them: the cardinals... alas...    not to be, god said otherwise... but i can fathom the priesthood, like i can fathom -    an aspiration of a sleeping samurai, devoid of the zodiac delusion,    encouraged to make chiromancy initiatives                         (readings) to alleviate, ******** monotheism.
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75
i'm living on a solitary prayer vandalized my ego to make it rare with teeth stained with lies i've told and promises lost in the cold i tussle and taser to hide my lovers and all that i am - a mess or tastemaker sprinkling tersely on my mercy seat will make my season go complete? i pull the labrys & the throttle artefact-sprites in uranium soil declaring my truth atop of the flagpole i'm the custodian of haute culture a flotilla of judgment riding skyhigh like dido's love-lachrymose down demise they say "better rethink your useless vendetta" but first we'd better get out of their siberia where the masses doubt the angry fix "ignore the (g/h)aze above the pyramid if we only couldn't have any more locked in dominican ****** wards
0
Aug 7, 2013
Aug 7, 2013 at 6:21 PM UTC
custodian of haute culture
/ *oh no no no... you don't get a jew artefact at this point, when the play of words comes between the son and the mother... no no no... you're target; she should be a **** a stripper, a ***** but when you do what this, "englishman" did? undermining the concept of personal property? ownership? his property infringes on your property, and somehow: my, yours, our's doesn't compute... i'm ******* craving to **** my neighbour... because all i have left to lose is... frothing at the mouth.* at a supermarket: within the confines of a cashier: - 'is this your typical friday night?' say it plain, chubby... **** it: more cushion for the pushin'...    sunglasses at 6am? a reply:       - 'it could be'   - 'if you were part of it'             - 'what?' i'd love to fiddle with excesses of porky...    migrant crisis?   more like a ***** cricis...     import black **** given the white boy lay low... it's not even funny, i find it funny attempting to whistle... which i can't, given that i found laughter... just don't come between me and mt "neighbour": cos i'll **** the ******* **** and "he's" watching me? sorry:      i'll **** the ******* **** fuck-face-tard! no, i will;   i can't conceive retaining the anglophone aspect of comedy within the confines of the monologue, with a cabaret....          i'll **** him... next time we exfoliates speaking to my mother, and not... looking          into my eyes...       "englishman": spew!    you! now! clean up this *********** *******       english! like you bred a people, gesticulating with a hand gesture... new yankies...     britain: home,            of the the wankies. p.s. no... private property contra private property within this ****** vogue...              i seriouslly will throw a **** into his garden, and say...                 not enough fox hunting, d'uh!
0
Jul 21, 2018
Jul 21, 2018 at 1:18 AM UTC
fly ************ fly!
/ *oh no no no... you don't get a jew artefact at this point, when the play of words comes between the son and the mother... no no no... you're target; she should be a **** a stripper, a ***** but when you do what this, "englishman" did? undermining the concept of personal property? ownership? his property infringes on your property, and somehow: my, yours, our's doesn't compute... i'm ******* craving to **** my neighbour... because all i have left to lose is... frothing at the mouth.* at a supermarket: within the confines of a cashier: - 'is this your typical friday night?' say it plain, chubby... **** it: more cushion for the pushin'...    sunglasses at 6am? a reply:       - 'it could be'   - 'if you were part of it'             - 'what?' i'd love to fiddle with excesses of porky...    migrant crisis?   more like a ***** cricis...     import black **** given the white boy lay low... it's not even funny, i find it funny attempting to whistle... which i can't, given that i found laughter... just don't come between me and mt "neighbour": cos i'll **** the ******* **** and "he's" watching me? sorry:      i'll **** the ******* **** fuck-face-tard! no, i will;   i can't conceive retaining the anglophone aspect of comedy within the confines of the monologue, with a cabaret....          i'll **** him... next time we exfoliates speaking to my mother, and not... looking          into my eyes...       "englishman": spew!    you! now! clean up this *********** *******       english! like you bred a people, gesticulating with a hand gesture... new yankies...     britain: home,            of the the wankies. p.s. no... private property contra private property within this ****** vogue...              i seriouslly will throw a **** into his garden, and say...                 not enough fox hunting, d'uh!
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62
The sea cast a gift ashore one stormy sullen day and the barren rocky coast was suddenly recast as a natural history museum. A whale. A real whale, just lying there shining on the shale In another time, we'd have known how to react. This astonishing bounty would have been quickly stripped Bones for building baleen for support blubber and oil for fuel. But now it lay surrounded by detritus made of better stuff. The truth was, we didn't really need it, couldn't really use it, like being presented with Casablanca on VHS. A sign appeared: "Quad bike rides, £2", red paint on rainsoaked cardboard. I wasn't tempted. Children poked it with sticks in a desultory way, stricken, intrigued, ashamed, and utterly dwarfed. The weeks passed as we coughed in embarrassment not knowing what to do, until finally someone brought a digger down and discretely buried the beast. By now, it will be a perfect skeleton a prehistoric wonder an artefact from unjaded days when nature could still astonish, trampled by unknowing tourists as they dream of sunnier beaches.
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Jan 1, 2012
Jan 1, 2012 at 3:06 PM UTC
The Whale
Yong Marx, yet to die, jumped out of an air-conditioned car, a journey Berlin to Bombay as the Dream merchant of Utopia metamorphosed him into a subhuman white bearded national bourgeoisie. The third world girl who was climbing a tree without Motorcycle- Diaries hung to her clothe looked like an Engelian mistake possibly not from Cuba, Zambia or Bolivia, certainly not a Soviet artefact. Alienation, self-affirmation and all unlike modes of production confused his surplus brain. The dichotomy of imaginings and reality with the girl proven anti-thesis kafkaesqued him an added ****** struggle. A shift in his struggle with a smile on her lips gave a hint of welcome to her Animal Farm. He did get inside. The moulded furniture, preoccupied sickle and the lacking exploitation left him a disappointing proletariat grin. She opened her mouth, blue words did not discharge. Neither the mid wife nor the revolution pumped her conscience. He got up, disappointed, alarmed, cursed the chap who misdirected to a class-less renewed pattern. “Comrade” she said shaking his hands, the blood did stir for a moment but the fight less slant , **** suits and her distant reality pained the rationalist. The amusingly alienated young Marx jumped into his car and left for utopia.
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Sep 3, 2015
Sep 3, 2015 at 10:41 AM UTC
When Marx came home
They were shattered pieces of glass, In a jar I had kept away, I thought I'd use them, To create an artefact some day, You found the jar in my closet, I told you with this jar don't play, You said you could make something beautiful, With my shattered glass and your clay, Then you made a masterpiece, Your art had a metamorphic way And although you broke your own creation, Thank you, is all I could say
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Sep 8, 2014
Sep 8, 2014 at 6:59 AM UTC
Shattered Glass and Clay
i'm bored of love, and bored of loving you, equating it all with cats and Carthage... whatever... something meowed something stressed a sound requiring a human artefact; yawn. a six pack never made a difference anyway, tiresome Ibiza either; so fatty ooh ooh and the required hash tag worth of Soho, so the **** fits a king-sized bed puff-up of cushions. well, let's face it, a completely detached, Sri Lanka Orff Corfu, twang twang Haiti!
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Jun 14, 2016
Jun 14, 2016 at 11:01 PM UTC
Ibiza
Sands of time tinkling through an obscure artefact the light in you as you recognise your own. Why and how are long-trodden tracks, forgotten as my mind unfurls with a fresh green vine whence before the stubborn old clung dry, and crisp, those bitter octogenarians of perception. R&M;, those sweet surprises winking from behind a hidden door were small shards in the bright crystal of our day that felt woven only for us. You trailed your fingers in the lukewarm water And across my neck, both, at every opportunity the warmth of the day to turn to burning heat of us as light and inhibition fell. '.....a thousand kisses deep', you read And those you gave enthralled me Cruel-clever Fate, to plant us as seeds apart that sad, never understood genus or cure to find now the curlicues of tendrils touch And all to make pure, beautiful, joyful sense our flashpoint clear in its providence. How clear and fine, luminous, perfect your touch and kindness and intellect drew these feelings from myself, not forgotten but rather, felt in that day anew. an older......deeper.....creature are you curled in dark and bookshelves and things unmachinated You're art, and never be apologetic your sorrows, twisted mad moments and lust sift through you to paper, golden dust and I find you entrancing in no hesitation still, I find I've one eye on the snare. A red orb signalled our day into night red wine and red running beneath my skin I see you so clearly my dear, in mind's eye and know the feel of your hair in my hands and your elegance contrasts with slyness and salt and the glint in your eye with its knowing purport. Forgive me, I cannot relay all I felt forgive me, I cannot I know, more I can give? but know, incandescence you drew from me surely for you, kindred soul, have reminded me- live.
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Jan 13, 2013
Jan 13, 2013 at 3:27 AM UTC
Incendescence
Sands of time tinkling through an obscure artefact the light in you as you recognise your own. Why and how are long-trodden tracks, forgotten as my mind unfurls with a fresh green vine whence before the stubborn old clung dry, and crisp, those bitter octogenarians of perception. R&M;, those sweet surprises winking from behind a hidden door were small shards in the bright crystal of our day that felt woven only for us. You trailed your fingers in the lukewarm water And across my neck, both, at every opportunity the warmth of the day to turn to burning heat of us as light and inhibition fell. '.....a thousand kisses deep', you read And those you gave enthralled me Cruel-clever Fate, to plant us as seeds apart that sad, never understood genus or cure to find now the curlicues of tendrils touch And all to make pure, beautiful, joyful sense our flashpoint clear in its providence. How clear and fine, luminous, perfect your touch and kindness and intellect drew these feelings from myself, not forgotten but rather, felt in that day anew. an older......deeper.....creature are you curled in dark and bookshelves and things unmachinated You're art, and never be apologetic your sorrows, twisted mad moments and lust sift through you to paper, golden dust and I find you entrancing in no hesitation still, I find I've one eye on the snare. A red orb signalled our day into night red wine and red running beneath my skin I see you so clearly my dear, in mind's eye and know the feel of your hair in my hands and your elegance contrasts with slyness and salt and the glint in your eye with its knowing purport. Forgive me, I cannot relay all I felt forgive me, I cannot I know, more I can give? but know, incandescence you drew from me surely for you, kindred soul, have reminded me- live.
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45
innocent blue it’s not the truth it’s just the story I tell to you say, gone now all the old times forgotten we flicker away in bliss roll the dice select this, forget then never let it go then I was just bored watching the night I had it all, I had it all I need it now covered in fade, taken from me rolled up and stored artefact of old I want so much to hold I become small again I begin to hear too much again see too large speak too thin again now it sits by in pieces renewed pretty and gold hope that you find it hope that I too could find it for you
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Mar 15, 2023
Mar 15, 2023 at 11:18 AM UTC
Innocent blue
i’m not here to pay my taxes blah! octopi strings attached into thinking i’d down a bottle of *** without the hawaiian angels! to hell with you!!! she’s the last cause i have of me, but it’s the one that makes billions accounted for in history, dead numbering 70,000 by only one historian's care for facts, that's when history is dyslexic with numbers instead of words, it says: solomon's appetite, the reverse onomatopoeia recorded of hum? mmmmmmmmmmmmmmm... ******* waves of virginia ah wooooooo! *um um dumb d’uh 9 oh 6, 5 ah ah index pinky 1 2 3... ******* retards... throw that alsatian off the red brick wall to learn a few mannerisms of broken feet! i’ve had enough! pickle those foetuses in brine for emperor peter the great to intercede! i’ve had enough of the philistine peasants! i’m going coo coo in the artefact of the rolling composers loosing it in the muzak spectacle of the st. petersburg fountain; give me davy jones’ eternity on loop without insect ***** or interactant activity of the interpreted state of affairs, for the dictator to civilise his “insects” and reel in a misery that could never be a puppeteer’s excess shadow of string with the shadows wholly formed into balance of a hand picking up a stone excusing any excess of cobweb to interfere.*
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Oct 19, 2015
Oct 19, 2015 at 9:19 PM UTC
hell weaves
placement position the artefact location, love and broken back tear open sanitise the heart attack this was where we used to build this is where the blood was spilled arraignment (all) time and space now lost to black spoken sanitise the heart attack this was where i lost my pills this is where i almost killed
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Jun 7, 2015
Jun 7, 2015 at 10:23 PM UTC
'sanitise the heart attack'
Dust specks-settle, cosying up to the ribbon bound notebooks bearing your initials. Burying this artefact, flawed, fractured there will be no map to guide you back to this mirth, no breadcrumbs to drop on the earth. It will be no more than a prologue, a seam unwoven to grab momentary attention until I sweep all away with steel grip on an exuding artery. Is Hubris not a deadly sin? As it lays in tatters at my feet., Foolish, foolhardy to have believed that all was a world of Thornfield or Pemberley more apt is naeive. The disparate views,that were sent by you undermined by certainty,unhinged the very bolts and nuts that held my infastructure. Transfixed. Transfigured. Transformed into this 'new'. Alas the day, arrives anyway the lark sings a merry tune and it thunderstorms, drops leaves life leaves the dew. To be candid, I pocess within me one last spark it splutters and at times can ignite, for teaching me an invaluble truth. Unrequited love, This partisan bear with caution- leaves a scar-  a victim.
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Jan 16, 2014
Jan 16, 2014 at 6:31 PM UTC
Partisan
some secrets up the clouds some gatherings that gleam lie, artefact chipped a statue moving like the watery movement of a sea a thousand thoughts furl unfurl coral tunes fish word, hues as the curtain thins thins satin sky silver sun swift the whistlings of drunken clumsies and stout their wings with merry and night gentle on stone body that moves watery
0
Apr 15, 2022
Apr 15, 2022 at 9:00 PM UTC
xiii.
In the artefact of Dreamland, resurrected wooden rides hope for countless  bookings, though the  drunks   still come to the  Mechanical  Elephant for their morning well-being. Buyer beware cameras with broken  meters are displayed from the last camera shop We are witnessing  the flaming of the sands that  still remembers  Mods and Rockers with a montage of photographs at the train station's entrance including two girls tearing each others hair out, ominously welcomes the expected arrivals from the four corners of the social, making this as exciting as a  holiday weekend in Hither Green without the sea.
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Jun 10, 2016
Jun 10, 2016 at 11:50 AM UTC
Margate
Alabaster hands I paint like I know you but I am afraid I paint like I know the hours of holy songs he sang when chip by chip he broke his David out of stone but I mumble with a brush polluted a tomb with thievery and doubt if I return to you I will do so stollen rolled up in bay and -- my Florence! I couldn't see you I was lost I could not be him he unleashed, I hold and now you wear his hands like a beloved scar and then you haunt my sleep with your eyes of old I am sessile, sterile - I doubt. I cannot speak. stone carved inadequate, for I do not know hands the venules and the etchings. I could not learn fiddling like a cricket in the arms of leaf I see him leap through ages to come and observe I am an artefact flaw and him the sound perfectionist he inspects fingers as they stumble in paint ever-looming, giant, bearded with a broken nose you, Florence! He steals movement, instill it, gifts it you wear it, then you watch me with museum eyes Good love, I am no David do not ask that of me, I may weep stone in my hand I sling stutter over my shoulder and watch the forever tyrant grow
0
Dec 17, 2022
Dec 17, 2022 at 3:34 PM UTC
Hesitation
drinks like this cold numb the fingers; many a times i leave the house wishing for a poem like this one, culprit terse and all me in the night on the greenbelt fearless concerning death without seeking the sky; i mean i love terse poems like these with caterpillar sludge of the path erected to teach mathematics like so: god give me the shrubbery above and nothing but worm below... i want to be the imaginary blur of antagonism where life dictates all life with me being the continued tear jerker jack to abide by bullying; no! i want to etch twilights in the hallucinations of the night, dwarfing then expanding the nightly roulette of routes flamboyant with the shadow sharpening lost: first the fox eager to tell the route as scout, then i hooded with beer in hand not asking for directions asking for the dry wooing of his call. there i stood in a field in a foreign land and watched east darker than the west with the lighthouse rotondo - i prefer to roundabout i have me say; then sat on a pile of stone worth the blair witch project with cinematic heart attacks, and sipped a quiet breath to include carbon monoxide and the scenery of the blinking stiletto erections for the trail of tailing off elephants into the night; sooner the drunkard but sooner the pacific boa around the neck or the black sea boa and the man drowning; gays' gauge foremost loss of the piston in woman's favour to trip up **** in hetero pleasures asking direction from athens to tripoli. i was there, hoodless and armed with bare skin tattoos invisible but seen by polaroid goosebumps exposing, there, waiting to etch the bubbling freshness of a secondary twitch into flex but not circumflex of prayer or movement without motive other than prayer and abiding by ***** and priest talk. i took to the soil, i took to the grain, i took to the tomb, i took to the skeletal vain! i took to the soil, i took to the grain, i took to the tomb, i took to the ceremony of perfumed parting with a sneeze to make death laugh. and by god i laughed, mortally into the eternal! i bulged all life into the marrow and called it an artefact to be worth a **** instead of a whistle on that bony flute, with my breath believably less accommodating turning the haemoglobin dolphin into a champagne siren.
0
Sep 23, 2015
Sep 23, 2015 at 6:57 PM UTC
friends with no money are just passersby
drinks like this cold numb the fingers; many a times i leave the house wishing for a poem like this one, culprit terse and all me in the night on the greenbelt fearless concerning death without seeking the sky; i mean i love terse poems like these with caterpillar sludge of the path erected to teach mathematics like so: god give me the shrubbery above and nothing but worm below... i want to be the imaginary blur of antagonism where life dictates all life with me being the continued tear jerker jack to abide by bullying; no! i want to etch twilights in the hallucinations of the night, dwarfing then expanding the nightly roulette of routes flamboyant with the shadow sharpening lost: first the fox eager to tell the route as scout, then i hooded with beer in hand not asking for directions asking for the dry wooing of his call. there i stood in a field in a foreign land and watched east darker than the west with the lighthouse rotondo - i prefer to roundabout i have me say; then sat on a pile of stone worth the blair witch project with cinematic heart attacks, and sipped a quiet breath to include carbon monoxide and the scenery of the blinking stiletto erections for the trail of tailing off elephants into the night; sooner the drunkard but sooner the pacific boa around the neck or the black sea boa and the man drowning; gays' gauge foremost loss of the piston in woman's favour to trip up **** in hetero pleasures asking direction from athens to tripoli. i was there, hoodless and armed with bare skin tattoos invisible but seen by polaroid goosebumps exposing, there, waiting to etch the bubbling freshness of a secondary twitch into flex but not circumflex of prayer or movement without motive other than prayer and abiding by ***** and priest talk. i took to the soil, i took to the grain, i took to the tomb, i took to the skeletal vain! i took to the soil, i took to the grain, i took to the tomb, i took to the ceremony of perfumed parting with a sneeze to make death laugh. and by god i laughed, mortally into the eternal! i bulged all life into the marrow and called it an artefact to be worth a **** instead of a whistle on that bony flute, with my breath believably less accommodating turning the haemoglobin dolphin into a champagne siren.
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50
'So long as men can breathe, or eyes can see, So long lives this, and this gives life to thee.’ - William Shakespeare Could you be my best for last? It’s the want that can ache. Afraid. Content nonetheless, A golden cage self-made. Save me and take me Gollum of my youth. Haven’t a clue Where I’m going, But I’m sure I came with you. Transmuted from your touch. This is a climactic heap Whatever this is – Offering affairs and wares. Beautiful stilted tomb, Cradle my stone bedside, Accompany the whistling tune. Tracing every spindling crack Admiring it like an artefact, Leave me, Like a child at a museum Getting lost and losing track, Tracking back Mused, amazed, Wonderment haze. Damp shadows cast their way with us Never to be dust. Forlorn loss of clarity, Walls waxed with tears and forged with alchemy, Our very own reality. Eyes flicker in perpetuum, In love with what surrounds me.
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Sep 12, 2017
Sep 12, 2017 at 11:01 AM UTC
Stones
poem Forgotten heart attacks sleeping by the back door Mercury in retrograde channeling spiritual warfare crooked teeth pealing wax work set in sixes off of tables and chairs ***** hands casting crystal corners in my head yesterdays tea poured over the infinite misunderstanding divinity thickening the air that's already wrapped tightly around the time that steals so much space in my bed heavy eyelids slipping into controlled chaos sighing out larkspur symphonies dead men don't sell secrets they hand them out for free. comment i know you're pursuing a dead-end take on punctuation, and that's much worth the acknowledgement, but i can be a puritan sometimes, i too transcend the distributing norms while equipping them... but i only think of catching a breath... i can spot the obvious avoidance usage of punctuation when i can; but to me the fact that it's hidden is like a sobering artefact of modern critique of art, i.e. that your avoidance of punctuation would spell out a need to keep the poem fragrant's worth of a crossword puzzle...and that much is needed when reading poetry...poetry has to be a lessened musicology, and has to become an encrusted form of puzzle... otherwise it will not survive. thank you for considering this revisionist approach.
0
Oct 20, 2016
Oct 20, 2016 at 10:30 PM UTC
poem / comment
I don't think I've ever witnessed horror to this extent Body parts are flying like shooting stars and it looks like people are wishing on them Relaxing with family members watching the bombs rain down as screams perforate the sky like the rip of paper My dreams of a beautiful future have been ruined, not beautifully, not like some artefact I will later go photograph This is horror This is hope, hope in the leaders of the world, hope in the humanity of humanity, destroyed I will never look at myself the same Or my friends or my family As we sit back watching human beings having their skin peeled off of them There's nothing we can do No petition will strike the hearts of the US Senate Our ancestors made a mistake giving them so much power Forcing people to change their loyalties in front of the world As a child I read 1984 and laughed at what Orwell thought the world would become I have since realised that reality is worse This is not a downward spiral No one has become nauseous enough to realise what is going on This is a voluntary jump, a suicide mission we have set out for ourselves without knowing it There are people in Palestine who have nowhere to run I don't even know what that feels like To have nowhere to go for shelter To look death in the face and scream or sigh
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Jul 13, 2014
Jul 13, 2014 at 3:34 PM UTC
Palestine, I weep for you
undisturbed artefact buried in the past *as small as a button falling from a coat* landing flat, undisturbed. *the smile of your ghost makes me smile, sometimes sad.* undisturbed artefact *we spun like a spinning top spiralling, twisting no control, no turning back* undisturbed artefact, let love lost lie, undisturbed beneath warm sands, let waters rage but let the sun stay singing let the sun never stop singing for love that stayed behind as lovers seldom stay in that, an undisturbed artefact.
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Sep 20, 2017
Sep 20, 2017 at 5:46 AM UTC
Undisturbed artefact
In the light, I hid you. Any artefact that remotely reminded me of you, I bundled up and tucked away in the cobwebbed back corner of the wardrobe. I hid you in the far recesses of my mind. But in the dark, you burst free. Breaking your confines, you seep through my subconscious. Every night you visit me in my dreams And we are together again.
0
Jun 7, 2013
Jun 7, 2013 at 9:28 PM UTC
Denial