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It's dangerous when your biggest role models
spent their lives
drinking, smoking and gambling
but maybe it's worth it
if it inspires you to write
something
that is at least 1 % as great as their works
cause 1 % of their greatness
is ******* amazing
For my four favorite writers: Charles Bukowski, Dorothy Parker, Bob Dylan and Tom Waits.
We blew the brains out
of midnight
under a root beer sky
and followed the tawny
streetlights like a spindle on a B-side.

Ever effervescent
we tango on piano-key pavements
dancing like febrile bacchants
under a tallow moon.

And we might amble into
crepuscular philosophy
whilst alley dwellers
Do their best to stem
the global water shortage
and graffiti artists
sharpen their spray cans.

Inevitably we perambulate in to lamentations
ruminations on *******
over those we loved from afar
like jackdaws gawking at carrion
we just don’t put it in so many words.

Later we get home and ****
because once you’ve murdered midnight
and the doves come up
and dawn is born
it’s the only thing left
to
    do.
Edward Coles Jun 2015
I tried to keep my focus on the out-breath,
to the things I can offer
rather than what I keep inside.
I have tried yoga poses
at the crack of dawn
with nothing but my underwear on;
I tried to drink eight pints
of water a day
to ensure that my veins do not rust away,
to fill myself with the basic essence of life-
but I could not handle the broken sleep
each time I woke, desperate for a ****
in the depths of the night.
I tried to blu-tac unfinished songs
to my wall, emulating product-placement
but with nothing left to sell.
I know I cannot keep smoking ****
to emulate a stalwart companion.
These broken streets
look more second-hand to me,
and I have tried to find
that sober sleep,
that wide-eyed wonder
outside of these stale, chemical dreams-
but all I get are cold sweats
and cold shoulders;
people growing all around me
like stalks in a cornfield,
blocking all but a circle of light
that hangs over my head;
the bottom of a well,
the bottom of the world.

I am doing my best to keep on top
of all the things
that threaten to bring me down.
(C) 04/06/2015
Edward Coles Apr 2015
****** in the afternoon,
Orphans brawling in stereo,
hometown ballads of unseen terraces,
bar stool swallowing peanuts, pretzels,
salted anti-depressant,
the foul smell of life amongst
folded towels, synthetic apple,
the Magna Carta of Suburbia.

The allotments buckle and spread,
fragile sexuality, the April sun;
quick to heat, quick to tears
after a long winter of recovery.
Grit in the carpet, art in the air,
it comes too thick to catch a breath,
too thin on the lungs
to turn it to a song, or prayer.

This G-dless drug,
hippie theories, old self-harm habits,
slanted handwriting to prove a point;
intelligible fears for acceptance
as words form like train tracks
in my disappearance from this:
the peak of the day,
at the bottom of the world.
C
Edward Coles Mar 2015
Train track sonnets, the drunk piano,
old trumpets and dreams of West Virginia;
gold tobacco in an antique pipe,
finding a new look in outdated surroundings.
Patients of self-hate stand in bandages,
long sleeves, and in brickwork formation,
all this to the beat of the white man blues,
a country guitar, harsh vocal, the sleepless smoker
on the bedside; new speakers for old tunes.
A new look amongst past disguises, ancient lies,
angry blisters on the road to recovery,
pathetic bottle of emptied red wine.
Tom still sings Hold On through bad hands and lotteries,
he will stay to drink with me, when on a winning streak.
C
Edward Coles Nov 2014
I need to clothe this manic obsession
for acceptance and digital affection.
The mornings turn to midnight
before I have started my day,
and the wind is blowing reminders of Newcastle;
the lack of warmth becoming prominent
in the absence of loving flesh.

There must be a better life somewhere,
beyond uncertainty and marketed freedoms.
Beyond where only question marks
punctuate endless months
of Novembers and displacement;
the chasm between who I am in the doorway,
and who I really mean to be.

I hear you are carving a living
out of the ways you almost died in the past.
You are signing forms for others,
you are making tea for trembling hands,
all the while wondering how it came to be you
sat on the right side of the table,
and away from the wrong side of the bar.

You told me an operator will find me,
a receptive ear to put me through
to someone who will know how to help.
In the meantime, you said, I should love music,
for when the shop-fronts have closed
and friends grow fat and indifferent,
Tom will sing Hold On until I can find sleep,

or at least a viable dream.
C

— The End —