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touka  Feb 2019
penrose
touka Feb 2019
a stones throw from freedom

so, I toss
aimless

wear down the wick,
burn into the small hours

til' the sun basks

suppose I dream in absolutes

from the ceiling, a billion petals;
rose consorting with the floor

come to smother me

the sweet balm,
that last-ditch adamance
the last scent on my breath

do I wake in a sweat
with reason to?

waking being my first misstep
walking penrose stairs

I feel it

suppose I pose more premonition
knowing what I might

a hairs breadth

so
aimless

I dream that I touch it
Natasha Teller  Aug 2014
homesick
Natasha Teller Aug 2014
i need it: the concrete floors
that send electricity through the soles of my shoes,
the ascent up stairs, cold metal under my palm
as lana sings to me and i give her my own words in return
and the pillars of my past rise up before me.
i need the now-familiar halls, the gleam of wood and glass
appropriately placed. i need the embrace of cold air,
heavy with home smells: vulcanized rubber, sweat,
fresh ice. i need my wall, my stairs, my home address: 112, 3, 12.
i need my family, related by blood and ice, by joy and frustration,
by elation and tears. i need the ceiling off its trusses,
the pitch black, the red lights, the resounding bass,
the cold and reverent silence as the bulbs sizzle back to life--
the opening face-off, teeth gritted, fists closed.
i need the smack of sticks against ice,
pucks stinging red pipes, blades scraping up snow,
the crunch of the boards, the red light and the deafening horn,
six thousand people erupting in screams, one entity,
every hand pointed to one end of the rink. i need the urge to
bite my nails, an adrenaline rush, i need to clock-watch,
i need to ***** and laugh and yell and grin, i need to
collapse and breathe when the buzzer sounds, three more points,
closer to the penrose, closer to the ncaa's--
i need hockey.
i need home.
43 days until face-off. I'm getting REALLY homesick.
ink  Jan 2015
Penrose Stairs
ink Jan 2015
A while ago
I was the top of the world
Now I'm the bottom
Mysidian Bard  Feb 2017
Limitless
Mysidian Bard Feb 2017
Astral architecture hangs on the balance of my once fragile mind, now unbound and open to the potential of the Penrose Stairs that I climb. Infinity, I thought, was an innate idea man was not meant to understand, because if the universe is in fact infinite, into what does it expand?

Standing at the precipice of epiphany, teetering at the very cusp of clarity, it came to me in a monumental moment of sibylline singularity:

It expands into itself.

The thought was too profound to perceive, too ravenous to be satiated. Could this be at long last, the answer for which I have waited?

I realized that consciousness operates under a similar uniformity: the brain won't outgrow the head, but the mind will outgrow the body, and our echoes will radiate across the endlessness of existence, for all our forgotten frequencies are oblivious to the concept of distance.

We are all limitless beneath the veil of this perceived reality,
but only there are we human, and only then are we free.
ms reluctance  Apr 2014
Hero
ms reluctance Apr 2014
My story is a mess, it’s going nowhere;
Continuous, never-ending like Penrose stairs.

So let me be the hero of your story —
I’d like to save you, taste some of that hero’s glory.

I will fight off your demons; for you I’ll bleed.
I will listen to you talk if that’s what you need.

I will hold you to me and never let go.
Breathe life into your stone heart, I will kiss you so.

I will help you break the chains and set yourself free
And maybe, someday, you can do the same for me.
NaPoWriMo Day #15
Poetry form: Couplet
Mateuš Conrad Sep 2016
how sensible it all seems, how crew-cut and with enough
anaesthetic to k.o. an elephant - outside the laboratories
the populists in whatever guise march on - as with any
congregation, atheists also muster up enough social muscle:
they too have their bouncers and other
gob-smackers with knuckle dusters -
as long as science is popularised it pushes
the boundaries of insensible chasms elsewhere -
                             but with so futile popularisation:
shortages in respective sectors: mandatory,
or as suggested: no longer rich bachelors and
         private laboratories - a science of regurgitation -
once they burned heretics, now the subtle
        championing of mingy sedatives - and since
Joan of Arc's heart no longer aspires to passion
and its all consuming fire, it turns into a wet
piece of coal - reining in the crowds of pop culture
zombies - said before, said again - but how
dislodged the feelings not ranging into absurdity
or at least nibbling on the zest of Dionysus;
but how things changed from that year, 2006,
everyone is asking, the poncy pope with glamorous
attire, the stiff-necked scientists - the pendulum
of guilt swinging in both directions - half of
the 20th century prescribed a fear magnanimously:
oddly enough - as implying: we forgive your
puny religious swooning and answering with
the easiest answers possible... here's a bomb -
so who are the sacred ones? they too are human -
the magazine dissected into:
a. what is reality? (can we be sure that the world
  we experience is not just a figment of our
    imagination) by roger penrose
     b. do we have free will? (the more we find
out about the brain works, the less room there
  seems to be for personal choice or responsibility)
     by patricia churchland
c. what is life? (if we encounter alien life,
chances are we wouldn't recognise it - not even
if it was here on earth) by robert hazen
d. is the universe deterministic?
   (however you look at it, the answer seems to be "maybe")
       by vlatko vedral
   e. what is consciousness? ("my soul is a hidden
    orchestra... all i hear is the music" - fernando pessoa)
            by paul brooks
f. will we ever have a theory of everything?
    (2000 years of rational inquiry may be approaching
  their crowning glory. just one more push could
   be enough...)
                            by michio kaku
   g. what happens after you die? (we have all
  wondered if there is an afterlife, but only a few are brave -
or foolish - enough to try and find out)
                                by mary roach
  h. what comes after **** sapiens?
  (all species are fated either to die out or to evolve
  into something else. all except humans, that is)
                   by james hughes -
so there we have it - the respective pillars of science,
whereby science replaces core beliefs into
core questions - to not hold firm, but to constantly
sway - the 8 founding questions - no more,
  no less - but how many people can perpetually sway?
   the supposed 8 universals, i.e. that every human
  being might, might not, will or will not ask -
     and for these 8 universals, exponential functions
of particulars: because that's how it's supposed
to be: chaotically democratic -
thus everyone knows the objectivity standard:
at its core is awe, outside the core pathology and
apathy - or let us say: passions and indifference -
then subdivisions of (+) and (-), and in general:
   however it is you feel: compensated or left starving.
in 2006, they congregated at a round table and
spoke god-this, god-that - no minority report,
  cold evidence never went down with women (or
so i'm told), three questions, question 1:
                 should science do away with religion?
oddly enough R. Dawkins said:
               "no doubt there are many people who do need
religion, and far be it from me to pull the rug from
under their feet." - we know that the bestseller
              the god delusion came out shortly after.
a physicist (S. Weinberg) similarly (c me la ri lee):
   "science can't provide a sense of magic about the world,
or a community of fellow-believers. there's a
religious mentality that yearns for that."
  L. Krauss: the success of science does not encompass
the entirety of human intellectual experience.
on and on this goes - i guess they have to debate for
the sake of debate - as i am sure everyone is aware:
   a debate can overpower the point of prayer -
confessions? i treat it more like poetry - but in saying
that... where is the medical profession in all of this?
we have astronomers, ecologists, biologists,
physicists, astrophysicists, planetary scientists,
cosmologists, philosophers... what's the odd one out?
it's a bit suspicious that this magazine does not
cite any chemists... and that's ****** obvious...
they're the ones making pacts with the devil -
whether Goethe's or Marlowe's Faust -
then at least to the more obscure rendition
of Pan Twardowski (Herr Tvardovsky) -
         but how odd it already is that chemists haven't
joined ranks with other scientists in their little
Friday night debating club meetings - seriously?
are those boffins serious about all of this?
            or as one said it:
i came from learning to write CO for carbon monoxide,
   and FeO for ferric oxide - or drawing electron migration
  diagrams when two compounds interact (a nice
playground of symbols) and went my way into
   some form of linguistics - primarily working on
          the tetragrammaton - i have no major interest
beyond this definition: would i debate the most
difficult metaphysical assumption of the omni-variations
in terms of ascribing the variations to a being?
i'd stumble in the metaphysical world on omnipresence,
meaning i would be a pantheist - meaning god
    would be anything and everything from the moon,
a mouse, an ant colony, my **** and what not -
            the all-in-one: for one thing, that's already much
too hellish to comprehend, let alone make comedy from.
but they haven't told you about the painkilling
saliva that beats morphine - catherine rougeo:
proceedings of the national academy of sciences,
vol. 103, p. 17979) - the compound's name? opiorphin,
or the scourge of Afghanistan. they also didn't
tell you about Saracen sabres - their scimitars contained
carbon nanotubes - forged from Indian steel
called wootz - 17th century examples studied by
P. Paufler (Dresden) found the carbon nanotubes
and even nanowires (nature, vol. 444, p. 286) -
or is this becoming to look very much like traffic
on London's M25 during rush-hour? it certainly is,
as was intended -
                   1950s: age of optimism -
influenza wave from the east, the indestructible transistor,
   television without wires, baby computer the size of
  a piano, rubber windshields, genetic chemistry,
atomic aircraft, the neutrino, sputnik 1, strontium-90
(radioactive ash)  used by manufacturers of woven
and knitted fabrics to overcome fog markings,
the coleopter, polypropylene (the remnants of German
word-compounding revealed in chemistry, and
only in chemistry, elsewhere compounding is
replaced by hyphenation, i.e. hyphenating),
                  and so on and so forth until present day -
passing through Sir, Julian, Huxley, who reinvented
****** with "positive" eugenics - oh sure, it was still
alive and kicking - quark hunters draw a blank -
             i could reference all else that was involved
in making the last 60 years - beyond that people are
call it ancient history - or are Virgil and as Horace,
and as Ovid did - turned their back to the world,
         into their poplar groves and jasmine filled gardens,
and said: ta'oh!           ta'oh!                 Tao!
  but not until then, before embarking i'm already
dreading to embark with something to add, to even
voice this -                                     but i guess i might:
  as ever, the freedom of speech is never as grand a
                                      luxury as the freedom to think.
brooke Dec 2016
all my photos are in his passenger's seat
these black and whites of him singing
and talking about the wars he has and hasn't
been in, navigating Penrose like he walked
these roads a thousand times before he ever
took a truck--

and he know everybody's name, date of birth
and probably their social, who died and when--
he's been livin' as 14 other people,
never gets no space and I'm no respecter of that
neither cause the way he looks at me used to
scare me and now I know he jus' scared himself.

saw it when he told me about Braun's body
in the brambles, and in the letters he gets from
past lovers full of jealous jargon-- you made me
feel terrible
,  your fault, ending in a hundred
goodnights, she wants the last word and all I want
is for him to tell me what he's thinkin' when he's angry


'cause he is angry, with bitterness sunk down in his bones
and swimmin' 'round in his chest, he lost weight out at the rig
but kept all that melancholy to himself, brings it home and
drops it in a glass before taking it back in


he asks why I'm lookin' and it's just 'cause.
Just 'cause i'm looking at his eyelashes while
he sleeps or the lip of his brow hidin' eyes a lot lighter than you'd think, committing the eagle on his back to memory
with that scripture from Isaiah a ways off in my head,
scrawled on the back of my heart,
written at the crown of his spine,


I used to wonder about the integrity of his skin
if water'd seep through or run off, used to think
he was made of wood with rice paper shutters--
but he's a mountain, a snowcapped alp
you wouldn't know it from a ways off,
when he's just a soldier standing out
in the field, shoulders hunched, chin tucked
breathin' cold air, but Lord he warm, fierce as the
mistakes he runnin' from--

we both beggin' to be right
or good enough, for the sunlight
to make us into somethin' pretty
somethin' new and shined--
but for now i'm takin' pictures shotgun,
hiding my fingers in my pockets
thinking about the way his voice'd
prolly blow in on the curtains on a
summer's day, and he's singing
My love, is somewhere in that mountain....


*my love is somewhere in that mountain
(c) Brooke Otto 2016

And he'd dig himself out with dynamite
Paris Adamson Aug 2011
you are words on a screen and i crumble
beneath your nimble shreds of time,
the weight of memories.
your zorro ****** energies
that bubbled up inside me and i laughed
…blood rolls down my back and i tell you it tickles.

i lost a part of me in you
******* and eight months
twisted and locked in a Penrose triangle cage.
hearts that are shiny, unspeakable illusions,
minds running on cancerous steam:
we were mere fantasies but i left mine in the garden.

i am not empty, but closed
shrouds to misguide the weary,
holding believers hostage til hope gives way.
you were the only mirage i ever wept for,
witnessing the most vast furrows of my darkness,
i was rendered detached in the valley of your thighs.
brooke Jan 2017
he gives the two fingered salute to every 1975 chevy or
white cummins with a ballcap behind the wheel,
shops every place he in and says howdy to women he don't know
can see him tapping nervous fingers while we in line 'cause all these
people make him anxious, he look just like a buck through a scope,
bristling with caution--

we're passing through penrose the back way, (an' every ways the back way) grinding up dirt roads curvier than the pipes my daddy used to snake with Tom. T. Hall preachin and
he's stopping on highway exits, putting his lips to mine before I realize
Hank Williams was kissing me and Roger too--

breathing in that dry groan, a voice that'd be thick as
molasses if you could picture it and just as dark, slowly
rollin' over the steering wheel and swimmin' up onto the
dashboard the way steam curls around thin air,
not as warm, though he hit you like the sun does in the winter--
gotta stand still and feel it,--

but we're still in his truck, his headlights
washing out across the barren trees and barbed fences
and the skies are these nice stretches of mixed paint,
black and indigo speckled with impending snow or
maybe saturday,
all the while he keeps sayin' what? every time he
catches me lookin' and all i can do is smile till he kisses
me again, him and Johnny, Corb and Evan.
(C) Brooke Otto 2016.
brooke  Dec 2016
billethead
brooke Dec 2016
we were out on the porch
on an abnormally warm december night
with little glow florence off to the west
and he hadn't said much of what was there
because when he says nothing he is, with
his words laid out beneath pearl snaps
scrawled down his stomach--I would know,
i've seen his the tyrades plow, resentment
run thick, angry words rampant in his veins--

so he says nothing, and I know.

often times he is an open door and
i am the wind, in billows or gasps, rattling
hinges, finding holes, peeling paint or gathering dust
a spool of thread wrapped around stonehenge to remember
curls of foilage, svelte figureheads on galleons, I tell him

that I want to be with him and he says nothing. won't even look at me,
he's somewhere far away, drawn into penrose like a soul sunk in the
dirt, I say it again, and he tells me we should go inside


so i want to ask if that is all i am,
if that is what this is, if i am only good
for one night or two hours, in bits and pieces
limbs and moisture, if as a whole i am too much
but still lacking, if the warmth of my hips is
all that's needed but the grand luminance of a soul is out of the question?


But I say none of that, just follow him inside.
A hundred questions trickling down my spine, gathering in my femur, my calves, gusting into my lungs, I don't know how to be more than this and less, I'm opening up the cavity of my chest and pleading this

this is all there is.
I am all that I can be
(C) Brooke Otto 2016

Here's the ****** recording of me reading it:

https://soundcloud.com/brooke-otto-597708624/billethead/s-DN3LT
brooke  Jun 2017
if you.
brooke Jun 2017
**** it, should stop even trying to
be the good guy

but that's not true,
because if it's not me
it will be someone else
twice as lovely with a
better heart probably,
the way i wanted to
be or thought i could be

that's not true,
you're too good, a little rusted
salvaged from a bunker in penrose
but you shine up real nice,
you're kinda pretty
i said and you smiled
like you used to,
but *that's
true

you're too beautiful
to be the villain
have you seen the
gems they dredge up
from the earth?
covered in soot and grime,
a thousand years of soil
they don't sell for much
but lord if they ain't
the most gorgeous
things you ever seen
dandelion yellow
pine green,
the kind of
oranges you wouldn't imagine

and if i could ever make
you believe a single thing
again it'd be that you're
some kind of sunday-morning
leave the weeds for another day
kinda feel, sweet corn and barley
Rest my head on the window and
let
Just
*let

— The End —