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fray narte Jan 2021
such softness i covet compulsively, and yet all i can do is watch myself dig a mass grave for the white tulips i ripped apart. watch myself crumble like weathered obsidians. watch myself unbottle self-addressed apologies, and choke on all the softness i never had —

until all there is is my skin, drenched in ghostly disquiet.
until all there is is an ugly sight of breaths, hoarded as they fall.
until all there is is just breaking.

and until all there is,




is me.
fray narte Jan 2021
to kiss you senseless until i am a seaglass buried deep inside your skin. to lick salt off your palms with paper-cut lips, until each breath has gone haywire. to quietly sigh your name until it baptizes my heathen tongue. oh, the wars i would start; the wars i would end — darling, there is something soothing about all the violent ways i can love you.
fray narte Dec 2020
I find myself chasing highs only to jump from them. But no, I am no comet. I am just a girl — all sunset eyes and gasoline. All dust grain and stale cigarettes. Shaky lips and broken mugs. Broken matches. Scissors running over my skin. Is it so bad then — wishing for my bones to finally break this time?

I find myself chasing highs only to jump from them, so save my poems and all my tales. Save me the apologies I cannot say. I am sorry. I am sorry. I am sorry.

"It's not enough."

"No, it's not. It's okay."

Save me the apologies I cannot say.

And once more, I find myself chasing highs only to jump from them. And this time, darling, there is no way to survive the fall.
fray narte Dec 2020
My hands still remember the quiet aching of these wounds — too deep and wide for stitches and shaky hands. And so, I never learned to unpack my grief. It still is in a suitcase with December dusks and dreary summers — shut in secret library walls. I never learned to unpack my grief because I'm terrified that when I do, it'll be way too messy to place it back where it belongs.


Some things, we never tell ourselves out loud.
fray narte Dec 2020
i would dip kisses on your freckled back, as though it were an arched door of a baroque cathedral. i would strain my arms cradling the frailty of your sadness. i would weave to my lips your whispers, made of cold and lonely december rust. i would dust my bones and flesh, and i would lie there next to you — a clean slate, in silence and awe and uninhibited longing. my love, we could stay like this for a while.

the streetlights flicker and the sunset blurs. but they know —
my heart has always been yours to break.
fray narte Nov 2020
tw

i. october
i am a house burning down
and if i cannot make it out of this body,
at least, let me knit lilacs on my skin
where my wounds are in their softest —
where they hurt the most.

it is easy to look at a girl
and call her trembling poetry.
it is easy to look at a girl
and not see an arsonist.
it is easy to read a poem
and not see the disconnect.

ii. november
i am a boneyard of butterflies —
and these roads know too well the way
a grass blade wounds my feet.

i remember their faint way of hurting —
oh how it had dwindled into normalcy.
and yet maybe when you play numb long enough,
everything slowly does.

iii. december
i remember reading epitaphs as a kid;
it is eighteen years too late
for a half-meant apology
and soon enough,
when the woodsmoke lifts, you'll see
wisterias tying the noose,
swinging lovingly from these corpse-cold fingers.

i remember writing epitaphs.
each word — a love child my tombstone never knew.

iv. january
say my farewells to summer, i cannot wait.
soon, someone will walk me slowly to a river —
all pressed tux and a lace wedding dress
and hold my head down,
gently, softly,
until each tiny breath has escaped
this mad house.
this boneyard.
this mouth.

i do.

i do.

i do.

fin.
fray narte Nov 2020
i.
the scent of sorrow, hanging in the air
rotting away what's left of this skin.
wrists — sewn shut
are wrists undone:
the morbidity of it all pervades —
this i confess.

ii.
look not. turn not, for
each careful stare, each scornful gaze
has me falling back into darkness;
maybe eurydice has found comfort in its arms.
maybe so have i.

maybe this is how it's always meant to end.

iii.
lately, sunsets no longer melt
into an afterglow —
they just turn into the night.
at least it dims
the futility of drawing each shallow breath
from places filled with smoke and dust;

there used to be something there:
this, i confess.
this, i remember.

there used to be something there.

there used to be something h e r e.


— fray // november, must you be so cruel to my trembling hands left with no heart to break?
fray narte Nov 2020
what good is a poem under a scab —
i keep on peeling and peeling, asking
is there more to this skin
marred by my restless fingerprints —
they've all been but subtle.

what good is a poem under a scab —
it still is a wound
over which rusty dahlias mourn and spread
and maybe if i dig my fingers deep enough,
i will find an exit —
all ****.
all dust.
all quiet aching.
still, it's an escape.

and what good is a girl under a scab?
some of them are made to run —
to fashion wings and fly.
so darling, seal your wings all you want
all poetry and beeswax
and prayers to the gods
who do not speak your name,
and still, the sun would only watch you fall
as the sea spray worships
your scabbing skin.


all sad things belong to the sea
and maybe that is what you wanted.

maybe that is what you wanted after all.

— fray narte
fray narte Nov 2020
i had missed too many sunsets hurting in silence. to this day, the sky is in a graying shade of blue. to this day, it is mournful and decaying over me — or inside me, i do not know. i had lost count of the months i shunned the sunsets and headed straight — disgracefully, to the arms of the dusk. besides, falling apart looked harsher, and messier, and more vivid in the light. and so i had missed too many sunsets; this too, is becoming a wound.

i wish i were kinder to myself.

i wish i could forgive myself.
A bone in my collar curls up,
your scent tickles my skin.
Catching up with puzzled eyes,
I try to unravel this time,
this moment,
this love that sends me chills.

Why do I smell you here?
In my basement?
I barely heard you unlock.
Sweat trickles down in confusion,
disclosing the hard-held anxiety.
I am surprised,
startled at how weak the air could get.
Almost failing to help me breathe.

I leave my corner,
swaying feebly to the restricted music in my head.
Tapping and twirling into a gamble,
into a bet to lose my sanity.

I let you play me.
Let your scent grow on me.
Falling lightly into your notes,
I almost dare you to love me,
to love me like I am a home.
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