The truth is, I’m not really sure who I am.  She told us to draw ourselves and then to draw our souls; so I drew my face scratched and uneven, just as I’ve always seen it, and frowned at the result both in the mirror and on the paper.  The only soul I’ve ever really known was the one that shone through the strokes of the keys I punched, the scrawling of ink on paper in mismatched arrays of awkward thoughts, disorientated and unorganized, shaded different spews of emotion and rearranged through the lens of ever last viewer’s eye.  Even so, this soul that is composed of words that defined me painted a picture vivid in its contrast, though blurry from both afar and close enough to squint, no details able to be made out.  These words that have wrapped around my soul rubbed raw from the time my skin first flinched at the cool March air cannot be deciphered by their author, though I know somehow that their letters flowing into one another say more than any curve of my face ever could.  These words are black and white, two extremes crafted in the pallet of the Universe’s toolshed, and perhaps that’s exactly what I am.  Black or white.  I’m dark and lost and scrounging for some rusting wall or tree branch to cling to as to ensure the shimmering waves, onyx and charcoal in their nature with the flow of blood in its spine, do not flood into my mouth at a rate in which is too quick to balance myself upon them, or, I’m white, drifting snow from a cloud scraping the vast expanse of brilliant blue gazing as a sky above all the world, pure, innocent, unscathed with the potential for creation in vibrancies yet unknown, or to be ripped to bits, scattered amongst piles of cream and autumn leaves drained of their color beneath months of shivering frost.  And so, perhaps any physical representation of my being would be all wrong, because that’s not what I am.  Myself, my soul, it resides in the murky depths of heights I’ve yet to discover, tethered endlessly and uncertain among the caverns of my inners, pink and mushy, stirred and ******, untouched from the harsh light of a world encased in brevity.

It's being stuck in a dark room
Separated from the light of happiness, by a cruel locked door
That has a small viewing glass for you to see
What lies on the other side,
Within your reach

It's having what seems like an entire ring of keys
To open the door, yet they're all the same key

It's refusing to stand up,
To take advantage of the little bit of light
That shines through the viewing glass for you

The little bit of light that'll show you
You keep recycling the same key
Over and over again

Because you use the dark to see

She was the kind of girl
Worth dancing with
     In the middle of the living room
To the music
Of late night television.

She was the kind of girl
Who made the sky dizzy
     Whenever it looked down at her
Because she was
More vast than the sea.

She was the kind of girl
You wanted to kiss
     In each and every snow drift
Because her lips
Were warmer than any jacket.

She was the kind of girl
Who held you at night
     And whose arms lingered
Because when she was gone
You still felt her around you.

She was the kind of girl
People drag themselves
     From their beds and walk to work
Because they needed to care
For a necessity like her.

She was the kind of girl
Who made you trip over
     Words you wished were nearly as lovely as her,
Because she was the embodiment
Of all you ever wanted to say

To swoon the stars and put the moon in your back pocket.

Her words tumbled
Like leaves binded
With silk and dipped
In milk, frosting at the
Lipstick-kissed rim as a train
Passes by, sloshing about
Metal sticks with red
Tipped points aimed to the sky
And moons forged from
Electrocution and
Flat carpet, sleek
And muffled beneath
The soles of tattered
Shoes, beings,
And the quiet drifts of
Snow that had
Nowhere else to whisper.

I spent my time tying pink ribbons to my words hoping somebody would untether them.
Hoping someone would listen to my cherry flavored cough syrup poems.
I wandered around thinking up the type of person who might love me;
gentle, caring, soft and quiet.

Then you came along.

And you could undo any knot imaginable if you were given enough time.
You hated cherry flavored cough syrup and you didn’t understand poetry.
You spoke so fast sometimes I wondered if you even knew what you meant.
But you always listened to my rambles as if I were telling you the cure for cancer.

I went about my days wondering how I could have overlooked someone such as yourself.
It only took me twenty minutes to decide I only wanted you to listen to me talk.
I could taste vanilla on your lips and I wasn’t even kissing you.
I laid on my bedroom floor for hours on end wondering how it might feel to love someone like you.

I fell in love with you on March 10, 2013 when you laced my left skate.
You had a laugh like an early morning songbird; a benevolent smile as if it were always spring.
You kept talking nervously about your hands until I held them and you went silent.
This was the first day I ever thought about kissing you. From then on, I haven’t stopped.

You haven’t stopped knocking the wind out of me since.

You touched my thigh underneath the table and I think I knew then that I was done for.
We kissed on the ferris wheel and you tasted like vanilla wafers.
I think your name is stuck on the roof of my mouth because I haven’t shut up about you since.
(I hope it always stays there.)

You’re like the first warm days of spring after a harsh winter.
You’re so alive and it’s refreshing for me; who forgot what air tasted like.
I want to plant a garden in your heart and watch it grow peacefully.
I want to tangle myself within your vines; wrap myself within your liveliness.

But no matter how ardently I loved you, it was never enough.
There was always a misapprehension with us, a broken line, a word that threw off the entire poem.
I am not afraid of many things, but losing you frightened me to the point of madness.
I didn’t mean to shut the door in your face, I really wanted you to stay. I truly did.

You hated when I said maybe so I started saying it to every yes or no question you asked.
It was the little things that changed; you said my name like it was rotting in your mouth.
Our last kiss tasted like rubbing alcohol and I wanted to kiss you again just to remove the flavor.
I wonder what went was going through your head while I was breaking. (Where’s the glue?)

How little you notice when someone is here; how much you notice when their absence approaches.
The freckle on your right wrist, the quiet way you read a book, how you talk to yourself when you’re nervous.
You touched my hair like my mother did, but you left a deeper scar than my father ever could.
No slamming doors, just a quiet magic trick that left me wondering if you were ever here.

I didn’t want to show up on your doorstep years later in tears because I forgot to tell you... you’re breathtaking.
I forgot to tell you, the stars detonate because they’re trying to imitate your eyes when you laugh.
I forgot to tell you, your touch could heal an open wound in under thirteen seconds.
But it’s been a year and I still haven’t explained how afraid I am to love you.

We met again and your voice was deeper and your eyes were colder.
You still laughed at my jokes but it was quiet and aloof.
Is that the way she likes you best? Vague and jejune?
I never wanted to treat you like a poem; never wanted red ink to touch your stanzas.

Given the chance, I would love you all over again- and right this time.
I would catch your hair glistening in the sunlight and tell you, “you’re wondrous.”
I have spent a good portion of forever writing you into poetry.
I cannot apologize for not letting go, you’ve always been home.

Love me or not, you’ll always have arms to hold you, ears to listen to you babble, lips to kiss you foolishly.
Carry on, carry on, you’ve never been any less than extraordinary to me.
I can feel how alive you are, you’re more human than I will ever be.
(I love you only always.)

Hard to miss, you can take me home.
I'd rather be anyone than to be alone.
Marlboro-stained teeth
have my lips controlled.
Don't mistake the chemicals
for our souls.

I move with the waters inside your ribcage.
Because when I drown in you,
it's the perfect place.

Softly, please, taking off our clothes:
I can see the kisses that have left holes.
You've been acid-washed
by love that wasn't stronger.
Take off your armor,
so you can stay here longer.

Your face is as cold
as the place I found you in.
You can let go of the hurt
trapped beneath your skin.

I keep warm in your fire that beats fast.
To be alone with you, it to be, at last.

Hard to miss, I will take you home.
You can be anyone, rather than be alone.
Remove your shoes, but not your heart.
You can stay here, as our world falls apart.

I am made of wood,
I’m never quite understood,
a clockwork spring makes me talk,
pulling my strings makes me walk,

My painted cheeks are rouged with red,
as I slump in silence upon the bed,
no one see’s and no one hears,
my jingle, jangle clockwork tears.

She's the kind of beautiful that pictures aren't honest about
Because some images are worth endless words

We are the virus,
The disease ridden art of perfection,
eroded by a cancerous cyst,
turned a whiter shade of pale,
paper thin beauty in a beholders eye,
stifled laughs through blackened lungs,
drip fed tears through a wrinkled skin,
we see our dust start to fall,
prelude turns to interlude,
our truth and destiny,
the moth eaten robes of a transient soul.

on the edge where edges mingle-
a hazy mix of emotions
keeps the body primed-
ready for ultimate expression
elation or a kind of depressed -
half known disappointment