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Spike Harper Jun 2021
I look back on the years spent.
Like cheap coupons.
Cutting out sections of my life.
Living between black and white lines.
Expectations paper thin.
Hoping the change I had.
Would cover the difference I needed.
The dark unknown hiding fees.
Banking on the fact.
That I never check my blind spot.
Blindsided by percentages.
Sideswiped by statistics.
Its a numbers game.
What are you willing to waste.
On trying to make a life worth living
Throwing away moments like singles at a *******.
But only the ones unneeded.
Needless to say..
One could go broke.
Arguing semantics.
Its been a long minute since I posted. Lost a love but gained a purpose. All thats left is finding balance.
fray narte May 2021
some things, too soft for my careless hands — nectarine kisses and sunlit skin. the quiet highs of being held, like dahlias dying after a month. vervain wrists dipped in a borrowed prose. your heart — and mine; my love, some things, too soft to not break in my hands.
fray narte May 2021
my face is an open casket;
hear it recite obituaries and
watch the mourners cheer
and throw wild roses at my feet;
it's where the rot has started spreading —
like whispers. like applause.
rising, until my skin
resembles raw obsidians
until i am no more.

watch me hang from the ropes —
in hypnotic grace, like suspended light
flying, swaying.
a circus freak.
a certain state of decay.
watch me fall: a weightless,
motionless thing in the shadows.

a vigil.

yet the curtains fall
and mourners leave one by one —
their wrists, stamped with lilac ink.

a vigil.
a funeral.

a freak show and
its curtain call.

lay a cloth on this open casket.
i do not want to be seen anymore.
fray narte May 2021
slice my tongue until the pieces resemble flower petals — until poems tremble on my very lips. on summer afternoons, they will look like the dried amaranths on your bedside table — in a city apartment you left. slice my tongue until the pieces resemble smoky quartz. it will sit quietly — each side showing the wild and quiet ways of aching. slice my tongue until it heals its wounds — until the sunset casts what's left of its light, and maybe my state of decay will finally look beautiful.
fray narte Apr 2021
i am quiet as
an iridescent, swan paperweight,
sitting and melting on sadness —
on sheets and sheets of it.

maybe this entire time,
i have been on the edge,
lying like a sand angel
and wading through dead buttercups.
i write a premonition
and call it a poem.

if these walls could speak,
they would call me a resident.
an outsider.
a hostage victim.
a sorry sight.
a paperweight sitting
in the middle of misery.

i am quiet as
an iridescent, swan paperweight,
sitting and melting on sadness —
on sheets and sheets of it;
oh, how i long
to fall and break
into a thousand pieces —

one, just small enough
to be invisible
to slip away
and have
no trace of pervasive sadness —
it glistens in casual,
technicolored mockery.

and i am quiet —
oh, so quiet.

oh, how i long
to fall and break.
fray narte Apr 2021
is there a way out of here other than the sudden violence of tearing through my skin? if i  find an escape route one day, i swear to god, i would leave even the calmest sunsets behind.
fray narte Apr 2021
i'm still building myself up on top of breaking skin. oh how easy it is to slip on this shapeless, humming loneliness until it takes the form of my skin. i'm a forsaken deity, learning to come to terms with what's left of her ruins. crumbling, i tie them together — they buckle in place like my knees: a sight too fragile to be a worldly wonder. i'm still learning to be gentle. i'm still learning to forget all the ways i have ever hurt myself. and beyond this corpse-cold bed, these corpse-cold hands — the world goes on spinning. restless as my thoughts, yet immobile as my feet. it goes on spinning — leaving, never slowing itself down for anyone.

these words come out of my tongue, in fragments. i pick them like aphids on a rose — maybe it's the closest thing i'll get to healing.
fray narte Mar 2021
all the weight of the night sits on my shoulders,
like a ****** of crows pecking on a graying bruise —
i cave under; my entire skin —
it falls apart, in grace,
from the constant touch, like liquid mercury;
such an anomaly, such an irony,
such words mused, lying there in a trance-like state
under all the weight of the night.
i wish it takes with it my sorrows
the second it lifts itself.

yet, i remain.

soon, the dawn will creep and break, eventually,
from holding me up in vain.

such a pity

maybe i will break with it.
fray narte Mar 2021
i.
pluck the aching out of my ribs — one by one
as though they were teeth that had sunk —
latched themselves onto these bones,
until it is but a pile of bite marks,
a pile of mildewed flowers —
festering like sins, like punishment.
pluck each bruising bone,
some things belong to my chest.
some, to firelight.

ii.
pluck a rib,
make the sweetest, purest, brand new woman —
all lace girdle and nectarine lips,
stepping out of the outskirts of my skin
as i watch from the other side of an exit wound — the inner side.
maybe in another life, that can be me.

thou shalt not covet.

i close the window.
i zip the skin.

iii.
tonight, i kneel in a confessional —
screaming away all banal sorrows,
screaming away all banal sins.

pull the aching out of my ribs —
it's in its rawest just before the dawn.
pull the aching out of my ribs.

a corrupted sight
for awakened flowers. ringing church bells. hummingbirds.
oh, a corrupted sight.
and mornings will hear its aftermath.
fray narte Mar 2021
maybe some types of chaos do not have to make sense or unveil some semblance of an epiphany. some types of chaos, you just have to feel. some types of chaos, you just have to lie through.
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