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Poetria Sep 2017
undisturbed artefact
buried in the past
as small as a button
falling from a coat

landing flat, undisturbed.

the smile of your ghost
makes me smile, sometimes sad.


undisturbed artefact
we spun like a spinning top
spiralling, twisting
no control, no turning back

undisturbed artefact,

let love lost lie, undisturbed
beneath warm sands,

let waters rage
but let the sun stay singing
let the sun never stop singing
for love that stayed behind
as lovers seldom stay in that,
an undisturbed artefact.
Excuse the punctuation.
Mateuš Conrad Oct 2017
i tried to assimilate, oh wait, i did, and i speak better native sprechen than the actual natives, and for that? you get the boot, because some camel jockey egyptian mongrel mixed with iranian blood gets the better of you... i guess the "natives" were fans of the eastern european *******, but not the eastern european males, **** it, i'm coming for the ride; can just see the ****** shouting: ooh ooh! their male counterparts are a'coming! and next thing you know, i'll be asking you to play the ******* banjo, with a toothpick!*

and it was always going to be torrential rain,
suspended in a prelude crescendo
of soulfly's song prophecy...
oh all the hoes come from eastern europe,
just like all didlo moulds come from africa,
gotta perfect that "pleasing of the white
******* honey cougar in plastic too, yo, bro..."
black people don't speak the current
lexicon, they are hyper-evolutionary
with their slang impromptus,
gets annoying after a while,
when you stop keeping track of their
ghettosprechen...
      ******* could have said custard,
meant margarine, but i'd still think of
jungle...
                     ghetto *****, get-a-go!
next time you mention all women of
eastern europe as ******, i'll mention
you in my charcoal wish-yo-were-edible
roasts... **** me... i'd prefer eating a leg
of lamb than a ******; shank.
oh, the word offends you,
but doesn't offend you in a rap limerick?
i.e. ***** ***** bab bab *****?
black people invent too much slang,
too much degenerate use of language,
      i try to keep it straight and universal,
off the orangutans go, talking orange is
the new black...
           i still find it hard to fathom
darwinism, who would be mad to begin
in africa, and end up in the arctic circle,
and no china?! common origins *******...
  tried looking for an eskimo in china,
all i found was, a ******* icecube!
      post-existentialism does exists,
it exists in the form of anglo-existentialism,
i.e. a darwinistic blackmailing...
    21st century existentialism is blackmail,
plain dumb & simple...
   and yes, i have a girlfriend, i call her...
sophia...
       and nietzsche was right:
the ugliest of the ugliest? atheists,
intellectually speaking.
       and why would you ever consider
the pristine sophia / ****** mary if not considering
aspasia, phryne, rahab, theodora,
   to counter philosophy,
   why not craft a:
    philospasy, a philophryny,
       a philorahabu, a philothedorum?
guess what, of the most famous prostitutes,
the contestants are philorahabu,
                     and philothedorum,
and all are famous prostitutes;
then the pristine sophia, my "girlfriend";
philosophy has a deity, that although
deemed pristine, has been touched by
many hands, and many strangleholds of ego,
time to turn this princess into a *****;
and the ones that visited a *******,
will look at those that haven't with curious
eyes.
let's not forget the siamese twin prostitutes
safa & marwa, and the matriarch
and true founder of islam ha-gar -
      the concubine of abraham,
  that ******* mother of islam.... hagar...
you really think men invented the islamic
attire for women?
              who's at the chanel catwalk,
straight men, or gays and women?
       you blame anyone, you blame: hagar...
running between the mounts safa & marwa...
islam, that totalitarian reinvention of
"repentant" / "revised" mode of prostitution...
and as i once overheard an englishman speak,
the niqab? satan's postbox.
- the craft began with treating the world as
solely inanimate, to make it as inanimate as
possible, and interact in it,
   as the sole animate agent, obviously with
the obvious hurdles of animate expressions,
nonetheless, these expressions being
outside the vicinity of integrated animate
actors, working around in inanimate surroundings,
conclusively,
  the "supposed" animate expression regain
their inanimate stratum by a repeatedly
predictable observation of
a prior re similis ad infinitum
  (prior to, again, similar toward infinity).
the point was always to make the world
as inanimate as possible,
    collecting books is a starter,
  collecting cooking utensils another,
the point being, to surround yourself with as
much inanimate reality, as to prove yourself
the animate, the "actor"...
             or more expressively: the puppeteer...
it still bothers me, grinding two prefixes...
the penta-      vs.        the tetra-...
   why? well, we are embodied with five sense,
but there are only four elements...

    vision
audition
gustation                       yes, but there's only
  olfaction
     somatosensation

                    air, fire, earth, water...
      this is almost gagging a schematic,
  we can see fire, earth and water,
  we can hear fire, air, water and earth,
      we can taste...
      we can smell fire, air, water, earth,
we can touch fire, water, earth...

this, by the way is crude...
   and is limited by not adding particular
observations...
   but the ratio 5:4 is in place, akin to
the mad hatter's 10/6 = 0.666...
         and that missing one is: ad infinitum,
might as well call it the lazy eight with 4:5...
since the elements came prior to the senses.

i'm guessing the "fifth element" to compliment
the five senses is a far greater posit than
a sixth sense, in that, this "fifth element"
is a plagiarism of kierkegaard,
  i.e. the "changelessness of god",
namely the eternally immovable object,
an object of constantly perpetuated friction,
so stationary that it moves all things,
which also precipitates into an eternally
recurrent subject matter,
immovable, ergo, inexhaustible.

- and i will die believing that anglo-existentialism
is an argument from the perspective
of blackmail, esp. since it's overtly-repetitive
and unoriginal,
  and if the english found continental
existentialism boring, a continental european
like myself, will find some hidden interest
in this "boring" artefact of time,
   but nothing can redeem repetition,
not even a boring artefact of writing,
   since when reading a boring "effort" of
writing, you can actually wake up,
and yawn...
  but when the same "effort" is repetitive,
you never get a chance to yawn,
you're still asleep, "apparently" enthralled.

- and to give a conclusion...
if an irishman thinks you write akin to
the psychiatric slang of "word salad",
ask him if he has read any james joyce,
if the answer is no, and he replies that he prefers
video game narratives, and has ambitions of
writing a book citing the cliche moonlight sonata
of beethoven... it's one of those times
you can't even laugh, internally, or externally.

- eventuality vs. actuality -
whereby actuality is a reactionary stance
that drags past events into present and future
events...
   whereby eventuality is a liberal stance
that drags past events into a wall,
   the present into a status quo,
  and the future into a snooze button phase
of a clockwork orange.

- no, i don't like this darwinistic blackmail of
continental existentialism,
  this monochromatic monolith...

- better start calling philosophy by its proper name,
philorahabu / philothedorum
(were not underlined on the pixel canvas,
thereby bypassing the oxford dictionary panel
for nuo-verbum acceptance) -
      keep that ****** of yours sophia
in a cage, because your thinking,
like your body, will become contaminated;
but one thing is for sure,
that concubine hagar running between
safa & marwa looking for water...
    can't imagine any other grander matriarch...
a reformed *** slave, who gave birth
to the niqab...
            i really can't imagine jannah
that way... i think it looks like:
1 man + 72 prostitutes,
              and 1 woman + 3 holes stuffed.
Mateuš Conrad Nov 2016
could you ever, with your ears, express a piece of music, as: fluffy? dark soho's piece is fluffy; and by god i was the pretentious one at the beginning of the 20th century critical of the emerging music... but i'm the one merging at the beginning of the 21st century: and it's a T.S. Elliot scenario: the overload of rhythm: industrial core due to the industry being foetal sieg heil! and so many have fallen for the nostalgia trap... it's not coming back: against the thump thump gyroid reproductive muscular we emerge from... for whatever lack of drums in the orchestra: we're paying for it with an excess of techno techno Bob the goldfish cardboard box dance sequence... or as some would suggest: filling in the gap about the joke concerning a triangle being a part of the orchestra and the person educated in it, rather than the harp.

ah, the blank, and i have to work on it: let's imagine i was just
cooking a pork stew for my father and you don't
bother to ask why someone's surname is written
Raßer - and you don't know how
to pronounce it: and you end
up with razors - which you end up saying
racer - or how about sharpening
the s into a zed - how's that?
this is surgical activity while you you're
at at the butchers: necromancy aplemty:
when god speaks, the devil whispers -
American divergence of the pronoun
y'all / you all -
                           we the safeguard
and they the paranoia -
                                    take it slow,
imagine yourself living in Alaska:
you're exposed to the elements
and Prometheus isn't handy:
  all you have is west London drool
that later translates into easter in London,
Ld: isn't even an postal code:
given Greenwich, bellybutton on the world
they're bound to abuse / feel special
                 about, it's just a John Bishop
          Scouser type of beating.
                  ya - i say i aye, you frostbite of
culture, ya yarn ball of ****!
    oh 'ere we go: the red-coats are hunting
foxes: sort of scenario -
   the sooner they ******* a killing
the better for me: 'ave that one with a grizzly:
             some say the longer the yawn
the greater the applause -
      yo! Yogi! turntable of Las Vegas
says you better gamble on hibernating in the
effing Hermitage!
  - we say a lot of y'all when we imply the
plural, don't we? terrible, ****** thuggish
'n' all, to say it.
   i have five pages worth of notes,
and even though i'm drunk,
i came across a foundation, i'll never be ask happy
at i am right now,
   i signed a copy of my book (look! i don't
have a publicist, i don't have the ******* swagger,
i have the inferno that says:
  when the writing dries up, get a proper job;
if the writing doesn't dry up?
             you're less than necessary than a
supermarket shelf-stacker...
                 there are succumbing reasons that
explain the affair later) -
      no i'm about to sell my first copy -
  i say to her: when you working this circuit next?
Friday night? i'll tell you how much i'm selling
for, well: i'll never be this happy: ever -
it really doesn't matter how much for how little:
   i'm not exactly a family animal: farmed -
i'm political: through and through -
   by the time i finish this whiskey i'll be
demanding something new...
    i don't think your able limbs do idle chores:
i just think admire that they do them
and hardly complain: i blame it on the workers'
encouraged banter - and that's called solidarity.
still, right now, it's all about
dark soho's: dark moon in stonehenge -
       or why you never take l.s.d.
   question arises with Bach...
and polyphony - again, non-linear polymers:
   back when the Germans were at it
music sliced through the air
                   - or the modernity of lost
string (quartets) and woodwinds -
          only the thing plucked rather than in slicing
stroked kept from the strings:
    it was truly a devolution via brass -
   you can have the iron age,
but this is the brass age -
                   and subsequently the evolution
or filling the void of orchestral percussion,
which began with jazz: how orchestra was stripped
of woodwinds and strings and elevated
the humble triangle and enforced drums
and the rhythmic transcendence of limb and heart
and less ear and mind -
           oh the spontaneity thus involved:
forever the enigma of the composer's ability
to say much more than *A
, when saying in A# -
oh hell: music used to be the Mongolian horde
of all things imaginable,
                  the screams, all the entrenching
embodiment of battle: soothed -
  but in our apathetic guises: music is a variant
of the once exfoliated, thus hushed:
music is expressing a war in waiting - or a war
that's not to be - once music music ascribed
wind and tornado toward its elemental composition -
these days there is less wind, and more earthquake:
we are exposed to a trembling -
           an overt percussion methodology:
that's not fire and the storyteller / poet by
the lonesome huddling of nomads by the fire
with oud and recitation of the to come Quran:
we are experiencing a complete reversal of wind:
here we have dark soho's tectonic cardiovascular:
over stating the percussion until the eventual
obliteration of breath, and subsequently
the flatline of the heart's rhythm: to reach the zenith
of a flatline: beehive musicology.
         it's all earth: and the quaking
rather than a waking into.
                  sure: to the alien ear outside the populace
of those that listen to that kind of "****":
but let me assure you:" you can intellectualise
anything beyond the guilty pleasure:
or else - care to disclose your opinions about doggy?
once we were slicing and ******* -
these days? we're hammering, Soviet committee
said: hammer hammer hammer...
            gravitational drilling against the Catholic
lessons of worldly-detachment akin to a Gagarin:
and all the world's problems morphed into
an image of moving away from earth...
    far far away...       well: we're grounded, like it
or not.
              i love that: y'all -
                          it's as if we all need to agree, ~.
and what better way to actually open a poem up
if not to say how prose is a miser and poetry
the mad spender, or compose: he had / another thought
he wished to take / but...
           originally
                    he had
                  another thought he wished to take
                 but...
saving an Amazonian tree, suggesting that: one by one.
i'll sell my first copy on Friday,
i just need to know how much money was put
into printing it -
   and it will be the happiest i'll ever be -
who cares that it's only 1... if i were selling
100,000 copies i'd be thinking of buying a Mercedes
to do away with the capital...
      oh right, the poem (six pages of notes):
the question, what does it all mean?
       i'm thankful that the all means very little,
or at least enough for physicists to take a bother
in answering:
               i'm just thankful to say that at least
bites / bytes / isolated units have more meaning
than the whole... i.e.?
do i care what the universe means, more so
than i known what the word darkened means?
                 pause for thought -
the well established organic search engine that memory
is: and never will be: an algorithm (engine) -
           still the organic variation of accessing it
reveals Rodin's statues -
                        post-Rodin (Rho-dan: ****** iota!
why so naked in the first place?!) -
            the point where it's not so much enigmatic that
you wish to replicate: but entomb, and mould
a statue worthy of the perpetuated cut-short
and mediating the idea that thought has also
the faculty of imagining and memorisation
that hardly translate into being via ergo...
       if that's the case: you're demented via the
ergo of memory... and deluded via the ergo of
imagining -
                      or Frankenstein / Disney respectively:
but never the extinguished cogito, somehow,
oddly enough:
                          and by the way - no one is going
to question my opinions because dialectics was
giving the hemlocks... my opinions
will only become passed around like Bulgarian
Versace copyright thefts, or because they
were never ideas: attachment .pdf
                   will never entertain someone else's thought,
or because they were originally always opinions
will be consecrated on the attachments of .jpeg:
ever wonder why the crucifix always
mobilises so much emotional foundation to
react and protect a torture-filled instrument
worthy of worship? me neither.
                but that's the whole beginning:
we ensured our memory is eroded by an easily
accessed algorithm - we prefer the goggles to
mensa -
                   and if i were a technophobe: e ah e ah oh...
McDonald would turn out to be McTrump:
'cos' i wouldn't be using it.
              then how to synchronise the senses:
you surely can't leave one the prime consumer of
all the things around you:
     i guess that as stated: you can't live out a life
whereby one is polarised, and the others recessively
make your thinking into potato -
   then again: not polarising one of your senses
will leave you thinking that old fantasy that
you live in a hologram "reality": which i mean by saying:
if one of your pentagram limbs isn't polarised
like a blind person, your thought will claim a sixth
sense status - and subsequently you'll experience
either a second chance of allowing one of your senses
to be stressed / polarised, or all your senses will become
overpowering your non-sense: that's thought into submitting
to a polarity / vector: kindred of
the manual worker feeling his trade take
perfect replication -
a composer polarised by "hearing" -
a painter polarised by "seeing" -
a poet polarised by "speaking" -
a chef polarised by "tasting" -
   a perfumer polarised by "scenting" -
and within the sixth sense extension:
a politician polarised by "thinking" -
  the first antonym suggestion comes within the latter's
parameter: mobilising or puppeteering:
would i care to find variations for the latter? no.

     interlude... opening of page 3 of notes on a windowsill...

and how often is soul ascribed a sensual dimension?
i guess as many a time thought isn't ascribed one:
necessarily made into nonsense.
soul? what do i mean by that? the part of you
that isn't indestructible, but, rather,
the part of you that feels that ease: the uninhibited
correlation (verbiage necessary, darling,
if you want the gist of it) -
when at ease you're not really ascribing to yourself
thinking, but a narrative -
  hence your notion of being indestructible,
or young.
      when thinking is easy we're not actually thinking,
we're narrating, hence the majority of us
are clogs in the machine, and once the machine works
we're upbeat about it, because we prefer to narrate
ourselves into life than think ourselves into it:
primarily because (even i included):
we lack a public addressal attache to make
vague concerns over our: inhibitions -
we are entrusted with inhibitory encrusting
for the sole purpose (we should be afraid of
suggesting): let's see who falls off the ferris wheel
first and we can entrust our congeniality toward
the joke: thank **** it wasn't me, later...
          but still:
if were were really intended to think
rather than narrate we'd be given global warming
solutions everyday...
   there's nothing in us that suggests an 'ought',
a moral choice to later say: thought
                      that could fish-hook us out of
kissing the narrative goodbye -
  narration is an undisturbed faking of thought -
as such the 'ought' is never thought of:
because there's a narrative going on
that's more important than anything requiring
even the most basest obligation.
       we are never obliged to be, because we are
never obliged to think: it's strange how the
two are anti-synonymous due to the ergo disparity:
as if one produces the other, or the former
the latter.
              thinking you're good never precipitates
into being good - and vice versa:
   for all i know i know fake rather than falsifiable
saintliness: the power of the scientific
  suggests that i should be Baron von Scorn
when it comes to the ignorance of testifying
         against people who abhor science
and reproduce, nonetheless, with failure to
transcend deformities: because deformities are
glorified and all forms of ability demonised:
so it looks quasi-Vatican-e.
                   preface to a Michelin star:
start with a ******: work your way down:
enjoy your meal, bygones-be-bygones:
you very happy people.
                  but i never understood why
the idea of thought has never the opinionated phrase:
me, exponentially, to no book's avail!
        p.s. as to be ever written!
    thought conscripts man to rubrics -
for example? examinational candélabre -
  some call it i.q., other's call it: for god's sake man,
****** shoot! shoot!
                        and the flying toes and digits:
thumbs away: booh booh Blitz.
                        first thought: that Jersey song:
fifth of November - that Fawkes ****
who almost.... n'ah.
                            in case you're narrative:
thought has its narrative: it's transcendental -
phenomenology comes into play with
narratives and Lady Gaga and how you're an
"individual": thought is acquired trying to transcend
atomic electron orbits that says: electron clouds -
or it's there, but it isn't there, but it's not there,
but it's there: huh?
                         narration conscripted to the rubric
of school exams at school: palpitations, sweat,
nerves... in this scenario thinking is actually
regurgitation -
                          actually we're still doing the Elvis
Costello hope: while narrating we pass from
these shackles of having to think lessons through
when in fact: we're gearing to having no need
in having to learn them primordially, period!

the paranoiac "they" are eroding our protective
membrane -
    they begin with memory -
         it's not that we care to remember certain things,
but by educating us in the Pythagorean theorem
they're not necessarily dressing us in bow ties either -
they need to implant an abstract educational
thought to replace our natural assimilation into
a narrative that we ourselves have created -
       they need to create erosion within our
memory to stop us coagulating our sense of memory
within a framework of us imagining backwards
rather than forwards:
      the cinema of the mind means memory utilises
imagination to do cartwheels backwards
rather than forwards: because forwards is always
a Disney pharmacology of the neon hyper colouring.

or how they made us escape the "Alcatraz"
of the couch of cognitive narration into an
iron maiden of thinking -
                    in this realm narrating is disparaging
from thinking: narrative is a comfort zone:
thinking is a discomfort zone -
                       but neither me nor you will
become a Newton in terms of narrating the ideas:
so why the hell would they want us to think?!
       concerning Heidegger:
the problem is not that we're not thinking -
the solution is that we're narrating and have
no urge to write books, and thank god for that!
               or man, as the pentagram of the senses,
reversed into thought as the sixth sense calamity
and reversed back as that sense missing
and the tetra exemplified...
         when learning what is the weakest point,
the audio or the optic-receptive stimulation?
                         i mean, the senses over accuse
thought's complexity as if it were a sense akin
to them, hence the suggestion nonsense;
well of course, thought is actually non-sensory -
     i just suggested that when thinking
i'm not polarising any of the penta -
         i'm suggesting that when thinking i'm
invoking the tetra - as if blind or deaf -
but that means i'm deviating from the superstition
that a sixth correlative mediatory balance exists
between the two dichotomies -
                            the senses will always treat
obscure thinking as if obscure narratives:
even though i know how much a price of bread
costs in the 21st century -
                              what i'm saying is that
the nonsense assertion is also true for the other:
not having had the chance to polarise one
of its senses to point toward the artefact use of
wh
Mateuš Conrad Sep 2016
i don't know why i found redemption in the tetragrammaton, sure, my mother cared for two elderly jewish ladies, one escaped the Holocaust (surname Roßhandler) and the other of established English rooting (surname Rockman... thanks to her, upon completing my g.c.s.e. exams i got a complete collection of Bernard Shaw's plays) - but i find it there, ping-pong salvation every time, translating it akin to arithmetic: 1 + 1 = 2 is very much akin to Y              H            W          H, which i started calling the perfect chirality - chiral meaning non-superimposable:
                                       A                      &                  E, i too ventured to call the double H dualism a déjà vu - but i know see them as vantage points, more electrons and quantum physics than protons and neutrons - well, it ****** well fits the schematic: sine (M) and cosine (W) - sure, crude, but i'm not looking at the geometry of the mouth... language on the base of pure optics... and no, not necessarily adjective noun compounds for emphasis to argue a point, just easily an easily accessed point of reference...     so quantum physics calls it the non-independent ontology of electrons: a. particles (Y, centre 0 on the x, y, z graphs - apart from the heliocentric and the geocentric models, here's another one of similar causality)... and b. waves (W, the formerly stated trigonometry suggestion) - and hence the two vantage points bound to H... apart from Adam and Eve lodged in between... which suggests that the geocentric analogy of electrons is bound to electrons behaving like waves... while the heliocentric analogy of electrons is bound to electrons behaving like particles: microcosm Copernicus blah blah; well, more like pseudo-Aristarchus of Samos.

20th century literature is, quiet literally
something akin to the cave paintings at
Lascaux - big brother isn't watching -
nor is the publishing old guard -
i just find it unreal that so much rests upon
the internet these days, the people have no
idea what power has been granted them,
they petty the use of the internet with
their earthly squabbles of a marketplace,
while, running parallel: the lost infatuation
with democracy as necessary organisation -
turns out it's unnecessary organisation:
because we ain't go anything better -
hence political disillusionment - rampant in
what western society deems the pinnacle
and the Libra of a fine balancing act -
religiously? that famous: "mystery of lawlessness"?
that's the internet - imagine a time when you
could bypass some publisher, some adherent
to a state doctrine, when you could turn poetry
into physics, not the waffle of metaphysical Keats
waiting for a kettle to turn into a volcano
or a whistling horse, but to turn the dial to
point at the reality of things:
quantum physics (derived from quanta,
a variation of datum: particularity of input
energy) gave poets breathing space,
metaphysics became shadowy, Hades like
learning, obscure and all the more necessary
to build-up its strength while puritan physicists
lost their sway of power with the fears of
the atom bomb and all things quantum -
so while the physicists became dazzled with
all things quantum, the metaphysics took off...
entombed in an apathetic (without pathos)
subjectivity: a calm heart, much more than an
embracing heart - yes, i am aware that i have my
wacko moments of feeling, but this ticker is
made of stone - and that usually means a chaotic
thinking process, spontaneity being the key
in involving yourself with real-life narratives
then never suppose a character study: what you see,
is what you get: my sanity plateau?
talk about music rather than make poetry musical,
it's a pale shade of red or blue when you
have guitars and orchestras and the poet,
a voice in the wilderness - nothing but pins dropping
to exemplify the talk... i don't understand
the need for poetry being a kindred of musicology,
i don't understand rhyme, i don't understand
being conscious of poetic prescriptions of technique
very much akin to language's artefact minded
grammar: noun
                                v. poetry's pun
grammar's verb
                                       poetry's metaphor... etc.
my deviation? being an adherent toward music,
and returning poetry back to its true purpose:
puritan narrations - not conscious of what's
expected, or what defines the art,
very much the beginning of cubism and later
innovations in art, i just can't stand rhyming poetry -
it's too conscious of itself by what it's defined by,
we have learned of a new subjectivity:
the unconscious - we might as well exploit it
while objectivity gets crushed into bewilderment
by quantum physics -
thus said: i feel like i'm a dervish spinning
counter-clockwise in a chaos of tornadoes spinning
clockwise while listening to two songs:
tool's *right in two
- and muse's stockholm syndrome:
i can't be bothered translating the feelings
entombed in these two songs with a rhyme...
poetry should be less stuffy than it already is...
it should be a statement of the supreme effort: freedom.
all of this? spurred on by rereading passages from
Jung's gegenwart und zukunft (1957), alter:
          the undiscovered self (1958) -
it's seemingly odd (but not too odd) that books
written by psychiatrists are more popular than
philosophy books in the anglophile culture -
as already stated, i can't read philosophy in english -
maybe this is why psychiatric literature is so easily
accessible in this tongue, what with the self-help
movement, it the grandest prescription that no pill
(unless it's a sleeping pill) can be prescribed -
i'd say, if you want to read philosophy in english,
i'd start off by reading a book from psychiatry -
Jung is by far more adaptable than Freud
(Freud's for the rich people who have ***
written on their foreheads in permanent ink -
        and: daddy didn't care, mama was
                                     struggling feminist who
     forgot to breastfeed me) -
       but of course the 1960s Scottish superstar
(who drank, rightly so) from Glasgow: Laing.
well, sure, the Hungarian Szasz (shash, not sas,
or zaz... shish kebab... it ain't the difficult) -
impromptu deviation: what's funny about Heidegger?
he says: you need to study Aristotle for 15 years
to get him... and that's very much true for him also...
two years... TWO YEARS it took me to read his book.
that's what's interesting about this book,
a literary anorexic, in at 79 grams (pages) -
the interesting point? in physics, there are things
that are not independent of observation -
i like that conundrum, the mere idea of it is titillating -
running joke for the past two years: ***** ***** tat for tat
months later -
                          well... i'm not the one trying to
dress you up in a straitjacket with a label: this is poetry...
can't see **** for miles with how i write.
so there's a purpose, some things are depending on
being observed - which is a good thing, which means
that this world could not be independently sustainable -
its dependency on existing lies akin to our
desire to be independent of it - so all the religious
blah blah means something - even after 3 years
of rigorous studies in chemistry i come back into
humanism with a furore of agitating religious paraphernalia -
mind you, i do have a scientific approach toward
language - grammar and algebra combined -
meaning? certain words have become post-grammatical,
i.e. algebraic - not categorised as nouns or otherwise,
but as algebraic signatures: primarily because no one
really knows what to do with them, apart from
church yoga, standardised: e.g. x = god,
            i = y                  and the                  world = z,
predictably transcending the casual use of language
when shopping for cheese in a Parisian grocery store...
err... je ma'pel gorgon, avoir vous fromage?
nope, took to English too much - i was learning French
in primary school, but i had an existential crisis
aged 9 or 10... my brain refused to learn another language
after having just learned one from scratch -
                               the mute in class soon turned into
an avaricious reader... so parallel to my life, i now hear
stories about children being diagnosed with depression...
try being thrown into the deep-end of the pool
with your former development using a language
automatically, into having to learn the language without
no major influence of a teaching authority...
                                  no wonder the accent game
   sort of imploded and i started speaking sometimes tosh,
sometimes posh, and sometimes east London oh'rite?
                             ale casem tes jak rolnik -
                            owszem, czasem jak mieszczanin też.
Mateuš Conrad Jul 2018
/                           beelzebub
    (given employs the spider a posteriori
and spiderweb a priori, and then back
into a bicemeral reverse psyche-analogy -
the id est contra the id erat -
             but there is no latin revival -
given that the latin encoding has been
translated into a.i. algorithms...
             forget putting the pandora
into a box into a box into a box,
   into an etc. or what is a russian
cultural artefact... forget it...
           a black fly would not take upon
itself to make a dustbin, a *******
maggoty brothel, like a green bottle fly
might... black flies have character,
style...
               they're the ones that take
to tango, with spider architecture,
akin to the theological spider analogy
about an ad infinitum a priori argument)
:

   a bit like watching
a black fly - "washing" itself -
rubbing it's front limbs
together, "attempting"
to start a fire...

      god, those awful
green bottle hypers -
  with maggot excesses -
in a potential well
expressed into practice -

black flies?
     i can entertain them -
like i might entertain spiders
that do not require aquariums -
the non-exotica types...

so i sometimes find myself
rubbing my hands together,
like a catholic amounting
to an altruistic prayer symbolism...

so kommen faust,
  so kommen faust,
                   so ist pseudo-faust -
or rather:
   england?
             deutschland jr.
america?
              deutschland sr.
and if that wasn't the case?
    oh me, little old slavic
                    babuшka...

i still can't explain rubbing
my hands together,
like a black fly might...
  
   keeping standards of where
to take a maggoty dump's
worth of procreation value...

black flies?
compared to the others?
the priests of the whole
spectrum...
     i sometimes wish they were
red,
   so i could call them: the cardinals...
alas...

   not to be, god said otherwise...
but i can fathom the priesthood,
like i can fathom -
   an aspiration of a sleeping
samurai, devoid of the zodiac
delusion,
   encouraged to make
chiromancy initiatives
                        (readings) to alleviate,
******* monotheism.
Mateuš Conrad Oct 2016
it's understandable, they confused by complex bilingualism as schizophrenia; oh sorry, it's not actually a scary word, before people start to theorise the mono-lingual pre-maturity of a condition that affects older people, they should seriously begin to listen to what a person is saying; there are tales of surgeons leaving surgical equipment in bodies during surgery... well... at least the physicality of such blunders is more pronounced than leaving regression variations of negated ease (disease) in man... (uncouple that compound and you'll find the subtler alternative)... when psychiatrists make mistakes it's not a heart surgeon making a mistake, the mistakes psychiatrists make are far more profound, given the nature of the mistake being seemingly trivial in comparison... yet these mistakes make our mental life worse by disrupting the narrative, psychiatry, being a science, primarily disrupts the (cognitive) narrative; it's hard enough to find yourself in your mind, let alone a worthy narrative that you encompass... it's hard to reemerge with a good enough narrative when you're branded like an ox, a ******* during the height of Christianity, or registering a car for road tax... it's ****** hard.

so they (i've lost the paranoia additive of this pronoun
a long time ago) thought my bilingualism
was worthy the label of schizophrenia...
well... d'uh, isn't bilingualism a split-mind scenario
in itself?
                    bilingualism is more complex than you think,
it reaches to the depths of each language,
it's not a multilingual acquisition, a polymath hooray!
it's bone deep,
                        bone deep, it goes as far into identity
as all conceivable points of psychological architecture;
which is why my bilingualism was so well
established that i became a bit difficult to society:
my upbringing was to match the difficulty -
i was never supposed to utter a single intellectual
disparity, given my stature i was supposed to be
a manual labourer - a position i'd have gladly undertaken
but (see my earlier entries), but...
                                i never really felt a need for
an animosity toward the English -
                                           i loved everything about England
(or at least London) -
                                                 i left my native country
early enough to sponge-up the new culture,
                   but of course when our family was applying
for citizenship we were the obscure minority,
                 after the floodgates opened and the less
creme of the crop entered these shores,
       i was forced into a spiral reinvention, i was no
longer was the British termed "exotic"...
exotica, hmm, funny how i imagine things exotic as
things in sunny places, slaves in the Caribbean,
the platitudes of certain African Savannahs...
something Voltaire might find befitting to write about
like he did in Candide - there's this neurotic passage in there...
                the passage to India... a book i'll
never read: why? can't be bothered, the t.v. series *Indian Summers

does it for me;
                                  plus i do like cooking curry,
so there's the f                        u                            to take-away
curry...           i have an arsenal of spices and i bomb Kashmir
with whiffs of the stuff...
                                    that part of my is what the intended cultural
assimilation was intended for: the rest? n'ah ah.
                               what spurred me to write this poem?
Heidegger's concept of someone moving and integrating
into a different culture: to be honest, the country i was born
in was uniquely pressed to turn its habitants into nomads -
      it was a town primarily based on the steel industry -
now it's a town of pensioners - the steel industry fell to ruin
and people had either the choice of: elsewhere in Poland,
or abroad.
                                    still, things were much nicer
   when the barrier was up... selfishly said? i agree, but then
i had enough air to breathe as a sole artefact of the ethnicity,
and a good enough reputation as a person needing to
persistently learn... had i been a crook? well, now i find
my ethnic background elsewhere, in a near mythical place
in Scandinavia - not that i want to, but i don't actually
have an atypical (a typical) physiognomy of a Slav -
so that's a plus...
                                     but what really spurred me on
was what Heidegger describes as the threshold and indeed
the essence of integration: to learn the language,
to use the language, nothing but language in terms of
being considered a certain noun - in this case, British;
so this is a German perspective from the 20th century...
the British perspective in the 21st century?
                         kinda like **** Germany...
language? forget it... you can speak with a ****** accent
and even ******* grammar... what's at work here
is ethnic cleansing, on a spiritual side of things -
language can rot in hell for the English, what they want
new citizens is to: a. eat fish 'n' chips
                                  b. talk ***** when *******
                         c. lick the **** of Americans
          d. have a sense of moral superiority because of
                    that poncy accent that's becoming a dodo
       e1. forget their mother tongue
         e2. only speak English in private
                            f. respect the Muslim attire but
        to never respect fellow European's concerned
                           about many other things
      g. amongst other things...
so it's not enough to learn the ******* language, that i have to
become a ******* serf? oh wait, i have some spare change
in my pocket (puts hand in a trouser pocket and takes out):
the *******!
                                  or how you find yourself
in an imploded British Empire, go beyond London and you
enter something less resembling a global community
and more a national socialist set of self-evident dicta
wrecking havoc to your senses.
                              and all this from a humble background?
well: freaks and mutations sometimes happen...
                    being born near to the date of Chernobyl doesn't
really help to counter the argument:
           yes, even in Poland, the effects were felt,
my great-grandmother remembers streaks of radiated trees
and un-radiated trees in the park -
        the radiated trees were born... a strange kind of rainbow...
and yes, i do take the **** out of **** Germany
while talking about it and Jewish mysticism -
                                Malachi the arch-heretic (who introduced
a polytheistic concept that does not fit in with monotheism:
reincarnation) -
                            oh look:      something came out of this
conviction that told me to duly apologise to the concept
of the two late monotheistic religions:
                             on your own, can't be bothered -
Christianity was always going to be more image orientated
(after all, the crucifixion is a good enough image)
   and Islam was always going to be more word orientated
(something to shout about, actually, to just shout it) -
the Judaism i found?
                              not being circumcised and what not,
not adhering to the religion as such?
  the lord of the rings and harry potter...
simple... how?
                               please make oaths, swear, use profane
language... maybe that will make your actions less profane
and this isn't 19th century Victorian society event where
people talk polite but play ***** according to the escapades
of Dorian Gray...
                              i'm still adamant that auto-censorship
of a name (the name, i.e. ha-shem) does wonders for your
vocabulary - oath, **** **** ****, words are actually:
                or conjunctions, and this means you can use them
to destroy the barricades of fluidity -
                                 do we really need to say certain names?
Islam says the name all the ****** time,
        Christianity doesn't even know the name of the father:
Jules?                      Jason?                Jeremiah?
                                           can't be Yves...
                   and did 1st century fishermen write?
wasn't that a rebellion against the literate Pharisees etc.?
             so it's pretty much like the harry potter / lord of the rings
rule: Sauron
                       designates the tetragrammaton
   and the necromancer designates ha-shem...
                                                or...
         Voldemort designates (as above)
              and tom-riddle                   blah blah...
oh i have actually washed my hands clean of two most
populous religions in the world -
                            i can't believe that so many people can be
right about something,
                                    would i desire to argue to this
to the grave? not really, i prefer to look at it as a chance fancy,
my real concerns are based upon the question:
   why would bilingualism, ever, be treated as a case
of schizophrenia?
                                           perhaps the language is too
difficult to follow, perhaps i'm reciting a poem by
                           half caste by john agard -
but this **** isn't skin deep, i can't blow the sax in a liberating
transcendence of slavery, or do that other form of
rebellion -
                    &nb
Mateuš Conrad Nov 2016
i just don't some things,
i don't understand that under the pretense
of writing very little
being able to write a rhyme is enough
to suggest that you're toying with
an art-form...
   personally? i don't know how i got here,
but right now that doesn't really matter.
the whiskey is cold and a cigarette is
only 10 minutes away, gone is the macho
strive to impersonate the Kray twins,
or in that line of thought: blue for boys
pink for girls,
why is the transgender movement happening?
erm... could it be because of
gender stereotyping?
   it probably has nothing to do with
annexing the words from St. Thomas' gospel,
it could really be a rebellion against
                 gender stereotyping...
out comes a woman dressed as a nun,
then out comes a woman dressed in a niqab....
  curtain-sellers! i knew it!
                 what's pajamas in punjabi?
     chuckles?    chack'ah chuck chittering?
**** me and a throng of sparrows, land ahoy!
what i don't get is that there's a science in poetry,
poetry for its lack of volume gets this leechy
science of itemisation, this vague anatomy...
i don't think i write for an anatomy,
i ****** well hope i don't write something
worth an anatomy... i basically write to give people
a feeling of eating sushi, or raw red meat...
    i entrust them with the notion that it's a narrative
that needs to be there between having a glass
of whiskey... i don't write with the hope of being
itemised and stripped bare by some English students
equating a metaphor with liver...
******* bog-standards... i really do not understand
this whole concern for a hussle-and-bussle
that surrounds poetry: you have a ******* pelican
taming the skies, why invite a Mongolian beehive
to fill in the blanks intended with "notes"?
     it's to do with the fact that you don't need to
strain your eyes, *******, it's not:
i write sparingly so you have to comment...
           why note the ****** crap from four words
when you're intended to sorta spread them out,
and feel them over a spectrum of a few days,
so that there's no synonymous-amgiguity ascribed
to them, which means you can act upon
deviating from the idealism of words thought,
and antonym them within the realism of words acted
upon...
        i just can't stand people mutilating poetry,
they're not even performing a postmortem surgery,
they're hacking at a stump of wood
    in a forest, when there are so many trees to be
looted...
               again the point... maybe the transgender
movement is due to the fact of gender-stereotyping?
blue boy, pink girl, salmon fading pink of shirts on
metrosexuals? hey, Sherlock! i'm not the answer!
   what i'm bothered about it the fact that
poetry attracts bothersome flies...
who feel a need to make poetry into prose:
economically speaking, yes prosaic literature is
worth the money, with more words in a chapter than
in a poetry collection.. how's your eyesight though?
    then there's this girl, a Joe Pachelbel (sorta),
and she does the worst thing imaginable to poetry,
the educated norm...
              the bothersome fly bit...
              it's just narration girl, it's just narration
too lazy to invent characters fake schizophrenia
          and say too many words that don't appear in
urban conversations about a ****** or a juicy mango...
and that's why i think people are put off poetry,
the fact that poetry is like this magical artefact that
might give you eternal youth... that you have to
scrutinise it so much that you almost get sick of it...
you couldn't even if you tried put a question of metaphor
into a journalistic entry...
                      so why put so much science into
an area of the humanities?
            where's the feeling part, and the part where you
have to create volume from poetry for it to compete
for an existence alongside prose?
    most prose works these days don't even deserve
a campfire anyway... in the same way that poetry shouldn't
really accept all this excess of narrative,
it's like people who read poetry are characters in
    a prose novel, they're asking for the part of
lynching the narrator into suggesting less ambiguity...
   in prose the narrator is almost too easily discredited
from playing chess, in poetry the chess pieces gain
consciousness that they're being moved and subsequently
rebel and ask too many questions...
          what the **** dragged me into this realm?
the question serves itself...
   and even donning a cravat or a boutique corset you
suggest not talking *****...
   then off the donning attire gets ripped,
   and it's heathen sprechen in onomatopoeia of
knocking on a door to open, a flower to open in spring,
a ***** to get juicy, and de Sade coming home.
                i say fiddle with the idea of a river...
  end this bogus fly-trap of people playing surgeons
with poems like they might play doctor with dolls...
                 it's getting annoying:
it's written sparingly for a reason, the blank spaces between
the words is not a prompt to comment and vandalise
the poem, which they do; pristine bourgeois? you'd
think, wouldn't you... graffiti on some urban slum wall,
a comment in a poetry book: same ****, different cover.
i never understood why they needed to say
so much about poetry in order to make it
economically viable to compete with prose custard,
     i just thought: poetry and photography are akin...
say much more than the photograph endorses
and you've just started blinking...
         which to the photograph in-itself means:
  look at another if your eyes are watering with
            peppery tears that itch; and another... and another...
and another.
palladia Aug 2013
i'm living on a solitary prayer
vandalized my ego to make it rare
with teeth stained with lies i've told
and promises lost in the cold

i tussle and taser to hide my lovers
and all that i am - a mess or tastemaker
sprinkling tersely on my mercy seat
will make my season go complete?

i pull the labrys & the throttle
artefact-sprites in uranium soil
declaring my truth atop of the flagpole
i'm the custodian of haute culture

a flotilla of judgment riding skyhigh
like dido's love-lachrymose down demise
they say "better rethink your useless vendetta"
but first we'd better get out of their siberia

where the masses doubt the angry fix
"ignore the (g/h)aze above the pyramid
if we only couldn't have any more
locked in dominican ****** wards
This was inspired by all those nights I've watched the News and gone depressed over the human condition. So it's something like the world's dirge. I know the meter is off and the rhymes are cheesy, but it's heartfelt: all of it.
Mateuš Conrad Jul 2018
/ oh no no no... you don't get a jew artefact at this point, when the play of words comes between the son and the mother... no no no... you're target; she should be a ****, a stripper, a *****... but when you do what this, "englishman" did? undermining the concept of personal property? ownership? his property infringes on your property, and somehow: my, yours, our's doesn't compute... i'm ******* craving to **** my neighbour... because all i have left to lose is... frothing at the mouth.

at a supermarket:
within the confines
of a cashier:
- 'is this your typical
friday night?'
say it plain, chubby...
**** it: more cushion
for the pushin'...
   sunglasses at 6am?
a reply:
      - 'it could be'
  - 'if you were part of it'
            - 'what?'
i'd love to fiddle with excesses
of porky...

   migrant crisis?
  more like a ***** cricis...
    import black ****
given the white boy lay low...
it's not even funny,
i find it funny attempting
to whistle...
which i can't,
given that i found laughter...

just don't come between me
and mt "neighbour":
cos i'll **** the ******* ****!
and "he's" watching me?
sorry:
     i'll **** the ******* ****
****-face-****!

no, i will;
  i can't conceive retaining
the anglophone aspect of comedy
within the confines
of the monologue,
with a cabaret....
  
      i'll **** him...
next time we exfoliates
speaking to my mother,
and not... looking
         into my eyes...
  
   "englishman": spew!
   you! now! clean up this
*******!
*******,       english!
like you bred a people,
gesticulating with
a hand gesture...
new yankies...
    britain: home,
           of the the wankies.

p.s.

no... private property contra
private property
within this ****** vogue...
             i seriouslly will throw
a **** into his garden,
and say...
                not enough fox hunting,
d'uh!
Alan McClure Jan 2012
The sea cast a gift ashore
one stormy sullen day
and the barren rocky coast
was suddenly recast
as a natural history museum.

A whale.
A real whale, just lying there
shining on the shale

In another time,
we'd have known how to react.
This astonishing bounty
would have been quickly stripped
Bones for building
baleen for support
blubber and oil for fuel.

But now it lay
surrounded by detritus
made of better stuff.
The truth was,
we didn't really need it,
couldn't really use it,
like being presented with
Casablanca on VHS.

A sign appeared:
"Quad bike rides, £2",
red paint on rainsoaked cardboard.
I wasn't tempted.
Children poked it with sticks
in a desultory way,
stricken, intrigued, ashamed,
and utterly dwarfed.

The weeks passed
as we coughed in embarrassment
not knowing what to do,
until finally
someone brought a digger down
and discretely buried the beast.

By now, it will be a perfect skeleton
a prehistoric wonder
an artefact from unjaded days
when nature could still astonish,
trampled by unknowing tourists
as they dream of sunnier beaches.
Mateuš Conrad Jul 2017
i. the beer:

of all the drugs available for legal consumption,
well illegal too,
   i love how alcohol is the only
with a credible, even a romantic story,
take today, as an example,
  i took a gamble (the english really know
how to craft "flat" beers - namely ales...
in terms of lager? ******* can't beat
the central europeans - carling...
    that's all they can summon) -
but this one i came across today was a gem,
crisp and i am a sucker for crisp,
but not enough body of a typical ale,
body? flavour...
                  **** me, having a chemistry
degree i should be brewing...
     ah, but i do have enough vine
      for about 12 bottles every year,
but the dream? well, with music shops
doing the dodo march... i guess the ever
present ambition is to brew beer
(and yes, ***** is brought about by
the fermentation of potatoes);
   but i just love how every bottle has a story,
take this one for example:

               sharp's (rock, cornwall)
  (and yes, cornwall is bue -
            quiet unlike the rest of england,
  they even pretend to be
   "basque" separatists -
  goergie goergie - poachy poachy -
            king john the **** -
raise the black flag with a white cross
to invert the teutonic banner of
             black cross upon a white flag!)

aye ****, d'er beer:

           *doom bar

(est. 1994 - exceptional amber ale)

but like i said: not much body in it -
if a budweiser is the "king" of lager -
then this is certainly a "king" of ale.

the story? verbatim:

    'at the mouth of the camel estuary in rock,
cornwall, lies the trecherous doom bar
sandbank, the inspiration for this
exceptional amber ale.
                the sandbank is revered as a
formidable nautical challenge that
should be approached with respect and
nagivated with skill.'

well **** me, i'm off my rockers, i get a beer
and* a story... bargain,
                            at un' poond und aye-tee!

ii. lactose intolerance / constipation /
             a 4th of the "horsemen of the apocalyspse":


of the four "supposed" horsemen of the apocalypse?
i greatly admire but one:
                                          daniel dennett...
and for what, if not the virtue of being
humbled, awe-stricken, and not much of
a sophist -
                    i.e. a rhetorician.
the other three?
                to me, just a trio of pompous
*****... but daniel dennett?
now that's the bearded fellow i can admire...
he's the humpty-dumpty of the lot,
  he's like the epitome of the socratic method,
translated from ancient times
   into modernity - i.e. not the dialectician:
but the mediator.
      
   and when he mentions lactose intolerance
in humanity beyond the years of man's
"instinct"... i approach a well-known woman
to me (after all, i shared her body as
a foetal "parasite") -
  and she's tried all the could to alleviate
her constipation...
            i walk down the stairs with a bright
idea:
             how about you start drinking
raw milk?
                      maybe raw milk would ease
the constipation?
                           she replies:
not even if i had raw milk with a cherry...
worth a try, i say,
given that i've never seen you drink raw
milk...
        me? i still drink the raw fluid ivory -
better drinking that,
       that shooting rhinos for sport...
for some reason i can't get enough of it...
  cheese beckons?! not really...
but give me a pint of milk, and i'll drink it
in one worthwhile summary:
   concluding in an empty pint glass.
maybe milk will ease the constipation?
   who knows, worth a try.

but of the four "supposed" horsemen,
   i have respect for but one...
      yes yes, hitchens sycophants out there
than have their carnival of mumbles
and ooh and ah's... and a-ha's...
          yes, eloquent to the highest degree,
but a pompous ****** the name came to be;
only on the death bed, was he ever
earnest to curb his sophistry -
       and as said:
              nearing the abode of death,
              man stands undressed,
              in mind and body,
              the unlikely foetal kindred -
              naked, in the fluid of change -
              readied for the onslaught
              of the forever eternal flux.

iii. the three animals (laika, albert jr.,
&, why of course: dolly)
:

funny, isn't it...
           if there was a soviet darwin,
the soviets would have sent an ape into space...
but instead they sent a dog...
  
seems hard to find people with ape pets,
domesticated in the allign of a zoo -
    probably just as hard to keep a domesticated
money, as it is to keep a pigeon take
to a return roost...
hence the romanticism of space exploration
residing with the soviets, over the americans...
the world will forever remember
  a laika than an albert jr. (originally albert II,
but lets not allow aristocracy into the domain
of the lesser mammal) -
  and laika will always burn an imprint
into the mind, a dog always overcomes
the monkey in the here & now
                                 (dasein evolution):
but that's space taken care of...
what about time?
         none other than "alice", i.e.
     dolly the clone sheep... cloning
explores time... and dolly was the first
explorer of time, or the perpetuation of said
artefact...
                   do i sense a "humane" obstruct
being imposed?
         the frankenstein phobia?
               oh i think i'm right on the money...
with so much knowledge and so much
power at our hands, the collective man seems
only orientated around the carnal dynamic
of perpetuating itself around a dynamic
of pains and ills...
                       never the broad shoulder
giant looking toward the western continents
from the shores of portugal...
                by now we realise we're not
standing on the shoulders of currently-temporal    
giants... but on the shoulders of:
midgets!      
               as i a child i conjured up the idea
of the other A.I. -
nothing technological...
                  i actually thought of
insemination - and if auschwitz would still be
open, i might have joined ol' joseph in
the experiment,
but like a true scientists: beginning with animals,
i.e. impregnating a dog with human *****...
or a monkey with human *****...
obviously jo mengele would have
preferred the reverse, i.e. impregnating
a woman with the ***** of the already stated
examples...
                       well... in the dark aeons of
*******... hasn't anyone noticed the crude
representation of a white woman,
******* the phallus of a horse?
     ah... you weren't internet savvy in the early
00s... what with rotten.com.
Gaye Sep 2015
Yong Marx, yet to die, jumped
out of an air-conditioned car, a
journey Berlin to Bombay as the
Dream merchant of Utopia
metamorphosed him into a subhuman
white bearded national bourgeoisie.

The third world girl who was climbing a
tree without Motorcycle-
Diaries hung to her clothe looked
like an Engelian mistake possibly
not from Cuba, Zambia or Bolivia,
certainly not a Soviet artefact.

Alienation, self-affirmation and all
unlike modes of production confused
his surplus brain. The dichotomy
of imaginings and reality with the
girl proven anti-thesis kafkaesqued
him an added ****** struggle.

A shift in his struggle with a smile
on her lips gave a  hint of welcome to her
Animal Farm. He did get inside.
The moulded furniture, preoccupied sickle
and the lacking exploitation
left him a disappointing proletariat grin.

She opened her mouth, blue words
did not discharge. Neither the mid wife
nor the revolution pumped her conscience.
He got up, disappointed, alarmed,
cursed the chap who misdirected
to a class-less renewed pattern.

“Comrade” she said shaking his hands,
the blood did stir for a moment but
the fight less slant , **** suits and
her distant reality pained the rationalist.
The amusingly alienated young Marx
jumped into his car and left for utopia.
Urmila Sep 2014
They were shattered pieces of glass,
In a jar I had kept away,
I thought I'd use them,
To create an artefact some day,
You found the jar in my closet,
I told you with this jar don't play,
You said you could make something beautiful,
With my shattered glass and your clay,
Then you made a masterpiece,
Your art had a metamorphic way
And although you broke your own creation,
Thank you, is all I could say
Mateuš Conrad Aug 2016
i've been in a prison of my own making...
it's kinda perfect, i get to read books
rather than watch television...
the blind flamethrower albino ******
is on the stats -
i end the night with a self-gratifying
exercise - the main sub article concerns
itself with **** and male *******...
never mind the ***** cut off for ******...
and never mind the Madonna-***** complex...
why, the problem is sorted:
if you don't get a hard-on with prostitutes
then you can blame it on ****...
otherwise? well, you'll hardly be the one to blame...
i see you using your ******.... the blue diamonds...
the litmus test is quicker done...
go to a brothel... once you get an *******
with a ******* all forms of feminism prescribing
masochism to men will disappear...
this erectile dysfunction will become a hoax...
it will become basis for the other thing
Freud is famous for, putting it nicely
the the Medusa-Madonna complex...
you can't be Oedipal with economic stresses...
someone has to take the blame...
******* is one strand of attitudes exercised...
we will have no Mozart, no Shakespeare when
we censor **** and bargain hunting celibates...
you basically censored the freedom of language
like you did undermining the European Union,
and European doctors giving way to an exodus
due to your cheap xenophobia...
X-factor contestants as doctors? i'll gladly wait and see,
you congest life into suffering akin to animals
in slaughterhouses... boy, i'll wait.
your Vermin will be your death angels... you'll
want to die, you'll be gagging for death when i'm
through... and yes, i remember my great-grandmother,
who remembered the 2nd world war...
as i said: ****** was gassed... due repayment of equal
measure... the Ypres guise of suburban Warsaw in
the trenches, in the ghetto; harsh, isn't it?
humanising something human when the soldiery
artefact is brought up? it must be harsh...
too much faith in the Luftwaffe, i'd dig under the channel
and let the Panzers roll in... this is my method
of appetising grievances to be rid off...
my grandfather asked SS-men for candy,
my great grandmother escaped the Nazis...
this is a healing process... i've taken the *******
and applied it to the star of David, ******* with it...
so it looks like reading a book on a prayer mat...
but that's not the bothersome triad -
people forget the success of Freud in the other department,
you can't pinpoint the influence of *******
without having to recognise the influence of
the Madonna-***** complex -
which would explain much more than scapegoat ****
is privileged by... why would i get an *******,
drunk (well yeah, at every opportunity a ******,
Virgos' tear) with prostitutes, and not be bothered
by *******... abstinence won't help...
it's enough to be governed by a psychiatric conundrum
of the fabled case of ******* your mother...
why all the blame on man? typical feminism...
Platonic feminism, Darwinism's feminism -
have they bothered to subscribe to the idea that it's not
simply a male affair? having professional pornographers
is the problem... a bit like at the Olympics...
the professional high jumpers are one thing...
you jumping into bed to frolic is another...
it's hardly a mono-****** affair ascribed to only one
gentrification - when you're a ******* decathlon
enthusiast, *******, working, cooking, raising the ids
of kids... you're supposed to be there,
specialised in the erectile business, and nothing more...
the hammer to a nail... redundancy following suit.
and what man will succumb to this?
perhaps he's talking Swahili or he's Somalian...
because, believe me, that's where you'r herding the flock
girl... i don't really care where the whites end up...
this Islamic attack on western culture is nothing,
nothing, compared to the apathy western women
implanted into western men's psyche...
a few terrorist attacks are nothing in comparison...
as said the once parallel now intersecting
conversation between King Solomon and Sheba...
these terrorist attacks are nothing compared to what's
coming... i blame Darwinism partly for having staged
a coup d'vie, meaning? i really can't be bothered!
usurp my indolence in the affairs of mind and body,
make me into your ideal dietary requirement checklist...
this thing we're experiencing is worse than
terrorism... feminism has made us indolent,
non-responsive... non-competitive...
we're basically trapped in a hamster wheel where
women fancied themselves to champion ethnic defence
strategies.... ruby ***** of all hues go round...
i was never a saint, but i wanted to be a sinner...
try that like winning the lottery...
if the white man dies, i won't even care to cry...
i'd be clapping... clap clap... clap clap...
i'll just know that i left the ideal hue of ***** behind;
what?! i liked to **** too! but obviously i
was given the poker hand of angling a repertoire
akin to a monk like Martin Luther.
Senor Negativo Apr 2017
When falling into a Hero Trap
always bring your First Officer.
Nuke some backwards Aliens
and you can be sure they will
get back at you with a vengeance.
Forest moons
are made for Death Games.
Bloodshed and deprivation
belong in front of the cameras.
Technology is for tyranny
and ***** princesses look best
in blood red bodices
when they interview perimeter guards.
You Will Marvel
at the spectacle
of a ******, a badass, a chubster
and a gunface
storming the set
with flint napped spears
and a hijacked  hover-camera.
Sit in spinning Jenny,
and pass me the crisps.
You touched the cone,
and Enhanced women know,
York is hot.
Somebody get the forklift,
the Biggun is down,
and the fraggin' BBC wouldn't know
a solid gold classic
if it crashlanded in their laps.
Some say he put on all the weight
after it was cancelled.
At least we got some Hot Fuzz,
and the only good Zombie comedy...
Ever.
Artefacts were made to be forgotten.
But I wont fall into that trap!
If this defies your comprehension, then you are a bloomin' ******.
anastasiad Jun 2016
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Laser Engraving Machine
Cyan Tendency Jan 2013
Sands of time
tinkling through an obscure artefact
the light in you as you recognise your own.


Why and how are long-trodden tracks, forgotten
as my mind unfurls with a fresh green vine
whence before the stubborn old clung dry, and crisp,
those bitter octogenarians of perception.


R&M;, those sweet surprises
winking from behind a hidden door
were small shards in the bright crystal of our day
that felt woven only for us.
You trailed your fingers in the lukewarm water
And across my neck, both, at every opportunity
the warmth of the day
to turn to burning heat of us as light and inhibition fell.


'.....a thousand kisses deep', you read
And those you gave enthralled me
Cruel-clever Fate, to plant us as seeds apart
that sad, never understood genus or cure
to find now the curlicues of tendrils touch
And all to make pure, beautiful, joyful sense
our flashpoint clear in its providence.


How clear and fine, luminous, perfect
your touch and kindness and intellect drew
these feelings from myself, not forgotten
but rather, felt in that day anew.

an older......deeper.....creature are you
curled in dark and bookshelves and things unmachinated
You're art, and never be apologetic
your sorrows, twisted mad moments and lust
sift through you to paper, golden dust
and I find you entrancing
in no hesitation
still, I find I've one eye on the snare.


A red orb signalled our day into night
red wine and red running beneath my skin
I see you so clearly my dear, in mind's eye
and know the feel of your hair in my hands
and your elegance contrasts with slyness and salt
and the glint in your eye with its knowing purport.


Forgive me, I cannot relay
all I felt
forgive me, I cannot I know, more I can give?
but know, incandescence you drew from me surely
for you, kindred soul, have reminded me- live.
Mateuš Conrad Jun 2016
i'm bored of love, and bored of loving you, equating it all with cats and Carthage... whatever... something meowed something stressed a sound requiring a human artefact; yawn.*

a six pack never made a difference
anyway, tiresome Ibiza
either; so fatty ooh ooh
and the required hash tag
worth of Soho,
so the **** fits a king-sized bed
puff-up of cushions.
well, let's face it, a completely detached,
Sri Lanka
Orff Corfu, twang twang Haiti!
Mateuš Conrad Sep 2016
the man drops the package off at 6 a.m.,
he is a man, in that Harold Norse sense
of the word - he's a grafter -
he's been riding from Poland for god knows
how many hours, he was supposed to
be here for 3 a.m., but i'm not complaining,
i pay him £20 for delivering the package,
ask him whether he had a good journey,
then i wish him a good day, no reply -
i put the package in a room, unzip it and
take one of the copies out... strange...
just like Augustus commenting on the death
of Marcus Aurelius: the soup is hot, the soup
is cold... a piece of writing is printed, published,
a piece of writing isn't printed, nor published...
it's in my hand now, slim, literature's anorexia:
poetry... i can stash it in the library and
think about it for a while: no goosebumps,
no thrill... just this strange: apathy -
the sinking feeling of being at the bottom of a dung-heap
of civilisation - i'm sure it was different before
the internet: writers huddling in tiny rooms,
writing with a big dream to escape -
rejection after rejection, until the magpie was spotted
to actually be a peacock - the 21st century is
a lot different, it would appear,
after 9 years at it, there's no sense of relief -
it's all about the pixel glitz, the pixel paparazzi,
the pixel red carpet - the Beelzebub looking back
at you - an abhorring feeling in all honesty,
the quick-fix medical procedure - all done in an
instant: and the snobs out there who still
preserve the insistence: paper is authority -
paper is respect... on paper means authenticity -
paper solves everything... sure, most assuredly
a trip to the toilet.
i just don't recognise the person on these pages,
so many things have changed since then,
so much was given to the dwarfs to mine that
any man or elf in me, is... well... not even there
on the pages, or here, ploughing along.
back in the 20th century, someone must have thought:
books, a great commodity, keep them secret,
keep them safe... let's wait for the next buds of
capitalism's May - how the dynamic has changed,
and this is even with a critical introduction
by someone who obtained a PhD in literature -
a picture of me on the back cover:
yeah, because that will really sifter through the
demographic with more observable definitions
of who's to read what -
but it's just odd... i think of all that effort
put into printing a piece of work...
and i think of Salman Rushdie and the satanic
verses being burned...
                   i think of the wartburg säuberung:
and i find myself sitting alone like king
solomon - none the wiser,
                             all is vanity - and i know nothing -
because i was never taught to experience
something like this the second time:
                    the only thing to understand
   is the self that cannot comprehend experiences
given unto it... all that jack-in-the-noumenon stuff;
but i look at this little thing, these 115 pages
and wonder: so much? for so little?
   how fortunate, or unfortunate to be given this
spider-web... it always feels so glitzy,
   so: at the right place at the right time...
then the physical artefact appears...
                    and you go back to the syringe of
open access, and say: pressurised by the ever
changing circumstances...
                back in the 20th century a writer
was told to shut herself away in a tiny rented room
and become a clarice lispector: become
a hurricane simply by writing about good
first lines: the writer's aesthetic, typewriter or
ink blotches - or the blank page... and later
become sensational, hurricane-like -
i feel no nostalgia toward the 20th century in this
regard... i'm immersed in what has only
begun in 2006 - circa or no circa, whatever -
we can't rent rooms like that - or do things like
that, given the 24/7 society structure -
and i mean that in the least ****** sense
when i say, as Harold Norse did, without
a backdrop of homosexuality (even though
he was working out with arnold "the governor"
schwarzenegger at some point in his
autobiography: memoirs of a ******* angel) -
a cartoon fix: the book of life -
                        the man, and the man -
ah what fanciful trivialities that bind one man
to goofy ideals, and another to duties -
and only when an artist becomes successful does
he really become a *****... cocktail and *******
parties and Sid Vicious cameos -
all the Renaissance artists had it easy,
with the Pope their patron, they could be as
****** with their contempt for earthly privileges
and could get away with it -
              the days of a homosexual saying:
i am not a man...
                               the 20th century liberation
paved a way for the obsolete purpose of
the heterosexual man... apparently we have
grown a potential to grow ***** in
the laboratory - we are, quiet literally disposable
in that epitome of the Wrath of Eden:
just repeat after me: deluded by the mere
notion of reincarnation, deluded by the mere
notion of reincarnation - as constantly striving
to be the unique peacock among a *****-count
of peacocks without distinction on the
plateau of the living self-bound: you uniqueness
expired with the process of insemination:
you were once the one and only wriggly
                world record holder at the 100 metre sprint...
a natural dictator it would seem,
but apparently, the ones that didn't make it
now respond: me too! me too! me too!
or something like that.
                                           either through the eye
of the microscope or the telescope - cul de sacs either
end... because of the glue...
                       call it god, call it love, call it nothing...
it's still some sort of glue... sniff it, play with it,
             avoid it... it's still glue...
gravity is a glue, but it's not the glue that keeps
muscles bound to bone - yes, tendons are
the happy ******* children of that ******* union
of all things apparent...
   but in the sense that i keep repeating:
it's easily done - falling for the fake pixel glitz -
however official or unofficial it all is -
with or without advertisement on the pages -
it's the only junk that's out there these days...
if i were more of a man, i'd be chasing
the dream of a steady income, family and obligations...
can we call being a man a fool's errand?
i like to think of it as that... being man is synonymous
with a fool's errand -
                             no love transcend the grave,
no love can be engraved into epitaphs -
                  epitaphs and their respective soloists -
     it's not even out of bitterness -
not in this pixel desert where 10 years later
those of us who used this medium will become
exponentially out-dated: archaeological -
                              and it will be thus -
              Ouroboros Capitalism -
or back when communism and capitalism were
in competition, and somehow healed the 1st
half of the 20th century, and were indeed
the Caduceus - like the story of the cannibalistic
rats... what did the last rat eat in the pit-hole?
       back when capitalism had to compete,
and competed it did, and healed by competing,
after it supposedly overpowered its opponent...
it started to eat itself... as i see it:
   the transformation of the caduceus into
    ouroboros has taken shape... and we're still
only 16 years into the 21st: oh my god! it's the 21st
century! this is preposterous! not really... no...
                   the same was said in the 20th century...
and the 19th century...
                         the steady improvement in living standards
always fed these gimps to say the exact same words
while being gagged by being paid to say those words
    and doing the slosh-wash part of a *** ****:
Apache Vinnetou hail satan blah blah, V shaped ave,
   skull-and-bones secret handshake etc.
Mateuš Conrad Apr 2016
yeah, thank **** for that, and i want to be trans-zoological,
well, that won't happen in a millions years...
i want fur to keep me warm
and obstruct the chance of skin cancer
from suntans - i want a tail instead
of the puny coccyx - i need to be
a natural gymnast -
but **** no, you won't give me one,
nor the fur - you'll just say:
skin the fox, give him a comb-over,
done... like **** done -
make me trans-zoological
ortho-gender or meta-gender or something,
i like the idea of a panda bamboo diet
or a koala's eucalyptus diet,
and one pair of clothes for life,
no shampoo - modern monkey
akin to ancient monkey,
back then the problem was nits & gnats,
modern problem is odour and knitting /
well, tailoring for the cuffs and neck-tie nooses
for the well attired beetroot turkey faces -
mouths like a toilet although less edgy
with fluoride and sugar -
one monkey said to another...
'smell that?' 'yeah, a horrible bake.'
'that's what i thought too!'
'geniuses in pairs, no einstein would emerge.'
'fell fame and the famished.'
so there you have it, pampering was
intended to name the practice of toiletry -
take a **** spraying household perfumes
to doubly hide "something",
um... om... a ******* ****... what a mystery!
you do know that german electro music
evolved post-Kraftwerk - vey vork... vow!
now who's the gummy glutton bear
readied for a rub rub of tummy in the sauna tub?
mm chuckles as the cheeks are pinched
by an odd auntie to create a sound imitating
******* with ******* -
you have to excuse the punctuation
lacking a punchline evidence, work it out,
it's not exactly a times table of mathematics -
**** goes here at 90 degrees, **** goes there at
350 degrees... Simjit's your uncle...
i told you: i have, no, social, status,
i'm not a maid apparent to be wedded by a king...
via ******* and bureaucratic entitlements
via henry viii...
no wonder the after-fact (artefact)
of how Islam is practised... the founding mother
of Islam was Abraham's concubine...
a *****... Islam (the movie): the *****'s revenge!
i can see it now, in Los Angeles, hands readied
for the picturesque "thinking outside the box" moment...
yeah, founding mother of Islam was Abraham's *****...
she was sent off into the desert,
came back in a Niqab after meeting ***** satan
telling her: stop running between those two
elevations! and there we have it, holier than the ******
birth story - they're all virgins now -
former ****** with their former chores
readied for the silent movies cinema -
well, guess what... chuckles! and muttley!
Mateuš Conrad Oct 2016
horror movie tactic: or the abrupt / concentrated
                                                                              crescendo -
                              the shrill -
the chalk on the blackboard -
                                  all there, horror prime is
not the images,
                       but the music,
                                                  horror is defined by
music - the the lack of -
                           as are epics, with humanity being
inspired rather than ****** -
                and i dare say, i made my first collage worthy of
the aged Matisse: exhibit (a) a newspaper,
(b) a packet of cigarettes,
                       (c) a bottle of whiskey
and finally (d) heidegger's pondering(s) ii - vi;
i told you i was mad enough to buy a copy instead of:
when books are concerned, it's hard to imitate a
taste for designer ware, for a:
        my great grandfather invented / founded so and so...
how easily you can become elitist with books,
a bargain at £30 when usually $60...
                                        and, honestly?
i do feel less snobbish and more powerful,
                 i wield a variation of Egyptology's term:
precious artefact, something from the Third *****,
an intellectual output that doesn't bother Schindler
and the cinematography of the kamiński
red, amongst all the obvious bloodshed -
here's me, some years from the devastation,
feeling insecure about the need to call them Jews
(when they were primarily Poles) to anti,
  to anti justify when the two labels are considered
with variation on the pristine assumed nature of
Israel's policy -
                      sounds different when you consider them
Poles rather than Jews -
                           and here i ventured into the complexity
of thesaurus rex stomping ground the dictionary
keeps reverent - i'm not an Catholic escapist artist,
you won't find any argument to suit my awareness there -
          Jesus can have my writ of concerned antisemitism -
i already said that the tight-rope event by a Frenchman
was and will forever be more spectacular than
the crucifixion -
                                             he was a prophet born
without a conscious involvement in the three magi
and the star of Bethlehem -
                                       i don't believe he was born to be
recipient of a pristine banking on the matter:
         that all depends on how we behaved later,
evidently the Romans respected Jewish c.v.
none were handed down to Roman authorities to
build the coliseum - they were left pristine in their
Pharisee guises, and then the supposed "god" (level
it with the existentialists, the ditto means ~, approx.
or ambiguity, passed down, like a neared concern with
mythology) usurped the religious movements
the Roman respected and never employed the rites
of passage prescribed by Ramses and Nebuchadnezzar;
          or as i continually say:
you rather hear the word ****, or your face being
punched by my fist?
                                       why not, why not talk
***** and keep the *** acts pristine in accordance with
the rule of life? you think that not talking *****
will keep your ****** ******* haloed?
                   for the case of life: i rather talk *******
and **** with effectiveness than
                 put my tongue into a ****** and talk
pretty pretty, and **** like an imbecile...
                                      because i need to become a fuhrer
when she's doing her bit, and i'm doing her bit...
                i equate censoring peasant cordiality with
the things that destroys us: famines, earthquakes etc.,
   with the rise of ****** perversity -
to not talk oath words is as much as talking ******* pretty
and engaging with paedophilia -
                    or something quiet similar to it.
          **** me, talk *****, you don't even have to eat
shellfish: the grand scavengers of the depths -
                      better talk ***** than throw punches
or engage in unspeakable blasphemies;
so why are they trying to make you talk pretty
when you're bound to stuff that **** in your mouth?
you think that will resolve the matter,
thinking *** is ***** thereby enforcing a pristine way
to say hello; really?
              because that's where it's heading -
and it won't do much good when you say:
i can't say akin with the lark what the hell i want,
because another force is rummaging in the same area
saying: i can do what the hell i want, with or without
****** annoying lark singing me onomatopoeia(s)!
              sure, a mind that feels caged will flutter into
ambivalent freedom with the tongue,
       as will a tongue that feels caged flutter into
ambivalent freedom of the tongue:
enter?           a Rothschild -
         have you noticed how things have changed since
Descartes equated the dualism of thought and doubt
as the medium of being?
         apart from Heidegger, the finite increment posit
of what's the centimetres of a person's lifetime?
i think
                1 centimetre
                                        i doubt
                                                       1 centimetre
           precipitates into
                                                i am
                                                                 also, 1 centimetre,
existentialism took the i doubt from the equation
and replaced it with: i deny -
                                                and so called it bad faith...
denial is a subtler version of lying, or perhaps: a more
eloquent expression of it:
       god, i acknowledge the fact that the thesaurus is
an enemy of logic - i.e. close proximity synonyms and
                                      extensively divergent synonyms:
the first tool of rhetoric exposed,
i.e. say red ten times... sure!
      crimson, burgundy, wine, rust,
                      ruby, dahlia, geranium, maroon,
              scarlet, titian
                                               (nouns are primarily synonyms,
their existential purpose is to be synonyms,
   to compensate the existential flaw in Darwinism in
terms of the high tier of variant evolutionary consideration
        and investing in / creating a manageable vocabulary,
kindred of agricultural expertise / -ease, not as suggested
       aesthetic; tee off, a variant wording: games aside,
    but truly a word game, or golf; mankind has staged
the greatest war with its communicative system:
politics v. crosswords: two games - and none are enjoyable,
better leave the games to the symbols 0 - 9);
oh right, d'uh, back to the Rothschild "problem",
                you confront someone like that,
you won't hear a word of doubt, you'll hear the words
of denial... the point is: stunted emotional withdrawal -
just put the whole dynamic into a school playground,
                     people like that can't doubt their actions,
they can only deny them, which is why existentialism
exposed an very emotional variation of cogito ergo sum,
       the sentio ergo sum, or what one calls the Cartesian
extension: c.c.t.v. - like any viral infection: mass paranoia
stemming from a dichotomy rather than a duality
imbued by thinking and acting according to a balance.
the worded confrontation is a summary of a delayed reflex
of the staged confrontation, hence the need for the status of
"the shadow people", to deny and then exert force is
to deny and then to later manipulate certain factors into
an equation: bomb a place, **** anonymous "a", etc.,
             the fact is: it's algebra incorporated into language,
the general concern being about: the nonsense of
a Mr. Smith class system incorporated into all the brickwork
layers of the pyramid...
       sure, a Rothschild will feel vulnerable when question,
and he'll deny rather than doubt, and he'll think his
***** is 1 centimetre tall when ***** and is protruding from
his forehead... but that same person will react with
the "doubt" part of the equation:
                           he'll invest in an arm's deal that will
slaughter ten thousand Colombians over a kilogram
of *******... and he'll then doubt whether those ten thousand
Colombians had social security numbers or passports
or whatever it is they actually had...
                     courtesy?      sure: doubt they ever did anything,
keeps you thinking...
                        deny them the idiotic lie of proxy?
oh sure: they're into higher powers too! don't you know
that evil also works miracles?
                          there are proxy miracles,
are there are immediate miracles of: well, why not be
a saint for the day?
                                 my advice is:
doubt propels thinking, it's an instigator of thinking
  which some call: non-being...
                                but i consider thinking to be a variation
of being:
                                 as in: an aversion to watch a football match
and join a herd...
                       negation? the existential alter to coupling
thinking that's to translate into being?
      &
Mateuš Conrad Jul 2017
ah... we have an intermediate: oh darling... hush... we know the higher ordeals of the arts or intellectual arguments - but don't debase the manual labour... you have an alternative! menial labour! bureaucracy! and brussels is rife with it! a **** forsaken bog where once the amazon rainforest stood proud! grrr! na huja pana i w: gwałt tego burdelu!

people have no time these days?
no time, in these days?
    what the space-time dip of
the earth into a wave of augmented
space, killed off time?
people have no time these
days, because: they have ready meals?
people have no time these days
because everything is handy,
say, an electric screwdriver compared
to the manual one?
  i still remember my grandfather
having owned a manual drill -
  **** me, those things were fun!
and how about those old telephones:
the old rotary dial telephones
(which were a lot of fun, let me tell you,
it made conversations important,
not the type on mobile phones
en route to a night of drinking:
- where are you?
- i'm on the bus.
- how soon will you get here?
- given the traffic? give me 15 minutes.
and that's probably the logest conversation
i had on a mobile phone).
- of **** me, and a phonebox to boot!
ugh: the disappearing spare change:
next on the list of extinction
is the post-box -
never mind the dodo, or the tiger:
we're talking the extinction of inanimate
things!
but had you the pleasure of
holding this mighty artefact that
the *old hand / "eggbeater"
drill is (or was):
join the club!
             you're prehistory, within
the space of 30+ years... you're a lizard
jedi...
                did i tell you that coffee
was alien to my hometown?
yep... my great-grandfather dumped a ****
load of it into the river:
because people didn't know what to
do with it... mind you... only western powers
drifted away to banana republics and
brought back chocs and harsh coffee brews...
the slavs just mellowed with chai tea
in the samovar...
              and all this, in the 20th century...
seriously?! no time these days?
what are people so busy about?
are they 20th century farmers without
a combine or a horse?
               they have to have with
the 5a.m. cockerel and go to sleep with
sun-set?
         they're into hibernating ultra-*****
rabbits during winter: glugging *****
and ******* silly: just to keep warm?
are they treating the electric "fireplace"
that's the television likewise?
     oh look, the spark electric invoked
by zeus himself taking pity
on prometheus is speaking!
      **** me, well, if i ever had a fireplace,
i'd only think of replacing it with
a television set...
      people have no time?
    what the **** are they doing?
no one in the 21st century seems to have
discovered the shortcut of a microwave?
what's it there for, this thing?
     oh, that's there to give ambiance when
we get bored of the radio...
  it just buzzes and we get to think
about bees...
         huh?!
               people have no time these days...
well **** me... who or what is making
all these people so busy?!
            when i say manual labour:
i don't mean menial labour -
oh right right, most ******* in this "arena"
of expression don't know either both
or at least one, given that the construction
industry is like the army...
there's a big ******* difference
between manual labour &
menial labour...
   you know the woring hours of a roofer?!
no?!
       starts at 8am... and depending on
whether its a day for deliveries...
can end as early as a school-day:
   fui-foorty!
              oh ya ya...
             you think than manual labours
gives a toss about menial labour's
    9-to-5 ***-scratching?!
   nice to look "busy",   isn't it?!
you gonna write a puny & by the way: ******
little column, or you going to also
write a covert propaganda essay akin
to ezra poond for the fascists?
      ah, the former...
   PEOPLE! HAVE! NO! TIME!
              where once manual labour was
championed and natural,
they now "champion" athletics,
and the "natural": oh sorry, sorry for doping
scandals...
              mind you, traces of alcohol
are not accepted on construction sites either...
     PEOPLE! HAVE! NO! TIME!
that's ******* einstein, that is...
    too ******* bored to cook,
too ******* bored to compare a television
for a fireplace...
  too ******* bored to listen...
but **** me: all too eager to talk when
the opportunity comes!
   hear me talking, ******?
   all i hear is: click-tick-click-tick-click-tick
of the keyboard...
             all you might hear in an hour
is that: and an annoying meow of
a ginger maine-****: the "i'm in need of
company" ****** of space...
PEOPLE! THESE! DAYS! HAVE! NO! TIME!
but you know what the saddest
essential of the modern critique is?
  people have forgotten how to
disagree, let alone levy a dialogue -
       trapped in their solipsistic-monologues,
i've seen this countless of times:
how fiction has overpowered platonism,
notably in terms of style,
requiring dialogue...
              no, people these days don't
know how to disagree, let alone agree with
each other...
        it's a sad end of dialectics...
                      no one wants to disagree,
to later agree upon a disagreement...
   i'd be fine with that...
                  i don't ask that people agree
at the end of their discourse,
             but that they disagree,
  and with good deed due, can perhaps
disagree within themselves,
                     to then chance the spectacle
of agreement with someone else -
but people... have no time... to disagree...
they do what the english do:
  they joke...
                            and you know what i find
to be single-most important
"cardinal" sin? let's just call it:
   the papal sin:                   ridicule...
i can appreciate disagreeing -
   but when it comes to ridicule?
   did i tell that i used to collect swords?
  yeah, have a stash of them...
          one's a long hussar cavalry mean
*******, probably the height of
      an oompa loompa with blade alone...
within the dialectical dynamic i can appreciate
the fervour of agreeing & simultaneously
disagreeing...
    but when people turn to ridicule?
     that hussar cavalry sword comes
to mind, and aristophanes' head on it:
   in my regard, the equivalent of a white
flag of defeat:  i surrender! i surredner!
                             (bound to the kind of laughter
within the epitome of loci).
Mateuš Conrad Mar 2018
that daft, the overworded: implictiness of
                                                                         fakery,
                         what is implictness by relativism,
                     has no explicit
"conversation" / dialectics,
  expressed indirectly via
a dependency of variables...
      as some might say:
we have rules, we have social norms...
the form, ex-,
  either odd or even,
         with regards to reiterating
numbers into words...
              explicit:
             expressed direcrtly via
an independent set of invariations...
        considering that in psychiatric terms
a depression, cannot be gesticulated
as such, "fathomable",
      easily understood / categorised
when an existential focus takes hold
of the "problem"...
             almost all psychiatric diagnostic
terms are shut off from
performing a medical practice,
when stated by: existentialist constraints...
              past the french schools,
and into the feral land of the germans...
the english?
   with their heritage?
              easily at loss with regards to
giving explanations, adequate to
satiate the "sufferer" with a excuse,
or rather, a...
                             a justification.
                my fault at reading more kant
than hegel and not fathoming
any economic model-answer...
                                    just give me a blank
workable canvas,
   and i will give you a vocab that will
probably muddle a few grey-beards
of the sufi community of kabul...
             because i ******* have to mind
this virus, like i might mind
ensuring the bulgarian prostitutes
check themselves to a methodological
clarification of donning the rubber...
well, if there's an explicit ergo libra,
and if there's an implicit ergo libra,
to balance cogito never actually meeting
the sum balance of either argumentation...
       what a funny scenario!
               ergo appears in two forms:
   parallel, similis, consimilis (=),
                       or via-parallel, anti-similis,
                        contra-similis (≠)...
           because thinking rarely
manifests itself in being, but rather:
in beings...
                       the common thread?
deficiency!
                     most of the time
the factum: cogito = sum,
          is actually a fact of:
                          cogito ≠ sum...
which is why the cartesian libra of ergo
is so, confusing with regard to how
the two aspect of consciousness
as governed to "allow" a balance...
  in that they don't...
                    the fact of thought
as thought being the ideal,
never, or rarely, translates into an
ideal existence...
         of simply not-thinking
    but rather over-simplifying life
by a per se,
              of a lack of sensual distrust...
the (1,0), (0,1), (0,0), (1,1) binary
over-simplification
of the cartesian ergo that mediates
cogito and sum...
                  you can't allow yourself
three immediacies of the same fact
in the tri-medium of
variant substance expressions!
              the fact of existence
cannot be grapsed by a fact of thought,
in the same way that a "fact" of either
an explicit, or an implicit application
of the interchangeable of stated fact
can somehow find a balancing libra
                 artefact of a mythological
stature to simplify the argument!
                       i simply find the cartesian ergo
too simplifying,
                   the problem of cogito never attaining
the potential of a sum,
as well at the problem of the sum never
attaining the potential of a cogito!
                given that
in the simplest mathematical grammar
the ergo is either expressed as:
cogito = sum,
             or cogito ≠ sum...
                  is that ego + cogito = ego - sum?
        or is that ego x cogito ≠ ego ÷ sum?
             what's that's 4 to the power of 8
in terms of variations?
              put me against the mathematical
punctuation marks, past the colons,
semis and commas and write it out
in math...
                       to have added to thinking
is to have taken away from being...
  to have multiplied thinking, is to have
divided your being...
                ergo = (= / is), but also (≠ / isn't) -
to have divided your thinking,
  isn't to have multiplied your being...
              to have added to your being,
is to have subtracted from your thought...
         show me the rubric of
the existent variations!
         show me!
                             philosophy per se,
is something that the koran can never teach me,
and never will,
even if in the slightest it only attempted
to teach me how to sing...
                   i have my own labyrinth
to mind,      
   let alone the common citizen of Istambul.
Mateuš Conrad Apr 2017
you had your shrove thursday! you celebrated it with frying pancakes! celebrate harvesting crops by returning to eating like wild animals... no carbohydrates on good friday! carbohydrates? complex sugars... you can ingest fructose and lactose... come on... keep up with the poetics of the religion!

well... it's easter... whatever the hell that means these days,
    in protestant lands there is more commotion around christmas
time anyway... you can literally glance over
   the concept of easter in england; i'm not sure how it
looks or feels like in either *lutheran
or calvinist countries:
   germany in the former (category), switzerland in the latter...
        category...
but easter is **** hard to pick on...
                 it's supposed to be "celebrated"...
  but to be honest...                            **** all happens!
so yeah... coming from a nation that became ultra-catholic
because one of their countrymen became a pope...
     you get this fervour back there:
                           people really get to the grit of things,
and they do! i swear, they do! take it seriously -
          when you hear a bunch of poles stating their
creed: father son and the holy ghost etc.,
                         they sound like an army of satanists!
you have to hear it... it's what i call the...    murmur effect.
holy murmur... mmm and probably as much comparison
as putting your ear to a belly of a bear and listening
   in on the grumbling noises of the bear's intenstines
  doing their magic of the latter stages of digestion...
  so... coming from a culture that got duped by having
a pope's ethnicity overly-stated as: foundation! tradition!
you get an exodus of those who firmly believed that
communism was working... because they didn't get
the marshall plan hand-outs / benefits...
                         a bit like that analogy:
  give a man a fish?          or give a man a fishing-bow?
                       anyway... so you have this pope
that didn't have the human decency to become
                                                          ­            emeritus
slobbering, drooling all over the sanctity of st. peter's
humble beginnings...
                                 and you have what's called: "tradition"
of celebrating this "festival" -
                                  you don't eat meat on good friday,
also called: quasi-ramadam without any mammal proteins...
   saturday you go to the cinema...
                    sunday you go and sanctify
  eggs... that are painted, and hard boiled...
                            and you have what drunks call:
the morning after...
                                           monday? by now you're in
heaven... having risen from the dead!
                       or what's called the melancholia of winter.
but you know what really bothers me about all this?
     the holy sacraments...
                     and the ****** greek poetry that comes along
with it... and how it's misunderstood, when applicable
to the lunatic acts of "celebration"...
                                      so "fasting" is invoked by
not eating mammalian proteins... meat...
                                   meat... meat...
surely it should be about not eating bread / all forms
of carbohydrates! eh?  surely fasting would be about not
eating breads of all sorts... croissants, pancakes,
buns... crumpets... scoans...
                               after all, flesh into bread blood
into wine?
                             or bread into flesh, wine into blood?
water into wine, oysters into genitals?
                                                 lemons into oranges?
the ancient greek critique of poetry provided us
with an artefact that's probably the best joke on the planet...
thank you plato... for giving as a laughing-stock
of a political movement...
                              clearly what beats it with a club
with nails sticking out of it is:
                           a religion that's like, ultra-kumbaya -
the clerics can sing the whole shabang from
minarets - while the dutiful adherents whisper their
                                                 five-a-day, five-a-day...
that's when you get into why milton wrote what
he wrote, and then had his eyes "gauged" out -
                             nothing less than the equivalent of
the homer of the north... i.e. went blind.
                      me? i'm drinking today... whiskey was
not specified...                 now i'm going to an apache
shamanic rant and say...       whiskey! fire! fire + water!
firewater!                and just ****** greek poetry,
because you know that ancient egyptians also had
a sense for poetry, but it had to be translated into
hebrew to have potency... egyptian princes spoke
the slave tongue? it's a bit like prince charles speaking
some slavic language... say... russian....
     i'd be surprised if he could speak french, never mind
the so called "exotica".
Viseract Jun 2016
My Father said,
“Sometimes, Conor, you talk too much
And talk too little.”

I’ll let you figure that out on your own
So here I go:

I started off as shy
Didn’t like to meet people’s eyes
I was floating in the skies
So when I dropped I was surprised

I began to talk more,
Sometimes I just don’t shut up
There’s so much I have to say
But of time there’s not enough

My Primary years were years of torture
Those twisted words a killer
“Stupid. *****. ******. Loser”
I shut my eyes and mouth, head down, just kept cruising
Hoping. Praying
That someone would maybe save me

But I was unlucky
No-one came to rescue me
So pretty soon I hated the world that surrounded me
A father gone, overseas, fighting a war.
Because when it comes to family, some things are worth dying for.

Well pretty soon after, I wanted to die
When I found out that I wasn’t quite alright
My difference wasn’t me just being a shy guy
That untroubled dragon, unburdened, flying in the sky

Because I was diagnosed with Asperger’s at the age of eight
Chance hated me, it seemed, and so too did fate
Adding fuel to the fire, an internal pyre
That consumed me, hungrily, leaving me broken and tired

So my innocence was ignorance
You can tell by the evidence
I wanted an exit
Another way I could end this

Years down the track, and who am I now?
Am I that joker you thought I was, head up and proud?
The friend to the friendless, my speech is just endless
But at the end of the day I’m only pretending

Because I’m not okay, I’m a broken part
To a greater whole of some use, just needing a kick-start
My friends and family, you see, they disagree with me
Saying worn is not broken, and either way it isn’t easy

It hasn’t been easy, torn by the truth
And mocked for my teeth, hit at times, left bruised
Sticks and stones may break my bones and all that other ****
By words hit hard too and at times it’s hard to deal with it

Now I don’t seek attention, just tried to let them know
That I was struggling and there were some things I couldn’t let go
From the first time I was called “Bucky” to the handle of a blade
I wanted to tear apart all the **** they had made

So I started hacking away at myself
Trying to find a better someone else
The answer lies not in blood spilled, or the steel used to slash through
But in your mind hides a better you, a person with a better view

It just takes time to uncover
The century’s best discover
An artefact, buried, hidden, within your soul
Just clear your problems
Try and solve them
And you’ll be whole

“Sometimes, Conor,
You talk too much
And talk too little”

Do you understand?
I need help deciding whether to use this one or "Remember" as my poem for a school assignment. Please let me know in the comments below! Arigato!
Mateuš Conrad Mar 2018
-
as my grandfather said: hand of a stone, heart the size of a peanut, and the "individuals" will be yours hiding behind a wall... as i replied: sooner man will hide behind a people, than he will expose himself to be one, of the people; i know who i belong to! albus & rubrum... sink, azure... sink.

because the poor girl christine chubbuck
died in a hospital bed,
under narcosis
while the fiend
andrei romanovich chikatilo,
died, in an ukrainian cold
prison cell floor,
  without any painkillers...
            which he probably didn't mind...
ever so often, only half fraction
of the brain is affect,
the rest? explores...
                perhaps pain became
his ally...
                how long do you
think they kept him caged like
that, with a shot in the back of the head?
well...
you show me a movie like
   christine i will naturally become
curious...
      he survived his brain damage
until he starved?
          but what pains might have
been spawned that will, always,
make, ******, a pop culture icon,
                  and never, the horror...
you trying to find only nazis as
the zenith of horror?
           ha ha!
                   you never read anything
about the ukraine, have you?
               those remnants of
mongolia...
           ha ha... i like american
*******, they're funny...
             fear is always: wide-eyed!
         the part where the internet
trolls start bragging: uh, uh,
their women...
             what women?
           "my" women?
                       these aren't "my" women...
hey, a study of h. h. holmes...
            past the "fantasy" and
back into reality i don't know
what the bragging it about...
      better ask the advert
   #greet-the-saudi-prince...
     with what? a hatchet or a knife?
   personally the whole primitive
aspect of burning national flags
lacks all the humour of:
******* on them...
          must be a pakistani "thing"...
these people could do one
better and not plagiarise nazis...
how about a game:
          ******* on books you
want to burn?
                           well, if you really
want to insult...
burning books just insults
the publishers, and printers...
        burning books ensures
ideas of those opposing you become
beacons and are doubly
defended...
        but the act of ******* on a book?
well... the work of publishers and
printers is still there...
   but the work within?
      you ****** on it,
                why burn the artefact?
just say the paper was rough
and you needed soft paper
to wipe your *** with;
                                         problem?
oh, right... niqab...
                her mouth for your eyes only...
and your genitals for her mouth only...
i see...
        easier to start a fire...
               fair enough:
           but now we can have an honest
dilema as to what constitutes
                    an authentic protest.
i'll count the book burning
authentic,
       when you allow yourself
to show your genitals in public,
          as she might her face,
   and you might actually protest
by playing the afghan-*******-game
on a flag, rather than digging for
coal, or chopping trees for
a fireplace...
                   don't burn it!
**** on it!
                       ah... so i thought...
a throng of castratos.
                can shackle men in curtains,
have no stomach for how
bulgarian prostitutes dress
in a brothel in officer-manly grey
attire...
                big tease...
                no more...
                        thong for what?
  linger-ray for what?
         arousal?
                    ma-ma-madonna
       ***-***-***** complex...
                we're not exactly here,
together bound to pulverising body
heat to keep 16 year olds free from
the metaphors of eating ice cream...
and the courosel if intimidating
insinuation..
                     ***** please,
110 quid an hour,
                   i can leave without
a single *******...
                    that's not the bit i mind...
i mind walking back into
the labyrinth
            with an echo of you
giggling while i transgressed
the ******* ethos of:
   no lips touch these lips with
their lips...
                      oh...                   oops...
my bad...
           and how many times i
walked among with a knife and
a bottle of whiskey suffocating in
asking them: **** me...
                                 too many times.
- but honestly though:
if you're going to seriously
protest... start ******* on the flag
you concentrated your protest
on, rather than doing the ali-g
of burning it...
            makes me look bad in
this generational sphere of
                "identification politics"...
   no... second time
               the 2nd democratic convention
that's the "academy"
             happens seeing it
the second time...
                       a brewing fourth wave...
because when does an actor not act?!
         when can an actor
ever make an oath an antithesis
to grasp authenticity?
           ****...
           throw these magicians
             onto a stage and tell them
to play anything other than
a helpless foetus...
          matthew mcconaughey can
rub his nose all he wants...
                      line them up!
            just... throw them onto
an actual theatre stage...
                       and lets count
the magic tricks of the art of editing
to mind them then.
Mateuš Conrad Jun 2016
three ante-chambers and then the bedroom, a valet rather than my wife sleeping in the same room as me... if this is a will to power, i'd rather see the Sunday menu of: a will to whatever's on offer, other than hereditary genetics... mind you, 20th century anti-hereditary genetics seemed like quite fun, all that eugenic stuff... i love the byproducts that came with that, weaklings to be sure, missing horse and engaged tractor, celeb culture and the next Raphael pickling a hammer-shark sidelined with Warhol's quote: knock knock - ah cheap, i know, but when wasn't sarcasm ever?

the famoud *will to power
is a fable, there are too few words
in between will and power, since both are rather antonymous
in application, the argument -
the will to power is a state of anonymity
rather than a dualism,
in Versailles Louis XIV questions himself
as both man and king, and the god appointed;
instead of duality there's an anonymity,
a permanent height outreaching / out-qualifying
the jumper, all pampers and demure,
the mirror circus of poses that Louis XIV
was compared to his brother
gauging out an eye of a laughing man in
a role of a Kafka play the nobles thirsted for
and slyly forgot - there was once a prancing
lady of France, who donned the title
as the king of France, but was overshadowed by
his ****-******* brother; there are indeed
Arabia in the King to quench Africa,
but not enough to go further, with his philandering
******* boyishness to succumb to the womanising
artefact with brotherly jest as with a woman's
care for an up-kept boudoir... of matching stockings
and his matching socks
: never mind the places
cut first on the gauges of fear of the guillotine
with the eyes turning all Newtonian searching
for the next cake - the roles we keep are not the
identities we express, keeping the militant
populace ignorant and ourselves kept by
the labyrinth sexed-up, keeping one pronoun
a wall of denoted king and the rest
a scramble which, whoever, we wish to choose -
as ever, preferring a woman...
well i preferred animals, how's that for an argument
from *****? oh wait, that's an argument from Eden...
ooh choo choo the pick-up truck never picked up steam,
the democracy of nobles overtook the notion
of king as the psychiatric, philosophical rigidity
overtook the notion of ego...
well, weeners and winners here and there,
like salt and pepper... mm, push it! push it real
good!
wait a minute, i thought that aristocracy kept
Paris and subsequent Parisian a folded model ready for
corruption with adequate vices?
when Communism came about the aristocracy was replaced
with intelligentsia - the urban version of what was once
property owning now replaced with idea owning -
it all gets a bit murky here, i write with a more detached
defacement in mind onto a head of a donkey to reveal
the saintly cranium, but never mind the joke,
there's still the papal yoke to keep us curbed, after all,
the best ****** travel to home to sing: love live papa,
love like papa.
it just got me thinking, this obscure cannibal of
aristocracy could scare the king, no wonder the king
in chess is just an extension of pawns, while the queen
is an extension of rook, knight, bishop -
reductionist Darwinism uncovered more than
Darwinism per se, we were originally reduced to insects,
revolving past that and encouraging us to exhibit
mammalian tendencies made us into being unable to
choose which monkey was worthwhile to have originated from;
but still the black widow, the mantis -
female reductions took her beyond mammals,
into pre-reptiles,
male reductions took him into pure mammal,
we're both running treadmills now though,
we're both rodents, hamsters, ha ha, it's funny how
equilibrium works, there's two opposites, both need
to be pacified, no trans-gender changes will actually
objectify or personify, it'll just the other more even and the
other mode off / left in / left out.
you never ask so much about art, you just say
the magic Sesame words of Ali-Baba 'i don't get it'
and it opens, but then you suddenly want poetry to read like
chemistry, what a ******* oddity, and say the words
'i get it', but all that opens is a can of tuna, wooh!
what a ******* stink. imagine these words unlike what
you'd might use buying a pint of beer at a pub,
grow up, you hit puberty with fifty shades of grey,
bestsellers this century, the last, Don Quixote...
believe me, these words will be around for not that long,
soon ingested by what the already aristocracy isn't,
modern aristocracy are mere inheritors, spongers,
they overslept the mark of complicated phonetic encoding
being exhausted, hence the dissociation with politics,
the apathy of the former lusts for war -
granny can write a tweet, but granny can't write an app.,
never mind if it's Buckingham Palace or
the French Riviera mansion... Party Harry gives less ****
than the red squirrels when the grey Canadian squirrels
were introduced, and the next Prince of Wales
is wondering: did i really need to waste 20 minutes of my
life watching Head & Shoulders' adverts?!
Ayesha Mar 2023
innocent blue
it’s not the truth
it’s just the story I tell to you

say, gone now
all the old times forgotten
we flicker away in bliss

roll the dice
select this, forget then
never let it go then

I was just bored
watching the night
I had it all, I had it all

I need it now
covered in fade, taken from me
rolled up and stored

artefact of old
I want so much to hold
I become small again

I begin to hear too much again
see too large
speak too thin again

now it sits by
in pieces renewed
pretty and gold

hope that you find it
hope that I too
could find it for you
14/03/2023
For Crocks

After 'Ode To The Mets' by The Strokes
Mateuš Conrad Mar 2020
i've sifted through all the youtube videos
of vloggers and...
i'm not sure why i don't go back to
listening to BBC radio 4...
it can be said: you either "move up" to talk radio
from having listened to classical music
or you "move down" and listen to jazz...

i only watched a snipped of:
sometimes always never - starring bill nighy...
and i wanted to watch more...
but... nothing came in the way...
i felt like sitting in the kitchen on a stool
drinking a san miguel beer and smoking
a cigarette: come night i've shot all the birds
dead... there's only me never wishing
to sigh... the vacuum and some wind...

how did i get drawn into vlogging...
i will never know... i listen like a patient
parent and it's still: knock-knock no one answers...
because... this isn't BBC Radio 4...
so a welcome return to... being my own d.j.

in and out of whims... today's whim...
grant green's: green blue...
when jazz is still somehow the blues...

it's not an urban myth...
when the ****** alcoholics became desperate
and there was a shortage of *****...
they'd filter a bottle of denaturant through
a slice of sour-crust bread...
yes... that fluorescent purple liquid...
methylated alcohol...
        and here's not me writing about going
to an irish catholic school where...
they would teach 10year olds about
the pit-falls of sniffing glue...
no mention of LSD mind you...

oh yeah... they would filter the denaturant
through a slice of sour-crust bread...
and then drink it...
otherwise i don't know how they ended
up a tier above drinking perfumes...

competition... competition...
is it always about competition?
what about jobs that are fixed... and do not
allow competition...
how there's a rigid schedule and what not...
i mean... a self-employed taxi driver
can compete... but it's hardly possible
for a bus driver to act like a taxi driver...
not everything is a hand in poker
or...               irregular plumbing...
and sure... i too would be jealous of
all the *** elsewhere...
if i weren't the piston and the sweat and...
the only joy i ever got from ***
was seeing her moan...
                      and that's... toothpicks compared
to when you can be walking through
a square mile of pines and only pines...
and pine needles...

- nonetheless i had to make sure...
is a haig club whiskey worth all that it's worth...
at 25 quid per 70cl?
if it wasn't on a discount... i wouldn't...
i'd stick to the reserve...
problem... well... you can sell beer in cans...
provided you have a glass to pour it in...
for the cushion of head of whipping cream
to sooth your lips on...
you can sell a beer in brown bottles you can
sell beer in green bottles...
you might get away with selling beer in
clear bottles: if it's a corona beer and -esque...
but you can't...
you simply can't get away with selling
whiskey in... purple tinged bottles...

the haig club is a ******: over-priced whiskey...
what's with the scots brewing everything
so smoky?! to begin with?
i get the smoked salmon... but no...
the irish at least allow their whiskey
to mellow... sweeten a bit...
you can drink an irish moon down and out
through and into a dipper of
the lips making plucking sounds befitting
a connoisseur...

but the gig is up when you over-price your
whiske... only because you're selling it
in purple glass bottles...
again: is it whiskey i'm drinking or is it
a perfume? i might as well be drinking perfume...
good that the "whiskey" was on a discount...

interlude: finally melville caught a goldfish
and all of his wishes were: let it be a whale,
let it be a whale, let it be a whale...
      
there's no way in hell getting away selling
over-priced whiskey...
just because the bottle looks "groovy"...
and it's all purple...
as i already mentioned...
    purple... purple reminds me of...
those desperado alcoholics from under
the iron curtain who would filter a bottle of
denaturant through a slice of sour-crust bread...

whiskey and purple... sorry... ms. amber...
and they're selling this over-priced ****
like it wasn't supposed to be equivalent to
a commoners' bells' whiskers 'n' scratches...

a girlfriend of the remains of a bottle...
if you see a tank parked... and it's not a warzone...
let me know... i'd love to gear it up
for a salvo for, no particular reason other than
to make up for straight-lines with a zigzag...

these four walls, this roof... this floor...
this irritated bladder...
this hope for an 8 hour kipper and for midnight
not having to be extended toward sunrise of
a 6am March...

off-the-cut when writing comes this...
spontaneously and lazily...
like it might be reading a proper fold-out
of a sunday newspaper in england...
a harem for each time i ****** off
and performed a genocide into a tissue
on the throne of thrones...
and subsequently took a shower having
simultaneously taken a ****...
and all things remained swan-esque:
monogamous: or waiting for her to come
to aged mid-life and in crisis...

what with: the children or the cats?
the cats or the grandchildren?
i have yet to come across a grave with
an epitaph...
                        again... some reading into:
marquis de sade: i'm waiting for my libido
to fizzle out... otherwise what shame
is there... when i'd need a harem...
a solo project doesn't even help the matters...
so what shame is there:
it's hardly going to turn a profit
if i plug in... **** please oh please
myself on cam in a sultry room...

last time i heard: all that's needed is a toilet
and a screaming ****...
there's no need to broadcast the whole affair...
then again... this was only going
to be a critique of the haig club whiskey...
sold in purple glass bottles...
over-priced...

in a love paralysis... esp. concerning
the "enchanted" periods of lapse of attention
to mind the and any details...

that the monolingual will play a game
of scrabble or solve a crossword puzzle
is his testament to not bothering to learn
a second language...
the bilingual schizoid debate...
or no debate...
                    
a bed fit for two... but then my shadow is
a glutton and a miser and a...
everything that's supposed to be scortched
under the sun...
melted from sand to somehow make glass...
coy fear: the music of...
leaving vacuums and absences...
and cringe...

                     if this was only ever easy...
i'd write this to later don a niqab...
         but lucky me there's a difference between
the french public intellectual...
and an english public intellectual...
of the latter: the public yet not aware of
media scorn... "free media"...
as free as tabloid papers come tomorrow...

a swift hand on democracy... a quick shuffle...
a bit like an iron grip in autocracy...
as long as there's no focus...
no trained eye... a mirage of a "passing of power"...

how overtly faux pas politico of moi...

                   lazily creeping toward golgotha...
and all those exhausted images...
a richard broutigan would call it:
slouching toward...
                       that others live the fullest
and their lovliest...
that they have teeth and grit and sandpaper's
worth of skin to itch a sketch with...
applause! applause!

jerks off every night...
but never makes a single buck from it...
as "others" might... doing it before a camera...
then again: *** is not exactly a flick
light switch either...
neurological patterns and what not...
the lost cinema - the everyday cinema -
the holy trinity of **** **** and *****...
the genocide of scrambled eggs with no yoke...

otherwise know as liberation
from not being circumcised...
                            and no other crescent motiff.

you don't sell whiskey in purple glass bottles!
over-priced, an apology to ms. amber,
outside the bedroom there's still the obvious chance
of keeping up with...
the queue at a supermarket cashier's...
there's the polka-dotted umbrella...
there's the luftwaffe precision pigeon
dropping a proper blitz "cranium" on
a bowler hat in trafalgar sq....
                     there's all this tsunami of the mundane
that keeps the clock a worthwhile
artefact to keep to mind the horizons and
pitfalls of a single day...

call it the heart of the house: a clock...
call it an itchy hand when the trouser pockets
are empty...
call it a *** note...
my god... a return to a formality of language
via a dear sir, letter...

       none of this is to be minded as:
yours sincerely / faithfully.
Mateuš Conrad Dec 2016
as ever, not a preference, or a pr.s. (pre scriptum)... more like an afterthought... never presume too much in case of diacritical ownership or necessary use... the language had terrible fathers... sure, once they said thou instead of you... nay instead of no... thee and still said you, as in: to be (that's thou without the index finger)... but when they applied diacritical marks ******* their faces, they attracted ridicule no one seemed to be bothered about... kinda like a Copernican trajectory... why put a dot above iota? well, the answer is the same as saying to clown-juggler (a) jesus... and saying to clown-juggler (b) yehovah... apparently the former is a res vanus (an empty thing) and the latter is a res cogitans (a thinking thing)... and a crucifixion is a binding process... collateral damage: it's the reverse... and you get to keep your yuppie christmas lights... but there a limb missing... ý and j... both have adequate indicators of children with single mothers... it like this genetic encoding, ** for woman, xy for man, xxl for a t-shirt... but why bother ι (iota) into owning any diacritical marks? that's ******* overly presuming to start things off to an Orff composition of a bulimic neptune that's why i suggested diacritical marks on a y... to transfigure it into the presupposed j... you know how many diacritical marks you can add to an ι? many... you can have a dozen brats while you're figuring out the plumbing... presumptious... presumptuous... see! false applicability of diacritical marks makes you a ******* worth of spelling! you're bound to be naturally dyslexic... ****, what a magic trick! ****! gone! dis and then there's dys- and the lexicon going berserk... make your ******* mind up! yes, i know that between dιs- and dys- the former means without, and the latter actually means an adjective, i.e. bad... or a jumbled up lexigraph; then into the tornado machine we go peacocking at the height of synonyms... but i still find it overly presumptious... ****... presumptuous to apply a dot above an ι (iota) and subsequently a dot above a non-diacritically existent j... it's how you yoyo and how you jump... there's so much ambiguity in anglican that the yhwh was drunk obvious... hence i'm drunk... and stating the obvious... you can clearly apply many other diacritical marks to a letter, rather than simply applying two: to aye and to hurray and forget the rest... rhyming couplet that... follow suite with jay... but write anything else in anglican and you see a Cardiff lazy... first the cymru, then the gaelic... well, you have to... given that english didn't come but shakespearean from the caribbean or india... you have to mind saying syrkloffipompusdumpus in Cardiff... it would be a bit diff not not... be gentle... get the rolling hills motto into that word, extract syllables like a German, or a chemist, please.

sometimes it really takes an evening like this, you go through
them until you hear the prompt and emerge on stage
and say a few lines...
you start off with *the connells
74 75,
then move onto blind lemon no lemon,
then through to kula shaker govinda,
      then reef with gimme you love,
    then onto snake river conspiracy
with a cover version of how soon is now,
then you decide to take the steps toward
formalising a mix-take (ancient history
courting techniques, high fidelity crap,
and i did manage to make one for a former
girlfriend... how ancient it all seems right
now... it also seems that i should be
70! by the looks of it... sadly i'm not...
yes yes, my teenage dreams was to work
in a music shop... swear to god, once the mp3
format came out i knew now future anti-Beatles
maniac had his hands tied and couldn't
buy the Beatles vinyl and burn them...
what can you do in Tron-land that's equivalent?
buy a Salman Rushdie and rekindle the
          bonfire night of Munich?
i had a muslim friend that really fancied
natalie portman... but because she is a jew
that was kinda difficult... how about
i obliterate that problem with alicia vikander,
hey there, poster boy... reach for the stars).
the thing is: we're in an en masse shock,
it happened all too quickly...
then came placebo with pure morning,
and then back to covers, daddy cool -
             and then back to boney m with
rasputin... and and then i picked up a book
by jack spicer, and then i thought:
i hope that i write enough so they can do
a my vocabulary did this to me: the complete
collection
, yep, i hope they can't hone in on me,
that they can only print (if ever, yuck)
           a selected works artefact
which, given the Darwinistic interpretation of
history... is not even worth bothering about...
the damage has been done historically,
it's answered in seven (if not more) news channels
with 30 minutes of original script, repeated
24/7 until another headline blip appears and
changes the narrative, just a tad.
    indeed i did pick up a book i own by the
san francisco renaissance poet jack spicer...
      and i immediately forgot what song i was
going to d.j. after i finished with thinking about
what she said when i made that mixtape for her:
listening to king crimson's epitaph at
around 5 a.m. on oxford st. going to work...
              i don't have a library, i have an a-to-zed
of avenues, streets, possibilities...
i don't think... i make cocktails...
                       the un-literal... literally applicable.
philosophy really taught me to not crave intimacy,
or bemoan it as some genius robotics inventor
who equates all things responsive as necessarily
needing an artificiality... so where's the antonym
dividing line between artificial and superficial?
men are from Mars and women are superficial?
               oh sure... we can have this talkshow logic
going round and round...
   wolves don't bark, but the domesticated dog
can't wow us with a howl... is that whining or whimper?
and i know i don't have a novel in me,
      tragic (said keith lemon style)...
                    because i never wanted a zoo,
or wanted to cage anything or see cages...
and then become scholastically holistic -
                      it was never going to be a chance to see
"the whole picture"... at best all you're going
to get is interruptions in my life...
        which is hardly what you'd call the disappearance
of Tiger Woods after rumours circulated that
he owned a harem...
                               and i really do believe that
hinduism got one thing wrong... Shiva is a girl's name.
        shaven... never stirred... sounds just about
right as if were indeed a mexican ****** drinking a mojito.
yes, we can have a mini lecture:
i abuse language, i enslave it, language the over way
round can have a bunch of protestors with
placards walking down the street and chanting slogans
that never make it into advertisement...
     speak ill of the Pharisees: get crucified...
speak ill of the plebs? they disperse - ha ha... i should
know... i could be considered a pleb anomaly...
        broad shouldered and strong enough to move
a tonne of bricks (once)...
             so anyway... i picked up this jack spicer
book i have (that ****** Lorca fetishist!
he'd **** his **** any chance he might have)
   and this weird thing came about...
i lost track of what song i would play to
murmur out the clicking sound of the keyboard
(forget it, typewriters were rapists compared
to computer keyboards) -
             it's from the poem phonemics -
and by god... i'd be gutted to have derived the same
conclusion... and i did...
    yhwh is a phonetic study...
esp. given the anti-diacritical approach of anglican
pragmatism... it's not exactly what people
expect you to believe: circumcision and kippah
and niqab... that's for people who own
about... well a single book or as Erasmus could
have said: in alles reiche... including spanish
dutchland...                        it's not even
mean-spirited that i say it: i said once:
i don't want fans... i want snobs.
                                 any respectable man with
a following of siusiumajtki (a queer way
of saying the verb of ***** and majtki?
                          )maýtki? ý, yep, rarely done(
just means underwear... what the pop stars
get when they ****** standing up)...
                   i really feel like i should write
the second to last part of the poem...
   it's itching me to do so...
             i just don't understand why i see it differently
to how jack sees it... i treated it as the case
of two Adams... aleph and ayin being
the protruding vowels...
                i didn't treat aleph as a consonant...
  maybe i made a mistake in doing so... but akin
to the Greek principle and the rule of prefix and suffix
you cut apart omicron and get o- out and attach
it to ν (nu) - of course once you cut up ν and extracted
n and forgot about the cascade that leads you up
to upsilon - to get the word νo out from the pick 'n' mix.
unless i'm speaking dutch, then i think that
makes sense.
              why wouldn't aleph and ayin be vowels?
           Semitic languages aren't going away...
as is neither the semitic religions... forget it...
it's too complicated, adding to the fact that i'm
bewildered about treating vowels as women and
women veiled and women in hiding and consonants
as men... in the same way that the Latins hide
their children in English... children? diacritical marks...
where the **** are they?
      you get them scooped up by consumerism,
only about 10% climbed a tree...
          the rest are churned into premature adulthood,
and you wonder, with all these advertising
campaigns why most of them develop mature
negations of ease, in ref. to premature depression...
  you wonder... where are the children? swallowed up
by another set of pop idols?
          did they ever play with marbles,
or hide & seek, ever played games with girls
and toys and tic-tac-toe?
ever skipped a rope?
                         it's fading because it's being exploited...
so you end up with a song that prescribed this
poem, folk implosion - make it with the best...
from the soundtrack to the film thirteen...
as it stands i need a refill, and i'll probably cite
the poem by jack, giving about half a second's worth
of care for copyright laws of a dead man...
   just so i can see if my logic serves me right
in saying that hebrew has to variations of a-,
as in aleph (א) and ayin (ע), as does greek
  with thought (θ) and philosophy (φ) -
but let me get back to you on that one.
Mateuš Conrad Jan 2017
**** darwinism...
i want my furr back!
i'm tired of being a bus
driver!
                 rotondo roulette
roundabout:
                 you
are but deaf in
making me be compassionate prone....
you are, of all i make a zulu of
a tongue to speak in,
neither Mc near close encounter with a Mac...
and not ye two nearer a reconpasse....
aye, tilting toward the might of the Picts,
learned tongue forbade the tongue to weave....
glassfar aeyer the glutton worth f bossom....
                   and into tha death bed healthily
cling to the roß: gørt!
                              you have no favours intact
bound to cleave to me...
you are arsenic bound... artefact of arson!
and no more be you clung!
                   forgive the one who was
bound the crux, and forgive no one else...
come to me bidding knee, and
         i'll show you where a hail mary
sends you: toward the Dantian drift,
and Milton's escapism worth a wish to have,
unto brother, done as Cain did, thrice toward Abel.
so led by Macbeth...
and unto no other, i wish to return,
having not prior been blessed...
  not until the seagulls of a king learned
to be king without a crown...
you will not weep for me, so why bother to give
etertainment to a grave?
             sooner a war, and sooner a marble statue...
than this...
  this pathetic gratification for a doubled concern
for the wordly bliss...
     there! rhyme St. Lancelot!
to your fate and... rhyme! rhyme! prance!
                            make one's due...
a baron of asking for la carte -
if that be the right case of seeking menu:
vampirism of the glut, that before
the tongue has tasted, the eye has ate!
eat! eat! may you eat enough,
to sing me an opera after! burp! long live
the inglorious cringe!
               so, rhyme St. Lancelot... prace and dance!
make one the ambiguity of pronouns! polo!
polo monsieur! dare the Pict, dressed in woad,
take to explaining tattoo?
   who the **** is ginger these days, monsieur?!
you are but a foul creature,
reigning from Edinburgh, not having read
Macbeth... toast to spitting into a champagne flute
as be your honour, and at least this:
      to where i find myself...
           in mist bound, and carcass sowing
a smile or signature bestowing...
             laid to rest, by the meadow's care for clue,
by witchy assemble, i have a tongue of a hyena
laughing at the epitaphs of the human desert
that's a marble etch... and i'll have you more!
   morose i am, bound to scoff the last of
the most concentrate words of worth whehter bound
to man, or beast!
   these times are not impeding a charity for a man
of my concern... they are are here as
counter to whatever served as balance...
  lo, last said, Macbeth,
             first with the nightingale and quake:
Macbeth... thus last with qualm and the highland
prone... to fall! to desist! then to a crow,
with croak and magpie salute.. Macbeth!
             i feel no romance for Hamlet...
       even though i should...
you are, but your own tamed lady, approaching your
first male couch victim... and that cheap eroticism
of a low-land scandinavian squire fir moor dukes...
  that thing: danish bound...
                     before i type out the dialect of picts...
i better type out the dialects of my own kind...
                                  but since i have no beginning,
i have only the immediate... and the end is a tad bit...
     unnecessary.
now that can only mean one thing:
i should have really have invested in adjoining with a woman...
why didn't i?
     was it because the civilisation i was living
in was not worth saving?
       why didn't i make matrimony with a woman?
ah feckle see and seer's boo tock!
                     tick-ah-lick-ah-lick-ah-true... saves saying: me
or you... ye 'ear?! rot's worth in Dundee, ya
clotting dodger... e don, it's called a Beethoven
sequence... one side wanted a joke anf ah friendly verse,
the other side wanted a statue of liberty...
                none of us seemed to walk
under the cottonwood trees of some imaginary
street akin to avenue des champs-élysées.
    i don't know, i'm no jew making money
from the holocaust. no wait, they're not?!
    god forbid it could happen!  why did i add that?
i felt ashamed not creating a collage
  of tabloid and worded mâché
to the trough akin...
well... the other reason i wrote that with such gravitas
is because my family was involved in
the second world war, and didn't
receive any deutsche marks, in compensation
money... it would be fun if they did...
but they didn't... so where's the ha ha?
    zu tun Spielberg? or is that
Spitzerbergen? don't look at me, i'm not
making money from it!
   i wish my great-grandmother made a bestseller novel
from her world war ii experiences...
              but she didn't...
i just get reminded about the jews
    the jews, the jews...
and am never told about the stupidity of warsaw, 1944.
oh wait, i was, and i still didn't make any
money from it!
Mateuš Conrad Feb 2019
with the most askance inspection
of the most
atomißed of man...

because what does... "fame" look
like in a small town?
i go the shop, the cashier "knows"
me... or at least i have
in possession...
a recognißable face
that can have immediate
impact,
   for whatever the worth
of recognition is worth,
                                   these days...

the nooks & crannies
of cliché tactics...
                  two girls lost in the night,
a stumbling wanderer
picking one of them up
after heaving himself
over
a public park fence...
exposed *****...
14...
         a black cat being cuddled
15 minutes later...
psychotic behavior...
finding the other girl
lying dead-pan face flat
at a bus-stop...
              a phonecall
to one of the girl's father
driving a black cab...
the guys getting home safely,
an IM from one of
the girl's mother: thank you...
the end...

was it necessary of me
write this?
                 don't know...
anything is worth bashing
a blank stare of a page,
intimidating me
to give me prompt...

i can cleave a slice off the meaty
dictum when it comes
to a small town dynamic
compared to biggie big-town
bad boy city...

fame...
          funny...
            i like claustrophobic
"fame"... imbued to a small town
interaction...
   oh sure... there is anonymity
involved...
  but the stage? recurrent...
the audience? non-existent.
the actors?
           blatantly bland
and repeateded beyond
the concerns of: the obvious...
  a granny doing shopping...
goes to the local store...
shops, talks to the cashiers...
returns to her home...
pretends to sleep,
switching on the television,
like...
  counting t.v. personnas...
shadow or shadows...
never mind the fact that she's
wide-awake...
         and there's "fame"...
the **** does fame juice-up-to-forget
about dynamic worth of:
the furthered conversation?
   small town...
yeah... you're famous...
when the supermarket cashiers
"know" your face...
or at least "being" recognißed...
   to have to starve for being
recognißed within the confines
of an anonymous crowd...
              like: being eaten alive
by zombies wishing for hyenas...
sordid crap...
  nothing Dickensian about it...
routine...
                            crisp cut off from
a missing paragraph...
that never was, that never will
be...
                    
modern, fame,
and that hybrid of the c.c.t.v.
mentality...
precursor, status worth,
the pre-aligned
sending of a postcard...
or a letter...
                 like...
'i almost tried to forget minding
my own double' (shadow)...
not that i would ever...
such the nature
of the big big, world...
and such the fate
of the little little, moi...

        big POP and
the little rock...
          one thing to **** against
the wind, one thing alotegether
to **** into a hurricane...
                 glaring
scoops of disgruntled shattering
to attempt to mend...

         fame...
                        famine in the mouths
of others...
   enoughs pigeons reading
to settle on a scoop of dead-beat
and we, have ourselves,
a democratic event!

           just when... god was never
an imaginary "friend",
or some leftover trait
of infantile leftovers...
         before that?
that parasite, is dislodged from
my mind,
excluded from giving me
some, if any, ontological focus...
i want St. Peter's to be toppled
to rubble...
      until then?
  then... who the **** is infantile
and who has me thinking
of a caged canary, to genesis with?!

big city: seeking fame...
little city: fame as the artefact
of familiarity...
some would call: metaphor:
claustrophobia...

            fame is not something
you will find,
beside... the clarity of
what big city provisions
you with...
an anonymous crowd...
no... little town?
fame?
        more like infamy...
oh for sure...
no kafkaesque novel
accomplice to support you...
either.

      nightmare:
anything, anywhere...
as long as it is bland...
    akin to... a supposedly
forgot, addition of,
necessary seasoning,
toying with the basics...
just... as simple as...
salt, pepper, bay leaf...
a whole all spice bud...

should i be seeking fame...
shoot me...
         any if all of...
only the past two years
has the journalist become
the status symbol of
a politician...
       equally not worth
being allowed a democratic
outlet
to begin with...

the day when
the word journalist = politician...
some people might
even suspect me of
amnesia...
  i wish it was amnesia...

             priest? long gone...
but of course
there's the propping
of the theatre...
           to ensure no truth
is left to be investigated...
as long as the murals
      the click-bait...
the mosaic sticks?
  
         as long as
a social contract...
a cordiality is solidified?
                   well!
what is there to complain about?
apart from a few
charlatans?!
   little town
come big city dynamic...
   2 centuries apart,
living, qua: in the same one...
paradox...
          
ever fold and unfold
an umbrella
quickly enough
to imitate the sound
of a crow
fluttering
its wings?
   you know: brrrr...
attempting to shake
off excess water from
the flight tools?
      
i couldn't handle being
boxed into a stereotype...
as i am...
still flirting with
         baron: anonymous;
once born
to be settled into
a grave...
             having to watch
some people agitate
the dead
        with their mea culpas
of... by the grave
a hubris...

           a recant...
the lighted candle...
the memory preserved...

or?
     hell... with the ******
on the conveyor belt...
NEXT!

       in these times...
even ghosts forgot to haunt...
all the schizophrenics are
like: no...
         beyond this world
beings talking to me?
so much... self-assurance...
everyone is taken
to silently gloat
about their telepathic
abilities?

      as old as the Cartesian
trinity... what? telepathy...
res extensa...
     extended thing...
   that's called telepathy...

me?
    i'm still trying to find the sort
of language that would
preserve me,
in continuing to burrow
something, resembling...
part-cipher
   and part-decipher (non-verb)...
all in all...
gesticulating between
overt metaphor,
and conscious of & when
a misnomer was
applied to bypass into
a waterfall, -esque,
                 fluidity of expression.

- this **** is not billboard
material...
what does it matter...
should it matter...
or will it ever matter...
          the grand choir composition:
NEIN...
                  its prime identity
of purpose...
    to never make it as text
worthy of a script
accompanied by canned laughter.
Mateuš Conrad Oct 2015
i’m not here to pay my taxes
blah!
octopi strings attached into thinking
i’d down a bottle of *** without the hawaiian angels!
to hell with you!!!
she’s
the last cause i have of me,
but it’s
the one that makes billions accounted for
in history, dead numbering 70,000
by only one historian's care for facts, that's
when history is dyslexic with numbers instead of words,
it says: solomon's appetite, the reverse onomatopoeia
recorded of hum? mmmmmmmmmmmmmmm... *******
waves of virginia ah wooooooo!

*um um dumb d’uh 9 oh 6, 5 ah ah index pinky 1 2 3... ******* retards... throw that alsatian off the red brick wall to learn a few mannerisms of broken feet! i’ve had enough! pickle those foetuses in brine for emperor peter the great to intercede! i’ve had enough of the philistine peasants! i’m going coo coo in the artefact of the rolling composers loosing it in the muzak spectacle of the st. petersburg fountain; give me davy jones’ eternity on loop without insect ***** or interactant activity of the interpreted state of affairs, for the dictator to civilise his “insects” and reel in a misery that could never be a puppeteer’s excess shadow of string with the shadows wholly formed into balance of a hand picking up a stone excusing any excess of cobweb to interfere.
n White Jun 2015
placement
position the artefact
location, love and broken back
tear open
sanitise the heart attack
this was where we used to build
this is where the blood was spilled

arraignment
(all) time and space
now lost to black
spoken
sanitise the heart attack
this was where i lost my pills
this is where i almost killed
Forcing passers by

Curious for peep stand,

Swelling a throng

By every square

Or a roadside

Using his right leg

A nimble right hand

With the other holding

The artefact items hard

A hand-less man

Makes attractive tables

and stools

Hammering nails

and cutting woods

The way the task demand,

A task many normal people

imagine  to handle hard.


Those who appreciate

his talent

Throws coins—

A tip for his pocket,

While some buy

The artefact items

He puts up for market.


Aside from eking out

a leaving

He hits home

The psychological dome

“Disability is not inability!”


In a similar case

An art mentor

And an apprentice

Draw many a

wonderful picture

With his mouth

the latter

In a manner

Attention that capture

Hitting home “Some qualities

If deprived by mother nature

Other qualities man could nurture!”
Based on a true story, www.addisinsight.com/.../sintayehu-tishale-man-redefines-disability-carpenter-ability/
Mateuš Conrad Jan 2018
if it ever wasn't despicable, poetry with conversational overtones, and yet all the more dear, than that rigid suit, matching socks, clean underware and even a popish demure... of yet another seance in the dead tongue classroom of: rules, rhymes and calibrated perversities worthy of a pedantic despot. if ever a chance to beautify language from the mud-stained dross of daily services, a thousandth 'thank you' from that mosquito-sting itch of the proverbial, formal toot-p-toot: citizens in cohort stringing pirouettes of lardy ballerinas.*

thus in ars díēs (the art of days),
   how not fill the mind with
darting footsteps when standing
immersed in scorthed & crackling
clay of pater tempus?
  a day-to-day epic?
  no affairs with a trojan war
to claim for one's own repertoire,
or thereby the warring eyes
  with magnolian scythe swoons
or that sabotage of mortal frame
whether a penitent man,
  or a patient man,
  the old woman still feigns
that a clock is the heart of a home:
to me its an annoying insistence
to imagine a phlegmatic
take on a carousel:
  + or -, depending on whether
you can fathom the near impossibility
of yawning when nearing
      lull and gaping nox.

but still no 30 years, no show
of cunning, courage or loneliness,
no adventurous scoops or a bargain
of lies, as notably a seemingly routine
banality from the annals of what
others scatter on menus of:
scollops, sand, frolicking,
  alternatively: holiday reading
  in unbearable frying dunes,
   while watching blinding diamond
pinches on the azure -
but to phrase it better,
even with that, twelve dwarfs
an arching temptation for
necromancy, a gypsy love for
ragabond set scenes,
  and all those desires man delves
into from behind a respectable
ordination toward an inconsequential
defeat, with no kiss nor
  tease nor joke aside from
teasing death - thus in patriarchal shroud,
with a mere laurel wreath and
a respectable salvo,
  there's still the endearing compulsion
to riddle and be riddle with
the banalities as if a giggling sparrow,
light-headed commands...

...the chance of phrase,
    the lottery of words,
    against beyond all horror of
imagining orc or jinn or shatter jaw
of wolves...
    
- not all thus said could ever strip
  the horror everyday,
  in pairs and in tiers,
     past the naked inferno
         and yucky gingerbread kneading
of body against body,
   escapism in bypassing courting,
friendship, toward the casual
  burning of bridges and dissociation
from artefact to artefact,
  from the shackles of
   both formality and informality,
a chance to confiscate a brief
   irreversible- opening,
      as said: the world is your oyster,
make sure you only keep it briefly.

alternatively even the monologue,
or one's idealism folds quacking,
  if it ever wasn't worth admiring
  a creaking floorboard or a chair,
as if to say that: worn shoes
                 and a cushioned lair,
  encouraging the slang throng give
up its slavish inclusiveness mantra:
  dictum vogue.

-

in that no-man's land
    or rather: upon the misnomer
savannah -
            a lion claims sight
  of a juicy blank,
  that instrumental pivot of
eye with no tongue narrative -
pristine sheen of two icebergs,
of what is two-thirds acid
   serpentine guts and vigor,
while only a third Pavlov,
pounce and squirming bellydancers
  of the lashes...

   again, on the misnomer savannah,
an image or a metaphor when
I compare the fresh effort
  and the breathing canvas meat,
and these as incision and tear marks?

am I not to say that:
   a. true virtue is not afraid of critique
      (supported by reason)
    with an exempli gratia,
         b. critics do not pass
              citation a., which is to say
   c. critics are like hyenas in
   comparison,
  the once breathing meat,
its gushing burgundy
    croaking bones, mussle sinew
  and the remaining assortment of
pâté crevices emptied,
  akin thus, with the satiated bulk
of a lion's share deserved,
  scavenging the carcass,
  less a feeding while more a looting,
are critics truly the thinkers
for the people who would
rather others think for them?
        
  perhaps poor wording forced
that sort of question,
    yet it still remains, stalled
and waiting,
             by the time i've made my final
  incision, the once pristine alba
      will become a carcass catatomb
  filled with hyenas' smirks and snobbery,
  of those lesser kind journalists -

...by the time I mawl my final gnash,
   there will never be a case
  for a critic's in situ case, comparable
     to an "uncomfortable matress",
prima dona in heaven's name theatrics!
yes, the pervasive argument,
counter: contra carcass.

— The End —