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in the deepest and utmost corner of my heart
the pain is being hidden

and on the outside
you will witness
my sweetest smile

if only
you will catch a glimpse
behind those eyes
is the loneliness that being kept

if only
you will stop and stare for awhile
you will find out
that i am in despair

i was wondering
if the saying

"in the eyes you will see the real feelings of a person"

is true

because why can't you see?

that i am

alone

crying

and

dying

inside?*

©IGMS
the twin of love is pain
 Dec 2015 Skyy Blu
Ravenlimit
I bid you all farewell.
As I make this journey on my way to hell.
Maybe if it does exist.
 Dec 2015 Skyy Blu
Cecil Miller
No jingle bells ring around here
Since you've gone away.
White snow blankets ev'rything in sight,
But I don't wanna play.
I don't feel the merriment, the mirth, nor cheer,
It's not like Christmas at all
When you're not here.

It's not like Christmas at all,
When you're not here.
I don't feel like celebrating
When you're not near.
When you were in my life
I never did know drear.
It's not like Christmas at all
When you're not here.

A wreath adorns the cold front door,
Your somewhere on the outside,
Frolicking in the wonderland,
Your world is unfurled and wide.
You will never have to know
A life spent all alone.
You will always find somebody
You can call your own.

It's not like Christmas at all,
When you're not here.
I don't feel like celebrating
Without you, Dear.
I keep hoping by some chance
That in my door you'll reappear,
It's not like Christmas at all
Without you here.

The ornaments, tensile, and lights,
Hang on the evergreen.
The Yule log burns, and warms the harth;
The carollers, outside, they sing.
I can't face the new year
By myself, all on my own.
Things haven't been the same
Sinse you've been gone.

It's not like Christmas at all
When you're not here.
I don't feel like celebrating,
When you're not near.
Come back for the holidays,
Then stay all year.
It's not like Christmas at all,
When you're not here.

(Nobody's under my mistletoe -
I won't cuddle when the night is cold.)

It's not like Christmas at all
When you're not here.
I don't feel like celebrating,
When you're not near.
Come back for the holidays,
Then stay all year.
It's not like Christmas at all,
When you're not here.
I wrote this when I was about 23 years old. (Early 1990's 20 years ago) It was the first in a long series of Christmas inspired lyrics I've written. I reworked it just a little over the years, but it is mostly faithful to the first draft. On June 4th 2016, I added some words for backing harmony about mistletoe. O removed the revious reference that was in the second verse and restored it to an earlier rendition and extended the somg by addion of an additional choral refrain.
 Dec 2015 Skyy Blu
Cecil Miller
It was All Hollow's Eve.  

From all around people were coming to the south eastern seaboard to pay homage to the full moon, and beseech the moon to bless them in the upcoming harvest season.

As was customary, the people brought their bongos to attract the attention of the moon. The drummers settled across the length of the beach in many little groups and began drumming their rituals. They drummed for many reasons.

To this ceremony came a young boy.
He was a quiet boy from a tribe of very meager means. He did not have with him a bongo, ornate and with a bold resounding rhythmic thump. All he had to bring to the ceremony was a single tiny bell and a sounding rod with which to strike it. The bell, when struck, would render a soft, high pitched ring.

The boy knew it was a drum circle and not a bell circle, but he wanted to be a part of the evenings events.

The sun was beginning to set and the drummers had begun.

The boy with the bell joined a group of drummers who drummed to ask the moon that the breeze would be cool and gentle, instead of savage and destructive. The boy was feeling the rhythm, and when he felt he was found the place, struck the bell with the sounding rod.

The drummers stopped drumming. One of the drummers, an older boy around the outside of the circle shooed the young boy with the bell away from the group.

The young boy felt sorry. He hoped he had not been to much of a disturbance to the circle. He walked down the beach a little way. The faintest sparkling of a few stars could begin to be noticed in the sky. The sun had nearly set.

Another circle of drummers drummed so that the moon would intercede with the vast ocean and ask that the tide be gentle instead of large and destructive to the crops in the field.

The small boy liked the rhythm made by the various hands rapping on the tight skins and the sides of the bongos. He could hear in his mind how his bell might fit in with this rhythm. He was patient. He waited. When he felt it was just the right place, the boy struck his bell with the sounding rod.

The drumming ceased. Many drummers scowled at the young boy with the bell from a far off village. One of the drummers waved for the boy to go away from this circle. He pouted a little and left.

The boy did not mean to cause a disturbance. He had only wanted to join the ceremony.

The sun had long since set. The moon and stars illuminated the sky like a silvery blanket. The boy felt the love that was on the beach deep in his chest. He began to smile.

The boy was drawn in by the rhythms of another circle of drummers who were drumming to ask the moon that the crops be plentiful with fruit, the goats to yield plenty of milk, and the chickens many eggs.

The boy thought he might try one last time to find a place for his soft, highly pitched bell tone. He was hopeful because a few of the drummers were rapping and shaking beaded pottery. Surely this circle would be open enough to allow the boy with the bell to join in and help beseech the moon.

He waited and listened. When he felt that he had found the right place in this rhythm, the young boy struck the bell with the sounding rod.

Once again, the drummers stopped. A man wearing a frown pointed sternly with an outstretched muscled arm and sent the boy further down the beach where there were no more circles of drummers.

His head hung low, and with nobody around to see, the young boy with the bell who had been sent away from all the drumming circles on the beach let heavy and hot tears roll down his face and drip from his round cheeks.

"Do not cry, Young One, " the boy heard a soft voice say.

The boy took a breath and the raised his head. Standing before him was a woman in silver robes fettered with strands of fiber shimmered like stardust. A soft mist surrounded her.

"The tone of your bell was most pleasing to me because it was possessed of a sincere gentleness and simplicity that was unique among a multitude of sounds that all bore a similarity to each other. By the time they reach the heavens, they are all the same.

Because your bell was different, it got my attention.

Because you rang your bell with the first circle of drummers, the wind will be gentle. Because you rang your bell with the second circle of drummers, the ocean will be calm. Because you rang your bell at the third circle of drummers, the crops and livestock will produce a plentitude."

The young boy could barely believe what the beautiful woman had said. She seemed to be cloudy through his lingering tears. The boy brought his palms to his face to wipe them from his eyes. When he looked back up to see her clearly, she was gone.

The round full moon was brightly shining in the midnight sky.
This is an original short story. I got the idea on my first night I moved to Miami on South Beach in 1999. There was a young adult latin male who kept going to the different circles and sounding a bell, trying to find his place in the various rhythms ,but getting scowled at by some people, so that part is mostly true. The rest is from my imagination. The bell and the sounding rod are metaphores for the boy's love and hope. It is prose, rather than verse. I wanted to capture a feel kind of like The Velveteen Rabbit, my favorite children's story. I hope you enjoy it. Many of the elements are mystical and poetic. I retain the ownership and all legal rights to this story. Written on 12-15-2015
 Dec 2015 Skyy Blu
Cecil Miller
My heart was true,
So true, but now it's blue.
You left
Without a saying word.
It beats
All I ever heard.
You treated
Me like a clown.
Now, your gone.
So, you're gone for good.
Don't even think
About comin' back around.
No.
No. No, oh!
Don't even think
About comin' back around.

My fate was cruel,
So cruel, cause I loved you.
You lied,
When you said you'd stay.
I cried,
When you went away.
Must-a took me
For a fool.
But, you're wrong.
Yes, you're gone for good.
Don't even think
About comin' back around.
No.
No. No-oh!
Don't even think
About comin' back around.

If your thinking bout coming my way,
You'd better think again
Cause once love has strayed,
There's no way to rebuilt the past
From your wreck of lies.
I see the truth, at last.

Oh, you took me
For some kind of fool,
But, you're wrong.
Yes, you're gone for good.
Don't even think
About comin' back around.
No.
No, No-oh!
Don't even think
About comin' back around.
I wrote this one two nights ago. Mid tempo, mostly in open A and D chords.
 Nov 2015 Skyy Blu
ZL
good bye
 Nov 2015 Skyy Blu
ZL
woman: I'm tired

man: of what?

woman: loving you.
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