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Zeeb Jul 2015
Hotrod
Verse I

Wrenches clanging, knuckles banging
A drop of blood the young man spilt
A new part here, and old part… there
A hotrod had been built!
A patchwork, mechanical, quilt

Feeling good.  Head under a raised hood, hands occupied, the job nearing completion.  Sometimes the good feelings would dissipate though, as quickly as they came, as he cursed himself for stripping a bolt, or cursed someone else for selling him the wrong part, or the engineer whose design goals obviously did not consider “remove and replace”.
He cursed the “gorilla” that never heard of a torque-wrench, the glowing particle of **** that popped on to the top of his head as he welded, the metal chip he flushed from his eye, and even himself for the burn he received by impatiently touching something too soon after grinding. 
 He, and his type, cursed a lot, but mostly to their selves as they battled-on with things oily, hot, bolted, welded, and rusty – in cramped spaces. One day it was choice words for an “easy-out” that broke off next to a broken drill bit that had broken off in a broken bolt, that was being drilled for an easy-out. 
  Despite the swearing, the good and special feelings would always return, generally of a magnitude that exceeded the physical pain and mental frustration of the day, by a large margin.  
Certifiably obsessive, the young man continued to toil dutifully, soulfully, occasionally gleefully, sometimes even expertly, in his most loved and familiar place, his sanctuary, laboratory… the family garage.

And tomorrow would be the day.
With hard learned, hard earned expertise and confidence - in this special small place, a supremely happy and excited young man commanded his creation to life.

Threw a toggle, pressed a switch
Woke up the neighbors with that *******

The heart of his machine was a stroked Chevy engine that everyone had just grown sick hearing about.  Even the local machine shop to which the boy nervously entrusted his most prized possession had had enough.  “Sir, I don’t want to seem disrespectful, but from what I’ve read in Hot Rod Magazine, you might be suggesting a clearance too tight for forged pistons…” then it would be something else the next day.  
One must always speak politely to the machinist, and even though he always had, the usual allotment of contradictions and arguments afforded to each customer had long run out – and although the shop owner took a special liking to the boy because, as he liked to say, “he reminds me of me”, well, that man was done too.  But in the end, the mill was dead-on.  Of course from the start, the shop knew it would be; that’s almost always the case; it’s how they stay in business - simply doing good work.  Bad shops fall out quickly, but this place had the look of times gone by.  Good times. 
 Old porcelain signs, here and there were to be found, all original to the shop and revered by the older workers in honored nostalgia.  The younger workers get it too; they can tell from the co-workers they respect and learn from, there is something special about this past.  One sign advertises Carter Carburetors and the artwork depicts “three deuces”, model 97’s, sitting proudly atop a flathead engine, all speeding along in a red, open roadster.  Its occupants, a blond haired boy with slight freckles (driver), and a brunette girl passenger, bright white blouse, full and buttoned low. They are in the wind-blown cool, their excited expressions proclaim… "we have escaped and are free!" (and all you need is a Carter, or three).  How uniquely American.

The seasoned old engine block the boy entrusted to the shop cost him $120-even from the boneyard.  Not a bad deal for a good high-nickel content block that had never had its first 0.030”overbore.  In the shop, it was cleaned, checked for cracks by "magnafluxing", measured and re-measured, inspected and re-inspected.  It was shaped and cut in a special way that would allow the stroker crankshaft, that was to be the special part of this build, to have all the clearance it would need.  The engine block was fitted with temporary stress plates that mimic the presence of cylinder heads,  then the cylinders were bored to “first oversize”,  providing fresh metal for new piston rings to work against.  New bearings were installed everywhere bearings are required.  Parts were smoothed here and there.  Some surfaces were roughened just so, to allow new parts to “work-into each other” when things are finally brought together.  All of this was done with a level of precision and attention far, far greater than the old “4- bolt” had ever received at the factory on its way to a life of labor in the ¾ ton work van from which it came, and for which it had served so dutifully.  They called this painstaking dedication to precision measurement and fit, to hitting all specifications on the mark, “blueprinting”, and it would continue throughout the entire build of this engine.  The boy remained worried, but the shop had done it a million times.

After machining, the block was filled with new and strong parts that cost the young man everything he had.   Parts selected with the greatest of effort, decision, and debate.   You can compromise on paint and live with some rust,  he would say, wait for good tires, but never scrimp on the engine.  Right on.  Someone taught the boy right, regardless of whether or not he fully understood the importance of the words he parroted.  His accurate proclamation  also provided ample excuse for the rough, unfinished, underfunded look of the rest of his machine.  But it was just a look, his car was, in fact, “right”.   And its power plant?  Well the machine shop had talked their customer into letting them do the final engine assembly - even cut their price to do it.  To make that go down easy, they asked to have two of their shop decals affixed to the rod on race-days.  The young man thought that was a fair deal, but the shop was really just looking out for the boy, with their herring of sorts.  
The mill in its final form was the proper balance of performance and durability; and with its camshaft so carefully selected, the engine's “personality” was perfectly matched to the work at hand.   It would produce adequate torque in the low RPM range to get whole rig moving quickly, yet deliver enough horsepower near and at red-line to pile on the MPH, fast.  No longer a polite-natured workhorse, this engine, this engine is impatient now.  High compression, a rapid, choppy idle - it seems to be biting at the bit to be released.  On command, it gulps its mixture and screams angrily, and often those standing around have a reflexive jump - the louder, the better - the more angry, the better.  If it hurts your ears, that’s a good feeling.  If its bark startles, that’s a good startle.  A cacophony?  No, the “music” of controlled explosions, capable of thrusting everything and everyone attached, forward, impolitely, on a rapid run to the freedom so well depicted in the ad.  

This is the addictive sound and feel that has appealed to a certain type of person since engines replaced horses, and why?  A surrogate voice for those who are otherwise quiet?  A visceral celebration of accomplishment?    Who cares.  Shift once, then again - speed quickly makes its appearance.  It appears as a loud, rushing wind and a visually striking, unnatural view of the surrounding scenery.  At some point, in the sane, it triggers a natural response - better slow down.    

He uncorked the headers, bought gasoline, dropped her in gear, tore off to the scene
Camaros and Mustangs, an old ‘55
Obediently lined-up, to get skinned alive!

Verse II (1st person)

I drove past the banner that said “Welcome race fans” took a new route, behind the grandstands
And through my chipped window, I thought I could see
Some of the racers were laughing at me

I guess rust and primer are not to their taste
But I put my bucks mister in the right place

I chugged/popped past cars that dealers had sold
Swung into a spot, next to something old

Emerging with interest from under his hood
My neighbor said two words, he said, “sounds good”

The Nova I parked next to was “classic rodding” in its outward appearance.  The much overused “primer paint job”.  The hood and front fenders a fiberglass clamshell, pinned affair.  Dice hanging from the mirror paid homage to days its driver never knew, but wished he had.  He removed them before he drove, always.

If you know how to peel the onion, secrets are revealed.  Wilwood brake calipers can be a dead giveaway. Someone needs serious stopping power - maybe.  Generally, owners who have sprung the bucks for this type gear let the calipers show off in bright red, to make a statement, and sometimes, these days, it’s just a fashion statement.  Expensive calipers, as eye candy, seem to be all the rage.  What is true, however, is very few guys spend big money on brakes only to render them inglorious and seemingly common with a shot of silver paint from a rattle can - and the owner of this half fiberglass racer that poses as a street car had done just that.  I'll glean two things from this observation. One, he needs those heavy brakes because he’s fast, and two, hiding them fits his style.  
Really, the message to be found in the silver paint, so cleverly applied to make your eyes simply slide across on their way to more interesting things, was “sleeper”.   And sleeper really means, he’s one of those guys with a score to settle - with everyone perhaps.   The list of “real parts” grew, if you knew where to look.  Looking was something I had unofficial permission to do since my rod was undergoing a similar scrutiny.  
“Stroked?”, I asked.  That’s something you can’t see from the outside. “ No”, my racer friend replied.  
“Hundred shot?”  (If engines have their language, so do the people who love them).   Despite the owner’s great efforts to conceal braided fuel and nitrous lines, electrical solenoids and switches, I spied his system.  The chunks of aluminum posing as ordinary spacers under his two Holly's were anything but.   “No”, was his one-word reply to my 100- shot question.  I tried again; “Your nitrous system is cleanly installed, how much are you spraying?”  “Two hundred fifty” in two stages, he said.  That’s more like it, I thought, and I then figured, he too had budgeted well for the machine shop – if not, he was gambling in a game that if lost, would soon fly parts in all directions.   Based on the overall neat work on display, I believed his build was up to the punishment planned. 
  I knew exactly what this tight-lipped guy was about, seeing someone very familiar in him as it were, and that made the “sounds good” complement I received upon my arrival all the more valuable.  I liked my neighbor.  And I liked the fact of our scratch-built rods having found each other - and I looked forward to us both dusting off the factory jobs.  It was going to be a good day.

The voice on the loudspeaker tells us we’re up.

Pre-staged, staged, then given the green
The line becomes blurred between man and machine

Bones become linkage
Muscle, spring
Fear, excitement

Time distorts ….
Color disappears …
Vision narrows…
Noise ---  becomes music
Speed, satisfaction

End
Andrew Rueter Nov 2017
Society moves like a bullet
And there's no way to cool it
We're not big fans of reflection
So we become slaves to deflection
Bouncing off of hard surfaces
Like limiting gun purchases
Constriction isn't part of or vocabulary
Proliferation is all we know
Watching weapon supplies grow

I live in a country
Riddled by bullets
Bullets that blast through our ****** body
Though the holes in our mind are bigger
When we can **** those we think are naughty
We become judges when we pull the trigger
But the media makes mountains out of molehills
And it is for those exaggerated reasons we ****

We are stuck in a bullet storm
When TV advertises bullet ****
This helps make bullets the norm
So we treat mass shootings with a familiarity
Because we can't acknowledge the only similarity
Is obviously the gun
We're blinded by the sun
Of defense contractors
They're negative reactors
When we purpose a change
The conversation they rearrange
By firing in every possible direction
This is the aforementioned deflection
And it works
You can tell because people are dying
Or standing in the street crying
Or watching the news sighing

Bullet time has wooed us
Bullet crimes have moved us
There are people who gain wealth
From our diminishing health
They hold society on their rope
And the only way we can cope
Is to ****** that rope from their greedy grasp and pull it
But that's hard to do while being punctured by bullets
Family is that  familiar word for the go-getters, the thoroughbreds of the families, those nearest and dearest applaud the strong to thrive, and yet a painful  forgotten word, for the lost generation,  ignored and despised,special and different, terminally unique, were only as strong as our weakest link lost black sheep and shepherds sanity on the brink of exposing the lies, waiting for the train that will never come to the station;
In time...

Forget
About
ME
I
LOVE
You

Screaming "Do I even exist? ******* LOVE ME!"As he tightens his headlock, begging to be loved, from a desperate rage of rejection.

"But why won't you love me the way that you don't? I'm a lovable hopeless drunk loser ,who hasn't washed in months, I'll be the prodigal son  if you want ,coming home and we can sit at the table for lunch ...wishful thinking! If only! you could love me unconditionally ,and not just on a hunch!
If  you want me, Just a touch of acknowledgement will do! I'll give you my soul on my sleeve, just some crumbs from your lofty plinth, to my slum will suffice!
I'm so ******* lost in the dark of the night, I forgot I was looking for love  and soulmates at first sight!"

Screaming to be acknowledged from the four corners of the globe since time began, everybody knows there's a pink elephant in the room being ignored, like the emperors new clothes.  Couples desperate to procreate, using frozen embryos. Those still remembered ,who died ages ago,
Forget me not , everyone wants to be known,Everyone misses someone, and children yearn to be grown. Don't forget all those lost childhoods, Once my heart was my home, a long long; long time ago!The machine advertises  the have's and the have not's ...all those special qualities, some of us just don't got.... were what's  lacking in our family units cost... and immediate vicinities. Thank God for the internet, hounding us  to forget our inherent need to be loved and belong, feeding us with toxic seeds of disconnected, anti-life and discombobulated lifelong wrongs, from  a plethora of sources transmitting The current Perfect archetypal family systems ,propagated  through the myriad of deadman tv shows, and films ,promoting an unblemished, should be family values and traditions, most of us know we will never live to experience. Force feeding us with a yearning of an unachievable contentment in our innocence , hoping in our wildest dreams ,we try to ignore the facts displayed in the constant narrative dictated through the mean instrument of mental emotional and spiritual propaganda...**** your tv licenceS! and smash the ******* thing into public artistic scenes!, smash them into smithereens!don't be ambivalent! No one wants to sit down on the fence as a family and watch on the screen the colour purple riddled with ****** and seriously toxic themes for participants.

Forgotten and ignored are the origins of the word family... famula-serving woman or famulante-servant or even familiarcus -house hold slave...So it should come as no surprise that the human race has been plagued and fractured with slavery throughout our brief brutal AGE.From a creative perspective I can understand the widespread epidemic curse in the hearts and minds of manhate and mankind,of the feeling that we do not belong to our very own families our communities and the societies structured to evoke the black sheep syndrome .It is this lack of feeling apart of, and that we do not exist , that has inspired an overwhelming need for us to persist and create our own families,tribes,gangs,communities, groups and fellowships. From the tower of babel, its as if  we have  been programmed to automatically divided, segregate and become as alien as possible to each other sides.Separating cultures with borders and religion,class and access all areas for members only. Blood is running through my body just like yours, and I done a big massive **** this morning! Do you identify? Nothing like a good ****!
This has become one of the defining factors of the human experience our evolutionary process and diversity.Not our **** similarities! Yet it is these differences that have caused over a billion to be killed! Thats a lot of hate and anger,pain and suffering ...And I'm adding up everyone whos ever been killed because of there differences...Just imagine?..Its probably a lot more! why can't we just get along? and stop all the wars? Everybody wants to be right, Everybody yearns to be wanted ,needed and loved,to feel they exist and that they belong.But with a record number of divorces,broken families and runaways in a culture spiraling further and further away from the original family structures intention, where do we go from here?What is our inheritance? Why do we always fight over money? Why not just care to dare to share?

I find in this day and age, we the broken human family, searching for all these possibilities of experiencing the human experience in the wrong social utilities . Such as gang warfare,militia, online gaming and the plethora of virtual communities available from facebook and myspace to mental health and suicide forums, social toxic rearing, which mimic a sense of divergence,preference, belonging and being apart of something other than feeling so alone! Which in reality we are!  Deepening our deepest wounds the one thing that we yearn for more than anything on the face of the earth is to feel connected,wanted ,needed and loved, everything a family is supposed to provide, not ruin and despise.

The most horrific emotions, I have ever felt was the rejection and abandonment by my mother, when I was just a special wild child, the terror and dread of not being wanted was horrific, and created a deeply destructive state which infected my core, and has grown into a great toxic spiritual tumor 30 years later. I fear I will never get over it! With my head in the sand, so many relevant individual grains just swept under the carpet like a hidden beach, and so I search for the love I was denied in a thousand ways and a million times I seek. From hunting for my mothers love in another woman or a man. I can't even begin to explain the pain my father inflicted upon me. lest I curl into a ball and die right now! Its as if he hated me more than words ,and yet I loved him so much. Left me seeking comfort in despair in the pit in the belly of the beast, through alcoholism and addiction of every kind! none of these methods was sufficient in filling the void inside,The hole in my soul can't breathe,for all to see, especially me ,can't hide but only these things expanded it , creating a deeper hunger and leaving me more broken and empty. My desperation to remain part of the family was displayed in my familiar slave like demeanour(desperate to please my mother) by cleaning the whole house  from top to bottom with a toothbrush. I would lose myself in the neverending chores, it was never a bore, as long as mother didn't let me go, but it was never enough, and it seems as if I was doomed to be a cast out! on my own, exposed to the harsh reality of being alone my worst nightmare coming true... me dying from loneliness! They say its true! and I can understand now how that could be possible ....

There are so many different types of families, and ways for us to feel as if we are connected to a greater community, to feel as if we fit in. But often children grow without a father figure to balance ,protect and nurture them ,lead them! But what if there father is a drunken ,violent,gambling ,deranged bully? what then? Surely they would be better off without such a toxic head of the family, infecting his sons and daughters with the sins of the father. Who of us is cursed with being the blacksheep of the family ? having to toil for the rest of our days in the vastness of our existence, primarily alone ,we search in vain for surrogate mothers and sisters and fathers and brothers. But we find them not, because substitution will never suffice in order for us to truly count and heal within and feel alive ! We must heal this broken bridge that has crippled us to the core in our very short miserable lives.

Its up to us to give love where we have been denied. Invite the broken souls inside, shelter them from the  bitter cold, Just to see another friendly face can mean so much! why is life so tough?, leave us like Lazarus risen from the grave,or Adam and Eve and able and cain to the prodigal son, we have always suffered when we were on our own and alone, I know you prefer your own company, but we were born to surpass ourselves and continue to co-exist beyond our own morality...Ub3
L E Dow Jul 2010
Just like any other town, except the middle school is in an old strip mall, selling free education. The bank advertises a “Kalachi Festival” and nothing else, not low interest loans or free checking. The streets are lonely, but then again, it’s Sunday morning and most are at church. Where I’m headed, riding passenger, just for you. I hate riding passenger, but I’ll let you wear the pants today, I’ll stick to my fifties inspired floral skirt and clichéd pink teddy bear sweater. We arrive. Nine-thirty on the dot. Right on time, you say “I told you we wouldn’t be late.” I roll my eyes and breathe deep as I open your car door. We walk across the gravel lot to a low lying building. Church. No loud music or free coffee to hide behind. No large crowds or jumbo screens. Just people. We go into a classroom. Read from the bible. Meet people whose names I promptly forget. But that’s okay, they forget me too.
We finish on the gospel of John. And take a bathroom break, I take a while, not willing to endure the awkwardness that is sure to occur if I exit before you do. I stare at my reflection and regret my eyeliner. I’m glad I wore flats, not heels, and feel a bit overdressed to be honest. I exit, after using hand sanitizer as hand soap, realizing, then proceeding to wash my hands again. You’re talking to an elderly woman, she’s small, fragile. I hug her awkwardly, I’m terrible at meeting people. Another deep breath. Your father comes into view. What if he hates me? What if you realize you’ve made mistake? What if I accidentally say ****? ****. ****. ****. Deep breath out. Shake hands, smile and greet awkwardly, yet again. Meet Pearl and Ruby. The Two Jewels of the church. Meet Leonard. Joke with leonard, Think of my grandfather and how I should call him. Mentally punch myself in the arm. Greet your mom, get told I’m pretty, laugh, not knowing what to do.
I sit next to Alanna and the *** Smoking boyfriend, Scott. Sing. Pray. You do announcements. Everyone takes communion, Myself included. You pray, with such conviction and belief I’m confused. I put on the pious face for the congregation. Look innocent. Observe. Sing again. No instruments, only robust voices, all together. Your hand is in mine for the sermon. Finding it hard to concentrate, I notice the approximate age and décor of the church. Probably mid-late seventies. The Mauve carpet reminds me of my mother. She loved mauve in the 90’s, when it was popular. Exposed beams make it feel more like a chapel. They remind me of my church at home. There’s a choir section, making me realize it could have been another church at some point, you don’t have choirs. The sermon’s finished. Your hand has left red marks on mine, small ovals that you fuss over. We make our way out of the church. The last to leave. Following your parents home.
You lived in the country. In a wooden house that reminds me of my first house in Perry. Covered in dark wood. Your kitchen reminds me of my mother, covered in sunflowers, her favorite. You give me a quick tour.  The art that covers the walls of your home is yours and your siblings. I’m amazed. We clomp down the stairs; “they’re extra steep” you warn. Your mother’s preparing lunch. I contemplate offering to help, but don’t want to look like an *** if she says yes and I mess something up.
We retire to the living room with your father. He asks about my family. My parents, an Engineer and a Marketing Director. He asks about their expectations for me. Asks me if I live in the country, No, I reply, I live on the golf course. His eyebrows raise further. ****. I should have left that out. He thinks I’m wealthy. I’m not, neither are my parents. Mercifully we get called in for lunch. Roast, salad, corn, cantaloupe, potatoes, I love home cooking. You peer pressure me into cheesecake. Your father suggests you take me to the pond. You think twice. Taking in my shoes and skirt. We go anyways. Kiss as soon as we’re out of sight. I wish we could just lie down beneath a tree and sleep. We walk back to the house. Collect groceries and money, Even me. We go to the car. Drive away. You’re tired. So am I, we fight a little on the way back, mostly joking. We fall into bed and sleep away the morning. Which you say went well, I’m still unsure.
Copyright 2010 by Lauren E. Dow
DeeDeeK Jun 2012
it's time to find my old friend
(my *******)
it doesn't care about making amends
(my *******)
no false hopes or promises
it does what it says (and advertises)
(my *******)
so back to the tried and true
(my *******)
in hopes I'll forget about you ...
... there's no guarantees
Mateuš Conrad Aug 2018
.alimony: basically? i don't like paying for something... that i can't keep; savvy?!

so "these" people,
have no problem in exploiting
your girls into becoming
their advert agents?!

the girl who advertises
free-lance style,
but doesn't get paid
for the advertisement,
per se?

no problem?
i have a problem...
  a real ******* problem!
so... you basically
reinvented the Marx / Engels
critique of child labor?!

so you have this advertisement
dynamic, with unware
children, pushing your products?
making the slightest mark
on the buck...
    
            you have children pushers...
you have children mmaking
the profit margins...
    yes?
             you, *******, ****-tards!
    so the children
you "employ", are doing the hard
stuff, to incubate your
bureaucratic employees?
and keep them in employment
positions of mediocre power?

you have to be,
******* kidding me!

   your type of people are beyond
fake news....
you're paedo-news...
some of us would care
to denote at: covert excuses...

   take ashley wicka...
a corporate pimped *****...
how old is she?
barely 15?
         looks like the advertising
community, really needed
first person advertisers...
   first person accounts....
esp. young people...
  because?
  the older generations,
"the gap": wasn't paying into
the gimmick...
    
i actually abhor what they
allowed themselves to do with
the young people...
   i'm sick, tired, and
almost feigning fatigue from
the list of excuses
that surmounts the excuse for
ethical practice...
   which is never was,
and never will be...

       i'm too lazy to give a ****...
give me a .gif contra
a **** movie extract....
          have your little siesta
of ******...
   have it, **** me...
saves me a gym deliberation...
not ending up a
gymnast...
          rather, a pivot for  bending
knee...
             i've learned **** the lazy, lax way...
when asked by a Bulgarian
*******,
if i wanted to girls for an hour,
i replied the Joker's reply...
comparing the differential
of, a world, divided
into men who ****** one girl,
and men who ****** two girls...

i'm like a dog chasing cars...
if i caught one?!
i wouldn't know what to do with one!
in this instance?
i wouldn't know what to do
with two!

           have your anti-****** boast-trip....
your ******* innuendo,
your ego / ******* sized over-trip...
****... let me stretch your *****
out for you...

           point being?
i don't have to own, what i ****,
or... don't ****...
but you do...
    your self-esteem is dependent
on a form of closure...
so?
     you **** it?! you own it!
hello! surrogate phantom pater!

where's your
elephantiasis
****-size glorification,
now?

        oh, right... sorry...
forgot...
now comes the alimony;

look at me, doing the Pontius Pilate
Houdini trick!
or showing you,
the disappearing, *******!
Gidgette Feb 2017
So the other day I put on my big, black hat and hobbled down town
(Yep, hobbled as I fell stupidly playing in the yard pretending as though I was a kid and tore a ligament)
I donned my black chucks and I was hot **** again for a while
I threw on that big fur coat my grams left me And a few of her gaudy jewels
Anyhow, I went down to "L" street and sat on that bench again
The one in that make shift "park" where they lined up a bunch of big rocks and called it good
I sat and looked at that giant lady painted on the side of that falling down brick building for more than a bit
"L" street, The bad part of town where you can get anything
Not named L street because it's L shaped, but because of a pill that apparently makes you Tripp
I guess you can or could get them there, the L pills I mean
So I sat there thinking and being mad
Staring at that giant, painted, brown woman
She advertises tobacco from 80 years ago and she's almost gone
Flaking and peeling,
Pieces of her lost to the wind, and to time itself
She smiles
And she's beautiful
And I hate her
But since I was 15, She draws me to her
That Tobacco Lady, with her smile, and red dress and feathered hair
She always smiles
When it rains, she smiles
When it snows, she smiles
Hell, when half the ******* town burned
That ***** smiled
I cry, she smiles....

That Tobacco Lady
Moriah Crevier Oct 2013
SHE
I am a walking contradiction. I am two souls in
one body. Twins that never split in the womb,
born with two souls, two separate streams of
thought. Two twisted hearts but only one body,
one face, one voice.

On the surface I am Moriah, everything on the
outside is simple. Moriah is the face who advertises
the product. The Marlboro Man of the tobacco industry.
SHE is the tobacco industry, the evil secret no one can see,
the alter ego.

My actions, reactions, my outer surface does not
correlate to the world in my head. My mind is a
complex, infinite universe all of its own functioning
within this universe we call home. On the inside SHE
is angry, powerful, strong, reckless, primal. SHE doesn't
give a flying ****.

On the outside I am sweet, powerless, weak, careful and
I care way too **** much. I am day, SHE is night.
I am a simple smile, a kind hello, the occasional laugh.

SHE is an evil grin, a cold *******, the frequent thriller.
I take the snide remarks, close my lips and sink away.
On the inside SHE is screaming, "*****!" and throwing
fists. I am quiet and meek. SHE is loud and in your face.

I am plain.
SHE is vibrant.

Vanilla.
Habenero.

When the sun slips away and the world is asleep that is
when SHE is alive, a creature of the night. SHE calls to
me begging and pleading, "Let me out. I want to play."
SHE teases me and taunts me But I hold her down, shackled,
imprisoned. Locked her up and threw away the key. I must
find that key, I have to let her free.

I am so tired of holding her in, tired of looking for
a part of me I have been vainly searching for in a
broken idea of love. Only SHE can find the pieces
of my past that I left for dead.

Drowning my regret in a vast ocean of medicated
anxiety. Floating through this life with an eerie fog
clouding our withered hearts.

Empty nights spent lying awake. My heart strings
strum a soulful song as my father's faded touch creeps into
my mind. His words cling tightly like a noose around my neck,
suffocating me. The sick, twisted words, "I own you." slither and
hiss into my core. Nights spent with wrists aching for a razor
to open them up and release the heartache I have buried,
spilling regret and unsung apologies out into the world
like wandering spirits.

Only SHE can heal those wounds, replace the pieces of
me that I can't seem to bring myself to face.
I love you
is only a darkened whisper
between two souls intertwined,
until one leaves.
In the end, it’s
Just a false alarm.

I’m pregnant
is the resounding silence of a
shattered relationship where
commitment was only a curfew.
Turns out to be
Just another false alarm.

I do
is the pristine moment when the world
dissolves around two hearts alone.
Yet, doubt was on the guest list.
Now what? It was
Just another false alarm.

It’s going to be okay
is the mantra of this generation where
hedonistic lives thrive under bridges,
in the bushes, on the tram, behind the door.
So really, it’s all
Just another false alarm.

I’m ready to die*
is the cry not of children, but of the aged,
whose tokens have been spent on the lottery
life advertises at bingo games.
Despite their withered wisdom, in the end, it’s
Just another false alarm.
edited 2/15/14
Lawrence Hall Mar 2018
A drive-in fast-foodery advertises
Its golly-gee new signature cheeseburger
But what in 'burgers does “signature” mean?
Who signs a cheeseburger, and how, and why?

Maybe…

The Artist Known as Nihil composes his
Signature cheeseburger, customized for you,
While waiting for his big break in Vegas
And then he’ll show all you little people

But for now he needs to sign your cheeseburger:
“To Customer 362,
                                   Best Wishes,
                                                            Nihi­l”
Dark n Beautiful Sep 2015
Stop meddling in other people's business
They dash their words against the walls
As if to advertises,  hatred of the human race.
The higher they climb,
the more you can see their disgusting parts

They comes off as useless quacksalver,
A waste of energy, a waste of space,
Words, words, mere words no matter from the heart
They form clichés, and spin the bottles
An idle mind is the devil’s playground
They smile in an annoying self-satisfied manner.
As if bitterness would bring them happiness
                
Who Am I?
This is about the Daily Advertisements

   PSA: Poetic Service Announcement - written 05/01/2017
                                              
   Please feel free to share with established and future
   authors on FB.
********************­***
.
One of the toughest decisions, an author has to make, is the selection of a reliable publisher. With more than six months of personal experience, I have painfully learned that PBP (Published By Parables, headed by John Jeffries) is NOT one of them. For decades, I’ve listened to ministers tell me that “Mediocrity is not a hallmark of Christianity; it’s halfway between success and failure.”; and yet, the shoddy workmanship of transforming my manuscript into a usable PDF (that would produce the book) failed to even reach the level of mediocrity. I extend an apology to those, to whom a premature recommendation of PBP was given by me. Don’t repeat my mistake! Please. You’ll be grateful and thankful for heeding my warning.
.
This company engages in deceptive practices and doesn’t operate with complete transparency. For example, it advertises that it will publish your book for free. While this is technically true, you will have to make an initial payment of $185; $35.00 for the copyright and the $150.00 for the ISBN-Barcode. In addition, John will subtlety lecture you, regarding why he won’t cover this expense and why you should.
.
Before I began writing poetry seriously, I acquired 30 years of IT experience and 20 years of desktop publishing experience; so I understand conceptual ideas, the need for high standards and the importance of having a solid, but flexible framework. In addition, I was taught the criticality of working with a mindset of excellence- a topic taught by most ministers. One example is Titus 2:7-9, which states: In all things shewing thyself a pattern of good works: in doctrine shewing uncorruptness, gravity, sincerity, sound speech, that cannot be condemned; that he that is of the contrary part may be ashamed, having no evil thing to say of you.
.
Computer templates, used in today’s bookmaking operations, are not meant to be static; rather they set an initial foundation from which work can begin. Given the style of my writing, PBP had agreed to modify the template being used, as to minimize the impact of my having to change my writing to accommodate the shortcomings of said template. I understood that this would possibly extend the timeframe to get my book constructed. I was okay with this and never rushed PBP in its efforts.
.
With each iteration of manuscript changes, new random and unexpected problems began to appear; so I was blamed my project’s lack of progress, since the errors arose from PBP’s ongoing modification of my manuscript’s template. It’s unimportant to realize that ALL modifications to the template were made solely by PBP. PBP never reviewed an updated PDF before sending it to me; therefore, it became my responsibility to identify issues that resulted from the technical incompetence of PBP. So what if titles lost their boldface attribute, while the text of poems were inadvertently made boldface. So what if poems were displayed to the left of the left-hand margin, pages numbers were lost, or randomly displayed in boldface, or that page headers would be missing or cut in half- it was my fault for desiring a template customized to meet my personal need. So what if the page numbers were corrupted within my index of poems, from PBP inserting new pages into the beginning of my manuscript. So what if I was concerned that the index’s format was changed from the way I desired. Stuff happens and I need not concern myself over such details. Apparently I was delusional in thinking that I was responsible for the vision of my new book.
.
And if that wasn’t enough fun, PBP would ignore some of my changes, such as inserting the occasional blank line, as well as making unauthorized modifications that included adding, replacing and deleting PBP graphics. One graphic I was fond of, PBP removed because its intended purpose is meant for “internal company use only”. Guess I’m just an unruly rebel for wanting to use it. Since he originally inserted it into my PDF, using it must have been initially okay. This incident is one of many that shows John’s lack of attention to detail.
.
In addition, I was unreasonable for wanting my legal name displayed properly (so I can differentiate myself from the other “Joe Breunigs”; no offense guys!) That correction alone took John SIX MONTHS to address; my book’s title also created angst for PBP, since it contained an ellipsis. Twice I e-mailed instructions on how to insert one because he misplaced/lost the first correspondence. And so I was unreasonable once more, since his option of using three consecutive periods was deemed unacceptable by me. An ellipsis is my favorite punctuation mark; if he couldn’t handle my previous instructions, he could have COPIED IT DIRECTLY FROM MY MANUSCRIPT.
.
John constantly complained about updating the template and the slow iterative process of making my book. At one point, John made the remark of how he had published two other titles during the timeframe my book was being worked on. As Christians, we get in trouble when we compare ourselves to others, since everyone’s journey is unique. So it’s clear that PBP’s intent was to manipulate me into feeling bad, regarding PBP’s lack of progress. Supposedly I was out of line for suggesting that he remember James 1:2-3, which teaches us: My brethren, count it all joy when ye fall into divers temptations; knowing this, that the trying of your faith worketh patience. In discussions with PBP, I indicated that I have 15 complete and unpublished manuscripts of poetry. In addition, I stated that we would have the most hiccups during the creation of my first PBP, since we had no experience working together. Nor did PBP understand that this process of creating a personalized template for my work would save time during the construction of future titles- both for me and other poets. Should I apologize for forward thinking?
.
Given the problems I was forced to face, doubt became evident in my selection of PBP; so I decided to ask more questions, to step up due diligence on my end; NONE of my follow-up questions were ANSWERED. I had the audacity to ask for a contract, how much I could expect to earn per copy sold, why PBP didn’t request my SSN and other questions of concern. I wanted to understand how to stop PBP from making unwanted changes or ignoring the ones I desired. One would like to think that a publisher would be appreciative of a proactive author, seeing that I have one title already. At one point, I had the false hope that my book could be completed by December 2016, but not in time for Christmas. Now we’re into May 2017.
.
Nor was I ever allowed to see the prepared book cover- FOR MY BOOK! I was informed that I couldn’t be allowed to see it because the image MAY need to be re-sized. IMO, this is a ridiculous excuse. Since I never saw the cover, I was unable to either review it (for mistakes) or critique it. Supposedly the cover was made three months earlier; since I’ve not seen it, I must assume that PBP is not lying to me. And it was crazy of me to imagine using the graphic (OF MY BOOK) as a marketing tool to create excitement and interest in my latest title or possibly generate pre-order sales. When a publisher intentional decides to play games like this, does anyone else see this issue as a “Red Flag”?
.
Caught between his impatience, unrepentant attitude and ability to be easily offended, John refused to apologize for his technical ineptitude and unwillingness to press forward; instead he chose to hide behind his spiritual authority (which I do not fall under); he essentially demanded that only I had the onus of forgiving him. After a weak and failed attempt to bully me into accepting substandard work, he later announced that he was quitting my project. In a phony letter of apology, John even implied that I needed to accept responsibility for the failure to get this book made, since I HAD CONTACTED PBP. In addition, he reiterated that PBP is a ministry; if that’s true, then why didn’t he demonstrate patience, perseverance and humility towards me or ensure quality of effort… as unto The Lord? Should PBP want to dispute my account, John should be reminded that I’ve retained a copy of various PDF iterations of my unmade book with the aforementioned issues.
.
I took no pleasure in composing this PSA, but felt that it was my duty, to share my poor experience in dealing with a difficult publisher, to my writing communities. This notification could have been prevented, if John had repented, swallowed his pride and pushed forward to get my books made. Instead he chose to become an irrelevant part of my journey as an author, which is sad, since he acknowledged that I have a gift for writing poetry. IMHO, we the writing community, must be willing to stand up to publishers, since the responsibility (of the vision for our books) lies with us. We should be able to freely ask questions and have templates modified to suit the individuality of our books. Let your voice and concerns be heard. Please share this message with the writers you personally know. We should not be forced to accept shoddy work! John can be reached on FB at https://www.facebook.com/john.jeffries.33; the PBP website can be found by searching its full name. Please feel free to share this PSA on John’s page, so he understand the ramifications of his actions.
.
ace Nov 2014
i'd like to know how staying in a hospital
is described as a "comedy drama".
my "red-band society"
was nothing like the show depicts
these kids
these kids are happy
they're joyous while they're flirting and making out in a closet
for ****'s sake, that's not even high school
the nurses aren't your friends
they aren't there to hold your hand while you die
they have jobs to do and lives to save
my red-band society was me and my moms
but i was the only one who participated in the activities
i laid in bed with stickers and clips taped across my body
and the sleeve on my arm constricted
every fifteen minutes
i didn't hear laughter in the halls
i heard heart monitors erratically beeping
and hurried footsteps whenever someone was dying
i wasn't laughing over cancer and anorexia
i was laying awake at four in the morning getting my blood pressure checked every hour
the red-band society
is a constant EKG with a prolonged QT
that may lead to arrhythmia
you don't get to go to homecoming
you don't get to run or race in the hallways
hospitals shouldn't be romanticized
cancer isn't fun
anorexia isn't a phase
there is nothing happy about being checked in
about being sick
i was miserable
and this show is glorifying disease
kids are going to want to be hospitalized
there's no knowing what they'll do
to achieve what the program advertises
i'd like to know if the maker of the show
is in their right mind.
granted, people's experiences differ
but kids shouldn't be promised damaged friends
if they stop eating
if they run away from home
a hospital isn't a ******* playground
or a child's domain
the fact that they are showing doctors being this irresponsible is nauseating
nothing revolves around you
there are other people who need help too
and children will harm themselves
with the expectation of of video games and relaxation.
RMatheson Jul 2013
You found the truck
attractive enough to her
to keep her standing up after each time you ran her down
Each time she saw you coming
She smiled in hope
And ran to the street, stood mid-lane, waving until that moment when
Your metal smashed her smile
Your rubber broke her fingers
and you had won.

Knowledge: My meager roadside curio is more to her than the fastest automobile hatred can build

And now, you do not drive this way very often, and nothing much makes me happier

But we both know the saying, "If I can't have her..."

And you managed that:
braces she has to wear now
slipped disks
scars all over her body
and heart...

She is a different person, and in that,
you have won,
as you couldn't have her,
and now neither do I.

But there is something else:
You forgot that my love is nearly unconditional.
Unconditional love does not exist.
My love is honest, pure,
Not the hardly-unconditional love most advertises as unconditional.
Not the kind that is plastic, and
flashing on a sign on the side of your vehicle
The one I read through tears
Each time
Her hand slipped from mine
as she ran to meet you.

I love her,
no matter what damage you have caused
no matter how long it takes to heal
no matter if it never heals
and in that,
you will never win.
Will Storck Jan 2010
The day is sunny.
The time is a little past noon.
The red door casts a small shadow over the green grass.
If you stand there and close your eyes,
You could swear you hear a river as it dove through the forest.
But the river's not important.
What's important is the door, or rather, what's behind the door.
The door is never locked.
The **** is always loose and fits nicely in the palm of your hand.
You can look around the door.
There's nothing special about it.
It is painted in the most ordinary of red.
The molding on the frame is nothing to admire.
Its importance is almost never recognized at first.
Everyone will see this door in their lifetime, sometimes more than once.
Some even grasp the **** and give an tiny tentative turn.
But many, too many, will turn away.
Fear loves to sit by this door.
He will take the hand of anyone who'll embrace him.
He never solicits his services.
He never advertises.
Yet people flock to him like flies to honey.
Funny how flies also gather around garbage.
But if you ignore him you will find your hand on that doorknob.
Give it a turn and extend your arm.
Close your eyes.
Remember what it took to get here.
The door gives a satisfying creak.
The dour man besides the door gives a barely noticeable frown.
You notice how it almost seems to glide open on its hinges.
A small bead of sweat carves a path down his forehead.
You gently let go and allow the door to open.
Like it was made to do.
He looks ill.
Step on through.
Phoebe Myers Feb 2015
“You’re a rookie
You think you’ll be the first to put those words in that order?
please write more about how you’ll die if someone doesn’t come over
Your entire privileged life advertises itself in one ******* hand
smartphone buzzing, your keychain that comes with a whip and a home
clangs and clatters ‘I am I am I am’--a brat.

and a mimic. Did you catch that Bell Jar reference?
Of course you did, you yearn to be more tortured than you are
Better to be a reflection of true artistry than…
wait, what is it you think you are again?

‘You have to really love the process’
tell yourself that sweetie
the ups and downs of putting pen to paper and words to ideas
writer’s block is probably a shocking hardship for you, talk about a struggle!
what the hell do you have to say?

Telling me I should listen to your opinion?
You don’t know anything about me
I’m not some character you created and can control in your brain
--I don’t like you! And there’s not much you can do about it because
“real world” people like me aren’t always what you want.
And you’re probably not used to that

Well?
Why aren’t you saying anything?
You’re the one claiming your words have weight
so use them!
It’s the only way you’re going to get ******* like me to shut up.”
You are usually your own worst critic.
Sabrina Kent Dec 2014
A monster waits for me
He sits.
He, the only gender a monster could be
He entertains the tantalizing prospect of his
tongue and teeth dancing over me
not just in my head
not just under my bed
not just there when the lights are off
But when I step outside my bedroom door
I can hear his roar
in my father's snore

This monster advertises what he'll do to me
on billboards, magazines, and movie screens
the scenes he paints
his paws on me and my kind
on us on we
begrudgingly our faces, our bodies on our hands and knees
below him, below it, that monster that thing
How the hell did we let him control everything
he makes us change our shape and size before
taking us to our demise
the siren mermaid framed to be an evil creature
merely just refusing to be prey
Classy J Oct 2016
Streets are throwing a ruckus, clowns creep in the alleys; man I don’t think that it is even safe anymore for us? Valleys of shadows, no love in the ghetto's, economy is crumbling so excuse me for not being able to be mellow. Corrupt politicians, with missions of evil, man I would rather go to hell and deal with the devil. All about competition, all about attrition, to get people’s blind undivided submission. Millionaires with power over the poor, news is depressing, but yet people want more. Where are you batman, where are you superman, what has happened to this society man? Where are the heroes when the powerful people make us feel like zeroes? Where is God, where is the fundaments that established us, where can I find a escape pod?

No immigrants, yet we all immigrants, full of mischievous infamous vigilantes ******* out the life of the innocents. What have we done to deserve this wickedness? How do we get out of this predicament? Because this **** is getting ridiculous. Gorillas shot to death, Isis threats, are we destined to end up like Macbeth? Who cares about success, when you don’t have access to excess? Don’t think about it, just buy another white and gold or black and blue dress, and then have it repossessed. Nevertheless I digress, I just feel like this **** needs to be addressed!
Terror and fear have we fallen back to 1939, forever to be devoured by despair that clouds up the sunshine? How I wish to see the sunrise, how I wish that instead of hating each other, we instead choose to become allies.

Not buying what the world advertises, I won’t compromise otherwise I will become de-stabilized. I won’t become antagonized, I won’t be hypnotized, I won’t let myself become a piece of property that the government can control and monopolize. My paradise will not be had if I get caught up in propaganda, I won’t be warned to be silent like some kind of Miranda. I know my rights, I won’t be treated like mice, and I will roll my own dice, and will face my price. I know that this economy is on thin ice, and that minimum wage in some areas are going up which then leads things to become overpriced. Just hold on, stay strong, sometimes life will go back and forth like Ping-Pong.

Up’s and down’s, some stay idle where others run towards the crown. Time to stay headstrong, time to start getting along; it’s just one small step for man in the words of Neil Armstrong. This is where we belong, come together and rhyme along to my song. Try to change life for the better till we die, you will never know unless you try. Don’t fear the baton and the gun; I will fight for what I believe is right just like Milan. You can **** the man, but you can’t **** the dream or the idea, don’t get caught up in the cream, cut up that visa then run wild like a cheetah. All kingdoms crumble, be they can be rebuilt, life is a gamble, but I chose long ago to no longer let myself wilt. I have no guilt in being me, and I know right now it can be ******, but when we make it through I believe we will be happy
Nigdaw Aug 2019
A kid makes a finger gun
With hammer thumb
To fire at passing traffic,
From the cover of his bunker bus stop;
In America he’d be an active shooter
****, they have names for it over there,
Here he’s just a ******* nuisance;
His shelter advertises a deodorant
Shaped just like and called bullet
Perhaps some subliminal message
Has entered his head
The power of advertising, the power of death.

For a deodorant that advocates love and attraction
It’s a strange message.
nivek Sep 2015
And now the British heart foundation
advertises on the TV
a scenario where a ghostly dad appears to his son
his son in the middle of lessons at school
and says goodbye ..... basically im dead
son if only everyone would have chipped in their dimes and Dollars
Pound notes and Euros, pennies and inheritance I would have survived
to be a Dad this side of Hell for a few days more, if only everyone would pay up for a new fresh uncomplicated heart to live with
JB Claywell Aug 2020
I’ve been eating popcorn
out of my hat.

It was a freebie that I picked up
at the Gower town fair.

The hat advertises the
centennial anniversary of some local bank
that I’d not heard of until that day.

It was a hot day.
The sun was brutal,
trying to beat us down.

(Pops, the boys, & I.)

We’d walked the perimeter
of the park,
the town square,
in our efforts to see what was what.

We eventually settled on some
kettle corn,
a couple of BBQ
sandwiches apiece.

We’d brought
gas-station fountain drinks
with us;
sneaked ‘em right on in.

My sons found the rides
straightaway.

They spent about $20 of
mine and my own father’s
money.

They masked up,
were cautiously carefree;
stopping for squirts
of sanitizer between
swings, bounces, and bumps.

Pops and I
found a bench
away from everyone else.

I’d gotten him a hat too.

We used them to shield
our heads, our eyes
for the afternoon.

Today,
mine’s an impromptu,
improvised popcorn
bowl.

I’d lined it with a couple
of unfolded brown paper napkins
first;
proud of my ingenuity.

As I poured my first
cap full,
I could almost hear
my wife’s chiding
words.

I chuckled to myself
and

didn’t write them down.

I wrote these instead,
while I munched another
handful of popcorn
from my hat.

*
  
-JBClaywell
©P&ZPublications 2020
When you walk into a little store
And spend some money on an item
If somebody gladly does this chore,
Does that mean that you should then like them?

Are their eyes a clever trap
That advertises their workplace?
Are they making you come back
By placing a smile on your face?

Can a stranger enjoy providing to
Someone who’s manipulating their skill?
For them, this kindness may not be new.
It might be their simple natural will.

Is kindness born of gratitude?
Are workers grateful to their flock?
Are jokes common and blank stares few?
Is this unique or is it not?

Am I worthy of this kindness
Or have I stolen offered grace
By acting like a normal person
And going to a normal place?
Stephen E Yocum Sep 2022
It was coming on darkness,
It was a Monday, the place was
closed, no lights, but 'say for a
neon Blue and Red Budweiser
sign flashing in the front window.
My father had built this place
over 72 years ago, his dream,
a Fried Chicken Restaurant in
a one trafic light, logging and
two mills town of 2800 souls.

Dad's "Chick-Inn" thrived for a time,
everyone loved his friend chicken,
this long before anyone out West
ever heard of the Southern Colonel.
Dad cooked and Mom ran the front.

On Saturday nights when the hard top
races were on, it was standing room
only. Even the railroad crews stopped
on the tracks and walked crossed the
Interstate to get a bite, Highway big rig
Truckers parked all over town to get a
good home cooked chicken dinner, or
chicken fried beef steak, hot biscuits
and gravy, best coffee for miles around.

That place nearly killed my parents,
opened at 6AM all three meals served
'till around 7PM, one day off on Mondays.
I was around 6 years old, I did not know
or appreciate how hard they slaved.

They persevered for a few years, then
sold the place and we moved on to a
bigger town and they to jobs less stressful,
they even bought their first home ever.

I remember the good smells from that kitchen
and sitting in one of the booths getting pleasant
attention from all the town folks. For my brother
and I even in old age, those are pleasant memories.

The old place looks pretty good, some new paint
and remodeling, the horseshoe counter is gone,
the seating is all different, no booths just tables.
It's now boasting "Fine Mexican Food Served Here",
and now some other family, one of many over all
these years I suspect, toils, mired in their dream of
restaurant ownership. The little town has not changed
much, one Mill closed down; one remains. It has
three traffic lights now and a population of 8000.

The sign outside the Fair Grounds a block away,
advertises "Hard Top Races this Saturday Night
                           Come One Come All."
Good memories like these, sustain us,
ground us and embrace us. The old
"Chick-Inn" and humble little town
of Anderson Calif. is one of mine.
Luna Jay Mar 2019
I just need some time away
To remember why I stay.
I dig my grave- a lifeless slave.
Busting away at earth
With my plague
Of words.
Build me up
To shoot me down
In the street with everyone watching.
You cannot **** the idea of peace,
Only the people who march
To its immaculate tune.
Leeching off of teachings
Of those who fought
These same battles
Before us-
In yesterday's’ pages of history.
You cannot ban words
From the herds
In a country that advertises
Freedom of speech.
The summer peach
Is turning grey.
Can you tell me
Why I stay?
Passion's root is in suffering.
Ecstasy's root is in exiting.
******'s root is in ripening,
and none of this is convenient
despite what the pornographer
advertises.

Most sins are silent,
We garnish them quietly.
Desire and the devil deal
so subtle in the mind.

Seduction after seduction,
upon every glossy image we say,
'I'm not satisfied,'
till finally we consent to our slavery
in the service of The Emperor.
No voice, no vote, no volition -
It becomes a dry comfortable place
as we wait upon the occasional
splash of imperial fluid.
Bowedbranches Jun 2021
(old poem from 2010)
I'm a Swashbuclin'
Mean Muggin'
One of a kind sweetheart
Fresh off the grid
Party Package

Doctor to your down days..
I am the *******
Who advertises floss,
But, doesn't floss

{Jeanettetrospect}
{Look! Im the lonely girl
With all the friends
I finished the sentence
Without any words}

OR any work
From my left hand
I am/ An Ideabot
an inkblotting machine

But what does the message care,
That it is just a message
and not the messenger
. . . .
It would rather be

I am the caricature carving details in myself
Another shepherd mending felt
In a tool shed

I am the criminal  
Crying for help
For the last time
Sell all the beggars my *******
Soul

Then ask the pigeons
For forgivness.
Diana Nov 2020
i have realized
that it is in silence
where my voice thrives
it is where i truly found my voice
and welcomed her with open arms

this world does not want us to find our voices
no matter how much it advertises for it
because once we do
we begin to realize the power behind it
and the lies that were found in the noise
of the world

find your voice
strip your mind of all other narratives
and listen to the one that has been buried down
beneath all the trash
there lies your most authentic self
the one that has been there
all along
once you find your inner voice
hold space for its abandoned
emotions
trauma
boundaries
desires
needs
tend to the voice
that will lead you to joy
off with the ex
and onto the next best
picture in the paper
only naturists dress less
open to all takers
thinks that *** equates to success
her ego and her **** inflated
rated for her *******
plies her trade upon the pavement
of the info superhighway
advertises with a sextape
source of pride her gaping ****
teaching tricks to tweens
so she can take their cash when theyre teenagers
morals of a quean
still requires a king to make her famous
ive got more respect for a crackhead street walker than the likes of a kardashian.
A troop of goats trot triple-time down a valley road,
a machinery of bells threshing the mountain air.
Little breaks the silence of the rural dukedom where
we reside. What does, gains immediate notice.

It is the happening of the moment passing through
to another place to pasture, the *******
Of the seasons. Though meadows burst with Kelly green,
and no trees have dropped their leaves, it is
autumn’s inaugural, where clouds hug the earth, mountains
curry themselves, goats scurry to new homes.

We, too, have shifted homes for a respite from the mundane.
The new now advertises surprise: This will not
appear elsewhere, will not last long enough to forget
where we came. With time, we follow the goatherd’s
abrupt call and hope to be rewarded with a golden bell.
..and now that we're subsidised by the state
it doesn't matter about being
late
we're no longer working nine to five
I am just trying
to stay alive.

But
enough rope is enough for the hanging
and I ain't hanging around for that,

and that, is the flat rate of income tax soaring,

this decade will become known as the roaring
twenties,
I can already hear the roaring of the female worker as the twenty pound notes in her wages desert her
and the men?
well
they'll be in the **** again.

we're done for
doomed
the workhouse looms

Marshalsea advertises rooms in the Metro
compact and bijou
for a touch of the retro
and
we're done for.
I desperately clutched
(the Peanuts stuffed animal) Woodstock
to help me absorb shock.

What invisible agent
provocateur née ghost in the machine
sinister force hell bent
to rob me of every red cent,
whereby checking account
incurred major dent
(albeit figurative) required
yearly vehicular ownership event.

Unavoidable collision course
with money woes does frankly zap
proud owner of car will soon
find her/himself on penniless track
after salesperson (usually a man)
intones memorized commercial spiel,
and won't shut her/his yap
until quota of cars sold
guaranteeing bear hug wrap
courtesy company president
gifted bonus and vacation to escape,
(albeit temporarily) rat race trap.

Yours truly crafts (courtesy poetic license)
mine trademark prevaricated write
crowing, invoking, and lamenting malfunction
advertises, enunciates,
and intones game over
(by Tracy Lauren Marrow,
otherwise known as Iced-Tea),
whose claim to fame 1. rapper round rhymes;
2. fleet (truckload) of motorized
hot wheels (burning rubber)
quite a fiery sight;
3. check engine light advertisement
especially fluorescent hubcaps
that glows (like the
pulsating nose of Rudolph) at night.

Most recent experience (mine)
dealing with problematic
"check engine light" tsuris,
taught me helpful object lesson
after bringing our 2009 Hyundai Sonata
to Norm's Save Station
(earlier today 8/24th, 2021)
551 Gravel Pike, Collegeville, PA 19426,
which mechanic on duty
informed me that within Pennsylvania
said mechanical setback NEED NOT
be troubleshot if car driven less than
5000 miles per year.
Perig3e Dec 2010
Wakefulness flits, flirts, flutters,
two heavy eyes become one
panning a known landscape
that morphs to the unfamiliar.
I follow the road to Bizarre Town,
hand my keys to a valet
wearing a lavender zoot suit,
the marque in the mist  advertises "Croonerlinkiss",
two dudes ******* in the alley!
"What kind of sheet is this?", I chortle.
Letterman's on the roof dropping 2 tons
Of Rumple Sealskin sachet.
"Ladies and gentlemen,
say hello to Paul Scheffer and the Late Show Band."
Followed by a loud commercial,
Mattress King slept all night
dreaming up ways to make the holidays jolly 'n bright.
Says the King, "Come in and buy a mattress set from me
before January 1st and I'll pay your slave tax! Why, because
I'm the King."
All rights reserved by the author

— The End —