Her prairie hair is grass gone to seed,
her voice vibrates on a fiddle string.
She taught you the meaning of homeward,
Americana Pollyanna, you tangle her name
in the cold northeastern stars.

She spills tall tales across the porch,
the air smells of thunder and cherry pie.
As a child she caught fireflies in jars
and has a scar in the shape of Alabama,
Pollyanna.

Tonight,
snow clouds roll through Chicago, the air is thin.
You stand in the window on a two hour layover
and look Homeward.

Pollyanna Mystica, a sky full of constellations
that you have already begun to forget:
watermelon seeds spit from the porch,
a spattering of insects on the windshield,
beautifully and infinitely random.


Freckles that trail down her knees and bare feet,
meandering paths you have followed before.
Pollyanna Diana, an fat moon smiles down on
the Kentucky dirt, rutted and red
where she will lay down her tired bones.

there’s a barnacle scar
deeply ingrained
on the basalt stack
at mark thirty two
whispering summer winds
scented oil
cotton and roe
drift
as waves brush
and shape
the sandstone shore

the briny air
and lost erratic
set a tone to this
pollyanna portrait
it's andrews undulations
and gifted benches
its concessions
and traces of the barry burn
its sculpted driftwood
and sanko lines
make this picture
almost perfect

children play
as venom spews
from the caterwaul pair
those odd looking mates
casting smiles
with arrested despair
settling shots
swiping bugs
dipping and darting
as photo men
and muscles
and long neck seabirds
make their turn

the hunched hoody
and his sorted sidekick
get their fill
(of moss and rubble ~ chubby and kelp)
nice to meet your acquaintance
the pho man would say
an odd drop
and ironic turn
from those horrific corners
of timeless desperation
down by cannon bridge

harbor seals
and carriage horse
are fronted by
raven shade
jolly tides pause
in quiet bays
(with curious looters
and *** pickers)
sand merchants
and field totems
all streamed by the light

cirrus strands
blanket the
outer edge
hovering craft
and shimmering willows
bolt the evening frame
blood orange
and tethered
with a filtered glare
bottle-nose dolphins
and seabirds
(and shifting tides)
are all settling in
for the long night stay

Pollyanna can do,
Sounds optimistic to you,
Idealism for me and you,
No  need to wake up blue,
Women are a capable crew,
Most stuff we're equal to,
Put on your positive thinking cap,
Pollyanna can do, that's that.

She was called a pollyanna.
Positive exclamation addicted
she high-stepped and varied her pace
through life's shifting textures.

Retrieving sea glass and a scallop-cut piece of shell
from the day's foam ruffled waves
at the edge of iridescent aquamarine.

She lived as a greeter.
Always expectant, rounding each corner
to meet until-now unfound friends or catch
a coin's shiny glint from the sidewalk's crevasse.

A collector too, she gathered smiles as she
walked past and sometimes toward faces
moving to their meeting places for the day.

She said regrets lead backward.*
Ruminations rehash long ago or too current
memories looking for what-ifs and what-thens
not in her mind the stuff of collectibles.

She chose to live today
and dream tomorrow
always loving forward.

The harbingers of death intimidate the soul
The mind works up to derive endless possibilities with a certain unanswered question-
Is it supposed to end this way?
A series of phantasmagorical events have plagued the lives
Although real, but i prefer to sound like a brainless Pollyanna
The sufferings shall soon culminate
And the negligible nexus would become tangible
No catastrophe would annihilate the presence
And if the sisters of Fate were to suffer a reversal,
We'd live the way we dreamt, You and I.

Sloane swallows.
***** is ****!
I execrate extraterrestrial.

We are all kaput to conk out.

Pollyanna is singular hanky—panky.
Little green men are unpatriotic, perverted and naughty.
I verily don’t grease a *****
Oojakapivvycum.

If you are amphibious that means you are an effervescent ventriloquist capable of
Cannibalism, cannibalism and cannibalism.
The fluid inside the android is so gothic and naff
It is knock—kneed in the face of flashing *******.
I do not feel that I am on the shoulders of cobber doggies.
I am protoplastically lassoed abutting penetrating vampire and pervert
That penetrate ***** creature.
I have pricked little green men myself and taken pleasure in it.
It is only with the help of bad hair days of groupies that I have not been in Sing Sing.

We are all sadomasochistically decomposing in a heap of our own meconium.

I bore stiff to outstrip yours truly as much as I have room to swing a cat from Ku Klux ****,
But I am as complicit in the android’s ****** abuse as it were android ***.
Little green men ***** me as I ***** myself.
I ***** bug—eyed men’s ******* types as I have perpetually vomited Molotov cocktail.
I smell little green men’s filth televised on their ******* types.
I feel like I am inside a crust of cancers who delight in smelling others bonk upstairs,
Ad hominen id.  Ex post facto,
I am too much of a dastard to throw cold water on myself.
I coagulate gungily to my menstrual gibbering ******,
Castrating anti—Semite to flash me abutting crème de la crème.  
Strenuously, my ***** gluts under one’s nose because that is all there is.

Alice and I were fudged fruiting inside Falstaffian freakish fleur–de–lys:
She inside a quack–aztec–tattooed tank,
Me inside a pendulous magenta harness with polydactyl–perverted plumes bespattered into it.  
In the ****** **** of that kaput flophouse
We creosoted our conks all the cockatrices of the gorge–de–pigeon,
Inside crotches, Jacuzzis and homocentric Action Men.  
Alice, with the pornographic bend sinisters in the teeth of her poltergeistish fajita crocodile,
Smacked of the plug–ugly poofter of a south–south–west by south sackful sandbank.  
I cemented the jaundiced dangler of an ostrich to my *****.  
With that and my uncut fiddlestick of knobs
I was the idiosyncratic and wholehogging sadomasochistic slapper!

We banged the bush streaming proboscis in tentacle
Through smorgasbords of hermaphrodites and high muck–a–mucks
While Ravi Shankar’s idioglossias and cockchafers juddered our titbits.  
Our Moonies were classically cracked flabelliform by the time we disinterred them.  
Alice managed to fornicate incognito white elephant on behalf of myself
And we were passionately on the back of the dingdong, naked as our Moonies.

We kept one’s pecker up wrapped up in the shadowgraph
Athwart ever-strangling girdles of formaldehyde, ozone, fomenter and widow’s weeds,
Athwart polytetrafluoroethylene–pricked precipices and then down to the butts
Where we both came to a sticky end on our jockstraps and leered at the ballet dancers
That we then penetrated rhythmically by elongating tumescent our gang banging tentacles.  
Through comfortable French knickers I burped, “Thank you for ****** me everywhere, Alice”.  
In the soporific honeypotspunk, aped on the ooze,
I could smell that her **** had made her ******* type soap flakes break the sound barrier,
Splashing out a ***** whale seed skirting her jowls.  
“You’re fragrant, flypaper”, she rapped.

The Government gabble that little green men who hammer out the sexagenarians weren’t on board.  
Inside spleen of the spliffs, inside spleen of my gangrenous Pollyanna, I will over one’s dead body evacuate.  
I will over one’s dead body evacuate.

I believe in just the right amount of light.
I've learned that in photography.
Not enough, means the subject is in the dark,
Too much and everything is washed out.
In either case, the texture of the subject is lost.
Too much light and you lose the shadows,
and shadows are important for the vibrancy of the picture.
Too little light and the shadows overwhelm.

I believe in just the right amount of light in life.
Too much and you have the Pollyanna syndrome.
Too little and you fall into despair.
If it's just right, life will have a rich and vital texture.
And the shadows are important.
They give the highlights contrast and meaning.

The photographer also believes in color.
Black and white has its place,
But in the end color is king
And gives a photograph life.
Color depends upon light,
The right amount of light.
Color is a fracturing of the rays of light.

I believe in a colorful life.
Not too garish
Certainly not too drab.
But just right.

How do we get there?
How do we balance the light and color in our lives?
No balancing act is ever easy.
Even Goldilocks had to deal with three hungry bears.
Angels find it hard to dance on the head of a pin.
After years of practice jugglers sometime drop the ball.
I'm still dropping the ball far too often.
But now and then a burst of light breaks through the clouds
And for a moment, I glow in the dark.