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c Jan 2018
What would be accomplished

throwing a word–or three–

into this vat of

Uncertainty?

--
c
Wrote this during a previous relationship. I felt a deep connection with the person and felt I should say the words, but also felt it would be overbearing and just ruin the whole thing. I wasn't sure of my feelings. I'm also a Dickinson fan, so tried channeling the structure through her work.
jude rigor Sep 2017
marina tsvetaeva's "poem of the end"
clear umbrellas
soft and cold rain
mountain smoke
old photographs
books i want to read
dandelions
gas money
voices
dreaming in foreign languages
timelines
hanging ferns
natural light
"to emily dickinson" by hart crane
almond milk
apologies
poem or list? don't really know. when it rains i tend to dissociate more. can't write for **** when i'm like this.
Steve Page Mar 2017
I dwell in possibility.
- Emily Dickinson

I dwell in the possibilities birthed by the daily Immanuel
I dwell in the possibilities whispered by the wonderful Counsellor
I dwell in the possibilities wrought by the almightiest God
I dwell in the possibilities perpetuated by the everlasting Father
I dwell in the possibilities secured by the Prince of all peace makers
And I dwell with Him where all things have possibilities
Inspired by Emily Dickinson and Isaiah 7:14; 9:6 and Mark 10:27 [“With man it is impossible, but not with God. For all things are possible with God.”]
xmxrgxncy Oct 2016
I'm feeling like a hole in the wall
empty but patchable
ripped yet repairable
dead.

There's so much to a name
-would a rose by any other smell as sweet?-
but lately I wonder
about mine.

What does it mean?
And more importantly,
who is she?

I swear, I am more myself yesterday than today's current phase, but I cant remember yesterday to be able to tell myself how to feel alive again.
I don't feel dead.
I just don't feel me.

But who even
am I?

*Hello, I'm Nobody. Who are you?
excerpt from an Emily Dickinson poem.
Jenny Gordon Oct 2016
It's interesting being argued with to your face regarding getting your work on the market and published.  They are too kindly in my local poetry group at the library.



(sonnet #MMMMMCMXLIX)


La, to my face, ere from a distance' pale
Voice bits and bytes denote, some worry hence
I'll be like mousy Dickinson, as whence
They urge me publish these fraught lines' detail,
Lest after Death seals that font in betrayl,
What **! but shall these perish sans defense?!
Come, let us now observe a winking sense
Of hallowed silence, shall we?  Have I bail?
Where Shakespeare trusted he'd be loved ah, fer
Was that until this earth be done? He knew
Him cherished face to face.  Besides, in poor
'Scuse we but parse his lines or lisp the crew
Of them sans knowing Will.  I'm not loved.  You're
Appreci'tive, and my loves:  I  love y'all too.

05Oct16
While not too many years ago I likewise dreamed of being on bookstore shelves and snatched up, in hardcover no less, oh, and I envisioned particularly how my sonnetry would be ordered on the pages to boot, somewhere since passing the 1000 mark and finding that daily sonneteering in the face of working and living left little time for collating a manuscript, I chucked the idea indefinitely.  Funny how they too generously pressed me to try to get my name public the last meeting I attended at our Gail Borden Publick Library Poetry Writers Workshop.  They are too sweet and kind to little me.  You know?
Heather Valvano Apr 2016
The heart wants what the heart wants and my heart wants you.

The brain knows what the brain knows and my brain speaks truth.

My heart has taken over.
I'm on autopilot.
And you're the fuel.

The heart wants what the heart wants.
I'm going to crash and burn.
I let go of the wheel.

The heart wants what the heart wants.
It ignores truth.
The heart wants what the heart wants.
I'm crashing over you.
Tom McCubbin Apr 2015
I pay my ticket to enter the giant
concrete staircase on the periphery
of the bay of San Francisco.

***** Mays and other boyhood
heroes would do their magic
along this shore for so many years.

Now that I no longer feel the
baseball enthrallment–
because my body cannot see
itself moving with such speed and grace–
I dream of a different crowd.

Homer pitching the ball,
as someone must start the play;
Lao Tsu striking with wood
at what moves so fast it
can barely be seen.

Such hollow sound as ball
is soul-bound into the ether
of the Psalms. Emily
Dickinson snags the high hit.

The onomatopoeiac crowd
lifts its unified heart to
the resounding cheer of
Walt Whitman on grassy
outfield of bliss.

This warm day in the concrete
hang-out, I see in the concrete
dug-out such heavy hitters
lined up for a quick swat at glory.

Maybe something soothing
in between the innings–
an oriole or an Indian foot dance,
while I dream of dancing in my sox.
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