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Two ties to a screeched past —still scratching
at the crust of blessings, just praying the miracle
comes wrapped like a lottery win. I've got creative
thoughts on command — I’m a poet in general,
drafted into survival, writing lines inside a starving
chocolate box, where sweet words can’t keep you fed.

They say they’ll pray for you, but it all feels like a
soft-spoken nothing; a sugar packet of sympathy that
dissolves too quick. Good intentions catch my eye
from time to time, but I’ve learned to watch the fine
print, because love these days comes with a return policy.

They spread your “daily bread” with butter, but the knife
I return is always too blunt, so when someone messages
out the blue and I ask, “Okay, what is it you want?

Rung by rung, I hang here, along with the clothesline
of everyone’s ***** laundry ready inside; to air it out.
Willing to play into the villain — but never mind that
every villain was once just human, walking around
with personal vendettas to air out.

But I remember a child — nuzzled into sleep, dreaming
of the nozzle, not a pacifier… reliving wars they never
asked to see, in a world  that’s grown cold enough to
make you breathe in snow and spit out fire, burning
down the globe just to feel some heat.

We own so little, yet feel owed so much.
We carry too much, but hold on to nothing.
All that we know… is that even our knowing
has become a debt we never asked for.
I knew a girl —weathered by the kind of life that
doesn’t  warn you before the storm. Still, she tried
to keep a spring in her step — but smiled like cheap
paint on a fading wall, peeling off, little by little,
every **** day
.

She told me: "We don’t own enough to be claiming it all."
She’d hold onto the hands of time like it owed her
something, clocking in for the kind of love that clocks
out as soon as it settles in your mind.

And I swear — it was always the careless water she
feared the most
... the kind you drown in without
noticing —a pretty smile, a warm voice, the open
door that leads you straight to your own unraveling.
I watched her from that doorway — wondered which
room of herself she let people sit in.

Was it the heart —that wicked room where love
rushes in faster than you can catch your breath?

Or the soul — too expensive for lips that try
to bargain it down with sweet nothings?

Maybe it was the skin —that kept aching for touch,
even when desire left bruises where tenderness
should have lived.

Or the mind — God, the most attractive part of her,
modelling strength on a runway of thoughts that walked
out daily for the world to judge. And maybe the reason
her story broke me was because I saw myself in every
cracked wall she tried to paint over, and over again.

We are all just houses hoping someone might stay
long enough to know the rooms we rarely let them in.
dead poet Jan 1
i never believed i could fly...
yet, the other day,
i found myself 30,000 ft in the air -
yet again -
having a hard time believing
the captain’s reassuring words.

i was stopped thrice by security;
there was so much metal on me,
you could taste it in the air around me.
i could swear the metal detector had
picked up on my insecurity -
as it swiftly brushed against a drop of
sweat at my temple.
the ‘beeps’ might as well’ve been
swear words,
censored.

having already had two hits of the ‘good stuff’
before leaving for the port,
to say i was paranoid would be an understatement.  
‘what if the machine picks up
traces of substance off my sweat?!!’
yep - i did think so.
‘twas bad.

already late for boarding,
i managed to find myself at the gate,
and into the aircraft,
at the indifferent pace of the final announcement.
the air hostess peddled a magazine my way:
i accepted it -  
read it;
then closed it;
it had no substance.

i could feel the turbulence getting louder;
in my head, that is;
there was a pressure difference,
that didn’t feel any different:
‘twas just something that had to be dealt with;
so i split the difference -
i held my breath,
and it let loose - my dread.

the branded seats featured a slogan
from a recent ad campaign by the airline
celebrating its 18th anniversary -
‘clever…’, i thought -
then turned a sour eye to the window,  
having not written it myself.

i saw the setting sun, past the surging clouds -
flares galloping across their shifting terrain
like little kids on a merry-go-round
chasing each other -
too young to realize
it was never meant to be a race.  
i couldn’t help but chuckle
at that radiant sincerity.

for all intents and purposes,
‘twas was a golden hour;
fifty five minutes,
to be precise.
dead poet Dec 2024
you can see my scars;
my face is riddled with them.
i often wonder,
how anyone could miss them -
yet, they always seem to.

it takes a good look, i guess -
to see how bad things really are.

perhaps they’re blinded
by the smile i put up;
a slick smile, it is -  
surgical -
like a scar…
a big scar,
that hides the smaller ones.

the other day,
it hit me like a truck -
while i was walking to the cigarette shop,
my vanity still in awe of
‘how anyone could miss them…!’  
a man, i saw.
an old man -  
with overgrown ****** hair,
and a yellow mustard duffle coat,  
walking my way.
a flash of traffic light
streaked across his face,
and a feeling took over me;
a strange feeling -
like i had seen a ghost from my past,
or perhaps,
my future.

as he passed me by,
he smiled at me.
ceremoniously, but still.  
as did i.
we timed it perfectly -
like an ambidextrous artist
were at work,
drawing identical curves
with their hands.
i noticed,
my smile had lasted longer
than i expected.

a few yards down the road,
i stopped abruptly…
and whimpered,
‘oh...’
it's nice to sonder sometimes.
dead poet Dec 2024
a fog, i saw,
in the mist of night.
humble, it led me
to the ***** of the beast -
who pet me, and held me, and licked me,
until it, and i, were one.  
my restless heart would not let the
beast be at peace…
‘what lies into the night?’, i insisted.
‘i must know. tell me now, i say.’
and the beast shook its head - nay.
‘travel not, nor inquire, into the sea of despair’,
it groaned, ‘it leads good men astray’.

‘but i’m not scared’, i said.
‘look at me… i’m you. i’m mighty.’
‘what could possibly hurt you?’
‘what could possibly hurt… us?’

‘you mistake me for my appearance, young man’,
the beast hummed from within.
‘i am but a vessel.’
‘i do not possess the might you seek.’
‘i was sculpted in your image,
and scores of such valiant seekers
who carrowed their poise for pride’.
‘but if you must -'
'i’m obliged to warn you, as they would -’
‘you may not forget what you see;’
‘you may not like what you hear;’
‘the sea is not forgiving to men
who trespass upon the realms of solitude’
‘hope you’re ready - ’  
‘it gets colder as we get nearer.’

and as we passed the bay of deadly sins,
where tales of woe would barren lay -
sure enough, i heard a faint
rallying cry from far away;
‘the captain must’ve lost his wits...’,
sighed the beast -
‘his compass must’ve failed to obey.’
a requiem followed the shipwreck,
as the shallow winds kissed the
waters grey.
Emmanuella Jan 2024
Too many stops. Too many pauses. Too many full stops.

When moments could have flowed fluid

Could have continued along time’s axis to unfurl experiences

Now unknown, now wondered about, now pondered on. I’m not shaken. But it’s never cathartic. It is forever suspense. It is forever remembrance.

It is not regret. I was who I was, and I am who I am. I cannot null that. It is, wishes, perhaps. It is, wanting, to exist as two, to stop, but to continue, to watch, to witness.

I am full stops; given to elective ethos and jittering convictions. And given to these full stops, I wander, wonder, what, what if, should, should have. What? Happens? After?
susanna demelas May 2020
the first girl who ever kissed my neck
had bones in her bedroom.
like taxidermy, right? i asked,
squeezing her hand,
my thumb rubbing hers, innocently.
the early days are always beautiful,
mind.

could i offer you some jam?
the fruits of my labour, i said
as she dipped the knife into my open wounds
smiling wide, ‘i did this for you’
and i said it so proudly, at the time.

i prettied myself up with doilies,
a gingham tablecloth too,
covering the unsightly parts of me.
only for her to give me that look,
that disappointed, never good enough

look.
its pithy. there’s too much substance.
and she spat it back into my face,
the red creating a clown-smile
the only smile i could muster, at the time.

and then she started to scream,
and that’s where my memories lapse.
hacking sounds, bones snapping.
it happened kind of quickly.
severed heads, severed hands,

what does it matter?
if your lover is thirsty, let them drink.
it’s simpler that way,
it keeps lovers as lovers, the naïve part of me said,
like a mantra, over and over.

deep inside, where my strength lay
(and i wouldn’t usually tell people this
but as you may have guessed,
mere air particles don’t have much to lose)
i wanted to scream, fight back

give me that back, that’s not yours to take
but the words are lost,
her slickened hands over my mouth
drowning out the nose,
as she runs away.

******* coward. leech. parasite.
i want my body back, i wheezed
as the final breathe escaped my chest.
L B Apr 2018
Down the ******--
Adventures of Feral Children

If there has to be a gate, I suppose I have always had my own theory that “The ******” was one of those places through which God pulled Paradise inside out.  I was always wandering there, pretending-- playing sometimes or searching for something-- the exact moment that spring begins, or the place of my secret dwelling where I was in charge, where I was queen.  Always hoping for the constant surprise of beauty, a lady slipper-- stunning last year's leaves, a meadow of white violets-- May snow on green?  Or was the startle of of seeing my first scarlet tanager in the saplings-- still too cold for leaves?

To the uninitiated The ****** was nothing more than the meaning of its name, a bending tube of woods with a brook tracing along it-- like snake's spine.

Not a practical place for a housing development, it had an ether of history as some “Valentine Park” and playground, and I guess that was true, judging from the ruins of bridges, stone half-penny steps, and the overgrown lima-bean shaped pool.  Huge, stone block stairs had faced each other, lining the entrance of a spring-- a fountain once, covered now with moss.  It loomed at dusk like an ancient temple.  Even the course of the brook had been maintained by giant, redstone slabs-- long-since tumbled in the wake of hurricanes whose names I've forgotten....

...Like a snake's spine... always there for a thousand years, wearing its steep banks ever-deeper into the guts of city till oaks, hemlocks and white pines became sentinel giants, far taller and older than their genes had ever intended.  In the war for sunlight, they through up an unwitting wall against all-- but the most daring encroachments...

...Like say-- like say half-grown people, cigarette butts, broken bottles, and underground “forts” with their smells of stale beer and musty clothes, old mattresses-- echos of giggling, the aura of explored forbiddens.  To us who knew her, The ****** could outlive remembrance but not rumor.  Like an old graveyard or an abandoned house, it was the place to go with our bags of candy, pea-shooters, and fire crackers!  We'd go there to fake-smoke punks-- we either were or wanted to be--
  
Somebody's parents always leaving their lights around....

We came there to delve into our made-up mysteries, like the one about that antique car that had rusted in “The Swamp” for centuries!  ...that someone's dead cousin drove off The ******'s cliff side one night... drunk as a skunk!  ...right where The Diamond Match's got this big pipe that spews all that gray **** into the brook! ...right where we used to swim and play on the hottest days since we couldn't use the city's Paddle Pond (folks were scared of polio in those days), so we played at “The Pipe” --making “Indian pottery” with the neighbors,  Gary, Davy, Shelley, and Sandy.  Red clay cups and ashtrays on red hot afternoons-- making wild polluted Indians of Jew and Irish kids alike.

Now I almost forgot.... I was telling you about that antique car-- the one some cousin of Ross was supposed to 'ave driven right off the cliff into the swamp and died... Well... His ghost still lurks there! ...and goes into 'iz cousin's body-- Ross, that is....  Let me tell ya!  Ross could sure mess up an afternoon's good time by his appearance!
                                          __­__

  
But The ****** wasn't just for spooks-- not if you were into spraying girls with rusted cans of rotten Reddi Whip, kicking skunk cabbage (same effect), or finding frogs eggs under lily pads,  Gary even discovered those curious old Italians picking water cress barefoot in The Frog Pond.  Intensely curious, he was not afraid of their funny speech and ways.  He had gallon cans and pickle jars for raising pollywogs-- so he was on a mission.  But best of all, Gary had a backyard that overhung The ******'s swamp!  We could even view The Pipe hurling runoff ten feet out into the basin!  Our aberrant Niagara after a good storm.

Then there was the time that Tarzan swing just appeared!-- Like one of those convenient vines in the jungle movies!  It hung from a pine on one of The ******'s sheer sides, and was capable-- when wrapped around the trunk and given a running start, of providing one helluva-swooping-good ride-- out over the brook, into the sunlight and back-- with a thousand terrifying variations.  Took me a while to work-up my nerve-- a little longer to be really fine!

Tommy Gireaux fell and broke his arm.  Our swing was nothing but a stump of rope next day.  Twenty feet up, dangling fun, cut off and left-- to remembrance of times so real Tarzan made personal appearances!

______
Of course, there's more to this.  Our feral band of explorers discovers the soggy Playboys and gets sidetracked from their mission to find  "The Pine Cathedral" and where The ****** actually ends.  Ross shows up.

Not a fiction...not a fiction.

I am totally frustrated by my efforts to use and delete italics and bold print.  Why can't this site just post them as they appear in the writing???   How hard can that be?
The clock stops at 6:40 pm local time.

I'm watching through the attic window as the hands stop. The moon's light reflects off ornate gray steel, stopped in precice alignment with faded roman numerals.

Curious, I stand and push up the glass, scan the street below for any signs of movement. Nothing. Nothing's moving.

Standstill.

Then the outline of a falling leaf catches my eye. Heaven only knows where it came from. I certainly don't. It isn't moving anymore, isn't falling as it's supposed to. As I realize what I'm seeing, I notice even more discrepances - things so odd my eyes skipped over them at first: A large brown moth halted in place, wings frozen on a downstroke. Several candles, wicks lit but not burning, not flickering, visible behind my neighbor's curtain.

As I stare at the world around me, eyes wide and definitely not heavy with sleep anymore, my heightened senses tingle. Heaviness travels, did you know? It's physics. Gravity. Something to do with lift, too, I think, chest heaving as invisible bands of iron tighten around my ribs.

Time to sleep...

Thud.

Outside the window, the clock hands turn.

6:41.
I wanted to try a more narrative style with my poems.

— The End —