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I'd feel like a stranger at my own funeral-
who's that in the box, dressed better in death
than I ever managed in life?
Better than my quiet attempts-those empty rehearsals
at suicide.

Was this the last chance I had left?
Even in death, my voice isn't heard-
nor the screaming ones trapped inside my skull.
Even my ghost wouldn't believe it's dead,
still hoping the lives I tried to save
might pay my way past the gates,
buy out my debts.

But what if there's no heaven waiting?
What if another kind of hell greets me instead?
What if I never see my old friends again-
never laugh without fear,
never smile without pretending?
What if I never stop
being so ******* afraid
so strangely ashamed
to feel nothing,
to be numb to even shame itself?

All I wanted
was to be born again-
not into some perfect life,
but one that wouldn't lead me
back to searching for another end.
And isn't it strange-
how only in death do we see our regrets
with such clarity?
Because there's nowhere left to run from them
once we get
to the end.
ash May 29
someone once asked me
if i were to describe how my heart looked
in words and not through science.
it left me wondering for ages,
finding the right words—
i realized metaphors worked,
kinda like being tangled in lines,
woven outta feelings i can't describe.

my heart is perhaps a lonely, lonely setting
in a space—void of any lighting.
there's glitter on it though,
and whenever it gets a signal of the memory,
cursed even if it was,
it glows like a broken lamp
flickering to light on an empty road,
like an old cd player stuck on the same song—
or more like, stuck on the default,
going in a loop.

the member of the family
stuck in a guest room.
the little kid, trying to sleep—
waiting for a lullaby or a nighttime story.

a black hole, absorbing its own self,
it's been far too alone, on its own.
a long, long night, waiting for a sunrise—
something the world despised, but not anymore.

a dead eulogy with rhyming words.
a piece of broken ceramic, held up by mud.
pieces of fabric cinched together
with needles and stitches,
pinned across words that once shattered—
on a corkboard, decorated in a fancy manner.

a building that collapsed once
during a 5.5 magnitude earthquake—
rebuilt, but never been the same since.

the perfect interpretation is hard to find.
my heart is like a glass toy
in the hands of a child,
a burnt forest that symbolizes ashes and rebirth,
an old woman close to taking her last breath,
yet smiling to the world.

a home to those who didn't belong,
race of the misfits, who all won.

it's just an *****,
something i need to pump blood and to survive—
and yet it feels like an ironical mess of words,
philosophical in its own existence.

i love this heart of mine.
add metaphors and lyrics!
random thought, but we gotta be cringe to be alive. feel to be human.
could i be a metaphor?
Asher Graves May 1
Body:

“The thing is—you all can never compete with me.
I came to be when he no longer craved to be him.
I was forged as reminder, a warning:
That the fall would be brutal if he slipped even an inch.
But he stood tall, brimming with will and flame.
Now look at what you’ve all done to him.”

The body cries in agony.
The pain went away—
But the scars never did.

Mind:

“The boy was prepared, but green—
He pulled through, yes, but it cost him everything.
And now you boast of being unbroken?
It was I who inhaled the fumes,
Took in the blades of thought,
Endured the bruises that whispered ruin beneath the skin.
While you remained, stagnant and crude—
A venom sapping every ounce of his fortitude.
Like a Geist twined with Grue,
I was meant to imagine, to narrate, to survive and renew.
But your pride will drown us in this undertow.
You act like this is all a game?
No wonder they gave you the role they did.”

The mind counters, fire in its breath.
The mental quivers with angst.
The memories went away—
But the scars never did.

Spirit:

“Me? I was never told to share—only to care.
Maybe I came too late.
I always prayed for our fair,
But the universe doesn’t barter in balance.
It demands variation, disruption,
To witness, to scatter, to shimmer through us.
It hums a silence so vast it aches—
Searching for vessels to cradle its flair.
It has no morality, no mercy,
Only the echo of what it wills.
What we do is all it ever notices.
We are its muse,
Dancing to a symphony that stretches beyond the stars.”

The Spirit spoke, and silence fell.
The body and mind, though bruised and bitter,
Rekindled their uneasy affair.
But the Spirit wept—not out of pain,
But for the truth laid bare.

It was a dilemma no one could deny.
The tune was silent—
Yet louder than ever.
An unheard melody drifting from afar.
A Symphony of Scars.

                                                              -Asher Graves
The original idea was to let the scars themselves speak—each telling its own story. But as I tried to write it, the image shifted. Instead of focusing on different scars, I began to see them as parts of the self: the body, the mind, and the spirit. Each one, in its own way, carries its scars—visible or not. So I personified them, hoping they would speak through the poem as symbols of the pain we carry, the resilience we build, and the truths we struggle to reconcile.

I don’t know if I fully did them justice.
I wonder—does the poem hold up?
Did I put enough of myself in it?
Did I earn the title, A Symphony of Scars?
Fahad shah Mar 22
There is a mad place inside some certain
Cold lane where windows creak with
Each gentle whisper.
Surely some revelation is at hand,
Surely someone is to come.
But this mad place, oh this mad place.

It beats and it beats, night and day
And doesn’t stop to sit to mourn or
Feel, this mad place, oh but
Surely some revelation is at hand,
Surely one might someday let it out.

In times of despair, one thinks of
Old age, one thinks of holding hands
And one thinks of committing a sin,
But this mad place, it never stops
To dream, da dum, da dum, indeed,
It beats and it beats!

One day, maybe, it will find a way
To figure it out, one day, or perhaps,
I shall grow a wing, or least
find a way to live with it,
But seldom, will it stop?

When will it stop? When
Will it make sense to stop?
Surely there must be something,
Some shade under a tree

Or some fine stone to sit on.
Oh but this mad place,
this mad place, this restless bird,
When would it drop the shiny pebble from its hands?

Yes, there are times when it lets out a sigh,
Mostly out of desperation. But
When the night passes, it makes up lies
It doesn’t look back to see what it said.

Does it even means what it says?
Does it even bother to say what it means?
This mad place, this uncaged cage,
What does it seem to wait for?
Who is to come? What is to come?

This mad place, this mad place,
When the words fly like out of season
Birds, when it squeaks like winter winds,
Maybe it will think to stop, or ask,
Surely someone is to come.
Surely some revelation is at hand!
The poem explores an unrelenting, restless inner turmoil—a "mad place" that beats ceaselessly, yearning for revelation yet refusing to pause or find peace. It questions whether meaning, resolution, or an end to its madness will ever come, lingering in uncertainty and expectation.
dead poet Jan 13
death is humble;
death does not discriminate;
death is everything,
but life.
Patrick Jun 2023
is this the place i long to be?
a place where once, in memory
sounds danced, as if alive,
now silenced, and warmth deprived.

gone are those happy days,
swept under hidden waves,
Time, the subtle thief at play
takes what we once held, away

in stillness, i witness life's parade,
the circus closed, its tents set free;
faded hues on past september
dreams once chased, now burn as ember

yet in ashes, a spark may hide,
a glimmer of days gone by;
embrace the past, but do not dwell
existence is a fleeting prize.

— The End —