(I)

Whose coat is this? Sure as hell isn't my coat. I ain't got no coat with this parka ****, it's *******. I ain't no furry flamin' ******. I ain't no ****** chochy Molly-May-Ze-**** chokin' down chickens and nasalin' a'sniffin' snortin' nasty-*** choch; that ain't me. That ain't me. Look at this coat– I'm like an Eskimo *****. I'm like a butch-**** bull-**** crotch-lappin' a'swimmin' laps in that guy's swimmin' pool. Who's that guy? Who owns that guy? 'Ey, anyone here the owner of this guy– guy ain't got no owner? Whose coat is this? It's nice, real nice. Bet she said, "Does it come from France? Where do I buy one?" I want to buy one, I think I need to buy **** more. I sure as hell need to buy one of these. "And I need one these too and one of them too and I need a petticoat and a tipper-tapper and a whimpratic garfielder and one of them new bartlemores, I need more of them bartlemores. I need more, more, more, more, more, more..." That ain't enough. ****'s from France. ****'s from Paris, that's romantic. You think I'm romantic? I eat hearts for dinner, I chew down nails like nuts for my midnight snack. I smoke cigarettes and spit on concrete slabs, you think that's ****? I'll show you ****. I'll show you Paris, New York City, Rome, romance you in Rome. I'll get real ******' Roman. I'll take you to the desert and make love to you. That's how a free man does a woman, and I'm a real free man. Who's ownin' this guy? It ain't you, it ain't me. I don't own you, you don't own me. I'm a free man:

I said,
"Fire and wood, fire and wood, fire and wood. It is late, it is late, it is far, far too late."

I set
fire to wood, fire to wood; feel that fire fired fresh from that firewood.

I dug the pit,
he gathered the wood,
she started the fire.

She really does make that fire start.

O' how she makes that fire burn,
O' how the wood's wrapped in white hots,
O' how they smoke their smokestacked pipes,
O' tobacco teeming teenagers, tormented by and through youth,
O' adolescence, trending topics, and forget-me-not flowers,
O' old age, Floridan coffins, and coughing  cancers,
O' writers in the mountains writing to be,
O' painters and **** bodies in studies by the sea,
O' thinkers in their mindset, mindsetting the table for dinner,
O' tables set to bursting,
O' wallets so thick,
O' community,
O' society, our social games,
O' hope,
O' peace,
O' that I may be at peace,
O' that I may be content and pray only for peace,
O' how about them true believers,
O' how about that love at first sight,
O' sandstone. My sandstone. That guy sittin' on sandstone.

That's my guy. That's my guy. I own this ****.

Is a man breathing on a mirror the sum of his breaths?
Breaths foggin' a'mistin' my view,
my view of a body and that face,
you're a body.
You're a workin' day's bell,
you're my chill in an Icelandic draft,
you're my spare in a Middle Eastern draft,
you're my pawn in chest-to-chest chess.

You've got this. You've got this. You own this ****.

And it is ****, too. I'd be set, real ******' set, with someone like you. I'll make you a woman, check this parka ****. Coat's mine. I'm a classy igloo runner, runnin' a'ragin' a'czebelskiin' meriteratin', I'll be reiteratin' your points. Check the time, it's late! It's late! ***** was in the grassy knoll turnin' trap tunes on her turntable. Would you listen to that? She sounds late to me, does she sound late to you? I like the music; I like the music. What happened to Woodstock? Where's my watergate, Nixon? Where's my generation, Ginsberg? Where's the meaning? This music's too loud! We're so profound! O' profundity!

Tell me something I didn't know, I'm craving' the new.
Give me the new while I spit on the old,
while I spit on this fine art finely art'd by and for fine artists–
******' fine artists. ******* fine artists.

(You can realize radical-realist realism but you can't be real with me?)

O' fine art!
What fine art!
Which fine artists are dead?



(II)

Looks like they're dead.

Looks like them ******* choked out all them ghettos, choked out all them rednecks, chokin' a'stranglin' by-God-oh-God straddlin' the breeders. I sure did like them babes– babes with their laughin' a'lackin' o' cynicism. They don't know the word "****."

I sure am forgetful–
I forgot that smoke doesn't dissipate,
I forgot how to smell autumn leaves,
I forgot to check the heart against the fingertips,
I forgot why my fingertips went numb,
I forgot to cue in the meaning when the sentence was complete,
I forget to complete my sentences,
I forget who you were wanting when you said, "I want you."

I got as much depth as an in-depth discussion, high hats and electropercussion have got me going. I'm goin' downtown, uptown bourgeois tricked me out, johns and yellow Hummers laid me down and cussed me out. That's not a discussion. That's not my scent scenting my towel, this breath reeks of wintry air– my fingertips went numb.

"I want you."

"Oh would you look at that moon?
Take a look at that moon.
Look at that moon with the ******' mountains.
I love that moon.
That's my moon."

I love darin' a'dusty dareelin' derailin' your dreams, whose dreams are these? They ain't my dreams– ain't no dream derailin' a'nileerad radiatiatin' some hint of joy or Jamison Scotch Liqueur. Drink that ****. That's my ****, I own that ****.
I'm sittin' on this stoop like I own this ****, like this **** owns me; I owed me. I don't own me, you owe me:

Pay up man, feet off the stoop.
Pay up man, be real with me.
Pay up man, you ever thought of a man as a man?
Pay up man, give it in.
Pay up man, give in.
Pay up man, I need you to do me a solid. Do me solid from crown-to-toe, we're toe-to-toe let's do-si-do bro-to-** I'm ready go, **, jo, ko, lo, get low… Now I'm ramblin'. You say, "Ramble in to the stoop and tell me a story."

What's a stoop– who's a stoop? That **** ain't stoop– you ain't stoop. You're stupid. You're a joke, check out the joke. Hey ladies, you seen this joke– joke ain't been seen by them ladies? I'm a joke. We ain't laughin' with you, they're laughin' at you.

O' hilarity!
Such hilarity!
What hilarious histories have passed?



(III)*

"I said I loved him once. I only loved him once."
(And how long once has been...)

I sure did like them hand-holdins,
them star-gazin' moments,
them moon phasin' nighttime nuances,
them fingertip feelin' a'findin',
them sessions o'meshin' limber legs unto steadfast *****,
heads cocked like guns toward the sky,
beyond the horizon
but well
below the belt.

Them star-gazing moments seeing stars seemin' small, I love how they gleam- gleamin' a'glarin' comparin' shine to shine, shimmerin' a glimmer shone stumblin' her way home from the bar. She's drunk. She's brilliant, brilliance of whit and wantin' a'wanderlustin' gypsy nomads- that ***** gyp'd me, no mad man would take a cerebral slam to the face lest them moving pictures are involved. Read a ******' book, it'll last longer. Kiss me on the collar bones, clavicles shone shining with slick saliva pining for my affections. You're clammerin' to feel me, clammin' up (Just feel me.) I want to run my hands through long hair and peg the nausea nervosa to the wall. The writing's on the wall:

The sun bent over so the moon could rise, chanting,
"Goodbye and good riddance,
I never wanted to shine down
on them seas o' tranquilities anyhow."*

O' what a day. What a day.

And the wind ruffles leaves and it ruffles feathers on birds eating worms in brown soil.

What a day. What a day.

And the men under the bridge gather in traitorous conversation of governments overthrown and border dissolution and poetry with meters bent out of tune.

What a day. What a day.

And the billboards are dry for all the consumers to consume, use, and review.

What a day. What a day.

And hearts break messiest when you're not looking.

What a day. What a day.

And the ego and the id and the redwood trees are talking. They're sitting **** in the marshes, bathing in the bogwater while fondling foreign fine wines and whisperin' a'veerin' conversations towards topics kept well out of hand, out of the game, nontobe racin' in races, rampant radical racists betting bets on bent, bald Bolshevik racists wagging Marxist manifestos in the bourgeois' faces, yes. Make it be. Nontobe sanity as the captain creases his pleats, pleasin' her creases and the dewdrops of sweat trailing down the small of her back– down the ridge of her spine forming solitary springs of saline saltwater in the small of her back. Aye-aye, guy's pleasin' a'makin' choices a'steerin'– government's a'veerin' a hard left into the ice.

'Berg! 'Berg!
Danger in the icy 'berg!
None too soon a 'berg!
Bound to bump a 'berg!
O' inevitably unnerving 'berg!
Authoritative 'berg!
Totalitarian 'berg!
Surveillance of *** and the sexes 'berg!
O' fatalist fetishist 'berg!
Benevolent big brother 'berg!
Homosocial socialization 'berg!
Romanticized Roman 'berg!
O' virginal mother 'berg!
City on a hill on a 'berg!
Subtly socialist 'berg!
Nongovernmental 'berg!
O' illustrious libertine 'berg!
Freedom of the people 'berg!
Water privatization 'berg!
Alcohol idolization 'berg!
O' corrupt and courageous 'berg!
Church and a stately 'berg!
Pray to your ceiling fan 'berg!
Biblically borne 'berg!
O' godly and gorgeous 'berg!
Ferocious freedom fighters launching lackluster demonstrations far too post-demonstration feeling liberty and love, la vie en rouge, revolving revolutionist ranting on revolution tangible as
an ice cold 'berg.

'Berg! 'Berg!
O' the 'berg, the ****** iceberg–
You'll be the death of me.

Jealous Again

I put Black Flag, Jealous Again on the turntable
It spins and I spin
I hold my hands to my face like I have a mic
I feel like spitting as I pump my fist
MAYBE I AM JEALOUS
Jealous of the guy who has two kids
Jealous of the guy with a job
Jealous of the guy with a car
I put Black Flag, Jealous Again on the turntable
It spins and I spin
I make faces and show my teeth
My grill needs work
MAYBE I AM JEALOUS
Jealous of the guy who has nice teeth
Jealous of the guy with six pack abs
Jealous of the guy with a full head of hair
I shouldn't be jealous
I have me
My values
My family
My friends
I even have Black Flag, Jealous Again on vinyl
I have everything I need
I shouldn't be jealous

1.
It feels as if we've enjoyed a beautiful, paced love for so long
On this turntable of unity.

Then you quickly and suddenly throw at me
An unpinned grenade of words and demands
While you jump off the LP.



2.
Leaving me spinning on, alone
Wildly out of control.

I jump to the middle
Seemingly-still core of this storm
While it spins ever faster
Rapidly gaining momentum
Caused by your absence!



3.
Confuuuuuuusion....
............................Fe­ar.......
.....................................oh, just horrible!

I am stranded in the middle with this grenade in my hand.




4.
I am frightened.
I am lonely.

So alone, too.
And.....where are you?




5.
Off to gather stones.....
Oh, Joseph can't catch it this time.
Please... too late.






Star Toucher,  04 - 03 - 2013

could you ever, with your ears, express a piece of music, as: fluffy? dark soho's piece is fluffy; and by god i was the pretentious one at the beginning of the 20th century critical of the emerging music... but i'm the one merging at the beginning of the 21st century: and it's a T.S. Elliot scenario: the overload of rhythm: industrial core due to the industry being foetal sieg heil! and so many have fallen for the nostalgia trap... it's not coming back: against the thump thump gyroid reproductive muscular we emerge from... for whatever lack of drums in the orchestra: we're paying for it with an excess of techno techno Bob the goldfish cardboard box dance sequence... or as some would suggest: filling in the gap about the joke concerning a triangle being a part of the orchestra and the person educated in it, rather than the harp.

ah, the blank, and i have to work on it: let's imagine i was just
cooking a pork stew for my father and you don't
bother to ask why someone's surname is written
Raßer - and you don't know how
to pronounce it: and you end
up with razors - which you end up saying
racer - or how about sharpening
the s into a zed - how's that?
this is surgical activity while you you're
at at the butchers: necromancy aplemty:
when god speaks, the devil whispers -
American divergence of the pronoun
y'all / you all -
                           we the safeguard
and they the paranoia -
                                    take it slow,
imagine yourself living in Alaska:
you're exposed to the elements
and Prometheus isn't handy:
  all you have is west London drool
that later translates into easter in London,
Ld: isn't even an postal code:
given Greenwich, bellybutton on the world
they're bound to abuse / feel special
                 about, it's just a John Bishop
          Scouser type of beating.
                  ya - i say i aye, you frostbite of
culture, ya yarn ball of ****!
    oh 'ere we go: the red-coats are hunting
foxes: sort of scenario -
   the sooner they ******* a killing
the better for me: 'ave that one with a grizzly:
             some say the longer the yawn
the greater the applause -
      yo! Yogi! turntable of Las Vegas
says you better gamble on hibernating in the
effing Hermitage!
  - we say a lot of y'all when we imply the
plural, don't we? terrible, ****** thuggish
'n' all, to say it.
   i have five pages worth of notes,
and even though i'm drunk,
i came across a foundation, i'll never be ask happy
at i am right now,
   i signed a copy of my book (look! i don't
have a publicist, i don't have the ******* swagger,
i have the inferno that says:
  when the writing dries up, get a proper job;
if the writing doesn't dry up?
             you're less than necessary than a
supermarket shelf-stacker...
                 there are succumbing reasons that
explain the affair later) -
      no i'm about to sell my first copy -
  i say to her: when you working this circuit next?
Friday night? i'll tell you how much i'm selling
for, well: i'll never be this happy: ever -
it really doesn't matter how much for how little:
   i'm not exactly a family animal: farmed -
i'm political: through and through -
   by the time i finish this whiskey i'll be
demanding something new...
    i don't think your able limbs do idle chores:
i just think admire that they do them
and hardly complain: i blame it on the workers'
encouraged banter - and that's called solidarity.
still, right now, it's all about
dark soho's: dark moon in stonehenge -
       or why you never take l.s.d.
   question arises with Bach...
and polyphony - again, non-linear polymers:
   back when the Germans were at it
music sliced through the air
                   - or the modernity of lost
string (quartets) and woodwinds -
          only the thing plucked rather than in slicing
stroked kept from the strings:
    it was truly a devolution via brass -
   you can have the iron age,
but this is the brass age -
                   and subsequently the evolution
or filling the void of orchestral percussion,
which began with jazz: how orchestra was stripped
of woodwinds and strings and elevated
the humble triangle and enforced drums
and the rhythmic transcendence of limb and heart
and less ear and mind -
           oh the spontaneity thus involved:
forever the enigma of the composer's ability
to say much more than *A, when saying in A# -
oh hell: music used to be the Mongolian horde
of all things imaginable,
                  the screams, all the entrenching
embodiment of battle: soothed -
  but in our apathetic guises: music is a variant
of the once exfoliated, thus hushed:
music is expressing a war in waiting - or a war
that's not to be - once music music ascribed
wind and tornado toward its elemental composition -
these days there is less wind, and more earthquake:
we are exposed to a trembling -
           an overt percussion methodology:
that's not fire and the storyteller / poet by
the lonesome huddling of nomads by the fire
with oud and recitation of the to come Quran:
we are experiencing a complete reversal of wind:
here we have dark soho's tectonic cardiovascular:
over stating the percussion until the eventual
obliteration of breath, and subsequently
the flatline of the heart's rhythm: to reach the zenith
of a flatline: beehive musicology.
         it's all earth: and the quaking
rather than a waking into.
                  sure: to the alien ear outside the populace
of those that listen to that kind of "****":
but let me assure you:" you can intellectualise
anything beyond the guilty pleasure:
or else - care to disclose your opinions about doggy?
once we were slicing and ******* -
these days? we're hammering, Soviet committee
said: hammer hammer hammer...
            gravitational drilling against the Catholic
lessons of worldly-detachment akin to a Gagarin:
and all the world's problems morphed into
an image of moving away from earth...
    far far away...       well: we're grounded, like it
or not.
              i love that: y'all -
                          it's as if we all need to agree, ~.
and what better way to actually open a poem up
if not to say how prose is a miser and poetry
the mad spender, or compose: he had / another thought
he wished to take / but...
           originally
                    he had
                  another thought he wished to take
                 but...
saving an Amazonian tree, suggesting that: one by one.
i'll sell my first copy on Friday,
i just need to know how much money was put
into printing it -
   and it will be the happiest i'll ever be -
who cares that it's only 1... if i were selling
100,000 copies i'd be thinking of buying a Mercedes
to do away with the capital...
      oh right, the poem (six pages of notes):
the question, what does it all mean?
       i'm thankful that the all means very little,
or at least enough for physicists to take a bother
in answering:
               i'm just thankful to say that at least
bites / bytes / isolated units have more meaning
than the whole... i.e.?
do i care what the universe means, more so
than i known what the word darkened means?
                 pause for thought -
the well established organic search engine that memory
is: and never will be: an algorithm (engine) -
           still the organic variation of accessing it
reveals Rodin's statues -
                        post-Rodin (Rho-dan: ****** iota!
why so naked in the first place?!) -
            the point where it's not so much enigmatic that
you wish to replicate: but entomb, and mould
a statue worthy of the perpetuated cut-short
and mediating the idea that thought has also
the faculty of imagining and memorisation
that hardly translate into being via ergo...
       if that's the case: you're demented via the
ergo of memory... and deluded via the ergo of
imagining -
                      or Frankenstein / Disney respectively:
but never the extinguished cogito, somehow,
oddly enough:
                          and by the way - no one is going
to question my opinions because dialectics was
giving the hemlocks... my opinions
will only become passed around like Bulgarian
Versace copyright thefts, or because they
were never ideas: attachment .pdf
                   will never entertain someone else's thought,
or because they were originally always opinions
will be consecrated on the attachments of .jpeg:
ever wonder why the crucifix always
mobilises so much emotional foundation to
react and protect a torture-filled instrument
worthy of worship? me neither.
                but that's the whole beginning:
we ensured our memory is eroded by an easily
accessed algorithm - we prefer the goggles to
mensa -
                   and if i were a technophobe: e ah e ah oh...
McDonald would turn out to be McTrump:
'cos' i wouldn't be using it.
              then how to synchronise the senses:
you surely can't leave one the prime consumer of
all the things around you:
     i guess that as stated: you can't live out a life
whereby one is polarised, and the others recessively
make your thinking into potato -
   then again: not polarising one of your senses
will leave you thinking that old fantasy that
you live in a hologram "reality": which i mean by saying:
if one of your pentagram limbs isn't polarised
like a blind person, your thought will claim a sixth
sense status - and subsequently you'll experience
either a second chance of allowing one of your senses
to be stressed / polarised, or all your senses will become
overpowering your non-sense: that's thought into submitting
to a polarity / vector: kindred of
the manual worker feeling his trade take
perfect replication -
a composer polarised by "hearing" -
a painter polarised by "seeing" -
a poet polarised by "speaking" -
a chef polarised by "tasting" -
   a perfumer polarised by "scenting" -
and within the sixth sense extension:
a politician polarised by "thinking" -
  the first antonym suggestion comes within the latter's
parameter: mobilising or puppeteering:
would i care to find variations for the latter? no.

     interlude... opening of page 3 of notes on a windowsill...

and how often is soul ascribed a sensual dimension?
i guess as many a time thought isn't ascribed one:
necessarily made into nonsense.
soul? what do i mean by that? the part of you
that isn't indestructible, but, rather,
the part of you that feels that ease: the uninhibited
correlation (verbiage necessary, darling,
if you want the gist of it) -
when at ease you're not really ascribing to yourself
thinking, but a narrative -
  hence your notion of being indestructible,
or young.
      when thinking is easy we're not actually thinking,
we're narrating, hence the majority of us
are clogs in the machine, and once the machine works
we're upbeat about it, because we prefer to narrate
ourselves into life than think ourselves into it:
primarily because (even i included):
we lack a public addressal attache to make
vague concerns over our: inhibitions -
we are entrusted with inhibitory encrusting
for the sole purpose (we should be afraid of
suggesting): let's see who falls off the ferris wheel
first and we can entrust our congeniality toward
the joke: thank **** it wasn't me, later...
          but still:
if were were really intended to think
rather than narrate we'd be given global warming
solutions everyday...
   there's nothing in us that suggests an 'ought',
a moral choice to later say: thought
                      that could fish-hook us out of
kissing the narrative goodbye -
  narration is an undisturbed faking of thought -
as such the 'ought' is never thought of:
because there's a narrative going on
that's more important than anything requiring
even the most basest obligation.
       we are never obliged to be, because we are
never obliged to think: it's strange how the
two are anti-synonymous due to the ergo disparity:
as if one produces the other, or the former
the latter.
              thinking you're good never precipitates
into being good - and vice versa:
   for all i know i know fake rather than falsifiable
saintliness: the power of the scientific
  suggests that i should be Baron von Scorn
when it comes to the ignorance of testifying
         against people who abhor science
and reproduce, nonetheless, with failure to
transcend deformities: because deformities are
glorified and all forms of ability demonised:
so it looks quasi-Vatican-e.
                   preface to a Michelin star:
start with a ******: work your way down:
enjoy your meal, bygones-be-bygones:
you very happy people.
                  but i never understood why
the idea of thought has never the opinionated phrase:
me, exponentially, to no book's avail!
        p.s. as to be ever written!
    thought conscripts man to rubrics -
for example? examinational candélabre -
  some call it i.q., other's call it: for god's sake man,
****** shoot! shoot!
                        and the flying toes and digits:
thumbs away: booh booh Blitz.
                        first thought: that Jersey song:
fifth of November - that Fawkes ****
who almost.... n'ah.
                            in case you're narrative:
thought has its narrative: it's transcendental -
phenomenology comes into play with
narratives and Lady Gaga and how you're an
"individual": thought is acquired trying to transcend
atomic electron orbits that says: electron clouds -
or it's there, but it isn't there, but it's not there,
but it's there: huh?
                         narration conscripted to the rubric
of school exams at school: palpitations, sweat,
nerves... in this scenario thinking is actually
regurgitation -
                          actually we're still doing the Elvis
Costello hope: while narrating we pass from
these shackles of having to think lessons through
when in fact: we're gearing to having no need
in having to learn them primordially, period!

the paranoiac "they" are eroding our protective
membrane -
    they begin with memory -
         it's not that we care to remember certain things,
but by educating us in the Pythagorean theorem
they're not necessarily dressing us in bow ties either -
they need to implant an abstract educational
thought to replace our natural assimilation into
a narrative that we ourselves have created -
       they need to create erosion within our
memory to stop us coagulating our sense of memory
within a framework of us imagining backwards
rather than forwards:
      the cinema of the mind means memory utilises
imagination to do cartwheels backwards
rather than forwards: because forwards is always
a Disney pharmacology of the neon hyper colouring.

or how they made us escape the "Alcatraz"
of the couch of cognitive narration into an
iron maiden of thinking -
                    in this realm narrating is disparaging
from thinking: narrative is a comfort zone:
thinking is a discomfort zone -
                       but neither me nor you will
become a Newton in terms of narrating the ideas:
so why the hell would they want us to think?!
       concerning Heidegger:
the problem is not that we're not thinking -
the solution is that we're narrating and have
no urge to write books, and thank god for that!
               or man, as the pentagram of the senses,
reversed into thought as the sixth sense calamity
and reversed back as that sense missing
and the tetra exemplified...
         when learning what is the weakest point,
the audio or the optic-receptive stimulation?
                         i mean, the senses over accuse
thought's complexity as if it were a sense akin
to them, hence the suggestion nonsense;
well of course, thought is actually non-sensory -
     i just suggested that when thinking
i'm not polarising any of the penta -
         i'm suggesting that when thinking i'm
invoking the tetra - as if blind or deaf -
but that means i'm deviating from the superstition
that a sixth correlative mediatory balance exists
between the two dichotomies -
                            the senses will always treat
obscure thinking as if obscure narratives:
even though i know how much a price of bread
costs in the 21st century -
                              what i'm saying is that
the nonsense assertion is also true for the other:
not having had the chance to polarise one
of its senses to point toward the artefact use of
wh

Tomato:
Big, juicy, red
INSANE!
Sneaks up upon unsuspecting
Unreliable
MATH TUTORS!
A terrible fight ensues!
Tomato or tutor?
Tutor or tomato?
Tomato knows no math.
Tutor has no seeds.
A standoff.
Tutor and tomato growl menacingly,
Circling one another
Like two pieces of meat
On a microwave turntable.
Suddenly, their rhythmic dance of Hate
Is broken
By the rhythmic sound of incoming
Imminent
Inescapable
Doom.
Tutor and tomato are trampled
Like a TV dinner
On the freeway.

The Sansui turntable still works well.
Like memories, round and round,
Needling me. And the more I play them,
The more they itch.
I know the dark side of the moon,
And the way the sun shines.
The dances, whirlwind moves,
That have settled now.
Inside the sleeve are notes and our words.
I will not let the dust jackets do their job.
I set Abbey Road gently on the pad,
Place the needle softly, and hear the familiar scratch.
Standing back, like watching a parade,
I listen.
Here comes the sun on a cloudy day.

I don't really know if this is cut out for me. I rather go to Colorado in my singing voice* how I wish I was your lover please_ let's respect one another....

Here are the
stage lights
If you cannot
stand the heat
Bud light
Other seasons
The Four Seasons
Sherry Baby

Delicacies
Diva and Don Perion
Dressed
Navy and bloodshot
Eyes maroon
The fire desire
Only made them
Moon up higher
legacy
The voices
appetizer

Pina Colada
Fireworks Bella Diva
Gondola
Sunrise Prima Donna
Between the Diva
Fireworks outside
Of Lady Madonna

(Moonstruck)
Havana
Fireworks at
her breast
hot singer
editorial
Designer Hermes
scarfed $
Diva she raises
money
Fill in her gaps
Gap Navy
So savvy Honey
Oh! Jesus
Another
genius
Fireman
Rifleman
Joplin
Baby baby
Baby

She stepped
away
from reality
What about
me Robin
I am a singer
World became
my Godly
duty
Miss Mom Judy

The music
All trends
addicted to
shopping
Men %% $
Those  Poppins
Pop stars
Robin bob bobbin
along
She's chicken
Avocado
Comando
Chief Fido

Fireworks top
crooks
The safe box
She cooks
crock ***
Aluminum Clad
Potheads
Australian lads
All spread out in
Chickenpox

Egg Foo young
Cream say cheese
Lox Hip Hop
Sugar Daddy
Pops
Collegiate
Quickie talk
((Chatterbox))
The made hit
singers paradox
Calm me, Colorado
Endless voice

Eldorado
Diva had too many
Stars at the sing sing
of Rosy®
At the check coat Sassy
Tommy can you hear me
Her mouth
mento mints

Extreme bossy
Deep-throat
(Juicy Pineapple
Dole) her

The singer sways
all over him
Dancing Glove pole
If this is the
last thing
we ever do

Designed for a
Diva with
Jimmy Choo, it's
not a
better life
for me and you

******* coo
Lana Turner,
Turntable 4 the record_
Tina Turner
What does
loving a Diva
got to do
with this!!

So tramped on
Diva devourer
He's the observer

Maxwell millionaires

Tantalizing tongues
The Canaries
Yellow Solo
Not the goddess the
Diva Luv-a sun
{Ralph Polo]
Little darlings
Vampire
Diaries
The mad
librarian
BLT Diva VIP
The hell of
tinnitus

D=F ****-Fun
in" D"
Devilology
Diva Fireworks
sanitarium
Disney
aquarium

My sign the
Aquarius
So Forestal Crystal
Forest Hills US
open tennis

We are the
champions
The  sexter pistol
wedding ring
Go, Crystal
He compelled her
Divas revolver
Wild thing makes
my heart sing
And his boxers
make me  
so closer

Diva solver
Frenzy firecracker
pleaser
Who is ready to vote
Songs wanted
love pusher

Diva's eyes
  Maybelline
Maybe all lined
Stadium of voices
titanium
The Diva to
be resold

Too many songs
were sold
Wife trophy
Platinum had
a voice tone

Diva Grand
Marnier
He's the
connoisseur
of mouth's
experimental

Mentally
He tricks you
Singing horse
you just know
won't trick you
A singer is like
a horse

Wizard of Odd
Moms many colors
performances
This land is your
land from
California but
the Diva Islands
flipping
Las Vegas

Nothing is
guaranteed
((Lady GaGa))
Your out
Haha
Stay upright
lights down
out of sight

*Brooklyn Blackout
Cake Ebinger
We were eating
Singing and Guessing

Diva sucker
lollipops
Panic at the disco
To run him over
What R the odds
Getting even road
Steven the Cosmos

The singing
highway
project
Robin was
from Bayview
Project
All Adultery
Bills
Clintons Mastery
No Susie
homemaker
Hilariously singing
Shining like the
shoemaker

Sitting at
the pub
She ordered a
hot steaming
Spa voice
The Egyptian
grains
of love sand
Medler
Fergie Google
Ben Stiller
Singer just
pill her
burlesque

So Cher-like
if I could
change back
the time I would
do it anyway
Jumping Diva
Kangaroo  pouch

Too much Diva
Ouch----
Joe DiMaggio
fireworks of *****
Big wiggle
Opera
Marilyn Monroe
The Phantom
Of *** appeal
Propaganda
Blowing off
competition
nails

But__ dying inside
like a deadlight
Sparkle me
*** lights
That voice
signals
"Neon Nights"
ooh la the
Eifel tower
bowed her
Moonstruck
striking
wallet high Kicking
wages
Got her voice back
to be shot in stages

Her revolver
eight days a week
The real voice
never take
for granted

Genie
The Diva Luv
in her SUV
She was still
singing
And he wasted
his
whole
dinner

But I got
my voice back
Singing
She let her heart out
He turned his head
He said  what a stunner

There is a vicar from Chelsea
Who alas is not very wealthy
Often he dines on communion wine
And curried bat from the belfry

He lights a lot of incense
To hide his flatulence
He gets a bit high
Perhaps that is why
His sermons never make sense



--The vicar gets his knickers in a twist--

The old church roof had seen better days
The pressing need was a serious fund-raise
So the vicar abseiled down the tower
As the village watched by the graves and flowers

With a flurry his cassock flew up in the air
Shocking pink he wore under there
Flapping around it covered his face
As he dangled there in embarrassed disgrace

Someone called the fire brigade
A turntable ladder came to his aid
When at last they got him down
Humbled and grateful he kissed the ground

Tell me about the Ace of Wands!
Tell me about the Ace of Wands!

This has been poorly imagined I admit:
The sunny penthouse
Open to the breeze
which presses and sways
through the sliding glass doors

Upturned champagne bottles
set in buckets of melting ice
A crystalline view of the Pacific
Or dusky Vegas lights

Strewn silken sheets
A **** carpet you can grab on to
The myriad of variations under a rising Moon

Yet Leather and Ecstasy are no where to be seen.
And though I wasn’t thinking of Sardinia
or of the Amalfi
That is a great idea

ROMP
noun
1. a spell of rough, energetic play.
2. a farce.

Eventually
(An earth-sign cusp is slow no matter how much air)
Eventually
creeping into my mind’s eye
(Thank you Time)
was my dodging of the slow-moving bullet
Alas, the lumpy bed in Hollywood awaits
with serviceable sheets
Encased in variations on a theme of
brown everything
A soul death in faux wood paneling
Someone else’s earring on a
grubby carpet floor
that offers you
burns for your back that won’t heal so fast
if that’s what you want
There’s the opening of the door
on the purring refrigerator
to look at cold nothing
And think nothing
Cystitis is on its way
And yes,
Too much dust

Don’t get me wrong
I have no real issues with dust
I have stood
Alone in the semi darkness before
In such a living room
Staring at this luminous particulate
On album covers
and in the glare of backlit windows
Floating in a beam from
a ceramic thrift store table-lamp

I was on my way to find the bathroom
Where a pair of pink ******* lay
drying
in wait for
me

Bachelor dust
Is old
I can write my name with my finger
in that which rests
upon the turntable’s hinged cover
In case you don’t remember
What they call me

As I’ve said
I’ve got nothing against it
Ask the dust
Go ahead
Ask it
Resting quite comfortably
on the bookshelves
If there are bookshelves
As if it had
something to do.
I ask it why?

my invading molecules subdivide
and grow more comfortable

Dust?
Why do I smell the stench of
chaste virgins and ***?
The intoxicating odor of foxed letters from an epistolary exchange regarding:
One Fair Maiden and the Devilish Pursuits to  Compromise Her Virtue?
The Opinions and Observations of Fallen Fruit
Here: The woman and her only true
possession
And Here: The sticky absconder who smells of fish.
They meet.
She blinks.

The dust replies
It’s a simple plan:
The Dear Lady is to be led
Astray
by pretty words and unspoken indiscretions
her dowry in the end, useless
She’ll be banished to the counties
To be a governess
or the
Bored companion
of the only living relative who will
Admit her services
Unpaid in silver coins
He is Blind and his Cook has left
Dyspeptic
Disagreeable
Cheap
and Mean.

She is Ruined.
Perhaps she will escape
to Italy
and die
Alone
in the sunshine.

The dust tells me another story
The same century still
This time, a miscreant princeling
surrounded by Trifles
Picking up one bob and then another
Preoccupied by uselessness
Perhaps a strawberry
Perhaps more claret and his mistress’s left breast
Tonight will be the scullery maid
Who will lose more in the end
Than she could ever possibly imagine
Tossed out of the kitchens
to Providence.
God bless Her.

The dust tells me
It’s mercantile, my dear
It’s all transactional
But look at me
I’m here for a time but am easily
Agitated and
Airborne
Aeolian driven
Ever blossoming fugitive clouds of swirling devils
Interstellar Reflection Nebulae
As you can see
I’m never in one place
So I say keep it movin’.

I want to go to a record store with you
we can spend the little money we have left
on The Smiths, The Rolling Stones, The Who, Pink Floyd
for an hour or two we can be angsty teens in the 80s
who drink cheap beer and steal our parents cars
lets pretend were running away
from home, from school, from everything we know
I wanna lay on the floor of your apartment
put a record on the turntable and hear that sweet crackle
we'll listen to what we've bought
and pretend we're watching the stars through the ceiling
they'll dance to the beat like a laser show in our eyes
while mind blowing guitar riffs and drum beats fill our spirits

-kk

Plays the music
of sweet symphony
Glowing, growing hearts,
my genuine melody
The song goes on
with awe and excitement
perfect and clean 'till
A tick here, a tick there
Where is that from?
Never knew there's a beat
says the metronome.
And it begins, it fades
must crank it to go on
harder and faster
But it stopped.

Scratching and screeching,
give it a little tap.
It plays once again,
but rewinds and rewinds
"Nobody loves you,
Nobody did."
Words I've never heard,
tune was unknown
"It was your time
yet you awoke."

The song intensifies

Walls are crashing,
dreams drifting away
I knew it had to stop.
My ears were bleeding,
eyes were tearing
I didn't have the power
so I let it be...
It never stopped,
but my heart did.
My body, fresh and pure
hiding the decayed inside.

Magdalene watched Mary
bend down to put on the LP.
The Beatles. They’d saved

up and bought it together.
She took in Mary’s stockinged
thigh showing through the slit

in the side of the school skirt.
Mary placed the LP carefully
onto the turntable, with her finger

put the needle arm down onto
the vinyl. The music started up,
Mary stood up and sat next to

Magdalene on the single bed.
Magdalene sensed her there,
her thigh next to hers, her

warmth, their knees almost
touching. What did your Ma
say when you said you bought

the Beatles? Magdalene asked.
She said nowt, Mary replied,
but Da said it was a load of

***** and where did I get
the money from to buy it?
John Lennon's voice sang

over the twanging guitars.
Magdalene said, did you
tell him we bought it together?

Mary nodded. Her hands
pushed between her thighs,
her young face lit up by

the room's light. Don't you
think Paul's a dish? Mary asked.
Magdalene shrugged her

shoulders, studied Mary’s
knee where a spot of flesh
showed through a hole in

the black school stockings.
She wanted to move closer,
kiss the cheek, place her

lips on the skin. She breathed
in the borrowed scent that
Mary wore. Said she'd liberated

it from her Ma's room. Mary
talked of the boy they'd met
in the woods above the school.

Tried it on so he did, she said,
over the guitars and Lennon's
loud voice. Magdalene wished

she could put her hands where
the boy had tried. I put him
straight, Mary said, kneed him

where his fatherhood might flow.
Mary moved up and down on
the bed in response to the music.

The bedsprings complained.
Magdalene sensed the movement,
took in Mary’s behind going up

and down on the bed cover.
Glory be. She wanted to kiss.
Needed the hand to touch Mary’s,

the skin to join up with hers.
Downstairs a voice bellowed
to keep the ****** noise down.

Mary sighed and bent down
to turn the **** the thigh
revealed in the skirt's slit,

the spot of flesh through
the hole in the bended knee.
Magdalene captured the image.

Hid it in her memory bank for
later, for bedtime, for the cosy
pretend hold, maybe more if in
her dream she was lucky and bold.